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PROMETHEAN EDITIONS<br />
GARETH FARR<br />
<strong>Lima</strong> <strong>Lagu</strong><br />
Three Recorders
Gareth Farr<br />
<strong>Lima</strong> <strong>Lagu</strong><br />
Three Recorders<br />
PROMETHEAN EDITIONS<br />
WELLINGTON
<strong>Lima</strong> <strong>Lagu</strong> (PE051), for Three Recorders by Gareth Farr (1992)<br />
© Promethean Editions Limited 1992<br />
Published exclusively by Promethean Editions Limited<br />
First edition © 2019 Promethean Editions Limited<br />
Series Editor: Ross Hendy<br />
Editor: Ben Woods<br />
ISBN: 978-1-877218-51-4 (print)<br />
ISBN: 978-1-77660-051-9 (ebook)<br />
ISMN: 979-0-67452-300-4<br />
Promethean Editions Limited<br />
PO Box 10-143<br />
Wellington<br />
NEW ZEALAND<br />
http://www.promethean-editions.com<br />
No part of this publication may be reproduced in any form or by<br />
any means without permission in writing from the Publisher.
Gareth Farr (1968)<br />
Gareth Farr was born in Wellington, New Zealand, and began his studies in composition<br />
and percussion performance at Auckland University. The experience of hearing a visiting<br />
gamelan orchestra prompted his return to Wellington to attend Victoria University, where the<br />
characteristic rhythms and textures of the Indonesian gamelan rapidly became hallmarks of<br />
his own composition. Farr continued with postgraduate study in composition and percussion<br />
at the Eastman School of Music in Rochester, NY, where his teachers included Samuel Adler<br />
and Christopher Rouse.<br />
In 1993, at the age of 25, Farr was appointed Composer-in-Residence by Chamber Music New<br />
Zealand, the youngest composer to ever hold that position. This resulted in the creation of<br />
three substantial works, his first string quartet Owhiro, Kebyar Moncar (for gamelan) and the<br />
chamber sextet Cadenza. At the conclusion of his residence, Farr returned to the Eastman<br />
School to begin a doctorate in composition, writing Kembang Suling for flute and marimba<br />
(his most popular work to date) and three works for orchestra during this time.<br />
The inclusion of his works in four events at the 1996 New Zealand International Festival<br />
of the Arts — the score for Douglas Wright’s ballet Buried Venus; Lilith’s Dream of Ecstasy<br />
for orchestra; Kembang Suling, and the piano solo Sepuluh Jari — kick-started his career<br />
as a dedicated freelance composer. Since then, his music has been heard at, or especially<br />
commissioned for, high-profile events including the 50th anniversary of the New Zealand<br />
Symphony Orchestra (the 25-minute From the Depths Sound the Great Sea Gongs), the<br />
opening of the Museum of New Zealand Te Papa Tongarewa (Te Papa for orchestra, soprano,<br />
tenor and kaikaranga), and the 2000 Olympic Games in Sydney (Hikoi, a concerto for<br />
percussionist Dame Evelyn Glennie and the NZSO). A commission by the 2003 Auckland<br />
Festival resulted in Stone and Ice, written for the combined forces of the NZSO and the<br />
Auckland Philharmonia Orchestra. Farr’s music was integral to Maui – One Man Against the<br />
Gods, a stage show four years in the making. First premiered in 2003, it featured aerial theatre,<br />
PE051 – 3
Māori kapa haka, contemporary dance and song, with Farr’s stirring music, and toured a<br />
number of centres in New Zealand. In 2006 Farr was awarded the Order of New Zealand Merit<br />
for his services to music and entertainment. That same year, the Royal New Zealand Ballet<br />
toured the country with their brand new work The Wedding, featuring a score by Farr. At<br />
ninety minutes, it was among the company’s most ambitious projects, and combined Farr’s<br />
talents with those of prominent New Zealand novelist and librettist Witi Ihimaera.<br />
In March of 2014 Farr’s Concerto for Piano and Orchestra received its world premiere<br />
from soloist Tony Lee and the New Zealand Symphony Orchestra, conducted by Pietari<br />
Inkenen. Its UK premiere followed one year later, with Lee backed by the BBC Philharmonic,<br />
with conductor Tecwyn Evans. The concerto received critical acclaim with the Dominion<br />
Post’s John Button writing “…the ear was tickled bar after bar. I have no doubt that this<br />
marvellously inventive piano concerto is bound to develop an international life all its own.”<br />
More recently, Farr’s score for the opera The Bone Feeder received critical praise for its unique<br />
and imaginative articulation of intersecting cultures in New Zealand. Premiering at the 2017<br />
Auckland Arts Festival, Farr brought together instruments from Chinese, Western and Māori<br />
culture to create an exotic and balanced synthesis of sounds, with David Larsen of Metro<br />
Magazine commenting, “Farr’s textures and moods are wonderful: timbres mingle and shift in<br />
ways that are at once fascinating and symbolically appropriate.” In May of 2017, Farr’s Cello<br />
Concerto—subtitled Chemin des Dames—was premiered by French cellist Sébastien Hurtaud<br />
and the New Zealand Symphony Orchestra in Wellington, New Zealand, followed by a<br />
performance in France, with Hurtaud joined by l’Orchestre national de Lorraine. The concerto<br />
is a tribute to the soldiers who fell on the First World War battlefields of France and Belgium,<br />
with critic William Dart stating, “In a work of impeccable atmosphere, welcoming for both<br />
players and audience, the weeping beauties of its central section stayed with me long into the<br />
evening.”<br />
In July of 2019, the Christchurch Symphony Orchestra gave the world premiere of Farr’s<br />
Roar of a Thousand Tigers, a 35-minute, five-movement work commissioned by the Hillary<br />
Centenary Steering Committee and Clive Gilson to celebrate the hundredth anniversary of<br />
the birth of Sir Edmund Hillary, the legendary New Zealand mountaineer who, along with<br />
Sherpa Tenzing Norgay, made history in 1953 by successfully reaching the summit of Mount<br />
Everest.<br />
Latest information about the composer may be found at www.garethfarr.com.<br />
PE051 – 4
<strong>Lima</strong> <strong>Lagu</strong> (1992)<br />
I. <strong>Lagu</strong> Satu — for solo recorder<br />
II. <strong>Lagu</strong> Dua — for solo recorder and handclaps<br />
III. <strong>Lagu</strong> Tiga — for two recorders<br />
IV. <strong>Lagu</strong> Empat — for three recorders<br />
V. <strong>Lagu</strong> <strong>Lima</strong> — for three recorders<br />
<strong>Lima</strong> <strong>Lagu</strong> is a work for one to three recorders and sees Farr exploring the use of Indonesian<br />
scales. Originally written for soprano (descant) recorder, it is also presented for alto (treble)<br />
recorder. Prior to publication this work was titled <strong>Lima</strong> Gending.<br />
The first movement, <strong>Lagu</strong> Satu, is a simple and sweet tune for solo recorder. The pace<br />
quickens in the fun second movement, <strong>Lagu</strong> Dua, with two performers providing<br />
accompaniment in the form of interlocking hand-clapped rhythms while the solo player’s<br />
melodic line traces around a mode resembling a stripped-back minor scale. A dark<br />
playfulness permeates <strong>Lagu</strong> Tiga — the pitches that constitute its near-constant semiquaver<br />
pulse shift between static and undulating, while dancing above them are the movement’s<br />
lively theme and blasts of unpredictable, squeaking accents that are passed between the<br />
two players. The idyllic <strong>Lagu</strong> Empat features a sweet cantabile melodic line, supported by an<br />
interlocking pair of semiquaver patterns. Rounding out the work is the mysterious <strong>Lagu</strong> <strong>Lima</strong>,<br />
an odd-metered canon for three players.<br />
The composer writes:<br />
<strong>Lima</strong> <strong>Lagu</strong> was written in 1992 when I was just discovering the beautiful world of<br />
Indonesian gamelan, the traditional percussion orchestra of Indonesia.<br />
I had joined the Javanese gamelan group at Victoria University of Wellington and, before<br />
long, its textures, sonorities and melodic patterns started influencing my compositions.<br />
After a trip to Java and Bali I discovered the profoundly contrasting sound of the Balinese<br />
PE051 – 5
gamelan, with its bold contrasts, explosive dynamics and complex interlocking rhythms.<br />
This work is a representation of what was fascinating to me in those early years of<br />
discovery, and is primarily an exploration of the scales and melodies of Java, combined<br />
with the rhythms and techniques of Bali.<br />
<strong>Lima</strong> <strong>Lagu</strong> simply means “five songs”. Four of the five movements explore a different fivenote<br />
subset of the full seven-note Javanese scale. The first movement, <strong>Lagu</strong> Satu, uses the<br />
four-note Balinese angklung scale, which I was exposed to in my first experiences with<br />
Balinese gamelan in the United States.<br />
Twenty-seven years later, I own a full set of Balinese Gamelan Gong Kebyar instruments<br />
with the five-note Balinese pelog tuning. It is quite fascinating to revisit this early piece of<br />
mine — such an honest representation of a curious mind, and a compositional style in its<br />
early stages of development.<br />
<strong>Lima</strong> <strong>Lagu</strong> received its premiere from Bernard Wells. It was commissioned by Wells and The<br />
Correspondence School of New Zealand, as part of Wells’ Art of the Recorder course.<br />
Performance notes<br />
• <strong>Lagu</strong> Satu is for solo recorder.<br />
• <strong>Lagu</strong> Dua must be performed with the handclap accompaniment. The clapping should<br />
start on the downbeat of m.1 and end with a single clap in the final bar of the Coda.<br />
• These pieces are based on scales from Indonesian gamelan. Circled numbers indicate the<br />
tonic or final pitch. These scales have been transposed to suit the range of the recorder, as<br />
detailed below.<br />
I. <strong>Lagu</strong> Satu — Saih Angklung from Bali, transposed down a minor 3rd<br />
! C C C C<br />
1 2 3 4<br />
II. <strong>Lagu</strong> Dua — Pelog <strong>Lima</strong> from Bali and Java, transposed up a major 2nd<br />
! C W C C C C<br />
1 2 3 5 6<br />
PE051 – 6
III. <strong>Lagu</strong> Tiga — Slendro Nem from Java, transposed up an augmented 4th<br />
! C C C C C<br />
1 2 3 5 6<br />
IV. <strong>Lagu</strong> Empat — Pelog Barang from Java, transposed up a major 2nd<br />
! W C C C C C<br />
2 3 5 6 7<br />
V. <strong>Lagu</strong> <strong>Lima</strong> — Pelog Nem from Java, original form.<br />
! C C C C Y C<br />
1<br />
2 3 5 6<br />
Circled number indicates tonic or final<br />
PE051 – 7
C<br />
h<br />
h<br />
g<br />
C<br />
C<br />
g<br />
C<br />
C<br />
h<br />
C<br />
2<br />
g<br />
C<br />
g<br />
C<br />
C<br />
h<br />
T<br />
T<br />
C<br />
C<br />
C<br />
<strong>Lima</strong> LaGu <strong>Lagu</strong> SOPRANO RECORDER<br />
Gareth Farr<br />
<br />
LAGU SATU<br />
Œ = 72<br />
–! 4 4<br />
g<br />
C<br />
mf<br />
C C O<br />
C O C C C C C C C C C C C T<br />
g<br />
C C C C B<br />
g<br />
C C C<br />
5<br />
–! C O<br />
C O C C C C C C C C C C C T<br />
g<br />
C C C C B<br />
g<br />
C C C<br />
9<br />
–! C O<br />
C C C C C<br />
f<br />
O<br />
C C C C C C C C C C C C O<br />
C O C C C C O<br />
C C C C C<br />
14<br />
18<br />
Fine<br />
O C C C C<br />
–! C C C C C C C O C O C C C C :<br />
f<br />
C<br />
mp<br />
1. 2.<br />
–! C C C C C C C C<br />
:<br />
C C C<br />
C C C C C C C C C C B<br />
D.C.<br />
al Fine<br />
T<br />
<strong>Lima</strong> <strong>Lagu</strong> © 1992 Promethean Editions Limited<br />
This edition © 2019 Promethean Editions Limited PE051 – 28<br />
ISMN: 979-0-67452-300-4
C<br />
C<br />
B<br />
C<br />
C<br />
C<br />
h<br />
h<br />
Ċ<br />
h<br />
C<br />
h<br />
T<br />
B<br />
h<br />
C<br />
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
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C<br />
C<br />
C<br />
h<br />
C<br />
C<br />
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T<br />
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C<br />
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C<br />
h<br />
C<br />
C<br />
C<br />
h<br />
C<br />
h<br />
C<br />
h<br />
C<br />
h<br />
C<br />
C<br />
h<br />
C<br />
h<br />
B<br />
B<br />
T<br />
C<br />
h<br />
B<br />
C<br />
h<br />
g<br />
C h<br />
C<br />
h<br />
T<br />
Ċ<br />
h<br />
T<br />
C<br />
h<br />
T<br />
T<br />
h<br />
C<br />
C<br />
T<br />
C<br />
C<br />
h<br />
h<br />
[<br />
]<br />
h<br />
C<br />
C<br />
C<br />
h<br />
C<br />
h<br />
h<br />
C<br />
h<br />
g<br />
C<br />
C<br />
C<br />
B<br />
B<br />
T<br />
h<br />
B<br />
h<br />
g<br />
C<br />
g<br />
C<br />
T<br />
T<br />
T<br />
C C<br />
LAGU DUA<br />
Œ = 112<br />
a<br />
–! 4 C C C C C C C h<br />
W C C B<br />
C C C C C C C W C C C C B<br />
C C<br />
C C C<br />
C<br />
C C C C W C C C C B<br />
C C C<br />
mf leggiero<br />
5<br />
W C C C C C C W C C<br />
–! 2 T C<br />
C<br />
C<br />
4<br />
4 C C C C C C C C 2 T<br />
C 4<br />
4<br />
W C C<br />
4<br />
C C C C C C C 2 T<br />
4<br />
W C C 4<br />
4<br />
9<br />
–! 4 C W C C C C C C C 2 T<br />
Ċ Ċ Ċ Ċ Ċ Ċ C 4<br />
Ċ W C. Ċ C Ċ Ċ Ċ 4 13<br />
C<br />
–! Ċ C C Ċ W C<br />
2<br />
W . To Coda<br />
4<br />
4<br />
4<br />
C O C Ċ C T C C C W C<br />
B<br />
17<br />
C –!<br />
C C C W C C C C B T<br />
C B T C C C C C C C C C<br />
mp<br />
20<br />
–! W B C C C C W C C C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C C B C O C Ċ C T C C<br />
C<br />
C W C<br />
C C C C<br />
II<br />
28<br />
32<br />
–!<br />
–!<br />
C<br />
f<br />
W C C C C C B<br />
W C C C W C C C C C C<br />
25<br />
C C C<br />
II<br />
B T g<br />
C. Ċ T Ċ W Ċ ĊC CC C Ċ W<br />
C W<br />
C . C T C C C<br />
C C C C C<br />
W<br />
–! C C C C C W<br />
2 4<br />
4<br />
4<br />
C O C Ċ C T C C C W C<br />
&<br />
Coda<br />
–! W C O<br />
rall.<br />
C O C Ċ C T<br />
C C C W C<br />
Suggested form is A B C B A Coda. Sections may be repeated<br />
or played in any order but must end with A then Coda.<br />
A<br />
&<br />
Ċ Ċ Ċ Ċ Ċ Ċ C Ċ W C. Ċ Ċ Ċ Ċ<br />
C O C Ċ C T<br />
C C C W C<br />
C C C C C C C C C<br />
C B O C C Ċ C T<br />
C C C C W C<br />
To Coda<br />
W C C C C W C C C C C C<br />
C. Ċ T<br />
C O C Ċ C T<br />
Coda<br />
–! W O<br />
Recorder 2<br />
Ċ Ċ Ċ C Ċ W C . T<br />
rall.<br />
C O C Ċ C T<br />
C C C W C<br />
Clap (palm to palm)<br />
C C C W C<br />
C C C<br />
$4 O 4<br />
C T O C T :<br />
Clap (fingers to palm)<br />
Recorder 3 $4 C C C :<br />
4<br />
Recorders 2 and 3 are to accompany<br />
throughout with these hand claps.<br />
A<br />
PE051 – 3<br />
PE051 – 9 PE051 – 3
^<br />
C<br />
C<br />
^<br />
C<br />
C<br />
^<br />
C<br />
C<br />
^<br />
C<br />
C<br />
^<br />
^<br />
^<br />
C<br />
^<br />
^C<br />
h<br />
^C<br />
h<br />
^<br />
C<br />
C<br />
^C<br />
^<br />
^<br />
C<br />
C<br />
^<br />
C<br />
^<br />
4<br />
h<br />
^<br />
T<br />
^<br />
T<br />
^<br />
^<br />
^<br />
C<br />
^C<br />
h<br />
h<br />
^<br />
T<br />
h<br />
^<br />
^<br />
^<br />
^<br />
^<br />
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h<br />
^C<br />
h<br />
^<br />
^C<br />
h<br />
T<br />
T<br />
T<br />
T<br />
III<br />
[<br />
]<br />
LAGU TIGA<br />
Œ = 63<br />
C C C C C C C<br />
–!4 T C^C C C C C C C C T<br />
4<br />
:<br />
f<br />
sf sf sf<br />
sf<br />
sf<br />
–! 4 :<br />
C C C C C C C C C C C C C C C C C C C C C C C C C C C C C U<br />
sfp<br />
sfp<br />
sfp sfp<br />
sfp<br />
[<br />
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[<br />
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[<br />
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3<br />
5<br />
7<br />
: C C C C C C C C C C C C C C C C C C C C C C C C C C C C<br />
:<br />
: C C C C C C C C C C C C C C C C C :<br />
–!<br />
p sf<br />
–! U<br />
sfp sfp<br />
sfp sfp sfp<br />
: C C C C C C C T<br />
C C C C C C T :<br />
: :<br />
C C –!<br />
C^C^ C^C<br />
f<br />
sf sf sf sf sf<br />
–! U<br />
sfp sfp sfp sfp sfp<br />
–! R<br />
p C C C C C C C C C C C C C C C C C C C C C C C C C C C C C<br />
sf<br />
–! C<br />
p C C C C C C C C C C C C C C C C C C C C C C C C C C C C C<br />
sf<br />
C<br />
p C C C C C C C<br />
C<br />
p C C C C C C C C C C C C C C C<br />
[<br />
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10<br />
–!<br />
C C C C C C C C C C C C C C C C : C C C C C C C C C C C C C C C C C C C C C C C C C C C C C U :<br />
sfp sfp sfp sfp sfp<br />
–! C C C C C C C C C : C C C C C C C<br />
C C T C^C^ C^ C C C C^C C C C C T :<br />
C<br />
sf f sf sf sf sf sf<br />
Marcato accent is to be played with hard attack and strong breath to overblow and produce a short and loud “peep”<br />
PE051 – 10 4
C<br />
^<br />
B<br />
C<br />
C<br />
^<br />
C<br />
^<br />
^<br />
C<br />
^<br />
C<br />
C<br />
^<br />
^<br />
C<br />
h<br />
^<br />
^<br />
^<br />
^<br />
C<br />
T<br />
^<br />
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h<br />
^<br />
C<br />
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^<br />
^<br />
^<br />
^C<br />
h<br />
T<br />
T<br />
[<br />
]<br />
[<br />
]<br />
13<br />
16<br />
Finger 'G' with L.H. while<br />
wiggling fingers of the R.H<br />
–! : O<br />
: : C C C C C C C T C^C^ C^ C C C C^C C C C C T :<br />
p<br />
sf f sf sf sf sf sf<br />
–! : : : :<br />
p C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C U<br />
sfp sfp sfp sfp sfp<br />
–! : :<br />
p C C C C C C C C C C C C C C C C C C C C C C C C C C C C C<br />
sf<br />
–! : C C C C C C C C C C C C C C C C C C :<br />
C C C C C C C C C C C U<br />
sfp sfp<br />
sfp sfp sfp<br />
[<br />
]<br />
18<br />
–!<br />
f<br />
–! C<br />
f<br />
C C C C C C C C C C C C C C C B B B B^<br />
C C C C C<br />
C C C<br />
^<br />
ff<br />
^<br />
C<br />
sfff<br />
C C C C C C C C<br />
^<br />
C C C C<br />
^<br />
C C C C C C C C<br />
^<br />
C C C<br />
sf sf sf sf sf sfff<br />
T S R<br />
T S R<br />
PE051 – 11 5
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
U<br />
S<br />
C<br />
C<br />
C<br />
C<br />
6<br />
C<br />
C<br />
S<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
T<br />
IV<br />
[<br />
]<br />
[<br />
4<br />
LAGU EMPAT<br />
Œ = 69<br />
–!4 S 4 C C C C C A S C C C<br />
mf cantabile<br />
–! 4 Q C<br />
T C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C U<br />
–! 4 4<br />
Q<br />
–!<br />
O<br />
h C<br />
–! C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
mp leggiero<br />
W<br />
U T<br />
C C C<br />
mp leggiero<br />
U T C C C<br />
U T<br />
C C C<br />
U T C<br />
C W C<br />
U T<br />
C C C<br />
U T C C C<br />
g<br />
C C C C A S C C C<br />
C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
U T<br />
C C C<br />
U T C<br />
C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
]<br />
–! C W C<br />
U T<br />
C C C<br />
U T C C C<br />
U T<br />
C C C<br />
U T<br />
W C C TU<br />
C C C<br />
TU<br />
C C C TU<br />
C C C<br />
U T C<br />
W C C TU<br />
C C C<br />
TU<br />
C C C TU<br />
C C C<br />
U T C<br />
[<br />
7<br />
–! C O<br />
g<br />
W C C<br />
W C A<br />
W<br />
C<br />
C C C C<br />
–! C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
W C C TU<br />
C C C<br />
U T C C C U T C C C<br />
U T C<br />
W C C TU<br />
C C C<br />
U T C<br />
C C U T C C C<br />
U T C<br />
]<br />
–! W C C TU<br />
C C C<br />
TU<br />
C C C TU<br />
C C C<br />
U T C<br />
U T<br />
C C<br />
U T<br />
U T C C<br />
U T<br />
C C<br />
U T<br />
U T C C<br />
U T<br />
C C<br />
U T<br />
U T C C<br />
U T<br />
C C<br />
U T<br />
U T C C<br />
[<br />
10<br />
–! W A<br />
W<br />
C<br />
C C C C B S C<br />
–! W C C TU<br />
C C C<br />
TU<br />
C C C TU<br />
C C C<br />
U T C<br />
W C C TU<br />
C C C<br />
U T C<br />
C C U T C C C<br />
TU<br />
C C C TU<br />
C C C TU<br />
C C C TU<br />
C C C TU<br />
C<br />
]<br />
–! U T<br />
C C<br />
U T<br />
U T C C<br />
U T<br />
C C<br />
U T<br />
U T C C<br />
U T<br />
C C<br />
U T<br />
U T C C<br />
U T<br />
C C<br />
U T<br />
U T C C<br />
U T<br />
C W C<br />
U T<br />
U T C C<br />
U T<br />
C C<br />
U T<br />
U T C C<br />
PE051 – 12 6
T<br />
U<br />
U<br />
T<br />
B<br />
B<br />
T<br />
[<br />
13<br />
–! C C W C<br />
C C C C C B S W C<br />
f<br />
–! C C TU<br />
C C C T U C C C TU<br />
C C C T U C C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
C W C<br />
C C C C C C<br />
C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
]<br />
–! U T<br />
C W C TU<br />
C<br />
T U C C<br />
T U<br />
C C U T<br />
C<br />
T U C C<br />
TU<br />
C C TU<br />
C T U C C TU<br />
C C TU<br />
C T U C C<br />
TU<br />
C C TU<br />
C T U C C TU<br />
C C TU<br />
C T U C C<br />
[<br />
16<br />
–! B<br />
mp<br />
C U<br />
–!<br />
W C C<br />
T U<br />
C C U T<br />
S C C C C C C C B S W C<br />
C U T C C U T<br />
C C U T<br />
C U T<br />
W C C<br />
T U<br />
C C U T<br />
C U T C C U T<br />
C C U T<br />
W C TU<br />
C C<br />
T U<br />
C C U T<br />
f<br />
C TU<br />
C C U<br />
C<br />
C C U T<br />
]<br />
–! C C U T C C C U T C C C U T C C C U T C<br />
C C U T C C C U T C C C U T C C C U T C<br />
TU<br />
C C TU<br />
C T U C C TU<br />
C C TU<br />
C T U C C<br />
[<br />
19<br />
–!<br />
–!<br />
CC<br />
(ossia)<br />
C<br />
C<br />
C<br />
C<br />
W C T C C U<br />
CC<br />
C C U T<br />
W C C C C B S W C<br />
C U T C C U T<br />
C C U T<br />
mf<br />
C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
C<br />
C C C W C<br />
C C C C<br />
C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
]<br />
–! TU<br />
C C TU<br />
C T U C C TU<br />
C C TU<br />
C T U C C<br />
TU<br />
C C TU<br />
C T U C C T U C C TU<br />
C T U C C<br />
TU<br />
C C TU<br />
C T U C C T U C C TU<br />
C T U C C<br />
[<br />
22<br />
–! CO<br />
:<br />
h C C W C C CO<br />
W h C C S C C W O<br />
–! C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
C C C C W C C C C C C O :<br />
]<br />
–! :<br />
CW<br />
C T C C C T U C C C TU<br />
C C C T U C C W C C C C C C C A<br />
Can be repeated many times with players swapping parts<br />
PE051 – 13 7
C<br />
C<br />
C<br />
B<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
8<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
V<br />
[<br />
]<br />
LAGU LIMA<br />
Œ = 44 (‰ = 88)<br />
–!5 4 C<br />
p C C Y C C C C C C C<br />
–! 4<br />
5 Q<br />
C<br />
p C C C<br />
–! 4<br />
5 Q Q<br />
Y C C C O C C C B S C C<br />
mp<br />
Y C C C C C Y C C C C O C C C<br />
C<br />
p C C Y C C C C C<br />
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
4<br />
7<br />
10<br />
–!<br />
–!<br />
Y h C<br />
p<br />
mp<br />
g<br />
pp<br />
S C C<br />
–! C Y C C C O<br />
S<br />
C<br />
p<br />
Y h C<br />
p<br />
C C C C B<br />
mp<br />
C C Y C O<br />
g<br />
C<br />
S<br />
C<br />
pp<br />
S C C<br />
C O C C C C O<br />
C<br />
p<br />
Y h C<br />
p<br />
g<br />
C C<br />
C C Y C O<br />
g<br />
C C<br />
pp<br />
g g O<br />
–! Q Q<br />
O<br />
g<br />
–! O<br />
g g O<br />
C<br />
Q<br />
C C C O O O<br />
–! C C C Y C O C O C C C<br />
g<br />
g g<br />
C O C C C C C O O O<br />
p<br />
–!<br />
mp<br />
Y C C C C C C Y C C C C C O C C C B<br />
–! Q C<br />
mp<br />
S<br />
C C C O<br />
C C<br />
O<br />
O<br />
C C C<br />
Y C C C C C Y C C C C C O C C C<br />
–! Q Q C<br />
mp<br />
Y C C C C C C<br />
S<br />
O<br />
PE051 – 14 8
B<br />
S<br />
B<br />
B<br />
S<br />
B<br />
S<br />
[<br />
]<br />
13<br />
–!<br />
–! B<br />
g<br />
C C<br />
Y h C C C C C CY C C C C C C C C C C C CO<br />
C C C Y O C C<br />
mf<br />
f<br />
g<br />
C C C C Y h C C C C C CY C C C C C C C C C C C CO<br />
C C C<br />
mf<br />
g<br />
C C C C Y h C C C C C CY C C C C C C C<br />
mf<br />
–! Y C C C C CO<br />
C C C<br />
[<br />
]<br />
17<br />
–! h C C<br />
h C CY C C C C<br />
mf<br />
mp<br />
Y O C C<br />
–!<br />
h C<br />
f<br />
mf<br />
–!<br />
C C C C CO<br />
C C C Y O<br />
f<br />
C<br />
Y<br />
C<br />
C CO<br />
CO<br />
C C C<br />
O C<br />
h C C Y C C C C<br />
mp<br />
C C<br />
h C<br />
mf<br />
C<br />
Y<br />
C<br />
g<br />
Y C<br />
C C C CO<br />
C CO<br />
O C<br />
CO<br />
C C C<br />
h C C Y C C C<br />
C<br />
20<br />
[ g<br />
–! C Y C<br />
Q<br />
h C CO<br />
C C C C C O<br />
C C C Y C C C C C<br />
p<br />
CO<br />
–! Y<br />
Q<br />
h C<br />
g<br />
C C C CO<br />
CO<br />
C C Y C<br />
h C C O C C C C C O<br />
Y C C CO<br />
CO<br />
C C C CO<br />
g<br />
C C C CO<br />
CO<br />
C C Y C CO<br />
C C C<br />
]<br />
–! C<br />
mp<br />
Y<br />
h C<br />
h C<br />
C<br />
C O<br />
[<br />
]<br />
23<br />
–! C Y C C C CO<br />
C C C B S C C<br />
–! C<br />
p<br />
C C<br />
–! Q<br />
Y<br />
h C<br />
C<br />
poco rall.<br />
g<br />
C C C C C A<br />
Y C C C C C C Y C C C CO<br />
C C C B S C C A S<br />
C<br />
p C C<br />
Y C C C C C C Y C C C CO<br />
C C C A S<br />
PE051 – 15 9
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
h<br />
C<br />
h<br />
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
10<br />
C<br />
h<br />
C<br />
h<br />
C<br />
C<br />
h<br />
h<br />
C<br />
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
T<br />
T<br />
B<br />
C<br />
h<br />
h<br />
C<br />
T<br />
C<br />
<strong>Lima</strong> LaGu <strong>Lagu</strong> (Alto ALTO Recorder RECORDER version)<br />
Gareth Farr <br />
5<br />
9<br />
14<br />
18<br />
LAGU SATU<br />
Œ = 72<br />
! 4 Y C<br />
h<br />
mf<br />
!<br />
!<br />
O<br />
C C<br />
O<br />
O<br />
OY C C<br />
Y C C C C C C C C T<br />
Y C C C Y C C C C C C C C T<br />
O Y C C C C O<br />
f<br />
Y C C C C C C C C C C C O<br />
C C<br />
Y C C Y B<br />
C C Y C C Y B<br />
OY C C<br />
O Y C C Fine<br />
C<br />
!<br />
C C C C C C O<br />
OY C C Y C : Y<br />
f<br />
mp<br />
O Y<br />
1. 2.<br />
! C C C C C C C C<br />
C Y C C C C C C C C C C Y C :<br />
Y<br />
C C C<br />
C C C<br />
C C C C<br />
D.C.<br />
al Fine<br />
<strong>Lima</strong> <strong>Lagu</strong> © 1992 Promethean Editions Limited<br />
This edition © 2019 Promethean Editions Limited PE051 – 10 16<br />
ISMN: 979-0-67452-300-4
C<br />
C<br />
C<br />
C<br />
B<br />
C<br />
h<br />
h<br />
Ċ<br />
h<br />
C<br />
h<br />
T<br />
h<br />
C<br />
C<br />
C<br />
h<br />
C<br />
B<br />
C<br />
C<br />
h<br />
T<br />
C<br />
h<br />
h<br />
g<br />
C<br />
h<br />
h<br />
h<br />
h<br />
T<br />
Ċ<br />
h<br />
C<br />
h<br />
h<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
h<br />
h<br />
Ċ<br />
h<br />
C<br />
h<br />
h<br />
C<br />
C<br />
C<br />
Ċ<br />
h<br />
[<br />
]<br />
h<br />
C<br />
C<br />
h<br />
h<br />
h<br />
h<br />
g<br />
C<br />
C<br />
h<br />
C<br />
h<br />
g<br />
C<br />
C<br />
C C<br />
LAGU DUA<br />
Œ = 112<br />
! 4 4 h<br />
C<br />
a<br />
C C C C C C C X C C B T<br />
mf leggiero<br />
C C C C C C C C C C C B T<br />
C5<br />
C C<br />
C CC C<br />
C C<br />
C C C C C<br />
C CC C C B T C C C<br />
C C<br />
C C<br />
! 2 4<br />
4 C C C C C C C 2 T 4<br />
C C C 4 C C C<br />
9 C C C C C C<br />
4<br />
2 T C C C<br />
4<br />
! 4 C C C C C C C C 2 T C 4<br />
4<br />
4 Ċ Ċ Ċ Ċ Ċ Ċ C Ċ Ċ Ċ Ċ Ċ Ċ<br />
Ċ Ċ Ċ Ċ Ċ Ċ C Ċ Ċ Ċ Ċ Ċ Ċ<br />
13<br />
4 C Ċ C C Ċ C<br />
! 2 4<br />
4 C O C Ċ C T C C C C C B T<br />
To Coda<br />
C O C Ċ C T C C C C<br />
4<br />
C B T<br />
B 17<br />
C C C<br />
!<br />
C C C C B T C C C C C C C C C<br />
C C B mp T C C C C C C C C C<br />
C C C C<br />
C C B<br />
II<br />
20<br />
28<br />
II<br />
! B T C C C C C C C C C C C<br />
C B C O C Ċ C T C C C C C B T<br />
C 25<br />
C C C C C C C C B<br />
! h C C C<br />
fT C C C C C C C C<br />
h<br />
! C C C C C C C C C C C C<br />
C C C C C<br />
Ċ Ċ T Ċ Ċ Ċ C Ċ Ċ C C C<br />
T h<br />
32<br />
C C C C C<br />
! 2 4<br />
4 C O C Ċ C T C C C C 4<br />
C B T<br />
&<br />
Coda<br />
! C O<br />
rall.<br />
C O C Ċ C T<br />
C C C C C A<br />
&<br />
C B C O C Ċ C T<br />
C C C<br />
To Coda<br />
C C C C C B T<br />
C C C<br />
T C C C C C C C C<br />
h<br />
Ċ T<br />
C O C Ċ C T<br />
Coda<br />
! O<br />
Suggested form is A B C B A Coda. Sections may be repeated<br />
or played in any order but must end with A then Coda.<br />
Recorder 2<br />
Ċ Ċ Ċ C Ċ Ċ<br />
rall.<br />
C O C Ċ C T<br />
C C<br />
T h<br />
C C C C C B T<br />
Clap (palm to palm)<br />
C C C O<br />
C<br />
C T<br />
C A<br />
$4 O 4<br />
C T<br />
:<br />
Clap (fingers to palm)<br />
Recorder 3 $4 C C C :<br />
4<br />
Recorders 2 and 3 are to accompany<br />
throughout with these hand claps.<br />
PE051 – 11<br />
PE051 – 17 PE051 – 11
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
^<br />
C<br />
C<br />
^<br />
^<br />
C<br />
C<br />
C<br />
C<br />
^<br />
C<br />
^<br />
T<br />
^<br />
^<br />
T<br />
^<br />
h<br />
C<br />
^C<br />
^<br />
C<br />
^<br />
^<br />
C<br />
C<br />
^<br />
12<br />
^<br />
T<br />
^<br />
T<br />
^<br />
^<br />
C ^<br />
h<br />
h<br />
^<br />
C<br />
T<br />
^<br />
^<br />
T<br />
^<br />
^<br />
^C<br />
h<br />
^C<br />
h<br />
^<br />
^C<br />
T<br />
T<br />
T<br />
T<br />
III<br />
LAGU TIGA<br />
Œ = 63<br />
C C C C C C C C^C^ C^ C C C C^C C C C C<br />
! 4 :<br />
f<br />
sf sf sf sf sf<br />
! 4 C C C C C C C C C C C C C C C C C C C C C C C C C C C C C U :<br />
sfp<br />
sfp<br />
sfp sfp<br />
sfp<br />
3<br />
5<br />
7<br />
! : C C C C C C C C C C C C C C C C C C C C C C C C C C C C C :<br />
p<br />
sf<br />
! : C C C C C C C C C C C C C C C C C C C C C C C C C C C C C U :<br />
sfp sfp<br />
sfp sfp sfp<br />
C C C C C C C C^C^ ! : C C C C^C C C C C<br />
:<br />
f<br />
sf sf sf sf sf<br />
! : C C C C C C C C C C C C C C C C C C C C C C C C C C C C C U :<br />
sfp<br />
sfp<br />
sfp sfp<br />
sfp<br />
C C C C C C C C C C C C C C C C C C C C C C C C C C C C C<br />
^<br />
sf<br />
! R C<br />
p<br />
! C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C<br />
p<br />
sf<br />
C<br />
p<br />
C C C C C C C<br />
p<br />
C C C C C C C C C C C C C C C<br />
10<br />
C C C C C C C C<br />
!<br />
C C C C C C C C : C^<br />
C C C C C C C C C C C C C C C C C C C C C C C C C C C C C U :<br />
sfp sfp sfp sfp sfp<br />
!<br />
C C C C C C C C C C<br />
C C C C C C C C^C^ C^ C C C C^C C C C C<br />
C C C : T h<br />
T h T h :<br />
sf f<br />
sf sf sf sf sf<br />
Marcato accent is to be played with hard attack and strong breath to overblow and produce a short and loud “peep”<br />
PE051 – 12 18
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
C<br />
^<br />
B<br />
C<br />
C<br />
C<br />
^<br />
^<br />
C ^<br />
^<br />
C ^<br />
^<br />
^<br />
^<br />
C<br />
^<br />
^<br />
^C<br />
h<br />
^C<br />
h<br />
^<br />
^<br />
^<br />
^C<br />
T<br />
T<br />
13<br />
Finger 'C' with L.H. while<br />
wiggling fingers of the R.H C C C C C C C C C^C^ C^ C C C C^C C C C C<br />
! : O<br />
Ċ^ : : T h T h T h :<br />
p<br />
sf f sf sf sf sf sf<br />
! : C C C C C C C C C C C C C C : : C C C C C C C C C C C C C C C C C C C C C C C C C C C C C U :<br />
p<br />
sfp sfp sfp sfp sfp<br />
16<br />
18<br />
! : C C C C C C C C C C C C C C C C C C C C C C C C C C C C C :<br />
p<br />
sf<br />
! : C C C C C C C C C C C C C C C C C C C C C C C C C C C C C U :<br />
sfp sfp<br />
sfp sfp sfp<br />
C C C C C C C C C C C C C C C B B B B^<br />
!<br />
T S R<br />
f<br />
ff sfff<br />
! C C C C C C C C C ^ C C C C C C C C ^ C C C C ^ C C C C C C C C ^ C C C T S R<br />
sf sf sf sf sf sf sfff<br />
PE051 – 19 PE051 – 13
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
C<br />
C<br />
C<br />
h<br />
h<br />
C<br />
T<br />
14<br />
T<br />
C<br />
IV<br />
LAGU EMPAT<br />
Œ = 69<br />
C C C C A S C C C<br />
! 4 S C<br />
mf cantabile<br />
! 4 Q C TU<br />
C C U<br />
mp leggiero<br />
C C U T<br />
C U T C C U T<br />
C C U T<br />
! 4 Q C C TU<br />
C C C TU<br />
C C C TU<br />
C C C TU<br />
C<br />
mp leggiero<br />
C U T C C U T<br />
C C U T<br />
C U T C C U T<br />
C C U T<br />
C C U T C C C U T C C C U T C C C U T C<br />
4<br />
!<br />
O<br />
g<br />
C C C C A S<br />
C C C<br />
!<br />
C U T C C U T<br />
C C U T<br />
C U T C C U T<br />
C C U T<br />
C U T C C U T<br />
C C U T<br />
C U T C C U T<br />
C C U T<br />
C U T C C U T<br />
C C U T<br />
C U T C C U T<br />
C C U T<br />
! C C U T C C C U T C C C U T C C C U T C<br />
C C U T C C C U T C C C U T C C C U T C<br />
C C U T C C C U T C C C U T C C C U T C<br />
7<br />
!<br />
!<br />
O<br />
C U T C C U T<br />
C C C C C A S C<br />
C<br />
C C U T<br />
C U T C C U T<br />
C C U T<br />
C C U T C C C U T C C C U T C C C U T C<br />
C<br />
C C C C<br />
C C U T C C C U T C C C U T C C C U T C<br />
! W C C TU<br />
C C C TU<br />
C C C TU<br />
C C C TU<br />
C<br />
TU<br />
C C TU<br />
C<br />
U T C C<br />
TU<br />
C C TU<br />
C<br />
U T C C<br />
TU<br />
C C TU<br />
C<br />
U T C C<br />
TU<br />
C C TU<br />
C<br />
U T C C<br />
10<br />
! A S C<br />
C<br />
C<br />
C C C C B S C<br />
! C C U T C C C U T C C C U T C C C U T C<br />
C C U T C C C U T C<br />
C C TU<br />
C C C U<br />
C C U T C C C U T C C C U T C C C U T C<br />
! U T C C U T C<br />
U T C C<br />
TU<br />
C C TU<br />
C<br />
U T C C<br />
TU<br />
C C TU<br />
C<br />
U T C C<br />
TU<br />
C C TU<br />
C<br />
U T C C<br />
TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
C TU<br />
C C<br />
PE051 – 14 20
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
C<br />
T<br />
h<br />
T<br />
T<br />
C<br />
C<br />
C<br />
h<br />
T<br />
C<br />
C<br />
B<br />
B<br />
C<br />
C<br />
13<br />
C C C C C C C C B C C C C<br />
!<br />
S<br />
C C C C C<br />
f<br />
! C C TU<br />
C C C TU<br />
C C C TU<br />
C C C TU<br />
C C TU<br />
C C<br />
TU<br />
C C<br />
TU<br />
C TU<br />
C C<br />
TU<br />
C C<br />
TU<br />
C TU<br />
C C<br />
TU<br />
C C<br />
TU<br />
C TU<br />
C C<br />
TU<br />
C C<br />
TU<br />
! TU<br />
C C TU<br />
C TU<br />
C C TU<br />
C C TU<br />
C U T C C<br />
TU<br />
C C<br />
TU<br />
C TU<br />
C C TU<br />
C C<br />
TU<br />
C TU<br />
C C<br />
TU<br />
C C<br />
TU<br />
C TU<br />
C C TU<br />
C C<br />
TU<br />
C TU<br />
C C<br />
16<br />
! B<br />
mp<br />
C TU<br />
C C<br />
!<br />
!<br />
U T<br />
C C<br />
U T<br />
S C C C C C C C B S<br />
C U T C C<br />
U T<br />
C C<br />
C C U T C C C U T C C C U T C C C U T C<br />
U T<br />
C U T C C<br />
U T<br />
C C<br />
U T<br />
C U T C C<br />
U T<br />
C C<br />
C C U T C C C U T C C C U T C C C U T C<br />
U T<br />
U T<br />
C U T C C<br />
C C<br />
U T<br />
U T<br />
C C<br />
U T<br />
C U T C C U T<br />
C U T C C<br />
C C<br />
U T<br />
f<br />
U T<br />
C C<br />
U T<br />
C U T C C<br />
19<br />
!<br />
!<br />
! U T<br />
C C C C C C C C B S<br />
mf<br />
C TU<br />
C C C C C U<br />
TU<br />
TU<br />
T C C C C<br />
TU<br />
TU<br />
C TU<br />
C C<br />
TU<br />
C C<br />
TU<br />
C TU<br />
C C U<br />
C C<br />
U T<br />
C U T C C U T<br />
C C<br />
U T<br />
C U T C C<br />
C C C C C C C C C<br />
C C U T<br />
TU<br />
C C<br />
TU<br />
C TU<br />
C C TU<br />
C C<br />
TU<br />
C TU<br />
C C<br />
C U T C C U T<br />
C C U T<br />
C U T C C U T<br />
C C U T<br />
TU<br />
C C<br />
TU<br />
C TU<br />
C C TU<br />
C C<br />
TU<br />
C TU<br />
C C<br />
22<br />
O C C C C O<br />
! S C C O<br />
:<br />
C<br />
! TU<br />
C C U C C U C TU<br />
C C U C C TU<br />
C C C C C C C C C C O<br />
:<br />
! C C TU<br />
C C C TU<br />
C C C TU<br />
C C C TU<br />
C C C C C C C C A<br />
:<br />
Can be repeated many times with players swapping parts<br />
PE051 – 21 PE051 – 15
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
g<br />
C<br />
C<br />
C<br />
C<br />
B<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
h<br />
h<br />
C<br />
S<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
g<br />
C<br />
C<br />
C<br />
h<br />
C<br />
h<br />
C<br />
h<br />
S<br />
C<br />
C<br />
16<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
C<br />
g<br />
C<br />
C<br />
C<br />
C<br />
h<br />
h<br />
C<br />
h<br />
S<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
V<br />
LAGU LIMA<br />
Œ = 44 (‰ = 88)<br />
! 4<br />
5 C Y C Y C C C C C C Y C C C C O C C C Y B<br />
p<br />
mp<br />
! 4<br />
5 Q C Y C C Y C C C C C C Y C C C C O C C C<br />
p<br />
! 5 4<br />
Q Q C<br />
p<br />
Y C C Y C C C C C<br />
4<br />
Y<br />
! h<br />
p<br />
Y<br />
!<br />
mp<br />
!<br />
C C Y C S C<br />
pp p<br />
Y<br />
Y C C C O<br />
p<br />
C C C C Y B<br />
mp<br />
Y C Y O<br />
C C<br />
pp<br />
C O C C C C O<br />
Y C C S C<br />
p<br />
Y<br />
p<br />
Y C C C O<br />
Y C Y O<br />
C C<br />
pp<br />
O<br />
Y C C S<br />
O<br />
C C C<br />
7<br />
! Y O<br />
O<br />
Q Q<br />
O<br />
! Y C C C O O Y O<br />
O<br />
Q<br />
! C<br />
p<br />
Y C Y O<br />
C O C C C C O<br />
Y C C C O<br />
O<br />
Y<br />
O<br />
O<br />
10<br />
!<br />
mp<br />
Y C C C C C C Y C C Y C C C O C C C B S C Y C<br />
! Q<br />
mp<br />
! Q Q<br />
Y C C C C C C Y C C Y C C C O C C C<br />
mp<br />
Y C C C C C C<br />
PE051 – 16 22
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
[<br />
]<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
B<br />
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
h<br />
C<br />
h<br />
h<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
h<br />
B<br />
C<br />
h<br />
C<br />
C<br />
C<br />
S<br />
h<br />
C<br />
h<br />
C<br />
h<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
h<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
h<br />
h<br />
C<br />
h<br />
C<br />
C<br />
S<br />
C<br />
C<br />
B<br />
C<br />
h<br />
h<br />
C<br />
h<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
C<br />
S<br />
C<br />
C<br />
C<br />
13<br />
! h<br />
C Y C<br />
Y C C C C C<br />
! B S C Y C<br />
!<br />
Y<br />
C C Y C<br />
Y C C C C C C C C C Y C C C O<br />
mf<br />
C Y C<br />
C O C C C B S C Y C<br />
C C C<br />
f<br />
Y C C C C C Y C C C C C C C C Y C C O C C C<br />
mf<br />
C Y C<br />
Y C C C C C<br />
Y<br />
mf<br />
O<br />
Y C C C C C C C<br />
Y<br />
17<br />
Y<br />
! h<br />
mf<br />
Y O<br />
!<br />
!<br />
C C Y C C C Y C<br />
mp<br />
Y Y<br />
f<br />
C C Y C C O<br />
C C C<br />
mf<br />
Y O<br />
f<br />
Y C C C O<br />
C C<br />
C O C C C C O<br />
Y C C C Y C<br />
mp<br />
Y Y<br />
mf<br />
Y C Y C<br />
Y C C C O<br />
C C<br />
C O C<br />
O<br />
Y C C C<br />
O<br />
C C C<br />
20<br />
Y O<br />
Y O<br />
! Q Y C Y C C C C C<br />
p<br />
O Y<br />
!<br />
C Y C C O O Y O<br />
Y O<br />
Q<br />
! Y C<br />
mp<br />
Y C C O<br />
C O C C C O<br />
Y C C C O<br />
O<br />
Y<br />
O<br />
O<br />
23<br />
!<br />
Y C C C C O C C C Y B<br />
Y<br />
poco rall.<br />
C C Y C C C A S<br />
! C Y C Y C C C C C C Y C C C C O C C C Y B C C A<br />
p<br />
! Q C Y C Y C C C C C C Y C C C C O C C C A<br />
p<br />
S<br />
PE051 – 23 17
PROMETHEAN EDITIONS