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INTERNATIONAL<br />

NEW TITLES<br />

<strong><strong>20</strong>19</strong>/<strong>20</strong>


NEW TITLES<br />

4/5<br />

Andreas Nierhaus, David Schreyer<br />

Los Angeles Modernism<br />

Revisited<br />

Houses by Neutra, Schindler, Ain, and<br />

Contemporaries<br />

8<br />

Andres Lepik, Daniel Talesnik (eds)<br />

Access for All<br />

São Paulo‘s Architectural Infrastructures<br />

10/11<br />

Pamela Johnston, Johan Celsing (eds)<br />

Johan Celsing<br />

Buildings, Texts<br />

14<br />

Jesús Vassallo<br />

Epics in the Everyday<br />

Photography, Architecture, and the Problem<br />

of Realism<br />

16<br />

Emeric Lambert, Brice Chapon (eds)<br />

Architecture as Environment<br />

Parc architectes<br />

18<br />

ZHAW Institute of Contructive Design<br />

(ed.)<br />

At Home in Steel<br />

Residential Construction in Steel—Thoughts on<br />

Space and Structur<br />

Daniel Stockhammer, Astrid Staufer,<br />

Daniel Meyer, ZHAW Institute of<br />

Contructive Design (eds)<br />

Building Additions in Steel<br />

The Architecture of Vertical Extensions<br />

6/7<br />

Markus Peter, Ulrike Tillmann<br />

Hans Scharoun and the<br />

Development of Small<br />

Apartment Floor Plans<br />

The Residential High-Rises Romeo and Julia<br />

1954–1959<br />

9<br />

Non-Referential Architecture<br />

Ideated by Valerio Olgiati—Written by Markus<br />

Breitschmid<br />

12/13<br />

Angelo Candalepas (ed.)<br />

Angelo Candalepas<br />

Buildings and Projects<br />

15<br />

Eva Guttmann, Gabriele Kaiser, Claudia<br />

Mazanek (eds)<br />

Shifting Patterns<br />

Christopher Alexander and the Eishin Campus<br />

17<br />

Monika Platzer<br />

Cold War and Architecture<br />

The Competing Forces that Reshaped Austria<br />

after 1945<br />

19<br />

Wienerberger AG (ed.)<br />

Brick <strong>20</strong><br />

Outstanding <strong>Intern</strong>ational Brick Architecture


<strong>20</strong><br />

Mikael Bergquist<br />

Josef Frank—Villa Carlsten<br />

With photographs by Mikael Olsson<br />

Rafaël Magrou, Ateliers O-S Architectes<br />

(eds)<br />

Lever de rideau<br />

A theatre in Cachan<br />

22<br />

Aglaée Degros, Stefan Bendiks<br />

Traffic Space is Public Space<br />

A Handbook for Transformation<br />

Harry Gugger, Sarah Barth, Augustin<br />

Clément, Alexandros Fotakis, Tiago Trigo<br />

(eds)<br />

Fez Lessons<br />

Industrious Habitat. Teaching and Research<br />

in Architecture<br />

24<br />

Martin Fröhlich, Anja Fröhlich, Tiago P.<br />

Borges, Sebastian F. Lippok (eds)<br />

Plans and Images<br />

An Archive of Projects on Typology in<br />

Architecture <strong>20</strong>13–<strong>20</strong>18<br />

21<br />

G8A Architects (eds)<br />

Contrast and Cohesion<br />

G8A Architects<br />

23<br />

ChartierDalix (eds)<br />

ChartierDalix. Hosting life<br />

Architecture as an ecosystem<br />

h2o architectes, Building Paris (eds)<br />

Modern Modern<br />

The rehabilitation of the Musée d’Art Moderne<br />

de Paris by h2o architectes<br />

25<br />

Stéphane Fernandez, Building Paris (eds)<br />

Imperfection. Atelier Stéphane<br />

Fernandez<br />

Michel Carlana, Luca Mezzalira, Curzio<br />

Pentimalli<br />

Quirino De Giorgio<br />

An Architect’s Legacy<br />

Séverine Marguin, Henrike Rabe,<br />

Friedrich Schmidgall<br />

Experimental Zone<br />

An Interdisciplinary Investigation on the Spaces<br />

and Practices of Collaborative Research<br />

26<br />

Michelangelo Sabatino, Napoleone<br />

Ferrari<br />

Carlo Mollino<br />

Architect and Storyteller<br />

Anna Bokov<br />

Avant-Garde as Method<br />

Vkhutemas and the Pedagogy of Space,<br />

19<strong>20</strong>–1930<br />

NEW TITLES 2/3


Two Austrian-born designers have left their indelible mark on<br />

California’s residential architecture of the 1930s to 1960s: Richard<br />

Neutra (1892–1970) and Rudolph M. Schindler (1887–1953)<br />

combined modern form and inventive construction with <strong>new</strong><br />

materials to create a truly modern vision of living that remains<br />

inspirational to the present day.<br />

This book features twenty famous and lesser known houses<br />

from that period, designed by the two pioneers and other architects<br />

that were influenced by Neutra’s and Schindler’s ideas. All<br />

are marked by highly economical use and outstanding quality<br />

of space, a minimalist aesthetic, and by their ideal adaption to<br />

climatic conditions. They are monuments of a period as well as<br />

timeless models for contemporary and future architecture.<br />

The images show the buildings in their present state, highlighting<br />

their nature as actively used living spaces where alterations<br />

to original designs have been made rather than as preserved<br />

monuments. The texts explore the relationship of the present inhabitants<br />

to their homes and what they mean to them. Together,<br />

the authors offer uniquely intimate insights into a sophisticated<br />

way of life still too little known outside California.<br />

Californian way of life: intimate<br />

contemporary insights into LA’s<br />

sophisticated modern homes of<br />

the 1930s to 1960s<br />

Andreas Nierhaus is a scholar of art history and<br />

a curator for architecture and sculpture at Vienna’s<br />

Wien Museum. He is currently also holding<br />

a teaching assignment at Goethe Universität in<br />

Frankfurt (Main).<br />

David Schreyer is an architect and photographer.<br />

He realizes exhibition projects and lectures at<br />

the Faculty of Architecture, Leopold Franzens<br />

University in Innsbruck, Austria.<br />

EN<br />

GE<br />

ISBN 978-3-03860-161-6 ISBN 978-3-03860-160-9


A revisitation of modernist houses by<br />

Richard Neutra, Rudolph M. Schindler and<br />

their contemporaries in California<br />

Newly taken photographs offer uniquely<br />

intimate insights, documenting the buildings in<br />

their present state<br />

Demonstrates the houses’ lasting architectural<br />

quality and shows alterations that have been<br />

made to original designs<br />

Additional floor plans for each featured building<br />

enable a <strong>new</strong> reading of their architecture<br />

Andreas Nierhaus, David Schreyer<br />

Los Angeles Modernism<br />

Revisited<br />

Houses by Neutra, Schindler, Ain, and<br />

Contemporaries<br />

Hardback<br />

256 pages, 199 color and<br />

9 b/w illustrations, 28 floor plans<br />

23.5 × 30 cm (9¼ × 11¾ in)<br />

978-3-03860-161-6 English<br />

978-3-03860-160-9 German<br />

sFr. 49.00 | € 48.00 | £ 45.00 | $ 49.00<br />

November <strong><strong>20</strong>19</strong> (Europe) | February <strong>20</strong><strong>20</strong> (US)<br />

NEW TITLES 4/5


Romeo and Julia, two residential high-rises in Stuttgart, built<br />

1954–59 and designed by Hans Scharoun (1893–1972), constitute<br />

the most original and far-reaching of the various attempts<br />

to re-design the entire “process of living” undertaken by this extraordinary<br />

protagonist of Germany’s modern architecture. Over<br />

decades, Scharoun had woven an extensive network of research<br />

and knowledge systems as a basis for his floor-plan designs.<br />

His writings and lectures from between 1947 and 1958 reveal<br />

the countless threads of research and discourse, which his work<br />

in residential architecture referenced and absorbed. They highlight<br />

the sometimes contradictory, yet constant re<strong>new</strong>al and<br />

consolidation of his knowledge in the field of housing.<br />

This book demonstrates how closely interlocked Romeo and Julia<br />

are with their architect’s immense engagement with the topic<br />

of housing. Based on extensive research and drawing on previously<br />

unpublished archive material, it offers a unique insight into<br />

Scharoun’s design process. Alongside reproductions of original<br />

plans and drawings, it features excerpts from his unpublished<br />

text fragments as well as <strong>new</strong>ly commissioned photo essay that<br />

highlights Romeo and Julia’s highly expressive appearance.<br />

Insights into the design process<br />

and intellectual foundations of<br />

Hans Scharoun, one of the most<br />

extraordinary protagonists of<br />

Germany’s modern architecture<br />

Markus Peter is an architect and founding<br />

partner of Meili Peter Architects with offices<br />

in Zurich and Munich. He also teaches as a<br />

professor of architecture and construction at<br />

ETH Zurich.<br />

Ulrike Tillmann is an architect and architectural<br />

historian. She has been working as research<br />

assistant with Markus Peter’s chair of architecture<br />

and construction at ETH Zurich <strong>20</strong>06–09<br />

and is currently pursuing her PhD at Freie<br />

Universität Berlin.<br />

EN<br />

GE<br />

ISBN 978-3-03860-157-9 ISBN 978-3-03860-156-2


A uniquely comprehensive investigation of<br />

Hans Scharoun’s search for the ideal floorplan<br />

in housing<br />

Documents in detail one of Scharoun’s key<br />

designs in multi-unit housing<br />

Sheds <strong>new</strong> light on Scharoun’s extensive<br />

network of research and knowledge systems,<br />

the foundation of his housing designs<br />

Features rich and previously unpublished<br />

writings, original plans and other archive<br />

material<br />

Markus Peter, Ulrike Tillmann<br />

Hans Scharoun and the<br />

Development of Small<br />

Apartment Floor Plans<br />

The Residential High-Rises Romeo and Julia<br />

1954–1959<br />

With a photo essay by Georg Aerni<br />

In cooperation with Akademie der Künste,<br />

Berlin<br />

Hardback<br />

approx. 232 pages, 106 color and<br />

152 b/w illustrations<br />

22.5 × 32.5 cm (8¾ × 13 in)<br />

978-3-03860-157-9 English<br />

978-3-03860-156-2 German<br />

sFr. 65.00 | € 58.00 | £ 50.00 | $ 65.00<br />

November <strong><strong>20</strong>19</strong> (Europe) | February <strong>20</strong><strong>20</strong> (US)<br />

NEW TITLES 6/7


São Paulo is a prime example among megacities<br />

in emerging countries for how to tackle<br />

major social challenges they face<br />

Presents São Paulo’s prudent and inclusive<br />

policy in urban development and infrastructure<br />

planning<br />

Demonstrates the city’s focus on programs<br />

and usages serving the permanent residents<br />

rather than iconic, tourist-orientated projects<br />

such as museums<br />

Features projects realized and planned since<br />

the 1960s that exemplify the underlying<br />

concepts and strategies<br />

Infrastructures for residents:<br />

São Paulo’s long-term<br />

investment in communal<br />

architecture, a prime example<br />

for how to tackle major social<br />

challenges in mega-cities<br />

Like all mega-cities around the globe, São Paulo faces huge challenges. Yet despite<br />

these manifold and daunting tasks, the Brazilian metropolis has since the 1960s<br />

maintained a prudent policy of investing in communal infrastructure, thus providing<br />

inclusive places and spaces for all of its <strong>20</strong>m-population. While many cities aim for a<br />

“Bilbao-effect” by funding iconic, tourist-orientated projects such as museums or theatres,<br />

São Paulo persistently supports programs and usages that serve its permanent<br />

residents.<br />

This book features a selection of these buildings and projects from five decades. Ranging<br />

from a simple canopy over a public park to vast multifunctional buildings, they provide<br />

spaces for sports and culture, education, healthcare, or gastronomy. Rather than<br />

merely serving a specific purpose, their key role is to be places for people spending<br />

time together.<br />

Andres Leipk is professor of history of architecture<br />

and curatorial practice and director of the<br />

A.M. Architekturmuseum der TUM at Technical<br />

University Munich since <strong>20</strong>12. Prior to this he<br />

has been a curator at Berlin’s Neue Nationalgalerie<br />

and at the MoMA’s department of architecture<br />

and design in New York.<br />

Daniel Talesnik is a research fellow at the A.M.<br />

Architekturmuseum der TUM in Munich. He<br />

graduated in architecture and obtained his PhD<br />

from Columbia University, New York.<br />

Andres Lepik, Daniel Talesnik (eds)<br />

Access for All<br />

São Paulo‘s Architectural Infrastructures<br />

Hardback<br />

224 pages, 181 color and<br />

11 b/w illustrations<br />

21 × 28 cm (8¼ × 11 in)<br />

978-3-03860-163-0 English<br />

sFr. 39.00 | € 38.00 | £ 35.00 | $ 45.00<br />

Available (Europe) | February <strong>20</strong><strong>20</strong> (US)<br />

ISBN 978-3-03860-163-0


Introduces a <strong>new</strong> approach in architectural<br />

thinking<br />

Offers a foundation for conceiving architecture<br />

in a world largely free of ideologies and<br />

references<br />

Highlights the general importance and framework<br />

of architecture today<br />

Valerio Olgiati is one of Switzerland’s most<br />

renowned contemporary architects whose<br />

writings and lectures are received widely<br />

around the world<br />

Valerio Olgiati and Markus<br />

Breitschmid’s manifesto for<br />

a <strong>new</strong> architecture in a world<br />

free of ideologies and,<br />

therefore, references<br />

More than ever, architecture is in need of provocation, a <strong>new</strong> path beyond the traditional<br />

notion that buildings must serve as vessels, or symbols of something outside<br />

themselves.<br />

Non-Referential Architecture is nothing less than a manifesto for a <strong>new</strong> architecture.<br />

It brings together two leading thinkers, architect Valerio Olgiati and theorist Markus<br />

Breitschmid, who have grappled with this problem since their first encounter in <strong>20</strong>05.<br />

In a world that itself increasingly rejects ideologies of any kind, Olgiati and Breitschmid<br />

offer Non-Referential Architecture as a radical, <strong>new</strong> approach free from rigid ideologies.<br />

Non-referential buildings, they argue, are entities that are themselves meaningful outside<br />

a vocabulary of fixed symbols and images and their historical connotations.<br />

For more than a decade, Olgiati and Breitschmid’s thinking has placed them at the<br />

forefront of architectural theory. Indispensable for understanding what the future<br />

might hold for architecture, Non-Referential Architecture has become a <strong>new</strong> classic.<br />

Valerio Olgiati runs his studio in Flims, Switzerland,<br />

working on projects for public and private<br />

clients in various countries. He is also a professor<br />

at Accademia di architettura, Università<br />

della Svizzera italiana in Mendrisio.<br />

Markus Breitschmid is professor of architecture<br />

theory at Virginia Polytechnic Institute and State<br />

University.<br />

Non-Referential Architecture<br />

Ideated by Valerio Olgiati—Written by Markus<br />

Breitschmid<br />

Hardback<br />

144 pages, 1 b/w illustration<br />

11.5 × 18 cm (4½ × 7 in)<br />

978-3-03860-142-5 English<br />

978-3-03860-141-8 German<br />

978-3-03860-143-2 Italian<br />

sFr. 25.00 | € 25.00 | £ <strong>20</strong>.00 | $ 25.00<br />

Available<br />

EN GE IT<br />

ISBN 978-3-03860-142-5 ISBN 978-3-03860-141-8 ISBN 978-3-03860-143-2<br />

NEW TITLES 8/9


One of Sweden’s most renowned contemporary architects,<br />

Johan Celsing has created a diverse body of work that spans<br />

from housing to public institutions such as museums, libraries,<br />

and churches—all of it united by an intense and realistic engagement<br />

with the craft of making buildings.<br />

Johan Celsing: Buildings, Texts is the first book to comprehensively<br />

collect Celsing’s designs. It features both built and unrealized<br />

projects are featured through working drawings and<br />

sketches, watercolors, and images of models, as well as <strong>new</strong><br />

photographs by London-based photographer Ioana Marinescu.<br />

In addition to more than seven hundred illustrations, the buildings<br />

are discussed in essays by architects, educators, and critics<br />

including Wilfried Wang, Claes Caldenby, Katarina Rundgren,<br />

and Elizabeth Hatz. The book also offers a selection of Johan<br />

Celsing’s own writings.<br />

The work and vision of Johan Celsing,<br />

one of Sweden’s most renowned<br />

contemporary architects<br />

Pamela Johnston is a London-based editor who<br />

works with architects and architectural schools<br />

and institutions around the world.<br />

Johan Celsing, born 1955, runs his own studio<br />

in Stockholm with a branch office in Malmö.<br />

He graduated as an architect from Stockholm’s<br />

KTH Royal Institute of Technology, where he has<br />

been appointed a professor of architecture in<br />

<strong>20</strong>08.


First-ever monograph on Johan Celsing, one<br />

of Sweden’s most renowned contemporary<br />

architects<br />

Lavishly illustrated photographs, sketches,<br />

watercolors, and working drawings<br />

Features rich previously unpublished material<br />

Pamela Johnston, Johan Celsing (eds)<br />

Johan Celsing<br />

Buildings, Texts<br />

Hardback<br />

approx. 448 pages, 600 color and<br />

170 b/w illustrations<br />

<strong>20</strong> × 27.5 cm (7¾ × 10¾ in)<br />

978-3-03860-170-8 English<br />

sFr. 85.00 | € 77.00 | £ 70.00 | $ 85.00<br />

May <strong>20</strong><strong>20</strong> (Europe) | July <strong>20</strong><strong>20</strong> (US)<br />

ISBN 978-3-03860-170-8<br />

NEW TITLES 10/11


Today one of Australia’s leading architects, Angelo Candalepas’s<br />

career lifted off in 1994, when he gained wide recognition for his<br />

winning submission to the international competition for housing<br />

in Sydney’s Pyrmont neighborhood. Over the course of twentyfive<br />

years, the buildings of Sidney-based firm Candalepas<br />

Associates have won numerous awards and have been widely<br />

published internationally in magazines and journals. They show<br />

a development of architectural considerations drawing upon the<br />

heritage of past masters such as Louis I. Kahn, Carlo Scarpa, or<br />

Le Corbusier, and that of eminent Australian architects Glenn M.<br />

Murcutt, Richard Johnson and Colin Madigan.<br />

This first monograph features a selection of Candalepas’s key<br />

designs through photographs, plans and elevations as well as his<br />

hand-drawings and sketches. Built structures feature alongside<br />

unrealized projects that mark milestones in the firm’s development,<br />

while other not yet built ones offer an outlook towards its<br />

future trajectory. Topical essays by Alberto Campo Baeza and<br />

Laura Harding as well as an insightful text by the architect himself<br />

round out this comprehensive, lavishly illustrated survey of<br />

the achievements of Candalepas Associates to date.<br />

Buildings and projects by Candalepas<br />

Associates, one of Australia’s leading<br />

architectural firms<br />

Angelo Candalepas established his own studio<br />

in Sidney in 1994. He has also been teaching as<br />

Visiting Professor of Architecture at University<br />

of New South Wales since <strong>20</strong>03.


First monograph on leading Australian firm<br />

Candalepas Associates<br />

Features selected built and unrealized projects<br />

through brief texts, photographs, plans and<br />

elevations, hand-drawings and sketches<br />

alongside topical essays<br />

Offers a survey of the firm’s development to<br />

date as well as an outlook towards its future<br />

trajectory<br />

Angelo Candalepas (ed.)<br />

Angelo Candalepas<br />

Buildings and Projects<br />

Hardback<br />

approx. 192 pages, 160 color and<br />

60 b/w illustrations<br />

24 × 30 cm (9½ × 11¾ in)<br />

978-3-03860-171-5 English<br />

sFr. 65.00 | € 58.00 | £ 50.00 | $ 65.00<br />

May <strong>20</strong><strong>20</strong> (Europe) | July <strong>20</strong><strong>20</strong> (US)<br />

ISBN 978-3-03860-171-5<br />

NEW TITLES 12/13


An investigation of the tightly interwoven<br />

relationship between architecture and photography<br />

from the post-war years until today<br />

Explores famous collaborations between photographers<br />

and architects from different eras<br />

Continues and expands historically Jesús<br />

Vassallo’s successful previous book Seamless:<br />

Digital Collage and Dirty Realism in Contemporary<br />

Architecture (<strong>Park</strong> <strong>Books</strong>, <strong>20</strong>16)<br />

Photography by Walker Evans,<br />

Nigel Henderson, Ed Ruscha,<br />

New Topographics, Thomas Ruff, and<br />

Thomas Demand; and architecture<br />

by Robert Venturi and Denise Scott<br />

Brown, Alison and Peter Smithson,<br />

Herzog & de Meuron, and Caruso<br />

St John<br />

Architecture and photography are both semi-autonomous disciplines, suspended between<br />

fine arts and the utilitarian. Because of this condition, realism is considered a<br />

given in both. Once a building is inhabited it becomes the backdrop for somebody’s<br />

everyday drama—just like a photograph that is instantly understood as an automatic<br />

record of whatever was in front of the camera.<br />

Epics in the Everyday traces a series of collaborations between architects and photographers<br />

since World War II. Consistently, the subject matter of these collaborations is<br />

the anonymous built environment, which in different ways presents both architects and<br />

artists with a mirror interrogating and challenging the idea of realism in their respective<br />

disciplines. Beyond looking at important developments within the two disciplines,<br />

the book chronicles an alternative history of modern architecture and documentary<br />

photography, building a case for a specific type of realism found at their intersection.<br />

Jesús Vassallo is a Spanish-born architect<br />

and writer. He teaches and researches as an<br />

assistant professor at Rice University’s School<br />

of Architecture in Houston, TX.<br />

Jesús Vassallo<br />

Epics in the Everyday<br />

Photography, Architecture, and the Problem<br />

of Realism<br />

Rice Architecture<br />

Hardback<br />

328 pages, 136 color and<br />

71 b/w illustrations<br />

17 × 24 cm (6¾ × 9½ in)<br />

978-3-03860-162-3 English<br />

sFr. 49.00 | € 48.00 | £ 45.00 | $ 49.00<br />

November <strong><strong>20</strong>19</strong> (Europe) | February <strong>20</strong><strong>20</strong> (US)<br />

ISBN 978-3-03860-162-3


First examination of Christopher Alexander’s<br />

“systems generating systems” theory and its<br />

application to a concrete building design<br />

The Eishin Campus near Tokyo is Alexander’s<br />

largest and most significant project based<br />

on the Pattern Language he developed in the<br />

1970s together with Sara Ishikawa and Murray<br />

Silverstein<br />

Christopher Alexander is among the most<br />

highly renowned contemporary architectural<br />

theorists<br />

An intercultural und transdisciplinary<br />

examination<br />

of Christopher Alexander’s<br />

methods for building and<br />

urban design<br />

Christopher Alexander, Vienna-born British-American architect and theorist, is revered<br />

for his writings, such as A Pattern Language, published in 1977 together with Sara<br />

Ishikawa and Murray Silverstein, or The Timeless Way of Building of 1979. Lesser known<br />

but as essential to understanding Alexander’s work is his theory of “systems generating<br />

systems,” which explains that “if we wish to make things which function as ‘wholes,’<br />

we shall have to invent generating systems to create them.” (Christopher Alexander).<br />

Taking the Eishin Campus outside Tokyo, built between 1982 and 1987, as its example,<br />

Shifting Patterns is the first book to examine Alexander’s theory of “systems generating<br />

systems” and its application to a building design. It brings together essays from<br />

a transdisciplinary, international cast of experts to investigate the application of this<br />

theory to a concrete building design. It also looks at the design-build-movement as<br />

an antithesis to today’s standardized and commerce-driven architectural production.<br />

Eva Guttmann is an architecture publicist based<br />

in Graz and Vienna and an editor with <strong>Park</strong><br />

<strong>Books</strong>.<br />

Gabriele Kaiser lives and works in Vienna as an<br />

architecture publicist, writer, and curator.<br />

Claudia Mazanek is a Vienna-based freelance<br />

editor with a special expertise in <strong>20</strong>th-century<br />

art and architecture.<br />

Eva Guttmann, Gabriele Kaiser, Claudia<br />

Mazanek (eds)<br />

Shifting Patterns<br />

Christopher Alexander and the Eishin Campus<br />

Paperback<br />

192 pages, 133 color and<br />

6 b/w illustrations<br />

<strong>20</strong>.5 × 23.5 cm (8 × 9¼ in)<br />

978-3-03860-149-4 English<br />

978-3-03860-067-1 German<br />

sFr. 39.00 | € 38.00 | £ 35.00 | $ 39.00<br />

Available<br />

EN<br />

GE<br />

ISBN 978-3-03860-149-4 ISBN 978-3-03860-067-1<br />

NEW TITLES 14/15


First monogpraph on the work and vision of<br />

Paris-based Parc architectes<br />

Features fifteen key designs in a cosmogonic<br />

story through technical and artistic illustrations<br />

and brief texts<br />

Highlights the architects’ approach to provide<br />

devices for the users’ participation in the<br />

construction of a human environment<br />

The work and vision of Parc<br />

architectes: designs and<br />

installations at the interface<br />

of art and science<br />

Founded in <strong>20</strong>09, Paris-based Parc architectes has risen to prominence, winning<br />

awards and accolades in its native France and beyond. Just as important as its design<br />

work is Parc Architectes’s research on contemporary architecture and urbanism, laid<br />

out in the essay Le Parc Planetaire (The Planetary <strong>Park</strong>), published in the firm’s own<br />

journal, PRAGMA, and on its blog, CRAPZINE.<br />

This first book to focus on Parc architectes, Architecture as Environment features fifteen<br />

foundational designs by the firm, chosen to reflect the firm’s credo that the environment<br />

has to become a matter of architecture. At the interface of art and science, Parc<br />

architectes’s designs are installations rather than mere structures, enabling adequate<br />

responses to contextual and conceptual issues in the construction of contemporary<br />

human environments. In addition to brief essays, the book also includes some 150 illustrations,<br />

including many in full color.<br />

Emeric Lambert, Brice Chapon (eds)<br />

Architecture as Environment<br />

Parc architectes<br />

Hardback<br />

88 pages, 71 color and<br />

87 b/w illustrations<br />

22.5 × 33 cm (8¾ × 13 in)<br />

978-3-03860-150-0 English<br />

978-3-03860-151-7 French<br />

Emeric Lambert is an architect and engineer<br />

and co-founder of Paris-based firm Parc<br />

architectes. He teaches at the Ecole Nationale<br />

Supérieure d’Architecture of Versailles.<br />

Brice Chapon is an architect and co-founder of<br />

Paris-based firm Parc architectes. He teaches<br />

at the Ecole Nationale Supérieure d’Architecture<br />

Paris-Val de Seine.<br />

sFr. 39.00 | € 38.00 | £ 35.00 | $ 45.00<br />

October <strong><strong>20</strong>19</strong> (Europe) | January <strong>20</strong><strong>20</strong> (US)<br />

EN<br />

FR<br />

ISBN 978-3-03860-150-0 ISBN 978-3-03860-151-7


First in-depth investigation of Allied forces’<br />

policies in occupied Austria during the Cold War<br />

and their impact on the country’s architecture<br />

and building activity<br />

Shows how British, American, French, and<br />

Soviet cultural policies served as catalysts for<br />

their respective ideological convictions<br />

Lavishly illustrated with previously<br />

unpublished images, documents and plans<br />

from international archives<br />

Architecture as part of a global<br />

struggle of differing political<br />

systems: with its transnational<br />

perspective, this book changes<br />

our view of architectural<br />

history and postwar society<br />

Following the liberation and subsequent occupation of Austria at the end of World War<br />

II in spring 1945 by the victorious powers Britain, France, the United States, and the Soviet<br />

Union, Vienna soon became a central stage for the quickly emerging Cold War. The<br />

struggle of differing political systems was also carried out in the field of architecture.<br />

Cold War and Architecture sheds <strong>new</strong> light on the building activity in postwar Austria and<br />

its main protagonists. For the first time, this book explores the lines of architectural<br />

debates of the time in the context of the global political and cultural conflict of East vs.<br />

West. With its transnational perspective, it changes our view of architectural history<br />

and postwar society.<br />

During the ten-year occupation period, Austria experienced a transition from authoritarian<br />

government to democratic consumer society. Each of the four Allied powers<br />

established its own extensive cultural program. Architectural exhibitions became important<br />

instruments of such educational schemes with the objective of a <strong>new</strong> social<br />

order. British, American, French, and Soviet cultural policies thus served as catalysts<br />

for ideological convictions.<br />

Monika Platzer is a Curator and Head of Special<br />

Collection at Architekturzentrum Wien. She<br />

also lectures at Universität Wien and Technische<br />

Universität Wien and has been a visting<br />

scholar at Harvard University in <strong>20</strong>14.<br />

Monika Platzer<br />

Cold War and Architecture<br />

The Competing Forces that Reshaped Austria<br />

after 1945<br />

Translated by Elise Feiersinger and Brian<br />

Dorsey. Edited by Architekturzentrum Wien<br />

Az W<br />

Paperback<br />

approx. 300 pages, <strong>20</strong>0 color and<br />

50 b/w illustrations<br />

<strong>20</strong> × 27 cm (7¾ × 10¾ in)<br />

978-3-03860-175-3 English<br />

978-3-03860-168-5 German<br />

sFr. 65.00 | € 58.00 | £ 50.00 | $ 65.00<br />

January <strong>20</strong><strong>20</strong> (Europe) | April <strong>20</strong><strong>20</strong> (US)<br />

EN<br />

GE<br />

ISBN 978-3-03860-175-3 ISBN 978-3-03860-168-5<br />

NEW TITLES 16/17


Concise surveys of the use of steel in contemporary<br />

residential architecture and vertical<br />

extension of existing buildings<br />

Explore the advantages of steel, such as prefabrication,<br />

swift and dry construction process,<br />

or structural adaptability over a building’s<br />

lifetime<br />

Features examples by well-known Swiss and<br />

international architects<br />

Based on recent research at Zurich University<br />

of Applied Sciences’ Institute of Constructive<br />

Design<br />

ZHAW Institute of Contructive Design<br />

(ed.)<br />

At Home in Steel<br />

Residential Construction in Steel—Thoughts on<br />

Space and Structur<br />

Outstanding international examples<br />

for the use of steel in housing and for<br />

building in existing fabric<br />

Paperback<br />

160 pages, 72 color and<br />

107 b/w illustrations<br />

17 × 24 cm (6¾ × 9½ in)<br />

978-3-03860-145-6 English<br />

978-3-03860-014-5 French<br />

978-3-03860-013-8 German<br />

EN<br />

ISBN 978-3-03860-145-6<br />

FR<br />

ISBN 978-3-03860-014-5<br />

GE<br />

ISBN 978-3-03860-013-8<br />

Since the introduction of steel as a building material in the early twentieth century,<br />

its superior performance has challenged conventional wisdom about construction,<br />

enabling designs of surprising lightness and span. Steel offered the opportunity to<br />

significantly expand buildings vertically and thus emerged as a symbol of the conflict<br />

between technological progress and the architectural ideal. More recently, the use of<br />

exposed steel elements in modern architecture ushered in a rediscovery of buildings’<br />

metamorphoses.<br />

The essays in At Home in Steel reflect on steel residential architecture from today’s perspective.<br />

The book also features contemporary examples by Atelier Bow-Wow, Christian<br />

Kerez, Lacaton and Vassal, and Made In, among others.<br />

Building Additions in Steel looks at the largely ignored topic of steel additions in architecture<br />

and engineering. It offers basic theoretical background as well as technical<br />

information on a selection of outstanding steel additions alongside more than one hundred<br />

illustrations, including plans and photographs.<br />

Daniel Stockhammer has been a research assistant<br />

at ZHAW, Institute of Constructive Design,<br />

in <strong>20</strong>16–17 and is a teaching and research assistant<br />

at University of Liechtenstein’s Institute<br />

of Architecture and Planning.<br />

Astrid Staufer is an architect, professor at<br />

Technische Universität Vienna, and Co-director<br />

of the Zurich University of Applied Sciences<br />

(ZHAW), Institute of Constructive Design in<br />

Winterthur, Switzerland.<br />

Daniel Meyer is a civil engineer and a lecturer at<br />

ZHAW, Institute of Constructive Design.<br />

Zurich University of Applied Sciences’ (ZHAW)<br />

Institute of Constructive Design is an interactive<br />

hub for teaching and research in building<br />

design and construction.<br />

sFr. 29.00 | € 29.00 | £ 25.00 | $ 35.00<br />

Available (Europe) | November <strong><strong>20</strong>19</strong> (US)<br />

Daniel Stockhammer, Astrid Staufer,<br />

Daniel Meyer, ZHAW Institute of<br />

Contructive Design (eds)<br />

Building Additions in Steel<br />

The Architecture of Vertical Extensions<br />

Paperback<br />

168 pages, 52 color and<br />

75 b/w illustrations<br />

17 × 24 cm (6¾ × 9½ in)<br />

978-3-03860-146-3 English<br />

978-3-03860-058-9 French<br />

978-3-03860-057-2 German<br />

EN<br />

ISBN 978-3-03860-146-3<br />

FR<br />

ISBN 978-3-03860-058-9<br />

sFr. 29.00 | € 29.00 | £ 25.00 | $ 35.00<br />

GE<br />

Available (Europe) | November <strong><strong>20</strong>19</strong> (US)<br />

ISBN 978-3-03860-057-2


Presents the winning designs of the <strong>20</strong><strong>20</strong><br />

international Brick Award, chosen by a topclass<br />

international jury of architects<br />

Features fifty outstanding achievements in<br />

contemporary brick architecture<br />

All projects are richly illustrated with<br />

atmospheric images and plans<br />

Five topical essays by renowned international<br />

authors and architects<br />

The international Brick Award <strong>20</strong><strong>20</strong>:<br />

fifty shortlisted and six winning<br />

designs once again prove the<br />

impressive versatility and timeliness<br />

of bricks as building material<br />

From hand-made brick to high-tech product: building with blocks of fired clay today<br />

draws from a heritage of nine millennia and remains innovative, sustainable, and highly<br />

appreciated for its manifold applications.<br />

Since <strong>20</strong>04, Wienerberger AG biannually presents the international Brick Award as<br />

a scene for outstanding achievements in brick architecture. The <strong>20</strong><strong>20</strong> edition of this<br />

master class saw 644 submissions from fifty-five countries, that were reviewed by an<br />

international jury of experts.<br />

This book features the fifty nominees and the six winning designs, which are located<br />

in Africa, Asia, Europe, and Central America. All projects are presented in texts and<br />

richly illustrated with atmospheric images, site and floor plans, views, elevations and<br />

sections. Five topical essays by Hubertus Adam, Anneke Bokern, Aglaée Degros, Job<br />

Floris, Jonathan Glancey, Christian Holl, Laura Iloniemi, and Jana Revedin discuss the<br />

winning buildings in a wider context, rounding out this celebration of contemporary<br />

brick architecture.<br />

Wienerberger AG, established in Vienna in 1819,<br />

is today the world’s largest manufacturer of<br />

bricks and other clay building materials.<br />

Wienerberger AG (ed.)<br />

Brick <strong>20</strong><br />

Outstanding <strong>Intern</strong>ational Brick Architecture<br />

Hardback<br />

approx. 288 pages, 300 color and<br />

100 b/w illustrations and plans<br />

24 × 30 cm (9½ × 11¾ in)<br />

978-3-03860-174-6 English<br />

978-3-03860-173-9 German<br />

sFr. 49.00 | € 48.00 | £ 45.00 | $ 49.00<br />

June <strong>20</strong><strong>20</strong> (Europe) | July <strong>20</strong><strong>20</strong> (US)<br />

EN<br />

GE<br />

ISBN 978-3-03860-174-6 ISBN 978-3-03860-173-9<br />

NEW TITLES 18/19


First detailed documentation of Josef Frank’s<br />

Villa Carlsten in Falsterbo, Sweden<br />

Villa Carlsten is a key example of Frank’s<br />

carefully conceived housing designs<br />

A concise essay puts the house in context with<br />

Frank’s other architectural work<br />

Between 1924 and 1936, Austrian-born architect Josef Frank built five holiday homes<br />

on the Falsterbo Peninsula in southern Sweden. They constitute a key part of Frank’s<br />

architectural work and demonstrate concerns at the core of his housing designs. Villa<br />

Carlsten, the smallest of the Falsterbo houses, underwent an extensive restoration in<br />

<strong>20</strong>16–18.<br />

This book documents the building in detail through a concise essay, placing it in context<br />

with the other Falsterbo Villas and Frank’s broader work, and full-color photographs<br />

that highlight the house’s qualities and relationship with its surroundings.<br />

Mikael Bergquist<br />

Josef Frank—Villa Carlsten<br />

With photographs by Mikael Olsson<br />

Hardback<br />

64 pages, 62 color and<br />

24 b/w illustrations<br />

27 × 22 cm (10¾ × 8¾ in)<br />

978-3-03860-136-4 English<br />

ISBN 978-3-03860-136-4<br />

Mikael Bergquist is an architect based in Stockholm<br />

and a leading expert on Josef Frank. He<br />

has been commissioned with the restoration of<br />

Villa Carlsten in <strong>20</strong>16–18.<br />

sFr. 29.00 | € 29.00 | £ 25.00 | $ 29.00<br />

Available<br />

An unconventional building monograph<br />

documenting reconstruction of a theater<br />

building in Cachan near Paris<br />

Features previously unpublished plans and<br />

design sketches and a graphic short story<br />

With <strong>new</strong>ly commissioned photographs by<br />

French photographer Cyrille Weiner<br />

In Cachan, a suburb south of Paris, Ateliers O-S Architectes was commissioned with<br />

transforming a local theater building, built in the early <strong>20</strong>th century, into a thriving<br />

cultural center. The commission went well beyond merely rebuilding and modernizing<br />

an existing structure. Rather, the firm was tasked with creating an entirely <strong>new</strong> neighborhood.<br />

Lever de Rideau presents the creation of Cachan’s <strong>new</strong> Jacques Carat Theater. Designed<br />

to mimic a theater program, the book brings together short essays and interviews,<br />

portraits of key protagonists, a graphic short story, and ample illustrations<br />

including photographs as well as plans and design sketches.<br />

Rafaël Magrou, Ateliers O-S Architectes<br />

(eds)<br />

Lever de rideau<br />

A theatre in Cachan<br />

Paperback<br />

<strong>20</strong>0 pages, 157 color and<br />

17 b/w illustrations<br />

23 × 30 cm (9 × 11¾ in)<br />

978-3-03860-147-0 English / French<br />

ISBN 978-3-03860-147-0<br />

Rafaël Magrou is an architect, architectural<br />

historian, and a lecturer at the École Nationale<br />

Supérieure d’Architecture Paris-Malaquais. He<br />

also works as a writer and curator.<br />

Atelier O-S Architectes, established in <strong>20</strong>02, is<br />

a Paris-based architectural firm working on a<br />

range of projects, from temporary installations<br />

to urban and cultural commissions.<br />

sFr. 29.00 | € 29.00 | £ 25.00 | $ 35.00<br />

Available


First monograph on the work of Swiss firm G8A<br />

Architects in Europe and Southeast Asia<br />

Highlights the differing preconditions and<br />

scope for the creation of architecture in these<br />

two regions<br />

Features 27 built designs and projects through<br />

descriptive texts and previously unpublished<br />

images and plans<br />

Offers complementing essays on planning and<br />

designing and constructing in Europe and Asia<br />

Contrasting locations and conceptual<br />

cohesion in design: the work of G8A<br />

Architects<br />

Founded in <strong>20</strong>07, Geneva-based G8A Architects gained rapid renown for its projects in<br />

Switzerland. Drawn to <strong>new</strong> opportunities in Southeast Asia, the firm expanded operations<br />

to include offices in Hanoi (<strong>20</strong>09), Singapore (<strong>20</strong>10), and Ho Chi Minh City (<strong>20</strong>14).<br />

The first book to document G8A Architects’ achievements to date, Contrast and Cohesion<br />

reflects the firm’s work in these starkly contrasting parts of the world. Featuring twenty-seven<br />

of the firm’s projects through drawings, photographs, plans, and descriptive<br />

texts, the book also brings together essays that expand on the different concerns and<br />

challenges that accompany the creation of architecture in Central Europe and Southeast<br />

Asia. Climatically, culturally, and economically, the rapidly growing cities of Southeast<br />

Asia are a world away, but G8A Architectes pursue a strategy of cohesion, which<br />

seeks to resolve the contrasts between East and West with resulting benefits for both.<br />

G8A Architects (eds)<br />

Contrast and Cohesion<br />

G8A Architects<br />

With texts and photographs by Patrick<br />

Bingham-Hall<br />

Hardback<br />

260 pages, 164 color, 22 monochrome, and<br />

8 b/w illustrations<br />

<strong>20</strong> × 27.5 cm (7¾ × 10¾ in)<br />

978-3-03860-144-9 English<br />

G8A Architects, founded in <strong>20</strong>07 in Geneva,<br />

Switzerland, today operates with four offices in<br />

Geneva, Hanoi, Ho Chi Minh City, and Singapore.<br />

Patrick Bingham-Hall is an internationally<br />

renowned British-Australian architectural<br />

photographer, writer, and publisher.<br />

sFr. 49.00 | € 48.00 | £ 45.00 | $ 55.00<br />

Available<br />

ISBN 978-3-03860-144-9<br />

NEW TITLES <strong>20</strong>/21


Public space and constantly growing traffic in<br />

urban areas and resulting conflicting uses and<br />

trade-offs are highly topical in contemporary<br />

urban design discourse<br />

Offers creative strategies for the resolution<br />

of such conflicts and for the transformation of<br />

traffic space into truly public space<br />

Combines research findings and theory with<br />

concise advice based on case studies<br />

Public space is an essence of urban life, of a city’s living quality. Transforming space<br />

occupied by the increasingly dense traffic in urban areas is the most effective way to increase<br />

the quantity and quality into truly public space in cities and larger metropolitan<br />

areas. Any such increase must start with ensuring a balance between the various uses<br />

of space: more room for pause and the slow traffic of pedestrians and cyclists, less for<br />

handling of goods and the faster, passive mobility by car.<br />

This book introduces <strong>new</strong> approaches and instruments to improve actual designs as<br />

well as the planning process, outlining creative strategies rather than a rigid set of<br />

rules.<br />

Aglaée Degros, Stefan Bendiks<br />

Traffic Space is Public Space<br />

A Handbook for Transformation<br />

Paperback<br />

approx. 240 pages, 110 color and<br />

<strong>20</strong> b/w illustrations<br />

17 × 24 cm (6¾ × 9½ in)<br />

978-3-03860-165-4 English / German<br />

ISBN 978-3-03860-165-4<br />

Aglaée Degros is an architect and urban designer,<br />

and a founding partner of planning and<br />

research firm Artgineering in Brussels. She<br />

also teaches as a professor at the Institute of<br />

Urbanism, TU Graz.<br />

Stefan Bendiks is an architect and urban designer,<br />

and co-founder of Brussels-based planning<br />

and research firm Artgineering. He also lectures<br />

at various European universities.<br />

sFr. 39.00 | € 38.00 | £ 35.00 | $ 39.00<br />

December <strong><strong>20</strong>19</strong> (Europe) | March <strong>20</strong><strong>20</strong> (US)<br />

Explores the impact of cultural clashes caused<br />

by European colonization on the city of Fez’s<br />

urban fabric and social structure<br />

Features informative graphics, maps,<br />

photographs and proposals for architectural<br />

interventions<br />

The partition and colonization of Africa by European powers between 1881 and 1914<br />

disrupted the continent with enduring repercussions. Morocco—located at a crossroads<br />

between Sub-Saharan Africa, the Arab-Muslim Maghreb, and Mediterranean<br />

Europe—has struggled to withstand the resulting cultural and sociopolitical clashes<br />

ever since.<br />

This book looks at Morocco’s second-largest city, investigating how these clashes have<br />

marked Fez’s socioeconomic structure and urban fabric, and whether or not it offers<br />

alternative and relevant means of human association and community. It also explores<br />

questions about identity, authenticity, tradition, the globalization of culture, and the use<br />

of local resources.<br />

Harry Gugger, Sarah Barth, Augustin<br />

Clément, Alexandros Fotakis, Tiago Trigo<br />

(eds)<br />

Fez Lessons<br />

Industrious Habitat. Teaching and Research<br />

in Architecture<br />

In cooperation with Laboratory Basel (laba),<br />

EPFL, Lausanne<br />

Paperback<br />

approx. <strong>20</strong>8 pages, 150 color and<br />

<strong>20</strong>0 b/w illustrations<br />

21 × 31 cm (8¼ × 12¼ in)<br />

978-3-03860-169-2 English<br />

ISBN 978-3-03860-169-2<br />

Harry Gugger is an architect in Basel and a<br />

professor at EPFL’s School of Architecture,<br />

heading the school’s satellite studio Laboratory<br />

Basel (laba).<br />

Currently working at laba are architects Sarah<br />

Barth and Tiago Trigo as research assistants,<br />

and Augustin Clément and Alexandros Fotakis as<br />

teaching assistants.<br />

sFr. 49.00 | € 48.00 | £ 45.00 | $ 49.00<br />

November <strong><strong>20</strong>19</strong> (Europe) | March <strong>20</strong><strong>20</strong> (US)


First monograph on Paris-based firm Chartier-<br />

Dalix, introducing their entirely novel approach<br />

of thinking of architecture as ecosystems<br />

Features rich and previously unpublished<br />

material on their research and designs<br />

An inspirational source for anyone interested<br />

in the future of building and sustainability in<br />

architecture<br />

Since founding their Paris-based firm in <strong>20</strong>08, architects Frédéric Chartier und Pascale<br />

Dalix have realized some fifteen buildings in France, ranging from multi-unit housing<br />

or schools to a logistics hub, office and retail spaces. To ChartierDalix, research is as<br />

important as design work, they constantly aim to bring architecture and ecosystems to<br />

harmonious concurrence.<br />

This first monograph explores ChartierDalix’s visionary research and the designs derived<br />

from it. Their intense investigation of architecture and nature and the interplay<br />

between the two is highly topical and the book a rich inspirational source for anyone<br />

interested in the future of building.<br />

ChartierDalix (eds)<br />

ChartierDalix. Hosting life<br />

Architecture as an ecosystem<br />

Paperback<br />

448 pages, 167 color and<br />

219 b/w illustrations<br />

16 × 24 cm (6¼ × 9½ in)<br />

978-3-03860-166-1 English / French<br />

ISBN 978-3-03860-166-1<br />

Frédéric Chartier graduated in architecture from<br />

the Ecole Nationale Supérieure d’Architecture<br />

Paris-Malaquais and is a founding partner with<br />

ChartierDalix in Paris.<br />

Pascale Dalix is a graduate of the École Nationale<br />

Supérieure d’Architecture Paris-Val de<br />

Seine (formely École d'Architecture Paris-Villemin)<br />

and a founding partner with Paris-based<br />

firm ChartierDalix.<br />

sFr. 39.00 | € 38.00 | £ 35.00 | $ 45.00<br />

Available (Europe) | December <strong>20</strong>18 (US)<br />

Documents the major refurbishment of<br />

the Musée d'Art moderne de la Ville de<br />

Paris (MAM), directed by up-and-coming<br />

h2o architectes<br />

Features previously unpublished images<br />

and plans<br />

Palais de Tokyo, where MAM is located, is one<br />

of Paris’s most iconic buildings<br />

Located in the eastern wing of the Palais de Tokyo, which was built for the 1937 <strong>Intern</strong>ational<br />

Exhibition of Arts and Technology, the Musée d'Art moderne de la Ville de<br />

Paris (MAM) was opened in 1961. After a major refurbishment directed by Paris-based<br />

h2o architectes, it has been re-inaugurated in October <strong><strong>20</strong>19</strong>.<br />

This book documents the creation of the <strong>new</strong> MAM. Alongside brief essays and a conversation<br />

with h2o architectes’ founding partners Jean-Jacques Hubert and Antoine<br />

Santiard, it features plans and visualizations, photographs and artistic visions of the<br />

construction process, as well as historic images of the building.<br />

h2o architectes, Building Paris (eds)<br />

Modern Modern<br />

The rehabilitation of the Musée d’Art Moderne<br />

de Paris by h2o architectes<br />

Hardback<br />

164 pages, 85 color and<br />

30 b/w illustrations<br />

17 × 24 cm (6¾ × 9 ½ in)<br />

978-3-03860-177-7 English / French<br />

ISBN 978-3-03860-177-7<br />

h2o architectes, founded by Jean-Jacques<br />

Hubert and Antoine Santiard, is a Paris-based<br />

firm working on projects of various types and<br />

scales, from housing to public space and cultural<br />

facilities.<br />

Building Paris is a Paris-based art direction and<br />

design studio founded by Benoît Santiard and<br />

Guillaume Grall.<br />

sFr. 29.00 | € 29.00 | £ 25.00 | $ 35.00<br />

Available (Europe) | July <strong>20</strong><strong>20</strong> (US)<br />

NEW TITLES 22/23


Traces the process of building design from<br />

inspirational reference to completed plan and<br />

model<br />

Demonstrates Laboratory EAST’s teaching<br />

approach within the framework of EPFL’s<br />

School of Architecture<br />

Learning to construct is the objective of the architecture student, who seeks to bring<br />

sketches, sophisticated visualizations, material and component choices, and detailed<br />

plans and diagrams together in a single grand composition. This book offers insights<br />

into the teaching and research approach at the Laboratory of Elementary Architecture<br />

and Studies of Types EAST (Laboratory EAST), a satellite studio of EPFL’s School of<br />

Architecture in Lausanne. Richly illustrated with drawings and plans by students, the<br />

book also features topical essays and an interview with renowned Spanish architect<br />

Rafael Moneo, as well as four photo essays by Swiss photographer Joël Tettamanti.<br />

Martin Fröhlich, Anja Fröhlich, Tiago P.<br />

Borges, Sebastian F. Lippok (eds)<br />

Plans and Images<br />

An Archive of Projects on Typology in<br />

Architecture <strong>20</strong>13–<strong>20</strong>18<br />

In cooperation with Laboratory EAST, EPFL,<br />

Lausanne<br />

Paperback<br />

432 pages, 161 color and 365 b/w<br />

illustrations, 239 floor plans<br />

21 × 28 cm (8¼ × 11 in)<br />

978-3-03860-138-8 English<br />

ISBN 978-3-03860-138-8<br />

Anja and Martin Fröhlich are associate professors<br />

at EPFL’s School of Architecture in<br />

Lausanne, where they co-direct the Laboratory<br />

of Elementary Architecture and Studies of Types<br />

EAST.<br />

Tiago P. Borges and Sebastian F. Lippok are<br />

architects working as teaching and research<br />

assistants at EAST, EPFL’s School of Architecture<br />

in Lausanne.<br />

sFr. 69.00 | € 68.00 | £ 65.00 | $ 80.00<br />

Available<br />

Presents findings of a research project on<br />

spatial design constellations of collaborative<br />

scientific workspaces and their impact on<br />

knowledge production<br />

Features striking and easily interpreted<br />

graphics and images<br />

Book design reflects the project’s interdisciplinary<br />

approach<br />

This book documents a remarkable experiment in spatial research at the interdisciplinary<br />

laboratory Image Knowledge Gestaltung at Berlin’s Humboldt University. Researchers<br />

investigated the interrelation of space and scientific knowledge production:<br />

what spatial qualities are required by interdisciplinary teams for their research work.<br />

Their findings are presented through some 300 striking and straightforward graphics,<br />

that highlight the spatial conditions under which individual and collaborative research<br />

unfold, overlap, or merge. The book reveals the characteristics of an architecture required<br />

to foster interdisciplinary work.<br />

Séverine Marguin, Henrike Rabe,<br />

Friedrich Schmidgall<br />

Experimental Zone<br />

An Interdisciplinary Investigation on the Spaces<br />

and Practices of Collaborative Research<br />

Paperback<br />

approx. 176 pages, 471 color illustrations<br />

and graphics<br />

22 × 27.5 cm (8¾ × 10¾ in)<br />

978-3-03860-148-7 English<br />

ISBN 978-3-03860-148-7<br />

Séverine Marguin is a sociologist at Technische<br />

Universität Berlin.<br />

Henrike Rabe is an architect and researcher at<br />

Humboldt University of Berlin.<br />

Friedrich Schmidgall is a designer at Einstein<br />

Center Digital Future in Berlin.<br />

sFr. 39.00 | € 38.00 | £ 35.00 | $ 45.00<br />

December <strong><strong>20</strong>19</strong> (Europe) | February <strong>20</strong><strong>20</strong> (US)


First monograph on French architect Stéphane<br />

Fenrandez<br />

Featuring five realized designs that are<br />

emblematic for his minimalist and sensitive<br />

approach<br />

With <strong>new</strong>ly commissioned photo essays by<br />

Berlin and Paris-based architectural photographers<br />

Schnepp Renou<br />

French architect Stéphane Fernandez creates a “silent architecture” that invests the<br />

landscape as much as it takes shape. He is a minimalist in expression and maximalist<br />

in attention to detail. He models rough, thick and fragile monoliths by digging, by<br />

movement of bodies and the generation of tensions between masses.<br />

This first monograph features five of Fernandez’s realized designs that are emblematic<br />

for his approach. Essays and a conversation with Stéphane Fernandez by architectural<br />

historian Éléonore Marantz complement plans of the buildings and photo essays by<br />

Berlin-based photographers Schnepp Renou.<br />

Stéphane Fernandez, Building Paris (eds)<br />

Imperfection. Atelier Stéphane<br />

Fernandez<br />

Hardback<br />

192 pages, 121 color and<br />

36 b/w illustrations and plans<br />

22 × 30 cm (8¾ × 11 ¾ in)<br />

978-3-03860-167-8 English / French<br />

ISBN 978-3-03860-167-8<br />

Stéphane Fernandez runs his own studio in<br />

Aix-en-Provence and also works as a teacherresearcher<br />

at ENSA Marseille’s Department<br />

La Fabrique.<br />

Building Paris is a Paris-based art direction and<br />

design studio founded by Benoît Santiard and<br />

Guillaume Grall.<br />

sFr. 49.00 | € 48.00 | £ 45.00 | $ 55.00<br />

Available (Europe) | February <strong>20</strong><strong>20</strong> (US)<br />

First monograph on Italian architect Quirino De<br />

Giorgio<br />

Features a <strong>new</strong> photographic survey of his sixty<br />

surviving buildings in Northern Italy from all<br />

stages of his career<br />

Additional site plans, floor plans, and sections<br />

offer a deeper insight into his spatial,<br />

structural, urban, and landscaping inventions<br />

Quirino De Giorgio (1907–1997) is among the few Italian architects whose careers represent<br />

the entirety of the twentieth century: from futurism through fascism to the experimentations<br />

linked to the invention of reinforced concrete. Too often remembered<br />

exclusively for his early futurist and fascist works, De Giorgio is an architect whose<br />

production continued, until his last years, to develop in the experimental and dynamic<br />

way which had characterized its beginnings.<br />

This first-ever English-language monograph on De Giorgio offers a survey of his sixty<br />

surviving buildings through the eyes of photographer Enrico Rizzato. An essay explores<br />

the architect’s still little-known method and life.<br />

Michel Carlana, Luca Mezzalira, Curzio<br />

Pentimalli<br />

Quirino De Giorgio<br />

An Architect’s Legacy<br />

Paperback<br />

approx. 400 pages, 430 color and<br />

270 b/w illustrations<br />

17 × 24 cm (6¾ × 9½ in)<br />

978-3-03860-176-0 English<br />

ISBN 978-3-03860-176-0<br />

Michel Carlana, Luca Mezzalira, and Curzio Pentimalli<br />

graduated in architecture from Università<br />

Iuav di Venezia, where they pursue research and<br />

teaching activities in parallel to their work as<br />

designing architects in Treviso, Italy.<br />

sFr. 39.00 | € 38.00 | £ 35.00 | $ 45.00<br />

December <strong><strong>20</strong>19</strong> (Europe) | July <strong>20</strong><strong>20</strong> (US)<br />

NEW TITLES 24/25


First-ever monograph on Carlo Mollino as<br />

an architect<br />

Demonstrates Mollino’s prowess in architectural<br />

design<br />

Based on extensive <strong>new</strong> research and drawing<br />

on rich archival material<br />

Lavishly illustrated with previously unpublished<br />

images, plans, drawings, and documents<br />

Today, Italian architect and designer Carlo Mollino (1905–73) is known chiefly for his<br />

furniture designs and his erotic Polaroid photography of the 1960s. Much less attention<br />

has so far been given to his architecture. Albeit relatively small, his built work constitutes<br />

a seminal contribution to modernism, uniquely marked by a strong relationship<br />

with Surrealism.<br />

This <strong>new</strong> book is the long overdue tribute to this extraordinary exponent of <strong>20</strong>th-century<br />

architecture. It features a selection of his key designs, both built and unrealized<br />

through images and reproductions of previously unpublished plans, drawings, and<br />

documents alongside scholarly essays.<br />

Michelangelo Sabatino, Napoleone<br />

Ferrari<br />

Carlo Mollino<br />

Architect and Storyteller<br />

Hardback<br />

approx. 3<strong>20</strong> pages, 2<strong>20</strong> color and<br />

250 b/w illustrations<br />

29 × 31 cm (11½ × 12¼ in)<br />

978-3-03860-133-3 English<br />

ISBN 978-3-03860-133-3<br />

sFr. 99.00 | € 85.00 | £ 80.00 | $ 99.00<br />

Michelangelo Sabatino is a Chicago-based<br />

architect and historian. In <strong>20</strong>17–18 he served as<br />

Interim Dean of IIT’s College of Architecture.<br />

Napoleone Ferrari is an architect and editor and<br />

director of Museo Casa Mollino in Torino.<br />

Previously announced. New release date:<br />

March <strong>20</strong><strong>20</strong> (Europe) | May <strong>20</strong><strong>20</strong> (US)<br />

A groundbreaking <strong>new</strong> study on the<br />

Vkhutemas and their pioneering curriculum<br />

Highlights the Vkhutemas’s advanced explorative<br />

pedagogic approach and demonstrates<br />

the lasting significance of the Vkhutemas<br />

legacy<br />

Based on research in previously inaccessible<br />

archives and featuring previously unpublished<br />

images and documents<br />

Throughout the 19<strong>20</strong>s, the Higher Art and Technical Studios in Moscow, known as<br />

Vkhutemas, translated avant-garde experiments in art, architecture, and design into<br />

a systematized pedagogy. The Vkhutemas’ educational program initiated a <strong>new</strong> type<br />

of pedagogy, taking an explorative approach and drawing its strength from continuous<br />

feedback and exchange between students and educators, including luminaries such as<br />

Nikolai Ladovsky, Alexander Rodchenko, and El Lissitzky.<br />

This book explores the nature of the Vkhutemas’ curriculum to demonstrate how<br />

this challenged established academic tradition by replacing it with open-ended inquiry<br />

and how this became articulated within a system of design exercises and advanced<br />

pro jects.<br />

Anna Bokov<br />

Avant-Garde as Method<br />

Vkhutemas and the Pedagogy of Space,<br />

19<strong>20</strong>–1930<br />

Hardback<br />

approx. 480 pages, 360 color and<br />

240 b/w illustrations<br />

21 × 27 cm (8¼ × 10½ in)<br />

978-3-03860-134-0 English<br />

ISBN 978-3-03860-134-0<br />

Anna Bokov is an architect, urban designer,<br />

educator, and historian, teaching and researching<br />

as an Assistant Professor Adjunct at Cooper<br />

Union’s Irwin S. Chanin School of Architecture<br />

in New York.<br />

sFr. 49.00 | € 48.00 | £ 45.00 | $ 49.00<br />

Previously announced. New release date:<br />

March <strong>20</strong><strong>20</strong> (Europe) | May <strong>20</strong><strong>20</strong> (US)


KEY TITLES, PREVIOUSLY PUBLISHED<br />

30<br />

Baku—Oil and<br />

Urbanism<br />

ISBN 978-3-03860-076-3<br />

28<br />

SOS Brutalism<br />

A Global Survey<br />

ISBN 978-3-03860-075-6<br />

9 783038 600756<br />

29<br />

Labics—<br />

Structures<br />

ISBN 978-3-03860-128-9<br />

9 783038 600763<br />

Seamless<br />

Digital Collage<br />

and Dirty Realism<br />

in Contemporary<br />

Architecture<br />

Simon Phipps<br />

Finding Brutalism<br />

A Photographic<br />

Survey of Post-War<br />

British Architecture<br />

EN<br />

ISBN 978-3-03860-063-3<br />

9 783038 600633<br />

Konrad<br />

Wachsmann and<br />

the Grapevine<br />

Structure<br />

ISBN 978-3-03860-110-4<br />

9 783038 601104<br />

A Real Living<br />

Contact with<br />

the Things<br />

Themselves<br />

Essays on<br />

Architecture<br />

ISBN 978-3-03860-111-1<br />

9 783038 601289<br />

Poolology of<br />

Housing<br />

ISBN 978-3-03860-088-6<br />

9 783038 600886<br />

New Housing in<br />

Zurich<br />

Typologies for a<br />

Changing Society<br />

EN<br />

ISBN 978-3-03860-042-8<br />

FR<br />

9 783038 600428<br />

ISBN 978-3-03860-043-5<br />

9 783038 600435<br />

30<br />

Essays on<br />

Architecture and<br />

City Planning<br />

ISBN 978-3-03860-0<strong>20</strong>-6<br />

ISBN 978-3-03860-019-0<br />

9 783038 600190<br />

31<br />

Your Guide to<br />

Downtown Denise<br />

Scott Brown<br />

Hintergrund 56<br />

ISBN 978-3-03860-127-2<br />

9 783038 601272<br />

The Inhabited<br />

Pathway<br />

The Built Work of<br />

Alberto Ponis<br />

in Sardinia<br />

ISBN 978-3-906027-49-4<br />

9 783906 027494<br />

Sigurd Lewerentz,<br />

architect<br />

1885–1975<br />

9 783038 601111<br />

ISBN 978-3-906027-48-7<br />

29<br />

Neri & Hu Design<br />

and Research<br />

Office<br />

Works and Projects<br />

<strong>20</strong>04-<strong>20</strong>14<br />

9 783038 600<strong>20</strong>6<br />

The good life<br />

A guided visit to the<br />

houses of modernity<br />

ISBN 978-3-03860-051-0<br />

9 783906 027487<br />

Almost Nothing<br />

100 Artists Comment<br />

on the Work of Mies<br />

van der Rohe<br />

ISBN 978-3-906027-89-0<br />

9 783038 600510<br />

ISBN 978-3-03860-080-0<br />

9 783906 027890<br />

9 783038 600800<br />

KEY TITLES, PREVIOUSLY PUBLISHED 26/27


Oliver Elser, Philip Kurz, Peter<br />

Cachola Schmal (eds)<br />

SOS Brutalism<br />

A Global Survey<br />

In cooperation with Deutsches<br />

Architekturmuseum DAM and<br />

Wüstenrot Foundation<br />

<strong>20</strong>17. Hardback with paperback<br />

supplement<br />

716 pages in total, 686 color and<br />

411 b/w illustrations<br />

22.5 × 27.5 cm (8½ × 10½ in)<br />

978-3-03860-075-6 English<br />

sFr. 69.00 | € 68.00<br />

£ 60.00 | $ 69.00<br />

The first-ever global survey of brutalist architecture from the<br />

1950s to the 1970s, documenting some 1<strong>20</strong> key buildings from<br />

this period in twelve regions around the world, including many<br />

previously unpublished discoveries that are in acute danger of<br />

loss through neglect of intended demolition. Moreover, the book<br />

features case studies of brutalist hotspots as well as topical essays<br />

on the history and theory of brutalism.<br />

Hilar Stadler, Andreas Hertach<br />

(eds)<br />

Simon Phipps Finding<br />

Brutalism<br />

A Photographic Survey of Post-War<br />

British Architecture<br />

In cooperation with Museum im<br />

Bellpark, Kriens<br />

<strong>20</strong>17. Hardback<br />

258 pages, 10 color, 192 duotones,<br />

and 28 b/w illustrations<br />

<strong>20</strong> × 25.5 cm (7¾ × 10 in)<br />

978-3-03860-063-3 English<br />

978-3-03860-064-0 German<br />

sFr. 39.00 | € 32.00<br />

£ 32.00 | $ 39.00<br />

For almost twenty years, British photographer Simon Phipps<br />

has been documenting the rebuilding of Britain after the Second<br />

World War through the work of architects. This book features<br />

192 of his images of 127 buildings in England, Scotland, and<br />

Northern Ireland from the 1950s to the 1980s, creating a confrontation<br />

of buildings and architectural fragments and evoking<br />

a distinct atmosphere of brutalism.<br />

Marianne Burkhalter, Christian<br />

Sumi (eds)<br />

Konrad Wachsmann and the<br />

Grapevine Structure<br />

<strong>20</strong>18. Flexicover<br />

152 pages, 91 color, 50 duotones,<br />

and 40 b/w illustrations<br />

23 × 32 cm (9 × 12½ in)<br />

978-3-03860-110-4 English<br />

sFr. 49.00 | € 48.00<br />

£ 45.00 | $ 49.00<br />

This book sheds <strong>new</strong> light on the work of German-born modernist<br />

architect Konrad Wachsmann (1901–1980) and his legendary<br />

dynamic Grapevine Structure, a universal construction<br />

element he developed in the early 1950s at the Chicago Institute<br />

of Design. Richly illustrated, the book features essays revisiting<br />

Wachsmann’s ideas from a contemporary perspective and exploring<br />

the phenomenon of knotted joints in comparison with<br />

similar structures in the human brain.<br />

Irénée Scalbert<br />

A Real Living Contact with<br />

the Things Themselves<br />

Essays on Architecture<br />

<strong>20</strong>18. Paperback<br />

312 pages, 39 color and<br />

59 b/w illustrations<br />

16.5 × 21.5 cm (6½ × 8½ in)<br />

978-3-03860-111-1 English<br />

sFr. 29.00 | € 29.00<br />

£ 25.00 | $ 35.00<br />

Contemporary architectural criticism tends to focus on the theories<br />

and concepts behind buildings. Yet there is much to be<br />

learned by venturing beyond the library walls to contemplate<br />

the real buildings: the things themselves. This urge for “real<br />

living contact” is the impetus behind this inspiring collection<br />

of essays by renowned British architectural critic and scholar<br />

Irénée Scalbert.


Neri & Hu Design and<br />

Research Office<br />

Works and Projects <strong>20</strong>04-<strong>20</strong>14<br />

<strong>20</strong>18. Hardback<br />

260 pages, <strong>20</strong>7 color, 34 duotones,<br />

and 95 b/w illustrations and plans<br />

21.5 × 27 cm (8½ × 10½ in)<br />

978-3-906027-89-0 English<br />

sFr. 59.00 | € 58.00<br />

£ 45.00 | $ 65.000<br />

This first book on Shanghai and London-based Neri & Hu Design<br />

and Research Office presents a broad selection of its work in<br />

architecture and product design since the firm’s establishment<br />

in <strong>20</strong>04. The featured projects exemplify Neri & Hu’s approach<br />

in renovating and rebuilding existing structures and in entirely<br />

<strong>new</strong> designs for retail, offices, hotels, and housing; as well as in<br />

furniture and product design.<br />

Maria Claudia Clemente,<br />

Francesco Isidori<br />

Labics—Structures<br />

pool Architekten (ed.)<br />

Poolology of Housing<br />

<strong><strong>20</strong>19</strong>. Hardback<br />

440 pages, 30 color and<br />

365 b/w illustrations, 287 plans<br />

24 × 33 cm (9½ × 13 in)<br />

978-3-03860-088-6<br />

English / German<br />

sFr. 75.00 | € 68.00<br />

£ 60.00 | $ 79.00<br />

This up-close look at Zurich-based collective pool Architekten’s<br />

body of work is a font of inspiration for innovative residential architecture.<br />

287 floor plans demonstrate the scope an architect<br />

has in housing despite many external constraints. With essays<br />

and images of built and unrealized projects by pool Architekten,<br />

as well as of model replicas of iconic interiors from architectural<br />

history, the book refers to a culture of housing design that reflects<br />

both the social context and the inhabitants’ attitudes.<br />

Edited and with an interview by<br />

Stefano Casciani<br />

<strong>20</strong>18. Hardback<br />

416 pages, 271 color and<br />

342 b/w illustrations and plans<br />

23 × 31 cm (9 × 12¼ in)<br />

978-3-03860-128-9 English<br />

sFr. 65.00 | € 58.00<br />

£ 50.00 | $ 69.00<br />

Rome-based Labics is a leader among Italy’s up-and-coming<br />

architecture firms. This first monograph on their impressive<br />

body of work features a selection of their designs. Structure,<br />

in a variety of notions of the term, is guiding Labic’s approach.<br />

Consequently, the book is arranged in four chapters that explore<br />

geometric, public space, tectonic, and circulation structures in<br />

topical essays. The importance of structure for Labic’s work is<br />

also exemplified in the featured projects.<br />

Dominique Boudet (ed.)<br />

New Housing in Zurich<br />

Typologies for a Changing Society<br />

<strong>20</strong>17. Paperback<br />

256 pages, 394 color and<br />

281 b/w illustrations and plans<br />

24 × 30 cm (9½ × 11¾ in)<br />

978-3-03860-042-8 English<br />

978-3-03860-043-5 French<br />

978-3-03860-041-1 German<br />

sFr. 69.00 | € 68.00<br />

£ 60.00 | $ 75.00<br />

A comprehensive survey of co-operative housing in Zurich, featuring<br />

some 50 recent designs that had a major impact on the<br />

city's urban life. Lavishly illustrated with images and plans, it<br />

provides a typology of multi-unit residential architecture. The<br />

essays explore the history of co-operative housing in Switzerland,<br />

the impact of such undertakings on urban development,<br />

<strong>new</strong> urban and architectural concepts, as well as the potentials<br />

of co-operatives in the post-industrial age and their social dynamics.<br />

KEY TITLES, PREVIOUSLY PUBLISHED 28/29


Hermann Czech<br />

Essays on Architecture and<br />

City Planning<br />

<strong><strong>20</strong>19</strong>. Hardback<br />

252 pages, 17 color and<br />

68 b/w illustrations<br />

16 × 24 cm (6¼ × 9½ in)<br />

978-3-03860-0<strong>20</strong>-6 English<br />

sFr. 29.00 | € 29.00<br />

£ <strong>20</strong>.00 | $ 30.00<br />

Eve Blau with Ivan Rupnik<br />

Baku—Oil and Urbanism<br />

<strong>20</strong>18. Paperback<br />

304 pages, 159 color and<br />

176 b/w illustrations<br />

18 × 27 cm (7 × 10½ in)<br />

978-3-03860-076-3 English<br />

sFr. 49.00 | € 48.00<br />

£ 40.00 | $ 49.00<br />

Very few architects are equally prolific in theory and design, and<br />

Hermann Czech is one of those few. This book finally makes his<br />

influential ideas available to an international audience. In these<br />

essays, collected from throughout his career, Czech showcases<br />

his commitment to developing precise terminology to advance<br />

architectural dialogues while rooting these dialogues in the<br />

larger history of ideas.<br />

Iñaki Ábalos<br />

The good life<br />

A guided visit to the houses of<br />

modernity<br />

New revised edition, <strong>20</strong>17.<br />

Paperback<br />

256 pages, 116 b/w illustrations<br />

15.5 × 21 cm (5 × 8¼ in)<br />

978-3-03860-051-0 English<br />

sFr. 39.00 | € 38.00<br />

£ 35.00 | € 39.00<br />

Iñaki Ábalos’s highly acclaimed book on seven iconic <strong>20</strong>th-century<br />

houses—some of them actually built, others merely imagined<br />

or realized as film sets—takes readers through the key<br />

philosophical precepts that likely guided the creation of these<br />

homes, making insightful points about the relationship between<br />

ideas about a particular modern way of living and approaches to<br />

architecture and design.<br />

Baku, Azerbaijan’s capital and formerly part of the Russian Empire<br />

and Soviet Union, is a city built on and with oil. This <strong>new</strong><br />

book investigates how oil stimulated Baku’s urban development<br />

and explores in detail the more complex and important question<br />

of how the disparate spatial logics, knowledge bases, and practices<br />

of oil production and urban production intersected, impacted<br />

and transformed one another.<br />

Jesús Vassallo<br />

Seamless<br />

Digital Collage and Dirty Realism<br />

in Contemporary Architecture<br />

<strong>20</strong>16. Hardback<br />

<strong>20</strong>0 pages, 164 color and 7 b/w<br />

illustrations<br />

17 × 24 cm (6¾ × 9½ in)<br />

978-3-03860-019-0 English<br />

sFr. 39.00 | € 38.00<br />

£ 30.00 | $ 39.00<br />

In his study, architect Jesús Vassallo investigates the relationship<br />

between architecture and photography and the emergence<br />

of a <strong>new</strong> understanding of realism, based on the production of<br />

architectures and images from fragments of reality. Starting<br />

out from a series of interviews, he discusses collaborations between<br />

Filip Dujardin and Jan De Vylder, Philipp Schaerer and<br />

Roger Boltshauser, and Bas Princen and OFFICE Kersten Geers<br />

David van Severen.


Jeremy Eric Tenenbaum<br />

Your Guide to Downtown<br />

Denise Scott Brown<br />

Hintergrund 56<br />

Edited and with contributions by<br />

Angelika Fitz, Katharina Ritter,<br />

Architekturzentrum Wien<br />

<strong>20</strong>18. Paperback<br />

176 pages, 237 color and<br />

27 b/w illustrations<br />

16.5 × 24 cm (6½ × 9½ in)<br />

978-3-03860-127-2 English<br />

sFr. 39.00 | € 36.00<br />

£ 32.00 | $ 39.00<br />

Janne Ahlin<br />

Sigurd Lewerentz, architect<br />

1885–1975<br />

<strong>20</strong>14. Hardback<br />

<strong>20</strong>4 pages, 29 color and 307 b/w<br />

illustrations, plans and drawings<br />

<strong>20</strong>.5 × 33 cm (8 × 13 in)<br />

978-3-906027-48-7 English<br />

sFr. 64.00 | € 64.00<br />

£ 50.00 | $ 75.00<br />

This groundbreaking book for the first time fully acknowledges<br />

Denise Scott Brown in her own right as a key contributor to international<br />

architectural discourse over five decades. Featuring<br />

previously unpublished material, it offers a fresh view of Scott<br />

Brown’s achievements as a preeminent architectural designer,<br />

urbanist, theoretician, and teacher. A fantastic guide to her life<br />

and ideas, it also reveals her humanism, complexity, and wit.<br />

Sebastiano Brandolini (ed.)<br />

The Inhabited Pathway<br />

The Built Work of Alberto Ponis<br />

in Sardinia<br />

Hardback<br />

240 pages, 41 color and 211 b/w<br />

illustrations and plans<br />

22 × 29.5 cm (8¾ × 11½ in)<br />

978-3-906027-49-4 English<br />

sFr. 59.00 | € 58.00<br />

£ 40.00 | € 65.00<br />

Alberto Ponis, born 1933 in Genoa and living and working on the<br />

island of Sardinia since 1964, has over more than five decades<br />

created a remarkable oeuvre of private and public buildings. This<br />

first and only comprehensive monograph to date on this highly<br />

interesting and original yet little-known architect documents his<br />

life and work, giving special attention to Ponis’s extensive research<br />

on the typical housing types of the island’s rural areas.<br />

The facsimile reprint edition of the classic monograph on Sigurd<br />

Lewerentz, Sweden’s most eminent twentieth-century architect.<br />

It tells the story of his life and presents his entire body of work<br />

through a combination of texts, photographs, drawings, and<br />

plans, setting him also in a contemporary context through a <strong>new</strong><br />

concluding essay by architect and critic Wilfried Wang.<br />

Christian Bjone<br />

Almost Nothing<br />

100 Artists Comment on the Work<br />

of Mies van der Rohe<br />

<strong><strong>20</strong>19</strong>. Hardback<br />

240 pages, 147 color and<br />

68 b/w illustrations<br />

21.5 × 28 cm (8 ½ × 11 in)<br />

978-3-03860-080-8 English<br />

sFr. 49.00 | € 48.00<br />

£ 45.00 | $ 49.00<br />

Ludwig Mies van der Rohe (1886–1969), one of the most significant<br />

and influential architects of all time, to this day continues<br />

to spark heated debates on achievements and failures of modern<br />

architecture. This book proves that his influence reaches far<br />

beyond the boundaries of the architecture profession, featuring<br />

art by 100 painters, sculptors, photographers, film directors,<br />

designers, cartoonists, and architects. They all comment on or<br />

appropriate buildings, designs, and statements by or images of<br />

the legendary architect.<br />

KEY TITLES, PREVIOUSLY PUBLISHED 30/31


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Cover images<br />

Front: © Brett Boardman. From the book Angelo Candalepas:<br />

Buildings and Projects (see page 12/13).<br />

Back: © Pino Musi. From the book Carlo Mollino: Architect<br />

and Storyteller (see page 26).<br />

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October <strong><strong>20</strong>19</strong>. Prices quoted in Euro are valid in<br />

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