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| The Gentle Author<br />
Spitalfields Nippers<br />
Pigeon fancying has always been a<br />
popular tradition in the East End.<br />
Horace Warner collected boots for children<br />
who had none and some of his photograph<br />
record the delivery of the new boots.<br />
This little girl is leaning on a parsley basket.<br />
Parsley came by train from East Anglia and<br />
children were paid to bunch it up.<br />
In the last years of the nineteenth century, Horace<br />
Warner took a series of portraits of some of the<br />
poorest people in London - creating relaxed,<br />
intimate images that gave dignity to his subjects and<br />
producing great photography that is without parallel<br />
in his era.<br />
22 LOVEEAST<br />
SPITALFIELDS NIPPERS<br />
Horace Warner<br />
This boy is wearing Horace Warner’s hat<br />
for the photograph<br />
Born into a Quaker family that had its roots in<br />
Spitalfields in the seventeenth century, Horace was<br />
a Sunday school teacher at the Bedford Institute<br />
which still stands in Quaker Street. The wealth of the<br />
family business, Jeffrey & Co - the wallpaper printers<br />
who printed William Morris’ wallpaper - enabled the<br />
Warners to be generous benefactors to the Bedford<br />
Institute which offered practical support to the<br />
residents of Quaker St and the surrounding courts and<br />
alleys.<br />
Horace’s photographs revolutionise our view of<br />
Londoners at the end of the nineteenth century,<br />
by bringing them startlingly close and permitting<br />
us to look them in the eye. Unseen outside the<br />
Warner family for more than century, most of these<br />
breathtaking photographs have been published for<br />
the first time by Spitalfields Life, including biographies<br />
of many of the children.