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MMoCA Winter 2020 newsletter

Exhibitions of the Chicago Imagists, James Cagle, and Ray Yoshida. Jasper Johns in our collection.

Exhibitions of the Chicago Imagists, James Cagle, and Ray Yoshida. Jasper Johns in our collection.

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WINTER <strong>2020</strong>


EXHIBITIONS<br />

UNCOMMON ACCUMULATION<br />

The Mark & Judy Bednar Collection of Chicago Imagism<br />

Main Galleries • Mar 14–July 19<br />

<strong>MMoCA</strong> Opening • Friday, Mar 13 • 6–9 PM<br />

To celebrate the extraordinary collection of Chicago Imagist works gifted by Mark and Judy Bednar of Chicago, <strong>MMoCA</strong><br />

will exhibit a selection of works from their collection in the museum’s main galleries. Their generous contribution,<br />

totaling nearly 100 works of art, complements the museum’s existing collection of Chicago Imagism through inclusion<br />

of works produced early in the careers of several of the artists. Formative works by Roger Brown, Robert Lostutter,<br />

Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Barbara Rossi, Karl Wirsum, and Ray Yoshida from the<br />

1960s and 70s—a period when some of the Imagists were still in graduate school at the School of the Art Institute of<br />

Chicago and would soon be gaining national attention—are part of this major gift to the museum.<br />

One work, Duck Troops, by Gladys Nilsson was exhibited at the inaugural Hairy Who exhibition at the Hyde Park Art<br />

Center in 1966 and was recently loaned to the Art Institute of Chicago for the first-ever major survey of the Hairy Who.<br />

In Nilsson’s watercolor, a festive and colorful group of ducks wearing full dress uniform—the formal garb worn by<br />

military and service personnel for public events—gather for what appears to be a parade or official procession. Amidst<br />

the waving flags and tooting horns, viewers can imagine the cacophonous quacks, honks, and chatter of the assembled<br />

ducks. Gladys Nilsson describes the scene as “a lot of folderol.” Humorously depicting the lavish ornamentation and<br />

decorative, yet impractical, uniforms, replete with berets and ribbons, Nilsson uses vibrant pinks, polka dots, and<br />

aqueous washes of color to playfully parody this manner of dress.<br />

The exhibition will be accompanied by a publication that focuses on the individual artists and their distinct approaches<br />

through object-focused essays that include details gathered from interviews with the artists. In the spirit of their mentor<br />

and fellow Imagist, Ray Yoshida—who urged his students to really look at an object in order to reimagine and reinvent<br />

its form—the book closely examines several Imagist works in order to provide new narratives, while highlighting the<br />

unconventional sources that inspired them. The <strong>MMoCA</strong> Opening event on Friday, March 13, will feature a conversation<br />

in the lecture hall between two of the artists, Gladys Nilsson and Robert Lostutter, which will highlight their methods<br />

and influences throughout their artistic careers.<br />

2<br />

Uncommon Accumulation has been made possible by the Gabriele Haberland Permanent Collection Fund; a grant<br />

from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts; and<br />

<strong>MMoCA</strong> Volunteers.


JAMES CAGLE<br />

A Final Meditation on Art<br />

State Street Gallery • Feb 29–May 24<br />

James Cagle is a Wisconsin-based photographer who transforms familiar objects and overlooked spaces into contemplative<br />

images. A Final Meditation on Art, Cagle’s forthcoming exhibition at <strong>MMoCA</strong>, centers on his most recent<br />

visual achievement: a quietly powerful photographic installation he conceived while confronting terminal illness.<br />

Supplemented by a selection of his earlier photographic work, in addition to an experimental film he produced in<br />

1974, the exhibition reveals how Cagle’s poetic vision elevates his everyday surroundings into a world of associative<br />

possibilities.<br />

Akin to an earlier generation of abstract photographers who, starting in the mid-twentieth century, embraced the camera<br />

as a tool to evoke emotive content rather than to document moments or events, Cagle similarly looks to his camera<br />

to express, in his words, “a sense of enigma, something revelatory and beyond conventional reality.” He achieves this,<br />

in part, through his exceptional ability to find beauty in the commonplace, focusing his lens on things as seemingly<br />

unremarkable as an orange Kleenex box or the creased cover of a paperback book. Deftly utilizing the constraints of<br />

the photographic frame, he creates tight compositions that either abstract or decontextualize the real world, thereby<br />

allowing viewers to experience something familiar in a new way.<br />

Even when the piece contains imagery that is recognizable, Cagle draws inspiration from the modernist tradition of<br />

photographic formalism, where considerations of shape, line, texture, light, and cropping effectively disconnect the<br />

photographed subject from its original narrative context. Once captured by the camera, the object becomes something<br />

altogether different—an isolated yet poignant figural form. Take, for example, Aurora, the artist’s 2018 photograph<br />

of a cornstalk leaf. Delicately curled, the leaf appears suspended within the surrounding atmospheric space, a keen<br />

illustration of the artist’s attention to compositional concerns. The leaf is also bathed in a soft light that calls attention<br />

to its craggy, heavily veined surface—a sign, perhaps, of its impending decomposition. In Cagle’s able hands, the image<br />

of a cornstalk leaf turns into a metaphor about aging, the passage of time, and the delicate majesty of nature. Imbuing<br />

the everyday with an aura of mystery, A Final Meditation on Art serves as Cagle’s final act of generosity: a lyrical eulogy<br />

to the creativity and profundity of daily life.<br />

Generous support for James Cagle: A Final Meditation on Art has been provided by the Rona B. Malofsky Trust; Bill<br />

White; Jan Marshall Fox; Dane County Arts with additional funds from the Endres Mfg. Company Foundation, the<br />

Evjue Foundation, Inc., charitable arm of the Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T.<br />

Rowland Foundation; a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National<br />

Endowment for the Arts; and <strong>MMoCA</strong> Volunteers.<br />

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EXHIBITIONS & NEWS<br />

JAMES CAGLE<br />

Excavation<br />

Imprint Gallery • Feb 29–May 24<br />

James Cagle’s 1974 film, Excavation,<br />

accompanies the artist’s larger photographic<br />

exhibition on view in the museum’s<br />

State Street Gallery. As with his<br />

photographs, Cagle’s films demonstrate<br />

his interest in formalism, an approach to<br />

filmmaking that emphasizes the physical<br />

properties of film as a material, rather than<br />

film as a narrative tool. Formalist explorations<br />

in film typically involve experiments<br />

with sound, light and exposure, time and<br />

movement, shot composition, editing, and<br />

the varied ways in which all of these qualities<br />

can operate together on screen.<br />

Cagle plays with each of these elements in<br />

Excavation. He floods the viewer with a deluge<br />

of sensory information—rapid editing, superimposed frames, flashing imagery, accelerated zooming, and rhythmic<br />

sound. Visually fragmented, yet unified by recurring motifs, the film surveys the artist’s external landscape—rocks<br />

and canyons, trees, the female body, pointing fingers, etc.—as a means to hint at his interior mindscape. The pulsating,<br />

exhilarating soundtrack drives the film forward, complementing the cadence of the visuals. In creating this film,<br />

Cagle not only “excavates” the private workings of his inner world, but also the material components of filmmaking.<br />

RAY YOSHIDA<br />

The Spaces in Between<br />

Henry Street Gallery • On view through April 12<br />

Ray Yoshida: The Spaces in Between is a comprehensive look at the talented Chicago-based artist known for his experimental<br />

and innovative works of art. In a series of paintings from the 1970s, Yoshida depicted a set of abstract shapes<br />

that evoke just the sort of visual investigation that he strove to elicit: are they figures, tools, land formations? In Untitled,<br />

geometric structures appear to bulge and sprout appendages amid a background scattered with patches and dots of<br />

color. When asked about the patterning and its algae-like formations, Yoshida remarked that he was very interested<br />

in “the concept of conscious and unconscious... I don’t know if whether you have ever experienced sort of taking a nap<br />

or lying in the afternoon...with your eyes closed and seeing sort of these forms floating.” This allusion to the optical<br />

science of perception, together with the painting’s stippled patterning, is grounded in Yoshida’s fascination with the Neo-<br />

Impressionist artist Georges Seurat. He regularly walked by the artist’s pointillist masterpiece A Sunday on La Grande<br />

Jatte—1884 on display at the Art Institute of Chicago. In particular, Yoshida was intrigued by “the frozen quality” of<br />

Seurat’s figures, which mirror the rigid bodies in his own<br />

paintings. Yoshida’s patterning also nods to Seurat’s use<br />

of pointillism, but as a master of reinvention, he creates<br />

his own form of pointillism. While the technique of pointillism<br />

is the application of small dots to the surface of the<br />

painting, Yoshida’s technique is the inverse—Yoshida lays<br />

down a color for the ground of the painting, in this case a<br />

bright white, then paints on top of this base layer, carefully<br />

generating small windows for the white to peek through.<br />

While the collection of objects in this painting hover in<br />

a flotsam of marks, it remains a cohesive and rhythmic<br />

group that delights the eye and intrigues the mind.<br />

Exhibitions in the Henry Street Gallery are generously<br />

funded through an endowment established by the Pleasant<br />

T. Rowland Foundation.<br />

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NEW ACQUISITION<br />

Jasper Johns: Flags II<br />

Jasper Johns’s series of flags remains an iconic centerpiece of his oeuvre and twentieth century art history. Inspired<br />

by a dream in which the artist saw himself painting an American flag, Johns’s paintings, drawings, and prints of<br />

the flag complicate representation of a symbolic object when displaced from their original context—are they flags<br />

or works of art or both? This relationship between subject and artwork was most famously examined by Surrealist<br />

René Magritte whose painting of a pipe floating above the phrase “Ceci n’est pas une pipe” (This is not a pipe) was<br />

exhibited and seen by Johns just months prior to completing his first flag painting.<br />

In Flags II, Johns manipulates the medium of a screenprint so the work reads as a painting rather than a print.<br />

Rejecting the large flat areas of color typically associated with a screenprint, Johns builds up the surface of the print<br />

through thirty layers of various tonalities of gray—which he occasionally mixed with varnish—to create an incredibly<br />

tactile composition that emulates the inclusion of intricate brushstrokes. The print was generously donated to the<br />

museum by the family of Harvey and Rona Malofsky in their memory. Both Harvey and Rona were avid supporters<br />

of the museum—Harvey was on the museum’s Board of Trustees and served as President, while Rona was part of<br />

the Art League.<br />

DON’T MISS<br />

WISCONSIN<br />

TRIENNIAL<br />

On view through<br />

Feb 16<br />

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MUSEUM EVENTS<br />

TALKS, TOURS, & DISCUSSIONS<br />

FRIDAY, JAN 10 • 5:30–6:30 PM<br />

(HOW) DOES CONSCIOUS<br />

CONSUMPTION MATTER?<br />

This talk brings art and sociology into an active<br />

conversation about how we consume and whether<br />

changing our consumption habits matters. In Jennifer<br />

Bucheit’s project Again and Again: A Reflection on<br />

Consumer Culture, she presents photographs of the<br />

paper packaging that she encounters in everyday life,<br />

encouraging reflection on the life cycle of the goods,<br />

the messages the packaging conveys, and the implications<br />

of personal consumerism. Jane Collins uses<br />

recent sociological evidence to open up the question<br />

of whether, by changing our individual consumption<br />

practices, we can solve large-scale problems such as<br />

climate change and inequality. Free admission.<br />

Jennifer Bucheit received a BFA in graphic design<br />

from the University of Iowa and an MFA in photography<br />

from Academy of Art University, San Francisco.<br />

Jane Collins is professor of community and environmental<br />

sociology at the UW-Madison. Her most recent<br />

book, The Politics of Value, was published by The<br />

University of Chicago Press in 2017.<br />

FRIDAY, FEB 7 • 6:30–7 PM<br />

TOM JONES ON STRONG<br />

UNRELENTING SPIRITS<br />

Tom Jones extends the boundaries of photography<br />

to explore identity and tradition. In this gallery talk,<br />

he will describe his incorporation of traditional<br />

Ho-Chunk beading designs in his series Strong<br />

Unrelenting Spirits, an ongoing photographic essay<br />

on the contemporary life of his people. Free admission.<br />

Tom Jones’s photographs have been widely exhibited<br />

and are included in the permanent collection<br />

of the National Museum of the American Indian,<br />

among others. A professor in the UW-Madison Art<br />

Department, Jones is co-author of the book, People<br />

of the Big Voice, Photographs of Ho-Chunk Families<br />

by Charles Van Schaick, 1879-1943.<br />

The discussion will be moderated by <strong>MMoCA</strong>’s curator<br />

of the permanent collection, Mel Becker Solomon,<br />

in conjunction with the opening of Uncommon<br />

Accumulation: The Mark and Judy Bednar Collection<br />

of Chicago Imagism.<br />

This talk is free for members/$10 for non-members.<br />

Lecture hall seating is limited.<br />

A Lussier Family Lecture.<br />

WEDNESDAY, MAR 25<br />

12:30–1:30 PM<br />

ROBERT LOSTUTTER: TRANS-<br />

FORMATION & ADORNMENT<br />

Robert Lostutter’s radiantly beautiful paintings of<br />

hybrid bird-men signal his love of nature and fascination<br />

with the brilliant plumage of tropical songbirds.<br />

They also summon ideas about bodily transformation<br />

and adornment as an expression of identity.<br />

Fred Stonehouse will discuss Lostutter’s work<br />

on view in Uncommon Accumulation: The Mark and<br />

Judy Bednar Collection of Chicago Imagism. Free<br />

admission.<br />

A professor of painting and drawing at the<br />

UW-Madison Art Department, Fred Stonehouse<br />

is internationally known for his superbly rendered,<br />

exquisitely imagined prints, drawings, and paintings.<br />

FRIDAY, MAR 13 • 6:30–7:30 PM<br />

IN CONVERSATION: ROBERT<br />

LOSTUTTER & GLADYS NILSSON<br />

Robert Lostutter and Gladys Nilsson will discuss their<br />

work and the relationships that led to the development<br />

of Chicago’s exuberant art scene with its focus on fine<br />

craftsmanship, vibrant line and color, and fanciful<br />

imagery based in representation. Lostutter has been<br />

a leading figure in Chicago’s visual art scene for more<br />

than 40 years, gaining special prominence for his<br />

finely rendered hybrid portraits. Nilsson gained early<br />

recognition as one of the nation’s premiere watercolorists,<br />

which she employs to create lively, enigmatic<br />

narratives spiked with humor and wit.<br />

THURSDAY, APR 2 • 1–1:45 PM<br />

JAMES CAGLE:<br />

WITH AN OPEN EYE<br />

James Cagle’s photographs cause us to focus on elements<br />

of our surroundings that might otherwise go<br />

unnoticed. His acute sensibilities, formal rigor, and<br />

embrace of the quotidian imbue his works with an<br />

extraordinary level of intimacy. <strong>MMoCA</strong> curator<br />

emeritus Richard H. Axsom will discuss Cagle’s penetrating<br />

vision, and the associative and structural<br />

devices he employs. Free admission.<br />

6


Rick Axsom is <strong>MMoCA</strong>’s curator emeritus and a<br />

nationally recognized art writer who has published<br />

definitive texts on the prints of Frank Stella, Claes<br />

Oldenburg, Terry <strong>Winter</strong>s, and Ellsworth Kelly. He is<br />

also professor emeritus of art history at the University<br />

of Michigan, where he taught courses on modern and<br />

contemporary art.<br />

THURSDAY, APR 16 • 1–1:45 PM<br />

CHICAGO IMAGISM UP CLOSE<br />

Closely examine select works from the Chicago<br />

Imagist collection of Mark and Judy Bednar with<br />

curator Mel Becker Solomon. The Imagist artists<br />

surveyed in this exhibition, as well as the collectors<br />

who have embraced their work, share the belief that<br />

the act of looking is a worthwhile and vastly rewarding<br />

endeavor. In the spirit of their mentor and fellow<br />

Imagist, Ray Yoshida—who urged his students to<br />

really look at an object in order to reimagine and<br />

reinvent its form—this exhibition delves into works by<br />

several of the Imagists to unearth new storylines and<br />

highlight the unconventional sources that inspired<br />

them. Free admission.<br />

FRIDAY, APR 24 • 6:30–7:30 PM<br />

MARTIN KERSELS<br />

STEPHEN FLEISCHMAN<br />

LECTURESHIP<br />

Martin Kersels’s innovative and wide-ranging artistic<br />

practice draws on the worlds of performance, film,<br />

video, photography, popular and experimental music,<br />

sculpture, and science. From his co-founding of the<br />

performance art group the SHRIMPS in 1984, he has<br />

explored themes of vulnerability, humor, playfulness,<br />

and the expressive potential of the body in space.<br />

Physicality permeates his work; Merce Cunningham<br />

and Buster Keaton were among his early influences.<br />

Most recently, he has focused on making kinetic<br />

sculptural assemblages from wood and found record<br />

album covers.<br />

Martin Kersels is professor and director of graduate<br />

studies in sculpture at Yale School of Art, New Haven,<br />

Connecticut. This talk is the fifth Stephen Fleischman<br />

Lectureship, which honors his tenure as director of<br />

<strong>MMoCA</strong>. Talks organized for the Stephen Fleischman<br />

Lectureship are held each year in April. Admission is<br />

free. Advance reservations are required and available<br />

at mmoca.org.<br />

DROP-IN TOURS<br />

SATURDAYS • 1 PM<br />

JAN 11, FEB 8, MAR 14, APR 11,<br />

MAY 9<br />

Drop by <strong>MMoCA</strong> for lively and informal discussions of<br />

current exhibitions. Expertly led by <strong>MMoCA</strong>’s docents,<br />

these free, 30-minute guided tours consider artists’<br />

creative decisions and provide insight into their methods,<br />

ideas, and influences. Meet in the museum lobby.<br />

January 11 on Wisconsin Triennial<br />

February 8 on Wisconsin Triennial<br />

March 14 on Uncommon Accumulation<br />

April 11 on Uncommon Accumulation<br />

7


MUSEUM EVENTS<br />

Photo by Sharon Vanorny<br />

<strong>MMoCA</strong> OPENING<br />

FRIDAY, MAR 13 • 6–9 PM<br />

Join us at <strong>MMoCA</strong> on Friday, March 13 from 6–9 pm for the opening of Uncommon Accumulation: The Mark and Judy<br />

Bednar Collection of Chicago Imagism, an exhibition featuring more than 80 works by celebrated Chicago Imagist<br />

artists Roger Brown, Robert Lostutter, Gladys Nilsson, Jim Nutt, and Christina Ramberg among others. The exhibition<br />

highlights works gifted to the museum by the Bednars. The evening will offer live music from members of the Willy<br />

Street Chamber Players, a cash bar, and hors d’oeuvres from Fresco in the <strong>MMoCA</strong> Lobby.<br />

At 6:30 pm, Robert Lostutter and Gladys Nilsson will discuss their work and the formation of the Chicago Imagists<br />

in a conversation moderated by <strong>MMoCA</strong> curator of the permanent collection, Mel Becker Solomon. Seating capacity<br />

is limited.<br />

This event is free for <strong>MMoCA</strong> members/$10 for non-members. <strong>MMoCA</strong> Openings are sponsored by Newcomb<br />

Construction Company and The Alexander Company with additional support from Fresco and media support from<br />

Isthmus.<br />

ARTS MEMORY<br />

CAFÉ<br />

THURSDAYS, 1–3 PM<br />

JAN 16, FEB 20,<br />

MAR 19, APR 16<br />

People living with Alzheimer’s disease or other<br />

dementias are invited to participate in the Arts<br />

Memory Café held at <strong>MMoCA</strong>.<br />

A partnership with the Alzheimer’s & Dementia<br />

Alliance of Wisconsin (ADAW), the program offers<br />

creative enrichment for those experiencing memory<br />

loss. There is no cost to attend. Anyone who requires<br />

assistance to participate must be accompanied by<br />

someone who can provide that support. Detailed<br />

information is available at www.alzwisc.org.<br />

ART VELO<br />

THURSDAY, JAN 30<br />

4–7:30 PM<br />

On the evening of January 30, <strong>MMoCA</strong> will present the<br />

sixth annual Art Velo, a unique fundraising event for<br />

the museum. Art Velo brings together individuals and<br />

teams of riders for a one-of-a-kind cycling experience in<br />

the <strong>MMoCA</strong> lobby. The event is open to anyone interested<br />

in sponsoring a bike in support of the museum. This<br />

year, bike sponsors will have the opportunity to network,<br />

compete for prizes, get creative, and enjoy energizing<br />

drinks and fare along with a high-energy, music-infused<br />

riding session led by CycleBar. For information about<br />

sponsoring this or other <strong>MMoCA</strong> events please send an<br />

email to Annik Dupaty, Director of Events & Volunteers,<br />

at annik@mmoca.org.<br />

8<br />

Funding for this program has been provided by Qual<br />

Line Fence Corporation.


CHROMA<br />

FRIDAY, APR 17 • 8 PM–12 AM<br />

Chroma—the immersive color experience—returns to <strong>MMoCA</strong> on Friday, April 17. Saturated in the seven spectral<br />

colors, guests will enjoy a party atmosphere with opportunities to see, make, buy, admire, and experience art,<br />

while being inspired by color and design. Chroma attendees will enjoy artist- and designer-created color-rich<br />

environments, the chance to participate in group art projects, as well as savories and cocktails, themed sweets,<br />

dancing, DJ mixes, and performances throughout the building.<br />

Both a fundraising event for the museum and a layered art experience, Chroma celebrates all of the ways that<br />

artists, designers, and everyday people use color creatively. Grab your friends and plan outfits in your favorite<br />

spectral colors for a chance to win prizes!<br />

General Admission $15; VIP Insider experience $125. Tickets to this sell-out event will go on sale on mmoca.org<br />

for members January 31, and will open to non-members February 3.<br />

PRIVATE EVENTS<br />

Imagine your wedding, networking<br />

reception, business presentation,<br />

or special event in one of<br />

Madison’s most iconic buildings.<br />

<strong>MMoCA</strong>’s striking spaces are<br />

available for corporate and individual<br />

clients, offering access to<br />

world-class exhibitions, artfully<br />

prepared food, stunning views,<br />

and more. Discounted rates<br />

available for museum members<br />

and nonprofit groups. For<br />

more information contact Bob<br />

Sylvester at bob@mmoca.org<br />

or 608.257.0158 x251.<br />

Photo by SV Heart Photography<br />

Photo by Sharon Vanorny<br />

9


FREE FAMILY RESOURCES<br />

Photo by Julia Blascoe<br />

KIDS’ ART<br />

ADVENTURES<br />

Families are invited to make art together in <strong>MMoCA</strong>’s<br />

classroom after a lively discussion in the galleries.<br />

Activities are appropriate for kids ages six to ten;<br />

younger siblings are welcome. Kids’ Art Adventures<br />

are free and begin at 1 pm. Come 15 minutes early to<br />

sign up.<br />

SUNDAY, JAN 12 • 1–2:30 PM<br />

The 2019 Wisconsin Triennial includes works by artists<br />

who create characters to tell stories. Step into these<br />

fictional worlds, and then make your own imaginary<br />

characters come to life as figurative sculptures.<br />

SUNDAY, FEB 9 • 1–2:30 PM<br />

Artist Ray Yoshida used a variety of methods to make<br />

his work, including a painting technique that resembles<br />

pointillist art—distinct dots of color applied in a<br />

pattern to create an image. After seeing his paintings<br />

up close, use a similar approach to make a colorful<br />

mosaic using stones, tiles, beads, and buttons.<br />

SUNDAY, MAR 15 • 1–2:30 PM<br />

Roger Brown creates mesmerizing patterns of repeating<br />

shapes and colors in his luminous paintings.<br />

Inspired by his approach, carve a rubber stamp and<br />

explore patternmaking of your own.<br />

SUNDAY, APR 19 • 1–2:30 PM<br />

Transform yourself into a creature of your choosing<br />

after exploring rich detail and wild fantasy in Robert<br />

Lostutter’s exquisite paintings of bird-humans. In the<br />

classroom, make a mask and wear your new identity<br />

home.<br />

<strong>MMoCA</strong>kids<br />

ARTPACK<br />

Stop by the museum’s lobby welcome desk and ask<br />

for the <strong>MMoCA</strong>kids ArtPack, the museum’s hands-on<br />

discovery kit for exploring art. Find the elements of<br />

art (line, shape, color), make a drawing, design a composition,<br />

step into a work of art, and define emotions<br />

felt through art. For further exploration, use the takehome<br />

activity for Ray Yoshida: The Spaces In Between<br />

and Uncommon Accumulation: The Mark and Judy<br />

Bednar Collection of Chicago Imagism.<br />

<strong>MMoCA</strong>teens &<br />

<strong>MMoCA</strong>kids ART<br />

GUIDES<br />

Designed for use anywhere in the museum, the<br />

<strong>MMoCA</strong>teens and <strong>MMoCA</strong>kids art guides provide<br />

young visitors with multiple ways to investigate<br />

contemporary art. Find them in exhibition learning<br />

centers and at the entrance to <strong>MMoCA</strong>’s State Street<br />

Gallery.<br />

LEARNING<br />

CENTERS<br />

<strong>MMoCA</strong>’s Learning Centers offer families a variety of<br />

fun and engaging resources for exploring <strong>MMoCA</strong>’s<br />

exhibitions. A range of kid-friendly activities promote<br />

imaginative play inspired by works of art. Learning<br />

Centers are available for Ray Yoshida: The Spaces In<br />

Between and Uncommon Accumulation: The Mark<br />

and Judy Bednar Collection of Chicago Imagism.<br />

10<br />

<strong>MMoCA</strong>’s free family resources are generously funded by the Nimick<br />

Forbesway Foundation.


CALENDAR OF EVENTS<br />

JANUARY<br />

10 5:30–6:30 PM Gallery Talk: (How) Does Conscious Consumption Matter?<br />

11 1–1:30 PM Drop-in Tour of Wisconsin Triennial<br />

12 1–2:30 PM Kids’ Art Adventures • Wisconsin Triennial<br />

16 1–3 PM Arts Memory Café<br />

30 4–7:30 PM Art Velo<br />

FEBRUARY<br />

7 6:30–7 PM Tom Jones on Strong Unrelenting Spirits<br />

8 1–1:30 PM Drop-in Tour of Wisconsin Triennial<br />

9 1–2:30 PM Kids’ Art Adventures • Ray Yoshida: The Spaces in Between<br />

20 1–3 PM Arts Memory Café<br />

MARCH<br />

13 6–9 PM <strong>MMoCA</strong> Opening • Uncommon Accumulation:<br />

The Mark & Judy Bednar Collection of Chicago Imagism<br />

6:30–7:30 PM Artist Talk: Robert Lostutter & Gladys Nilsson<br />

in conversation<br />

14 1–1:30 PM Drop-in Tour of Uncommon Accumulation<br />

15 1–2:30 PM Kids’ Art Adventures • Uncommon Accumulation<br />

19 1–3 PM Arts Memory Café<br />

25 12:30–1:30 PM Gallery Talk • Robert Lostutter: Transformation & Adornment<br />

APRIL<br />

2 1–1:45 PM Gallery Talk • James Cagle: With an Open Eye<br />

11 1–1:30 PM Drop-in Tour: Uncommon Accumulation<br />

16 1–1:45 PM Gallery Talk • Chicago Imagism Up Close<br />

1–3 PM Arts Memory Café<br />

17 8 PM–12 AM Chroma<br />

19 1–2:30 PM Kids’ Art Adventures • Uncommon Accumulation<br />

24 6:30–7:30 PM Martin Kersels: Stephen Fleischman Lectureship<br />

11


12<br />

MEMBERSHIP & GIVING<br />

BUSINESS, FOUNDATION,<br />

& GOVERNMENT DONORS<br />

<strong>MMoCA</strong> gratefully recognizes the businesses, foundations, and government agencies making contributions to museum<br />

exhibitions, education programs, events, and ongoing operations. Thanks to this support, <strong>MMoCA</strong> can offer compelling<br />

and thought-provoking programming, which makes this community and region more vibrant. Through their gifts, the<br />

organizations below have established themselves as engaged, generous community leaders. <strong>MMoCA</strong> thanks the following<br />

for their support.<br />

BENEFACTORS ($10,000+)<br />

Art & Sons<br />

BMO Wealth Management<br />

Eugenie Mayer Bolz<br />

Family Foundation<br />

The DeAtley Family Foundation<br />

John J. Frautschi Family Foundation<br />

W. Jerome Frautschi Foundation<br />

Future Foam<br />

Great Dane Pub & Brewing Co.<br />

Hiebing<br />

J.H. Findorff & Son, Inc.<br />

David and Paula Kraemer Fund<br />

Madison Community Foundation<br />

Madison Magazine<br />

Madison Print Club<br />

maiahaus<br />

National Guardian<br />

Life Insurance Company<br />

Nimick Forbesway Foundation<br />

Pleasant T. Rowland Foundation<br />

Theda and Tamblin Clark Smith<br />

Family Foundation<br />

Steinhauer Charitable Trust<br />

Wisconsin Arts Board<br />

Wisconsin Public Radio<br />

SPONSORS ($5,000-9,999)<br />

Bell Laboratories, Inc.<br />

Brava Magazine<br />

Century House<br />

Chance Productions<br />

Custer Plumb Financial Services<br />

Dane Arts<br />

Dr. Mary Kay Inc.<br />

The Evjue Foundation Inc.,<br />

the charitable arm of<br />

the Capital Times<br />

Frank Beverage Group<br />

Habush Habush and Rottier S.C.<br />

Ho-Chunk Gaming Madison<br />

Isthmus Publishing Company, Inc.<br />

MG&E Foundation<br />

Midwest Family Broadcasting<br />

Newcomb Construction Company Inc.<br />

Octopi Brewing Co.<br />

Pepsi of Madison<br />

SMS Foundation<br />

Summit Credit Union<br />

Supranet Communications Inc.<br />

The Terry Family Foundation<br />

University Research Park<br />

Venture Investors<br />

Wildwood Productions<br />

WISC-TV Channel 3<br />

WKOW-TV<br />

Zendesk Inc.<br />

LEADERS ($2,500-4,999)<br />

Access Information Management<br />

The Alexander Company<br />

All Energy Solar<br />

American Transmission Company<br />

Artful Home<br />

Associated Bank<br />

Capital Newspapers<br />

Chalmers Jewelers<br />

Cirrus Partners<br />

The Cummings Christensen<br />

Family Foundation<br />

Dane County Regional Airport<br />

Dirigible Studio<br />

DoubleTree by Hilton Hotel Madison<br />

Food Fight Restaurant Group<br />

Irwin A. and Robert D. Goodman<br />

Foundation, Inc.<br />

Johnson Financial Group<br />

LeafFilter<br />

Mad City Windows & Baths<br />

Milwaukee Valve<br />

Perkins Coie<br />

Qual Line Fence Corporation<br />

RSM<br />

Sprinkman + Dines Downtown<br />

TDS Telecom<br />

Think Ink & Design<br />

Thysse<br />

Total Administrative Services<br />

Corporation<br />

U.S. Bank Private Wealth Management<br />

Waunakee Remodeling<br />

Wisconsin Lottery<br />

PARTNERS ($1,000-2,499)<br />

A-1 Movers<br />

Artist & Craftsman Supply<br />

Atmosphere Commercial Interiors<br />

Axley Brynelson, LLP<br />

BDO USA, LLP<br />

Best Western Premier - Park Hotel<br />

Bill Fritsch Photography<br />

Boardman Clark<br />

The Capital Times Kids Fund<br />

Celebrations Entertainment<br />

Colony Brands, Inc.<br />

Delve<br />

Destination Madison<br />

Exact Sciences<br />

First Business Bank of Madison<br />

First Supply<br />

Foley & Lardner<br />

Full Compass Systems, Ltd.<br />

Hausmann-Johnson Insurance<br />

Hoffman Manufacturing Corp<br />

Hooper Corporation / General Heating<br />

and Air Conditioning, Inc.<br />

Hunter Connors Herm Photography<br />

ImagesPlus<br />

J.F. Ahern Co.<br />

Knox Family Foundation<br />

Lycon Inc.<br />

M3 Insurance<br />

Madison Arts Commission<br />

Neckerman Insurance Services<br />

Oak Bank<br />

Oakbrook Corporation<br />

Phillips Distributing Corporation<br />

Plantes Company<br />

Potter Lawson<br />

The QTI Group<br />

Quarles & Brady LLP<br />

RBC Wealth Management<br />

Shawn Harper Photography<br />

Sitka Salmon Shares<br />

Sketchworks Architecture<br />

Strang Inc.<br />

The Rock Agency<br />

Tom McInvaille Photography<br />

Veridian Homes Foundation<br />

Widen Enterprises<br />

WIPFLi CPAs and Consultants<br />

Wisconsin Chamber Orchestra<br />

DONORS ($500-999)<br />

Madison Veterinary Specialists<br />

Naviant Inc<br />

Optimum Healthcare IT<br />

Roman Candle Pizzeria<br />

Salucro<br />

Stoddard’s Meat Market & Catering<br />

The Burish Group of UBS<br />

The Edgewater<br />

Yahara Bay Distillers<br />

SUPPORTERS ($250-499)<br />

Ameriprise Financial Services |<br />

Eventus Wealth Advisors<br />

Anaala Salon and Spa<br />

Benjamin CPA<br />

Cha Cha Beauty & Barber<br />

DRS Asphalt & Paving<br />

Fire Light Group<br />

Follicle Hair Studio<br />

Greater Madison Chamber of Commerce<br />

Hair Forum<br />

Hampton Inn & Suites -<br />

Madison Downtown<br />

London’s Healthy Hair<br />

Neroli Salon & Spa<br />

RZ & Company<br />

Studio Z Salon<br />

Temptd Salon & Spa<br />

The Bruce Company of Wisconsin<br />

THORPS Haircuts & Color<br />

Union Hair Parlor<br />

Wicked Beauty<br />

William Jon Salon and Spa<br />

Woodman’s Food Market,<br />

Photo by Sharon Vanorny


<strong>MMoCA</strong> BOARD<br />

OF TRUSTEES<br />

OFFICERS<br />

Marc Vitale, President<br />

Vikki Enright, Vice-President<br />

Bret Newcomb, Vice-President<br />

Leslie Smith III, Vice-President<br />

Charlotte Cummins, Secretary<br />

Dynee Sheafor, Treasurer<br />

TRUSTEES<br />

Shiva Bidar<br />

Marian Bolz, Life Trustee<br />

Bryan Chan<br />

Karen Christianson<br />

Jim Escalante<br />

Dave Franchino<br />

Larry Frank<br />

Sara Guyer<br />

Cedric Johnson<br />

Valerie Kazamias,<br />

Life Trustee and Chair,<br />

The Langer Society<br />

Jason Knutson<br />

Oscar Mireles<br />

Dave Orr<br />

Amy Paulios<br />

Rick Phelps<br />

Eric Plautz<br />

Jennifer Ridley-Hanson<br />

John Ronzia<br />

John Sims<br />

QuHarrison Terry<br />

NEW LANGER<br />

SOCIETY MEMBERS,<br />

JULY 1–OCT 31<br />

Staci Baker and Mike Hainstock<br />

Elaine Brow and Zeke Vieth<br />

Heather Essig and Adam Graf<br />

Sandra Gajic<br />

Jessica Gulliver and<br />

Eduard Matkovic<br />

Hannah Johnson and Jon Crylen<br />

Jamie Jones and Jessica Jones<br />

Jeannie Kowing and<br />

Michael Marquardt<br />

Heather LaRue and<br />

Mike Steuerwald<br />

Katherine Lee and Kyle Smith<br />

Susan Machi and Alex Polizzi<br />

Carlos Martin and Sarah Yttri<br />

Tim Maxon and Carol Maxon<br />

Anne McHale and Matt Ebert<br />

Jordan Schelling and<br />

Danielle Waldron<br />

Rhonda Strojinc and<br />

Richard Strojinc<br />

Sydney Thomas and<br />

Jared Konsella<br />

Gregory Walker and<br />

Olga Matsyuk<br />

GIFTS IN MEMORY<br />

The Theda and Tamblin Clark Smith Family Foundation<br />

has made a major gift to <strong>MMoCA</strong> in memory of Sylvia Vaccaro. This contribution<br />

will help support the Art Cart program, which is especially appropriate given Sylvia’s<br />

research of similar educational offerings that ultimately led to the realization of this<br />

iconic Madison program. Sylvia was a longtime friend, volunteer and Trustee of the<br />

museum.<br />

Mindy and Paul Grittner, Dianne Bushkie, Mark and Lana Mangold, Tim Ahles, and<br />

Michelle Furlott in memory of Nicholas Ahles.<br />

Nancy Lowe, in honor of Truman Lowe.<br />

Valerie and Andreas Kazamias in memory of Rona Malofsky.<br />

Theda Radford Jessen, India Radford Clarke, and the Theda and Tamblin Clark<br />

Smith Family Foundation in memory of Sylvia Vaccaro.<br />

NEW REGULAR MEMBERS, JULY 1–OCT 31<br />

Cynthia Archer, Ash Armenta, Jane Barnard, Kayla Bauer, Jacob Bautista, Roger<br />

Beauchaine, Shiva Bidar, Rachel Bixby, Caitlin Bradford, Fran Breit, Ted Burns, Larry<br />

Burton and Mary Kay Burton, Caeli Carr-Potter, Tom Caw, Ian Chandler, Jeff Chelf, Mo<br />

Chen, Linda Chhath, Esther Cho, Chloe Christiaansen, Saraid Claxton, Alexis Deane,<br />

Juan Dehoyos, Isa Domin, Daniel Donato, Elizabeth Dryna, Warranne Fabina, Brian<br />

Fick and Reina Fick, Benjamin Filkouski, Taylor Fote, Ashley Goodwyn, Kristin Goosen,<br />

Oliver Gruebel, Nathaniel Headdy, Susan Herdman and Gus <strong>Winter</strong>, Tim Hildebrand<br />

and Karen Hildebrand, Debora Hoard and Tom Christman, Cynthia Hoffman, Sherry<br />

Holcomb, Jill Johnson, Barbara Justice, Hannah Kang, Paul Karch and Anne Karch,<br />

Keith Kaziak, Claire Kellesvig, Derek Kiesling, Eury Kim, Donna Kind and James<br />

McGonigle, Allyson Konz, Debbie Krause and Bruce Krause, Erin Kreul, Elizabeth<br />

Lang Oreamuno, Rhys Lewis and J. Myszka Lewis, Claudia Lipke and Arnold Cohen,<br />

Chang Liu, Erin Magee, Hollis McLeod, Christopher McMahan, Tracy Melin, Melissa<br />

Meyer, Marie-Luise Miesing and Nikolaus Miesing, Liane Milton, Kate Morrick, Connie<br />

Morrison and Steve Swagerle, Mike Murphy and Lee Murphy, Henrique Nardi, Julie<br />

Neitzel and Joe Hernandez, J.J. Pagac, Jason Pascoe, Franklin Rabideau and Alison<br />

Pitt, Rona Robertson, Erna Russert, Susan Salm, Carley Schmidt, Elizabeth Sheeler,<br />

Diane Silverberg, Chloe Simmons, Margo Simon and Andrew Kalmon, Scott Smith,<br />

Diane Smith, Matthew St John, Katelyn St. John, Sadie Stelter, Susan Thomas, Camilla<br />

Thomason, Lia Vellardita, Ted Wadzinski and Maria Wadzinski, Rachel Werner, Derick<br />

Wycherly, Youssef Zahid<br />

IS YOUR BUSINESS AN<br />

<strong>MMoCA</strong> MEMBER?<br />

In addition to receiving special benefits at the museum for their employees, business<br />

members gain visibility in the community as economic and cultural leaders, while supporting<br />

free access to modern and contemporary art.<br />

Membership benefits include:<br />

• Free admission to <strong>MMoCA</strong> Openings, Spotlight Cinema, and Rooftop Cinema for<br />

all employees.<br />

• 10% off purchases at all Food Fight restaurants and at the <strong>MMoCA</strong> Museum Store<br />

for all employees.<br />

• Recognition in printed materials and on mmoca.org.<br />

• Discounted rental rates for private events.<br />

For more information on business membership, contact Kaitlin Kropp at<br />

kaitlin@mmoca.org or 608.257.0158 x249.<br />

PLANNED GIVING<br />

Join the <strong>MMoCA</strong> Circle and leave a legacy for future audiences. The <strong>MMoCA</strong> Circle<br />

recognizes and honors individuals who have established a planned gift for the museum.<br />

Gifts can be designated to support a favorite program or add funds to the museum<br />

endowment, providing free admission to <strong>MMoCA</strong> audiences for generations to come.<br />

<strong>MMoCA</strong> Circle members are welcomed as special guests at museum events and are<br />

recognized on the donor wall outside the main galleries.<br />

If you’d like more information about the <strong>MMoCA</strong> Circle, and making a legacy gift to<br />

the museum, contact Valerie Kazamias at valerie@mmoca.org or 608.257.0158 x238.<br />

13


ABOUT<br />

Elegant dining<br />

with a view.<br />

<strong>MMoCA</strong> members<br />

receive a 10%<br />

discount at Fresco<br />

and all Food Fight ​<br />

restaurants.<br />

Join today at<br />

mmoca.org<br />

ABOUT THE MUSEUM The Madison Museum of Contemporary Art<br />

is an independent, nonprofit organization presenting exhibitions by local,<br />

regional, national, and international artists. A permanent collection of more<br />

than 5,500 works of art is maintained and enlarged through gifts and purchases.<br />

The museum’s education department presents programs to increase public<br />

understanding and appreciation of modern and contemporary art.<br />

HOURS<br />

Galleries Store Fresco<br />

Monday Closed 12–5 pm Closed<br />

Tue–Thur 12–5 pm 11 am–5 pm 5–9 pm<br />

Friday 12–8 pm 11 am–8 pm 5–10 pm<br />

Saturday 10 am–8 pm 10 am–8 pm 5–10 pm<br />

Sunday 12–5 pm 12–5 pm 5–9 pm<br />

The Museum Store will be closed all Mondays in January.<br />

ACCESSIBILITY Exhibitions, lectures, tours, and special events<br />

at <strong>MMoCA</strong> are accessible to people with disabilities. Please contact the<br />

museum at 608.257.0158 regarding accommodations for persons with limited<br />

mobility, sight, or hearing. Relay Service is available by dialing AT&T @ 711.<br />

MEMBERSHIP <strong>MMoCA</strong> members enjoy many privileges, including free<br />

admission to <strong>MMoCA</strong> Openings and films; discounts at the Museum Store, at<br />

Fresco and other Food Fight restaurants; invitations to special member events<br />

and previews; opportunities to meet artists; a subscription to <strong>MMoCA</strong>’s <strong>newsletter</strong>;<br />

and tax deductions for contributions.<br />

STAY IN TOUCH<br />

sign up for weekly emails at<br />

mmoca.org/mmoca-notes<br />

VOLUNTEERING Enthusiastic volunteers are vital to <strong>MMoCA</strong>’s success.<br />

Visit mmoca.org/volunteer for current volunteer opportunities.<br />

CHANGE OF ADDRESS Please notify us about address changes so<br />

that your mailings are not interrupted. Contact Betsy Wyns at betsy@mmoca.<br />

org or 608.257.0158 x224.<br />

JOIN OUR EMAIL LIST <strong>MMoCA</strong> Notes, the museum’s email <strong>newsletter</strong>,<br />

keeps you informed about upcoming events, exhibitions, and museum store<br />

specials. Sign up online at mmoca.org.<br />

CONTACT THE MUSEUM<br />

608.257.0158 • info@mmoca.org • www.mmoca.org<br />

© Madison Museum of Contemporary Art. Artworks © the artist unless otherwise noted.<br />

Artworks may not be reproduced without permission of the copyright holder.<br />

14<br />

Photo by Katherine Schmidt<br />

SPECIAL PROJECT<br />

UNDERWRITERS<br />

A major gift from Pleasant Rowland and W. Jerome Frautschi helps to fund<br />

capital improvements at <strong>MMoCA</strong>.<br />

Brand strategy and design support is contributed by Hiebing, including the<br />

development of <strong>MMoCA</strong>’s logo and website, and the design for the 2019<br />

Wisconsin Triennial.<br />

A major gift from the Nimick Forbesway Foundation supports the museum’s<br />

school and family education programs.<br />

ArtZone, <strong>MMoCA</strong>’s afterschool workshop program offered in partnership with<br />

Madison community centers, is supported by U.S. Bank Foundation, the Capital<br />

Times Kids Fund, the Madison Arts Commission, and the Zendesk Neighbor<br />

Foundation.<br />

Internet service is provided by Supranet Communications. Technical guidance<br />

for <strong>MMoCA</strong>’s website is donated by Dirigible Studio.


#<strong>MMoCA</strong><br />

@alyssawtaylor @lindseyxmathews @roshelleritz<br />

@madisonallstars @nikitamenon_ @angelietuchie<br />

@norahjama<br />

@therealscript<br />

@_aislinnm<br />

@madisonballet<br />

@lisafellerson<br />

@alliraenation<br />

CONNECT WITH US ON INSTAGRAM @MMOCAMADISON<br />

ARTWORK IMAGES<br />

COVER: Karl Wirsum, Show Girl No. 2, 1969. Acrylic on canvas in artist’s painted frame, 39 1/2 x 26 1/2 in. Promised gift of Mark and Judy Bednar.<br />

PAGE 2: Gladys Nilsson, Duck Troops, 1966. Watercolor on paper, 15 1/4 x 22 in. Promised gift of Mark and Judy Bednar. PAGE 3: James Cagle,<br />

Aurora, 2019. Archival pigment print, 5 x 6 in. Courtesy of the artist. PAGE 4: James Cagle, Excavation, 1974. 16mm color film (digitized) with sand,<br />

5:00 minutes. Courtesy of the artist and the New York Filmmakers’ Cooperative. • Ray Yoshida, Untitled, c. 1980. Oil on canvas, 29 3/4 x 39 5/8<br />

in. Collection of the Madison Museum of Contemporary Art. Gift of the Raymond K. Yoshida Living Trust and Kohler Foundation, Inc. © Raymond<br />

K. Yoshida Living Trust. PAGE 5: Jasper Johns, Flags II, 1973. Screenprint on paper, 26 3/4 x 33 1/8 in. Collection of the Madison Museum of<br />

Contemporary Art. Gift of The Rona B. Malofsky Trust, in memory of Harvey and Rona Malofsky. © <strong>2020</strong> Jasper Johns/Licensed by VAGA, New<br />

York, NY. • Gina Litherland, Yggdrasil, 2018. Oil on panel, 20 x 40 in. Courtesy of the artist and Corbett vs. Dempsey, Chicago. PAGE 6: Robert<br />

Lostutter, Hummingbird and Two Orchids, 1978. Watercolor on paper, 7 1/2 x 8 1/2 in. Promised gift of Mark and Judy Bednar. PAGE 7: Martin<br />

Kersels, Tossing a Friend (Melinda). C-prints on Fujiflex, 33 x 45 1/2 in. Collection of Madison Museum of Contemporary Art. Museum Purchase<br />

Fund. PAGE 11: Ray Yoshida, Unreasonable Lineage (detail), 1975. Felt-tip pen and crayon on paper, cut out and collaged on paper, 18 1/2 x 24 in.<br />

The Bill McClain Collection of Chicago Imagism, Madison Museum of Contemporary Art. © Raymond K. Yoshida Living Trust.<br />

15


227 State Street • Madison, WI 53703<br />

A NEW YEAR HAS<br />

BEGUN!<br />

Stop into the Museum<br />

Store for great family<br />

games to enjoy throughout<br />

the winter. We always<br />

carry handcrafted backgammon<br />

sets, playing cards, cribbage<br />

boards, and a wide assortment of jigsaw puzzles.<br />

Holiday ornaments and cards are on sale throughout January, while<br />

supplies last.<br />

JEWELRY SALE • FEB 1–14<br />

Don’t miss our annual Valentine’s Day sale! February 1-14, save 25%<br />

on all jewelry (no other discounts apply).<br />

Every sale helps keep museum admission and educational programs<br />

free. Gift wrap is always complimentary and shipping is available<br />

upon request.<br />

MUSEUM STORE<br />

HOURS<br />

Sunday & Monday* 12–5<br />

Tuesday–Thursday 11–5<br />

Friday 11–8<br />

Saturday 10–8<br />

*Closed all Mondays in January<br />

Above: Dominos set by Emily Wolfum<br />

Left:Necklace by Patricia Locke<br />

16

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