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chess-The Oxford Companion to Chess - First Edition by David Hooper & Kenneth Whyld

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308 SHINKMAN<br />

pay no artention <strong>to</strong> this gruesne prool oI his<br />

succ.sstul bid for power until he had linished his<br />

same. His so., ofrhe sane.ame (d.908). was one<br />

ot tbe Poets whose works were edited <strong>by</strong> assnt,<br />

wno gives the following poem.<br />

O thou whos crri. sneeB expEss<br />

Thc ccnsurc oI oui lavourilc .he$-<br />

Its play distaction lion dinres;<br />

ft counsels *adon in rhen d.<br />

When dang.* rbicai, and poih prcsi<br />

Add ynld. us. shen ve need rhem mon<br />

C.mp ions ln our luneIoes.<br />

SI!INKIIi,{N, WILLIAM ANTHONY ( 1847<br />

1933), one oI the greatest l*o Amencan conpos<br />

els of the 191h century. Sam royD N6 the olheri<br />

bul Shinknanwas nore thorough in hiswork and<br />

nore proli6c. He is credited with lheinvention of<br />

the nrsl nulale Gee BLoc(), in 1877. wlile<br />

European composers were largely concemedwith<br />

DIEo GE orthodox problems Shinkman developed<br />

the sELnAE and several new ideasr his<br />

wd the principal influe.@ that kindled DAwsoN\<br />

inlerest in r^ny moELrMs. Shinkman wasbrought<br />

from Bohemia <strong>to</strong> the USA when he was sixilate.<br />

he becane an insuran@ agent, . properly agent,<br />

and, in 1893, City Clerk of Cmnd Rapids,<br />

Mchigan, where he lived throDghonthis adull lifc<br />

and <strong>to</strong> *hi.h he owed his nickname 'ihe wizard of<br />

C'and Rapids. (see ANNrHrunoN; plcuNrNNt.)<br />

A. c. \Nhite, <strong>The</strong> Gotdd Atsory (1929).onrains<br />

600 probleds <strong>by</strong> Shinkman.<br />

SEOGI, the Generals Game. is Japanesc <strong>chess</strong>.<br />

Alihotrgh probably troh the sane aces<strong>to</strong>r as<br />

intemadonal <strong>chess</strong> shoei is unlike any other<br />

regionalvariation. Tbe unchequer€d board h.s 9 x<br />

9 squares. Each playerhas twentypieces (which, in<br />

shogi. ircltrdes pawn, a@nged al rhe slari ol play<br />

as lolloNs lron lelt ro .ight: 66t rank, lance,<br />

knight, sitv6. gold, king, gold, silver, k.ight,<br />

lanei semnd rank, a bishop on tbe second 6le, a<br />

rook on rhe eightb frleithirdrank, ninepaMs. <strong>The</strong><br />

gold, si,v.r, and king were onginauy gold general.<br />

silver ge.eral. and jewelled general hencc the<br />

Generals Gane. <strong>The</strong> king is 6oved like a <strong>chess</strong><br />

king, the gold like a king but not <strong>to</strong> the two squares<br />

diagonauy lo iis iear, the silver one squaredirectly<br />

foN.rds or one square in any dia8onal dnection.<br />

thetnightlikea <strong>chess</strong>knight(i.e. ilisa LEApER) but<br />

only <strong>to</strong> the one or l*o squares tbal lienostnearly<br />

sirai8ht ahead, the lan@ like a rook but only<br />

forward and only on its own file. <strong>The</strong> paMs a.e<br />

moved directly forward one squarc at a ride and<br />

lhey capture in the sane way. A player has the<br />

option olpromoting any piece. othei than his king<br />

or golds, when they are moved in<strong>to</strong>,vithin, or out<br />

oflhe last three ranks: tbe pawns,lances. knights,<br />

Shqi, the inilial aiiay shown on a pocket scl<br />

andsilvers 6ay be promoted <strong>to</strong> golds: the rook and<br />

bishop add the powe6 of ihe king <strong>to</strong> their ownbe.omine<br />

coMurN.D prEcrs Captured piees<br />

chang€ sidesr the caplor holdsthem in (ese e ( in<br />

hand') a.d he nay, with some limitations, drop'<br />

then ar any nne wbere bechooseson the board in<br />

lieu of making a novei dropped pieces lose any<br />

powe6 lhey may prerioustt, havc eained <strong>by</strong><br />

pronotion. <strong>The</strong> object of ihe gane is <strong>to</strong> checkmaie<br />

rhe opponenfs king. Tbe special fearures ol<br />

promotion and dropping hale i.fluenced the<br />

design oI lhe nen. <strong>The</strong>se a.e all ihe same shape,<br />

thin, iat, and 6ve sided wirh one pointed end.<br />

Ow.eship is determined <strong>by</strong> rhe way rhe piees are<br />

placed o. thc board, ea.h player poinins the<br />

pieces in his diredion ol play. <strong>The</strong> nature ol thc<br />

piece is marked on the lace and its promoted<br />

-v.reion on lhe reverse side.<br />

BecaNe pawns lacins onc anothe! are mutuauy<br />

en pr6c, strategy ol rhe kind lamiliar <strong>to</strong> playeB of<br />

inlemariodal cbessis le$ in evidenceiand because<br />

pieccs arc continually reappeanng, edd8anes in<br />

the <strong>chess</strong> sense do not occur. tn A Baok ol Chels<br />

(1973) c. H. oD. vho advocaled<br />

shogi- said n {.s nore ^LEuNDEI. lactical and less positional<br />

lhan ihe iniernalional same. Probablv no other<br />

regional vanation n as poputd in its ountry !s<br />

shogi. Anobstacle <strong>to</strong>nswideracceptanceisth€ use<br />

of ideoCrans, nany bearing a narked resenblane<br />

<strong>to</strong> rhose used in Chinese che$, <strong>to</strong> idenrily rhe<br />

Piees, although Westemized pieces can be found<br />

which sive the ioitial lerter (in Roman) oI each<br />

piece and a symbol showine rhe narure ofih no!e.<br />

Tbere are other versions. Tbe best knoNn is<br />

Middle Shogi which uses a 12 x 12 board and 46<br />

pieceson each sidc <strong>The</strong>re are 1vo <strong>to</strong>ms ot Gieat<br />

Shoei, on a 13 x 13 boardsith 3,1pieces oron a 15<br />

x 15 board silh 65 piees each. tnrger versions<br />

have a 19 x 19board wnh 96 pieces each. ora25 x<br />

25 board witn 1?7 pieces each.

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