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chess-The Oxford Companion to Chess - First Edition by David Hooper & Kenneth Whyld

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304 SELF,BLOCK<br />

<strong>to</strong>tne Lalinl"trz. Tbeauthor'srealname*asDuke<br />

Auguslus oi Lnneburg. later Duke ol Brunsqick<br />

(an ances<strong>to</strong>r of one of MoRpr('s opponcnrHee<br />

TnENDD cAM4. A man of asionishing achievenenrs.<br />

he entered lhe universny ol Roslock at the<br />

age ol 14, soon gale an oration lasdng nca.ly an<br />

hour. and aas made Reclor shortly alieBards. A<br />

year lalcr hc moved <strong>to</strong> Tnbi.gen and was again<br />

made Redor. Alter lwo yeas he went <strong>to</strong> the<br />

AcadenyoiStrasburgwherehisbrolherFranzwas<br />

Dean. Fron 1598 ro 1604 ne rrarelled almosl<br />

continuously: he went <strong>to</strong> Padua. Florence, Naples,<br />

Sicily, Malta. and aU the main courts ofGemany<br />

in his n6r spelli <strong>by</strong> way of Belgiu6, he went <strong>to</strong><br />

attend the coronation oI James I ot Engtand in<br />

1603 and then ro thc court of Henry IV ofFrance.<br />

Hewas marriedthree rimes.lwice 10 pnncesses,<br />

remarrying each tine *ithid a year ofhis previous<br />

wile s death. Founder oI lhc famons Bibliotheca<br />

Augusta in Wolfcnbnttel, he peEonally collecled<br />

and linanced .ich addnions irom Gernany,<br />

Fra.ce, Spain, It.ly, and Belgjun As Duke ol<br />

Brunswicl he sas regarded as a good a.d wise<br />

rulcr. He o€gotiated witb the Kaiser for the<br />

renoval o<strong>to</strong>ccupation hoops from woltcnbiittel,<br />

which he made his rcsidence, r€bnilding the old<br />

SDLF-BLOCK, an obstruction in the xrNrfs FrErD<br />

<strong>by</strong> a man of the same colour. Tbe tern G mo.e<br />

freqtrenlly used <strong>by</strong> conposers than <strong>by</strong> playe$.<br />

SELI.MATE, lormerly suinale- a prohlen in<br />

which While moves nst and iorces Black <strong>to</strong><br />

give mate, a stipulatjon indicatcd <strong>by</strong> lhe slmbot<br />

siG+). <strong>The</strong> idea dales riom medieval tines.<br />

A problen <strong>by</strong> pEr(ov that won n6l prize i. lhe<br />

S.hd.h-E ro <strong>to</strong>urney.l9?3. After the key.1BI1,<br />

the.earetsomainvanadons: 1...Ne3 2Ne6+<br />

Kc6 3Qxds+Nxd5 4Nd4+k5 5Nc2+Kc6 6<br />

Nh4+ Nxb4. and 1 ... Ne1 2 NxB+ Kc6 3<br />

Nd4+ Kc5 4ltxd5+ Bxd5 5Ne2+Kc6 60c4+<br />

Bxc4. In the second variadon the kcy. I Bfl,<br />

beomes a .RrrrcAr MovE. and 5 Ne2+ an d r*r'R<br />

(See ANNrsrLAroN. MAXTMUNMB. and thc problem<br />

gilen under vr ADrMrRovr and compare REtsLtx<br />

SELF-PIN, a conposer's term for a move that<br />

places a 6an so that it becomes pinned in the<br />

composeassense ofthe sord. i.e. Pinned againsla<br />

SELF-STAIENI-{TE, the stalemate of a play€as<br />

o*n kidg soughr inteniionally- the delender's aim<br />

in sone kinds orhasic cndgame. (Se sAuMAE.)<br />

For some ingenious sell-sialemates in sludies see<br />

RUSNE(, EMrc PhY, ANd UN<br />

SEMT.BENONI,22, properly called tbe BrochDE<br />

VARhTION iN thE BENONI DEENCE.<br />

SEMI-CLOSE CAME, an openine in wnich White<br />

connencesld4andBlackdoesnotreplyl...d5.<br />

SEMI-ITAIIAN OPEMNC. 494, atso known 6<br />

the Lesser Giuoco Piano or Half Ciuoco Piano<br />

Blackplays3. . d6inslcadof 3...Bc5.leading<br />

ro play noiunlike that in rhe H<br />

SEMI-MERAN, any oder move in the posilio.<br />

where 6 dx.4in<strong>to</strong>duces rhe VERAN vARrarn)N.<br />

68.<br />

SEMI-OPEN GAME, an opening in Nhich White<br />

plays 1 e.l and Black does not reply 1 . . . e5.<br />

SEMI-SLAV DEFENCE,63 in rhe auEEN s GAMBTT<br />

Declined. In rhis case, unlike so6e \e6i opcnings,<br />

tbe lutl Sla! is played sith the added mole<br />

. . Per-c6. Black th.eatens <strong>to</strong> caplure and <strong>to</strong><br />

defend, temporanly or otbesne. the ganbil<br />

parvni tbus gaining active play on rhe queen-sside<br />

1as, iorelanple, in the ABRAFAMS !AR'AToN.66).<br />

white may loresiallthis ihreat <strong>by</strong> playingPe2-e3<br />

which. hoseve., shurs in his dark bishop. Blacl<br />

nay regard this as a sufiicient gain and play rhe<br />

vARrAroN (76. ?7).<br />

aiming<strong>to</strong> lree hh game br lhe advance oI his e- or<br />

c-paNn. on tbeotherhand. and nore comnonly.<br />

Black cbooses theconbativeMIRAN vARrAroN- 68<br />

Whitc may forestau rhis line bt playine, lor<br />

ex<strong>amp</strong>le. rhe ^NrlMEtuN<br />

GAMBTTorrhe u*SEALL<br />

<strong>The</strong> Semi-Sla!. mcntioncd <strong>by</strong> sarrro, was<br />

almosl ignored unril plomoted <strong>by</strong> csrGoR'N a.d<br />

ALdrN in the 1890s, but popul.r aeeptance came<br />

only in lhe 1920s. (Scc nLc(ASF-s.)<br />

SEMI-TARRASCMARTATION. 85 in rhe<br />

auEEN s cAMBn Declined. a line that al one rimc<br />

often ransposed <strong>to</strong> thc main line ol the TARRAS.H<br />

DEFENCE. 56, io which Black delends an tsoL^rED<br />

auEEN s p^NN. <strong>The</strong> udlonunate prelix was added<br />

when nasters found that the continuadon 5 cxd5<br />

Nx(s led <strong>to</strong> a ga6c wilh chaiacleristics difierent

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