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AphroChic Magazine: Issue No. 1

Welcome to the Fall 2019 issue of AphroChic Magazine. Designed to celebrate the presence, innovation and accomplishments of creatives of color from all corners of the African Diaspora, we welcome the season in this issue with a focus on fashion, authentic beauty, and creating moments that bind us together. On the cover, New York fashion stylists, Courtney and Donnell Baldwin of Mr. Baldwin Style invite us to experience a fête in a historic part of Sag Harbor. We take a look inside the Brooklyn home of fashion designer and movement artist, Nana Yaa Asare-Boadu and experience her effortless aesthetic. Then, we go half way around the world on a photographic journey of Morocco, with photographer Lauren Crew. Along the way, you’ll find articles that explore the nature of the African Diaspora, the importance of the Black family home, and the books, art and accessories you’ll want to bring home this season.

Welcome to the Fall 2019 issue of AphroChic Magazine. Designed to celebrate the presence, innovation and accomplishments of creatives of color from all corners of the African Diaspora, we welcome the season in this issue with a focus on fashion, authentic beauty, and creating moments that bind us together.

On the cover, New York fashion stylists, Courtney and Donnell Baldwin of Mr. Baldwin Style invite us to experience a fête in a historic part of Sag Harbor. We take a look inside the Brooklyn home of fashion designer and movement artist, Nana Yaa Asare-Boadu and experience her effortless aesthetic. Then, we go half way around the world on a photographic journey of Morocco, with photographer Lauren Crew. Along the way, you’ll find articles that explore the nature of the African Diaspora, the importance of the Black family home, and the books, art and accessories you’ll want to bring home this season.

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IT’S A FAMILY AFFAIR<br />

At the beginning of 1956, the Belfield area of Philadelphia was a predominantly white<br />

part of the city. With few exceptions, just about all of the African Americans to be found<br />

there were domestic workers, coming in and out of houses as they finished their work as<br />

maids. But in October of that year, a new family arrived. Made up of three generations<br />

- a grandmother, her four children, and two grandchildren - they were only the second<br />

Black family to move onto the block.<br />

My mother was a few days past<br />

her seventh birthday when she moved<br />

with her family into the new house.<br />

They came from <strong>No</strong>rth Philadelphia,<br />

and a house where they had<br />

lived along with even more family<br />

members. Purchasing the new home<br />

had been a group effort - one that<br />

required the whole family to pool<br />

their money together. But a new<br />

home meant new possibilities, and<br />

buying the home in Belfield eventually<br />

led to the purchase of others.<br />

The home was a row house,<br />

something of a staple in Philadelphia.<br />

Row homes are attached<br />

houses, appointed with sizable front<br />

yards and smaller back lots. With<br />

three-stories, three bedrooms, and<br />

a full basement, it was large enough<br />

for a family of six to live in comfortably.<br />

And over the next six decades,<br />

“the house,” as we’ve always called it,<br />

has been a cornerstone for my family.<br />

A place for holidays and casual visits,<br />

a place for kids to run and for pets to<br />

live, a perfect place for being together<br />

at any time and for any reason. While<br />

the list of occupants has changed over<br />

time, the house has always been ours<br />

and it’s always been there for anyone<br />

who needed it. Someone moving up<br />

from the South? They can stay at<br />

the house. A grandchild in need of<br />

a place to live after college? There’s<br />

room at the house. A new baby on<br />

<br />

aphrochic

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