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304 SELF,BLOCK<br />
<strong>to</strong>tne Lalinl"trz. Tbeauthor'srealname*asDuke<br />
Auguslus oi Lnneburg. later Duke ol Brunsqick<br />
(an ances<strong>to</strong>r of one of MoRpr('s opponcnrHee<br />
TnENDD cAM4. A man of asionishing achievenenrs.<br />
he entered lhe universny ol Roslock at the<br />
age ol 14, soon gale an oration lasdng nca.ly an<br />
hour. and aas made Reclor shortly alieBards. A<br />
year lalcr hc moved <strong>to</strong> Tnbi.gen and was again<br />
made Redor. Alter lwo yeas he went <strong>to</strong> the<br />
AcadenyoiStrasburgwherehisbrolherFranzwas<br />
Dean. Fron 1598 ro 1604 ne rrarelled almosl<br />
continuously: he went <strong>to</strong> Padua. Florence, Naples,<br />
Sicily, Malta. and aU the main courts ofGemany<br />
in his n6r spelli <strong>by</strong> way of Belgiu6, he went <strong>to</strong><br />
attend the coronation oI James I ot Engtand in<br />
1603 and then ro thc court of Henry IV ofFrance.<br />
Hewas marriedthree rimes.lwice 10 pnncesses,<br />
remarrying each tine *ithid a year ofhis previous<br />
wile s death. Founder oI lhc famons Bibliotheca<br />
Augusta in Wolfcnbnttel, he peEonally collecled<br />
and linanced .ich addnions irom Gernany,<br />
Fra.ce, Spain, It.ly, and Belgjun As Duke ol<br />
Brunswicl he sas regarded as a good a.d wise<br />
rulcr. He o€gotiated witb the Kaiser for the<br />
renoval o<strong>to</strong>ccupation hoops from woltcnbiittel,<br />
which he made his rcsidence, r€bnilding the old<br />
SDLF-BLOCK, an obstruction in the xrNrfs FrErD<br />
<strong>by</strong> a man of the same colour. Tbe tern G mo.e<br />
freqtrenlly used <strong>by</strong> conposers than <strong>by</strong> playe$.<br />
SELI.MATE, lormerly suinale- a prohlen in<br />
which While moves nst and iorces Black <strong>to</strong><br />
give mate, a stipulatjon indicatcd <strong>by</strong> lhe slmbot<br />
siG+). <strong>The</strong> idea dales riom medieval tines.<br />
A problen <strong>by</strong> pEr(ov that won n6l prize i. lhe<br />
S.hd.h-E ro <strong>to</strong>urney.l9?3. After the key.1BI1,<br />
the.earetsomainvanadons: 1...Ne3 2Ne6+<br />
Kc6 3Qxds+Nxd5 4Nd4+k5 5Nc2+Kc6 6<br />
Nh4+ Nxb4. and 1 ... Ne1 2 NxB+ Kc6 3<br />
Nd4+ Kc5 4ltxd5+ Bxd5 5Ne2+Kc6 60c4+<br />
Bxc4. In the second variadon the kcy. I Bfl,<br />
beomes a .RrrrcAr MovE. and 5 Ne2+ an d r*r'R<br />
(See ANNrsrLAroN. MAXTMUNMB. and thc problem<br />
gilen under vr ADrMrRovr and compare REtsLtx<br />
SELF-PIN, a conposer's term for a move that<br />
places a 6an so that it becomes pinned in the<br />
composeassense ofthe sord. i.e. Pinned againsla<br />
SELF-STAIENI-{TE, the stalemate of a play€as<br />
o*n kidg soughr inteniionally- the delender's aim<br />
in sone kinds orhasic cndgame. (Se sAuMAE.)<br />
For some ingenious sell-sialemates in sludies see<br />
RUSNE(, EMrc PhY, ANd UN<br />
SEMT.BENONI,22, properly called tbe BrochDE<br />
VARhTION iN thE BENONI DEENCE.<br />
SEMI-CLOSE CAME, an openine in wnich White<br />
connencesld4andBlackdoesnotreplyl...d5.<br />
SEMI-ITAIIAN OPEMNC. 494, atso known 6<br />
the Lesser Giuoco Piano or Half Ciuoco Piano<br />
Blackplays3. . d6inslcadof 3...Bc5.leading<br />
ro play noiunlike that in rhe H<br />
SEMI-MERAN, any oder move in the posilio.<br />
where 6 dx.4in<strong>to</strong>duces rhe VERAN vARrarn)N.<br />
68.<br />
SEMI-OPEN GAME, an opening in Nhich White<br />
plays 1 e.l and Black does not reply 1 . . . e5.<br />
SEMI-SLAV DEFENCE,63 in rhe auEEN s GAMBTT<br />
Declined. In rhis case, unlike so6e \e6i opcnings,<br />
tbe lutl Sla! is played sith the added mole<br />
. . Per-c6. Black th.eatens <strong>to</strong> caplure and <strong>to</strong><br />
defend, temporanly or otbesne. the ganbil<br />
parvni tbus gaining active play on rhe queen-sside<br />
1as, iorelanple, in the ABRAFAMS !AR'AToN.66).<br />
white may loresiallthis ihreat <strong>by</strong> playingPe2-e3<br />
which. hoseve., shurs in his dark bishop. Blacl<br />
nay regard this as a sufiicient gain and play rhe<br />
vARrAroN (76. ?7).<br />
aiming<strong>to</strong> lree hh game br lhe advance oI his e- or<br />
c-paNn. on tbeotherhand. and nore comnonly.<br />
Black cbooses theconbativeMIRAN vARrAroN- 68<br />
Whitc may forestau rhis line bt playine, lor<br />
ex<strong>amp</strong>le. rhe ^NrlMEtuN<br />
GAMBTTorrhe u*SEALL<br />
<strong>The</strong> Semi-Sla!. mcntioncd <strong>by</strong> sarrro, was<br />
almosl ignored unril plomoted <strong>by</strong> csrGoR'N a.d<br />
ALdrN in the 1890s, but popul.r aeeptance came<br />
only in lhe 1920s. (Scc nLc(ASF-s.)<br />
SEMI-TARRASCMARTATION. 85 in rhe<br />
auEEN s cAMBn Declined. a line that al one rimc<br />
often ransposed <strong>to</strong> thc main line ol the TARRAS.H<br />
DEFENCE. 56, io which Black delends an tsoL^rED<br />
auEEN s p^NN. <strong>The</strong> udlonunate prelix was added<br />
when nasters found that the continuadon 5 cxd5<br />
Nx(s led <strong>to</strong> a ga6c wilh chaiacleristics difierent