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Issue 2 - Anika Nilles - December 2017

Featuring the time-bending phenomenon, Anika Nilles. All the way from making Quintuplets seem like a breeze to posting amazing self-produced music on her YouTube channel, Anika is the complete package when it comes to being a drummer and a musician. “Social Media is an awesome and highly important tool to promote and present you as a complete artist.” – Anika Nilles We have a versatile array of sessions drummers for you in this one, some of them having played for iconic artists such as Johnny Clegg: • Anika Nilles • Barry van Zyl • Jason Moser • Andy Maritz • Luca De Bellis • Alex Shumaker We feature one of our first artists, voted into the magazine as a new up and coming drummer by our readers. We have a look at some articles about seeing yourself as a business and we give you some reviews on the Promark FireGrain stick and an amazing local brand of snare drums. check out Issue 2 of SA Drummer Magazine now. – SA Drummer Team.

Featuring the time-bending phenomenon, Anika Nilles. All the way from making Quintuplets seem like a breeze to posting amazing self-produced music on her YouTube channel, Anika is the complete package when it comes to being a drummer and a musician.

“Social Media is an awesome and highly important tool to promote and present you as a complete artist.”
– Anika Nilles

We have a versatile array of sessions drummers for you in this one, some of them having played for iconic artists such as Johnny Clegg:
• Anika Nilles
• Barry van Zyl
• Jason Moser
• Andy Maritz
• Luca De Bellis
• Alex Shumaker

We feature one of our first artists, voted into the magazine as a new up and coming drummer by our readers.

We have a look at some articles about seeing yourself as a business and we give you some reviews on the Promark FireGrain stick and an amazing local brand of snare drums.

check out Issue 2 of SA Drummer Magazine now.
– SA Drummer Team.

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IMPISNAREDRUMS<br />

UPAND COMING DRUMMER WINNER -LUCA DEBELLIS<br />

<strong>Anika</strong><br />

Niles<br />

“Beingyourselfis<br />

themostimportantadjustment”<br />

InterviewsPromark’snew<br />

FireGrain<br />

Sticks<br />

JASON MOSER<br />

BARRY VAN ZYL<br />

ANDY MARITZ<br />

ALEX SHUMAKER


WHATSINSIDE?<br />

Features Interviews<br />

Features Interviews<br />

<strong>Anika</strong>Niles<br />

JasonMoser<br />

AndyMaritz<br />

LucadeBelis<br />

AlexShumaker<br />

folowus<br />

www.facebook.com/sadrummermagazine<br />

www.instagram.com/sadrummermagazine<br />

www.youtube.com/sadrummermagazine<br />

rememberto:<br />

#sadrummer<br />

WarenvanWyk-Youareabusines<br />

Promark-FireGrain Review<br />

ImpiSnareDrums-byMylesRyan<br />

Wewouldlovetohearfromyou!<br />

Letusknowwhoyouwouldliketoseeinfutureisuesand<br />

whatyoufeelwecouldimproveon!<br />

info@sadrummer.co.za


YOU area<br />

BUSINESS<br />

Startseeingandpresentingyourselfthatway.<br />

WhenIthoughtofabusinessitwasabigbuilding,lotsof<br />

stafthatturnedoverbilions.Iwouldimmediatelythinkof<br />

runningmyselflikeabusiness.Itthenmadesensethatthe<br />

samewayanormalbusinessrunsitself,Icouldrunmyself<br />

andmynametheexactsameway.Istartedputingmoney<br />

intomarketing,gotveryactiveonsocialmediaandstarted<br />

treatingmynameasabigbusiness.Abusinessisnotjust<br />

possible.OnceIgotholdofthis,itrealymadeevery<br />

aspectofmycareerbeter.Ihavealwaysbeenextremely<br />

Thisissomethingthatnotmanymusiciansgrasp.Iwas<br />

realyyoungandjustgotgoinginmycareerwhena<br />

verygoodfriendofminewhoownsoneofthebiggest<br />

musicretailersfirstsaidthistome."Youareabusiness.WarenvanWykisabusiness."Thisdidn'tmake<br />

sensetomebutsoundedpretycoolnonetheless.<br />

somethinglikeCocaCola.Beingveryyoungandinexperienced,Irealyhadtowrapmyheadaroundthisthingof<br />

runonstafandanicebuilding.It'sprofessionalism,atitude,presentingyourselfwelandoferingthebestservice<br />

"OCD"aboutbeingpunctual,professional,prepared,keepingagoodatitude,etc.IfIwasn't,itwouldefectmeand<br />

theoutlookonmybrand.Ifocusedonbeingoverprepared


<strong>Anika</strong><br />

Niles<br />

MarioSchmit<br />

TAKING THEDRUM WORLD BY STORM<br />

Waren:How didyourdrumming<br />

journeybegin?<br />

<strong>Anika</strong>:Igrew upinadrummer’s<br />

family.Therearetwouncles,one<br />

cousinandmydadwhoplayed<br />

thedrums.Wehadadrum setand<br />

arehearsalstudioinourbasement<br />

wheremydadrehearsedwithhis<br />

bandthattime.Isatdownand<br />

watchedthem play.MyDadtaught<br />

methefirstgroovesasherealised<br />

Iwasinterestedindrumming.So<br />

thejourneybegan.<br />

Waren:Wasitalwaysyourplan<br />

topursuedrumsasafultime<br />

career?<br />

<strong>Anika</strong>:Itwasalwaysinmymind<br />

butmyparentswantedmetobein<br />

a“real”jobfirst.Thisiswhatparentsdosometimes:D.<br />

Waren:Whowereyourmaininfluencesandwhoareyourcurent<br />

influences?<br />

<strong>Anika</strong>:Mymusicalinfluencesare<br />

thoselikeToto,theearlyMichael<br />

Jacksonstuf,JossStone,John


PetraFeldmann<br />

edtoworkonmycareer.<br />

“Iwasn’tpreparedforwhat<br />

happenedafter<br />

thevideorelease”<br />

veryimportant.Ifeltwarmlywelcomedineach<br />

country.Itwasahugeexperienceforme.<br />

Waren:Yourealycameoutofnowhereand<br />

tookeveryonebystorm withyouramazing<br />

drummingwhenyoureleasedyourfirst<br />

trackcaled“WildBoy”onYouTube.How<br />

wasyourapproachtomakinganamefor<br />

yourselfinthedrum scene?<br />

<strong>Anika</strong>:Iwasn’tpreparedforwhathappened<br />

afterthevideorelease.Ittookmemorethana<br />

yeartorealizethatthisisaseriouschanceand<br />

optiontopromotemymusicandmyplayingin<br />

Scofield,DaveMathewsBand,FooFighters,<br />

Prince,JoeSatriani,SherylCrow andmany<br />

moreasdrummerslikeJefPorcaro,JRRobinson,CarterBeauford,StantonMoore,Jojo<br />

MayerandBennyGreb.Mycurentinfluences<br />

areJohnMayer,TigranHamasayan,Kneebody,SnarkyPuppy,TheAristocrats,BonIver,<br />

JustinTimberlake,MisterBarington,AndersonPaakanddrummerslikeSteveJordan,<br />

NateSmith,NateWoodandofcourse,Chris<br />

Coleman!<br />

Waren:In2015youhadtheamazingopportunitytotourthrough,Europe,USAand<br />

China.How didthisboostyourcareerand<br />

how didthesecountriesreceiveyou?<br />

<strong>Anika</strong>:2015wasacrazybusyyear.Therewas<br />

alotoftouringthroughdiferentcountries.I<br />

wouldn’tsayitboostedmycareer,itmoresolidifiedit.WhatIdidonsocialmediabecame<br />

realforaltheguyswhodroppedbyandfor<br />

myselftoo.BeingavailableontheInternetis<br />

onething,performingandhavingconversationsinreallifeissomethingdiferentand<br />

aninternationalframe.Justayearlater,Istart-<br />

Waren:Whatwereyourintentionswhen<br />

youstartedfilmingyourfirstvideos?Wasit<br />

purelyformarketingorwasityourplanfor<br />

them toblow upasbigastheydid?<br />

<strong>Anika</strong>:AfriendofmineaskedmeifIwouldbe<br />

opentoletinghim film adrum videoofmine


tocheckouthisnew video<br />

equipment.Iwas,inanyway,<br />

preparingformyfinalgraduationexam<br />

withsomeoriginal<br />

tracks.So,IaskedtheproducerofastudioI’veworkedata<br />

coupleoftimesifhewouldlike<br />

torecordit.ItwastheguyI’m<br />

stilworkingwith,Joachim<br />

Schneiss.Thiswasthebeginning.Ithoughtitwouldbecool<br />

tohaveapromotionalvideofor<br />

getingsomejobsaroundmy<br />

areaorwithinGermany.Ididn’t<br />

spendanythoughtsona<br />

careerlikethis.Afterthis<br />

video,Irealized,ok,people<br />

likedit.Ihadtheseothertwo<br />

tracksandwejustfilmedthem<br />

too.Whynot.<br />

Waren:How diditfeeltogo<br />

from anunknowndrummer<br />

toaninternationalhitalmost<br />

overnight?I’m sureitwasa<br />

hugechange.How wasthe<br />

adjustmentforyou?<br />

<strong>Anika</strong>:<br />

<strong>Anika</strong>:Honestly,Ihaddiferent<br />

feelingsthattime.Andluckily<br />

goodmentorswhosupported<br />

meandgavesomegood<br />

advice.Ofcourse,itwasoverwhelmingandunrealforalong<br />

timebutIalsowasn’tprepared<br />

foritandsoIfeltabitscared<br />

abouteverythingatthesame<br />

abouteverythingatthesame<br />

time.NorbertSeamannfrom<br />

MeinlCymbalstookalotof<br />

timetoguidemethroughthe<br />

business.Thatwasveryhelpful.Itriedtoletitalgrow<br />

naturalandmadedecisionscarefuly.That’ssomethingI’m<br />

stil<br />

doinganditturnsoutgood.<br />

Beingyourselfisthemostim<br />

portantadjustment,atleastfor<br />

me.<br />

“Iwasabsolutely<br />

suprised.Icouldn’t<br />

understandalthe<br />

atention”<br />

Waren:Didyouexpectforit<br />

tohappensofastordidit<br />

takeyoubycompletesurprise?<br />

<strong>Anika</strong>:Iwasabsolutelysurprised.Icouldn’tunderstand<br />

altheatention.LikeIsaid,it<br />

tookmemorethanayearto<br />

realizewhathappened.<br />

Waren:Didyouhavetotake<br />

anyrisksormakeanysacrificestopursueyourcareerin<br />

drumming?<br />

<strong>Anika</strong>:Ithinkeveryonewho<br />

worksharddoesn’tmaterif<br />

it'sinsport,musicoranything<br />

elsemakesanysacrificesover<br />

theyears.Inmycase,Iworked<br />

hard,justslept4hoursaday<br />

foracoupleofyearstoputas<br />

muchasIcouldwithinone<br />

muchasIcouldwithinone<br />

day.Thisisnotagoodhealth<br />

careandsoIhadsomeissues.<br />

Havinglesstimeforfriends<br />

andfamilyisanotherthingbut<br />

nothingthatcanchangethat.<br />

JohannesFeederle<br />

MariusMischke


SvenPeks<br />

“Beingyourself<br />

isthemost<br />

important<br />

adjustment”<br />

Waren:How diditfeeltowin#1upand<br />

comingartistintheModernDrummer<br />

Readerpolsandthe#1risingstarin<br />

<strong>Anika</strong>:Itwasahugepleasuretojustbeinthe<br />

votingatal.NeverthoughtI’lbeon#1.SoI<br />

wasoverwhelmedandhappywhenIheard<br />

thenews.BeingfeaturedbyDRUM!Magazine<br />

Waren:Youhavebecomeahugehitinthe<br />

drum worldandhavereceivedmilionsof<br />

hitsonYouTubealoneandhavehundreds<br />

ofthousandsoffolowersaloverthe<br />

world.Whatdoyoufeelhasseparatedyou<br />

andmadeyouuniquetootherdrummers<br />

DRUM!Magazine?How didthishelpelevateyourcareer?<br />

orespecialybyModernDrummerisaprivilege.<br />

outtheretryingtomakeanameforthem-<br />

selves?<br />

<strong>Anika</strong>:That’saquestionthatisalwayshard<br />

toanswer.It’seasiertotelyouthisonother<br />

drummersbecauseyouhavetheoutsiders<br />

view.Mh,probablyIwouldsayithastodo<br />

withthecontextureofmytracksandthe<br />

drumming.Auniquestyletoothersandcharacterinmyplaying.Beingafemaleprobably<br />

wasalsoathingforsomepeoplebutinthis<br />

case,Ifeelthatisnotthemainthingformany.<br />

Ineverworkedsomethingspecialout.Being<br />

Waren:How diditfeeltoperform atsuch<br />

massiveeventslike,PASICandtheLondon<br />

Drum Show andwhatisyourapproachto<br />

showslikethese?Isitverydiferentfor<br />

youthanplayingwithyourband?<br />

yourselfisthemostimportantadjustment,remember?<br />

<strong>Anika</strong>:PlayingeventslikePASICorLDSistotalydiferenttoplayingwiththeband.It’sal<br />

aboutdrummingandalabout“your”performance.Youswitchfrom<br />

asidemantothe<br />

frontman.It’smorethanjustplayinglikeit’s<br />

morethanjustsingingwhenyouwatchBruno<br />

Marsright?PASICandLDSarehugeshows,<br />

lotsofatendees,bigstages,etc.It’san<br />

honortobeapartofthelineuponthese<br />

stages.Therearenotmanydrummerswho<br />

areinthepositiontodothis.Itmeansalotto<br />

metohavetheprivledgeofplayngthere.


Waren:Whatdoyouprefer?Drum clinicsorplaying<br />

withyourband?<br />

MariusMischke<br />

<strong>Anika</strong>:Hardchoice.BotharesodiferentandIlove<br />

doingdiferentthingsasamusician.Iloveboth.<br />

Waren:Notonlyareyouanincredibledrummerbut<br />

asongwriteraswel.Canyoutelusmoreabout<br />

yoursongwritingandyourapproachtocomposing<br />

yoursongs?<br />

<strong>Anika</strong>:IstartedcomposingbymyselfwhenIwas<br />

around19yearsold.Simplywithaguitar.Acoupleof<br />

yearsagoIgotdeeperintoproducingandcomposing<br />

onanotherlevel.Whenitcomestocomposing,Iloveto<br />

getinspiredbypeople,landscapes,cultures,music,<br />

musiciansandsoundsources.SometimesIstartonthe<br />

drums,sometimeswithharmoniesorsynthsounds.<br />

From there,Iletitgrow.<br />

Waren:Canyoutelusabitmoreaboutyourdebut<br />

album caled,‘Pikalar”?Whowerethemusicians<br />

andproducersthatcolaboratedwithyouonthis<br />

album?<br />

<strong>Anika</strong>:Pikalarismyfirstfulalbum,including10Tracks<br />

oforiginalMusicinthestyleofPop,Fusion,andinstrumentalJazzRock.Itwasmyaltimedream<br />

toreleasea<br />

recordlikethisoneday.Iwassoexcitedasthiscame<br />

true!<br />

ForPikalar,IworkedtogetherwithmylongtimeProducerJoachim<br />

Schneiss.Hisstudiowasmylivingroom for<br />

quitealongtime.Weknew eachotherrealyweland<br />

hadakindofroutineinourworkingprocess.Joachim<br />

alsodidalguitarpartsontherecord.Forthebass,I<br />

hadFrankIt,whowasalsoinvolvedinaltracksforthe<br />

videorecordings.ImetFrankattheUniversitythattime<br />

andwasrealyhappytohavehim onboard.Forthe<br />

keys,thereweretwoguys.MazeLeber,akeyboard<br />

playerIknew from theUniversityaswelasStefanGunnarsonfrom<br />

Sweden.StefanandImetonceinSweden<br />

whereweplayedaconcerttogether.AlotofthekeyboardsIdidbymyselftoo.<br />

Forthepercussions,therewasMaxGroesswangfrom<br />

Austria,agreatguywhenitcomestooddmeterstuf<br />

andMartinVerdonkfrom theNetherlandsforalthetraditionalpercussions.<br />

Also,therewasabrasssectionfrom theUS.RyanLinvil<br />

andJoshuaShpakwhodidanamazingjob.<br />

IputsomuchlifebloodandpassionintoitsoIdecided<br />

“Itwasmy<br />

altime<br />

dream to<br />

releasea<br />

recordlike<br />

thisone<br />

day.Iwas<br />

soexcited<br />

asthis<br />

cametrue!”


todothecoverartdesignbymyselftoo.Drawingand<br />

artdesignareoneofmyinterestsinmyfreetimesoI<br />

startedtodraw althepaginationgraphicsontheback<br />

coverbyhandandspentalotoftimeondetails.<br />

Waren:YouhaveyourownbandcaledNEVELL.<br />

Canyoutelusmoreabouttheband?<br />

<strong>Anika</strong>:NevelisalsoathingIspendpassionon.Nevel<br />

isalsothenextstep,thenextleveltobringmytracks<br />

intoreallife.Afteryearsofplayingthesongsfrom a<br />

laptopwithoutanyconversationsonstagewithother<br />

musicians,Ithoughtitwouldbetimetoplayeverything<br />

inatotalliveseting.WithNevel,itbecamereal.This<br />

yearwestartedtoplayourfirsttryoutshows.Aftera<br />

while,wealrealizedthatalotofstufworksoutvery<br />

welbutsomenot,sotherewasachangeinthelineup<br />

afterwards.It’sstilJoachim onguitarbutwithPatrick,<br />

Therearealreadysomebookedshowsandsomeplans<br />

fortouringthroughdiferentcountries.<br />

Waren:Doyoumainlywritealthesongsforyour<br />

band?<br />

MariusMischke<br />

<strong>Anika</strong>:Ialwayscomeupwiththe<br />

guidelineforthetrackswiththe<br />

rhythm partsandtheharmonies.I<br />

communicatemyideasandleave<br />

lotsofspaceforalmusiciansto<br />

bringintheirownflavor,butthis<br />

justworkswiththerightmusicians<br />

whounderstandyourideasandare<br />

abletosupportthosewiththeir<br />

owncraftandplayingstyle.That<br />

worksoutverywelwithNevel.<br />

Waren:How importantdoyou<br />

withoutoverplayingandtaking<br />

awayfrom themusic?Thisisa<br />

skilthateveryonecanagreeyou<br />

have.<br />

<strong>Anika</strong>:Ohinmycase,Ihavethe<br />

privilegetodecidewhatexactlyI<br />

wanttoplayineachsecondofthe<br />

songbecauseit'smymusicsoI<br />

workitoutformyselfanddecide<br />

how muchIwanttogoawayfrom<br />

themusicorsupportthemusic<br />

only,withoutexpressingmyself.<br />

That’snottheprivilegeforevery<br />

drummer.Oftenthereareothers<br />

whodefinewhatistoomuchortoo<br />

expressingabitandsupportingthe<br />

music,alsowhenthetracksare<br />

mostlydedicatedtothedrums.I<br />

aguyfrom theNetherlandsonkeysandJonathanCuniadoonbass.We’reworkingonsomenew<br />

liveversionsofthetracksandwilgetbacktostagein2018.<br />

feelitisforadrummertoexpressthemselvesandtheirability<br />

less.Formepersonaly,it’simportanttofindagoodbalancebetween<br />

findmyselfinlivesituations,especialywithNevel,whereIleave<br />

morespacefortheotherinstrumentstoexpressthemselves.I<br />

thinknaturaly,I’m morededicated<br />

tosupportingthemusicandnot<br />

soloingalthetimewhilethemusic<br />

isrunning.Butforsure,thereis<br />

musicouttherewheredrummers<br />

canexpressthemselvesineach<br />

second.Ithinkitdependsonthe<br />

musicstyleandcompositionsthat<br />

definestheframeworkonwhat<br />

shouldhappenonthedrums.


Waren:Youhaveanextremelysmoothplaying<br />

styleandplaysomeverycomplexpartswhile<br />

makingitlookextremelyeasy.Whenyousit<br />

downtopractice,whatexercisesandtechniques<br />

doyoufocuson?<br />

MariusMischke<br />

<strong>Anika</strong>:Haha,yessometimeswhenIseemyselfin<br />

thevideosIthink,wow.thatlookssmooth.Butthe<br />

pointisitfeelsdiferentsometimestohow itlooks.<br />

I’m alwaysextremelyfocusedwhenIplaybutsurely<br />

I’veputinalotofpracticeontechniques.Whatmale<br />

drummerscanhandlewithmusclepower,Ihaveto<br />

handleitwithtechniquebecauseofthephysicaldi-<br />

versities.Inthestudio,Istudymybodymovements<br />

alotandtrytofiguringoutmyweakspotsandthen<br />

workonthem.<br />

Waren:WiththeInternetbeingsuchapowerful<br />

tool,canyougiveusafew tipsonhow tomarket<br />

yourselfandhow toapproachgetingyourname<br />

outthereonsocialmedia?<br />

<strong>Anika</strong>:Mh,alIcansayisthatit’sgetingharder<br />

nowadayswhenyou’dliketomarketyourselfand<br />

buildyourownbusinessbasedontheinternet.It<br />

probablysoundsweirdbecauseit’ssoeasytoreach<br />

outthroughalchannelsbuttherearetonsof<br />

high-qualityvideosoutthere,lot’sofbriliantyoung<br />

drummers.Istartedatatimewherethiswasnew.I<br />

tookthechanceandbuiltabusinessonit.Idon’t<br />

havespecialtipsexceptbeingyourselfisthemost<br />

importantadjustment!<br />

socialmediatogettheirnameoutthere?<br />

Waren:How importantdoyoufeelitisfordrummersandmusicianstogaintheskilofusing<br />

<strong>Anika</strong>:SocialMediaisanawesomeandhighlyim-<br />

portanttooltopromoteandpresentyouasacom-<br />

pleteartist.Bigandveryfamousartistsareusing<br />

twiter,youtube,facebookandalofthattocommu-<br />

nicateandpresentthemselves.Itoferssomanyop-<br />

promotethemusicitself.Peoplecanbuyyourtracks<br />

inasecond.Whenyouhavesomeskilsandaplan,<br />

socialmediacanbeahugeandnecessarytool.<br />

tionstofindtherightspotstoplaylive,togetcon-<br />

nectedwithothermusicians,colaborationsandalso<br />

“Social<br />

Mediais<br />

anawesomeand<br />

highlyimportant<br />

toolto<br />

promote<br />

andpresentyou<br />

asa<br />

complete<br />

artist”


“Beingyouself<br />

isthemost<br />

important<br />

adjustment”<br />

Waren:Whatisinthepipelineforyou?<br />

Wheredoyouseeyourselfinthenext5<br />

years?<br />

<strong>Anika</strong>:Firstofalhopefulyingoodhealth!<br />

Drummingwise,Ihavesomanyideasand<br />

goalsthatItookyearstorealizesomeof<br />

them.Butforsure,itwouldbeawesome<br />

tohavemorefulrecordsout,tourwith<br />

www.anikaniles.com<br />

Facebook:@<strong>Anika</strong>Niles<br />

Instagram:anika.niles<br />

Nevelonastablebasisandreleaseatleasedoneeducationalbook.<br />

Waren:Whatwouldbethemostimportantpieceadvicethatyouwould<br />

givetoadrummerthatwouldliketo<br />

pursueacareerindrummingand<br />

music?<br />

<strong>Anika</strong>:Beingyourselfisthemostimportantadjustment!<br />

SvenPeks


www.akg.com


y Zan Kriegler<br />

Garet<br />

Goodwin<br />

Zan:HeyAndy!Thanksso<br />

muchfortakingthetimeto<br />

chatwithus.How’slife?<br />

Andy:Life’sgoodman,can’t<br />

The force behind<br />

Francois van Coke<br />

Zan:Howlonghaveyou<br />

and Die Heuwels<br />

Fantasties<br />

HeyGaret.Howare<br />

beenplayingdrums?<br />

thingsgoing?Areyou<br />

complain.Thankyouforthisopportunity.<br />

curentlyontour?What<br />

Andy:Istartedplayingatthe<br />

gotyouintoplayingthe<br />

ageof6andneverlookedback.<br />

drums?<br />

Zan:Mostdrummersgetinspiredtostartplayingby<br />

Thingsaregreat!Iamnot<br />

curentlyontour.Itismore<br />

watchingsomeoneelseplay.<br />

ofaofyearwithjustsome<br />

Canyourememberwhogot<br />

spotdates,festivals,private<br />

youinterestedindrums?<br />

events,awardshowsetc.Its<br />

greatthoughbecauseit<br />

Andy:Therehasalwaysbeen<br />

alowsmetoplaywithsome<br />

somethingaboutdrumsand<br />

otherartist,anddoalot<br />

percussiveinstrumentsthatintriguedme.Mydadalwaysused<br />

moresessions,lessons,and<br />

clinics.<br />

ANDY<br />

MARITZ<br />

THE GROOVE BEHIND DAN PATLANSKY<br />

toplaytheRonKenoly“LiftHim<br />

Up”videotapeatourhouseand<br />

atthatstageIthinkIjustturned<br />

7andIsawChesterThompson<br />

andAlexAcunaperformingand<br />

itjustignitedsomethinginme.<br />

AfewyearslatermyDadgotme<br />

mysecondkitanditcamewitha<br />

HowisCarietowork<br />

tutorialvideothatfeaturedMike<br />

with?<br />

PortnoyandKennyAronofand<br />

thatjusttookmeovertheedge,<br />

SheisAbsolutelygreat.Iam<br />

Iwasobsessed.<br />

Mick Creative


Afterthat,Igotintroduced<br />

tothemusiciansthatIwould<br />

sayinfluencedmethemost<br />

today.GuyslikeVinnieColaiuta,JohnBonham,Dave<br />

Weckl,SteveGaddandJojo<br />

Mayer.<br />

Zan:Telusabitabout<br />

yourjourney?Howdid<br />

youendupinthesessionscene?<br />

Andy:Itjusthappenedby<br />

default.Iplayedinabandin<br />

myearlytwentiesandit<br />

didn’tworkoutbecauseof<br />

somediferencesbutIstartedbuildingarelationship<br />

withtheproducerthatrecordedourdebutalbum.He<br />

startedbookingmefor<br />

showsandsessionsand<br />

beforeIknewit,Iwasworkingwithvariousartists.I<br />

builtmoreworkingrelationshipsthroughouttheyears<br />

ofperformingandIcan<br />

gladlysaythatlookingback<br />

now,itwasalworththe<br />

hustleandhardwork.<br />

Zan:Whenitcomesto<br />

performinglive,isit<br />

moreimportantforyou<br />

tocreateavibeonstage<br />

ortojustsitinthat<br />

pocketaswelasyou<br />

can?<br />

An<br />

Andy:Isupposeforme,it’s<br />

acombinationofthetwo.<br />

Pocketplayingisfundamentalbutnoonelikestolook<br />

atdulperformancesowhereverorwheneveryouplay,<br />

vibeisascrucial.Ithinkthat<br />

ifyoucanmarythetwoit<br />

becomesanessentialcombi<br />

nation.<br />

Zan:Whatisyourfavoritegenretoplay?<br />

Andy:PopandRock<br />

Zan:Howmuchdoyou<br />

stilspendonpracticing<br />

andwhatdoyouwork<br />

on?<br />

Andy:Itryandpractice<br />

everydayandcurentlyIam


touringin2015andit’s<br />

beenawildridesincethen.<br />

Ilovealtheguysinboth<br />

bandsandit’salwaysa<br />

greattimetravelingand<br />

playingwiththem.<br />

“Rudimental<br />

studiesis<br />

aneveryday<br />

thingforme”<br />

spendingalotoftimeon<br />

developingtimeandLinear<br />

timeplaying.Also,rudimentalstudiesisaneveryday<br />

thingforme.<br />

Zan:Ifyoucouldbein<br />

anyotherdrummer’s<br />

shoes,whosewouldit<br />

be?<br />

Andy:VinnieColaiuta<br />

Zan:I<br />

Zan:Ifthisdrumlife<br />

didn’tworkoutforyou,<br />

whatdoyouthinkyou<br />

wouldbedoingright<br />

now?<br />

Andy:IwouldbeaprofessionalCricketplayer.<br />

Zan:Besidesdrumming,<br />

whatelsedoyoudo?<br />

Andy:I’minvolvedinteaching,productionandconsulting.<br />

Zan:Telusabitmore<br />

aboutDrumHeadz?<br />

An<br />

Andy:DrumHeadzismy<br />

drummingacademyand<br />

studio.Itisalearning<br />

centrewhereIseeand<br />

teachmystudentsranging<br />

fromtheagesof5to45<br />

(ful-timeandpart-time)and<br />

itisalsotheplace<br />

itisalsotheplacewhereI<br />

haverecentlystarteddoing<br />

mydrumsessionsfordiferentartistsandproducers.<br />

Basicaly,DrumHeadzismy<br />

playground,amassiveroom<br />

fulofdrumswhereIgetto<br />

spendmostofmydays.<br />

IrecentlystartedarudimentalgatheringonMonday<br />

morningsatDrumHeadz.So<br />

althedrummersoutthere<br />

aremorethanwelcometo<br />

comejoinusforamorning<br />

ofrudiments,networking<br />

andjusthavingfun!<br />

andjusthavingfun!<br />

Zan:Anyadvicethatyou<br />

wouldliketogivetoup<br />

andcomingdrummers?<br />

Andy:Alwaysworkhard,<br />

endureandkeepasound<br />

atitudetowardyourfelow


learnttojustfocusonone<br />

thingatatimethesedays.I<br />

tryandmaintainasmuch<br />

balanceasIcanwhenI’m<br />

hometostayontopof<br />

thingsbutthat’snotalways<br />

possible.Irealycan’tcom-<br />

plainthough,I’mdoingwhat<br />

IloveandI’msograteful<br />

forthat.<br />

musiciansandworkcoleagues.<br />

FOLLOWANDY:<br />

Instagram:@andymaritz<br />

@drumheads_sa<br />

Twiter:@andymaritz<br />

Zan:Andy,thankyousomuchfor<br />

Facebook:Andymaritz<br />

Drumheadz<br />

Zan:Whoareyoucurentlyendorsedwith?<br />

Andy:IamcurentlyendorsedbyZildjianandBeetrootcustomdrumCo.<br />

yourtime!Onelastquestion…BackstreetboysorWestlife?<br />

Website:www.drumheadz.co.za<br />

Andy:Hahahaha…OneDirection;)


Learnfromaprofessionaldrummerwithyearsof<br />

teachingandplayingexperience,whohasworked<br />

withPlatinumandMulti-Platinumselingartists!<br />

alages beginnertoadvanced<br />

waren@warensdrumlessons.com<br />

www.warensdrumlessons.com


Zan:Whowereyourinfluencesbackthenand<br />

whodoyoulookupto<br />

now?<br />

Jason:WhenIstarted<br />

takingdrumlessonswith<br />

Bruce,heautomaticaly<br />

becameoneofmybiggest<br />

influences.IsuspectBruce<br />

wasabigDaveWecklfanat<br />

thatstage,sothisalso<br />

rurubbedofonme,andI've<br />

neverstoppedbeingabig<br />

fanofWeckl'sdrumming.<br />

Backthen,theinternet<br />

wasn'tasaccessibletome<br />

asitistoday,soIguess<br />

manyofmyinfluencescame<br />

mainlyfrombandsthatIlistenedto,likeDCTalk,Blindside,Creed,Salvador,John<br />

Mayer(particularlythe<br />

‘RoomforSquares'album),<br />

IsraelHoughton&theNew<br />

Breed,DemonHunter,<br />

Coldplay,Evanescence,<br />

Pilar,etc.Ineverrealyput<br />

actualnamestothedrummers,butIenjoyedtheway<br />

theymadethemusichappen<br />

withtheirplayingstyle.It<br />

wasonlylateronthatI<br />

startedlookingupdrummerslikeVinnieColaiuta,<br />

SteveGadd,BuddyRich,<br />

DennisChambers,John<br />

Bonham,JojoMayer,and<br />

thenmy"youngergeneration"iconslikeBennyGreb,<br />

<strong>Anika</strong>Niles,TonyRoysterjr<br />

andmorerecentlyguyslike<br />

PaulMayburyandChris<br />

"Daddy"Dave.andthelist<br />

keepsgrowing!<br />

“Backthen,<br />

theinternet<br />

wasn'tas<br />

accessibleto<br />

measitis<br />

today”


Zan:Youareoneofthe<br />

busiestworkingdrummersinthesession<br />

scene.Whatadvice<br />

wouldyougiveupcoming<br />

sessiondrummers?<br />

Jason:Inmymind,there<br />

aretwodangersthatany<br />

sessionplayerneedstobe<br />

awareof:Firstly,thedanger<br />

oflosingyourpassionfor<br />

music,andsecondlythe<br />

dangerofnotbuildingupa<br />

good<br />

goodreputation.<br />

Istatetheseconddangerin<br />

thiswayspecificalybecause<br />

thefactthatyoudon’tgeta<br />

badreputationinthemarketplacedoesn’tmeanthat<br />

youwilautomaticalygeta<br />

goodreputationeither.So,<br />

tobuildagoodreputation<br />

foryourself,Iwouldrecommendthatyoutryand<br />

exceedtheexpectationsof<br />

theguysthatyouareworkingwith.Thisobviouslyimpliesthatyoushouldknow<br />

whatitisthattheartist/bandareexpectingfrom<br />

you(sodon’tgivethem<br />

abunchofHipHopchops<br />

whentheyactualyexpecta<br />

groovy‘Country/Rock’vibe<br />

fromyou!).Tryandthink<br />

aheadandanticipatethe<br />

“Iwouldrecommendthatyoutry<br />

andexceedtheexpectationsofthe<br />

guysthatyouare<br />

workingwith”<br />

kindofthingsyoumight<br />

havetodealwithinorderto<br />

makethegigorthesession<br />

gowel.Ifyou’rerunning<br />

thetracks,makesurebefore-handthatalyourtechnologyisinorder.Ifyou’re<br />

doingabigshowwhere<br />

you’reworkingwithvarious<br />

artistsandtransitions,make<br />

sureyouknowwhenand<br />

howtocuewhichartistor<br />

whichbandmember.If<br />

you’redoingarecording<br />

session,makesu<br />

session,makesureyouhave<br />

altheright‘soundoptions’<br />

availableforthesession.<br />

Thesearealscenarios<br />

whereyouneedtotake<br />

sometimebeforethegig<br />

andmakesureyouarementalypreparedforalthe


“non-drumming”aspects<br />

thatyouwilberesponsible<br />

for.Anditgoeswithout<br />

saying,ofcourse,thatyou<br />

needtobeabletoexecute<br />

theexpecteddrumming<br />

partsforanyofthese<br />

eventsas<br />

eventsasgoodandprofessionalaspossible.<br />

Then,regardingthefirst<br />

dangerthatImentioned,<br />

makesurethatyouretain<br />

yourpassionformusic!Ina<br />

perfectworld,weassession<br />

musicianswouldplayexcitingandchalengingmusic<br />

usingamazingequipment<br />

usingamazingequipment<br />

whilejammingwithalofour<br />

bestfriendsonstage,be<br />

appreciatedandtreatedlike<br />

royaltyon-andofstage,<br />

andwalkawaywithanamazinggigfeeafterwards<br />

Unfortunately,thesethings<br />

almostnevercometogether<br />

atthesametime,soinstead<br />

ofwaitingformorefavourablecircumstances,Ihave<br />

realisedthatmyenjoyment<br />

ofwhatIdoisdependenton<br />

mychoicetofindsomething<br />

inthemusicoronthegig<br />

thatIenjoyandtolatch<br />

ontothat.Thisisobviously<br />

necessaryforyourown<br />

sanity,butmoreimportantly,<br />

whenyouenjoywhatyou're<br />

plplayingittranslatesinto<br />

yourperformance,which<br />

makesthegigsomuchmore<br />

enjoyableforalofyour<br />

felowmusiciansaswel.<br />

Zan:Youstartedplaying<br />

inchurchbandsfroman<br />

earlyagewherealotof<br />

guysstartedoutplaying<br />

drumsalso.Mostchurch<br />

bandshaveaveryfree<br />

and‘flowy’approachto<br />

musicanditcanbequite<br />

unpredictableandchallengingtoplaysometimes.Canyouseethe<br />

diferencebetweensomeonewhogrewupplaying<br />

inthatsetup?<br />

Jason:True,I'vehadtheopportunitytoplayinavast<br />

majorityofchurchband<br />

setups,andmanyofthemare<br />

notas‘flowy'aspeoplethink.<br />

Theshortanswertoyour<br />

questionis:Yes,Icandefinitelyseeadiferencebetweendrummerswhogrewup<br />

playinginchurch,anddrummerswholearnttoplay


mostlyinanacademicenvironment.Ithinkthereason<br />

forthisisprobablybecause<br />

‘academicoriented'drum<br />

developmentteachesyouto<br />

relyonthingslikecharts,<br />

notationandpredetermined<br />

ststructure.Ontheother<br />

hand,drumminginchurch<br />

veryoftenteachesyouto<br />

ratherbedependentoncues<br />

liketheleadvocal'sintensity,theworshipleader'sbody<br />

language,theatmosphereof<br />

themoment,etc.Sofor<br />

someonewhoisusedto<br />

workingwithmusicscores<br />

andnotatedstructurethe<br />

‘freeandimprovised'church<br />

bandenvironmentcanfeel<br />

quiteunpredictable,butif<br />

youlearntolookforthe<br />

rightcluesandcuesthena<br />

worshipsetinoneofthese<br />

churchescanbejustaspredictable;-)Bytheway,this<br />

contrastisnotjustlimitedto<br />

the‘churchversusenter<br />

tainment'environments,but<br />

alsoifyoucomparesomethinglikeaClassicalorchestrasetup(whichisverydependentonfolowingthe<br />

writenmusicscore)to<br />

somethinglikeaJazzor<br />

Bluesbandsetup(whichis<br />

verymuchfocusedonsolos<br />

andimprovisation).<br />

Zan:Beingaprofessionaldrummerforsolong,<br />

doyoustildealwitha<br />

lotofchalenges?<br />

Jason:Ido,mostdefinitely!<br />

However,mostofmychallengesaremorebusiness<br />

relatedthandrumrelated.I<br />

havetodealwiththingslike<br />

balancingfriendshipswith<br />

businessrelationsintheindustry,managingandmaintainingmypartnershipswith<br />

endorsementcompanies,establishingandimplementing<br />

amarketingstrategythat<br />

keepsmeinthefrontof<br />

people'smindswhenthey<br />

startlookingforasession<br />

drummer.Soyes,drummingisbyfartheeasiest<br />

partofwhatIdoinmy<br />

career;-)<br />

Zan:Haveyoualways<br />

wantedtobeaprofessionaldrummerordidit<br />

justhappenforyou?<br />

Jason:Tobehonest,I<br />

neverrealysatdownand<br />

decidedonedaythatIwant<br />

tobecomeaprofessional<br />

drummer.Lookingbackat<br />

howeverythingfelinto<br />

place,Ithinktherightdoors<br />

justopenedattherighttime<br />

justopenedattherighttime<br />

forme,andIsimplydecided<br />

tostepthroughthoseopen<br />

doors.Asmentionedearlier,I<br />

wasplayinginourchurch's<br />

bandfromaveryearlyage,<br />

whichgavemesome"field<br />

experience",andafterschool<br />

Igotrecruitedintoatouring<br />

artscompanycaled‘C-Kruis'<br />

(laterknownas‘13thFloor')<br />

whereIactualyconnected<br />

withalotofpeoplethatIstil<br />

doworkforintheindustry<br />

today,soIwouldsaythat<br />

thosetwo<br />

thosetwoyearsin‘C-Kruis'<br />

probablysetmeuptostarta<br />

careerinmusic.Ijustkindof<br />

"wentwithit":-)<br />

Zan:Doyoustilpractice<br />

alot?Ifso,whatdoyou<br />

workon?<br />

Jason:Lately,Ihavebeena<br />

bitmoreintentionalwithmy<br />

practicetimeandwithdevelopingmycraft.Alotofmy<br />

practicetimeactualygoes<br />

towardlearningnewmaterialsforanewartistthat<br />

wantstobookme,orperhaps<br />

revisitingafewoldertunes<br />

foragigthatIhaven'tplayed<br />

inalongtime.Then,every<br />

nowandthenIwouldsign<br />

myselfupforagigwithsome<br />

realyhecticmusic,which<br />

forcesmetopracticemore


thanusualtotryandnail<br />

thosesongsandgrooves<br />

thatstretchmyabilitiesasa<br />

drummertothelimit.<br />

TheotheraspectthatItryto<br />

revisitandmaintainregularly<br />

isthewayIsitwithametronome.IfindthatifIdon't<br />

practicethisregularly(just<br />

jammingwithaclickandfocusingonhitingthepocket<br />

consistently)thenIgettoa<br />

pointwheremygroovesand<br />

myfilsdon'tfeelsolidanymore.<br />

Andfinaly,Iamsteadily<br />

workingonputingtogethera<br />

sylabusthathopefulyhelps<br />

meexpandthewayIinterprettime,andhowIspace<br />

mynotesandstrokeswithin<br />

thetimeIamgiven.Inshort,<br />

Iwouldl<br />

Iwouldlovetogettothe<br />

pointwhereIamfreetostart<br />

playingaroundinsideoftime<br />

thewayIamhearingpeople<br />

likeVinnieColaiuta,<strong>Anika</strong><br />

Niles,ChrisColeman,and<br />

VirgilDonatido.I'mworking<br />

onfindingasolidmethodto<br />

onfindingasolidmethodto<br />

developthissoIcanshareit<br />

withthedrummingcommunity<br />

lateron.<br />

Zan:Mostdrummers<br />

focusontheintense<br />

partsofdrumming.The<br />

complicatedlicksand<br />

grooves.Whatdoyou<br />

thinkisthemostimportantthingalotofdrummersmiss?<br />

Jason:AsIwasmentioning<br />

alofmyinfluencesearlierI<br />

realisedthatIactualyhada<br />

tonofthemwithverydiferentanddiverse"vibes"<br />

throughoutmylife,butthe<br />

mostimportantthreadforme<br />

withea<br />

witheachoftheseinfluences<br />

ishowtheymakewhatever<br />

theyplayfeelrealygood.<br />

AndifIcangiveonepieceof<br />

advicetoalthedrummers<br />

outthereIwouldsay:listen<br />

toyourselfwhileplaying(or<br />

ona<br />

onarecordingafterwards)<br />

andaskyourself:"Doesmy<br />

playingfeelgoodwhenI<br />

listenobjectively?"Remember,yourbandmatesorthe<br />

artistsyouplayfordon't<br />

realycarehowdificultthe<br />

stufisthatyouarebusy<br />

playing.Theyjustwantitto<br />

feelgood!So,ifwhatyoudo<br />

behindthedrumsetfeels<br />

goodthenpeoplewilenjoy<br />

makingmusicwithyou,and<br />

hopefulybookyouagain.If<br />

itdoesn'tfeel<br />

itdoesn'tfeelgoodwhenyou<br />

listentoyourownplaying,try<br />

tofigureoutwhyandthen<br />

ratherfocusonfixingthat!


Zan:Drumtuningcanbe<br />

verycomplicatedtoalot<br />

ofdrummers.Doyou<br />

haveanytuningtipsfor<br />

drummerswhostruggle<br />

withthis?<br />

Jason:<br />

Jason:Wow,youarequite<br />

right:drumtuningisalways<br />

averyelusivetopic.Ithink<br />

thefirstthingtofigureout<br />

andestablishforyourselfis<br />

whatkindofsoundyouare<br />

lookingtogetfromeachof<br />

yourd<br />

yourdrums.Partofwhat<br />

makesdrumtuningsodificultisthattherearehundredsofdiferentapproaches,andalofthemwork!<br />

(.dependingonthekindof<br />

soundyouareaimingfor.)If<br />

you'reaimingforavery<br />

high-pitched,jazzytoneon<br />

yourdrumsthenplayaround<br />

withhighertensiontuning<br />

methodswhereyourbater<br />

head(thetopskin)istuned<br />

tighterthan<br />

tighterthanyourresonant<br />

head(thebotomskin).If<br />

youwantaveryopen,<br />

"ringy"kindoftonethen<br />

makesurethatbothyour<br />

baterandresonantheads<br />

aresustainingfreelyand<br />

thatth<br />

thattheyarepitchedvery<br />

closetoeachother.Ifyou<br />

wanta"thuddy"kindof<br />

retrotonethenusethicker<br />

coatedheadsandtuneyour<br />

baterheadaslooseaspossible.Ifyouwanta"clicky"<br />

tonewithadefinedatack<br />

forthose‘playasmany<br />

strokesaspossible'kindof<br />

genres,thenusesomething<br />

likeaniceandthickRemo<br />

Pinstripeheadandthen<br />

pit<br />

pitchthebaterheadmuch<br />

lowerthantheresonant<br />

headsoyoudon'tgettoo<br />

muchsustain.<br />

Butthekeyfactorinalof<br />

thesewouldbetokeepexploringandtokeeppracticingyourtuningskils.The<br />

moreyoutune,thebeter<br />

youbecomeatit!<br />

That'salthetuningtipsI<br />

canthinkofrightnow.


Zan:What’snextfor<br />

you?<br />

Jason:<br />

Jason:I'mtryingtoseeifI<br />

canexpandmyreachasa<br />

drummeroutsidethebordersofourcountryand<br />

connectwithasmanydrummersoverseasaspossible.<br />

Socialmediaobviouslyhelps<br />

withthisquitealot,butI'm<br />

buildingupmypersonal<br />

websiteasweltohelpme<br />

withthis.Idon'tthinkI'l<br />

evermovetoanothercountry(atleastnotthewayI'm<br />

feelingrightnow),butit<br />

wouldbegreattodosome<br />

internationalwork.<br />

Zan:Onelastthing.That<br />

goateelooksawesome!<br />

Howlonghaveyoubeen<br />

growingit?Isthatwhere<br />

theskilscomefrom?<br />

Jason:<br />

Jason:Haha!:-)Atthiscurrentmoment,Ihaveprobablybeengrowingthegoat<br />

forabout4yearsnow.I<br />

rarelytrimit.probablyjust<br />

becauseIamtoolazy!<br />

Itmustbewheremyskils<br />

comefromthough,because<br />

ifIlookbackathowmy<br />

drummingsuckedwhenI<br />

didn'thavethisgoateethen<br />

it'stheobviousconclusion!<br />

;-)<br />

Tobehonest,atfirstIjust<br />

letitgrowoutoflaziness,<br />

butthesedaysitseemsto<br />

havebecomeabitofa<br />

trademarkthatpeoplerecognise,soIguessI'mgoing<br />

tobestuckwithitforalitle<br />

whilelonger.<br />

Thankssomuchforthechat<br />

guys,andkeepupthegood<br />

work!<br />

www.jasondrummoser.com<br />

www.facebook.com/jason.drummer.-<br />

moser<br />

www.twiter.com/MoserJason<br />

www.instagram.com/jason_moser


y:WarenvanWyk<br />

MyfirstthoughtsaboutthenewPromarkFireGrain stickswerethatthey<br />

lookedrealyinterestingandthattheyweresomethingrealydiferentthatI<br />

withsomethingthatnootherstickbrandhaseverdone!Ipickedthemupand<br />

gavethemago.ThefirstthingInoticedwasthattheyareextremelysolid<br />

andyoucanstraightawayfeelthatPromarkarenotoverexaggeratingabout<br />

thesesticksbeingthestrongesthickorystickthattheyhaveevermade!They<br />

areavailableinaltheClassicmodelsaswelastheSelectBalancemodels.<br />

WhatmakestheFireGrain sticksdiferenttoanyothernormalhickorystick<br />

onthemarket?<br />

hadneverseeninanyotherdrumstick,ever.IhavealwayslovedhowinnovativeD’addarioaresoitdidn’tcomewithmuchsurprisethattheycameout<br />

FireGrain isarevolutionary<br />

heat-temperingprocessthattransformsordinaryhickorydrumsticks<br />

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atack,PromarkFireGrain sticks<br />

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heat-temperingprocessthattransformsordinaryhickorydrumsticks<br />

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Barry<br />

van<br />

Zyl<br />

Africa’s<br />

Waren:HeyBary!Howisthefinaltourgoing<br />

withJohnnyClegg?<br />

drumming<br />

legend.<br />

Theman<br />

behind<br />

Johnny<br />

Cleggfor<br />

18years.<br />

It'sgoingverywel.Thereisobviouslyahugedemandfor<br />

theshows,andwhereposible,extradateshavebeen<br />

added.MostrecentlywedidtheHammersmithApoloin<br />

Londonfortwosoldoutshows,threenightsinAmsterdamandtheBerkleePerformanceCentreinBoston(also<br />

soldout).We’renowonthewaytoQuebecinCanada,<br />

andhaveanother12NorthAmericandatesoverthenext<br />

4weeks.<br />

Waren:Youhavebeenapartofthebandsince<br />

1999ifimcorect?


Ihavemanyidolsinthe<br />

drummingworldbutprobably<br />

thetopofthelistwouldbe<br />

JohnBonham.<br />

Waspursuingdrumsasa<br />

ful-timecareeralwaysa<br />

planofyours?<br />

Yes,haveyouseenmytattoos?Ididthatwiththeintentiontoneverbestuckin<br />

anoficeworkingadayjob.<br />

Youhaveplayedforalot<br />

ofbandsbeforejoining<br />

PrimeCircle.Whoare<br />

thesebandsandhowdid<br />

youlandupgetingthe<br />

gigwithPC?<br />

GabrielinNorway,abriliant<br />

backstagechatwithRobert<br />

Plantandplayingto150<br />

000peopleinMontreal.<br />

AlsobeingthefirstSAact<br />

toeverselouttheRoyal<br />

AlbertHal.<br />

Waren:Howdidyou<br />

landthegigwithJohnny<br />

andwhomdidyouplay<br />

forpriortothis?<br />

Ba<br />

Bary:I’veknownAndy<br />

Innes,theCleggbandMD,<br />

foralongtime,andwhenI<br />

camebackfromcolegein<br />

theUSAI,specificalypursuedtheinternationaltouringspace.Soitwasright<br />

place&righttime.Priorto<br />

this,IspentyearsasasessionmusicianinJHB,and<br />

mymusicalhighlightswere<br />

asamemberofthelate<br />

JohnnyFourie’sband(possiblythegreatestguitaristout<br />

ofSouthAfrica)andCanadian,BruceCassidy’s‘Hotfoot<br />

Orchestra’,whichwasan8<br />

Bary:Corect.Myfirst<br />

showisactualydocumented<br />

intheviralYouTubeclipof<br />

Madibacomingonstagein<br />

Frankfurtforarenditionof<br />

Asimbonanga.<br />

Waren:Howhasitbeen<br />

toworkwithJohnnyand<br />

thebandforthislong<br />

andcanyoutelus<br />

aboutsomeofyour<br />

highlightswithJohnny?<br />

Ba<br />

Bary:It'sbeenagreat<br />

journey,withtoomanymemoriesandhighlightsforone<br />

interview.Ilovetravelingso<br />

it'saperfectvehicleforme.<br />

Somesnapshothighlights<br />

wouldbethe46664shows,<br />

especialyMadiba’s90th<br />

birthdayconcertinHyde<br />

ParkLondonto50000<br />

people,playingwithPeter<br />

“Ilove<br />

traveling<br />

soit’saperfectvehicle<br />

forme”


hornbandplayingBruce’s<br />

compositions.(Waddyor<br />

NinjaofAntwoordfamewasa<br />

satelitemember).<br />

Waren:Havingsuchan<br />

amazingandlongjourney<br />

asJohnny’sprimary<br />

drummer,whatwould<br />

youradvicebetodrummersintermsofkeeping<br />

andmaintainingagig?<br />

Bary:Responsibility,respect<br />

forothersandreliability.<br />

Moreimportantthanplaying<br />

ability,especialyafterweek4<br />

ofa3-monthtour.<br />

Waren:BesidesJohnny,<br />

youhaveplayedandrecordedwithsomeofthe<br />

biggestmusicnamesin<br />

theworldincluding,<br />

AnnieLennox,CarlosSantana,RobertPlant,Brian<br />

May,PeterGabrieland<br />

manymore.Canyoutel<br />

ushowyougotsuch<br />

amazingopportunitiesto<br />

workwithmusiciansof<br />

thiscaliber?<br />

Bary:Bybeingopentoengagingwithpeopleand<br />

awarenessofmydiferentiatingfactors.Inotherwords<br />

culturalauthenticity.Other<br />

areasoftheworldareinterestedinwhatyour<br />

uniquenessis,notwhether<br />

you’regoodatmimicking<br />

thousandsofforeign<br />

styles.<br />

Waren:Notonlyhave<br />

youhadanextremely<br />

successfulplaying<br />

careerbuthavealso<br />

enjoyedalotofsuccess<br />

withrecordings.Can<br />

youtelusaboutsome<br />

of<br />

ofyourrecordinghighlights?<br />

Bary:Thereisdiminishingrecordingworkglobaly,<br />

butIstilgettodocertain<br />

sessions.Somerecentfavouriteswouldberecordingthepercussionforthe<br />

animationfilm‘Zambezia’<br />

(topgrossingSAmadefilm<br />

inhistory),theAnnie<br />

LennoxChristmasalbum,<br />

DieAntwoord’s‘Tension’<br />

alalbumandJohnnyClegg’s<br />

‘FinalJourney’tourlive<br />

audio&videorecordings.<br />

Waren:Whatwouldyou<br />

sayisyourpersonal<br />

careerhighlightsand<br />

whenyouthinkbackto<br />

ashow,whatwouldyou<br />

sayistheonethat<br />

standsoutaboveal<br />

the<br />

therest?<br />

Bary:IlovedtheMadiba<br />

90thbirthdayconcertin


GETTINGCREATIVEWITHTHE<br />

www.warensdrumlesons.co.za<br />

heatlevel:4/10<br />

SINGLEPARADIDDLEPART1<br />

byWarenvanWyk<br />

Therearemanydrummersouttherethatunderestimatethepowerofrudiments,especialywhenyougetcreativewiththem.In<br />

thissecondlesonweareusingthesamebasdrumpaternsthatwereusedinthefirstlesonbutwearechangingthehand<br />

paterntoonlythehihatandridecymbal.Inpart3wewilbecombiningleson1and2tocomeupwithsomeseriouslykiler<br />

paterns!<br />

Step1-UsingtheParadiddlesticking,placeyourrighthandontherideandyourleftonthehihats.Yourleft<br />

handwilcomedownonthesnaredrumonbeats2and4.Applyanacentonbeats1,2,3and4.Thishandpatternwilbeusedineachstepbutyourbasdrumpaternwilchange.<br />

1 e + a 2 e + a 3 e + a 4 e + a<br />

R L R R<br />

L R L L<br />

R L R R<br />

L R L L<br />

Step2-Addabasdrumonthe“+”of1and3<br />

Step3-Addabasdrumonthe“a”of1and3<br />

Step4-Addabasdrumonthe“e”of2and4<br />

Remembertocount,startslowandgradualybuildupyourspeed!<br />

Ifyouhaveanyquestionsonthisleson,feelfreetocontactmeat:waren@warensdrumlesons.com


A love<br />

story .<br />

byMylesRyan<br />

Haveyouevermetsomeoneanddiscusedasubject<br />

withthemthattheywereincrediblypasionateabout?<br />

They'resopasionatethatwhenyou'redonetalking<br />

youcan'tstopthinkingaboutit.It'sinfectious.It's<br />

almostlikefalinginlove.Inthiscase,itrealyislove.<br />

MeetWilem.<br />

Wilembuildssnaredrums.<br />

AndthatiswhereIfelinlove.<br />

No,notwithWilem.Imean,he'sokay.buthissnare<br />

drumsarephenomenal.<br />

IhadachatwithWilemaboutwherethisalstarted.<br />

Nowletmegetyouhooked.thankmelater.<br />

Myles:TelmeaboutIMPI.<br />

Wherediditalstartand<br />

why?<br />

Wilem:I'vebeendrumming<br />

formanyyears,sincehigh<br />

school,andalsohaveaknack<br />

forDIY,naturalytheseloves<br />

wouldmeetsomewhere.The<br />

firstthingIevertookapart<br />

wasacouchchairwhichIrefurbedandthat'swherethe<br />

woodworkbugbit.Ieventualy<br />

endedupbuildingmyselfa<br />

snaredrum.Itkindamade<br />

sensetokeepgoing.you<br />

know,ifmymusiccareerfizzlesout,Icanalwayscontinue<br />

buildingdrumswhichwould<br />

keepmeinvolvedinmusic<br />

untilI'moldandfulofarthritis.<br />

Myles:Whythename<br />

'IMPI'?<br />

Wilem:Iwantedsomething


Myles:Whatgotyouinto<br />

drumming?Wheredidit<br />

alstart?<br />

Wilem:Skateboarding.<br />

Definitelyskateboarding.It<br />

wasmyintroductiontopunk<br />

rockandheaviermusic.I<br />

hadafriendthatplayed<br />

guitarsonaturaly,likemost<br />

kids,wehadtostartaband.<br />

Iwasrealyintogroupslike<br />

Pennywise,NOFX,Propagandhietc.Manyofmyearly<br />

showswereatThrasher's<br />

SkateparkinPretoria,soit<br />

wenthandinhandwithme.<br />

Myles:Ifyouwereto<br />

giveadrumlessonright<br />

now,onthespot.tothe<br />

vilageidiot.Whatwould<br />

itbe?<br />

Wilem:Keepitsimple.A<br />

simpledrumgrooveplayed<br />

Africantoincorporatemy<br />

roots,butalsoresonantwith<br />

drumming.Ilikedtheidea<br />

thattheZuluwariorswere<br />

tough,powerfulandsolid.<br />

I'mproudlySouthAfrican<br />

andIMPIwasagoodrepresentationo<br />

sentationofthat.Africaalso<br />

hassomefantastictone<br />

woodsthatyougetnowhere<br />

else.<br />

welandintime(pocket)wil<br />

alwayssoundbeterthana<br />

complexdrumgrooveplayed<br />

sloppy.Iwouldstartbyfocusingongetingyourkick<br />

andsnaretight.<br />

Myles:Similarly.Ifyou<br />

couldgetadrumlesson<br />

fromanyone,aliveor<br />

dead,whowoulditbe?<br />

Wilem:Toughone.Zach<br />

Mayfield(Oh,Sleeper)or<br />

BrandenMorgan(Misery<br />

Signals).Neitherstickto<br />

conventionalrules.Ihear<br />

newlitlethingseverytimeI<br />

listentothem.Theyboth<br />

addanoriginalandspecific<br />

addanoriginalandspecific<br />

soundtotheirbands.<br />

Myles:Druminfluences?Excludingthe<br />

aforementioned .<br />

Wilem:AaronGilespie<br />

(Underoath),RileyBreckinridge(Thrice),MoCarlson<br />

(ProtestTheHero),Byron<br />

McMackin(Pennywise).My<br />

tasteinmusicchanged<br />

overtheyears,butIcan<br />

stillistentotheseguys<br />

stillistentotheseguys<br />

anytimeofday.Theydefinitelyshapedmystyleof<br />

playing-whichisnotparticularlysoftandsensitive!


Myles:Whatwould<br />

happenifoneofthese<br />

drummerscalsyouup<br />

andsayshewantsto<br />

playanIMPIdrum?<br />

Wilem:Iwoulddefinitely<br />

"Klap'nhartie"asIoften<br />

liketosay.ThenIwouldtry<br />

tobuildmybestdrumyet.<br />

Nodiferentfromanyother<br />

client(minustheheart<br />

atack).Mybestdrumis<br />

alalwaysthelastone.<br />

Myles:Whatmakesa<br />

drumagooddrum/instrument?<br />

Wilem:Sound.becauseit’s<br />

aninstrument.Thenlooks.<br />

Abalanceinsoundisalso<br />

rightupthere.Adrumneeds<br />

warmth,butalsoatackand<br />

power.Dodgydrumscan<br />

makeawholebandsound<br />

bad.Especialyinalive<br />

setupwherethebackline<br />

mightnotbeg<br />

mightnotbegreatandyou<br />

haveconcretefromfloorto<br />

ceiling.I'vehadmanyrough<br />

nightsatSchivaswiththose<br />

fakerockwalsanddistortingspeakers.<br />

Myles:Whatisyourpersonalpreferencewith<br />

yourownsnaredrum?<br />

Wilem:IbuiltmyselfanAfricanRosewoodshel.Idefinitelypreferadeepersnare<br />

drum.Mineis14"x61/2".<br />

Ituneitquitetight,butif<br />

it’sadeeperdrum,you'l<br />

getsomemorelowendas<br />

wel.Steelhoops.woodis<br />

abitdryforme.Myband,<br />

AtlanticGiantplaysslightly<br />

heaviermusicsoIneed<br />

heaviermusicsoIneedmy<br />

drumtobepunchy.Ilikea<br />

bigdrumwithacrack,but<br />

notclangy/ringylikea<br />

steelsnaredrum.Nogunshotring.<br />

Myles:Whatisthe<br />

futureofIMPI?<br />

Wilem:Tokeepmaking<br />

moredrums.polishmy<br />

skil.there'salwaysroom<br />

toimprove.Imightevent-


ualystartbuildingtomsand<br />

bassdrums,butfornowI<br />

justwanttogetmynameout<br />

thereasahighqualitysnare<br />

drumbuilder.Iwanttokeep<br />

itintimateandfostergood<br />

relationshipswithdrummers<br />

-c<br />

-craftauniquedrumidentityforeachofthem.Planks<br />

todrumsalbyhand.Ialso<br />

recentlystartedbuilding<br />

guitars,butthatmighteventualyfalunderitsown<br />

brand.<br />

Myles:Whatisitabout<br />

theSAdrumscenethat<br />

excitesyou?<br />

Wilem:It'sexcitingbecauseit'salwaysgrowing.<br />

ComparedtotheStatesor<br />

Europe,mostdrummers<br />

hererealyhaveapassion<br />

forit.Wedon'thavethe<br />

luxury,exposureandthe<br />

comfortsofawel-establishedsceneheresodrummersinSAhavetowork<br />

threetimesashardtoget<br />

thesamerecognition.There<br />

arelessvenuesandless<br />

promotorssodrummersin<br />

SAarerealhardworkers<br />

anditshowsintheirwork.<br />

Yougetthesedrummersthat<br />

popupoutanowhereand<br />

youquestionwherethey've<br />

been<br />

beenforthelasttenyears.<br />

They'vebeenintheirgarage<br />

practicing,thatswhere.<br />

That'stheSAdrumscenein<br />

anutshel.There'salot<br />

moreDIYherebecausewe<br />

don'thavethesameresourcesasUSbaseddrummers.ButSAdrummersare<br />

rightupthereandit'sexcitingtosee.<br />

Myles:Whatdoyouwant<br />

toseemoreofintheSA<br />

drumcommunity?<br />

Wilem:IMPIsnaredrums!<br />

I'dliketoseemorecolaborations,moreclinics,more<br />

learningfromeachother.<br />

We'reasmalpoolwitha<br />

wealthofknowledgesowe<br />

needtogettoeachother<br />

morefrequentlyandnottry<br />

toisolateourselvesforwhateverreason.Also,ifmore<br />

internationaldrummers<br />

couldvisititwouldn'thurt.<br />

Facebook:@ImpiSnareDrums<br />

wilem@impisnaredrums.co.za<br />

www.impisnaredrums.co.za


Waren:Isitthetruththatyoubroke<br />

alofyourparents’kitchenutensils<br />

whileplayingonyourownmakeshift<br />

drumkits?<br />

Al<br />

Alex:YES!MydadwasatworkwhenImade<br />

myfirstdrumset.Iusedanexercisebal<br />

andthekitchenutensils.Mymomtoldmy<br />

dadIhadbrokenthemsohecutapairof<br />

plasticcoathangersandIusedthem.<br />

Waren:Doyouplanonpayingthem<br />

backfortheutensilsonceyoubecome<br />

aRockstar?<br />

Alex:HAHA!YesIwil.<br />

Waren:Howdidyoureceiveyourvery<br />

firstproperdrumkit?<br />

ThenightIusedtheexercisebal,mymom<br />

postedapictureonFBjokingsaying,“You<br />

gotadowhatyougotadowhenyourparentswon’tbuyyouadrumset”.MyNana<br />

caledafteraboutahalfhourlaterandasked<br />

mymomtotalktome.TheytoldmeifI<br />

wantedadrumsettheywouldbuymeone.I<br />

wassohappyIstartedyelingandscreaming.Theplanwastobuyitatalocalmusic<br />

storethatSaturdaywhenIdroveupformy<br />

weeklyswimminglessons.Whenwegotthere<br />

theydidn’thaveanykidssetssotheyhadto<br />

orderit.Ittook2weeks,soeverydayI<br />

playedontheexercisebalwithmycutof<br />

coathangerswatchingeverymoveDeenCastronovomadeonthatDVD.Igotmylitle<br />

drumsetandplayeditfor4-5hourseveryday.<br />

Waren:Haveyouhadanydrumlessonsorareyoumainlyself-taught?<br />

Alex:Istartedtryingtolearnsongsright<br />

away.Myparentsfoundalocaldrum<br />

teacher,BrianRowanafterafewmonths<br />

andeventhoughIwasyoungerthanstudentshenormalytakes,hetookme.I<br />

wouldlearnsongsandhewouldgoover<br />

themwithme.I’mstiltakinglessonsfrom<br />

himandwedothesamethin<br />

himandwedothesamething,Ilearnthe<br />

songsandhegoesoverthemwithmeand<br />

smoothsmeout.Iamalsolearningto<br />

readmusic.<br />

Waren:Whowouldyousayarethe<br />

drummersthatinfluenceyouthemost<br />

atthemomentandwhichdrummers<br />

inspiredyoufromthebeginning?


Alex:FromthebeginningitwasDeanCastronovo.Ifocusedonhimandhowhe<br />

playedforalongtime.Ithenstarted<br />

watchingBrianTichywhowasplayingfor<br />

Foreigneratthetime.ToddSuchermann,<br />

MarkSchulmanandBrianHitfolowed.<br />

TodayIstilfolowalofthosedrummers<br />

andma<br />

andmanymoreIhavemetalongtheway.I<br />

lovediferentstylesofdrummersandtry<br />

andtakepartsfromalofthem.MyinfluencestodayareRichRedmondofJason<br />

Aldean.Richrealytakesthetimeandtries<br />

tohelpeveryoneineveryaspectofdrumminginthemusicbusiness.Heisnotjust<br />

anawesomeplayer,heisagreatteacher<br />

andhisdrummerweekendsareEPIC.Troy<br />

LucketaofTeslaisanothergreatinfluence,theydon’tgetanybeterthanTroy.<br />

SeanFulerofFloridaGeorgiaLine,he’sa<br />

trueentertainerandIlovethat.GlenSobel<br />

ofAliceCooperisoneofthegreatest<br />

drummersI’veeverseenaswel.Lucky<br />

LehreroftheCircleJerksisjustanawesomeplayer.Theyarealtrulygreat<br />

peopleandI’mgladtocalthemmyfriends<br />

andbeintouchwithalofthemtoday.<br />

Waren:Ifyouhadtouseonedrummertodescribeyourselfandyour<br />

drumming,whowoulditbeandwhy?<br />

Alex:IwoulddefinitelysayDeenbutItake<br />

thingsfromeachandeveryoneofthemI<br />

seebecauseeveryonehastheirownstyle.<br />

Waren:Sincetheageof4,youwere<br />

alreadylisteningtoclassicrockbands<br />

like,Journey,Foreigner,ReoSpeed<br />

WagonandStyx.Wasthisthetypeof<br />

musicthatwasalwaysplayinginthe<br />

housewhilegrowingupordidyou<br />

discoverthesebandsonyourown?<br />

Al<br />

Alex:Myparentsloveclassicrock.Thatis<br />

realyaltheyeverlistenedtountilIstartedlikingothertypesofmusic,suchasnew<br />

country.Idiscoveredthatmyselfalongwith<br />

punkrock.IstartedplayingsomeoldcountrywhenIstartedplayingwithlivebands.<br />

Waren:Ifyouhadtobethedrummer<br />

foranyband,whowoulditbe?<br />

Alex:GreenDay,GunsnRoses,Journeyor<br />

RevolutionSaints.


Waren:Isyourdreamtobecomea<br />

professionaldrummeroneday?<br />

Alex:Yes,butIwanttosingandplay<br />

Facebook:@drummerAlexShumaker<br />

Website:www.alexshumaker.com<br />

Instagram:@alexshudrums<br />

Twiter@ @alexshudrums<br />

guitartoo.<br />

Alex:Yes,Ithinkitdoes.Idon’tevenhaveto<br />

Waren:Ifyouhadtostartanyband<br />

thinkaboutwhatI’mdoing,Ijustdoit.<br />

ofyourown,whatstyleofmusic<br />

wouldthebandplay?<br />

Waren:Doyoucurentlyplayforany<br />

bands?<br />

Alex:Rock<br />

Alex:Yes,2actualy.<br />

Waren:Ifyoucouldpickanymusicianstobeinyourband,whowould<br />

theybe?<br />

1)Isayouthgroupcaled80DeGreez.We<br />

play80’srockcovers.Thebandisbasedout<br />

ofPitsburg,PA.<br />

2)I’minaduocaled,ProjectKylex.Curently<br />

Alex:Ohboy,therearesooooomanyI<br />

wouldpick!MikeDrintonBass,Tommy<br />

Henriksen&NitaStraussonGuitar,Deen<br />

CastronovoonvocalsandMichealBluestien<br />

thebandisjustmeandKylieGonvocals.<br />

KylieisfromSouthCarolina.Wehavecompletedre-recordingafewcoversandhaverecordedourfirstoriginaltobereleasedsoon.<br />

onkeyboards.<br />

Waren:Wheredoyouseeyourselfasa<br />

Waren:Ihavewatchedalotofyour<br />

drummerinthenext5years?<br />

videosandIrealyloveyourenergy<br />

andyourgreatshowmanship.Does<br />

thiscomeverynaturalytoyou?<br />

Alex:Hopefulyplayingwithabigtouring<br />

bandandwritingmyownmusic.


LucaDeBelis<br />

UpandComingSouthAfricanDrummerReaders<br />

VoteWinner<strong>2017</strong><br />

itwouldbeacoolthingtotake<br />

Waren:HeyLuca.Firstly,<br />

weldoneonwinningthe<br />

ReadersVoteforUpand<br />

ComingDrummer.Howdid<br />

thismakeyoufeel?<br />

Luca:Thankyousomuch!Tobe<br />

honest,Iwasabsolutelyblown<br />

thiscompetitiononlineIthought<br />

partinbutIdidn’teverenvision<br />

thatIwouldhavetheopportunity<br />

togoonandwinit!I’mvery<br />

meanstheabsoluteworldtome!<br />

Also,congratulationstoalthe<br />

othertalenteddrummerswho<br />

werepartofthecompetition!I’m<br />

extremelyexcitedtobefeatured<br />

awaybythesupportfromeveryonewhovoted.WhenIfirstsaw<br />

gratefultoeveryonewhosupportedandvotedforme,it<br />

insuchacoolissueofSADrummer,sothanksforhavingme!


thingtolearnfromeveryone!<br />

“EversinceI<br />

startedplayingdrumsasa<br />

kidIknewthis<br />

iswhatI<br />

wantedtodo<br />

withmylife”<br />

Waren:Whenandhowdidthedrummingbugbite?<br />

Iguessmyinfluenceshavechangedoverthe<br />

years,butdrummerssuchasZacFaroand<br />

DanielFlinthelpedinfluencemyplayingstyle<br />

Luca:Istartedplayingdrumsattheageof<br />

7.MyfatherwasadrummerandonedayI<br />

alotfromayoungage.WhileIwasstudying<br />

jazzatWits,Iwasextremelyinspiredby<br />

foundhisbrightgreenPearlExportdrumkit MarkGuilianaandhisuniqueapproachto<br />

bubblewrappedinourgarage.Iaskedhim<br />

whatitwasandheunwrappedit,setitup,<br />

drummingwhichblewmymind.LatelyI’ve<br />

beenrealyinspiredby<strong>Anika</strong>Niles,Benny<br />

andshowedmehowitworked.Hetaughtme Greb,LarnelLewis,DanMayo,andLukeHol-<br />

somebasicsandIcouldn’tgetenoughof<br />

jammingandfoolingaroundonit,even<br />

thoughmyneighborsprobablyhatedevery<br />

land,whoalhavetheirownuniqueap-<br />

proachestoplayingdrums.There’ssome-<br />

minuteofit.<br />

Waren:Haspursuingafultimecareer<br />

Waren:Whoareyourinfluencesand<br />

inmusicalwaysbeenadreamof<br />

whichdrummerwouldyousayyoulook yours?<br />

uptothemost?<br />

Luca:Yes,itdefinitelyhasalwaysbeena<br />

Luca:Thisisaverydificultquestionto<br />

answerastherearesomanyincredible<br />

dreamofmine.EversinceIstartedplaying<br />

drumsasakidIknewthisiswhatIwanted<br />

drummersdoingamazingthingsthesedays. todowithmylife.Ilaughaboutitnow,butI


oneday!”<br />

DanielFlinthelpedinfluencemyplayingstyle<br />

alotfromayoungage.WhileIwasstudying<br />

jazzatWits,Iwasextremelyinspiredby<br />

MarkGuilianaandhisuniqueapproachto<br />

Waren:Areyouself-taughtordidyou<br />

haveanytraining?<br />

drummingwhichblewmymind.LatelyI’ve<br />

beenrealyinspiredby<strong>Anika</strong>Niles,Benny<br />

startedimprovingandgetingmoreserious<br />

Greb,LarnelLewis,DanMayo,andLukeHol-<br />

land,whoalhavetheirownuniqueap-<br />

Waren:Whoaresomeoftheartists<br />

andbandsthatyouhaveplayedwith<br />

andwhatwouldyousayyourfavourite<br />

styletoplayis?<br />

Luca:Overthelastfewyears,I’veloved<br />

sessioningfordiferentlocalbands.I’vehad<br />

NativeYoung,aswelasTheMotherland,<br />

JeryandtheBandits,RaygunRoyale,Cazz,<br />

andSeptemberReigntonameafew.Ialso<br />

proachestoplayingdrums.There’ssome-<br />

thingtolearnfromeveryone!<br />

rememberbeingthatkidrunninguptoeveryoneshouting“I’mgoingtobearockstar<br />

Luca:ForthefirstfewyearsofmydrummingIwascompletelyself-taught.WhenI<br />

aboutmyplayingmyparentssentmeforprivatelessons.Eventualy,thatprogressed<br />

intostudyingadegreeinmusicandjazz<br />

drumminginordertopushmyselfandlearn<br />

asmuchaspossible.<br />

thehonourtoplayforSAMAAwardwinners-<br />

playdrumsformymainprojectcaledFolow-<br />

ingFiction,whichweaimtooficialylaunch<br />

in2018.Eachbandhassuchauniquevibe<br />

andstyleandI’vealwaysenjoyedthechallengeofbecomingasversatileaspossible<br />

withmydrumming.Playingrockhasalways<br />

beenmyfavouritestyle,butItrytodoabit<br />

ofeverythingwhenIcan.<br />

Waren:Youarealsoveryinvolvedin<br />

thetheatrescene.Canyoutelusmore

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