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| Culture<br />
A few of Guardians' numerous awards<br />
I like the shower scene. I won’t go into what it<br />
entails but it makes me laugh a lot.<br />
What was the most difficult scene to film?<br />
The shower scene was logistically difficult due to a<br />
fair bit of action happening in a very small space.<br />
But there is a party scene that wasn’t easy to do.<br />
We only had a limited amount of people and again<br />
a small space, so to put across the kind of party I<br />
had in my mind wasn’t easy. And there is a reveal<br />
in the scene that I cocked up so we had to edit<br />
around it. It still sort of works but it could have<br />
been better.<br />
Was there a significance to basing it in East<br />
London and how did you choose the location?<br />
The location is my house. So I chose it because<br />
I knew it very well and could have total control<br />
of the location. I know every little weird corner,<br />
cranny and creak in the place and so I tried my<br />
best to use that knowledge to milk the house’s<br />
cinematic potential. And I think the house is a<br />
good representation of the eclecticism of East<br />
London. It’s 200 years old and has seen all sorts<br />
and, like the East End itself, a lot of that history is<br />
etched in the walls. Each room is its own character,<br />
which makes up the personality of the house.<br />
Aside from financial investment, what's the biggest<br />
challenge of making a feature film?<br />
Scheduling. We had no money so people were<br />
often working around other jobs. Our First<br />
Assistant Director, Joe, had a hell of a job trying to<br />
put together a workable shooting schedule around<br />
people who could only work on certain days. Then<br />
getting it seen. It cost the same as the shoot to<br />
do screenings, festivals, markets. And with a film<br />
this small its not easy getting the right people to<br />
take notice. It took a lot of time, patience, faith and<br />
again naivety.<br />
And the richest reward?<br />
As I made it with my best friends, whom I have<br />
been working with for 15 years, the fact that we<br />
have something to represent that is fantastic I<br />
think. We’ve all had our ups and downs over the<br />
years, so to have this one thing that we all did and<br />
to have it as well received as it has been is hugely<br />
rewarding.<br />
Any advice for budding filmmakers?<br />
Work with good people. People that can do the<br />
things you can’t and people that you connect<br />
with, that you enjoy working with and who make<br />
you better. Guardians, along with most of the<br />
things I have done over the years, would not have<br />
been possible without the people that I have<br />
collaborated with. From the inception of the idea<br />
to the production, post-production, screenings,<br />
festivals and now its VOD premiere on Sky Store<br />
and Virgin Media (from 2 December) there hasn’t<br />
been a moment where I haven’t had someone<br />
there to improve, edit, push, criticise, advise and<br />
support me.<br />
What's next for you?<br />
I have two scripts in development. My script<br />
Limpet is what I hope will be my next directorial<br />
venture. It’s a horror/comedy and we have just got<br />
a really cool executive producer on board with<br />
excellent horror pedigree, so that is pushing ahead<br />
and very exciting. And then there is Harmony. A<br />
horror script that I wrote for my partner in my<br />
company Braine Hownd Films, Phil Haine, who is<br />
directing. That is going into production in April.<br />
FIND OUT MORE<br />
guardiansfilm.co.uk<br />
T: @GuardiansBHF<br />
FB: @guardiansfilm<br />
markacbrown.com<br />
T: @MarkACBrown<br />
Images: Braine Hownd Films<br />
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