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I S S U E N O . 2V O L U M E N O . 1INSIDEHISTORYC R I M E A N D T H E U N D E R W O R L DTHETRIALSOFLIZZIEBORDEN* Stand and deliver: Dick Turpin * the real peaky blinders * h.h Holmes * ANgels in The House**Bootlegging and prohibition * Al Capone * burke and hare * The evolution of the Crime investigation **Peine Forte Et DURe * The Morellos * How to get away with murder in the middle ages *

I S S U E N O . 2

V O L U M E N O . 1

INSIDE

HISTORY

C R I M E A N D T H E U N D E R W O R L D

THE

TRIALS

OF

LIZZIE

BORDEN

* Stand and deliver: Dick Turpin * the real peaky blinders * h.h Holmes * ANgels in The House*

*Bootlegging and prohibition * Al Capone * burke and hare * The evolution of the Crime investigation *

*Peine Forte Et DURe * The Morellos * How to get away with murder in the middle ages *


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Avampato

Christa

Stephen Carver

Dr

Nell Darby

Dr

Rebecca Frost

Dr

James

Mallory

Kevern

Nick

Ruggiero

Anthony

O'Shaughnessy

Patrick

Smith

Conal

Walsh

Robert

Elliott Watson

Dr

John Woolf

Dr

is no escaping the fact that crime has always been a

There

of history. Wherever there is an opportunity then there

part

always those who aim to benefit from it. For this issue of

are

HISTORY, we have aimed to enter the criminal

INSIDE

Rebecca Frost investigates the evolution of the myth

Dr

the notorious H.H Holmes. How many did he actually

behind

and how much of what he did (or even, did not do) was

kill

work of his own imagination? Was he responsible for

the

to create his own sensationalism the stories written

helping

him?

about

media, since the early days of the printing press, has

The

been keen to report on murders. Lizzie Borden's case

always

no different. Yet, her particular case raises a number of

was

Despite being found innocent of the murders of her

issues.

and stepmother, Borden faced many trials following

father

acquittal. From her own community, to media frenzy and

her

criminals have never needed the media to help them

Some

become part of the public imagination. Over time they can

to

glamorous based on the work of fictional writers

become

to tell a story. Dick Turpin is one such case. The image

eager

Turpin is often portrayed as the gentleman highwayman,

of

by the wealthy and adored by women. The real Turpin

feared

a completely different story as Dr Stephen Carver will

is

reveal.

has unfortunately become a form of entertainment

Crime

many television channels dedicated air time to

with

and movies about famous criminals. There is

documentaries

course an issue with this. How much do we really know

of

these people? How can tell the fact from the fiction? As

about

our job is not glamourise the deeds of these

historians

but to pursue the truth with the evidence at hand.

individuals

only hope that we have managed to do just that.

I

us as we take you from the Middle Ages right up to the

Join

Century on this journey of historical crime and the

20th

A NOTE

BY THE

EDITOR

"DON'T HAVE NIGHTMARES...

SLEEP WELL"

Nick Ross. BBC Crimewatch Presenter

underworld throughout time.

of course, the perception of history.

E D I T O R

Nick Kevern

C O N T R I B U T O R S

Underworld. As Nick Ross from Crimewatch used to say:

"Don't have nightmares...sleep well."

@inside__history insidehistorymag @InsideHistoryMag


to get away with murder in the

How

Ages

Middle

Turpin: The Not-So Dandy

Dick

Highwayman

man: The Evolution of the mth

Self-made

H.H Holmes

of

the St Valentine's Day Massacre

How

the Jazz Age

killed

changing world of Crime

The

Investigations

10

18

22

30

36

40

I N S I D E H I S T O R Y

07

30

I S S U E 0 2 / C R I M E A N D T H E U N D E R W O R L D

C O N T E N T S

07

12

26

48

48

53

26

22

Crushing the Confession

Burke and Hare: Dealers in Death

Angels in the House

The trials of Lizzie Borden

The Morellos: Families at War

The REAL Peaky Blinders

12

18

Prohibition in New York City

44


40


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HOW TO GET AWAY

WITH MURDER IN

THE MIDDLE AGES

WORDS BY CONAL SMITH


Watch any film or TV series set in the middle ages, or

a middle ages-esque environment such as Westeros,

and you are likely to come across barbarism. Heads

are chopped off and men are hanged for anything,

including the smallest of crimes. While there may be

some exaggeration, go back to the middle ages and

almost all serious crime was certainly punished in this

way. Murder, serious theft and burglary of goods over

12 pence(!) were capital offences for anyone over the

age of 10. Here, however, are a few ways that a crafty

criminal could try to avoid the noose.

Although in some cases it was possible to claim

sanctuary indefinitely, it was more common that a

criminal would need to make a choice within 40 days.

Either they must opt to go into permanent exile,

receiving safe passage as they left the country, or

they had to present themselves to a court. Presenting

one’s self to a court meant facing the full force of the

King’s justice, and so the option of fleeing England to

start a new life overseas could be a route to avoiding

this.

Plead benefit of the Clergy

If you were a member of the clergy (priest, monk or

nun), you escaped the King’s justice automatically.

Instead of being tried in the King’s courts, you would

be tried by your fellow churchmen in a Church court.

Here punishments tended to focus more on penance

than punishment. Though standing in the village

square in nothing but your small clothes sounds far

from pleasant, it certainly sounds preferable to

hanging. Surely this was only open to real members

of the clergy though?

Wrong. ANYONE could claim benefit of the clergy.

The ‘proof’ if one can call it that was merely the ability

to read a passage in latin. Still think that sounds

tough as you had to learn Latin? Wrong again. There

was a set passage, which became known as the ‘neck

verse’ that was used to test this. Hence, even if you

could not speak latin, you could learn psalm 51 by

heart and then simply recount it when the bible was

placed in front of you to test whether you were

indeed clergy. While you might not completely get

away with murder, being liable for a Church

punishment, a simple bit of preparation was a

surefire way to avoid execution for murder. This route

even went on far beyond the middle ages, not being

finally abolished until 1823!

Sanctuary

Even if you had not put in the requisite preparation

to plead benefit of the clergy, the Church still

provided a clear route to avoiding the death penalty.

There was a legal ability to claim sanctuary in a holy

place, until its abolition in 1624. If a criminal was able

to reach a Church or Cathedral, their pursuers were

not able to enter a holy place and arrest them,

something which could be seen a desecrating a holy

site.

8 / CRIME AND THE UNDERWORLD

There was a legal

ability to claim

sanctuary in a holy

place, until its

abolition in 1624.


Victory taken

as clear proof

of innocence

Trial by Combat

A far riskier route, but one which could see you

serving no punishment whatsoever, was dependent

on presenting yourself to the authorities. Once

arrested, if there was some element of doubt over

your guilt you could request trial by combat rather

than the more common trial by jury. This system was

in place from the Norman Conquest and meant that,

so long as your accuser was not someone deemed

unable to fight (through age, sex or disablity), you

could challenge them to single combat. In a 60 foot

square arena, the two of you would engage in a fight,

either to the death or until one of the participants

yielded, with a victory taken as clear proof of

innocence; for the authorities this also had the

benefit of sometimes avoiding the need to employ a

hangman!

The three possibilities hitherto described are some of

the purely medieval routes of escape available to you,

but there were also some routes that continue to be

employed far beyond the period and even in some

cases up to this day.

In the first instance of course there is the simple

route of fleeing as far and as fast as possible. While

there were medieval methods to catch a fugitive,

such as the hue and cry, the reach of these attempts

were geographically very restricted. Secondly, one

could admit guilt, but then try and obtain a royal

pardon. For those who could afford it this could

sometimes be bought. However, more common in

the Later Middle Ages are the many violent criminals,

including murderers, who received a royal pardon in

return for military service overseas. If a guarantee of

hardship and risk of violent death did not appeal, the

modern mafia staple of witness intimidation would

also have been available to you dependent on wealth

and influence, particularly given the lack of forensic

evidence to ensure a conviction without sworn

testimony.

So there you have it, if you committed a murder in

the middle ages there may have been no way of

guaranteeing escaping the long arm of the law.

However, there were plenty of options to choose

from in an attempt to avoid swinging for your crimes.

Conal Smith is part of the

editorial team at the

VersusHistory Podcast

WORDS BY NICK KEVERN

CRIME AND THE UNDERWORLD / 9


CRUSHING THE

CONFESSION

WORDS BY PATRICK O'SHAUGHNESSY

IMAGE: WIKIMEDIA


O'Shaughnessy is the Head of History at a

Patrick

international school in the Middle East.

prestigious

is a Co-Editor of the Versus History Podcast and

He

writes on various subjects related to History.

regularly

is currently writing a book which focuses on

Patrick

causes and events of the American Revolution.

the

If your English ancestors stood trial for a crime in a

court of law before 1772, the sentence - if convicted -

could be extremely severe. For instance, when the

Gunpowder Plotters were convicted of ‘high treason’

against King James I in January 1606, they were

publically hung, drawn and quartered before of a

hostile and highly unsympathetic crowd in London.

The potential punishments for those convicted of a

crime during both the Tudor and Stuart eras (1485-

1714) could include - but were not limited to - being

beheaded, death by hanging and being put in the

stocks, depending on the severity of the crime that

one was found guilty of committing. Capital

punishment was constant during this time of great

political, social and cultural flux. Following the demise

of the Stuart dynasty in 1714, the punishment dished

out to offenders during the reigns of the first three

Georgian monarchs who reigned between 1714-1820,

could still involve the death penalty. By 1800, the

application of the death penalty was extended to

cover over 200 different crimes, including theft.

Transportation of convicted felons was also used until

1867, during the reign of Queen Victoria. As Historian

E.P Thompson argued, ‘The commercial expansion,

the enclosure movement, the early years of the

Industrial Revolution - all took place within the

shadow of the gallows.’ It is clear, therefore, that the

huge societal shifts which were taking place in

Britain during the 18th and 19th centuries did not

axiomatically lead to changes or reform in the

criminal justice system.

The application of capital punishment and the

banishment of convicted criminals to distant colonial

outposts is generally well known and documented.

However, a lesser-known, but perhaps equally

barbaric feature of the criminal justice system until

1772 was an inherent part of the prosecution stage,

rather than the punishment decreed as part of the

sentence. If prosecuted in a court of law for a capital

offence (e.g: murder or treason) during the reign of

King George III (1760-1820) or a monarch preceding

him, your English ancestors would have been faced

with a simple choice. To plead ‘guilty’ or ‘innocent’ of

the stated crime in a court of law. Right? Actually, it’s

wrong!

The choice of plea facing the accused at the start of a

trial was not a simple binary between ‘innocent’ on

the one hand and ‘guilty’ on the other. There was a

THIRD option. This is where things get slightly

complex but very interesting. We can safely assume

that a plea of ‘guilty’ in a trial for a capital offence

would have meant almost certain conviction, death

and the subsequent forfeiture of all land and property

owed to the Crown. A plea of ‘innocent’ would have

either resulted in the previous outcome or if one was

lucky, an acquittal (although this was unlikely in

treason cases as these were often a fait accompli).

The third option would have appealed to those with

significant estates and wealth. To avoid the seizure of

all property and estates by the Crown, the accused

could refuse to enter a plea at the start of the trial

when requested to do so. This could result in what

was known as ‘peine forte et dure’. In English, this

meant ‘hard and forceful punishment’. When this

eventuality occurred, the courtroom proceedings

were suspended, as a plea was necessary to proceed.

The defendant was subsequently subjected to a

process of crushing by increasingly heavier rocks,

hence the ‘hard and forceful punishment’ element.

The process was designed to elicit a plea - either

‘guilty’ or ‘innocent’ from the defendant - which

would then result in the process of crushing being

terminated and the courtroom trial being resumed.

However, the process of ‘peine forte et dure’ did not

often result in a plea being entered, as one may think,

despite the obvious excruciating and slow death that

would result. The reason for this is to do with the

forfeiture of wealth, assets and titles to the Crown

that a ‘guilty’ verdict in a court of law would entail.

Indeed, if the accused were to perish during the

‘crushing’ process, they would technically die as an

‘innocent’ person. Therefore, the ‘next of kin’ could

inherit the wealth of the deceased, rather than it

being seized for the Crown.

During the infamous Salem Witch Trials of 1692 in the

British Colony of Massachusetts, an elderly individual

named Giles Corey, who was born in Northampton in

1611 and emigrated to the American colonies in his

younger years, refused to enter a plea to the court in

his trial for alleged witchcraft. Corey was subjected to

the brutal process of peine forte et dure and was

subsequently crushed to death. Legend has it that

Corey endured the entire crushing process in silence.

Whether or not this is true, Corey died an innocent

man in the eyes of the court and could, therefore,

bequeath an inheritance to his immediate family. The

awful spectre of this elderly colonist being crushed to

death may well have been one of the causal factors

behind the eventual conclusion of the Witch Trials in

Salem, along with the growing accusations of

witchcraft aimed at women at the apex of the social

hierarchy. Whatever the truth, the history of peine

forte et dure demands attention as a more brutal part

of Britain’s legal and judicial history.

CRIME AND THE UNDERWORLD / 11


DICK TURPIN:

THE NOT SO

DANDY

WORDS BY DR STEPHEN CARVER

HIGHWAYMAN


In popular history, the name ‘Dick Turpin’ evokes a

character at once handsome, brave and funny, his cry

of ‘Stand and deliver!’ once causing many a lady

traveller’s heart to flutter. Not as famous as he was in

the seventies, perhaps, when he had his own TV

show, but he remains a real Jack Sparrow, with a set

of adventures ingrained in the national psyche, most

notably his famous ride from London to York in a

night on the equally legendary Black Bess. Like a

Georgian Jesse James, the ‘gentleman highwayman’

is the outlaw king and a symbol of rebellious

Englishness. The reality was, of course, much less

glamorous.

The best original biographical source is a chapbook

entitled The Genuine HISTORY of the LIFE of

RICHARD TURPIN, The noted Highwayman, Who was

Executed at York for Horse-stealing, under the Name

of John Palmer, on Saturday April, 7, 1739 as told by

Richard Bayes and recorded by one J. Cole in

conversation at the Green Man in Epping Forest. Not

that such ‘histories’ are exactly accurate, but this one

was at least based on contemporary witness

testimony and an account of the trial is also

appended.

According to Bayes and Cole, Turpin was born in

Hempstead in 1705. He was taught to read and write

by a tutor called James Smith, then apprenticed to a

butcher in Whitechapel. There he married a local girl

called Elizabeth Palmer, or Millington, depending on

which chapbook you believe. The couple set up in

business in Sutton, but the meat trade was no longer

guilded and unregulated competition was fierce.

Turpin took to stealing livestock until he was spotted,

and a warrant drawn up. Evading capture, he next

briefly tried his hand at smuggling before falling in

with a band of deer poachers known as ‘Gregory’s

Gang’ after its leaders, the brothers Samuel, Jeremiah

and Jaspar Gregory. The gang soon diversified into

housebreaking around Essex, Middlesex Surrey and

Kent, stealing horses, sexually assaulting

maidservants and demanding valuables with

menaces. As a contemporary newspaper reported:

"On Saturday night last, about seven o’clock, five

rogues entered the house of the Widow Shelley at

Loughton in Essex, having pistols &c. and threatened

to murder the old lady, if she would not tell them

where her money lay, which she obstinately refusing

for some time, they threatened to lay her across the

fire, if she did not instantly tell them, which she would

not do."

Beatings, rapes, scaldings and severe burns were

favourite forms of persuasion, until, pursued by

dragoons with a £100 reward on each of their heads,

several of the gang was cornered at a pub in

Westminster. The youngest, a teenager called John

Wheeler, turned King’s evidence and his compatriots

were hanged in chains. Descriptions of the remaining

outlaws were quickly circulated, including: ‘Richard

Turpin, a Butcher by Trade, is a tall fresh colour’d Man,

very much mark’d with the Small Pox, about 26 Years

of Age, about Five Feet Nine Inches high, lived some

Time ago at White-chappel and did lately Lodge

somewhere about Millbank, Westminster, wears a

Blew Grey Coat and a natural Wig’.

"Beatings, rapes, scaldings

and severe burns were

favourite forms of

persuasion, until, pursued

by dragoons with a £100

reward on each of their

heads, several of the gang

was cornered at a pub in

Westminister"

On the run, Turpin held up a well-dressed gentleman

who turned out to be the highwayman, Tom King.

They rode together for three years, living in a cave in

Epping Forest until their hideout was discovered by a

bounty-hunting servant who Turpin murdered. On

the run again, Turpin stole a horse near the Green

Man, at which point Richard Bayes became directly

involved in his own story, tracking Turpin and King to

the Red Lyon in Whitechapel. Turpin took a shot at

Bayes, hitting King instead and escaping in the

confusion. King lived for another week, during which

he cursed Turpin for a coward and gave up all their

secrets. Bayes found the cave, but Turpin was long

gone.

Becoming ‘John Palmer’, Turpin relocated to

Yorkshire as a ‘horse trader’, although he was really

stealing them from neighbouring counties.

CRIME AND THE UNDERWORLD/ 13


The closest we get to ‘Black Bess’ is a black mare

owned by a man called Thomas Creasy that Turpin

stole in York during this period. Returning home

drunk from a shooting party one day, Turpin shot a

cockerel belonging to his landlord for a lark. His

neighbour, a Mr. Hall, witnessed the event and

declared, ‘You have done wrong, Mr Palmer in

shooting your landlord’s cock’, to which Turpin

replied that if he stood still while he reloaded, he

would put a bullet in him too. Hall told their landlord

and Turpin was arrested. Being new to the area,

Turpin could not provide any character witnesses,

and although he claimed to be a butcher from Long

Sutton, something about his vague backstory did not

ring true with the examining magistrate. He was

detained while more enquiries were made in

Lincolnshire, revealing that ‘John Palmer’ was a

suspected horse thief. He was transferred to a cell at

York Castle while further investigations were

conducted.

his corpse being borne through the streets like a

martyred saint, before it was buried in lime to render

it useless for surgical dissection. He supposedly lies in

the graveyard of St George’s Church, Fishergate,

although the headstone that now graces the spot

was not there when an aspiring young novelist from

Manchester called William Harrison Ainsworth looked

for it in 1833.

By then, Dick Turpin had been largely forgotten. As

the eighteenth century progressed, turnpikes,

traceable banknotes, and expanding cities had

encroached into the traditional hunting grounds of

highwaymen and in 1805 Richard Ford’s newly

founded Bow Street Horse Patrol finally wiped them

out. For Ainsworth’s generation, highwaymen

belonged to a vanished world, and were therefore

ripe for romantic resurrection.

The highwayman Dick Turpin, on horseback, sees a phantom riding next to him. Lithograph by

W. Clerk, ca. 1839. Credit: Wellcome Collection. CC BY

Because Georgian prisoners had to pay for board and

lodgings, Turpin wrote to his brother-in-law in Essex

asking for money, but when the letter arrived

postage was owed which the recipient refused the

pay. It was returned to the post office at Saffron

Walden, where Turpin’s former tutor was now the

postmaster. Smith recognised the handwriting and

informed the authorities. Turpin was indicted for

stealing the black mare, and then identified in court

by his old teacher.

Turpin was hanged at Micklegate Bar in York on

Saturday, April 7, 1739. He was thirty-three years old.

Contemporary accounts agree that he died bravely

and with style, having bought a new frock coat and

shoes for the occasion. As Georgian hangings had a

short drop, he took about five minutes to strangle

under his own body weight. Bayes and Cole describe

Turpin was hanged at

Micklegate Bar in

York on Saturday,

April 7, 1739.

14 / CRIME AND THE UNDERWORLD


Richard Turpin shooting a man near his cave in Epping Forrest. Credit: Wellcome Collection. CC BY


Ainsworth is the real reason we have the version of

Dick Turpin we do in popular history. Turpin was the

hero of his boyhood, and he and his brother grew up

listening to their father, a prominent lawyer, spin

fireside yarns of ‘Dauntless Dick’ which the boys

would then embellish and enact in the family’s

overgrown back garden. He therefore wrote the

highwayman into his breakthrough novel Rookwood

in 1834. This tidy little gothic romance was an

overnight sensation, making its author a literary

celebrity and inspiring a national craze for Georgian

outlaws. As far as Ainsworth’s massive audience was

concerned, Turpin was the hero of Rookwood, to the

extent that the section entitled ‘The Ride to York’ was

often published separately, cementing the entirely

fictional event to the original’s biography. Ainsworth

based the episode on another apocryphal story in

which Turpin supposedly rode so quickly from a

robbery at Dunham Massey to Hough Green that he

was able to establish an alibi. The original ‘Ride to

Jack Sheppard in Bentley’s Miscellany, which ran

concurrently with Dickens’ Oliver Twist. The original

Jack Sheppard was another unremarkable Georgian

thief who achieved some notoriety in his own day by

escaping from Newgate. Jack Sheppard was another

bestseller but this time the critics turned on

Ainsworth, triggering a moral panic about the

supposedly pernicious effects of ‘Newgate novels’ on

young working-class males. When the valet François

Courvoisier murdered his master, Lord William

Russell, allegedly after reading Jack Sheppard, the

charge against Ainsworth seemed incontrovertible

and his status as a good Victorian and a serious

literary novelist never recovered. This is why we know

a lot more about Dick Turpin than we do him.

But that, as they say,

is another story…

The highwayman Dick Turpin, on horseback, arrives at a tree from which two bodies have been

hanged. Lithograph by W. Clerk, ca. 1839.. Credit: Wellcome Collection. CC BY

York’ comes from a legend about the seventeenthcentury

highwayman John Nevison, or ‘Swift Nick’,

which goes back to an account by Daniel Defoe in A

tour thro’ the whole island of Great Britain written in

1727.

Dr Stephen Carver is the

Author of THE AUTHOR WHO

The sincerest form of flattery followed, as Turpin was

rehabilitated as a national treasure, inspiring a run of

highwayman plays, novels and penny dreadfuls that

flourished well into the 1860s. After being a footnote

in eighteenth century history, Turpin’s fame was

assured by his nineteenth century fictional

doppelgänger. Almost everything we think we know

about Dick Turpin in national myth comes from the

pages of Ainsworth’s book.

AND WORK OF W.H.

LIFE

published by

AINSWORTH

& Sword books.

Pen

£25.00

RRP:

@drstephencarver

OUTSOLD DICKENS: THE

After an unsuccessful follow-up novel, Ainsworth

returned to the Newgate Calendars in 1839, serialising

16 / CRIME AND THE UNDERWORLD


FULL PAGE AD.indd 1 19/08/2019 11:40


BURKE

DEALERS IN

DEATH

WORDS

BY

ROBERT WALSH

HARE


The crimes of William Burke and William Hare are

part of Scotland’s history, living on in popular culture

even today. The subject of films, books and

documentaries, their legacy has long outlived them

and their victims. They also inspired works by Robert

Louis Stevenson and Dylan Thomas. A feature film,

not the first, was made as recently as 2010. Even Sir

Walter Scott (author of Ivanhoe) had an opinion:

“A wretch who is not worth a farthing when alive,

becomes a valuable article when knock’d on the head

and carried to an anatomist.”

In Edinburgh’s West Port district they murdered

sixteen people between November 1828 and

November 1829, selling their corpses to distinguished

surgeon and anatomist Robert Knox. Knox’s full

culpability will always be debated, Burke and Hare’s is

undoubted.

Surgeons always needed cadavers. Bodies of

executed convicts, their principal source, were simply

too few even when dissection formed part of the

death sentence and executions were common. Burke

and Hare briefly solved that problem. Body-snatchers,

grave-robbers and ‘resurrection men’ (resurgam

homo to be exact) found a solution not on the

ground, but under it. Burke and Hare, however, went

even further. In 1995 book Murdering to Dissect:

Grave-robbing, Frankenstein and the Anatomy

Literature, historian David Marshall remarks:

“Burke and Hare took grave-robbing to its logical

conclusion: instead of digging up the dead, they

accepted lucrative incentives to destroy the living.”

Edinburgh Medical School was and remains a highlyrespected

institution, but it had its dark side. Knox

was only one of several surgeons who bought

cadavers without asking where they came from.

Often lacking any other source, Knox and his

colleagues had little choice.

Edinburgh folk of the time were often staunchly

religious and, if not religious, certainly superstitious.

Their belief that a person’s body should remain

interred until the Resurrection made them hate and

fear body-snatchers. The body-snatchers in turn had

a lucrative racket where Edinburgh’s highest society

did brisk business with its lowest.

The fresher the cadaver, the more men like Knox

were prepared to pay and in cash. More could be

learned from fresh cadavers than decomposing ones.

In a society where life was often cheap, death could

be lucrative. A fresh body could fetch twenty guineas.

Families of hanged felons often claimed the body for

burial and sold it to surgeons instead.

The result was an epidemic of grave-robbing. Several

graveyards built watch-towers and employed guards.

Some families, knowing body-snatchers preferred

fresh bodies, rented huge stones. Placed over a new

grave, they prevented it being plundered. Others

used ‘mortsafes,’ iron cages rendering coffins

impregnable.

" The fresher the cadaver,

the more men like Knox

were prepared to pay and

in cash."

Based in a dingy boarding house in Tanner’s Close,

the pair’s first sale wasn’t their first murder. Lodger

‘Old Donald’ had died owing four pounds in rent, a

considerable sum for the time. A late-night visit to

Surgeon’s Square netted seven pounds and ten

shillings, around one thousand pounds today. It was

their first of many encounters with Knox.

‘Old Donald’ had proved worth more dead than alive

but, like their customers, Burke and Hare had a

supply problem. Natural death wasn’t reliable but

serial murder was, especially of people who were

readily missed. With poverty endemic in 1820’s

Edinburgh there were plenty of vagrants, tramps,

drifters and prostitutes. Having already sold the

naturally-deceased their stock-in-trade was entirely

unnatural thereafter.

Victims were lured to Tanner’s Close, plied liberally

with alcohol and suddenly ‘burked.’ ‘Burking,’ a term

used today, smothered the victim’s nose and mouth

until they suffocated. Working together, one

restrained the victim while the other suffocated

them. The victims died quickly with no visible signs of

violence to arouse suspicion, not that their customers

were especially fussy. It also provided fresh,

undamaged cadavers sold at higher prices.

CRIME AND THE UNDERWORLD / 19


Knowing they could hang for their first murder ( a

miller named Joseph in January 1829) Burke and Hare

had no qualms about fifteen more, selling their

victims to Knox at considerable profit. Their wives also

participated, helping lure victims to Tanner’s Close.

One after another their victims vanished. The more

they killed the more brazen they became, even

murdering a respectable, middle-class victim and

one of McDougal’s relatives. Their last victim was

Margaret Docherty on October 28 1829. The

interference of fellow lodgers Ann and James Gray

ended their killing spree.

The Grays became suspicious when Burke wouldn’t

allow anyone into his room. Sneaking in while Burke

was distracted they discovered Docherty’s body,

informing police even after McDougal offered them

£10 a month as a bribe. By the time police arrived

Docherty had already been sold, but Burke and his

wife told conflicting stories. Both were detained and

Hanged on 28 January 1830 Burke’s skeleton remains

on display at, ironically, Edinburgh Medical School.

Perhaps as many as 40,000 people attended his

execution with soldiers on hand to prevent disorder.

Hare and his wife vanished into obscurity as did

Burke’s widow. The disgraced Knox left Edinburgh,

dying in London in 1862.

Shortly after Burke’s dissection, MP Henry

Warburton’s Anatomy Bill failed to get through

Parliament. In 1832 his second attempt succeeded

after John Bishop and Thomas Williams were hanged

for a similar crime. Warburton’s 1832 Anatomy Act

granted anatomists unclaimed bodies from

workhouses and hospitals, also ending dissection of

executed convicts. Bishop and Williams had attracted

similar notoriety and a grim nickname; The London

Burkers.

William Burke murdering Margery Campbell - the last of the Burke and Hare murders

Credit: WikiMedia

Docherty’s body was discovered at Knox’s dissecting

room the next day. She was identified by the Grays as

the missing woman. Hare and his wife were also

arrested.

The trial was a public sensation and Burke might

have won had Hare not turned King’s Evidence to

cheat the hangman. In return, Hare was released.

Tried on Christmas Eve, 1829 and convicted on

Christmas Day, Burke was condemned to hang.

Passing sentence, Lord Justice-Clerk David Boyle

added an ironic stipulation:

Walsh is the

Robert

of MURDERS,

Author

AND

MYSTERIES

IN NEW

MISDEMEANORS

published by America

YORK

Time

Through

£18.99

RRP:

“Your body should be publicly dissected and

anatomised. And I trust, that if it is ever customary

to preserve skeletons, yours will be preserved, in

order that posterity may keep in remembrance your

atrocious crimes.”

@ScribeCrime

20 / CRIME AND THE UNDERWORLD


The execution of William Burke . Credit: Wellcome Collection. CC BY


ANGELS IN THE

HOUSE:THE NOT SO

ANGELIC VICTORIAN

HOUSEWIVES

WORDS BY

DR JOHN WOOLF


Angels in the House: subservient and submissive,

demure and deferential. The ideal Victorian woman

lived safely ensconced in the heavenly homestead: a

refuge from the rambunctious world outside. Snug in

domesticity she cared for home, husband and child.

She was morally superior, passive and ‘passionless’;

her beauty reflected in ‘domestic pictures’ that

portrayed her as angelic, supportive and subservient

to the husband who, in all things, she willingly and

lovingly deferred…That anyway was the theory—a

pervasive form of patriarchy that permeated

Victorian society and culture. But of course the reality

was more complex. And in the underworld of crime

and corruption women played their part…

Cue the Forty Thieves later known as the Forty

Elephants: a syndicate of working-class women who

stole, blackmailed and extorted their way to notoriety.

Operating from the 18th and into the 20th century, it

was around 1890 that the gang fell under the

five years for her crimes.

Mary’s successor at the helm of the Forty Thieves was

Alice Diamond. Born inside the workhouse, Alice rose

through the criminal ranks to lead the gang with

military precision. She expanded their operation

beyond London; the motley crew (known for their

bewitching looks) travelled the country stealing and

plundering and hiding their loot up their skirts and

knickers.

All the while other women continued to subvert the

stereotype of the Angel in the House. Female

offenders were mainly responsible for minor crimes

such as theft and public disorder. There was a high

rate of female re-offending. Many were forced into

crime through abuse, poverty and destitution; sexual

exploitation was rife. And while women made up only

a small proportion of convicted offenders, their role in

crime was disproportionately discussed. In the press,

leadership of Mary Crane AKA Mary Carr, Polly Carr,

Polly Pickpocket, Handsome Polly and Queen of the

Forty Thieves. In Scoundrels and Scallywags, and

Some Honest Men (1929), Detective Tom Divall wrote:

‘She had rather small features and a luxurious crop of

auburn hair, but she was the most unfeeling criminal

that ever lived. She participated in child stealing,

enticing men into filthy and foul places, and in fact in

everything too horrible to mention. She had been an

artists’ model, and if she had stuck to that business

she might have done well and lived in luxury’.

Instead she wound up behind bars. Charged with

theft on numerous occasions, an 1896 conviction saw

her sentenced to three years penal servitude for

kidnapping a child. After her release Mary resumed

fencing stolen goods and in 1900 received another

the female criminal was depicted as the antithesis to

the Angel in the House: cold, calculating,

promiscuous and monstrous; in medical and legal

circles, she was morally corrupt and mentally

deficient.

Some women began writing about crime, taking aim

at the supposedly safe domestic sphere. Mary

Elizabeth Braddon’s sensational novel Lady Audley’s

Secret (1862) placed crime at the heart of the hearth,

provoking the worrying question: what if the Angel in

the House was secretly a Domestic Devil?

Such a concern captured the Victorian imagination.

And with poison in abundance—arsenic being

particularly ubiquitous in the first half of the century

— the potential for a domestic goddess turned

demonic murderess remained in the realm of

possibility.

CRIME AND THE UNDERWOLD / 23


John Woolf is the author of

Dr

FRY’S VICTORIAN

STEPHEN

and THE WONDERS:

SECRETS

THE CURTAIN ON THE

LIFTING

SHOW, CIRCUS AND

FREAK

AGE

VICTORIAN

Amelia Dyer (below) the

‘Baby Farmer’ poisoned,

starved and strangled

infants in her care—

killing around 400 in a

thirty-year period.

Were there not numerous cases that proved the

point? The twenty-two-year-old servant Eliza

Flemming executed for poisoning her master and his

family in 1815; Sarah Chesham executed for poisoning

her husband in 1851 And in 1873 Mary Ann Cotton

was sentenced to death for the destruction she

wrought with arsenic.

Previously a Sunday-school teacher and nurse, Mary

Cotton murdered a total of twenty-one people

between 1865 and 1872, making her far more prolific

than Jack the Ripper. She hid behind the image of

the Angel in the House to mercilessly murder three of

her four husbands, eleven of her thirteen children,

plus her lovers and her mother. Mary moved across

the north of England collecting the insurance after

the slaughter of her nearest and dearest. And on 24th

March 1873 she drew her last breath at the gallows in

Durham County Gaol: ‘She clasped her hands close to

her breast, murmured in an earnest tone, “Lord, have

mercy on my soul”, and in a moment the bolt was

drawn’.

Mary Cotton murdered a total of

twenty-one people between 1865

and 1872, making her far more

prolific than Jack the Ripper.

Cotton was by no means the only female serial killer.

Amelia Dyer the ‘Baby Farmer’ poisoned, starved and

strangled infants in her care—killing around 400 in a

thirty-year period. She too met her fate at the gallows

on 10 June 1896. Her last words: ‘I have nothing to

say’.

Dyer joined the pantheon of female murderers

executed for their crimes. And she emphatically

disrupted the Victorian notion of the Angel in the

House. It was always just a theory, and one which was

neither universal nor constant, but this maleconstructed

ideology captured a supposed ideal. It

was, however, bloodily subverted by the female

murderers and criminals who dispensed with the

Angel in the House and, in so doing, provoked fear

and loathing throughout Victorian society.

@drjohnwoolf

24 / CRIME AND THE UNDERWORLD

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