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Local lifestyle magazine for East London

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| The Gentle Author<br />

Spitalfields Nippers<br />

Pigeon fancying has always been a<br />

popular tradition in the East End.<br />

Horace Warner collected boots for children<br />

who had none and some of his photograph<br />

record the delivery of the new boots.<br />

This little girl is leaning on a parsley basket.<br />

Parsley came by train from East Anglia and<br />

children were paid to bunch it up.<br />

In the last years of the nineteenth century, Horace<br />

Warner took a series of portraits of some of the<br />

poorest people in London - creating relaxed,<br />

intimate images that gave dignity to his subjects and<br />

producing great photography that is without parallel<br />

in his era.<br />

22 LOVEEAST<br />

SPITALFIELDS NIPPERS<br />

Horace Warner<br />

This boy is wearing Horace Warner’s hat<br />

for the photograph<br />

Born into a Quaker family that had its roots in<br />

Spitalfields in the seventeenth century, Horace was<br />

a Sunday school teacher at the Bedford Institute<br />

which still stands in Quaker Street. The wealth of the<br />

family business, Jeffrey & Co - the wallpaper printers<br />

who printed William Morris’ wallpaper - enabled the<br />

Warners to be generous benefactors to the Bedford<br />

Institute which offered practical support to the<br />

residents of Quaker St and the surrounding courts and<br />

alleys.<br />

Horace’s photographs revolutionise our view of<br />

Londoners at the end of the nineteenth century,<br />

by bringing them startlingly close and permitting<br />

us to look them in the eye. Unseen outside the<br />

Warner family for more than century, most of these<br />

breathtaking photographs have been published for<br />

the first time by Spitalfields Life, including biographies<br />

of many of the children.

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