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chess-The Oxford Companion to Chess - First Edition by David Hooper & Kenneth Whyld

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18 ATKINSON VARIATION<br />

N.4 7Bxc7Qxe? 3Nxe4dxe4 9Nd2f5 10Be2G0 ll<br />

(r0e5 12d5Rl6 Ba3ral6 14s3Os5 15Ob3Rh3 16<br />

Ks2 Qh6 1? Rh1 Nl6 13 Oc2 Bd7 l9 Kgl f4 20 cxf4<br />

cxta 2r Nxea Nka 2 QIea<br />

,.?&AW rur<br />

in<strong>to</strong> @mmon usage !o denole a coward or<br />

AUSTRIAN ArTAClq 6?9, one ol the 6osr<br />

PoPular v.riadom lor White vhen he plays againsl<br />

the FRC-RoBAECE sysEM. Known since the gane<br />

Tarrasch-Charouek, Nurembers 1896, this iine<br />

was developed <strong>by</strong> the Vienrese playes Ha.s<br />

Mnler (189G1971) and DncrcrEN.<br />

AUSTRTAN ITEFENCE. 34. in rhe ouEN's cAMBn<br />

Declined, $nelines called the Symmelrical De-<br />

{eoe. Slenming frcm sAlvro, it was studied <strong>by</strong> the<br />

Aust.ians Haberditz, E.trst cRtNrErD, and Hans<br />

Mnller (189G1971).<br />

22...Re3 23OBfigl 2,lt\s3Ob6+ 25c5 Ox.s+ 26<br />

QD Ord5 27RdlQc6 23BBBC6 29 Bxc6 Qrc6 30<br />

Rrr ad7 3r Qia7b6 r2Qb7Rh6 IOaRfrt 34Ob3+<br />

Kn3 35R 6 gxf6 36OAOd2 White rcsisD.<br />

AI(INSON VARTATION, 309, interesting b!1<br />

usoutrd line played <strong>by</strong> Walre. Alkitr$n 086G<br />

1939) oi Hull; ii was abandoded afier one<br />

appeara.@ in naster play (Vergani Blackbume,<br />

ATTACK, (1) an active threat. Its propo.tion may<br />

ranAe f.om a sinAle move <strong>to</strong> a sustained assa t on<br />

the o.emy ti,goro. sme other targel laling lor<br />

mosl of the gane. Artacks of short dualion arc<br />

usually c.Iled curs and they Gor ireque.tly in<br />

all games. Altacks of longer duration, ofien<br />

localized o. a dank or i. the cenlr€, a.e not<br />

neessanly taclical throughout. A player may<br />

pause 10 safeguard some pan oI his positiotr, io<br />

prevont@urteratt.cta and there are $me artacks,<br />

e.g. the MNow AflacR, which may be carricd ont<br />

<strong>by</strong> means of seemitrgly quiet tutrenvres.<br />

AITACT, (2) a term for an openi.a varia(on<br />

idtiated <strong>by</strong> white. (compare DEFENcE (2).)<br />

ArwOOD, GEORGE 074G1807), dislinguished<br />

English nathematician whose pupil William Pitt<br />

rhe YounSe. rewarded hin with lhe post of Patcnt<br />

Searcher ofthe Cus<strong>to</strong>ms- He played nany games<br />

with PEiL'@R, including th€ ldt lhal the French<br />

man played, aDd .emrded lhe moles of maf,y<br />

Sames <strong>by</strong> Philidor and orher players ai a time when<br />

this {6 nol otheNie done: these manusdipl<br />

sores eve.tMlly reached Georgc wALGRi who<br />

published lheE. Arsood also ptayed agai.sl<br />

vERDoNr in 17%. ln siene he is renenbered for<br />

th€ Atwood apparatu, which demonstrates certain<br />

characte.isliB of lhe las of grality.<br />

AUEIN. a middlc-English rerm lor rhe bishop\<br />

aoces<strong>to</strong>r. the ^LFrL<br />

or PiL. a 2.2. (V8) LEApFB.<br />

Becaus contemporary players were ofietr catrghl<br />

ont <strong>by</strong> the lcap of this weak piece the 1em passed<br />

AUTOMATON, a machine that appeaa lo Play<br />

che$. <strong>The</strong> ongi.al and most laoous, the ruix.<br />

u.veiled in 1769, rd also lhc li.st great cabinei<br />

illusion and there<strong>to</strong>ro of importmce <strong>to</strong> the his<strong>to</strong>ry<br />

ofnagic, As with ils sucesoB, the nosr tanous<br />

being {EEB and MEpHsrc, the exhibi<strong>to</strong>r demonn<br />

r.ated thal no one could be @n.ealed inside the<br />

human looking tgu.o. After being clo*d trp th€<br />

nachin. mored the chesnetr *hen it Played<br />

membes ol lhe Public.<br />

<strong>The</strong> only genuine che$ playing machinc made<br />

before the eleclronic agc, 6rst shown al the end ol<br />

the l9th entury and still in porking order, is<br />

hoNed tu ihe Polytehnic Museum in Madrid.<br />

Much ot rhe worl of its invcn<strong>to</strong>r L.onardo Torrcs y<br />

Ouevedo (1852-1936) w6 subsidized <strong>by</strong> the Spanish<br />

Cove.nnent. (His di.i6b1e, lhe Astra Tores,<br />

was used <strong>by</strong> France durinstne Fist World War.)<br />

His ciess playing machine is reslricled <strong>to</strong> ihe<br />

endgame kirg atrd rook vesus ldng, nor becaue<br />

the Spanish word for rook is <strong>to</strong>ne. but becaue<br />

eracl rules for the winning proccdure are tnown.<br />

<strong>The</strong> machine always takes White and is switched o.<br />

when Black moves his king. Tbe best move is<br />

calolated <strong>by</strong> a pemanent progran and the<br />

machine phlsiely noles a pie@ before switchi.g<br />

off. Larer Tores added a sond lrack which said<br />

' o quhrc juEat tui!, t desprc.,,'(I don t wish ro<br />

play turtier, I scom you) iI an opponenr made an<br />

ilegal nole for the third limc . ioque al rcr' N\e.<br />

giving check, and 'aare' at the end. <strong>The</strong> nachi.e<br />

rhe. ptrts the pieces on rhen srarting squares and<br />

verbaly offeb <strong>to</strong> play again,<br />

Bradloy Ewarr. Ches: Man vs. Machine (San<br />

Diego, 1980).<br />

AtIw. se<br />

^r<br />

r rMw^Nn, 'N.;<br />

AUXILIARY SCORING METEODS, wa'B of<br />

deciding <strong>to</strong>umanent placinSs other lhan <strong>by</strong> means<br />

oI the nomal s@rins (wjns 1, draws 1,losses 0) and<br />

commo.ly known as tie-breaki.g methods frcm<br />

thei. nore rece.t usage. Originally they were<br />

intended <strong>to</strong> supplanl the notual sore <strong>to</strong>r aI<br />

pumoses. <strong>The</strong> basic principle is that wins aeainsl<br />

high{corers should be valued ahove wins agai,sl<br />

back na.kers. (Few thought that loses might have<br />

a sinilar hierarchy.) <strong>The</strong> fr6i dctrmented pro-

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