Viva Brighton Issue #82 December 2019
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Looking for a
thoughtful, sustainable
gift this Christmas?
Buy someone a share in Lewes FC.
Remember, a football club
is for life, not just for Christmas
www.lewesfc.com/owners
#JoinTheClub
VIVA
B R I G H T O N
EDITORIAL
#82 DEC 2019
...........................
.......................
Viva Magazines is based at:
Lewes House, 32 High St,
Lewes, BN7 2LX.
For all enquiries call:
01273 488882.
Every care has been taken to
ensure the accuracy of our content.
We cannot be held responsible for
any omissions, errors or alterations.
Made your list? Checked it twice?
Ready or not, we’re heading into the season of
good will and gathering.
We’ll stock the cupboards with festive food and
drink, and hide away piles of presents. We’ll
gather for the work Christmas party and family
get togethers. We’ll huddle in pubs with friends
we haven’t seen in ages and promise not to leave
it so long until next time. And we’ll gather for
carol concerts, pantomimes, school plays and
(bah humbug) a general election. All before the
main event.
Of course, some gatherings are more successful
than others, so we’ve gone in search of people
who do them better than most. Like choir
leader Vanessa Thomas, whose idea to start
a sing-song in a pub ten years ago has grown
into a chorus of 250 voices; Dan O’Flanagan
whose get together for dads and kids also offers
a little brotherly support; and Ben Szobody,
from Brighton’s One Church, who has an
entrepreneurial knack for fostering a more
inclusive community. And we’ve been out and
about in town, gathering a few ideas to help
keep your Christmas shopping truly local and
just a little bit better for the planet.
If the thought of all that gathering makes you
want to crawl back into bed, research at the
University of Sussex shows that getting together
is good for our health, so, it might not be long
until your doctor is prescribing a Meetup group.
(We’ve got some suggestions for those too!)
Whatever your gathering plans for the month
ahead, we hope they bring you comfort and joy.
HOLD FOR THE HOLIDAYS
British greeting card publisher and Brighton
based business Lagom Design have opened
their very first shop on Bond Street. HOLD is a
lifestyle boutique full of inspirational products
hand-picked for their quality and provenance.
Since the 1840’s the North Laine area has been
a hub of small industries and HOLD have
set up shop in a building that was once home
to a lithographic printing and ruler making
company established in 1871.
Today the shop fittings are a combination of
old and new, paying homage to the history of
the building and using the best elements of
contemporary design.
“People may think I’m mad opening a shop in
the current climate. I’ve been told I’m brave, but
I’m just following my instincts and love of good
quality design.” Kelly Hyatt, Creative Director,
Lagom Design.
HOLD is stocked with products by
contemporary and traditional makers. Anything
from artisan toiletries by the Brighton Beard
company, wooden toys from Denmark and
luggage from Japan, they even have a unique
gift wrap featuring the map of Brighton.
They also stock a selection of Lagom gift
wrap and cellophane free greeting cards of
exceptional quality. There are so many beautiful
things here; it’s a great spot to pick up stocking
fillers and gifts for Christmas.
HOLD is also planning on becoming a creative
hub for the like-minded by running art and
design-related events and workshops.
No. 14 BOND STREET BRIGHTON BN1 1RD
WWW.HOLDBRIGHTON.COM
VIVA
B R I G H T O N
THE TEAM
.....................
EDITOR: Lizzie Lower lizzie@vivamagazines.com
SUB EDITOR: David Jarman
PRODUCTION EDITOR: Joe Fuller joe@vivamagazines.com
ART DIRECTOR: Katie Moorman katie@vivamagazines.com
PHOTOGRAPHER AT LARGE: Adam Bronkhorst mail@adambronkhorst.com
ADVERTISING: Sarah Jane Lewis sarah-jane@vivamagazines.com;
Jenny Rushton jenny@vivamagazines.com
ADMINISTRATION & ACCOUNTS: Kelly Mechen kelly@vivamagazines.com
DISTRIBUTION: David Pardue distribution@vivamagazines.com
CONTRIBUTORS: Alex Leith, Alexandra Loske, Amy Holtz, Anneli Fleming-Brown,
Ben Bailey, Charlotte Gann, Chris Riddell, Eleanor Knight, Ellie Evans, JJ Waller,
Jacqui Bealing, Jay Collins, Joda, Joe Decie, John Helmer, John O’Donoghue, Lizzie Enfield,
Mark Greco, Martin Skelton, Michael Blencowe, Nione Meakin, Paul Zara and Rose Dykins.
PUBLISHER: Becky Ramsden becky@vivamagazines.com
Please recycle your Viva (or keep us forever).
THE BRIGHTON
Waldorf School
SCHOOL
SHOWCASE
Thursday 23 rd & Friday 24 th January 2020
1:00pm - 4:00pm
The Brighton Waldorf School – a two-day Showcase
celebrating pupil performance and academic achievements.
Come along and visit live classroom lessons, see pupil
performances and meet the Brighton Waldorf School Team.
For more information, please visit:
www.brightonwaldorfschool.org
For any enquiries please call 01273 386300
Limited Company No. 2395378 • Registered Charity No. 802036
CONTENTS
...............................
Photo by Jim Holden
Photo by Roger Bamber
Bits & Bobs.
10-27. Anneli Fleming-Brown has been
gathering goodies for our cover; Gang
leader Ralph Reader is on the Buses and
Joe Decie collects his thoughts. Alex
Leith has a cosy pint in the Queensbury
Arms and Graham Duff remembers 15
formative gigs, whilst Alexandra Loske
swaps Brighton for Berlin, recalling life
in the divided city. Elsewhere, JJ Waller
snaps the volunteers at the Whitehawk
foodbank and Nione Meakin gets the
low-down on the Chomp lunch club.
My Brighton.
28-29. Choir leader Vanessa Thomas
loves the heart and soul of the city.
Photography.
31-37. Nigel Swallow reflects on 20
years of the Brighton & Hove Calendar.
59
31
51
Columns.
39-43. John Helmer tells the tale of a very
secret Santa, Lizzie Enfield contemplates
what constitutes a party and Amy Holtz
counts her blessings.
On this month.
45-59. Ben Bailey rounds up his pick
of the gigs; Adam Kay shares some
(painful) memories of the nightshift
before Christmas, and the ‘wheel of
death’ rolls into town for a Super Sunday
at the circus. The University of Sussex
Symphony Orchestra revisit the 1969
opening programme of The Gardner
Arts Centre (with appearances from some
all-star alumni); New Model Army are
still marching on 40 years later, and A
Little Space at TOM examines what it
is to be lonely. Also, in town this month,
John O’Connor performs A Christmas
....7 ....
CONTENTS
...............................
Carol – Dickens’ salutary, seasonal tale
‘of redemption and community’, plus,
Chris Horlock looks back at some Sussex
Christmas traditions at The Keep.
Brighton sound and light wizards Ithaca
create an immersive winter soundscape at
Glow Wild at Wakehurst, and prepare to
make way for the seafront Santa Dash.
79
Art & design.
61-71. Street art comes to Toy Town in
Urban Miniatures; Caroline Lucas curates
the Towner Collection in Brink; and
Anthony Burrill talks print at Phoenix
Brighton. Plus, just a bit of what’s on, artwise,
this month.
The way we work.
73-77. Adam Bronkhorst photographs
some folks who are helping to create a
more sustainable Christmas.
Food.
79-83. Lizzie Lower enjoys an evening of
fine wine and boozy cocktails at L’Atelier
du Vin; Gran Stead’s share their recipe for
mulled ginger wine and Joe Fuller chows
62
down on a ‘good karma kebab’. Plus, just a
taster of the city’s food news.
Features.
85-95. Shopping local this Christmas? Our
handy gift guide will help get you started.
We meet the people behind some of our
city’s Meetups; the socially-enterprising
Ben Szobody – Projects Development
Manager at One Church, and a stayat-home
Dad who’s building a support
network for fathers. Plus, we find out why
getting together is good for us from Sussex
University’s Centre for Innovation and
Research into Wellbeing.
Photo by Lizzie Lower
William Nicholson, Judd’s Farm, 1912.
Towner Art Gallery, Eastbourne
Wildlife
97. The Robin; everyone’s favourite festive
bovver bird.
Inside left.
98. Christmas day at the Goldstone, 1911.
....8 ....
16 november 2019 — 2 january 2020
at the Royal Pavilion
The palace sparkles this Christmas with
festive decorations and spectacular items
on loan from Her Majesty The Queen.
Includes drop-in family activities
on 14 & 15, 21-23 December
Free with Royal Pavilion admission, drop-in / Open Daily except 24 (from 2.30pm), 25 & 26 December / brightonmuseums.org.uk/royalpavilion
Sea differently
BRIGHTON
PHOTOGRAPHY
Prints | Books | Cards
brightonphotography.com | 52-53 Kings Road Arches | 01273 227 523
THIS MONTH’S COVER ARTIST
.......................................................
Anneli Fleming-Brown is good at doing
Christmas; something she puts down to her
Scandinavian roots. Her mother was Finnish,
her father Scottish (hence her business name,
Scofinn) and she grew up spending summers
in the family’s ancestral village, deep in the
countryside north of Helsinki. She still visits as
often as she can.
The clean lines and simple aesthetic of
Scandinavian design have strongly influenced
Anneli’s own work as an illustrator and textile
designer. Inspired by her Finnish grandmother
she studied woven textiles at Central School
of Art and then, as a post-graduate student,
Illustration at St Martins. Her designs have
featured in magazines, greetings cards and on
fabrics for the likes of Habitat and Crate and
Barrel, and, with advances in digital printing,
she’s enjoying seeing her work appear on an
increasingly varied range of products (earlier
this year she was commissioned to create
a bespoke glass kitchen splashback). For
our cover she’s gathered together all sorts
of Christmas essentials, with a nod to the
great outdoors, “of course you’ll see the logs,
pinecones and berries featured in the pic as we
Scandinavians love a bit of foraging in nature at
any time of the year!”
The Nordic influence is also evident in Anneli’s
beautiful home, where an air of understated
Scandi elegance prevails. When I visit, she is
busy chasing an order for her printed tea towels
and melamine boards, ready for her Christmas
Open House: Northern Lights at 29 Lancaster
....10....
ANNELI FLEMING-BROWN
......................................................
Road. It promises to be a very festive affair.
She has been busy making exquisite threedimensional
stars from paper-thin Birch bark
raided from her Finnish uncle’s woodland.
(Her cousin is bringing extra supplies for the
open house – along with hand-knitted socks.)
She’s also a “fiendishly obsessive” baker and
will be getting up early each day to make
fresh batches of fragrant Korvapuusti (those
delicious cardamom buns), as well as traditional
gingerbread stars, sweet and savoury biscotti
and panforte (“the most glorious thing you’ve
ever had”).
Anneli joined in with Artists’ Open Houses
for the first time last Christmas and was
slightly taken aback by the success, finding the
experience to be both exhausting and “a lovely
boost” after working alone in the studio for so
long. She’s invited the same artists and makers
to join her again this year, with a couple of new
additions. As well as her own Scofinn designs,
you’ll find ink drawings by Brian Britton;
coastal Sussex scenes by Julie Ingham; scented
candles by Maison Moth; leather bags by
DNA; slip-cast ceramic heads by Peter Slight;
wool, silk and cashmere scarves by Alexander
+ Crofts; gold and silver jewellery by Martine
Jans, plus hot water bottle-covers, handmade
soaps and – of course – her cousin’s knitted
socks.
Even if you’ve had your Christmas shopping
wrapped up since August, it will be worth a visit
if only to soak up the festive feels with a coffee
and fresh Korvapuusti. Hyvää joulua!
Lizzie Lower
Artists Open Houses, weekends until the 8th
December. scofinn.com aoh.org.uk
....11....
SANTA EXPRESS:
AT VOLK’S RAILWAY
37 Gloucester Rd,
Brighton,
BN1 4AQ
01273 692110
julianstephens.com
Santa Claus is coming to town, via Volk’s
Railway! From 7th December, Father
Christmas will be taking time out of his
busy schedule to take up a residency at the
railway’s visitor centre, every weekend up
until Christmas.
Santa’s lengthy layover in Brighton gives
families an opportunity to spend time together
in the busy festive season, to make a special
stocking, ride on the UK’s oldest electric
railway and visit Santa in his grotto.
Child’s ticket £12. Every child gets a present,
snack and craft activity. All children must
be accompanied by an adult and the ticket
includes one adult return. Gifts and craft
activities are suitable for children between
three and fourteen.
Under three’s ticket £7. Every child gets an
age-appropriate present and a ride on the
train.
Adult return on the Volk’s Railway £4.
Slots available every half hour from 10.30am-
2.30pm via volksrailway.org.uk
A hidden gem in the Open Market,
Wastenot is Brighton's original zero
waste shop selling bulk produce,
refills and homewares to help you
reduce your impact on the earth.
www.wastenot.shop
wastenot_shop
BITS AND BUSES
ON THE BUSES #56: RALPH READER ROUTE 12
Born in 1903, Ralph Reader was orphaned aged nine. He then moved
to Denton, Newhaven, to live with an uncle and joined the local
Scout Group. He ended up running the group aged only 14, after all
the scoutmasters were called into military service. His first employer
– a greengrocer’s shop in Seaford – took Ralph to Brighton to buy
supplies, which gave him the opportunity to see music hall stars at the
Hippodrome theatre.
After moving to the USA in 1920 – where he acted in and directed
off-Broadway shows – Ralph returned to England to work on West End productions. His two
passions combined in 1932, when he staged an all-Scout variety show at the Scala Theatre in London.
The Gang’s All Here featured 150 Boy Scouts performing sketches, songs and dance numbers.
The public started referring to the shows as The Gang Show. World War Two saw Ralph create RAF
Gang Show Units, who were estimated to have entertained over three million servicemen: performers
included Peter Sellers, Tony Hancock and Dick Emery.
Ralph died in 1982, aged 78. In 2011, a blue plaque was erected at his childhood home in Heighton
Road. The 2nd Denton and South Heighton Scout Group in the Seahaven Scout District is the only
group in the country to wear an additional name tape: “Ralph Reader’s Own”. Joe Fuller
Illustration by Joda (@joda_art)
39 Kensington Gardens, North Laine
www.barneysdeli.com
THE AWARD WINNING 2019 OLED RANGE
QUICK & EASY FINANCE
0% APR REPRESENTATIVE
On all Panasonic OLED TVs purchased
between 01/11/2019 & 31/01/2020.
TX-55GZ2000B, OCTOBER 2019
B R I G H T O N
in store | online | mobile
FREE DELIVERY
AVAILABLE
11 Imperial Arcade, Brighton, East Sussex BN1 3EA. Call: 01273 827450
Email: sales@panasonicstorebrighton.co.uk
Visit: www.panasonicstorebrighton.co.uk
Credit subject to status and affordability. Terms & Conditions Apply. R Barker Tarring Ltd are a credit broker and are Authorised and Regulated by the Financial Conduct Authority.
Credit is provided by Hitachi Personal Finance, a division of Hitachi Capital (UK) PLC Authorised and Regulated by the Financial Conduct Authority.
JOE DECIE
...............................
....15....
CURATOR’S CITY
...............................
Brandenburg Gate East 10th November 2019
MY WINGS OF DESIRE AND FREEDOM
ALEXANDRA LOSKE SWAPS BRIGHTON FOR BERLIN
I left Berlin 22 years ago to live in Brighton,
and last month I went back to celebrate the
30th anniversary of the fall of the Wall, a momentous,
joyous occasion that made me reflect
on what the place meant to me, and how it
influenced how and where I have lived my life
since. I return regularly, of course, and indeed
kept my flat near Kollwitzplatz in the area of
Prenzlauer Berg (then unbearably hip, now unbearably
gentrified) for a year when I first came
to the UK, just in case things didn’t work out
for me here. This time I took my British-German
family with me and celebrated with my
international crowd of friends the ultimate
peaceful revolution of 1989 in Germany, and
tried to teach my young daughter a thing or
two about what freedom means, by visiting this
vast, scarred, thriving, multi-cultural city.
The sky was leaden-grey and it was drizzly
on the 9th of November, the day of the actual
anniversary of the Wall beginning to crumble
back in 1989, and we decided to just walk
together, from West to East, and back again,
threading through a division that is hardly
visible any more. You now have to seek out
remains of what was not only the Berlin Wall,
but a symbol of the Cold War, of danger,
death, conflict and division running all the way
through post-war Europe, a concrete death trap
lined with mine fields and watchtowers. It is
hard to explain why the so-called Iron Curtain
running through Berlin was so iconic (and not
in a good way) and how it came to be. In short,
because Berlin was the capital of Germany,
it was divided up between the Allied powers
in the same way the country was divided into
the Communist East (controlled by the Soviet
Union) and the capitalist West (France, UK
and the US). This meant that the island of the
French, British and American sectors of Berlin
....16....
CURATOR’S CITY
...............................
was eventually enclosed by a Wall that was
impenetrable for people from the Eastern bloc.
As a child I found it hard to comprehend that,
firstly, there were two Germanys and those in
the East were not allowed to travel to the West
(and if they tried they would get shot), and that
in Berlin the island surrounded by the Wall
was, ironically, the free West. Being a child
of both the East and West (my father literally
jumped the Wall in the early 1960s when it
was being built and I was born in the British
sector), I crossed the German/German border
many times in the 1970s and 80s, and have
memories of being strip-searched, our family
being separated, passports taken away, hours
spent in empty rooms waiting to be called in
and questioned by East German border guards.
In 1989 I watched – from the safety of my
West German student bedsit – the people of
East Germany fight to bring this Wall down.
I watched in disbelief, fear, and unbridled admiration.
These people were risking their lives
for freedom and liberty while I was reading
the Brontës. Astonishingly, not a single drop of
blood was shed. Naturally, I wanted to live in
Berlin after this happened, soak up the spirit,
play a small part in reuniting Germany. The
years immediately after 1989 were difficult and
exciting times. Living conditions were not great
in the East (few telephone lines, coal-heated
stoves for heating, dodgy plumbing, and winters
so cold and long that sometimes the water
in your toilet would freeze), but I made friends
for life there, and most importantly, I learnt
what freedom means. Three years after 1989 I
cycled through Berlin on bike lanes that used
to be the mine field strips next to the Wall. 30
years later I walked through the Brandenburg
Gate, once inaccessible as it stood on the line
of the Wall, with my family and friends, and it
still gives me the shivers.
Alexandra Loske, Art Historian and Curator
Alexandra Loske by the Wall, 9th November 2019
Brandenburg Gate West, 10th November 2019
....17....
80%
SOLD
Located in the sought-after
Seven Dials district 0.8 miles*
from Hove & Brighton stations
15min stroll to the beach
A unique opportunity to buy
a new home in hove.
ONLY 5% DEPOSIT
REQUIRED
Beautifully crafted apartments
boasting stylish open plan
interiors, a private balcony
and roof terrace
OWN A NEW
HOME IN HOVE
with Shared
Ownership
2 Bedrooms
from £150,500 *
1 Bedrooms
from £112,000 *
Actual photography of development.
Only 7 apartments
remaining
3 Bedrooms
from £201,250 *
BOOK YOUR VIEWING TODAY
shosales.co.uk/artisan
01273 688 881
Prices and details correct at time of going to print. *Based on a 35% share
of the full market value with a 5% deposit. Rent & service charges apply.
Subject to terms and conditions. Eligibility criteria applies.
BITS AND BOGS
...............................
MAGAZINE OF THE MONTH: LIONHEART
Gather, the theme for this
final Viva of 2019, is such a
lovely word. We gather in,
gather up and gather together.
It’s a sharing, collective, unselfish
word full of possibility
and full of plenty. That may
be why we persevere with
gathering together at this
time of the year, whether in a
crowd of singers, at parties or
with our families. Too much
gathering, of course, can be,
well, too much, but that doesn’t negate it. Let’s
hope everyone has someone they can gather
with over these cold and dark months. Not
gathering is unthinkable.
We hope our shop has become a small gathering
place for people to browse, meet up and
feel comfortable in whether buying or just
browsing. Our magazines certainly help; so
many of them are about gathering good ideas
and experiences, treating them with care and
then sharing them. Lionheart, our magazine for
December, is a case in point.
The current issue is about finding balance. It’s
a small, beautifully-designed and, yes, calm
magazine. The current issue
brings together books, yoga,
writing, the Frome independent
market, the singer Hannah
Cohen, biscuit making,
reforestation, osteopathy
and much more. You almost
certainly won’t read it in one
go but it is perfect for the
moment of quiet you have set
aside for that cup of tea or
coffee (or something). Helen
Martin, who created, edits and
publishes this lovely magazine has gathered
together all these disparate elements into
something simple but special.
And, while we are talking about gathering,
the North Laine here in Brighton is a coming
together of more than 400 small, independent
stores. Some, like us, are relatively new but others
have been gathered here a long time. We’ll
be doing our own online shopping this month,
like everyone will, but we hope you’ll find time
to shop with all of us, too. That way, we can
all continue to gather together into 2020 and
beyond.
Martin Skelton, MagazineBrighton
TOILET GRAFFITO #59
Why limit yourself to good will to all men when you
can love EVERYTHING and everyone?
Tis the season, after all.
But where did we spot this big-hearted licence to love.
Last month’s answer: Stanmer Village public toilets
....19....
ADVERTORIAL
DOES YOUR
CAPITAL GAIN
HAVE A HOLD
ON YOU?
Tax planning is tricky at the best
of times. Camilla Bishop looks
at one option to consider when
radical tax reform may emerge
from political turmoil.
The Conservatives are toying with abolishing
Inheritance Tax (IHT), while Labour contemplate
introducing a tax on all gifts – two opposite ends
of the spectrum. What to do in the meantime?
You may have an estate over the IHT threshold,
yet struggle to make any lifetime gifts without
triggering Capital Gains Tax (CGT). For example,
you may have investments or property you’d like
to pass on to the next generation; to do so would
crystallise the gain and trigger tax between 10%
and 28% – but by making a gift, you have no sale
proceeds to pay the tax with! With IHT being
considerably higher – 40% of the entire value
of the asset, not just the gain – if you keep the
asset in your estate until death, you will suffer
40% IHT instead. Given the choice, I’d pay the
CGT; if I could defer it, even better.
Creating family trust
A technical answer to the conundrum is to use
CGT holdover relief combined with the creation
of a family trust. In certain circumstances, this
planning can allow you to transfer assets up to
£325,000 without triggering any CGT – the CGT
being deferred until the asset is actually sold.
Such a transfer will start the seven year clock
for IHT, and can significantly reduce your IHT
exposure overall.
This option will not necessarily be available in
years to come if the rules on IHT, gifting and
deferring CGT are reviewed; any changes to
IHT will likely have knock-on effects for the CGT
regime too.
None of us has a crystal ball, but it is worth
considering the use of CGT holdover relief while
it still exists. It is just one of the tools we can use
in the mitigation of IHT generally; if you need
specialist IHT and CGT advice, please get in
touch.
Camilla Bishop is a partner at
DMH Stallard’s Brighton office
specialising in estate planning.
You can contact her on
01273 329833.
BITS AND PUBS
...............................
PUB: THE QUEENSBURY ARMS
No article about The Queensbury Arms would
be complete without mention of the (surely
apocryphal) story behind its nickname, ‘The
Hole in the Wall’.
I already know the tale, but the pleasant barman,
who isn’t bothered with much to do on the
Monday evening I visit, tells me anyway. “There
used to be three doors at the front of the pub,
and one of them had a kind of hatch through
which they served the local fishermen, who were
too smelly to be admitted inside.”
‘The Hole’, as the locals refer to the place, is
said to be the smallest pub in Brighton, though
it got bigger when the current owners took over
the establishment twenty-one years ago, and
converted a living room into the back bar.
They also got rid of the dividing wall between
what used to be – unbelievably – two front bars,
turning it from a traditional-looking mini-boozer
into something of a theatre theme-bar.
Punters from the pub’s past remember boxing
and horse-racing paraphernalia on the walls, and
the world’s tattiest fake Christmas tree. Now, it’s
decorated with scores of original posters from
West End shows, dating back to the thirties,
and signed publicity photos of yesteryear’s stage
stars. The décor colour scheme features various
shades of velvet-red.
The establishment was briefly rebranded as The
Hole in the Wall in the eighties, before reclaiming
its original name, which is etched into the
gable of its elegant façade. The first record I can
find of the pub, tucked away along the side of
the Metropole on Queensbury Mews, is in the
1877 edition of Pages Street Guide. The other
houses in the little mews belonged to fly-carriage
proprietors and their horses, and there was
a school and a small church – currently being
converted into flats – which served Brighton’s
French community.
It must, then, have had a diverse clientele, back
in the day. The evening of my visit there’s an old
couple in the back bar – a good place for a oneon-one
– and another fellow chatting to the barman
in the front room. I order a (decent) pint of
Guinness and sit in the corner where the famous
serving hatch used to be. It’s great to be able to
find such a quiet spot so near the centre of town;
a disco ball attached to the ceiling suggests that
weekend nights might be rather wilder. And I
understand that on Saturday afternoons you
can partake in a game of ‘Camp Bingo’, which
sounds like a riot.
Alex Leith
Illustration by Jay Collins
....21....
'Fantastic place, full of beautiful magazines. I just love this shop.’
the world of great indie mags is here in Brighton.
22 Trafalgar Street
magazinebrighton.com
@magbrighton
magazinebrighton
JJ WALLER
...............................
JJ Waller captures the volunteers at the Whitehawk foodbank as they
gather and sort supplies ahead of the weekly distribution.
Visit thewhitehawk.foodbank.org.uk for more information on
how to give to, or receive help from, the foodbank.
....23....
Can you help us give someone with cancer
a bit of a boost at a difficult time?
Andrea from Worthing donates a facial
each month.
We’re on the lookout for other donations
from local businesses in Sussex. Could
you provide a hotel stay, family day out,
restaurant meal, gift vouchers, beauty
products or treatment?
We would love to hear from you.
info@elliesfriends.org
elliesfriends.org
Registered charity no. SC024414
my vet’s open
all night
Karen Oliver, Brighton
The Coastway Vets’ veterinary hospital
in central Brighton is open 24 hours a
day for emergency cases and provides
cover for most of the region’s vets every
evening, weekend and bank holiday.
For more details call:
01273 692257
coastwayvets.co.uk
BITS AND BOXES
...............................
CHARITY BOX #44: CHOMP
Chomp is a free lunch
and activity club for
families on low incomes
in Brighton and Hove.
It began in 2013 when the
minister of One Church in
Gloucester Place came up
with the idea as a solution
to feeding children who
were entitled to free school
meals and who wouldn’t have access to hot meals
in the school holidays.
We now run nine different Chomp projects
across Brighton and Hove, in locations including
Coldean, Moulsecoomb, Bevendean, Whitehawk
and Hangleton. In October half-term we
fed around 400 children and parents, and during
the summer holidays we fed on average 330
people each week for five weeks.
We try to keep the food as fresh and nutritious
as possible because it’s about serving the
sort of meals parents might struggle to provide
themselves. In the summer we made a minty pesto
sauce that we served with pasta; sometimes we
create our own pizzas; other times we’ll serve up
chicken or veg curry or sausage and mash. But it’s
not just about food, it’s also about engaging with
children and families. We want to create a sense of
community at Chomp sessions, so we encourage
everyone to sit together round a table, get
involved in craft activities and talk to each other.
Children’s centres, schools and social workers
often point people in our direction but there’s
no official referral system. There’s no need to
provide evidence of income or give details of any
benefits you might receive. We know there can
be a stigma attached to being on a low income,
but the feedback I’ve
had from families is that
they like Chomp because
they don’t feel judged.
We welcome anyone who
wants to come, and there’s
no limit on how many
times families can attend.
They can come every day
of the school holidays if
they want.
One in four children is classed as living below
the poverty line nationally and that’s not just
families on Universal Credit, it’s also those on
low incomes. So the need for what we do is
growing – sadly – along with our need for funding.
It costs about £40,000 to run our services
for a year, which pays for the food, the hire of
the venues and some of our staffing costs. But we
only have four part-time members of staff so we
rely heavily on volunteers to run each project.
We love it when people get in touch offering
to help or when local companies put together a
little team to volunteer with us.
We’re planning a big Chomp Christmas party
for families on December 23 at One Church,
Gloucester Place. With schools not breaking
up until December 20, we don’t have time to
do Chomp sessions but we’re going to offer a
Christmas meal and we’re trying to get funding
for vouchers, so parents can get presents for
their children, and donations towards Christmas
hampers for families in need. Anyone who wants
to donate can visit our JustGiving page via our
website. As told to Nione Meakin by Chomp project
lead, Vanessa O’Shea.
chompbrighton.co.uk
....25....
Focusing
on you
www.bigplantnursery.co.uk
AN OUTTA SPACE SELECTION OF:
HARDY EXOTICS
PALMS
BAMBOO
MAPLES
TREES
SHRUBS
FERNS
GRASSES
Counselling, Psychotherapy
and Psychological services
in central Hove
01273 921355
www.brightonandhovepsychotherapy.com
admin@brightonandhovepsychotherapy.com
Hole Street, Ashington, West Sussex RH20 3DE
e: info@bigplantnursery.co.uk
t: 01903 891466
-VIVA-AD-94x66-print.indd 1 08/08/2019 15:18
BITS AND BOOKS
...............................
FOREGROUND MUSIC
BY GRAHAM DUFF
Unlike their close cousin the
novelist, a memoirist invites
readers to judge their lives as
well as their writing. Easy to
come a cropper. Just ask James
Frey.
Full disclosure. I’ve kind of
known Graham Duff ever
since I first started coming
to Brighton in the late 80s.
There were people we both
knew although I never really
got to hang out with him. By
the mid-90s he was touring in
shows with his mucker James
Poulter. The A-Z of Drugs and The A-Z of Taboo
surfed the wave of festival-going hedonism that
embraced New Lads and Brit Pop, though to
be fair they were never really part of either.
They were wilder and more left-field, had their
own thing going on, and I always found their
humour wacky, edgy, and charming. Duff went
on to write Ideal starring Johnny Vegas and was
a Death Eater in Harry Potter.
Now comes Foreground Music, A Life In Fifteen
Gigs. He starts with going to see Cliff Richard in
Blackburn in 1974, aged 10. His sister is a mad
Cliff fan, so their Mum takes them. But this is
not showbiz Cliff – this is Christian Cliff, and
Cliff ain’t doing requests. From this inauspicious
and very droll beginning we move on to Duff’s
immersion in gig-going fandom as he covers
first The Jam and various Two-Tone bands live,
then the full panoply of the Northern Tendency
in post-punk music. We get vivid reports of what
it was like to see Joy Division, Psychic TV, The
Shamen and Primal Scream. Duff evokes these
bands up close, the energy,
the passion, the sheer racket,
so that you feel like you’re
standing near the stage with
him, can feel the sticky carpet,
are as much off your head
with joy and intoxication as he
was himself.
But no one stays young forever
and this book that starts
out with youth and intensity
modulates over the course
of seeing gigs by a reformed
Velvet Underground, David
Bowie, and Wired into a
poignant reckoning with ageing and mortality.
Duff gets to meet his heroes – the passages
about Mark E. Smith are terrific – and even play
with them.
In the end, we are given a portrait of the artist
not just as fan, or obsessive, but as connoisseur,
as scholar. Duff’s knowledge of the bands he’s
into is truly encyclopaedic. And his account of
Massive Attack v Adam Curtis in Manchester
is as important a document as contemporary
accounts of Stravinky’s Rite of Spring.
Music has given much to Duff. In Foreground
Music he repays the debt. And so in the end this
is, I think, what he asks us to judge him on. Was
he right? You must decide for yourselves. But
every music fan worth their headphones will
want Foreground Music under their Christmas
tree. As much to disagree with as to take delight
in. Me? I’ll be checking out the discography.
John O’Donoghue
Foreground Music, A Life In Fifteen Gigs,
Strange Attractor, £15.99
....27....
INTERVIEW
..........................................
Photo by Adam Bronkhorst
....28....
INTERVIEW
..........................................
MYbrighton: Vanessa Thomas
Choir Leader at Soul of the City Choir
Are you local? I’m originally from the north,
but I’ve been in Brighton for 16 years. I live
in Brunswick Place and I’ve lived near George
Street, in the Poet’s Corner area and Coombe
Road before.
What do you do? I run Soul of the City Choir:
a non-auditioned choir for all ages. We sing pop,
soul and gospel music. We have an age range
from people in their early 20s, right up until
their 80s.
How many people are there in total? In my
Tuesday choir there’s 150 people and in my
Monday one there’s a hundred. In the tenth
anniversary Christmas concert we have coming
up at All Saints Church (14th Dec), they will all
sing together. It’s such a strong sound with that
many people! When you get a four part harmony
chord going PWARR, it’s incredible.
What drew you to start Soul of the City?
Music is amazing and there is nothing like the
feeling of singing together in harmony! I wanted
to open that out to people who wouldn’t usually
sing and just make it really fun. Originally we
were going to sing in a pub: rehearsal, then
pint. The social side has always been a big part
of it, but there wasn’t a pub big enough. I was
expecting 30 people, but we started with 98! We
still do go to the pub after choir, though.
Do you collaborate with any other choirs or
organisations? We love collaborating. Every
year we support a local charity: this year we’re
working with Together Co. They set it up because
they realised that no matter who you are,
at any point, anyone can feel lonely. People need
somewhere to go, and to feel connected. They
partner with other organisations, such as a group
that lines up volunteers to spend time with older
people. Other highlights include working with
local media company Tilt to create films, singing
with The Roundhouse Choir as part of Voices
Now, and with the band Reef at Concorde 2. I’m
always scouting for singing adventures.
What do you like about Brighton? The sea!
I tried to move as close to it as possible. If I
press against the window in a particular way, I
can see the sea from my window. When I’m in
bed, and it’s really raging, I can hear the waves
and I love that. I work from home, and I sit in
my window and I always know when it’s going
to be a good sunset because of the colour of the
buildings opposite.
I love that every day I see something a little bit
weird, and that anything goes. You can be whatever,
whoever, however you want to be here. I
never think about whether or not I can get away
with something. It’s Brighton, just do it.
Is there anything you’d like to change about
the place? I’d really like to change some
residents’ attitudes to live music. I think it’s a
shame that so many amazing live music venues
close because of residents complaining about the
noise. I understand that it can be an issue, but I’d
love it if our individual quirky places could be
allowed to do their thing.
Interview by Joe Fuller
soulofthecitychoir.com
....29....
NEW YEAR
NEW YOU
WORK SPACE
Grow your
business
in 2020
Connect and collaborate with like minded
start ups, scale ups, solopreneurs and inventors.
Plus X Innovation Hub features...
+ Prototype workshops and media studios
+ Innovation and scale-up programmes
+ Coworking, fixed desks, private studios
ABOUT US
Innovation hubs driving business
growth, innovation, collaboration
and positive social impact across
the UK.
LAUNCHING IN
BRIGHTON JANUARY
2020
plusxspace
www.plusx.space
PHOTOGRAPHY
....................................
Brighton and Hove Calendar
Curator Nigel Swallow
Photo by Grace Pawsey
The first Brighton Calendar
was the 2001 edition, which
just featured my own photos.
I didn’t think of myself as a
photographer then, I was simply
aiming to become a gallery
owner who exhibited different
‘perceptions of Brighton life’.
I sold 3,300 calendars in that
first year.
I started by using an old
Minolta, then I got myself
a decent film camera off the
proceeds of selling post cards at
the West Pier market in the summer of 2000. A
Canon EOS1N. I was very excited to get pro kit.
It was always the intention for the calendar
to be a showcase for anyone who took great
photos of Brighton. The city is blessed with
a lot of talent. The likes of JJ Waller, Roger
Bamber, Simon Dack and Finn Hopson have
contributed a lot of photos over the years. Finn
ran the calendar from 2016-2018, I took up the
reins again for the 2019 edition.
Between 2003 and 2011 I ran studios in
New England House and the North Laine
Photography Gallery, above Snooper’s Paradise.
We ran photography competitions and
sponsored solo shows. We featured popular
images on one side of the gallery and different
‘perceptions of life’ in the other half. We hoped
the popular images would attract the sort of visitors
who might not usually go to an alternative
gallery, who would then be exposed to the more
experimental images. It worked.
The calendar gets posted all over the world.
We are often told how it helps keep distant
loved ones feeling connected through a mutual
love of the city.
I will be selling the calendars
from a stall in Kensington
Gardens throughout
December, with my niece and
my daughter, and they will also
be on sale from City Books in
Hove, and from Brighton Photography
Gallery in the King’s
Road Arches. And online, of
course.
2020 will be the last calendar
that I’m organising. In
October I opened up a pop-up
shop in Dukes Lane, where the public could
come and help choose the pictures from the
thousand-plus that have been published over the
years. Hundreds of people helped curate this
calendar, it’s been a very enjoyable experience.
The calendar will be reinvented. I’ve given
away the rights to the template to a new art
co-op called ArtHoc, who want to set up
city-centre artist living quarters, a gallery and
studios to run socially aware Brighton-based art
projects from. It’s time to let go, and let them do
something new with it!
My favourite picture, over all these years?
From a ‘moving on’ point of view, the ‘December’
picture in the 2020 edition, in effect the
final picture in the 20 years I’ve been involved
with the calendar. It was taken by Finn Hopson,
and it features the Pavilion with the image of
opening lotuses projected onto the domes. It’s
a symbol of regeneration, and thus pertinently
symbolic, for myself and the calendar, as we
both move on.
As told to Alex Leith
£8.99 or £15 for 2. brightoncalendar.com
....31....
PHOTOGRAPHY
....................................
Graffiti jam, photo by Nigel Swallow
The Natural Theatre Company, photo by Roger Bamber
....32....
PHOTOGRAPHY
....................................
Amex stadium, photo by JJ Waller
Pride bathers, photo by Petrusco
Following page, Punch & Judy, photo by Roger Bamber
....33....
PHOTOGRAPHY
....................................
i360, photo by Lloyd Lane
The bandstand, photo by Anni Agnise
....36....
PHOTOGRAPHY
....................................
Luke Jerram’s Museum of the Moon in Queen’s Park, photo by Alex Bamford
Royal Pavilion lit up by Nutkhut’s Dr Blighty, photo by Finn Hopson
....37....
COLUMN
...........................................
John Helmer
Secret Santa
The recyclable crackers
have all been pulled, the
free-range turkey (with
vegan nut roast alternative
option) carved and eaten
and the Heston Blumental
Tangerine Christmas
pudding greeted with the
usual groans and stomachclutching.
A satiated hush
descends over the table as
the cheese board appears. “I
forgot to ask you,” says the
columnist’s wife; “who did
the Thowsens this year?”
The columnist exchanges
an uneasy glance with his
younger son Harvey. The
silence deepens as, spearing
a shard of Stilton with the
cheese knife, he brings it up
to his nose. “You tell them,”
he says,
“No Dad,” says Harvey,
“you do it”.
The columnist refills
the claret in his glass,
deftly removing from the
lapel of his quilted velvet
smoking jacket a particle of
Maldon Sea Salt that might
otherwise be mistaken for
dandruff, and settles back
as if into an imaginary
wing-backed armchair.
“Well OK then…” he
murmurs, apprehension
furrowing his brow.
The Thowsens are
neighbours to the Helmers
in Fiveways, living just
around the corner. Marit
is Norwegian by birth, and
they do a proper Norwegian
Christmas; one of their
particular family rituals
being a visit on Christmas
Eve from someone Marit
always refers to as ‘a certain
red-coated gentlemen’ – as
if to utter any of his more
commonly used names
might somehow jinx
proceedings.
“It was me who did it last
year, of course,” says the
columnist, with a faraway
look. He is remembering
how little he felt up to
the task, which his first
instinct had been to refuse.
In a strange way however,
sharing a common
Scandinavian heritage
with Marit (Norwegian
Grandfather, Finnish/
Swedish Grandmother)
seemed to make it an
impossible request to turn
down. He remembers
looking in the mirror and
searching for traces of the
character: rubicund cheeks,
twinkling eyes and a big
white beard, along with
the type of physique that
would nowadays be classed
by a GP as morbidly obese.
Instead he saw only narrow
shoulders, gaunt cheeks
and an indefinable air of
disappointment.
The effort threw him back
in time to a performing past
that had called upon him
to act on camera characters
as diverse as a heavy metal
guitarist, Charles II and
Jesus Christ. Anybody
can be anybody, he recalls
thinking at the time. And
in fact his appearance was
a great success in the end.
Although Kaia Thowsen
commented afterwards
to Poppy, her classmate
at school, that Father
Christmas looked a lot
like her Dad this year. But
the toddler Andreas was
completely taken in – awed
to the point of fear – which
was really the point of the
whole thing.
Only, this year there was a
problem.
“I was booked for a
dinner in London, as you
....38....
know, and couldn’t give a
repeat performance,” says
the columnist. “So Marit
suggested Harvey.”
“And I agreed,” says Harvey,
with a visible shudder.
“What happened?” asks
Freddy, noticing the pair’s
collective unease; “did Harvey
fluff his lines and give the
game away?”
“— Or get pissed on akevitt
and try to snog Christina?”
asks Grace.
“— Or puke in the rice
pudding?” asks Poppy.
“They don’t do the rice
pudding thing…” says
Harvey, reddening with anger.
Sibling warfare rages until
The Columnist’s wife steps
in to calm things down. “I’m
sure Harvey was fine and it all
went off OK, didn’t it? John?
Tell them.”
The columnist nods once,
quickly. “Yes, the Thowsens’
visit from the red-coated
gentleman went off OK.
I got a phone call from
Marit afterwards to say
how brilliant it was. Really
couldn’t thank him enough.
Harvey was completely
convincing, she said. A
stunning transformation.
Had he used special aging
makeup? And that fat suit – it
clearly wasn’t just a cushion
shoved up his jumper like I
had done. Had he forked out
himself for a special costume;
Illustration by Chris Riddell
it was clearly much better
quality than the one she had
supplied? You really wouldn’t
have known it was Harvey at
all…”
Chastened, Harvey’s brother
and sisters eye him with new
respect.
“— And then, straight after
she rang off, I get this text
from Harvey.”
Reaching into his pocket,
the columnist takes out his
device. It springs into life,
a blue rectangle of light
lighting up his face in the
candlelit gloom. ‘“Dear Dad,
so sorry to tell you this. Sad
emoji. George fell over and
broke his arm and I had to
go to A&E with him. Please
apologise to the Thowsens
for me, don’t have the
number. Can’t make it to
do Fr Xmas for them. XX,
tearful emoji.”’
“So. Who. Was. At. The.
Thowsens?” asks Freddy.
A freak draught catches the
candle flames, bending them
to the horizontal. Cracker
litter scutters across the table
and over the edges, as if in
fright.
....39....
Want to feel more
centred in 2020?
Come and JOIN US at our NEW PREMISES
67 Middle Street, BN1 1AL Brighton
Open ever yday for classes. All levels welcome
01273 933320 / yogainthelanes.com
COLUMN
.........................
Lizzie Enfield
Notes from North Village
‘It’s not a party, it’s a gathering’ is the familiar
mantra of teenage children, planning to invite
‘a few friends’ over, when you’re out, or away,
despite explicit instructions that they are not
to have a party because you have: just had the
house redecorated; just finished fixing all the
things that were broken the last time they had a
party; still not been forgiven by the neighbour
whose pampas grass caught fire or the one who
may or may not have called the police or the
one who found drugs in their recycling box
the next day, or the one who was kept awake
the night before they were due to have heart
surgery.
Disclaimer: not all of the above incidents
relate to my own children but they are all real
incidents and all broadly representative of the
kind of thing that happens when teenagers
decide to have a party – or gathering as they’ve
taken to euphemistically, trying-to-pullthe-wool-over-your-eyes-ily,
calling coming
togethers of significant numbers of friends.
The definition of a gathering appears to be a
meeting involving numbers which are more
than two and less than absolutely everyone
they know – in reality and virtually – which
leaves plenty of scope for fairly multitudinous
events by any name.
I know this because my daughter explained
that for a recent reasonably significant
birthday she didn’t want a ‘party’ because
she would have to invite all the friends who
know all the friends who know all the friends
that know all her friends. So, she was just
going to have a gathering and limit it to her
actual friends which seemed to mean about
70 people.
“In my book that’s a party.”
“Yes but old people think a few friends and a
few bits of food is a party.”
“That’s a dinner party,” I agreed.
“Strictly speaking, it’s a dinner gathering,”
corrected my son, less of a party person but
definitely one for a gathering.
I recently found myself with said two children
on a very tough journalistic assignment
reviewing the utterly magnificent hotel/
restaurant/entertainments venue that is the
Assembly House in Norwich.
After a weekend spent mooching around the
city and relaxing in the Georgian splendour
of its surroundings, we got to chatting about
its origins.
At the same time, we checked out the
afternoon tea, a sumptuous triple-tiered
sandwich, scone, and cake and pastry affair in
the heritage-hued crystal-chandeliered Grand
Hall. Tea at the Assembly House is a big thing
in Norwich. They do up to 1000 a day and
what with the play, wedding party and baby
shower going on elsewhere in the building, it
was buzzing.
So when I began to bore them with the
origins of the building: “It was where the
Georgian gentry used to gather for drinking
and dancing” I saw the complicit look they
gave each other as they looked around, the
number calculations going on in their heads
as they noodled towards the assembled hordes
and mouthed “a gathering…”
Illustration by Joda (@joda_art)
....41....
COLUMN
...........................
Amy Holtz
The truth is, I’m a Minnesotan
We’re plastering... well, let’s
not be silly, we’re not plastering.
But the living room and kitchen
are coated with fine, pink,
moon dust and meals come
complete with gypsum sprinkles.
Reticently I’ll admit this: we
don’t own a table. So, the carpet
has enjoyed a decadent past, full
of wine, chocolate, oatmeal (it
was early) and even a branding
by a face-down iron (it wasn’t me). Now the
heyday’s over and it’s been ripped from its
moorings, fraying and sad. I feel guilty wiping
my painted fingers on it, but it hardly matters
now, everything’s a mess.
It’s easy to wonder, what’s it all for? We’ve got
no curtains or heat at the moment, little point
vacuuming or cleaning – it’d just be a band aid
on a migraine. But why would anyone spend
their evenings hunched over on hands and
elbows on pitted concrete that hasn’t seen the
light of day since 1974 – glossing that little
strip of wood that covers the place where the
wall meets the floor? Glossing has given rise to
a series of unfortunate headbutting encounters
with a steel ladder, caused by my Pavlovian
response of whipping my skull upwards to the
ping of my phone. Then there’s the weekends
spent sanding off our fingerprints, wallowing
in the dark events of the fifteenth consecutive
episode of Casefile. I know now that DIY brings
neither the sense of satisfaction nor peace that
my grandpa always told me ‘hard work’ would
proffer.
But there’s been plenty of time to think about
the fact that we’ve got our very own place to
live. Mince pies, wine and roast
dinners (chalky, but edible).
Heavy coats, socks, waterproof
boots, family that travels round
the world to see us. Time to play
beach volleyball. Most of our
health.
My day job is helping charities
tell stories about what they do,
so that they can raise money to
continue to do it. There’s a lot
of disparaging views about charities and each
one lands on me like a bullet, because I know
so many of them spend every day thinking
about the people, the illnesses, the poverty
and isolation that the rest of us spare but a
few fleeting thoughts for – and usually only
when confronted with our fellow Brightonians
sleeping in doorways. It’s how things are. But
it’s not ok.
There’s so much work to do. Not just now
because it’s winter and the suffering is visible.
And it’s not as simple as slapping up some
paint, or tossing a few pounds in a bucket as
we trundle along to a warm pub. The work to
fix things will probably be tiring, more akin to
ladder-bashing and concrete-crawling, the less
glamourous, more tedious chore of trying and
eventually doing. But what do I know?
By the time you’re reading this (we live in hope)
with your coffee, we’ll be ready to gather at our
respective polling stations, where everything
and nothing may change; a scary time. And
yet, working with charities has turned me from
a humbug into a fledgling idealist. Things
can get better. Hardly a crusading Christmas
message, but something to work with.
....43....
ONE INCH BADGE
presents
THE FELICE BROTHERS
FRIDAY 31ST JANUARY
THE OLD MARKET, BRIGHTON
WIRE
SATURDAY 1ST FEBRUARY
CHALK, BRIGHTON
TRANSATLANTIC SESSIONS
SATURDAY 8TH FEBRUARY
DOME, BRIGHTON
KIEFER SUTHERLAND
FRIDAY 21ST FEBRUARY
CHALK, BRIGHTON
ANDY SHAUF
SUNDAY 22ND MARCH
CHALK, BRIGHTON
CARIBOU
MONDAY 30TH MARCH
DOME, BRIGHTON
LEVELLERS
WEDNESDAY 13TH MAY
WHITE ROCK THEATRE, HASTINGS
ONEINCHBADGE.COM
SEETICKETS.COM
GIVE A GIFT OF MUSIC THIS CHRISTMAS WITH OIB GIG TICKETS!
MUSIC
..........................
Ben Bailey rounds up the local music scene
THE CRAVATS
Sat 7th, Green Door Store, 7.30pm, £12
Since they reformed
in 2009 the current
version of The Cravats
has lasted twice
as long as their original
incarnation in
the late 70s. This line-up of the ‘sax-riddled dada
punk combo’ also doubled the band’s recorded
output with their 2017 album Dustbin of Sound,
and they have another LP coming in the spring.
Though their inventive and oddball sound had
a niche appeal in those early days, it also proved
influential while attracting fans like Marc Riley
and Steve Albini. Next year they’re heading off
on a tour of Europe, supporting Steve Ignorant
of Crass. Support here comes from Interrobang,
featuring another alumnus of that era, Dunstan
Bruce from Chumbawamba.
PSYCHEDELIC SUNDAE
Sun 8th, Green Door Store, 3pm, £8/6
Welcome weary traveller, dost thou seek the merry
flutings beyond the emerald gates? Suffice to
say, this all-dayer promises a proper winter wigout
for fans of psychedelic folk and far-out space
rock. Oh Mama have been gathering pace around
Brighton and Lewes lately with their faithful
take on 60s psychedelia, a sound they describe as
‘clattering groovic tangles’. There’s also sax and
loop-pedal experiments from R Dyer, 60s garage
rock from Morphers and psych-tinged folk from
rising duo Greenness. Moondrive71 and PPZN
offer alternate routes through some funky space
jams, while Hill bring a seemingly earnest blend
of jazz-fusion and old-style prog, complete with
capes, erratic flute solos and songs about space
pixies crash-landing on comets.
PENELOPE ISLES
Wed 11th, Chalk, 7pm, £8.50
Penelope Isles are
rounding off the year with
this special homecoming
show, and what a year
it’s been. Their debut
album was released on Bella Union in March,
they played three times over the Great Escape
weekend and then spent the rest of the summer
touring Europe. Another month of UK gigging
now comes to a close with a final date at Brighton’s
newest venue. Brother and sister songwriting
duo Jack and Lily Wolter have honed a style
that seems to resonate with many, evoking the
appeal of bands like Arcade Fire, Grandaddy and
Deerhunter without being derivative. It’s got
a dreamy, reverb-glossed indie vibe that’s both
nostalgic and upbeat.
THE LOVELY BROTHERS
Fri 20th, Prince Albert, 8pm, £8
Cult musical satirists The
Lovely Brothers are a rare
sight these days. Once regulars
of Brighton Fringe,
these masked musicians
now tend to only emerge in winter for a special
appearance at their annual festive shindig. This is
the third instalment of what they call ‘The Xmas
Austerity Downer’, a kind of political cabaret
which in previous years has featured Tory poets,
communist pop bands and pound-shop food
competitions. For all their anarchic stage antics,
The Lovely Brothers actually weld tight keyboard-led
songwriting with hilarious lyrics that
seem to take great delight in picking at the scabs
of pop culture. If you’re still not sure what all this
amounts to, there’s only one way to find out.
....45....
Photos by Petter Hellman
CIRCUS
.........................
Super Sunday
Rollercoaster colourful
If you prefer the louder, Big Top side of contemporary
circus – rather than quieter, contemporary
dance-influenced affairs – then Super Sunday
could be for you. The show has “a feeling of the
gates of the amusement park being opened, and
there’s all these toys you can play around with”,
according to Race Horse Company co-founder
and acrobat, Rauli Dahlberg. These ‘toys’ are in
fact large machines that the acrobats perform
on, in, and explode out of.
“It’s an acrobatic show, with six circus artists on
stage. We have a huge machine called the wheel
of death, and a trebuchet, which is kind of like a
human slingshot. Then we have a teeterboard,
which is a wooden plank, with two guys jumping,
facing each other and flying up to seven or eight
metres. Then there’s a human cannon. It’s a kind
of big rollercoaster colourful show with a lot of
energy. And a lot of action.”
Wheel of death? Rauli casually uses the term in
our conversation, and it turns out that it’s an official
title for the machine (pictured). The wheel
of death sees two acrobats in spinning wheels,
“like hamsters”, in which they can do flips and
“go really high”. The wheels can go as high as
ten metres in fact, “which is why it’s called the
wheel of death. We have a few safety mats underneath
but that doesn’t necessarily mean you’ll
hit those. It needs nerves of steel.”
It’s not all massive machines however: one act
in the show sees Rauli doing flips on a yoga
ball, for example. He tells me that their double
trampoline act is one of the highlights, which
sees acrobats trampolining with an array of
....46....
colourful balls, replicating the look of a tumultuous
children’s ball pit.
Reviews have praised the show’s humour, which
comes from the way in which the acrobats
respond to the strange, flamboyant goings-on
onstage. “We don’t speak during the show. It’s
mostly body comical: kind of how the body
reacts to a situation. We have a few characters
for example, such as a teddy bear coming onto
the stage. The situations are completely weird.
It’s really playful, [with] a lot of different tricks,
machines and objects being thrown around the
stage.”
Super Sunday arrives at Brighton Dome after a
well-received run at Edinburgh Festival Fringe
this summer, having premiered in Stockholm in
2014 as a collaborative effort without a named
director. The six acrobats discuss what worked
well – and what didn’t – in previous performances,
to develop and hone the choreography.
“If somebody gets a crazy idea that they want
to add – or they want to take away something
from the show – then we do it. It’s constantly
changing.” Joe Fuller
Brighton Dome, 17-27 Dec
Photo by David Levene
....47....
TUESDAY 31 DECEMBER 2019 2.45PM
CONDUCTOR STEPHEN BELL
SOPRANO AILISH TYNAN
NEW YEAR’S
EVE VIENNESE
GALA
TICKETS £14.
50-£ -£42
.50
(50% DISCOUNT FOR STUDENTS/U18S) U18S)
BRIGHTON DOME TICKET OFFICE
0127
273 70
970
09
brightondome.org
brightonphil.org.uk
g.uk
@BPO_orchestra
/BrightonPhil
hil
Park for just
£6 at NCP
Church Street
between 1 & 6pm
19.11 | Komedia
Lankum
22.11| Unitarian Church
Erland Cooper
26.11 | Komedia
BC Camplight
10.12 | Komedia
Dawn Landes
30.01.20 I The Prince Albert
Peaness
17–18.Jan 2020 I Lewes
Lewes Psych
Festival
05.02.20 I Komedia
Isobel Campbell
7.02.20 | Rose Hill
Grimm Grimm
10.02.20 | The Old Market
Anna Meredith
20.02.20 | The Hope and Ruin
PINS
26.02.2020 | Komedia
Benjamin
Francis Leftwich
ST GEORGE’S CHURCH EVENTS
23.11 | St George’s Church
Kilimanjaro Live presents
Rhiannon
Giddens
w Francesco Turrisi
29.11 | St George’s Church
Live Nation presents
REN
13.02.20 |St George’s Church
DHP present
Sam Lee
Tickets for shows are available from your local record shop,
seetickets.com or the venue where possible.
meltingvinyl.co.uk
UoS Symphony Orchestra
An intergenerational celebration
The University of Sussex Symphony Orchestra
are recreating their programme from 1969 – when
they performed as part of the opening season of
the Gardner Arts Centre – in a special show at
ACCA this month. The genesis for the concert
came from ACCA’s creative director Laura
McDermott conducting research in The Keep
archives relating to the history of the Gardner Arts
Centre. Laura unearthed the original programme
for the first USSO concert in December 1969 and
was thrilled to discover that the programme notes
were written by UoS alumnus Ian McEwan, who
will read aloud the words he wrote for the original
concert as part of the 2019 show.
I ask USSO’s leader, third year philosophy student
and violinist Jakob Masiak, about the history
of the orchestra. “Back in the 60s it was primarily
meant to be an outfit for the students who studied
music. Nowadays we’re an interdisciplinary
and international society. Which is incredibly
exciting every year… no matter what department
you’re from, no matter what country, it’s very
very fun.”
The three pieces in the programme are Brahms’
Academic Festival Overture, Beethoven’s Piano
Concerto No. 3 and Stravinsky’s Symphony in C.
Pianist and UoS graduate Shin Suzuma will also
be returning for the show. He’ll perform the Beethoven
piece on a Steinway grand piano, donated
to the university by fellow alumnus Tony Banks
(keyboardist from Genesis). “You normally get
at most two rehearsals with any soloist. Which
can be quite intimidating for the orchestra, and
maybe the pianist themselves. In this case we will
have three proper rehearsals with Shin.”
Jakob tells me that the USSO always tries to invite
as many friends, family members and former
orchestra members to performances as possible.
This time though, ACCA staff have assisted the
USSO in publicising the event and the Development
and Alumni Relations office at University
of Sussex have contacted alumni ahead of this
concert, to help make it a special occasion.
The interdisciplinary nature of the USSO gives
students a chance to meet all sorts of people from
across the university they might not otherwise
have met. “Some people have wildly different
schedules in their day to day lives. Some friends
only see each other once a week: at the rehearsal.
Having the opportunity of going to Falmer Bar
afterwards is quite helpful.
“We also put on dedicated social days: we’ve had
laser tag, ice skating, and we were planning on
having some beach time next term, that sort of
thing. Our Sunday rehearsals are more social.
It’s still productive of course, but we have a huge
break in the middle to eat cookies.” Joe Fuller
7th Dec, 7.30pm, attenboroughcentre.com
....49....
MUSIC
.........................
New Model Army
Forty years of bad attitude
As New Model Army march into Brighton this
month, frontman Justin Sullivan (pictured centre)
explains how his band’s new record is really
a plea for humility.
When you’re young everything goes by in a
blaze of adrenaline, but I enjoy touring more
than ever now. As you get older I think you value
it more perhaps. The other thing is, there was a
real vibe about the gigs in Europe. What I’ve felt
over the last five years is that, with everything
that’s happening in the world, and the way
modern culture is, people are kind of isolated.
These gatherings, whether they be gigs, festivals
or political demos or whatever, people need
them more.
In 2016 we released Winter which was a bit
of a zeitgeist album. It was just before the referendum
and before Trump, but we kind of felt
what was coming. We’re now living in a world
where everybody is screaming at everybody all
the time about everything. For the new record
From Here I just wanted to take a step back.
The thing that annoys me most about Brexit is
how ludicrously parochial it is when put against
what’s actually happening on the earth. There’s
no ‘us and them’ on this album, it’s just us.
We made a decision to go and record on an
island off Norway. All we had to do was take
a step outside the studio, and there was the
snow, and the rocks and the sea. The songs were
mostly written back in Bradford, but there was
definitely a desire to look at the big picture...
that people are just ridiculous really. The last
words on the album are: “So let’s all go home
now, look ourselves in the mirror, throw our
heads back and laugh”. So it’s a plea for a sense
of humility. And I think that also comes with age
you know, I’m 63 now, and there is that maxim:
the more you know the more you realise that
you know nothing. I’m in that kind of place.
Whatever people want from you, don’t give it
to them! That was one of the guiding principles
of the band, maybe because we all came out of
punk rock and stuff. There were a lot of people
who came out of that era, and they all went
in different directions musically: The Cure,
Depeche Mode, Killing Joke, Sisters of Mercy.
Everybody started with the attitude that we’re
going to do what the f**k we want, creatively.
Punk rock wasn’t a form of music, it was a
cultural revolution. And all the bands had this
idea that it’s not a career, it’s a f**king calling.
It’s about spirit. And I think that has sustained
us. We’ve all got bad attitude, basically! Which
is kind of commercial suicide, but here we are
40 years later. So we must have done something
right. As told to Ben Bailey
Concorde 2, Thu 12 Dec, 7.30pm
....50....
COMEDY
.........................
Adam Kay
A Christmas love letter to the NHS
Ah, Christmas: mistletoe,
wine. Crackers, Quality
Street, Wham. A double
shift in hospital, removing
something unwanted from
the stomach of an engorged
Christmas reveler.
While the former is what
we’re all looking forward
to, the latter is the lot of
someone who’s missed six
Christmases in a row. It’s
the darkly droll world of
Twas the Nightshift Before
Christmas; the latest behind-the-paper-curtain
offering from Adam Kay, erstwhile junior doctor
and current comedian and TV writer.
Comedy and medicine might seem to be strange
bedfellows, but for readers of This is Going to
Hurt, diarised in the downtime between Adam’s
stand-up performances, they proved to be a
natural fit. “There was so much misinformation in
2016, when junior doctors came under fire from
the government – that doctors were greedy, lazy,
wanting more money,” explains Adam. “But there
was nothing from their side, because they were
in hospital 100 hours a week. I wanted to amplify
their voices. So, I read my diaries on stage at Edinburgh,
telling people about life on the wards.”
The rest, you could say, is our collective history
– as Adam describes, “My books are, at their
heart, love letters to the NHS – and as a country
we’re united in this love. But it’s in a time of
slight peril and there are some important things
that need to be said.” These messages of hope
are a beacon throughout This is Going to Hurt.
But, its success hints at other, less lofty pleasures:
“Humans love hearing about all the ways we can
impair ourselves, don’t we?”
“It’s not unexpected that we’re
interested in how we get fixed
when our bodies stop working.
Then there’s the ‘superheroes’
who go above and beyond to
look after us. Television too is
all about crime, medicine and
sex; we’re obsessed. I adore
shows like Scrubs and Getting
On with Jo Brand.”
It’s little wonder then that This is
Going to Hurt has been tapped for
the watershed, with Kay at the
helm. There is no news yet about
who will play the doctor himself (“Someone much
more handsome than me,” Adam muses), but the
show will no doubt incorporate some of the book’s
thought-provoking, sometimes hilarious, vignettes.
In the meantime, those eager for a dose of comedy
remedy can grab a copy of Twas the Nightshift before
Christmas – and come along to the stage show. Just
as guffaw-inducing as its predecessor, it shines a
light on our inability to withstand the excesses of
the season – with painful consequences.
Thinking of one graphic incident involving Sharon
fruits that features in the book, I have to ask:
Why are we so prone to weird maladies around
Christmas?
Adam’s laugh is a tuneful carol. “I don’t know...
maybe it’s because the mulled wine is flowing.
People have more time on their hands. And they
think, ‘I’ll just let my hair down a bit.’”
Amy Holtz
Adam presents two shows of Christmas stories on
Friday, 13 December, 5.30pm and 8pm, Brighton
Dome. Twas the Nightshift Before Christmas is
available from all good bookshops. Tickets for
the live show at adamkay.co.uk (book included in
ticket price).
....51....
Chrismas
`e Big Christmas Singalong!
Wed 4 Dec
Christmas Concert
Sun 8 Dec
Tales Around the Tree
Wed 18–Fri 20 Dec
Backstage Tour at Christmas
Sat 21 Dec
`e Snowman & Paddington
Bear’s First Concert (pictured)
Sun 15 Dec
Super Sunday
17–27 Dec
`e Wizard of Oz
Sat 28–Sun 29 Dec
brightondome.org
01273 709709
© Snowman Enterprises Limited The Snowman
THEATRE
.........................
A Little Space
A constantly evolving
examination of loneliness
Photo by Chris Payne
Rich Rusk, associate director of renowned
physical theatre company Gecko, on their new
co-production with Mind The Gap, England’s
largest learning disability theatre company.
A Little Space began with the idea of loneliness
– a universal concept. We were interested
not only in the negative aspects but the positive.
Some people will see the show as being about
the fear of being alone, about sadness, or anxiety.
Others will see it as a celebration of the joy of
having your own space.
There isn’t a linear narrative but a bunch of
ideas we put in front of audiences that they
can choose from. We see our shows as a set of
gifts we’re offering. All the audience has to do
is accept the ones relevant to them. There’s one
moment in this show where there’s a woman in
a hospital bed on stage. Each of the performers
has decided for themselves who she is but we’ve
never discussed it. We let the audience interpret
it for themselves too. Our style is very poetic,
very metaphorical, very lyrical.
The set is a room that could be any one
of a million rooms. It’s designed to be any
apartment in the world, any hotel room, any
office – so that when the audience sees it they
feel they already know where it is. But we’ve
built it on a rake that tilts off to the side of the
stage. It means there’s always a sense that things
are slightly askew. Even if something apparently
normal is happening, the set is saying ‘it’s not
that normal’.
We don’t use words although we do use our
voices. We’ve never had a script for a Gecko
show. It’s about trying to use all of the other
forms of communication we have in our bodies.
We’ve toured to around 30 different countries
and we never have to change the show for different
audiences. There’s always an understanding.
This current collaboration with Mind The
Gap is Gecko’s first ever UK co-production.
We’re pretty demanding as a company
and anyone who works with us needs to be on
board with that. But we’ve had a mutual respect
for Mind The Gap for a long time now, partly
because they share our ethos of being incredibly
ambitious. Both companies were interested in
doing a very physical show with performers who
have learning disabilities, although we don’t talk
about disability because it’s not what the show
is about.
A Gecko show is constantly evolving. The
piece we’re rehearsing now won’t be the
same as the show we bring to Brighton. But
if I had to describe it as it is now, I’d say it feels
like a strange, urban fairytale. It’s about individuals
struggling with, and enjoying, loneliness. It’s
very physical, very visual, a little bit nightmarish,
dreamy and very funny in places. But really, you
just have to see it and work out what it means to
you. Nione Meakin
The Old Market, December 3rd–5th
....53....
TALK
.........................
A Sussex Christmas
Pagan rituals, rich food, and charity
Image from the James Gray Collection
“Our Sussex forebears
took Christmas very seriously
indeed,” says local
historian Chris Horlock,
who has pored through
reams of source materials
to investigate what the
festive period was like,
round these parts, before
the development of the
20th century version we all know so well.
“It’s interesting to see what a mish-mash of different
influences there were,” he continues. “It’s worth
noting that many customs come from ancient
pagan rituals. Do you ever wonder why we have
Christmas trees and holly in our houses? I’ve found
one report from Suzanne Stacey, the mistress of
Stanten Farm in East Chiltington, who would
festoon her house with miraculous winter-surviving
evergreens ‘so that the woodland spirits might
take shelter therein and preserve themselves from
the cold.’”
It is often said that Queen Victoria’s husband
Albert was responsible for our importing the
German custom of putting a fir tree in the house.
Chris has found an account of four Christmas firs
put up by Baron Bunsen, of Herstmonceux Place
in 1843, five years before there’s any evidence of a
royal version. Lucy Hare lived nearby and wrote to
her sister: ‘I never saw a Christmas tree before, and
I enjoyed it like a child. It was far prettier than I expected…
covered with gold apples and silver pears
and every kind of pink, blue and green cornucopias
filled with bon-bons’.
The local gentry were expected to be charitable
to the poor people of the parish in the Christmas
season. This is from The Sussex Weekly Advertiser
of December 1798: ‘Last
Saturday the poor of this
borough [Lewes] experienced
a very seasonable
relief at this inclement
season, from a donation
of twenty chauldrons [26
tons] of coal, distributed
indiscriminately… by
order of John C. Pelham,
Esq.’ The Brighton Gazette of January 1830 reported:
‘The Earl of Egremont entertained the whole
of the poor (including women and children) of
the five parishes adjacent to his seat at Petworth,
on New Year’s Day. One hundred and fifty plum
puddings were made for the dinner.’
It was a time for fancy food. “The meat was fairly
simple to cook,” says Chris. “But the Christmas
pudding was a different matter. There would be a
trip into the nearest big town – Lewes or Brighton
– to buy all the ingredients, like raisins, currants,
nutmeg, almonds and candied peel. There was a
ceremony on the Sunday before Advent, known
as Stir-up Sunday, in which every member of the
family, from the father to the youngest child, would
stir the pot.”
Chris is giving a talk, at The Keep, which takes in
yule logs, mince pies, pudding charms, mistletoe,
heather wine, wassailing, and why it was said to be
lucky to be born on Christmas Day. “I have unearthed
evidence that in the 19th century Christmas
preparations would start as early as February,”
he concludes. “Just think of that next time you hear
someone moan about Christmas ads on the telly in
November.” Alex Leith
A Sussex Christmas, The Keep, 11th December,
5.30pm
....54....
THEATRE
.........................
A Christmas Carol
Dickens for today
“The more I read A Christmas Carol, the more relevant
it seems today,” says actor John O’Connor,
when we speak ahead of his Brighton performances
of Charles Dickens’ famous story. “The financial
crisis was created by bankers – by Scrooge – yet
the bill continues to be picked up by disabled people
– like Tiny Tim – who have had their benefits
taken away and are being punished for being sick
and unable to work.”
It’s a rather more impassioned response than
one might expect when asking about someone’s
motivation for making a Christmas show. But then
Dickens had similarly strong reasons for writing
the story back in 1843. As O’Connor points out,
it was a battle cry, penned in reaction to a report
the writer had read about the terrible effects of
the Industrial Revolution on children. “They were
being injured working, were homeless, were ill
from malnutrition. He was intending to write a
pamphlet, but he ended up writing A Christmas
Carol instead and it’s probably the most passionate
of all his works. It’s a story of redemption and
of community and a reminder that we all have a
responsibility to others.”
The story is also notable for being the first the
writer performed publicly, in locations including
Brighton’s Royal Pavilion. “Dickens was really the
first writer to perform his own work,” O’Connor
explains. “He’d wanted to be an actor from the age
of 20 and it was a way of marrying his desire to act
and his interest in communicating with his public.”
While his work lends itself to performance – “He
used to put mirrors up when he wrote so he could
stand and act out his characters before committing
Photo by David Bartholomew
them to paper” – there was no precedent then for
authors performing their work and no guarantee
the shows would be a success. But Dickens made
more money from the readings than from all of
his novels put together, some of which he used to
make donations to charities including Great Ormond
Street children’s hospital, which this current
production is also supporting.
It’s these apparently ‘mesmeric’ live outings that
O’Connor aims to recreate in his own performances,
taking place at the Old Courtroom this
month. “What I try to get across is the energy of
the man, and the fact that he managed this very
unusual feat of becoming the greatest reader of
our greatest writer... I want to transmit some of
that immediacy and that magic to modern audiences
so they almost feel they are there at one of
Dickens’ original performances.”
There are some limits to O’Connor’s commitment
to his character, however. He is yet to attempt the
writer’s pre-show diet, which apparently consisted
of two tablespoons of rum with cream for breakfast,
a pint of champagne for tea and a glass of
sherry with a raw egg mixed into it an hour before
he went on stage. “I keep saying I’m going to try it
but I think it will have to wait until the last night.”
Nione Meakin
The European Arts Company’s A Christmas Carol is
at The Old Courtroom from December 5th–7th
....55....
ADAM ANT
Fri 6 Dec
JOOLS HOLLAND
Sat 14 Dec
BJORN AGAIN
Fri 20 Dec
THE BOOTLEG BEATLES
Sun 22 Dec
box office 0844 847 1515 *
www.brightoncentre.co.uk
*calls cost 7p per minute plus your phone
company’s access charge
the smash hit satirical review of the year
THE TREASON SHOW
THAT WAS THE YEAR THAT WAS
The Argus
The Latest
27 - 30 DECEMBER @ 8.30pm
The Old Ship Hotel, Brighton
2 course dinner & show - meal deal £39
BOOK ONLINE WWW.TREASONSHOW.CO.UK
COMEDY
.........................
Arthur Smith
Fearless comedian
Photo by Steve Ullathorne
Self-appointed Mayor of Balham, Grumpy Old
Man TM , much-loved writer and comedian, Arthur
Smith has unquestionably attained the status of
National Treasure. What this means in practice is
unclear, but may well have something to do with
better socks. That and an infectious faith in the
human spirit.
I caught up with Arthur after a weekend he
described as “rambling about in mud with friends.”
Has he ever rambled over this way, at all?
“I have, as it happens. I once spent the night at Virginia
Woolf’s place, and the next day I walked out
over the Downs and came across the paragliders.
I don’t suffer from altitude sickness or vertigo or
anything so I thought, right, let’s have a go at this.
So they strapped me in with this bloke and up I
went, swooping in and out of the countryside. It
was lovely.”
So a fearless comedian is going to be all right
doing a gig on election night in Tory marginal
Lewes?
“Oh blimey. Am I? Oh dear. Though to be honest,
I don’t really hear the news much. Not because I’m
hard of hearing or anything, it’s just that I’m busy
shouting F*** OFF repeatedly at the television.”
Yes, let’s spare a thought here for all the similarly
festive events overshadowed by this latest doomed
attempt to find out what the British public wants
for Christmas.
On which subject, what’s the official Arthur Smith
tried-and-tested recipe for a happy Christmas?
“Grin and bear it. No, I can’t say that. Actually,
my partner’s big on Christmas so I have to get
involved a bit, but I’m not entirely sure that
everyone really does like figgy pudding. Children
like Christmas the best, so the best thing is to be
around children, preferably between the ages of
four and 12. After that, quite frankly, I lose interest.
Oh and I’m hopeless at wrapping. I could probably
have a go at the sort without a ‘w’, but the one with
a ‘w’ I just get in a terrible mess.”
Helping Arthur get into the Christmas spirit will
be Mark Dolan, host of Channel 4’s Balls of Steel,
and Fran Kissling, ‘very clever and very funny’
according to the Bath Echo – a newspaper, not
an acoustic device. Fran promises a bit of Swiss
surrealism, and if you didn’t know that was a thing,
remember their cheese is famous for the bits that
aren’t there.
Eleanor Knight
Comedy Night Christmas show
with Arthur Smith,
Mark Dolan, Fran Kissling
and more. Con Club,
Lewes, 12th Dec, 8pm.
wegottickets.com
Arthur’s new book, 100
Things I Meant to Tell
You is out now.
....57....
CHARITY
.............................
Santa Dash
Festive fun run
I really enjoy it when our city gets noticeably
changed by the activities of its people (and
its visitors). Big events such as Pride and the
Marathon have an enormous impact – you
can’t drive around (that’s good) and it makes
lots of money for our hotels, restaurants and
shops (also good). It does make prices for
rooms rocket and try to get a train back to
London and you’ll struggle (less good). But I
love the way the city becomes a different place.
Pride is a big crazy party that demonstrates
the inclusiveness of Brighton and Hove, and
the Marathon is such a celebration of healthy
achievement for runners at every level. It’s
now one of the biggest marathons in the UK.
Smaller events such as the Children’s Parade to
kick off the Brighton Festival also change the
feel of the city.
When the streets get packed and everyone’s
having fun it’s like a carnival and it gives
an insight in to how a future city that isn’t
dominated by cars might feel.
Sometimes the events can just be small and
more low-key, events that just raise a smile (and
maybe raise some money). The Santa Dash
takes place in mid-December and turns the
seafront into a big splash of red and white for
a couple of hours. There are other Santa Dash
events around the country for various charities,
but here in Brighton it raises money for the
Rockinghorse Appeal, the official fundraising
arm of the Royal Alexandra Children’s
Hospital who raise around £500,000 a year for
children’s centres and paediatric services across
Sussex.
Hundreds of people put on rather flimsy Santa
outfits and congregate by Hove Lawns (I’ve
never spotted the real Santa, but I think he
might in be there somewhere, probably towards
the back), with the run starting at the civilised
time of 10:30am on a Saturday. This year it’s on
the 14th December. The start looks amazing,
I can’t think of a similar event where everyone
is dressed identically, and to see a big bunch
of Santas taking over the promenade always
draws attention (and a smile) from passers-by.
It’s not an event for serious runners, although
there are always a few who take it seriously. It’s
mainly groups of friends who dress up and run
in a gang, from all levels of ability. It’s about
being festive and having a laugh. They all head
off west to the Lagoon, then turn around and
head back. By the time it’s over the outfits have
deteriorated and the big bunch of Santas that
start the run together are all spread out and
rather sweaty.
If you want to see a festive and fun start to
the final build up to Christmas this is your
chance, and, if you don’t want to run, just enjoy
watching then maybe send a donation.
Paul Zara
santadashbrighton.co.uk
....58....
INSTALLATION
.........................
Photo by Jim Holden
Glow Wild
Ithaca’s evocative seasonal soundscape
“I guess this is a typical project for us only in
the sense that it’s slightly unusual,” says Chris
Evans-Roberts, founder of Brighton sound and
light studio Ithaca. “Our work is all related to
sound and light but we specialise in projects that
are out of the ordinary. We love to push creative
boundaries.”
The creative studio, which operates from Middle
Street’s Werks Central, has worked for the past
few years on Christmas events at Kew. Chris
explains that they have just finished installing a
‘waterfall of light’ at the famous botanical gardens.
So when an opportunity arose to produce
a bespoke soundscape for the Glow Wild lantern
trail at Wakehurst, the 500-acre West Sussex
gardens managed by Kew, they jumped at it.
Now in its sixth year, the trail sees trees, ponds
and landscapes enhanced with glowing lanterns,
fire torches, projections and installations by more
than ten artists, including a new piece by Jony
Easterby (For The Birds; Tree and Wood) and willow
tunnels by sculptor Tom Hare. “We’ve worked
with the creative team at Wakehurst to come up
with audio to complement the trail,” explains
Chris. “We’ve collaborated with all the different
artists brought on board for the event to create a
soundscape that highlights each of the artworks
and helps build the atmosphere of a magical
winter environment out in nature. The trail has a
very organic, very natural feel – there are no generators
and no hard power on site – so we wanted
to create something to match that. ”
The company has hidden nine battery-powered
speakers in trees and bushes across the gardens,
which independently play loops of the sound of
owls hooting or animals rustling nearby. “As you
walk through, the soundtrack evolves constantly,”
Chris goes on. “In each different section the
sound transitions so you get a soundscape that
will be different for every visitor. There are no
carols or Christmas songs, it’s very much about
a wintry, natural experience, building a sense of
atmosphere without overloading people.”
There are, of course, challenges in working outside
but, Chris says, Ithaca prides itself on both
technical and creative expertise. Founded nearly
ten years ago and named after Greek writer
Constantine Cavafy’s poem about a journey more
important than its destination, the studio’s combined
experience spans everything from musical
composition to coding. “We will always explore
ideas alongside considering how to make them
happen,” says Chris.
Their skills are much in demand in the festive
season, meaning the studio’s own Christmas
planning often ends up being something of an
afterthought. “After months of working on festive
events it’s still to be seen if we’ll even get a tree
up,” he says. “But if we do, then you can guarantee
we won’t just have the standard string of Christmas
lights on it. We’ll be doing something very
special, something very Ithaca.” Nione Meakin
Glow Wild, Wakehurst, until December 22
Ithaca.studio
....59....
ART
.............................
Urban Miniatures
Toying with toy town
Brighton’s gallery spaces
tend to be small but
perfectly formed. This
throws up a challenge for
exhibiting urban art –
designed to occupy entire
walls, alleyways or railway
arches.
But, one day, while
watching their kids play with toy trains, artists
and curatorial duo Paxton Glew – Emily Paxton
and Pam Glew – had a brainwave. “We put two
and two together and thought: ‘Actually, if we
did an urban miniature show, we could work
with all the people we want to, only on a small
scale,” says Glew.
For this year’s Christmas Artists Open Houses
festival, Paxton Glew have curated a diorama
with a difference in Urban Miniatures, dividing
up a Hornby train set and posting its parts to
more than 40 international artists all over the
world – from Brighton all the way to Australia.
“Some of them normally paint on high rises,”
says Glew. “So, they faced a bit of a challenge
when we were offering them tiny watchtowers,
stables or small huts. We had to source a
few tower blocks and dormitories! There’s
something beautifully nostalgic about the
Hornby train track, and contrasting it with
the street art scene is a fun duality. A lot of the
artists are incredibly colourful, so it looks like a
technicolour model village.”
Piece by piece, the alternative model city has
arrived back in Brighton, and it’s shaping
up to be a far cry from bottle green steam
engines, grey carriages and basic brick houses.
For example, Brighton-based Eelus – the
artist behind Hannington Lane’s Alice in
Wonderland mural – has added an extension
Train by Remi Rough
to a model house, in the
form of a purple fluffy
cloud producing colourful
perspex raindrops. And
anti-fast fashion artist
Dr Noki (also based
in Brighton) has filled
miniature train wagons
with textile detritus being
towed along the tracks by a pig.
“There’s quite a lot of dystopia – quite a few
buildings look like they’re from an apocalyptic
world,” says Glew. “There are a few nods to
Brexit (not too many…)”
A miniature model of a British city in today’s
confusing times has the potential to be a
little gloomy. But Urban Miniatures is quite
the opposite – it’s a prototype of a city where
urban artists were given free rein. The vibrant
undulating waves of Brighton muralist Lois
O’Hara breathe life into train carriages, while
the geometric energy of London artist Mark
McClure zigzags across a warehouse. “It is
overwhelmingly joyful,” says Glew. “The pieces
seem to have a strange sense of humour. It’s a
celebratory scene, incredibly quirky and fun.”
The utterly original exhibits of Urban Miniatures
are already being eyed up by collectors and
contemporary art fans. All the miniatures are
for sale – the going rate for trains is £200-£250.
Prints, jewellery and miniature-themed artwork
will also be sold in the space, and Paxton and
Glew will lead workshops – including Christmas
wreath-making with miniatures, and block
printing to create Japanese Furoshiki (reusable
wrapping cloth for gifts).
Rose Dykins
November 23rd-December 15th; 11 Dukes Lane
paxtonglew.com aoh.org.uk
....61....
William Nicholson, Judd’s Farm, 1912. Towner Art Gallery, Eastbourne
ART
.............................
Brink
Caroline Lucas curates the Towner Collection
Caroline Lucas is a busy woman. Between
the frenetic goings-on in parliament in recent
months and preparing to defend her Brighton
Pavilion seat in this month’s snap general
election, she has found the time to curate an
exhibition at Eastbourne’s Towner Gallery.
Unsurprisingly, the resulting show is both
a celebration of the local landscape and a
campaigning platform, highlighting Caroline’s
concerns for the environment and climate
change. It runs alongside the retrospective of
David Nash, the prominent British sculptor
who works with wood, trees and landscape,
and whose exhibition title inspired Caroline’s
curatorial direction.
“It’s interesting that David’s exhibition is called
200 Seasons – it’s a retrospective of 50 years
of his work – and that got me thinking about
time,” explains Caroline. “200 seasons sounds
like an innocent enough title but – when you
project forward 200 seasons, instead of looking
back – what is our world going to look like?
Do we even know that we have 200 seasons in
which it will be possible to live safely on our
planet? Projecting 50 years forward is quite
scary in some ways.” Hence, the title of her
exhibition: Brink.
While selecting from the 5000 works in
....62....
ART
.............................
Towner’s collection, Caroline was struck
by how many of them depicted landscapes,
seascapes and the cliffs of the Sussex coastline.
“You really got the sense of edges… That
grew into this sense of being on the brink, on
the edge of something new, politically, in the
broadest sense. Whether or not we rise to the
climate challenge, whether or not Brexit gets
resolved, whether or not we have a kinder more
compassionate politics going forward. It feels
like we are metaphorically on the edge, just as
so many of the artworks I was looking at played
with the idea of different planes, different
edges.”
She has clearly relished the role of guest curator
– an opportunity that she describes as a real
privilege and having almost endless possibilities
for interpretation. “You see each artwork
differently once it’s placed next to another. The
context in which you view it, I think, changes
the meaning you pull from it.”
Many of her chosen pieces feature trees and
wilderness that speak to the Nash exhibition
next door, and visitors can expect to see “old
favourites” by Eric Ravilious, as well as lesserknown
works by Tirzah Garwood, Robert
Morris and Kier Smith. Imagery from local
environmental campaigning groups will also
feature. Placards made for an Eastbourne youth
march for climate action will hang alongside
pieces from the Towner Collection, as will a
sobering poster that projects what the town
might look like under different scenarios of
sea-level rise. “It really does bring home to
people that climate change isn’t some distant
threat that happens to people many miles away,”
concludes Caroline. “It’s something that could
be very real to us as well.” Brink promises to be
a thought-provoking exploration of a landscape
on the edge.
Lizzie Lower
14th December–20th May 2020
townereastbourne.org.uk
David Nash and Caroline Lucas at Towner. Photo by Rob Harris
Eric Ravilious, Lombardy Poplars, 1935 Leslie Moffat Ward, The Long Man of The Downs, 1943. ©The Artist’s Estate
....63....
Towner Art Gallery
David Nash 200 Seasons
29 September 2019 – 2 February 2020
Devonshire Park, Eastbourne, BN21 4JJ
www.townereastbourne.org.uk @townergallery
#200Seasons #EastbourneAlive
David Nash, Nature to Nature, 1985. © Jonty Wilde, courtesy David Nash. Tate Collection
01444 405250 | @NymansNT | @NymansNT
www.nationaltrust.org.uk/nymans
Credit: Quentin Blake: A P Watt at United Agents on behalf of Quentin Blake.
ART
....................................
ART & ABOUT
In town this month...
Playground by HelloMarine
Look At This, the festival of contemporary printmaking,
continues at Phoenix Brighton until the 15th. As well as
visiting the exhibition, join Glug Brighton for an evening
of talks with Anthony Burrill, Jim the Illustrator &
Kelly Anna on the 6th (book via Eventbrite); or bring
the family along to a free print workshop on the 7th and
8th of December (11am-1pm & 2pm-4pm). (See pg 70.
phoenixbrighton.org)
The Christmas chapter of Artists Open Houses is in full flow with 60
homes and studios open at weekends until the 8th. The perfect opportunity
for some truly creative Christmas shopping (aoh.org.uk)
The annual Burning the Clocks celebration returns on the 21st to
see out the past year and welcome in the new. Follow the illuminated
procession down to the beach for a bonfire and fireworks. It’s free to attend
but, if you’d like to make a contribution, or want fireside tickets, visit
crowdfunder.co.uk/burning-the-clocks-2019.
Photo by Lizzie Lower
Clare Gangstas by Harry Venning
35 North have an exhibition by Harry Venning from the 7th until
the 21st. The Brighton-based cartoonist, comedy writer and performer
is best known for his long running Guardian cartoon strip Clare in the
Community (also a Radio 4 sitcom starring Sally Phillips) and is also the
winner of the UK Cartoon Art Trust Strip Cartoonist of the Year and
The Sony Radio Comedy Award. During the exhibition, Harry will lead
a drawing workshop, helping children and adults alike to release their
inner cartoonist. (See 35northgallery.com for more details.)
ONCA gallery host Generations a creative and
educational exhibition and environmental justice
events programme. Indigenous perspectives and
young voices are often missing from mainstream
reporting on the climate emergency, so ONCA
are working with Deru Anding (an artist from
the Bidayuh Tribe from northwest Borneo),
researchers from the University of Brighton,
Youth Strike 4 Climate Brighton and others to
redress the balance. Until 20th Dec. (onca.org.uk)
Journey Home to Give Birth by Deru Anding
....65....
THE GATES OF DELIRIUM
O F F I C I A L U K E X H I BIT ION
The largest collection of the iconic art of Roger Dean found any where in
the world. Exhibition is free to the public and open 7 days a week.
1 st November
th
December
T R A D I N G B O U N D A R I E S , E A S T S U S S E X , T N 2 2 3 R B
W W W . T R A D I N G B O U N D A R I E S . C O M
ART
....................................
Sarah Abbott at Brush Gallery
Kellie Miller Arts marks the 6th anniversary of her Market Street
gallery with Small Wonders, an exhibition of small but perfectly - formed
portraits, abstract landscapes, surrealist and fantasy paintings by artists
who usually work on a much larger scale. Continues until the 9th.
Inspired by a recent trip to Thailand and the work of
the conservationist Lek Chailert, Brush gallery hold
an exhibition to raise funds for the animal sanctuary
Elephant Nature Park, in Chiang Mai. More than 30
artists – including Sarah Abbott, Ruth Mulvie, Will
Blood and Michelle Mildenhall – have contributed
artworks, all featuring elephants and other animals
threatened by climate
change and human
activity.
Jo Wonder at Kellie Miller Arts
Out of town...
Sam Hewitt
If you’re quick, you’ll catch Tutton & Young’s
long-running Brighton Art Fair, which – due to the
ongoing refurbishments at the Corn Exchange –
relocates to Lewes Town Hall this year. Join them
on Saturday 30th of November and Sunday 1st of
December (with a preview on the evening of Friday
29th) for an exhibition by upwards of 60 local and
national artists. The trains aren’t running that
weekend, but a free bus service has been arranged for
ticket holders and B&H buses run a frequent service
to Lewes. (tuttonandyoung.co.uk)
In Lewes, Chalk Gallery is proud to present its 2020 calendar (left),
featuring work by all the Chalk artists. Proceeds from its sale will be
donated to the environmental charity Client Earth.
The gallery’s seasonal exhibition of small and
affordable artworks continues until 5pm on Monday
23rd December when the gallery closes for the
holidays, re-opening on Monday 6th January. Along the road, Martyrs’ Gallery
has teamed up with Goldmark Gallery to show a selection of exhibition posters
by some of the twentieth century’s most celebrated artists (right), including
affordably priced lithographs by Picasso, Matisse, Chagall, Miró, Braque,
Hockney, Freud, Cocteau and Dufy, among others. (martyrs.gallery)
....67....
Artists
Open
Houses
XMAS
2019
23 November to
8 December
Contemporary
British Painting and
Sculpture
We look forward to welcoming
you to our gallery in Hove.
Please visit our website for
further details.
aoh.org.uk
CAMERONCONTEMPORARY.COM
ART
....................................
Out of Town (cont...)
© Roger Dean
The Gates of Delirium – an
exhibition of work by
Roger Dean – is at Trading
Boundaries in Sheffield Park
until the 8th of December. The
internationally-acclaimed artist
and designer is responsible for
some of the most iconic album
covers over the past five decades,
earning him a worldwide
following. The exhibition
features prints and original paintings from across his career, including Inland Sea II used on the latest
Yes album cover. (tradingboundaries.com / rogerdean.com)
Dance Diagonal by Lothar Götz
Towner gallery announce an open call for Towner International – a major
new biennial exhibition of contemporary art that will feature British and
International artists. Professional artists working in all media are invited to
submit works for consideration through an online Open Call process, which
will be judged by a panel of guest judges. The Brewers Prize of £10,000,
sponsored by Brewers Decorator Centres, will be awarded to one of the
exhibiting artists. The submission deadline is Friday 17 January 2020.
Disruption, Devotion and Distributism continues at Ditchling
Museum of Art + Craft: an exhibition drawn from a major
acquisition of over 400 St Dominic’s Press pamphlets and posters.
The private press published a wide range of material including
books and pamphlets for The Guild of St Joseph and St Dominic
and other artists and thinkers sharing their philosophy around
craftsmanship and life.
Image: Gently but firmly by Philip Hagreen
A panel of judges from Sussex Wildlife Trust,
including acclaimed wildlife photographer David
Plummer, selected twelve finalists from over 600
entries for the SWT online photography competition.
A public vote deemed this image – of a Vole in a
Foxglove, taken by Maxine Dodds of Rudgwick,
Horsham – the ultimate winner. All the finalists’
photographs will feature in the Sussex Wildlife Trust’s
2020 online calendar (available to download) and in an
upcoming exhibition at the Booth Museum.
Maxine Dodds
....69....
DESIGN
.........................
Anthony Burrill
Nice, hard-working graphic artist
“Perhaps some people who know that poster
don’t have the full backwstory to my career,”
says Anthony Burrill, when I ask him if he feels
a little saddled with being famous, with the
wider public, for one piece of work, created
back in 2004.
Burrill is responsible for designing and letterpressing
the print which reads ‘WORK HARD
& BE NICE TO EACH OTHER’, one of
the most plagiarised artworks of our times.
And there’s a danger, I guess, that people will
associate Work Hard… with pithy sayings on
cushion covers, or the recent ubiquity of the
motivational poster, Keep Calm and Carry On.
The ‘backstory’ is that Burrill isn’t a corny
slogans man, but a well-respected artist, with
a commitment to using traditional printing
processes, whose messages drip with a healthy
dollop of post-modern irony. He’s also an
in-demand graphic artist, whose client list
includes the likes of Apple, Google, Hermes
and the Design Museum.
“But I still believe it’s true!” he says of the
‘Work Hard’ message. “And the print’s success
has given me the independence to do whatever
I want. It’s been really liberating.”
I ask him about his influences, expecting,
as he went to art school in the eighties, for
....70....
DESIGN
.........................
Katherine Hamnett to figure. “Actually, I’m
more indebted to John Cooper Clarke,” he
tells me. “His incisive wit bowls me over.
And Kraftwerk: Germans using English in
a collage-y way.” He also cites suffragette
slogans, and 1960s Civil Rights Movement
posters. “It’s about getting the message
across, with a wink of humour and a fine art
element.”
Earlier this year his latest book, Look &
See, was published by Thames & Hudson:
it contains ‘collected ephemera and printed
material’. “I’m really into bits of found
poetry: instructions how to do things and
signs you see on the streets. I’m much more
influenced by the work of non-designers than
the work of designers. Things are much more
human, when they are slightly wrong.”
He is a self-admitted ‘font geek’. “I take
photos of street signs on holiday while the
rest of the family roll their eyes,” he says.
Most of the fonts he uses in his print work
are provided by a letter-press publisher in his
hometown, Rye. “Adams have been going for
over 150 years. They are a real institution in
Rye: they’ll print everything from restaurant
menus to orders of service in churches. And
they have a collection of different Victorian
wood type: I’ve been using them since I
moved to the area in 2004.”
He’s looking forward to the talk he’s giving
in December, at the Glug Christmas gettogether,
part of Look at This – the Phoenix
Festival of Print. He loves the chance, he tells
me, to deliver a vocal message. “I spend most
of my time in the studio, quiet and focussed.
Put a mic in my hand and I turn into someone
else: an entertainer.”
Alex Leith
Look at This, Phoenix Gallery, until
December 16th. Glug event December 6th.
....71....
Making life better and brighter, one day at a time.
Call us for a friendly chat to see
what we can do together:
01273 829 943
Caring Companionship
that makes the world of difference at home.
Whether you’re in need of home care for yourself, a relative,
or someone you’re currently caring for, we’re here to help.
We are Martlets Care, and since 2007 we’ve been providing exceptional
home care for adults, in Brighton, Hove and the surrounding areas, who
need support to live happily in the comfort of their own home.
Our home care packages are tailored to suit individual needs for personal
care, companionship and help with daily living. Plus all our profits go to
help others at the Martlets Hospice.
To find out more - see our website or call us for an informal chat to
discuss your home care needs on 01273 829943.
MarletsCare.co.uk
Providing Quality Home Care in and around Brighton & Hove
THE WAY WE WORK
This month Adam Bronkhorst meets some local makers and tradespeople
doing their bit to create a more sustainable Christmas.
He asks them: 'What's your favourite Christmas tradition?'
adambronkhorst.com | 07879 401333
Susan Luxford, Timeless Toys
(seller of ethically-sourced wooden toys)
‘Decorating the tree with family. From re-discovering all the
Christmas items in the loft, to making and buying new hanging
decorations, to turning on the fairy lights!’
THE WAY WE WORK
Chloe Edwards, Seven Sisters’ Spices
(maker of plastic-free Christmas crackers)
‘Christmas stockings are my favourite tradition.The childhood joy of
waking to a full stocking at the end of the bed – I don’t get one myself
anymore but I love to make them up for my children.’
THE WAY WE WORK
Paula Clark, Cocoon&me
(maker of planet-friendly crochet baubles)
‘Music is very important in our household. A week before Christmas
my husband changes over the records in our juke box to all our
favourite Christmas tunes collected over the years!’
THE WAY WE WORK
Sophie Bresnahan, Loop Loop
(maker of plantable cards)
‘Going home to the village I grew up in and doing the ‘Christmas Walk’, from our
local pub to the neighbouring village pub and having lunch. It’s always so fun!’
THE WAY WE WORK
Emma Thistlethwaite, Thistle by Nature
(maker of wreaths)
‘Bringing the outside in. The scent of pine in your living room, holly on
the door, spruce over the fireplace and mistletoe hanging in the porch.’
ADVERTORIAL
Savoury Nut
Roast Christmas
Puddings Recipe
A minimal-waste recipe from the CNM
Natural Chef Diploma Course
Recipe and images by Emma Carter for the ICSA-Accredited CNM
Natural Chef Diploma Course
A delightful twist on traditional Christmas puddings,
this is a minimal waste recipe, using the vegetable
peelings for the gravy – a vegan, gluten-free main you
can serve with your favourite festive trimmings.
Serves: 3, Prep time: 20min, Cook time: 1hr
Allergens: nuts
For the nut roast:
1 carrot, peeled and grated; 1 parsnip, peeled and
grated; 1 cup of swede, peeled and grated; 1/2
Bramley apple, peeled and grated; 1/2 red onion,
finely diced; 1 small leek, washed and thinly sliced; 2
tbsp coconut oil; 1 clove garlic, minced; 4 sage leaves;
1 tsp fresh thyme leaves; 1 tsp fresh rosemary leaves,
finely chopped; ½ cup organic tinned chickpeas, lightly
crushed with a fork; 2 tsp orange zest; 1 heaped tbsp
dried cranberries; 1 tsp sea salt; 1 cup ground almonds;
1 tbsp ground flaxseed; 1/4 cup walnuts, roughly
chopped; 1/4 cup hazelnuts, roughly chopped
For the gravy:
1 tbsp coconut oil; 1 carrot, peeled and roughly diced;
½ red onion, finely diced; 1 sprig of rosemary; 1 sprig
of thyme; 1 clove of garlic, minced; 2 tsp arrowroot
powder; Sea salt and pepper to taste; The peelings,
cores, tops, outer leaves and skins of the veggies & fruit
How to make:
• Prepare all the vegetables and apple. Add all peelings
and trimmings into a large casserole dish. Cover with
7 cups filtered water, bring to a boil, then simmer for
25mins uncovered. Strain. Compost the solids and
keep the liquid.
• Preheat the oven to 180°C/160°C (fan). Line 4.5inchwide
ramekins with silicone-free baking paper.
• Add the coconut oil, onion, ¾ of the leek, garlic and
fresh herbs to a large saucepan over medium heat.
Stir to combine and sweat gently until tender and
fragrant.
• Add the crushed chickpeas, grated carrot, parsnip,
swede, apple and zest and stir well. Cook 3-4mins
until tender.
• Add one cup of the stock and the cranberries. Stir
well & simmer until the liquid has been absorbed
almost completely.
• Add ground almonds and flaxseed. The mixture
should be thick with no liquid remaining.
• Remove from the heat and stir through the
chopped nuts.
• Divide the mixture evenly between the ramekins so
they are well packed. Cover and bake for 20 mins.
Remove cover and bake for a further 10 minutes until
golden brown.
The gravy:
• Add coconut oil, diced carrots, onion, garlic, herbs
and reserved leek to a saucepan over medium heat.
Sweat until starting to caramelise.
• Add the remaining stock and bring to a boil. Reduce
to a simmer for 5-6 minutes.
• Add the arrowroot powder gradually, whisking
constantly until the gravy begins to thicken. Remove
from the heat and strain through a sieve to remove
the solids. Add more arrowroot, if you prefer a thicker
gravy. Season to taste.
• Carefully turn the nut roasts out of the ramekins and
serve with the gravy and veggies of your choice.
CNM has a 22-year track record training successful practitioners in natural
therapies, in class and online. Colleges across the UK and Ireland.
Visit naturopathy-uk.com or call 01342 410 505
FOOD
.............................
L’Atelier du Vin
Drinking for grown ups
Photo by Lizzie Lower
Brighton has a pub to suit just
about every occasion, but I
find the thought of hanging
over a busy bar less and less
appealing. So, I’m particularly
pleased to have discovered
L’Atelier du Vin, who offer
good drinks and excellent
(table) service in an unhurried
and decidedly grown-up
atmosphere.
I first visited their bar on St
George’s Place, that stretch
opposite Valley Gardens,
between Gloucester and Trafalgar Streets.
Behind the stripped-back shopfront is a
delightful drinking den, complete with
eclectic furniture, secret corners and an
inexhaustible drinks menu.
If the St. George’s Place bar has the
conspiratorial air of a speakeasy, then their
second premises in Seven Dials has the
congenial atmosphere of a private members’
club. One Friday evening, having invited
my friend Frances to join me for a drink, we
settle into a couple of mismatched lounge
chairs set around a delicate side table complete
with a crystal lamp. The music and lighting
are comfortably low, and the place is quietly
buzzing.
We start by flicking through the ‘Bootlegger
List’. Whatever your poison, there’s a page for
it, and we decide to start with something from
the ‘pre-prohibition’ cocktail list; a ‘Harvard’
(c.1895) – cognac, sweet vermouth, lemon
juice, grenadine syrup and Angostura bitters
(£9.50), and a ‘Journalist’ from the 1930s –
gin, sweet vermouth, Cointreau, lemon juice
and Angostura bitters (£9.50). They arrive in
delicate glasses, the kind my
grandmother had in her postprohibition
drinks cabinet,
and we sip their delicious if
slightly eyewatering contents.
If wine is more your thing,
the list offers upwards of 500
choices, with something to
suit every palate and pocket.
Flicking through the menu,
I spy everything from a £24
bottle of Cabernet Sauvignon
through to a 2006 Vérité, Le
Désir from Sonoma County,
a snip at £1070. We’ve only just finished
our cocktails and, mindful of the morning
after (and our modest funds), we ask our
server to suggest something with a relatively
low alcohol level. He points us towards a
Teroldego Rotaliano from Northern Italy
(£19/carafe), which turns out to be an excellent
recommendation.
As the name suggests, this place is all about
the drinks, but there is a small, carefullyconsidered
menu of cheese and charcuterie
and a few plats du jour to choose from. We
select a plate of five cheeses (£15) and an
Italian burrata with rosemary olive oil (£6.75),
and savour their distinctly different flavours
as we sip our wine.
Several very enjoyable hours slip by and, when
we eventually ask for the bill, it arrives with a
complimentary digestif (something herbal and
heady to fortify us against the chill outside).
We slip out into an inky black night having
enjoyed a thoroughly civilised evening.
Lizzie Lower
10 St George’s Place and 87-93 Dyke Road
latelierduvin.co.uk
....79....
RECIPE
.............................
Photo by Rowena Easton
....80....
RECIPE
.............................
Gran Stead’s ginger and
spiced mulled wine
Chris Knox lets us into the secret of a tasty Christmas tipple
This whole business started back in 1994,
when my father Len couldn’t get hold of his
favourite non-alcoholic ginger wine, which
he used to buy in a shop in Shoreham. He
loved the taste, and sorely missed it.
He learnt that the lady who used to make it
had given up due to family commitments.
He contacted her, and found out that the
Mellow Ginger she’d been making was an
old family recipe handed down from her
grandmother, Christina Stead, who lived in
the nineteenth century, in Middleton-in-
Teesdale, in County Durham.
Len and my mother Dot acquired the recipe
for the Mellow Ginger, and started making
what they called Gran Stead’s Ginger, at
home, and selling it at craft fairs, farmers’
markets, and beyond.
Today it’s my wife Rosemary and I who run
the business, from a local farm in Mile Oak.
Our products are pasteurised and natural,
without artificial additives or preservatives.
As well as the original Mellow Ginger wine
we now produce a ‘Fiery’ version which has
reduced sugar and more ginger, as well as
a Spiced Ginger Punch. To complement
the range we have added Lemonade with
Ginger, Blackcurrant with Ginger, and
a Still Lemonade. We sell it at selected
stockists all over the south of England, and
also online, along with some export.
Many of our customers are ginger devotees
who value our ginger drinks as a deeply
delicious way to enjoy the health benefits
they associate with this ancient spice. Some
report that ginger eases sore throats, has
a soothing effect on the digestion, lessens
joint pain and may even help protect against
the common cold!
All our drinks are non-alcoholic, but can
be used in conjunction with alcohol if you
fancy a gingery tipple. A classic is a whisky
mac, which is simply a tot of whisky mixed
with ginger wine, mellow or fiery to taste.
Gran Stead’s is also a good mix with rum
and orange juice, and brandy and apple
juice.
But at Christmas time, especially if you
have some guests over, we’d recommend you
trying some Gran Stead’s ginger and spiced
mulled wine, which will certainly warm you
up from the inside out.
Method: In a large saucepan add the
following ingredients: one bottle of red wine
(nothing fancy, mulling wine will do); half a
bottle of Gran Stead’s Ginger Wine (mellow
or fiery, to taste); 1 litre of cranberry juice;
8oz brown sugar; the grated peel of a lime;
1 orange, cut into thin slices, 4-5 cloves; 2
sticks of cinnamon.
Gently bring to the boil, and simmer for
about ten minutes, allowing the spices to
infuse. Serve warm… with or without a
mince pie. Cheers!
As told to Alex Leith
gransteadsginger.co.uk
....81....
FOOD
.............................
What The Pitta
Subversive kebabs
Billed as ‘good karma kebabs’, What The Pitta
is a healthier proposition for any fans of fast
food. I choose the vegan doner kebab (£7.95):
the faux meat, made of soya, is delicious. It tastes as indulgent as the real thing, but more carefully
seasoned and less greasy. The salad is fresh and plentiful, while the pitta is warmer and fluffier than
typical kebab shop fare.
Molly chooses the Mezze Box (£7.95), which can be ordered with falafel or vegan doner. She loves the
spicy chilli, couscous, olives, red cabbage, lettuce, onion, parsley and lemon, enjoying the “well thought
out, complementary flavours”. We share a portion of hot, tasty French fries (£3.50), which come with a
choice of several dips: the garlic mayo is atypically subtle and we polish it off.
All the portions are generous; in hindsight we didn’t need our side of falafel and hummus (£4) but the
large pot of hummus is irresistible: far more chickpea than tahini, and satisfyingly chunky. And in a
subversive twist on kebab shop norms, alcohol is available! We sample some East London Brewing pale
ales: crisp, cold 500ml bottles at £4.50, with no service charge, is strikingly good value. Joe Fuller
14 East St, whatthepitta.com
Join us at The Salt Room or The Coal Shed
throughout December for a festive
CHRISTMAS
FESTIVE MENUS
celebration.
GROUP DINING
& PRIVATE DINING
Enquire about availability at www.saltroom-restaurant.co.uk and www.coalshed-restaurant.co.uk
All the ingredients
for a 100% organic
Christmas
Veg, meat & all the trimmings
delivered free to your door
01953 859980
riverford.co.uk
FOOD
.............................
A-news bouche
There is a sleighload of workshops on offer
this month, including a festive cheese and wine
class with Patrick McGuigan and Bolney Wine
Estate (6th, 7pm to 9pm), a mini stollen and
truffle class (8th, 2pm to 5pm), and a festive
brunch session (14th, 10am to 12.30pm), all at
The Community Kitchen. Plus more stollen
(9th, 2pm to 6pm), yule
logs (10th, 2pm
to 6pm) and
Christmas
biscuits (2nd,
2pm to 6pm) at
Cookbookbake.
Never Alone meet-ups give you a chance
to get a warm drink, a slice of cake and the
opportunity to meet new friends at The
Bevy (3rd, 10am to 12.30pm) and the Costa
in Tesco on Church Road
(5th, 2pm to 3pm). And
congratulations to
Be Chocolat, who
are presenting an
exclusive range of vegan
chocolates at Selfridges.
After two successful years in
London, ‘immersive cocktail experience’
Alcotraz has arrived in
Brighton at 13 Kings Rd.
Inmates descend into a
secret basement, have
their mugshots taken in
orange jumpsuits, and are
then treated to illicit cocktails
from bootleggers, aka mixologists.
....83....
SUSTAINABLE SLOW
FASHION,HAND
MADE ONE BY
ONE IN ENGLAND
November-February
2 HANNINGTONS LANE BRIGHTON, BN1 1GS
DARLING POP UP
Shop online sophiedarling.com
10% OFF
WITH THIS
ADVERT
Gallery and shop on Portland road showcasing a collection of original
works including cards, jewellery, ceramics, textiles, paintings, decorative
plant displays, home decor and clothing.
Relaxed and informal in style, we offer something for everyone.
Come and see us during the Artists Open Houses Christmas festival
from 23rd November - 8th December, where we will have lots of new and
exciting work by local artists. Buses 49, 46 and 2 all stop right outside.
100 Portland Road, Hove, BN3 5DN | 01273 038127 | Facebook @Julesemporium | Instagram @jules_emporium
From left to right: Greta and the Giants, City Books, £4.99 (rrp £6.99); Wooden trees,
Forge Creative, from £16; Rowdy & Fancy chocolate bars, Barney’s Deli, £4.50 each;
The Black and Blum food flask, £29.95, Store Next Door; Justine silk knicker, £38,
Ayten Gasson; Lace single ring, £37, Arabel Lebrusen
From left to right: Christmas tree linocut, £30, bird linocut, £25 from Jules Emporium; brush, razor and face
cloth, £33.50, Barnes and Binns; mustard linen lampshade, from £80, Lume lighting; enamel espresso mugs,
£4.99 each, Utility; Olverum dry body oil, £36, Wick; Alice Barnes oxidised silver pleated studs, £48, Brass
Monkeys; silver letter charms, £45, Julian Stephens; recycled random wool rug, £20, Sheffield Park;
Himalayan bath salts, £18.50, Parkminster.co.uk
From left to right: A4 portfolio in ‘Charleston Scumble’ pattern, £30, Charleston; gardening mug,
£40, Castor & Pollux; Citix60 city guides, £8.95 each, Magazine Brighton; mittens by Sally Nencini,
£32, Atelier 51; embellished silk scarf, £165, Sophie Darling; Lucie Kaas Kokeshi dolls, £35 each,
Hold; Literary Emporium enamel pin, £7.50, The Family Store; cotton reindeer £22.99, Toby Tiger;
Seven Sisters gin gift pack, £46, Rathfinny Cellar Door
Come and find the perfect gift!
A beautiful selection of handmade contemporary
jewellery by over 50 designer makers
109 Portland Road • Hove • BN3 5DP
www.brassmonkeysjewellery.co.uk
brass monkeys
FEATURE
.............................
Meetup groups
A connection is made
Move over internet dating; the online
matchmaking service of the moment is all about
picking up platonic pals.
Meetup is a website used by 35 million users
to meet new people and learn new things –
including thousands in Brighton and Hove.
“I think it’s a good way to meet other people –
sometimes it can be difficult socialising if you
don’t like pubs, and my tours provide a social,
fun and educational way of getting out more,”
says Nick Richmond, who runs Guided Walking
Tours in Brighton and Sussex, the biggest
meetup group in Brighton, with more than
6,000 members.
Some groups are using their collective power
as a force for good, like The Social Society
Brighton, who share knowledge, skills and
time to raise funds for local charities, with
social events from beachside music pop-ups to
workshops and meals out which aim to connect
people and reduce isolation.
Members “get a sense of belonging, new friends.
Happiness increases as a result of connecting
with other like-minded individuals. They
also enjoy giving back to amazing charities in
Brighton and Hove,” explains founder Toni
Finnimore.
Making friends in a new country can be
challenging, but International Friends in
Brighton and Hove offers its 2,800 members the
chance to practise conversational skills and have
a few drinks, as well as excursions and day trips.
“We emphasise fun and friendship: people like
the tours because they tell me it’s something
they would like to do but wouldn’t have done on
their own,” explains organiser Alexa. “Being an
international group, we welcome everyone from
every culture.”
While some groups are all about having fun,
others offer “an antidote to the fast-paced,
reactive world virtually all of us are caught up
in to some degree”, says Muzammal, who runs
the Emotional Decluttering and Renewal –
Gatherings group.
“Most of the meetings have had a key theme,
like letting go of a past relationship, clarity
around meaningful work, or being a conscious
change-maker; those participating come because
that particular theme resonates with where their
life is at in that given moment,” he explains.
“Each gathering is thought through to help
members to slow down, undo knots and come
out feeling renewed and more whole.”
According to Brighton Pub Boardgamers’ Simon
Appleton, games’ universal appeal means his
group’s members include students, pensioners
and even the odd teenager with a parent in tow.
“For those who are nervous about coming along,
or a little socially anxious, playing a boardgame
is great – it gives you something in common to
talk about,” he notes.
Organiser Pia Honey says most of the 2000+
members of Sociable Brighton Singles are up
for a good time, and sometimes love finds a
way. “Most turn up alone to the first one, and
very quickly join in. It’s lovely to watch people
come out of themselves,” she says. “If you’re
looking for a partner, then that’s great as you
know everyone attending should be single; it’s
safer and better than online dating as you get to
watch others in a natural environment.”
Ellie Evans
....89....
MY SPACE
.............................
Ben Szobody
Projects Development Manager at One Church
One Church is so called because there were
originally two Baptist churches: this one on
Gloucester Place joined with Florence Road,
where the Sunday services continue, and together
became One Church.
That left the church with room to be flexible
and inclusive inside an historic space in the
city centre. Dave Steell, the minister who came
to Brighton around ten years ago, had a vision
to be of service to the city and wanted to reach
out to marginalised people. We didn’t have a lot
of money to get things going so we had to get
creative. We started opening up the space, taking
out the fixed pews and reusing the wood. We
were respectful but not too sentimental. People
were desperate for affordable, socially-minded
community spaces and so that’s been the focus of
this building for the last six years.
We use the space for our inhouse charity and
social projects. Those include Pro Baristas:
a project that links unemployed people with
jobs in the speciality coffee business. We train
them in all aspects of barista work and offer
longer-term mentoring and support where it’s
needed. We’ll have engaged over 350 people in
that project this year and work with most of the
quality coffee companies in Sussex. We have also
opened the building as a homeless night shelter
in the winter months and for Chomp, our
holiday lunch club for low income families (see
pg25), amongst others.
Other organisations also rent the space.
Groups like Justlife who work with people in
emergency and temporary accommodation, and
the Real Junk Food Project – who rescue surplus
food – run a Friday lunch club. It’s possibly the
biggest one of its kind in the country, serving up
to 200 hundred people each week. We also hire
the space out for weddings and events. We’ll
host 30 gigs during the three days of the Great
....90....
MY SPACE
.............................
Escape festival. It’s a diverse and busy timetable.
We also manage the weekly Florence Road
Market from here. It’s been running for seven
years now. As well as having an amazing range
of traders, we run a coffee bar staffed by our
trainee baristas and sell produce from Rock
Farm, our six-acre community garden up near
Steyning. Around 900 people will have accessed
Rock Farm this year for a volunteer day or some
sort of therapeutic opportunity.
For me, this place epitomises what a church
should be in today’s society. Not a place that
necessarily forces people into a system of religious
belief but a place that asks, ‘how can we be
of use, as open-minded and as open-handed as
possible?’ We’re very outward looking and the
people who use the building are an expression
of that.
Speaking as an American, we don’t have
spectacular buildings like this in the US. In
the UK there’s one in every second street. It
seems crazy that they are locked up most of the
week. It needs some creative thinking to ask
how these buildings can be of most use to the
city. It could be transformational.
As told to Lizzie Lower
onechurchbrighton.org
Photos by Lizzie Lower
....91....
SANTA S
TOY FACTORY
Opens 23rd November 2019
’
SOUTH DOWNS
NURSERIES & GARDEN CENTRE
BOOK
ONLINE
NOW
NEW animated displays for 2019!
Meet Santa and receive a gift
From £6.50 per child
Last year we raised £23k+ for The Budding Foundation
Book online at www.thebuddingfoundation.co.uk
(charity no. 1155335)
A273 Brighton Road HASSOCKS
Sussex BN6 9LY 01273 845232
www.tatesofsussex.co.uk
SANTA’S
NEW Grotto experience for 2019!
Meet Santa and receive a gift
£9.50 per child
BOOK
ONLINE
NOW
Raising money for The Budding Foundation (charity no. 1155335)
Book online at www.thebuddingfoundation.co.uk
OLD BARN
NURSERIES & GARDEN CENTRE
A24 Dial Post, HORSHAM
Sussex RH13 8NR 01403 710000
www.tatesofsussex.co.uk
FAMILY
.........................
Dad La Soul
Robot-making, lego battles and drum ’n’ bass
When Dan O’Flanagan
gave up his job as a
senior analyst in order
to become a ‘stayat-home’
dad to his
young son, he didn’t
realise that one of the
biggest challenges he’d
face would be isolation.
“We’d just moved from
Brighton to Worthing
and I didn’t know many people there,” he explains.
“I’d walk to the park and see other dads standing
there on their own looking at their phones. The
mums would be chatting to each other but we
didn’t seem to know how to do it. It was embarrassing
to admit, but I was lonely.”
He decided to take matters into his own hands
and founded Dad La Soul, a monthly social group
especially for fathers to attend with their children.
“I wanted to do something that would give dads
a chance to get together, but rather than standing
in a church hall drinking weak orange squash,
why not do robot-making, rap battles, stand-up
comedy? I wanted to create a place where I could
stick on the Stone Roses, or some drum ‘n’ bass,
and have a Lego battle with my kid.”
Dad La Soul now counts some 500 members on
its Facebook page and is attended by fathers of all
varieties. “It’s not just stay-at-home dads, we have
dads that commute all week; step-dads; gay dads
going through the adoption process; blended families;
dads that don’t see their kids regularly. And it’s
not just for dads with very young children either.
Some come along with babies in slings to have a
coffee, watch old episodes of He-Man and have a
chat while others are
dads to 12 year-olds.”
After two years in
Worthing, a new
group launched
last month in Hove
co-working space
Platf9rm. “We had
over 80 dads and kids
there. It was so popular
we actually had
to shut the door. The Brighton group is already
bigger than the one I run in Worthing and, being
Brighton, it’s a little bit funkier too,” says Dan,
who’s already tapping up the talent pool of local
tech entrepreneurs in the hopes of offering virtual
reality headsets or 3D printing at future editions.
“But beneath all the fun we’re tackling some
serious issues,” he goes on. “This is a place where
dads can put their hands up and say they’re struggling
– that they’re lonely, or having a hard time at
work, or worried that they’re not seeing enough of
their kids.” Dan hopes the groups will help change
the wider conversations about fatherhood too.
“Our aim is to have these clubs in towns and cities
around the country with the idea that once we have
a national voice, we can start influencing public
policy – from increasing paternity leave to ensuring
that baby-changing facilities aren’t only in women’s
toilets.” I wonder if he feels he’s become a better
dad for his involvement in Dad La Soul? “I’m still
learning,” he says. “I’m a co-parent to a seven-yearold
and there are always new challenges. But it’s
good to have other dads to learn alongside.”
Nione Meakin
totrockinbeats.com/Dad-La-Soul
....93....
Join the 1,500 who
already own a share in
Lewes Football Club.
They want to support
the club, because it’s:
- 100% community-owned
- A non-profit Community Benefit Society
- The only football club in the world
to pay women and men equally
You can become a Lewes FC owner, too,
for as little as £40/year
www.lewesfc.com/owners
It takes less than 60 seconds to sign up.
Your help will make a difference. Join us.
#JoinTheClub
FEATURE
.............................
All together now
Why joining groups is good for your body and soul
An audience of strangers
gathers at the University
of Sussex to hear a choir.
What they don’t realise
is that they are about to
become the performers.
Within just a few minutes
professional choir director
Siggi Mwasote has them
clicking their fingers and
belting out the gospel song Let it Shine. For
everyone it’s joyous, harmonious and bonding.
The event, Singing for Wellbeing, was organised
by the university’s Centre for Innovation and
Research in Wellbeing (CIRW) to demonstrate
the positive effects of singing in a group.
It included a presentation by Dr Sarah Andersen,
a Herstmonceux GP who found that those
among her patients who joined a choir set up
by her practice experienced multiple benefits,
including improved memory, higher self-esteem
and fewer medical reasons to visit to her surgery.
Social prescribing – a move towards prescribing
specific social activities for patients in addition
to or as a replacement for drug therapy – is
now a key part of the National Health Service’s
personal care plan, and CIRW researcher Anna
Ridgewell is keen to see just how effective this is
as a way of improving well-being.
She points out that multiple studies have shown
how having strong social relationships, such as
belonging to a choir or being part of a sports
team, significantly increases your life expectancy
and is on a par healthwise with not smoking.
“I know from personal experience that singing
in a choir is very uplifting,” she says. “You can
feel the energy in the room. But choirs are
predominantly female. And it tends to be mostly
white, middle-class women who join them.”
The challenge, she says,
is ensuring there’s access
for all to these activities
without creating barriers.
“Sometimes it’s a matter of
using the right language.
For example, I heard
about a yoga class that
was organised for single
mums in a deprived area of
Brighton that didn’t have any takers until they
renamed it ‘Stretching and relaxing’.”
While family networks, religion and shared
working environments were some of the
traditional ways for communities to develop,
now it seems we need a little artificial
intervention to bring us together.
One of the organisations CIRW works with, the
Sussex Community Development Association,
created a project to give more than a thousand
socially-disadvantaged people the opportunity
to go on organised walks on the South Downs.
Anna says: “These were people who wouldn’t
have had the opportunity to get out to these
open spaces. The results showed that not
only did all those who took part feel a greater
connectedness and see their physical health
improve, but many also became volunteers.
They felt able to give something back to the
community and to sustain the project.
“We know that social isolation is bad for your
mental health and wellbeing and yet people are
living more isolated lives. Communities aren’t
forged in the same way that they once were.
Interventions like this may seem an artificial way
of starting that process, but it doesn’t need to be
any less impactful.” Jacqui Bealing
Find out more about CIRW at: sussex.ac.uk/
socialwork/cirw/, twitter.com/CIRW_Sussex
....95....
We wish you a
Merry Christmas!
vivamagazines.com
WILDLIFE
.............................
Robin
Everyone’s favourite festive psychopath
Illustration by Mark Greco
Americans have chosen to align themselves with
a mighty eagle. India have elected the elegant
peacock. But we’ve voted an antisocial, territorial
ball of anger as our national bird. So, what is it
about the Robin that us Brits find so endearing?
That famous orange-red breast, a flaming
flash of feathers in a bland back garden of
Blackbirds, Sparrows and Starlings is certainly
striking. Those disproportionately large eyes
give Robins a cute ‘face’ but are useful for a
bird which hunts for beetles and worms under
bushes in low light levels.
They’re cheeky little beggars. As we kneel,
weeding in the mud, they’ll hop along hoping
for a castaway worm. Elsewhere in Europe
Robins avoid human contact and inhabit dark
forests where they follow feeding boars as they
dig in the soil. To a robin we’re just big pigs in
gardening gloves.
Surely the greatest coup that the Robin has
pulled off is cornering the lucrative Christmas
market. Especially considering the only other
bird we associate with Christmas is beheaded
and stuffed into an oven at gas mark 4. This
Christmas connection is linked to the red
tunic plumage of Victorian postmen. Robins
were pictured carrying the post on the earliest
Christmas cards and since then have joined
Santa and snowmen as Christmas A-listers.
Attractive, friendly and festive – everyone loves
a Robin. Well everyone it seems apart from
other Robins. Robins hate other Robins. They’re
highly territorial and, once invisible boundaries
have been established, Robins will rule their
kingdom like feathered Führers. They’ll sing
their washing-line war cries from dawn to dusk
or patrol the garden noisily tick-tick-ticking
like a tiny timebomb. Female Robins are just as
tyrannical and will also sing and scuffle; unusual
amongst female birds. Robins will fight off
other birds – no matter what colour – but, when
a Robin sees red, it sees red. Robins will peck,
scratch, batter and kick any other Robin that
puts as much as a feather across the line. Behind
that red breast beats the black heart of a ruthless
killing machine. Fatalities are common.
For the past few months this front lawn turf
war has intensified, but around Christmas there
are subtle signs of a ceasefire. The song of the
Robin becomes more hopeful and in the bleak
midwinter something remarkable happens;
Robins unexpectedly and temporarily fall in
love. For a brief period courting couples can be
seen feeding alongside each other. As we enter
the New Year, this peace agreement ends and
it’s back to brutal business as usual. But these
Christmas couples are now ‘engaged’ and will reunite
to form a family in the spring. For Robins,
Christmas is a time for peace, hope and worms.
Here’s hoping you have a similar Christmas full
of peace and hope. As for the worms? I’m sure
we’ll all open a whole new can in 2020.
Michael Blencowe, Senior Learning and Engagement
Officer, Sussex Wildlife Trust
....97....
INSIDE LEFT: GOLDSTONE LANE, DECEMBER 1911
.......................................................................................
Until the late 1950s a full round of football
fixtures was played on Christmas Day, and in this
photo, taken by Thomas Wiles, we can see the
crowds flooding down Goldstone Lane after the
match between Brighton and Hove Albion and
Northampton Town, at the Goldstone Ground in
Hove, on December 25th, 1911.
There is no record of how big the attendances
were in those days, but you can see from the
crowded nature of the street that there must have
been at least a few thousand. The Albion moved
to the Goldstone in 1902, and soon built a new
stand capable of seating 1,800 fans behind the
south goal, to complement the open-air wooden
seating opposite, and the ramshackle West Stand,
which remained in place till 1958. Most of the
spectators stood on mud banks on the east side
of the ground – the ‘chicken run’ - behind picket
fences. There was a pond behind the north goal,
into which all the rainwater from the Old Shoreham
Road used to drain.
It’s interesting to see the well-dressed nature of
the crowd, with a smattering of (middle-class)
bowler hats among the flat caps favoured by
working men. Then, as now, it’s mostly grown
men in attendance, though two women are prominent,
one of whom is leading two small children
by the hand. I wonder how many are going back
to a turkey supper.
In those days Brighton were playing in the Southern
League First Division, in effect the third tier
of the footballing pyramid. They were enjoying a
good season, and eventually finished a creditable
fifth out of 20. The crowd will be happy, because
the Albion, according to the Dec 29th, 1911
edition of the Sussex Express, ‘won by two goals
to one, Goodwin and Smith scoring, the latter
from a penalty’. It was customary to play the same
opposition on Boxing Day, and the Albion players
had to travel all the way up to Northampton on
the 26th, where they suffered a 1-0 defeat.
The Albion played their football at the Goldstone
Ground until 1997 when, shamefully, it was sold
off by majority shareholder, Bill Archer. It was
demolished and an ugly retail park was built in
its place. It wasn’t until 2011/12 that the club
regained a permanent home at the splendid Amex
Stadium in Falmer. Alex Leith
With thanks to Regency Society for letting us use
this image from the James Gray Collection.
....98....
Brighton and Hove Calendar 2020 - The Final Edition.
New images plus a selection from the first 19 calendars - as chosen by the public.
Loved by locals, sent to friends around the world.
£8.99 or 2 for £15
Local Event Dates.
Six pages of
historic shots added.
16 photographers.
67 Photos.
Seasonal Sales Home
Outside Waikikamookau
11 Kensington Gardens
North Laine
BN1 4AL
Brighton Photography Gallery
West of the i360
52-53 Kings Roads Arches
BN1 2LN
Please note: we do NOT
have a stall in
Churchill Square this year.
www.brightoncalendar.com
City Books
23 Western Road
Hove
BN3 1AF
alistairflemingdesign.co.uk
01273 471269