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32 BIRD<br />
cNz'E; Manchester 1890, third prize shared witt<br />
Mackenzi. alter rARMscs and BLAcsuNL. He<br />
also played in numerous minor loumamen$j<br />
notably lying wnh clNsBERc lor 6rt prizc at<br />
London 1889. His most inportant match was<br />
against stlNrrz in 1866for the list lo win eleven<br />
ganes. He was adjudged thc loser when he was<br />
called <strong>to</strong> ihe USAon bNiness, the scorc slanding<br />
+5=5-7 i. lavour of bn opponeni. This sas a<br />
creditable rcsult in the circuBshnces. for he<br />
played each Aame after a dayt work. (Steinitz,<br />
however, N6 not s strong a player as he later<br />
becane.) In 1886 Bird drew a Datch with B0RN<br />
(+9 9). One oI lhe host itrsenious raciicians of his<br />
timc, Bird played in the !tlacting slyte prevalenr in<br />
his yo uth. He usu a lly chose openinSs that *ere regarded<br />
6 bizare, allhough nany ofthen, e.B. the<br />
Dragon Yariation, hale since gained acceprance,<br />
Bird was probably the besl known and longest<br />
seriag habitu€ ol the t ndon coF.trD-Eoustr<br />
known as Simpson's Divan. A rosy-cneeked,<br />
blue-eyed, Iair-headed boy , he n6l aitended<br />
arcund 1846 and was a co61an1 visiior <strong>to</strong>r more<br />
tnan 50 years, alter which ne was dcscdbed as<br />
'naj esric in stattrre, in girlh, in the baldrcss oI his<br />
grealhead, le$ majesticin thelitterol<strong>to</strong>baco'ash<br />
upo, hh waisrcoat . . , with a pleasanr sniline<br />
omtenancei. He suffered from goui shich eve.<br />
tually so incapacitaied hin lhai he was largely<br />
co.fif,ed 10 his home for the last yeas of his life.<br />
Besides wdting booHets on .aitway Iinance he<br />
wrole several books on <strong>chess</strong>. <strong>The</strong>v a.e noi withoul<br />
inreresl althotrgh the mnlent is so:netines ina(urare<br />
and often disrganized. And s Mo.lern <strong>Chess</strong><br />
and <strong>chess</strong> Mdsterpi.ce! (taa7) coniai.s more than<br />
200 ganes, about halt of theh bis own. Cr.rr<br />
His<strong>to</strong>rf und Reminiscences (1893) conrai.s an<br />
a.@un<strong>to</strong>lcontemporaryplayem and <strong>chess</strong> aflairs.<br />
Bnl M,rcn Ncv York rs76 French Dei.id Fx<br />
1c,l e6 2 d,l d5 3 Nc3 Nf6 4 cxd5 exds 5 Na Bd6 6<br />
Bd3G0 7n-0h6 SRer Nc6 9Nb5Bb4 10c3Ba5 l1<br />
Na3 Bg4 l2 Nc2 Qd7 13 M ts66 11h3 Bh5 15 Ne3<br />
Rtc3 16 b5 Ne7 r7 94896 13 Nc5 Qca 19 a4c6 20<br />
b(6 bxc6 21 Ba3 Ne4 22 Qd Ng5 2l BxcT Itie? 2,1<br />
Bxg6lxg6 25Qxg6Nxh3+ 26Kh2Nf.4 2rQf5Nc6 23<br />
*mm<br />
rytw^w<br />
"wLWgw<br />
m<br />
'&&, w wtw<br />
frmwwt<br />
wr&w<br />
uw%w<br />
29a5 Bn5 30Ria5 RI3 31Ra6Rf,l5<br />
Nr4Q.a 34Nlc6Re3 35 Nxc6Qc?+<br />
33<br />
Rc3 Od2 Ir,g2 Oxda 39f68xl6 40Rxr6Ne6,11Rs3<br />
Ng5 ,12 Nc4 Kg7 43 Nl,l Qe4+ 44 Kh2 Nh7 45 Nh5+<br />
KI3,l6Rlh6()c2 47Nbf6Re7 43 Kg2 ,i4 ,t9 Nc5 Qo3<br />
50 Ng6+ Blrcl Esigns. For thh E.ne tsnd *as awardcn<br />
BIRD AIlACr, 484, vdiation in the nA!^N<br />
opENrN( strongly advocatd <strong>by</strong> sr^MMA and noless<br />
s<strong>to</strong>ngly <strong>by</strong> BND. In May 1843 sArNr AMNr played<br />
i1 agaisl srAUNroN in then 6st match .dd 6ve<br />
yea6 later Bird adopled fte variation. playing it in<br />
may iour.ameols, notably with lair snacss a1<br />
Vien.a i882, Lo.don 1883, and Nuredberg 1883.<br />
BIRD DEFENCE, 421, reply <strong>to</strong> the srNrss<br />
oENrNc gilen in the list edilion oI Bilguer\<br />
oaNDBUcH, 18,13. Pionecred <strong>by</strong> BrRoi e.g. against<br />
ANDERSSEN in 1854, and med on occasion <strong>by</strong><br />
grandm.sleB su.h as rA*Mscs, sflELuNN, and<br />
spAsso. this deferce has not gai.ed widc aceptancc.<br />
(scc<br />
'-F!Ar-r.'s<br />
rRAP.)<br />
BIRD OPENING, 693, someiimes caled th€ Dutch<br />
Altack <strong>by</strong> analogy with the Durcn DEFEN.E. lo<br />
I873, alter an absen@ ol six yea6 lrom cness. BIRD<br />
played a malcn Mrh wrsEx. 'Having fo.gotteo<br />
familiar openin8s, I comnerced adopling rBP lor<br />
nrst mo!e, and linding n bd <strong>to</strong> highly inreresring<br />
gamcs oul ofthe usual groove,l be€me parrial lo<br />
ir. Birdhadalsolorgoitentrnlamiliaropenings.lor<br />
I 14 (siven <strong>by</strong> LUC!N^) had been played <strong>by</strong><br />
rouRDoNNNs, MLLAMS, and others of that Period.<br />
Hoaever Bird\ consistent adoption of the move<br />
led <strong>to</strong> its bemming a slanda.d opening, allhough<br />
never poPular. (see BAUET.)<br />
BISGUTER, ARTHUR BERNARD 0929 ),<br />
American player, Inlcrnational Grmdnaster<br />
(1957). winner or the Us chanpionship in 1954<br />
andolthe Swiss systen US Open Ch<strong>amp</strong>ionships<br />
-of1950, 1956, and 1959, he played for his comtry<br />
in 6ve Ollmpiads from 1952 <strong>to</strong> 1972. His besl<br />
loumanent achievenenl was in the us cham<br />
pionship 1962-3. a s{ond pl.ce (+6=6-l) after<br />
rrs.!R. and hisbest<strong>to</strong>urnamentwinswereatNew<br />
York 1955, whcn hc and !!aNs came equal lirst<br />
aheadorREsHEvs(t, and ar Lone Pine 1973. a Swiss<br />
BIsfloP, a minor piece represented <strong>by</strong> the symbol<br />
B or the ngurine A . It is a line pi€ce that is<br />
moved on diagonals ofonc @lour and can neilher<br />
oEupy nor altack ihe 32 squares of lhe opposite<br />
colour. On an otherwise enpry board il controls an<br />
odd number of sqnares in the range 7 ro 13<br />
depending o. its posilio.. At ihe begi.ning ol tnc<br />
game While\ bishops sland on cl and fl, Black\<br />
on c8 aod 18. Those on c1 and 18 aie dark bisbops<br />
(rhey are moved on dark squarc, and the other<br />
lwo are light bishops. In descriptive nolalio.. and<br />
generally, the bishops on c1 and c8 a.e called<br />
queen! bishops hymbol:OB) and those on i1 and<br />
18 ki.s's bishops (symbol: KB),