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16 ARBIIER<br />
A problcm fron an Aiabic or Pcrsian manrscnpt<br />
darcd 1257. While is <strong>to</strong> playand nale. <strong>The</strong> pieces<br />
shoNn as bisnops and queen are FiLs (A) and<br />
rrRzaN (F) EsPecrively.<br />
l Acr-a3+ Kc6 2 Ne5+ (b? I Rh?+ Ka8<br />
,{ Nc6 Rb7 5 Rb1. and the Arabian mate occurs<br />
i.1wovariations:5...Rxbl 6Ra7,5 .Rxhl<br />
ARBITER, a suFerlisorwho enlorces the lass and<br />
rules in a 6arch or <strong>to</strong>urnanent. He may pcnalize<br />
infringemcnrs and settle dispulcs. Competi<strong>to</strong>rs<br />
secking intemation.l nles ma, expect a <strong>to</strong>urna<br />
mcnr ro be recognized <strong>by</strong> FIDE, otherwise thcn<br />
results are not counted lor r dng purposcs. To<br />
obhinrecognilion anarbnernusl abidebrFIDE\<br />
rules, bul he is nol requircd <strong>to</strong> hale the lnle oI<br />
ARCENTTNE VARIATION. 92. nr the auENs<br />
cAMBr Decti.ed as in thc ?th natch gane<br />
Capablanc. Ale*hnrc, Buenos Aires. 1927 Also<br />
269 in the sq'-'AN DLrrN.E. <strong>The</strong> latter. sometnnes<br />
callcd the Gdteborg Vanation. Nas a prepared line<br />
which theArgenri.c playeBNdDoRF, PAN\o- and<br />
prlNr( inrroduced simultaneously in lhc iourtcenth<br />
round of the Interzonrl <strong>to</strong>ur.amcnt, GateborS<br />
1955 <strong>The</strong>n Soviet opponcnisi rtRts, GELLER, ind<br />
swslov respcctivcly. were able <strong>to</strong> lol1.{ one<br />
anolhcas games bt observing lhc dcmonsiration<br />
boards f<strong>to</strong>m rheirseats. All rhrce ganresconlinued<br />
10lxg5 NldT 11 N!c6 (playcd 6rsr <strong>by</strong> Geler) I L<br />
. . [\e6 12 Oh5+ (fS l:l Bb5 (plnted nrst b,<br />
Kerer'lhcnplayvaded: P.nnocontinued 13. . .<br />
Ne5 expecting 1.1 0 0+ whi.h the Argendni.ns.<br />
when preparine this line. believerl would lavour<br />
Blach; but Gcller replied 14 BCI Naido and<br />
Pitnik tried l:l .. Kg?. whi1. Non aU three<br />
ARLAUSTAS, RONIANAS (191, ). Interna<br />
tional Giandnlsrer of Correspondence <strong>Chess</strong><br />
(1965). Hc caflEd the litle bv his perlormancc in<br />
thc 4rh World C.rresponde.c. Chalnpionship.<br />
1962 5 in which h. camc lhird aier z^coRolsn<br />
and BoRrsrNrc. A Daiile olLilhuania. Arlauskas<br />
sclrlcd in Australia around 1949.<br />
ARONIN, LEV SOLOMONOVICIi (1120 82)-<br />
Solier playcr from Kui<strong>by</strong>shev, htemarional Mas<br />
tcr (1950), engineeFnereorologisl Bcginning nr<br />
1941 he qualned ior and playcd in eighl Soviet<br />
cbanpionships; in 1950. at bis fourth attenpt, h.<br />
ied for sccond place (+9=1 ,1) hall a poirt<br />
behind ihe Binner ruREs, bul Non more games<br />
ihan anvone else. H. shared lirst place wLh<br />
mocrus in thc RSFSR (Rusian Fedeiltioi)<br />
Chanpionships in 1952 ard won the Mos.o{<br />
Ch<strong>amp</strong>ionsbip in 1965.<br />
ARONIN-TAIMANOV VARIATION, 201, sra.-<br />
dard line in rhe (Nc s r._DrAN DErLNcr that lircl<br />
became popular id fie 1950s.<br />
ARRANCEMENT, achcss puzlc: lhe solveris t!<br />
construclaposirionassripulated tbereisnoPla!.<br />
One olthc carliest kno*narrrngenen$is gilen in<br />
a maDnscdpr oI (.1170: placc 16 ahire .ERsEs on<br />
the botd so that ifthe black king were <strong>to</strong> srandon<br />
.ny onc of rhe 48 vacant squfues ir qould bc<br />
chcckmared. <strong>The</strong> ferses .re ro be placcd on br, c7,<br />
fl.97, b6, c6,16, g6- bl, .3, R. e3, b2. c2,12, and<br />
92. For somc othcr arrangenents see Elcnr<br />
olEc.Rs PlzzrE, Lrcsl olEENs PUZTI r. and.(iHr<br />
ARRAY, tbe arr.ngement of plc.cs and pa$ns al<br />
the beginning oI a ganre. Each playerhas a king- a<br />
queen, two bhhopsi tNo knighls, lNo rooks. and<br />
cighl pawns arranged.s shosn.n thc diagram. II<br />
during a game $e array is lound <strong>to</strong> have been sel<br />
up incorrecdt rhen lhe game sball be innulled<br />
t'&trur.*r.<br />
twfrru.^'&<br />
ART AND CHESS. Since nedievaltnncs <strong>chess</strong>b.s<br />
been a popular subjecl ol rhc visual arls. Al ii6t<br />
uscd allegoically, it later became a lehlclc for<br />
portraling human emotions and pcrhaps a means<br />
of Leeplng models relirively still lor length!<br />
neriods. 'l'he nate oi lh. eame was conBonly<br />
irdicated <strong>by</strong> lacial exrrcsions lroB nutual lrappi'<br />
ne$ <strong>to</strong> phlsicil violence. Sonelires thc Players<br />
are n nrn lnd a woman using chcss <strong>to</strong> disguise a<br />
more poNlar game <strong>The</strong>re arc courtly sceneslamilyscenes,<br />
rEderolppo raits. Absfacraiihh<br />
have also used chcss, notably Willi Baunrcister,<br />
Juan (nis. and PauL Klee lhc conlenporary<br />
Italian artin Johnny Raldini creates paiddngs <strong>by</strong><br />
liNt tracing the molcs ol a specilic Cane on a<br />
board like graph and lhen developing .olour and<br />
line !s thc Civen mateial seems <strong>to</strong> denrand<br />
anrongrhe more lanous artha lo use che$ arc<br />
Solhonisba Anguisciola. Paris Bordode, Georgcs<br />
Braque. Richard Dadd. Honord Daumicr, EugCne<br />
Delacroix. DlcHAvr, Thom.s Erkirs. Fran.esco<br />
di Giorgi., Lucas van l-cydcn, van Loo. Reni<br />
Magdrte, Henri Mathse, Karel van Mander,<br />
Jean Louis Eilcst Meissoniei, Johi Sirger Sar<br />
sent- a.d Vic<strong>to</strong>r vasarelv lhere hale bee.<br />
iculptures. nor blr <strong>by</strong> Max Emn. Carroo$,<br />
posre6, mosaics, tapcstries, book plates, g1a$, and<br />
illuminltcd maDuscipls nlso shov chcs thcnes<br />
Roesler, Cr.s itr,1, (1971) lisls 3l6paintings and