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86 DAWSON<br />
nelds fom rhe Sreater part oI hh output (aboui<br />
6,5tr0 composirio., and are belter renenbered<br />
than his srudies andorthodox problens. For tairy<br />
Problens he i.vented new pieces: ctussHoppEr<br />
(1912). Eo (ie12), NEUmL eN (1e12), N,G!F<br />
RI.ER (1925), and vAo (1912): he@diliednewrules<br />
such as thc MAXTMUMMEn (1913) and larious rjnds<br />
olsE{rs-MovER: and he Ned Dno hodox boards.<br />
tn 1915 he Mote ne,/oalade ,,ualrrn, the 66t<br />
boot on the subjecr, completine the projed besun<br />
sveial yea$ earlier <strong>by</strong> lhe Geman @6poser<br />
wollsans Hundsdo cr0879-1951). F om1919<strong>to</strong><br />
1930 Dason conducted a column devoted 10 lairy<br />
problens in the Cliesr /4zat !.. In 1926 be was a<br />
s'founder of tne P/,rlz,rn. which nc edited for<br />
its 6rst six yeas, and he lounded and edited Ih.<br />
Prcbtenist Fairy Supplenent (1931{), continued<br />
rs <strong>The</strong> Fab ches R.v,?, (193G51). Besides<br />
conducdns colunns in scvcral ncsspapcis and<br />
periodicals. onc olthemdailyandorcinthead,r.<br />
Ches Maeozine, DaNson edited the probtem<br />
se.tion oI fte Anrr, Clic,r MaSaziz? from 1931 <strong>to</strong><br />
195ij he devised and published in its pages<br />
(1947-50) a stslcmaiic terminology for problcm<br />
thenes in ihe hope that it would supplant the<br />
extensile jargon then and now in !se. D.wson<br />
wrote nvc books on fairy problems: Cdirsdl, Wild<br />
nd€r (1935)j C. M. Fox, Hi\ Probt N (1936)1<br />
Cailsa\ will Roses in cl$ten 11931\ an ok<br />
mehes \19313)t and Caissa s Fonr Tales (t941).<br />
charles Ma$on Fox (1866-193s) N6 a patron<br />
whose gene.osity nade possi ble the publicatio n ol<br />
lour oI these books and the two fairy problem<br />
macdines fo!.ded <strong>by</strong> Dawson. ulinote <strong>The</strong>nes<br />
deals with rAsxs. another of Dasson\ lavouritc<br />
subjeds. In 1973 all frve boots were republished in<br />
one volme, aiv? c'la$d o/rany al.sr.<br />
Daqon found it diificuli lo undersland the<br />
probleoistt idea of beauly because it is not<br />
suseptible 10 precise definilion. 'Tbe arrist ralks ol<br />
''quief moves, oblivious thal they aie whire's<br />
mosi pulvcri2ing attacksi anis aesthetic folly,<br />
reverenej .esponse, ihrill, <strong>to</strong> vain-glorious hombst<br />
ru6 throughou t .he$ . ' (See Bo!€Mrd for a<br />
prohlcm shosing 16 model mates, a task Dawson<br />
claimed 6 a re@rd b a setting Bohemian<br />
odposes would rejed.) His se.ins did nol set<br />
hin apart tron his lellows: he could 6nd time lo.<br />
casual visi<strong>to</strong>rs. and would explain his ideas <strong>to</strong> a lyro<br />
with palie.ce. modesty, and kind.css. Allhough<br />
he won mey <strong>to</strong>umey prizes much ofhis work was<br />
designed 10 encourage olhers, <strong>to</strong> enldge the small<br />
band offairy problem devotees He compoed le$<br />
Ior fame than lo amuse himself, confcssing <strong>to</strong><br />
anolher cooposer 'We do rhese lhings for<br />
A chemistry graduate, Dason <strong>to</strong>ok a post in tnc<br />
tubber industry in 1922 and rose <strong>to</strong> be head ol the<br />
Inrellige.ce Division offte British Rubber Manu<br />
fadtrreE, for which he fou.ded, calalogued, and<br />
naintaiaed a tecbnical library. Unwel lor the lasr<br />
year or his lile, he died iron a stroke. (See ErcHr<br />
OFFCERS PUZZLE| PARIAL XENOCMDE<br />
^NALVSA,)<br />
K. Fabel andC. E. Kemp. S.nlch ohne cren2en ot<br />
<strong>chess</strong> wti ited (1969) h a surycy, wriuen in<br />
Geman and Endnb, olDaMon\ co.tribution <strong>to</strong><br />
thc art oI fairy problens.<br />
DECENTRALIZE, ro nove a piece that axacks,<br />
guards, or @cupies cenlral sqDares so lhal n no<br />
lonserdoes so. lhh issenerallyundesirableunless<br />
rh...nrreilvellso,red ornnlesdecisive..tion<br />
can be laken etse{here on the board.<br />
DFicISIvE ERROR. a. error tbat would alter |he<br />
result ofthe game if.oftecr play Nere <strong>to</strong> folloN.<br />
Thus a playermight <strong>to</strong>sc a drasn position or lail lo<br />
DECOY, lo enlice an encmy ma. from ns<br />
deledsiverolei the ma. usedlo.thatpurpose. <strong>The</strong><br />
use of a flank pawn <strong>to</strong> decoy an ene6y king<br />
commonly happens in lhe endgamc. For an<br />
ex<strong>amp</strong>le *e oursrDE PASSED PAWN.<br />
DE!-ENCE, (l) a move or noves played wnh fte<br />
objed of counte.ing the oppone.t\ threats. Dcfence<br />
nay be pasive (for a<br />
rornB, or activc, whc. lhleals a.e answered <strong>by</strong><br />
threats. More often lhan.ol nasters preier actile<br />
def€trce, perhaps naking sone concesion ro gain<br />
counter playi ex<strong>amp</strong>les fron the opcning phase<br />
are the uor.EslAvsw vARrAloN oI the srcrrhN<br />
DETENCE (Black concedes a HoLE at d5) a.d the<br />
(Black sacnn@s a<br />
pawn). A su@e$tul atlacking game receives<br />
popular acclain, bul, as sErNrz nBt obsened, a<br />
wetl played delensive gane is no less neri<strong>to</strong>rious.<br />
compo*s 6e the vord defence in a special<br />
seme: in a direct 6are threal problcm any mole <strong>by</strong><br />
Blacl that foreslalls whirc's threat (using rhhNo.d<br />
in its problem sens) is a defene.<br />
DEFENCE, (2) a desnption oI an opcnins or an<br />
opening varialion inilialed <strong>by</strong> Black. <strong>The</strong> name<br />
does not nccessarily imply passive play: sone<br />
defences offer aggressive counterchances.<br />
DEFENSMI CENTRE! a centre consisting of a<br />
well defended cent.e pawn on iis fourth rank, one<br />
oI several kinds ot p^wN CENTRE a player nignr<br />
choose in rhe opening phase. <strong>The</strong> best known<br />
ex<strong>amp</strong>lc is the popular cbstr vaRrAr'oN of ihe<br />
spAN,su oPEN,x6 in which Black delends a P.*n on<br />
e5. A player who sets up such a centre eers a<br />
sligh{y (anped game. but hc nay nave s.ope lor<br />
fla,k manaulres or, on omasion, the opdon ol<br />
changing rhe cenlral pAwN roRMAroN. w. wrNrrz<br />
believed in the soundne$ ofthe defensive cenlre<br />
and sometimes used it when he had the white<br />
pieces, a new idea in his tine.<br />
Lasker S@init 3th 6alch Sane world Chafrpionship<br />
1396 Spannh Opening, steinitz Delele<br />
1c4e5 2NANC6 3 Bh5 d6 4d1Bd7 5Nc3 NseT 6<br />
Bg516 7Be3N.3 3Ne2Be? 9c30-0 10Bd3Nb6 ll<br />
Ng3KhB 120.0Qc3 l3R.1Nd3 l4Rcl.5 15Nd2Na4