GA012 | The Spring Auction Series
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<strong>The</strong> <strong>Spring</strong><br />
<strong>Auction</strong> <strong>Series</strong><br />
Melbourne, Monday 11 November 2019
03 9500 2607<br />
gibsonsauctions.com.au<br />
Jennifer Gibson<br />
CEO & Head of Valuations<br />
Jennifer.Gibson@gibsonsauctions.com.au<br />
Elliott Hughes<br />
<strong>Auction</strong>s Manager & Specialist<br />
Elliott.Hughes@gibsonsauctions.com.au<br />
Elizabeth Stannard<br />
Head of Jewellery<br />
Elizabeth.Stannard@gibsonsauctions.com.au<br />
Simon Gibson<br />
CFO<br />
Simon.Gibson@gibsonsauctions.com.au<br />
Deanna Baxter<br />
Business Manager<br />
Deanna.Baxter@gibsonsauctions.com.au<br />
Marilla O’Sullivan<br />
<strong>Auction</strong> Assistant<br />
Marilla.Osullivan@gibsonsauctions.com.au<br />
ORRONG RD<br />
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />
OSMENT ST<br />
HAMPDEN RD ASHLEIGH RD<br />
MT PLEASANT GROVE<br />
NEW ST<br />
HIGH ST<br />
AUBURN GROVE<br />
DENBIGH RD<br />
SUTHERLAND RD<br />
NORTHCOTE RD<br />
KOOYONG RD<br />
<strong>Auction</strong>, Viewing and<br />
Payment & Collections<br />
Level 1, 885-889 High Street<br />
Armadale, Victoria 3143<br />
DALE ST<br />
CHEEL ST
FRONT COVER:<br />
Lot 119<br />
BACK COVER:<br />
Lot 567<br />
<strong>The</strong> <strong>Spring</strong><br />
<strong>Auction</strong> <strong>Series</strong><br />
<strong>Auction</strong><br />
Monday 11 November 2019, 10.30am<br />
Level 1, 885-889 High Street<br />
Armadale, Victoria 3143<br />
Viewing<br />
Thursday 7 November<br />
Friday 8 November<br />
Saturday 9 November<br />
Sunday 10 November<br />
10.00–5.00pm<br />
10.00–5.00pm<br />
10.00–5.00pm<br />
10.00–5.00pm<br />
<strong>Auction</strong> Code: <strong>GA012</strong><br />
GST<br />
† Lots with this symbol are subject<br />
to GST on the hammer price and the<br />
buyer’s premium.<br />
Buyer’s Premium<br />
Buyer’s Premium is charged at 22%<br />
of the hammer price plus GST. GST is<br />
applicable to the buyer’s premium only,<br />
unless otherwise indicated by the †<br />
symbol.<br />
Registration<br />
To register to bid at Gibson's<br />
<strong>Auction</strong>eers & Valuers an accredited<br />
form of photo identification is required.<br />
This applies to bidding in person at<br />
the auction, Telephone, Absentee and<br />
Online bidding.<br />
Resale Royalty Scheme<br />
Lots subject to payment of the Artist's<br />
Resale Royalty Scheme will be denoted<br />
by the symbol §. <strong>The</strong> Australian Resale<br />
Royalty is a flat rate of 5% on the<br />
hammer price (including GST) and is<br />
payable by the seller.<br />
Restricted or Organic Material<br />
♦ Lots with this symbol have been<br />
identified at the time of cataloguing<br />
as containing organic material which<br />
may be subject to export or import<br />
restrictions. <strong>The</strong> absence of this<br />
symbol is not a guarantee that export<br />
or import restrictions will not apply. See<br />
www.cites.org for further information.<br />
Payments & Collections<br />
Can be made from:<br />
Level 1, 885-889 High Street,<br />
Armadale, Vic 3143<br />
Tuesday 12 November 10–5pm<br />
Wednesday 13 November 10–5pm<br />
Thursday 14 November 10–5pm<br />
All goods must be collected and paid in<br />
full by 5pm on Thursday 14 November<br />
(unless by prior arrangement) to avoid<br />
removal and storage charges.<br />
All payments are to be made in<br />
Australian Dollars (AU$).<br />
Please refer to the methods of payment<br />
in the HOW TO BUY section on the<br />
following pages.<br />
Credit card surcharges apply – 1.2%<br />
(incl GST) for Visa and Mastercard and<br />
3% (incl GST) for American Express.
2<br />
How to Buy<br />
All you need to know about the bidding process at auction<br />
Viewing<br />
Catalogues<br />
Online catalogues can be viewed at<br />
www.gibsonsauctions.com.au approximately three weeks<br />
prior to the auction date.<br />
Complimentary printed catalogues are available at Gibson’s<br />
<strong>Auction</strong>eers & Valuers.<br />
Symbols<br />
Occasionally, a symbol is printed next to a lot number,<br />
indicating a special clause associated with the sale of the<br />
item/s. Further information on symbols within our catalogues<br />
can be found on Page 1.<br />
Viewing<br />
<strong>Auction</strong> viewings are open to the public and usually take place<br />
three or four days prior to the auction date, at the location/s<br />
listed in the auction catalogue and on the website.<br />
Lot Descriptions<br />
Lot Descriptions provide basic catalogue information such<br />
as dimensions, date or age, medium, attribution, provenance<br />
and quantity.<br />
All lots are guaranteed for fourteen (14) days from the<br />
auction date.<br />
Estimates<br />
Estimates are printed in the catalogue beside every lot and<br />
take into account rarity, condition, quality and provenance.<br />
<strong>The</strong> reserve is the amount at which the item is available for<br />
purchase. <strong>The</strong> reserve is an undisclosed confidential amount<br />
which is set at, or below the low estimate.<br />
<strong>The</strong> reserve will never exceed the low estimate at Gibson’s<br />
<strong>Auction</strong>eers & Valuers. Many lots are sold without reserve.<br />
Talk to our Specialists<br />
Gibson’s <strong>Auction</strong>eers & Valuers are an experienced team of<br />
specialists who are available to discuss items in further detail,<br />
and to offer advice and assistance.<br />
Contact details for relevant specialists can be found on the<br />
inside front cover our auction catalogues and on our website.<br />
Condition Reports<br />
Condition Reports are available on request. Condition Reports<br />
supplement the lot description and provide information on the<br />
condition of an item.<br />
We strongly advise obtaining a condition report if you are<br />
unable to view an item in person prior to the auction.<br />
To request a condition report please email<br />
condition.reports@gibsonsauctions.com.au with the auction<br />
title and lot number/s.<br />
Bidding<br />
Gibson’s <strong>Auction</strong>eers & Valuers offer four bidding options:<br />
1. <strong>Auction</strong> Room Bidding<br />
To bid in person we suggest you arrive early so that you<br />
have sufficient time to register for a bidding number prior<br />
to the auction. If this is your first time bidding with Gibson’s<br />
<strong>Auction</strong>eers & Valuers please bring photo identification, such<br />
as a driver’s licence or passport with you.<br />
2. Telephone Bidding<br />
Gibson’s <strong>Auction</strong>eers & Valuers offer telephone bidding on all<br />
lots, at all auctions.<br />
Telephone Bidding is a convenient solution if you are unable to<br />
attend an auction in person. A Gibson’s <strong>Auction</strong>eers & Valuers<br />
staff member will call you approximately 5 lots in advance and<br />
with your instruction, bid on your behalf at the auction.<br />
Please note: Telephone Bids must be organised at least 24<br />
hours prior to the auction and that occasionally, the number<br />
of telephone bidders available may be restricted when the<br />
auction is offsite.<br />
To organise a Telephone Bid please follow the link<br />
to the Telephone Bidding form on our website:<br />
www.gibsonsauctions.com.au.<br />
Please fill in & return via email to mail@gibsonsauctions.com.au<br />
If this is your first time bidding with Gibson’s <strong>Auction</strong>eers &<br />
Valuers, an email address is to be supplied when you submit<br />
your Telephone Bid, along with clear Photo ID verifying<br />
your address.
3<br />
3. Absentee Bids<br />
Absentee Bidding is another convenient solution if you<br />
are unable to attend an auction in person, to speak on the<br />
telephone or if you simply have a strict budget.<br />
An Absentee Bid should be set at the maximum amount<br />
you wish to bid on the lot/s you are interested in purchasing.<br />
Should the lot/s be knocked down at an amount lower than<br />
the bid recorded on your form, the lot will be sold to you for<br />
the lesser hammer price.<br />
Please note Absentee Bids must be received at least 24 hours<br />
prior to the auction to allow time for processing.<br />
To organise an Absentee Bid please follow the link to<br />
the Absentee Bidding form available on our website:<br />
www.gibsonsauctions.com.au.<br />
Please fill in & return via email to mail@gibsonsauctions.com.au<br />
If this is your first time bidding with Gibson’s <strong>Auction</strong>eers<br />
& Valuers, an email address is to be supplied when you<br />
submit your Absentee Bid, along with clear Photo ID verifying<br />
your address.<br />
4. Online Bidding<br />
Online bidding allows you to bid via the internet in real<br />
time with a live broadcast of the auction. To bid online visit<br />
our website and follow the ‘Live Bidding’ link under the<br />
‘<strong>Auction</strong>s’ tab.<br />
Please register for this service at least 24 hours prior to the<br />
auction to ensure you do not miss your lot.<br />
Please note online bidding is powered by Invaluable.com and<br />
so will incur a 5% fee on successful lots.<br />
If you have not bid with Gibson’s <strong>Auction</strong>eers & Valuers<br />
previously, a photo ID verifying your address will be<br />
required before you can be approved to bid. Please email to<br />
mail@gibsonsauctions.com.au as soon as practical.<br />
International Bidding<br />
If you are bidding from overseas for the first time, you will be<br />
asked to provide a clear Photo ID verifying your address and<br />
a deposit (set at Gibson’s <strong>Auction</strong>eers & Valuers’ discretion)<br />
prior to the auction. <strong>The</strong> deposit is refundable within 48<br />
hours should you not be successful. If you are successful<br />
the deposit will be deducted from your invoice total. <strong>The</strong><br />
remaining balance must be paid preferably by direct deposit.<br />
Bank details are provided in the Payment & Collection section<br />
of this guide.<br />
Payment & Collection<br />
Payments<br />
If you are successful an invoice (AU$) will be emailed or<br />
posted to you immediately after the auction.<br />
You will pay the hammer price, plus the buyer’s premium<br />
(22% plus GST) on each Lot, together with any additional<br />
applicable charges such as GST on hammer.<br />
Payments must be made in full by the final day of Collections<br />
as printed in the catalogue.<br />
Bank Transfer/Direct Deposit is our preferred method<br />
of payment:<br />
Account Name: Gibsons <strong>Auction</strong>s<br />
Bank:<br />
Bank of Melbourne (A division of St George)<br />
BSB: 193879<br />
Account No: 441701443<br />
Swift Code: SGBLAU2S<br />
Routing Code: 021000021<br />
Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144<br />
• Personal, Company and Bank Cheques are not accepted<br />
without prior approval.<br />
• Eftpos (no charge).<br />
• Credit cards: Visa and Mastercard (1.2% inc GST merchant<br />
fee) and American Express (3% inc GST merchant fee).<br />
• Please note that credit card transactions over $5,000<br />
will not be accepted over the telephone unless by prior<br />
arrangement.<br />
• Cash payments up to AU$10,000 can be accepted. For any<br />
amount over this, cash is to be deposited directly into our<br />
account at a Bank of Melbourne/St George branch.<br />
Collections<br />
Gibson’s <strong>Auction</strong>eers & Valuers are happy to assist and<br />
provide you with recommended transport companies whether<br />
it be a local, interstate or international delivery.<br />
Storage<br />
All items must be paid for and collected within the collection<br />
times advertised for each individual auction. If items are not<br />
collected within this time-frame, Gibson’s <strong>Auction</strong>eers &<br />
Valuers reserve the right to charge removal and storage fees.
4<br />
Silver<br />
1<br />
A set of eight George III sterling<br />
silver plates by Daniel Smith &<br />
Robert Sharp, London 1784<br />
scalloped edges with gadroon<br />
detail to rim and bearing two<br />
engraved armorial crests<br />
4090gms total weight of<br />
silver, 24.4cm diameter<br />
$2,000–3,000<br />
2<br />
A pair of Continental silver<br />
candlestick holders, 19th century<br />
26cm high<br />
$200–300<br />
3<br />
A fifty five piece suite of<br />
American sterling silver cutlery<br />
by Gorham & Co., circa 1915<br />
1355gms<br />
$1,000–1,500<br />
4<br />
A cut crystal mounted Sheffield plate<br />
centrepiece, English, 19th century<br />
38.5cm high<br />
$200–300<br />
5<br />
A large pair of silver plate<br />
cloches by Hardy Brothers<br />
30cm high, 52cm wide, 39cm deep<br />
$200–300<br />
1
5<br />
6<br />
A sterling silver four piece<br />
tea and coffee set<br />
by Walker & Hall, Birmingham,<br />
circa 1876<br />
comprising tea and coffee pot,<br />
creamer and sugar pot<br />
decorated in a Grecian style<br />
with gilt wash interior<br />
2725gms combined weight,<br />
coffee pot 31cm high<br />
$2,000–3,000<br />
7<br />
Four Victorian Queen’s pattern<br />
sterling silver serving spoons by<br />
Wilson & Sharp, Glasgow, 1862<br />
325grams, 23cm long<br />
$200–300<br />
6
6<br />
8<br />
8<br />
An associated collection of thirty one<br />
pieces of sterling silver cutlery, mostly<br />
early 19th century and later together<br />
with a large Scottish sterling silver ladle<br />
1720gms excluding knives,<br />
35cm length ladle<br />
$1,500–2,500<br />
9<br />
A collection of English and French<br />
sterling silver condiments and table<br />
accessories, 18th century and later<br />
including a pair of pepperettes, four<br />
hoof footed salts, two white pepper<br />
shakers, two condiment spoons, two<br />
Christofle dishes, a letter opener and<br />
a card case and two silver plate bottle<br />
stands with pierced decoration<br />
mixed makers marks and dates<br />
the largest bottle stand<br />
13.5cm diameter<br />
$150–250<br />
10<br />
A sterling silver rose bowl by<br />
Walker and Hall, Sheffield, 1924<br />
940grams, 30cm across the handles<br />
$200–300<br />
11<br />
A pair of silver plate candlesticks,<br />
19th century<br />
26cm high<br />
$100–200<br />
12<br />
A collection of a sterling silver<br />
condiments, cruets, pierced fretwork<br />
basket and a Thai silver double ended<br />
cup, earliest legible date London 1911<br />
$80–120
7<br />
13<br />
An associated set of sterling<br />
silver flatware, mostly London<br />
early 19th century and later<br />
comprising eighty one pieces<br />
decorated with a bead edge<br />
2860gms excluding knives<br />
$1,500–2,500<br />
14<br />
A Victorian sterling silver wine funnel<br />
by Edward, Edward Jr., John &<br />
William Barnard, London 1838<br />
with thread rim and fluted body<br />
100gms, 15cm x 7.5cm<br />
$400–600<br />
15<br />
A collection of items including sterling<br />
silver Dutch christening cup, circa 1860<br />
chatelaine attachments,<br />
propelling pencils, bookmark,<br />
boot hook and two whistles<br />
the christening cup 8cm high<br />
$60–80<br />
16<br />
A sterling silver mounted claret jug,<br />
Birmingham 1900<br />
stamped maker BB<br />
23cm high<br />
$120–150<br />
17<br />
A small Hong Kong silver spill vase,<br />
19th century<br />
silver overlay design in bamboo<br />
with glass interior on iron base<br />
14cm high<br />
$40–60<br />
18<br />
A collection of sterling silver and<br />
EPNS items, 19th century<br />
including a sterling silver toddy<br />
ladle, a pair of asparagus tongs<br />
and a small collection of spoons<br />
the toddy ladle 39cm<br />
$100–200<br />
14<br />
13
8<br />
19<br />
A pair of Edward VII sterling<br />
silver candlesticks<br />
by Martin, Hall & Co, London 1891<br />
Corinthian column form, square<br />
stepped foot with beaded detail<br />
29cm high<br />
$1,200–1,500<br />
20<br />
A George V sterling silver<br />
tureen and cover by George<br />
Carrington & Co London, 1931<br />
decorated with a beaded border<br />
and figural Corinthian style finial<br />
1530 gms, 26cm length, 19cm width<br />
$800–1,200<br />
19<br />
20
9<br />
21<br />
21<br />
A set of six George III sterling<br />
silver dessert spoons by James<br />
Hewitt, Edinburgh 1789<br />
with a pointed heel and armorial crest<br />
395gms, 22.5cm length<br />
$400–600<br />
22<br />
A large sterling silver ewer with hinged<br />
cover by John Kilpatrick London, 1873<br />
heavily chased swags and foliate detail<br />
with acanthus leaf shaped handle<br />
720gms silver, 34cm high<br />
$500–800<br />
23<br />
An assortment of sterling silver,<br />
early 19th century<br />
including two mother of pearl<br />
handled fruit knives, a Scottish<br />
teaspoon, a George III silver spoon<br />
and a small George III sterling<br />
silver ribbed tankard, probably for<br />
Elizabeth Morley, London 1807<br />
the largest piece 5.5cm high<br />
$100–200<br />
22
10<br />
26<br />
A large Thai silver and niello<br />
picture frame, 20th century<br />
40 x 29cm<br />
$200–400<br />
27<br />
A George II sterling silver<br />
thimble in shagreen case<br />
bears label to interior: P.Blashki<br />
Watchmaker & Jeweller, 120 Bourke<br />
street, Melbourne and a small silver<br />
capped perfume bottle, circa 1860<br />
8cm high, the thimble 2cm long<br />
$100–200<br />
28<br />
A collection of English sterling silver<br />
spoons, George III and later<br />
mixed patterns, maker’s marks and<br />
dates, comprising five serving spoons,<br />
nine table spoons, five dessert<br />
spoons and seven teaspoons (26)<br />
1196 gms<br />
$800–1,200<br />
26<br />
24<br />
An Indian silver bowl, 19th century<br />
the serpentine sides repoussed<br />
with gadrooning and grape<br />
and leaf decoration<br />
17cm diameter<br />
$400–600<br />
25<br />
A pair of George III sterling<br />
silver asparagus tongs<br />
by William Eley, William Fearn &<br />
William Chawner, London 1808<br />
180gms, 24cm long<br />
$120–150<br />
24
11<br />
29<br />
29<br />
A Russian silver cigarette case,<br />
19th century<br />
embossed with a bear and a<br />
hunter, inscribed in Russian to the<br />
interior and impressed 84 Zolotnik<br />
and illegible makers mark<br />
11.5cm high, 9cm wide<br />
$600–800<br />
30<br />
An African silver mounted horn switch<br />
88cm high<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$200–300<br />
31<br />
A pair of silver plate telescopic<br />
candlesticks, 19th century<br />
26cm high<br />
$200–300<br />
32<br />
A George IV sterling silver pap boat,<br />
by Edward Farrell, London, 1822<br />
decorated with vine and grapes, lions<br />
head and gadroon rim; together with a<br />
Victorian sterling silver sauce boat<br />
possibly by William Smily, London 1846<br />
with gadroon rim, shell top<br />
scroll legs and hoof feet<br />
the sauce boat 230gms, 17cm length<br />
pap boat 65gms, 15cm length<br />
$300–500<br />
33<br />
A silver mounted boar tusk snuff<br />
box together with a small silver<br />
enamelled figure of a pig<br />
6cm length snuff box<br />
$100–200<br />
34<br />
A large two handled silver plate butlers<br />
tray, French, early 20th century<br />
83.5cm wide, 52.5cm deep<br />
$500–800<br />
30
12<br />
Jewellery<br />
35<br />
A VINTAGE DANISH PEWTER<br />
NECKLACE BY JORGEN JENSEN<br />
Elongated pewter pendant, two<br />
horizontal plates set with purple glass<br />
sections, on a white metal collar, design<br />
number 230B, signed Jorgen Jensen.<br />
$200–300<br />
36<br />
A VINTAGE BRITISH PEWTER<br />
NECKLACE BY LORD PYTHON<br />
Triangular concave pewter pendant,<br />
two drops set with blue glass sections,<br />
on a white metal collar, signed Lord<br />
Python, Sheffield, on a silver collar.<br />
$240–340<br />
37<br />
A VINTAGE GARNET AND SAPPHIRE<br />
SILVER SERPENT NECKLACE<br />
of articulated design, stone set<br />
head, gold overlay highlights<br />
135 gms, 61cm long<br />
$1,200–1,500<br />
38<br />
A VINTAGE SAPPHIRE<br />
AND DIAMOND RING<br />
Featuring a faceted oval cut Ceylonese<br />
sapphire of approximately 3.30cts,<br />
shouldered by tapered baguette and<br />
round brilliant cut diamonds totalling<br />
approximately 0.25cts, within a pierced,<br />
raised mount; platinum. Ring size M.<br />
$2,600–3,600<br />
39<br />
A SAPPHIRE AND DIAMOND<br />
DRESS RING<br />
Featuring a fancy rectangular<br />
cut sapphire of an estimated<br />
1.15cts, within a round brilliant and<br />
princess cut diamond set band<br />
totalling 0.40cts; 18ct white gold.<br />
Ring size M½. Weight 6.7g.<br />
$1,200–1,500<br />
40<br />
A PAIR OF DIAMOND STUD EARRINGS<br />
Each earring featuring a<br />
round brilliant cut diamond of<br />
0.30cts; 14ct white gold.<br />
$650–800<br />
41<br />
A CULTURED PEARL, PURPLE<br />
SAPPHIRE AND DIAMOND PENDANT<br />
Featuring a white cultured pearl<br />
measuring 10.4mm, surmounted<br />
by a faceted pear shaped purple<br />
sapphire of 0.35cts, within a diamond<br />
set border; 14ct rose gold.<br />
$500–700<br />
42<br />
A MULTI-COLOURED SAPPHIRE<br />
AND DIAMOND BRACELET<br />
Set with pear shaped faceted<br />
gold, green and orange sapphires<br />
totalling 8.40cts, spaced by round<br />
brilliant cut diamonds totalling<br />
0.49cts; 14ct gold. Length 17cms.<br />
$2,400–2,800<br />
43<br />
A SAPPHIRE, RUBY AND<br />
EMERALD BAND RING<br />
Set with calibre cut emeralds (0.23cts),<br />
rubies (0.21cts) and sapphires<br />
(0.21cts), single cut diamond<br />
highlights; 9ct gold. Ring size K½.<br />
$480–520<br />
44<br />
A PAIR OF PINK SAPPHIRE AND<br />
DIAMOND DROP EARRINGS<br />
Each earring set with a faceted<br />
oval cut pink sapphire of 1.00ct,<br />
suspended from a diamond set circle,<br />
shepherds hook fittings; 14ct gold.<br />
$750–850<br />
45<br />
A SAPPHIRE AND DIAMOND<br />
THREE STONE RING<br />
Featuring three faceted oval cut<br />
sapphires totalling 1.30cts, set within a<br />
diamond border; 9ct gold. Ring size O½.<br />
$550–650<br />
46<br />
AN EMERALD AND DIAMOND RING<br />
Featuring an emerald cut emerald<br />
of 2.07cts, round brilliant cut<br />
diamond set shoulders totalling<br />
0.14ct; 14ct gold. Ring size M.<br />
$650–850<br />
47<br />
A BLUE AND WHITE<br />
DIAMOND NECKLACE<br />
Featuring spaced round brilliant cut<br />
irradiated blue diamonds totalling<br />
0.92cts, white round brilliant cut<br />
diamonds totalling 0.19cts; 14ct white<br />
gold, on an integral chain, length 46cms.<br />
$1,200–1,500<br />
48<br />
AN ANTIQUE STYLE EMERALD<br />
AND DIAMOND PENDANT<br />
Set with a round faceted emerald<br />
totalling 5.76cts, within a pierced<br />
grain set diamond mount totalling<br />
0.50cts; 14ct white gold.<br />
$5,500–6,500<br />
49<br />
A SINGLE DIAMOND RING<br />
Featuring a princess cut diamond<br />
of 1.04cts, set within a diamond<br />
border totalling 0.40cts; 14ct<br />
rose gold. Ring size M.<br />
$2,200–2,600<br />
50<br />
A DIAMOND SET STAR CLUSTER RING<br />
Featuring a star shaped cluster<br />
set throughout with round brilliant<br />
cut diamonds totalling 0.25cts;<br />
9ct gold. Rings size N.<br />
$440–480<br />
51<br />
A RUBY AND DIAMOND BRACELET<br />
Fully set with a double row of<br />
faceted oval cut rubies totalling<br />
26.25cts, spaced by round brilliant<br />
cut diamonds totalling 1.96cts;<br />
14ct white gold. Length 17cms.<br />
$4,800–5,200<br />
52<br />
AN AUSTRALIAN ARTS AND<br />
CRAFTS-STYLE OPAL RING<br />
Central oval cut light opal, set within<br />
a mount featuring Australian native<br />
flowers to the shoulders; silver.<br />
$180–240
13<br />
35<br />
37<br />
36
14<br />
53<br />
A VINTAGE WHITE GOLD<br />
WRISTWATCH BY PATEK PHILIPPE<br />
square blue face, baton markers,<br />
case diameter 26mm, white gold<br />
bracelet band, clasp stamped JPE,<br />
Patek Philippe, Geneve, Swiss, 750,<br />
bracelet length 18cms. Weight<br />
(all in) 84.1gms, with original Patek<br />
Phillippe box and certificate booklet.<br />
REF 3570-1<br />
Case Dial and Movement:<br />
175 Manual wind<br />
Movement number: 1173749 18 jewels<br />
$4,000–6,000<br />
54<br />
A PAIR OF DIAMOND<br />
COCKTAIL EARRINGS<br />
Each earring designed as a stylised<br />
shell, pave set diamond panel totalling<br />
0.90cts; 18ct gold. Post and clip<br />
backing. Each earring weighs 10.8g.<br />
$3,000–5,000<br />
55<br />
A CORAL, EMERALD AND<br />
DIAMOND SWAN RING<br />
Styled as two intertwining swans,<br />
carved coral bodies, emerald eyes,<br />
diamond set collars, necks and beaks;<br />
18ct gold. Ring size O. Weight 10.4gms.<br />
$1,800–2,200<br />
56<br />
A PAIR OF SAPPHIRE AND<br />
DIAMOND HOOP EARRINGS<br />
Each earring set with faceted oval cut<br />
sapphires totalling 5.10cts, spaced<br />
by round brilliant cut diamonds<br />
totalling 0.44cts; 14ct white gold.<br />
$2,800–3,200<br />
57<br />
AN EMERALD AND DIAMOND<br />
CLUSTER RING<br />
Set with a faceted oval cut emerald<br />
of 4.04cts, within a round brilliant cut<br />
diamond border totalling 0.86cts; 18ct<br />
white and yellow gold. Ring size M.<br />
$1,600–1,800<br />
58<br />
A PAIR OF DIAMOND SET<br />
FLOWER EARRINGS<br />
Each earring styled with textured gold<br />
petals, diamond set centre totalling<br />
approximately 0.17cts; 18ct gold. Clipon<br />
fitting. Each earring weighs 10.6gms.<br />
$2,400–2,800<br />
59<br />
A SAPPHIRE AND DIAMOND<br />
RING BY MEGAN WEBB<br />
Featuring a faceted round cut<br />
Australian sapphire of 1.60cts, round<br />
brilliant cut diamond set shoulders<br />
totalling 0.49cts; 18ct gold. Ring size<br />
N. Boxed. Accompanied by Origin<br />
Australia diamond certificate.<br />
$1,000–1,500<br />
60<br />
A SAPPHIRE AND DIAMOND PENDANT<br />
Featuring a fancy cut sapphire of<br />
approximately 1.00ct, set with a<br />
round brilliant cut diamond; 18ct<br />
rose gold. Chain length 45cms.<br />
$600–800<br />
61<br />
A JADE PENDANT NECKLACE<br />
Featuring uniform pale greenish<br />
white jade beads measuring<br />
9.5mm, suspending a carved<br />
Chinese character pendant, gold<br />
plated spacers, length 82cms.<br />
$200–300<br />
62<br />
A VINTAGE CZECHOSLOVAKIAN<br />
FACETED GLASS COLLAR<br />
of elegant form with three rows of<br />
circular graduated cut glass beads<br />
$200–300<br />
63<br />
A PAIR OF SPANISH COLONIAL<br />
STYLE GOLD EARRINGS<br />
Of embellished ornate, scrolled design,<br />
flora and fauna detail, set with Motherof-Pearl<br />
and seed pearls, detachable<br />
drop; stamped 18ct, testing as 14ct<br />
gold. Length 8cms. Weight 31.2g.<br />
$1,600–2,000<br />
64<br />
A PAIR OF SPANISH COLONIAL<br />
STYLE GOLD EARRINGS<br />
Each earring of embellished ornate<br />
floral design, set with a rose cut<br />
citrine and seed pearls, detachable<br />
drop; unmarked, testing as 14ct gold.<br />
Length 7.5cms. Weight 24.6g.<br />
$1,400–1,800<br />
65<br />
An Edward VII silver cigarette case<br />
by Charles S Green & Co<br />
Ltd, Birmingham 1905<br />
of plain form, hinged frontal panel<br />
opens to reveal a picture compartment.<br />
gilded interior, engraved shield with<br />
fleur-de-lis detail, initials DF, weight<br />
103.1gms, length 8cm, width 6cm<br />
$200–300<br />
66<br />
A DIAMOND PENDANT<br />
NECKLACE BY CARTIER<br />
Solid circular pendant set with diamond<br />
detail, on an integral chain, clasp<br />
stamped Cartier no. 001435; 18ct<br />
gold, length 42cms, weight 14.7gms.<br />
$3,200–4,000<br />
67<br />
A DIAMOND ETERNITY BAND<br />
Fully set throughout with French<br />
cut diamonds totalling 3.10cts,<br />
engraved detail to band; platinum.<br />
Ring size M. Weight 3.4g.<br />
$4,600–5,000<br />
68<br />
A PINK SAPPHIRE AND DIAMOND RING<br />
Featuring a cushion cut pink sapphire<br />
of 1.84cts, bordered by round brilliant<br />
cut diamonds, totalling approximately<br />
0.35cts; platinum. Ring size O. Weight<br />
4.4gms. Accompanied by a GIA<br />
report stating the pink sapphire has<br />
no indications of heat treatment.<br />
$6,500–7,000<br />
69<br />
A VINTAGE GREEN TURQUOISE RING<br />
the large oval green stone with<br />
a pierced fretwork mount<br />
$300–400
15<br />
54<br />
55<br />
58<br />
53<br />
57<br />
56
16<br />
70<br />
A VINTAGE SILVER PENDANT<br />
Freeform textural pendant, gilded, on<br />
a silver collar, signed Eve, 1/150.<br />
$260–360<br />
71<br />
AN ITALIAN DESIGNER SILVER<br />
BANGLE BY ORALANDINI<br />
Hinged bangle, architectural<br />
design, fully hallmarked, inner<br />
diameter 6cms. Weight 80gms.<br />
$400–600<br />
72<br />
A VINTAGE MEXICAN SILVER AND<br />
LAPIS LAZULI NECKLACE<br />
Designed as graduated elongated<br />
concave panels, some set with lapis<br />
lazuli inlay, length 37cms, weight<br />
127gms. Hallmarked clasp.<br />
$300–500<br />
73<br />
A VINTAGE CONTINENTAL<br />
SILVER AND PASTE TIARA<br />
of classical form with scrolling<br />
strapwork and faux pearls<br />
$300–400<br />
74<br />
AN ANTIQUE FRENCH GOLD<br />
CHARM BRACELET<br />
Featuring various charms including a<br />
chestnut and a set of keys; 18ct gold.<br />
Length 19cms. Weight 33.9gms.<br />
$3,600–3,800<br />
75<br />
A PAIR OF RUBY AND DIAMOND<br />
CHANDELIER EARRINGS<br />
Each earring of Art Deco inspired<br />
design, set with a pear shaped ruby<br />
of approximately 0.40cts, within<br />
a diamond set mount; platinum,<br />
threaded backing. Length 4.5cms.<br />
Each earring weighs 3.4gms.<br />
$3,600–3,800<br />
76<br />
A RUTILATED QUARTZ DRESS RING<br />
<strong>The</strong> handmade ring featuring gold<br />
twisted rope detail, set with a rutilated<br />
quartz, makers mark R&F; 14ct<br />
gold. Ring size N. Weight 10.8g.<br />
$300–500<br />
77<br />
A GROUP OF CULTURED<br />
PEARL JEWELLERY<br />
Comprising a double strand of grey<br />
freshwater pearls, length 45cms<br />
with a matching bracelet and<br />
fifteen extra pearls, together with<br />
a pair of white freshwater baroque<br />
pearl earrings measuring 11mm;<br />
sterling silver fittings and clasp.<br />
$260–360<br />
78<br />
A COLLECTION OF CULTURED<br />
PEARL JEWELLERY<br />
Comprising two Akoya pearl necklaces,<br />
two brooches and a pair of earclips.<br />
$300–500<br />
79<br />
Two sets of cased brass<br />
gold weighing scales<br />
the stand 17cm high<br />
黃 銅 金 天 秤 兩 件<br />
$100–200<br />
80<br />
A DESIGNER SILVER NECKLACE<br />
BY DGANIT HEN<br />
Freeform, textural panels, gold<br />
plated spacer balls, T-bar clasp, fully<br />
hallmarked by Israeli designer Dganit<br />
Hen, length 43cms, weight 36.2gms.<br />
$100–200<br />
81<br />
A DESIGNER SILVER NECKLACE<br />
BY DGANIT HEN<br />
Freeform, textural panels, gold plated<br />
spacers, silver tassel, T-bar clasp, fully<br />
hallmarked by Israeli designer Dganit<br />
Hen, length 43cms, weight 33.2gms.<br />
$100–200<br />
82<br />
A SILVER BRACELET AND MATCHING<br />
EARRINGS BY DGANIT HEN<br />
Freeform, textural panels, gold<br />
plated spacers, central freeform<br />
scrolled panel, earrings of similar<br />
design with ball drop, post and hinge<br />
backing, fully hallmarked by Israeli<br />
designer Dganit Hen, bracelet length<br />
20cms, total weight 32.6gms.<br />
$100–200<br />
83<br />
AN ANTIQUE GOLD ROLEX<br />
WRISTWATCH<br />
Gold tone face, machine-turned<br />
detail, circular set Arabic numerals,<br />
engraved detail to case; 9ct rose gold,<br />
leather strap. Weight (all in) 21.1gms.<br />
$500–800<br />
84<br />
An Omega 14ct gold manual<br />
wind chronograph with two subs<br />
dials, 17 jewels, cal. 27 chro. 1<br />
movement no. 9602790<br />
case ref. 10757391<br />
silver dial with gold hands and batons<br />
brown leather strap<br />
35mm diameter<br />
$1,500–2,000<br />
85<br />
An Omega steel manual wind<br />
wristwatch, 17 jewels, cal. 286<br />
movement no. 21073248<br />
case ref. 131.002/64/SC<br />
silver dial with Roman<br />
numerals and gold hands<br />
34mm diameter<br />
dark blue leather strap<br />
$300–500<br />
86<br />
An Omega rose gold manual<br />
wind wristwatch, subs second<br />
dial, 17 jewels, cal. 30T2<br />
movement no. 10318104<br />
silver dial with Arabic numerals<br />
and batons, gold plated hands<br />
black leather strap; stamped<br />
18ct rose gold, weight 34.6g<br />
37mm diameter<br />
$1,200–1,500<br />
87<br />
An Omega pie-pan gold capped<br />
stainless steel automatic date<br />
constellation chronometer,<br />
24 jewels, cal. 564<br />
movement no. 24879102<br />
case ref. 167.005<br />
silver dial with gold hands and batons<br />
brown leather strap<br />
34mm diameter<br />
$750–950
17<br />
71<br />
70<br />
72
18<br />
88<br />
A VINTAGE HORN BRACELET<br />
BY FIKEL FOR JESSIE HILL<br />
of unusual stylised form<br />
$200–300<br />
89<br />
An Omega 18ct gold automatic bump<br />
wristwatch, 17 jewels, cal. 28.10RA<br />
movement no. 10548388<br />
case ref. 10707090<br />
silver dial with gold hands and batons<br />
black and brown leather strap<br />
35mm diameter<br />
$750–950<br />
90<br />
An Omega stainless steel manual wind<br />
chronometer, 17 jewels, cal. 30T2Rg<br />
movement no. 10332480<br />
case ref. 2366<br />
silver dial with gold hands<br />
and Roman numerals<br />
brown leather strap<br />
36mm diameter<br />
$600–800<br />
91<br />
A COPPER MASK BRACELET<br />
Square beaten copper panels,<br />
theatre mask detail, length 19cms.<br />
$100–200<br />
92<br />
A DANISH DESIGNER HORN<br />
NECKLACE BY MONIES<br />
Of tribal inspired design, elongated<br />
polished horn sections, on a leather<br />
rope, total length 124cms, comes<br />
with original Monies pouch.<br />
$500–700<br />
93<br />
A CORAL NECKLACE<br />
Featuring graduated freeform<br />
coral beads, length 51cms.<br />
$80–120<br />
94<br />
A VINTAGE PLASTIC<br />
BAKELITE NECKLACE<br />
Graduated panels, plastic faux<br />
tortoise shell, closing to a yellow<br />
metal clasp, length 44cms<br />
$100–200<br />
95<br />
A VINTAGE MEXICAN SILVER<br />
BANGLE BY CRYS<br />
Wide 21mm hinged bangle,<br />
geometrical lapis lazuli inlay,<br />
signed Crys. Weight 116.3gms.<br />
$180–240<br />
96<br />
A VINTAGE TURQUOISE NECKLACE<br />
Comprising graduated turquoise discs,<br />
length 58cms, closing to a silver clasp.<br />
$160–260<br />
97<br />
A VINTAGE TURQUOISE<br />
BEAD NECKLACE<br />
Uniform 20.5mm turquoise<br />
beads, yellow metal spacers<br />
and clasp, length 44cms.<br />
$260–360<br />
98<br />
A CONVERTED FRENCH<br />
POCKETWATCH WRISTWATCH<br />
Featuring a pocket watch by<br />
Superior, converted to a wristwatch,<br />
Roman numerals, exposed<br />
mechanism, on a leather strap.<br />
$140–240<br />
99<br />
A VINTAGE CORAL NECKLACE<br />
Featuring graduated circular beads,<br />
silver spacers, length 54cms.<br />
$120–150<br />
100<br />
A VINTAGE WRISTWATCH BY<br />
PIERRE CARDIN FOR JAEGER<br />
Brushed stainless steel case, circular<br />
face, baton markers, manual wind,<br />
black leather strap, signed Jaeger<br />
France 529698 to verso of case.<br />
$140–240<br />
101<br />
A VINTAGE DU MAURIER WRISTWATCH<br />
Textured gold metal case, rectangular<br />
red face, red leather strap, manual wind.<br />
$100–200<br />
88
19<br />
102<br />
A SUBSTANTIAL DANISH DESIGN<br />
HORN BRACELET BY MONIES<br />
Designed as three graduated rows of<br />
triangular shaped horn panels, on an<br />
elastic rope, comes with Monies pouch.<br />
$500–700<br />
103<br />
A VINTAGE FRENCH SILVER<br />
WRISTWATCH BY JAQUET-DROZ<br />
Rectangular face, Roman numerals at<br />
12 and 6 o’clock, blue enamel and silver<br />
bracelet, watch case fully hallmarked to<br />
verso; 800 Continental silver, bracelet<br />
length 20cms. Weight (all in) 96.2gms.<br />
$460–550<br />
104<br />
A VINTAGE BONE NECKLACE<br />
Of tribal influence, black and white<br />
elongated panels and circular<br />
discs, c.1920, length 42cms.<br />
$120–150<br />
105<br />
A PAIR OF VINTAGE MEXICAN SILVER<br />
EARRINGS BY RAFAEL MELENDEZ<br />
Designed as theatre masks,<br />
gilded silver, black enamel, clipon<br />
backings. Hallmarked.<br />
$140–180<br />
106<br />
A GERMAN DESIGNER<br />
NECKLACE BY LANGANI<br />
Featuring wooden sections and glass<br />
beads graduated design, length<br />
50cms, original Langani box.<br />
$160–260<br />
107<br />
A VINTAGE DANISH PEWTER<br />
BANGLE BY JORGEN JENSEN<br />
Designed as a tapered convex<br />
bangle, central panel set with a<br />
purple glass section, design number<br />
220, hallmark Jorgen Jensen.<br />
$140–180<br />
108<br />
A VINTAGE COPPER BANGLE<br />
AND EARRINGS BY RENOIR<br />
Designed as swirling lines of copper,<br />
clip-on earrings, signer Renoir.<br />
$100–200<br />
109<br />
A PAIR OF DANISH DESIGN<br />
HORN EARRINGS BY MONIES<br />
Graduated horn sections, clip-on<br />
backings, signed Monies, comes<br />
in original Monies pouch.<br />
$120–180<br />
110<br />
A DESIGNER RESIN BRACELET<br />
Designed as a series of large resin<br />
pyramids with black inclusions,<br />
signed to inside panel ‘Artificial vs<br />
Real’, Elke for Jessie Hill, boxed.<br />
$140–240<br />
111<br />
AN AMBER DRESS RING<br />
Featuring a large faceted amber,<br />
set within four claws; stamped<br />
18ct gold, testing as 14ct. Ring<br />
size U½. Weight 17.1g.<br />
$400–500<br />
112<br />
AN ANTIQUE EMERALD<br />
AND DIAMOND RING<br />
Central oval shaped emerald<br />
cut en cabochon, set with a four<br />
old cut diamonds; 14ct gold.<br />
Ring size Q. Weight 2.7g.<br />
$300–400<br />
113<br />
TWO ANTIQUE STONE SET RINGS<br />
One set with turquoise and citrine,<br />
inscribed ‘Forget Me Not’, the<br />
other set with glass pearls and<br />
turquoise; both 18ct gold. Ring<br />
sizes J and M. Total weight 3.3g.<br />
$300–400<br />
114<br />
A PAIR OF CITRINE EARRINGS<br />
Each stud earring featuring a fancy<br />
square chequerboard cut citrine of<br />
approximately 7.60cts, set within four<br />
claws, post and butterfly backings;<br />
14ct gold. Total weight 9.1g.<br />
$400–600<br />
102
20<br />
Other<br />
Properties<br />
115<br />
A pair of gilt bronze mounted marble<br />
cassolettes, French 19th century<br />
46cm high<br />
$1,000–1,500<br />
116<br />
A large Schneider cameo<br />
glass vase, circa 1925<br />
mottled orange glass decorated with<br />
stylised flowers, raised mark Charder<br />
41cm high<br />
$1,000–2,000<br />
117<br />
A Biedermeier beechwood suite<br />
comprising a chaise lounge and four<br />
chairs upholstered in black velvet<br />
the chaise 186cm long<br />
$400–600<br />
118<br />
A provincial oak dining table,<br />
English 19th century<br />
74cm high, 270cm wide, 70cm deep<br />
PROVENANCE<br />
purchased Leonard Joel <strong>Auction</strong>s<br />
$400–600<br />
119<br />
PETER LELY (ATRRIB.)<br />
(1618-1680)<br />
Portrait of Miss Margaret Waller,<br />
circa 1660<br />
oil on canvas<br />
bears inscribed label verso:<br />
Marg Daugtr of Sr William Waller<br />
and Sister to Ann, Wife to<br />
Sr Philip Harcourt Knight<br />
125 x 99cm<br />
NOTE<br />
Printed label verso: “Sir Peter Lely<br />
- Portrait of Margaret Waller - Circa<br />
1660 oil on canvas size 49” x 39”,<br />
Prov. Powderham Castle, Viscount<br />
Harcourt, Oxford University, UK”<br />
$15,000–25,000<br />
115
21<br />
119
22<br />
120<br />
121
23<br />
120<br />
120<br />
H. F. JONES<br />
(ENGLISH, 19TH CENTURY)<br />
Untitled (Coaching Scenes)<br />
two oil on canvas<br />
one signed lower right: H. F. Jones<br />
29 x 49cm (each)<br />
$400–600<br />
121<br />
A Louis XVI style green leather<br />
top gilt bronze mounted desk<br />
79cm high, 16cm wide, 62cm deep<br />
$400–600<br />
122<br />
A brass mounted mahogany<br />
bracket clock by Winterhalder<br />
and Hofmeier, circa 1910<br />
with a three train Westminster<br />
chime movement contained within<br />
a string inlaid domed case<br />
39cm high<br />
$800–1,200<br />
123<br />
Two carved oak elbow chairs,<br />
English, late 17th/18th century<br />
each pierced and carved with<br />
foliate scrolls and turned stretchers,<br />
later upholstered seats<br />
$800–1,200<br />
124<br />
A Spanish provincial<br />
oak dining table<br />
76cm high, 179cm wide,<br />
93cm deep<br />
$1,500–2,500<br />
125<br />
A George III style Chinoiserie<br />
decorated cabinet on stand<br />
130cm high, 76cm wide,<br />
42cm deep<br />
$400–600<br />
126<br />
A sienna tasselled<br />
silk brocade sofa<br />
length of back 210cm<br />
$1,200–2,000<br />
122
24<br />
127<br />
127<br />
ENGLISH SCHOOL<br />
(18TH CENTURY)<br />
Untitled (Classical Landscape)<br />
oil on canvas<br />
62 x 74cm<br />
$800–1,200<br />
128<br />
A profusely carved walnut chest, Indian<br />
Kashmiri region, mid 20th century<br />
57cm high, 102cm wide, 48cm deep<br />
$600–800<br />
129<br />
A profusely carved walnut circular<br />
coffee table, Indian Kashmiri<br />
region, mid 20th century<br />
43cm high, 92cm diameter<br />
$300–500<br />
130<br />
A profusely carved walnut screen,<br />
Indian Kashmiri region, mid 20th<br />
174cm high, 184cm wide<br />
$400–600<br />
131<br />
A set of four striped silk<br />
upholstered boudoir chairs<br />
$200–300<br />
132<br />
A pair of pale pink and white floral<br />
upholstered ladies chairs<br />
$200–300<br />
133<br />
A French provincial style pollard<br />
oak dressing table and stool<br />
143cm high, 102cm wide, 56cm deep<br />
$200–300<br />
134<br />
A leather inset ladies desk,<br />
English, 19th century<br />
80cm high, 115cm wide, 62cm deep<br />
$200–300<br />
135<br />
A Chinese rosewood<br />
marble top pedestal<br />
77cm high. 39cm wide, 39cm deep<br />
$100–200<br />
136<br />
A giltwood Rococo style mirror<br />
110 x 74cm<br />
$400–600<br />
137<br />
A George III oak corner cabinet<br />
192cm high, 110cm wide, 54cm deep<br />
$800–1,200
25<br />
138<br />
A Continental carved ivory and<br />
enamel box, probably Austrian,<br />
early 19th century<br />
of circular form decorated with a<br />
scene of children and cherubs in a<br />
landscape scene, the cover finely<br />
carved with a seated goddess<br />
and a cherub in front of a mirror<br />
7cm diameter, 9cm high<br />
$500–800 ♦<br />
139<br />
A French Directoire period gilt bronze<br />
mounted parquetry inlaid marble top<br />
commode, late 18th/19th century<br />
90cm high, 145cm wide, 65cm deep<br />
$5,000–8,000<br />
140<br />
HENRY MOON (1857-1905)<br />
Cattleya Lawrenceana:<br />
Orchid, 1886<br />
chromolithograph<br />
signed lower right: Henry G Moon 1886<br />
from “Reichenbachia, Orchids<br />
Illustrated and Described”<br />
engraved by Joseph Mansell<br />
49.5 x 34cm<br />
PROVENANCE<br />
Lyons Ltd. Antique Prints,<br />
San Francisco (certificate verso)<br />
$200–300<br />
138<br />
139
26<br />
141<br />
A pair of carved limestone top<br />
wrought iron consoles<br />
90cm high, 157cm wide, 50cm deep<br />
$4,000–6,000<br />
142<br />
A set of six French provincial<br />
oak rush seat dining chairs<br />
$400–600<br />
143<br />
A George III style mahogany<br />
bow front sideboard<br />
69cm high, 112cm wide, 43cm deep<br />
$200–300<br />
144<br />
A George III style bachelors<br />
bow front cross banded<br />
mahogany chest of drawers<br />
81cm high, 86cm wide, 45cm deep<br />
$500–800<br />
145<br />
A George III style Pembroke table<br />
60cm high, 70cm wide, 60cm deep<br />
$200–300<br />
146<br />
A Regency style oval three tier<br />
library stand<br />
60cm high, 70cm wide, 60cm deep<br />
$500–300<br />
147<br />
A large Louis XV giltwood over<br />
mantel mirror, late 19th century<br />
151 x 99cm<br />
$1,200–1,500<br />
148<br />
A Napoleon III parquetry<br />
inlaid bonheur du jour<br />
75cm high, 57cm wide, 40cm deep<br />
$1,000–1,500<br />
149<br />
A pair of French provincial<br />
style oak elbow chairs<br />
$500–800<br />
150<br />
A pair of white painted<br />
simulated bamboo mirrors<br />
160 x 60cm<br />
$3,000–5,000<br />
151<br />
A pair of Chinese covered<br />
urns converted to lamps<br />
with cream silk shades<br />
74cm high with shade<br />
$100–200<br />
152<br />
A brass banker style desk<br />
lamp, 20th century<br />
with a green glass shade<br />
31cm high<br />
$100–200<br />
141
27<br />
153<br />
Two Herend porcelain<br />
figures, 20th century<br />
in the form of two ducks and a<br />
rooster, factory marks to the base<br />
the rooster 41cm high<br />
$200–300<br />
154<br />
A pair of William and Mary<br />
upholstered walnut side chairs<br />
padded back and seat and upholstered<br />
in yellow linen, turned cross stretchers<br />
$300–500<br />
153<br />
153<br />
141
28<br />
155<br />
A Sheraton style cross banded<br />
and marquetry inlaid rosewood<br />
fold over card table<br />
77cm high, 92cm wide, 45cm deep<br />
$600–800<br />
156<br />
A pair of bronze mounted marble<br />
cassolettes, French, 19th century<br />
converted to lamps with<br />
later silk shades<br />
75cm high<br />
$3,000–5,000<br />
157<br />
A Louis XV style marble top<br />
commode, French, 19th century<br />
89cm high, 123cm wide, 62cm deep<br />
$4,000–6,000<br />
158<br />
A pair of Wedgwood creamware<br />
plates, circa 1790<br />
impressed marks to base<br />
25cm diameter<br />
$80–120<br />
159<br />
A panthera pardus (leopard<br />
skin), 19th/20th century<br />
with a fully taxidermied head, together<br />
with a taxidermied lion head<br />
the leopard skin 145cm long<br />
$500–800 ♦<br />
160<br />
Two framed silhouettes,<br />
English 19th century<br />
the largest 8.5 x 7cm<br />
$200–300<br />
161<br />
A pair of carved giltwood torcheres<br />
60cm high<br />
$200–300<br />
162<br />
A pair of spelter ewers<br />
with marble bases<br />
62cm high<br />
$100–200<br />
163<br />
Three pairs of brass firedogs<br />
and implements<br />
74cm high<br />
$100–200<br />
164<br />
A Japanese sake cup by<br />
Katsumo Hiroskuni<br />
6cm diameter<br />
$80–120<br />
155
29<br />
156<br />
157
30<br />
165<br />
165<br />
A brass and mother-of-pearl<br />
marquetry inlaid walnut jewel<br />
box, French, 19th century<br />
with original key<br />
6cm high, 30cm wide, 23cm deep<br />
$300–500<br />
166<br />
A large four seater sofa<br />
upholstered in a wide stripe<br />
light brown corduroy<br />
81cm high, 234cm wide<br />
$1,000–1,500<br />
167<br />
A pair of taub upholstered easy chairs<br />
79cm high<br />
$600–800<br />
168<br />
An ovalblackwood dining table<br />
by Kim Moir Bespoke<br />
76cm high, 183cm wide, 120cm deep<br />
$400–600<br />
169<br />
A pair of Louis XVI style oak side tables<br />
65cm high, 65cm wide, 45cm deep<br />
$200–300<br />
170<br />
A brass and cast iron<br />
queen size bed frame<br />
154cm high, 204cm wide, 150cm deep<br />
$100–200<br />
171<br />
A red lacquered Chinoiserie<br />
decorated mirror, early 20th century<br />
97 x 61cm<br />
$100–200<br />
172<br />
A heavily carved oak pediment with<br />
central armorial, English 19th century<br />
79cm high, 198cm wide, 18cm deep<br />
$400–600<br />
173<br />
A white painted cast iron over<br />
mantel mirror, English circa 1900<br />
130cm high, 115cm wide<br />
PROVENANCE<br />
<strong>The</strong> Interior Decorator,<br />
Mossgreen <strong>Auction</strong>s, Melbourne,<br />
1st October 2012, Lot 304<br />
$300–500<br />
174<br />
A George III style grey velvet<br />
upholstered wingback armchair<br />
$800–1,200<br />
175<br />
A mahogany cylinder top pedestal<br />
desk, English, 19th century<br />
the cylinder enclosing satinwood<br />
drawers and a leather inset writing<br />
slide, thee drawers to each pedestal<br />
121cm high, 123cm wide, 78cm deep<br />
$600–1,200<br />
176<br />
A Chinese elm square tray<br />
9.5cm high, 55cm wide, 55cm deep<br />
$200–300<br />
177<br />
An oak library ladder<br />
370cm long<br />
$600–800<br />
178<br />
A green leather top mahogany pedestal<br />
partners desk and compendium<br />
77cm high, 168cm wide, 107cm deep<br />
$900–1,200
31<br />
179<br />
179<br />
A model brass cannon on stand<br />
24cm high, 44cm wide, 22cm deep<br />
$500–800<br />
180<br />
An Indonesian bronze cannon<br />
(Lantaka), 18th/19th century<br />
the barrel cast and chased in low relief<br />
with foliage, the fore-sight in the form<br />
of sea-horse, and original peg-mount,<br />
raised on a later wooden carriage<br />
the barrell 98cm long, mounted<br />
on the carriage 156cm long<br />
$4,000–6,000<br />
180
32<br />
181<br />
A carved marble figure of<br />
Cupid & Psyche<br />
after the original by Antonio Canova<br />
53cm high, 61cm wide, 28cm deep<br />
$1,500–2,000<br />
182<br />
A set of four mahogany dining<br />
chairs with red and green<br />
striped seats, 19th century<br />
$300–500<br />
183<br />
A French oak buffet a deux corps,<br />
18th century<br />
301cm high, 115cm wide, 53cm deep<br />
$4,000–6,000<br />
181<br />
182
183<br />
33
34<br />
184<br />
A pair of French provincial vert<br />
lacquer caned fauteuil, 19th century<br />
$800–1,200<br />
185<br />
A pair of Great Exhibition etchings<br />
35 x 40cm<br />
$100–200<br />
186<br />
A set of five lithograph scenes<br />
from the Crimean War<br />
circa 1855<br />
34 x 46cm<br />
$800–1,200<br />
187<br />
A pair of copperplate engravings<br />
by Jean Miel, circa 1755<br />
49 x 27cm<br />
$300–500<br />
188<br />
BRITISH SCHOOL<br />
(EARLY 20TH CENTURY)<br />
Summer River Thames and<br />
Summer Richmond Park<br />
oil on board<br />
monogrammed and titled lower<br />
left: SUMMER RIVER THAMES and<br />
SUMMER RICHMOND PARK<br />
each 8.5 x 18cm<br />
$200–300<br />
189<br />
ATTRIBUTED TO HENRY FOLEY<br />
(ENGLISH, 1848-1874)<br />
Untitled (Santa Maria Burgos)<br />
oil on canvas<br />
29.5 x 45cm<br />
$300–500<br />
190<br />
GEORGE MARKS (1857-1933)<br />
English Countryside<br />
watercolour<br />
signed lower right: George Marks<br />
61 x 45 cm<br />
$600–900<br />
184
35<br />
191<br />
A Herend ‘Apponyi’ pattern<br />
‘tea for two’ teaset on tray<br />
the tray 42cm wide<br />
$400–600<br />
191<br />
192<br />
A French provincial vert lacquer<br />
leather top bureau plat, 19th century<br />
76cm high, 158cm wide, 83cm deep<br />
$1,500–2,500<br />
192
36<br />
193<br />
A set of George III ivory handled<br />
steel cutlery in a fitted shagreen<br />
cutlery box, circa 1790<br />
$600–800 ♦<br />
194<br />
A Louis XV style marquetry<br />
inlaid marble top commode<br />
85cm high, 125cm wide, 54cm deep<br />
$1,500–2,500<br />
193<br />
195<br />
A Wedgwood creamware<br />
pierced and foliate decorated<br />
fruit basket, circa 1915<br />
impressed marks to base:<br />
WEDGWOOD / 3KQ, and inscribed<br />
pattern number mark A6215,<br />
28cm across the handles<br />
$80–120<br />
194
37<br />
196<br />
A large and impressive Regency bronze<br />
mounted ebonised and giltwood<br />
convex girandole, circa 1810<br />
the later plate within a ribbed and<br />
beaded reverse-profile frame<br />
mounted with orbs, flanked by a pair<br />
of scrolling candle-branches with<br />
camel head terminals to each side,<br />
the feathered apron centred by a<br />
coiled serpent, the whole surmounted<br />
by a substantial rock form bracket<br />
supporting a spread-eagle suspending<br />
a ball-and-chain from its beak<br />
150cm high, 100cm wide<br />
$12,000–15,000<br />
197<br />
A carved ebonised hardwood and<br />
bronze inkstand, English, 19th century<br />
27cm high, 48cm wide, 23cm deep<br />
$100–200<br />
196
38<br />
Porcelain<br />
198<br />
A large Wemyss ware carp<br />
tureen and cover, circa 1900<br />
modelled in the form of a live fish<br />
decoration attributed to Karel Nekola<br />
mark to base: incised<br />
Wemyss Ware RH & S<br />
48cm x 28cm<br />
$5,000–8,000<br />
199<br />
A large Wemyss Plichta pig decorated<br />
with pink clover, Scottish circa 1930s<br />
mark to base: underglaze green<br />
stamp Plichta London England<br />
44cm x 28cm<br />
$500–800<br />
200<br />
A Wemyss ware chamber pot<br />
and jug, Scottish circa 1900<br />
decorated with a floral motif, marks<br />
to base: pot black underglaze painted<br />
Wemyss and jug incised Wemyss<br />
and yellow painted Wemyss<br />
26cm high<br />
PROVENANCE<br />
Wemyss ware exhibition<br />
presented by Rogers De Rin<br />
Thomas Goode & co<br />
Mayfair 1987<br />
$300–500<br />
201<br />
A pink rose decorated Wemyss<br />
ware teapot, Scottish circa 1900<br />
mark to base: green painted<br />
underglaze T Goode and Wemyss<br />
16cm high<br />
$100–200<br />
198
39<br />
202<br />
A large Wemyss ware iris<br />
vase, Scottish circa 1920<br />
handpainted with iris and leaf<br />
motif, mark to base: incised<br />
Wemyss and stamp for T Goode<br />
south audleys London<br />
40cm high<br />
$2,000–3,000<br />
203<br />
A Wemyss ware jug and tankard,<br />
Scottish circa 1900<br />
the jug decorated with hand<br />
painted purple flowers, mark to<br />
base: incised Wemyss and tankard<br />
decorated with cherries<br />
19cm high<br />
$300–400<br />
204<br />
Three Wemyss ware pink rose<br />
decorated plates, Scottish circa 1920<br />
the largest 22cm diameter<br />
$100–200<br />
202
40<br />
205<br />
A Wemyss ware pig with ‘haahaf’ and<br />
‘Kruger’ on the side, Scottish circa 1900<br />
decorated with sponged black on<br />
white, ‘Kruger’ possibly referring to<br />
Paul Kruger, President of the Transvaal<br />
from 1880, who gained international<br />
recognition as the face of Boer<br />
resistance against the British during<br />
the South African or Second Boer War<br />
(1899-1902) impressed mark: Wemyss<br />
16cm long<br />
$400–600<br />
205<br />
206<br />
A Wemyss ware pig, Scottish circa 1900<br />
decorated with black daubs<br />
on white ground, mark to base:<br />
underglaze black painted Wemyss<br />
28cm high<br />
$1,000–1,500<br />
206
41<br />
207<br />
A Wemyss ware reclining<br />
pig, Scottish circa 1930<br />
black sponge to white ground,<br />
mark to base: incised Wemyss<br />
16cm long<br />
$2,000–3,000<br />
208<br />
A Wemyss ware Plichta pig<br />
and a bear, circa 1920<br />
both decorated with thistles<br />
the pig 7cm tall<br />
$100–200<br />
209<br />
A small pink Wemyss ware pig,<br />
Scottish circa 1900<br />
mark to base: impressed<br />
Wemyss Ware R.H & S<br />
15cm x 9.5cm<br />
$300–500<br />
210<br />
A small yellow Wemyss pig,<br />
Scottish circa 1900<br />
mark to base: impressed<br />
Wemyss ware R.H & S<br />
9cm high<br />
$200–300<br />
211<br />
A small burgundy Wemyss pig,<br />
Scottish circa 1900<br />
mark to base: impressed<br />
Wemyss ware R.H & S<br />
9cm high<br />
$300–500<br />
212<br />
A small green Wemyss ware pig,<br />
Scottish circa 1900<br />
mark to base: impressed Wemyss<br />
9cm high<br />
$300–500<br />
213<br />
A small Wemyss ware pig,<br />
Scottish 1900<br />
sponged black on white, mark to base:<br />
painted underglaze black Wemyss<br />
9cm high<br />
$400–600<br />
214<br />
A small Wemyss dish decorated<br />
with fish together with an unsigned<br />
ceramic container with yellow<br />
blossom pattern, missing lid<br />
17cm diameter fish dish<br />
$50–100<br />
215<br />
Two Wemyss ware tankards,<br />
Scottish 19th century<br />
hand painted with geese motif<br />
mark to base: R.H & S<br />
15cm high<br />
$200–300<br />
216<br />
Two Wemyss ware tankards,<br />
Scottish 19th century<br />
one adorned with apples and<br />
the other with ducks<br />
17.5cm high<br />
$200–300<br />
207
42<br />
217<br />
A large Wemyss ware tabby cat with<br />
green glass eyes, Scottish circa 1900<br />
modelled in a seated upright<br />
position, mark to base: underglaze<br />
painted green wemyss<br />
31cm high<br />
$3,000–5,000<br />
218<br />
A Wemyss ware platter,<br />
Scottish circa 1900<br />
rectangular with red and yellow<br />
roses on multi coloured ground,<br />
mark to base: incised Wemyss and<br />
underglaze painted black Wemyss<br />
20 x 25cm<br />
$100–200<br />
219<br />
A Wemyss ware concave vase and a<br />
stationery holder, Scottish circa 1920<br />
both decorated with pink climbing roses<br />
the largest 18cm high<br />
$200–300<br />
220<br />
A collection of Wemyss ware,<br />
Scottish circa 1900<br />
pink rose decorated comprising<br />
of an inkstand with complete<br />
ink pots, two partial inkwells<br />
and a porcelain candlestick<br />
the candlestick 18cm high<br />
$200–300<br />
217
43<br />
221<br />
A small brown Wemyss ware pig,<br />
Scottish circa 1900<br />
mark to base: impressed<br />
wemyss ware R.H & S<br />
9cm high<br />
$500–800<br />
222<br />
A small Wemyss ware pig in oak and<br />
leaves pattern, England 1930’s<br />
mark to base: made in England<br />
stamp green<br />
9cm high<br />
$400–600<br />
223<br />
A Wemyss ware jug, Scottish<br />
early 20th century<br />
decorated in the ‘Earshall’ castle<br />
pattern with crows and rabbits, mark to<br />
base: underglaze black painted Wemyss<br />
18cm high<br />
$400–600<br />
221<br />
224<br />
A three piece square form Wemyss<br />
honey pot, Scottish circa 1900<br />
decorated with bees and hives<br />
mark to base: underglaze<br />
painted green Wemyss<br />
19cm width 12cm high<br />
PROVENANCE<br />
Rogers De Rin<br />
76 Hospital Road Chelsea, London<br />
$300–500<br />
225<br />
A collection of Wemyss ware,<br />
Scottish circa 1920<br />
including a three piece soap dish and<br />
two vases decorated in pink roses<br />
the vases 15cm<br />
$100–200<br />
226<br />
A Wemyss ware inkstand with<br />
covers, Scottish circa 1900<br />
heart shaped form with hand<br />
painted irises, mark to base:<br />
incised Wemyss Ware RH & S<br />
18cm wide<br />
$100–200<br />
222
44<br />
227<br />
A small Wemyss ware ovoid form<br />
vase, Scottish 19th century<br />
hand painted with dragonflies and grass<br />
mark to base: incised and<br />
painted Wemyss<br />
14cm high<br />
$100–200<br />
228<br />
A green rimmed Wemyss ware Gordon<br />
dessert plate, Scottish circa 1900<br />
hand painted with sloe berries,<br />
impressed mark to base:<br />
Wemyss Ware RH &S.<br />
20cm diameter<br />
PROVENANCE<br />
Rogers De Rin<br />
76 Hospital Road Chelsea, London<br />
$100–200<br />
229<br />
An oval shaped Wemyss<br />
ware pin dish, circa 1900<br />
with hand painted daffodil and green<br />
rim together with a Wemyss pin dish<br />
decorated with hand painted thistles<br />
and a pink blossom Wemyss napkin ring<br />
thistle dish 14cm<br />
$120–100<br />
230<br />
An (unmarked) Wemyss tea<br />
pot with hand painted grey and<br />
white sparrows, circa 1930s<br />
16cm high<br />
$200–300<br />
231<br />
A Wemyss ware vase, circa 1900<br />
decorated with geese, mark<br />
to base: incised Wemyss<br />
15cm high<br />
$100–200<br />
232<br />
A pair of Wemyss ware tankards, one<br />
with daffodils and the other adorned<br />
with pink clover, Scottish 1900<br />
14cm high<br />
$200–400<br />
233<br />
A small cylindrical Wemyss ware<br />
plum vase, Scottish circa 1900<br />
together with a slightly larger vase of<br />
the same form adorned with peaches,<br />
the tallest 9cm high<br />
$100–200<br />
234<br />
A Wemyss ware vase painted with<br />
cherries, Scottish circa 1900<br />
12cm high<br />
$150–250<br />
235<br />
A three handled Wemyss ware<br />
tyg mug, Scottish circa 1900<br />
decorated with roses, mark to<br />
base: impressed Wemyss and<br />
underglaze green Wemyss<br />
11cm<br />
$100–200<br />
236<br />
A Wemyss ware dog bowl with<br />
plums, Scottish circa 1900<br />
embellished in french with ‘ the more<br />
I know men the more I admire dogs’<br />
21cm diameter<br />
$100–200<br />
237<br />
A Plichta pink clover decorated<br />
rabbit, together with a matte<br />
black with white daisy rabbit<br />
13.5cm high<br />
$200–300<br />
238<br />
A large Wemyss ware vase,<br />
Scottish circa 1900<br />
decorated with roses on a black<br />
ground, mark to base: incised Wemyss<br />
33cm high<br />
$300–500<br />
239<br />
Two Wemyss ware tankards,<br />
Scottish circa 1900<br />
decorated with black Cockerels,<br />
mark to base: incised Wemyss<br />
and painted Wemyss to other<br />
14cm high<br />
$200–400<br />
240<br />
Two Plichta pink clover<br />
decorated figures<br />
one a recumbent deer and<br />
the other a koala bear<br />
mark to base: stamp Plichta<br />
London England to both<br />
the largest 12cm high<br />
$100–200<br />
241<br />
A Plichta pelican form figurine,<br />
London, circa 1950s<br />
handpainted with clovers<br />
23cm high<br />
$100–200<br />
242<br />
Two Plichta pigs, one a<br />
money box, circa 1930<br />
both decorated with thistle motif<br />
the largest 9cm high<br />
$300–500<br />
243<br />
A small Plichta ware pig, London 1930s<br />
black sponge on white, mark to<br />
base: stamp Plichta London England<br />
and painted “Nekola pinxt”<br />
9cm high<br />
$400–600<br />
244<br />
A mixed lot of Wemyss pink and<br />
purple floral decorated porcelain<br />
comprising of a frill edged<br />
vase, a teacup and a small pot,<br />
together with two buttons<br />
the largest 9cm high<br />
$100–200<br />
245<br />
A Martin Brothers ‘marred’ stoneware<br />
vase, London, circa 1900<br />
incised decoration to the neck ‘this<br />
vessel that he made of clay was marred<br />
in the hand of the potter’ Jer.XVIII.4<br />
incised to base: R. M. Martin<br />
London & Southall<br />
16cm x 11.5cm<br />
$500–800
45<br />
246<br />
An early large Wemyss cockerel<br />
vase, Scottish circa 1900<br />
moulded in relief with large<br />
cockerel and a fly<br />
with applied rosette bosses<br />
mark to base: painted burgundy<br />
underglaze Wemyss<br />
39.5cm x 32.5cm<br />
$1,000–1,500<br />
247<br />
A Wemyss ware frilled edge<br />
dish, Scottish circa 1920<br />
decorated with ‘black cockerels’<br />
27cm at widest point<br />
$100–200<br />
248<br />
A Wemyss ware frilled lip black<br />
cockerel vase, Scottish circa 1900<br />
impressed mark to base:<br />
Wemyss Ware RH &S.<br />
21cm high<br />
$100–200<br />
249<br />
Two pieces of Wemyss ware<br />
including a concave vase and a<br />
sugar pot, Scottish circa 1900<br />
both decorated with yellow primroses<br />
the vase 11cm high<br />
$100–200<br />
250<br />
A small collection of assorted<br />
publications on Wemyss, Plichta and<br />
Martin Brothers porcelain/ceramic ware<br />
$50–100<br />
251<br />
A set of four carpet bowls, 19th century<br />
8.5cm diameter<br />
$80–120<br />
246
46<br />
252<br />
252<br />
A pair of Longwy Faience plates,<br />
French circa 1920<br />
printed marks to base<br />
32cm diameter<br />
$500–800<br />
253<br />
A Meissen porcelain teacup, circa 1740<br />
decorated with flowers and<br />
insects on white ground<br />
mark to base: crossed swords in<br />
underglaze blue and letter H<br />
7cm high<br />
$200–300<br />
254<br />
A Mennecy porcelain cup<br />
and saucer, circa 1750<br />
decorated with flowers within a pink rim<br />
incised to base: D,V and P<br />
saucer 12cm diameter<br />
$600–800<br />
255<br />
A Mennecy porcelain coffee<br />
cup and saucer, circa 1750<br />
decorated with flowers within a pink rim<br />
incised to base: D,V and f<br />
saucer 11.5cm diameter<br />
$300–500<br />
256<br />
A Rosenthal coffee set, circa 1960<br />
comprising seven cups<br />
and nine saucers<br />
$80–100<br />
257<br />
A pair of Parian wear<br />
figures, 20th century<br />
each decorated as figures and cupid<br />
33cm high<br />
$200–300<br />
258<br />
A pair of Delft blue and white urns,<br />
18th century<br />
mark to base: monogram<br />
HB in underglaze blue<br />
18cm high<br />
$300–500<br />
259<br />
A Bristol Delft blue and white charger,<br />
circa 1770<br />
34cm diameter<br />
$200–300<br />
260<br />
A Bristol Delft polychrome charger,<br />
circa 1740<br />
decorated with a bird within a<br />
stylised oriental garden<br />
33.5cm<br />
$200–300<br />
261<br />
A Spode “Tiber” transfer pattern<br />
blue and white meat dish with<br />
gravy reservoir, circa 1815<br />
marked Spode on reverse<br />
40cm high, 52cm wide<br />
$250–350<br />
262<br />
A Mennecy fruit and foliate decorated<br />
sugar bowl and cover, circa 1760<br />
impressed marks to the base<br />
Mennecy ‘Duc de Villeroy’ DV mark<br />
12cm high<br />
$450–600
47<br />
263<br />
A pair of Sevres style gilded<br />
porcelain vases<br />
each decorated with applied caryatid<br />
handles and panels of palatial scenes<br />
reserved on a bleu celeste ground<br />
47cm high<br />
$1,200–1,500<br />
264<br />
A salt glaze ‘Gardner’s Ink’<br />
figure of punch<br />
together with two 19th century inkwells<br />
12cm high<br />
$300–500<br />
265<br />
A First Period Worcester porcelain<br />
blue and white Chinoiserie decorated<br />
teapot stand, circa 1770<br />
inscribed to base: disguised numerical<br />
mark 7 in underglaze blue<br />
15cm diameter<br />
$200–300<br />
266<br />
A pair of Minton serving dishes,<br />
19th century<br />
decorated with a classical frieze<br />
with handpainted gilding<br />
30cm long<br />
$120–150<br />
267<br />
A collection of seven pieces<br />
of blue and white willow ware<br />
‘pagoda’ pattern, 19th century<br />
the plate 22cm diameter<br />
$80–120<br />
268<br />
A Masons Ironstone Jug, circa 1870<br />
Imari Japan pattern with snake handle<br />
painted pattern number 8839<br />
13cm high<br />
$50–100<br />
263
48<br />
269<br />
A large Majolica jardinière,<br />
French, 19th century<br />
23cm high, 24cm wide, 22cm deep<br />
$400–600<br />
270<br />
A Royal Worcester porcelain spill vase<br />
signed by Harry Stinton, circa 1917<br />
trumpet shaped with highland cattle<br />
scene red factory marks to base<br />
pattern no. G923<br />
12cm high<br />
$150–250<br />
271<br />
An amphora fairy double spill vase,<br />
19th century<br />
stamp to base<br />
26cm high<br />
$40–60<br />
272<br />
A Derby porcelain figure of a recumbent<br />
sheep with a bocage, circa 1780<br />
patch marks to base<br />
10cm high<br />
$200–300<br />
273<br />
A Derby porcelain figure of a yellow<br />
canary on a flowering branch by<br />
William Duesbury & Co, circa 1780<br />
patch marks to base<br />
7cm high<br />
NOTE<br />
For a similar example see the Collection<br />
of the Victoria & Albert Museum,<br />
London, ref no. 414:234/A-1885,<br />
Ceramics, Room 139, <strong>The</strong> Curtain<br />
Foundation Gallery, case 14, shelf 7,<br />
gift of Lady Charlotte Schreiber.<br />
$200–300<br />
274<br />
A small Chelsea or Bow porcelain<br />
figure of a seated child with an<br />
apple and bocage to the rear<br />
circa 1765, bears labels to base:<br />
Margaret Cadman Antiques and<br />
Ceramics and Glass Circle of Australia<br />
8cm high<br />
$100–200<br />
275<br />
A Bow porcelain figure of a recumbent<br />
pug on a cushion, circa 1750-1753<br />
bears label to base: Ceramic<br />
and Glass Circle of Australia<br />
7.5cm high<br />
NOTE<br />
For a similar example see the Collection<br />
of the Victoria & Albert Museum,<br />
London, ref no. 414:147/A-1885,<br />
Ceramics, Room 139, <strong>The</strong> Curtain<br />
Foundation Gallery, case 2, shelf 7,<br />
gift of Lady Charlotte Schreiber.<br />
$600–800<br />
276<br />
A Meissen hard-paste<br />
porcelain plate, 1735<br />
relief-moulded in the Sulkowski ozier<br />
pattern divided by pearls in twelve<br />
sections conforming with the lobed<br />
edge, hand painted with a Korean lion, a<br />
flying crane, Indian flowers and insects<br />
inscribed to base: crossed<br />
swords in underglaze blue<br />
23cm diameter<br />
$300–500<br />
269
49<br />
277<br />
277<br />
A Samson porcelain covered<br />
baluster vase, circa 19th century<br />
painted in the chinoiserie style<br />
with flowers on blue ground<br />
with a lion foot ormolu base<br />
31cm high<br />
$700–900<br />
278<br />
A Meissen porcelain sweetmeat<br />
dish with putto, 19th century<br />
inscribed mark to base, crossed<br />
swords in underglaze blue<br />
13cm high<br />
$200–300<br />
279<br />
A Lowestoft porcelain sparrow beak<br />
milk jug and cover, circa 1780<br />
printed in the style of the<br />
Worcester Mansfield pattern<br />
inscribed mark to base: open<br />
crescent mark in underglaze blue<br />
13.5cm high<br />
$300–500<br />
280<br />
A Lowestoft Chinoiserie painted<br />
tea bowl and saucer, circa 1780<br />
the tea bowl 4.5cm high<br />
$200–300<br />
281<br />
A Worcester cup and saucer, circa 1765<br />
painted with the fan pattern<br />
inscribed to base: mock Oriental<br />
mark in underglaze blue<br />
the saucer 13cm diameter<br />
$300–500<br />
282<br />
A Liverpool porcelain Chinoiserie<br />
decorated tea bowl, cup and saucer<br />
circa 1765<br />
the cup 6.5cm high<br />
$200–300
50<br />
283<br />
A glazed stoneware ‘Eskimo’<br />
pitcher by Martin Brothers<br />
London circa 1912<br />
decorated with a figure shrouded in<br />
a fur with large loop handle, incised<br />
to the base: Martin, London 4<br />
33cm high<br />
$1,200–1,500<br />
284<br />
A First Period Worcester<br />
porcelain blue and white tea<br />
bowl and saucer, circa 1770<br />
decorated with the cannonball pattern<br />
the tea bowl 4.5cm diameter<br />
$100–200<br />
285<br />
A cream ware plate with<br />
Chinoiserie decoration lady<br />
and a parasol, circa 1780<br />
25cm diameter<br />
$100–200<br />
286<br />
A First Period Worcester plate,<br />
circa 1765<br />
painted with the “Chequered Tent”<br />
pattern<br />
inscribed to base: fret mark<br />
in underglaze blue<br />
18.5cm diameter<br />
$300–500<br />
287<br />
A small Bow porcelain powder<br />
blue and white plate, circa 1760<br />
painted with a Chinese landscape<br />
with circular and fan shaped<br />
reserves and flowers<br />
inscribed to base: mock Oriental mark<br />
22cm diameter<br />
$100–200<br />
288<br />
A Bow porcelain ornament in the<br />
form of a flowerpot, circa 1770<br />
the tub form flowerpot with ring handles<br />
and foliate rim containing a plant<br />
painted in enamel with floral sprays<br />
8cm high<br />
$200–300<br />
289<br />
A large Paris porcelain gilt<br />
bronze mounted vase<br />
with painted and gilt foliate banding<br />
75cm high<br />
$1,000–1,500<br />
290<br />
A pair of Limoges gilt<br />
decorated porcelain vases<br />
with panels of maidens on a balcony<br />
38cm high<br />
$600–800<br />
291<br />
A Derby cabinet plate, circa 1825<br />
decorated with a large finely painted<br />
floral spray to the centre and four<br />
blooms to the border possibly<br />
painted by Moses Webster<br />
inscribed mark to base:<br />
standard mark for date<br />
25cm diameter<br />
$100–200<br />
292<br />
An English cabinet plate,<br />
mid 19th century<br />
with an Italian scene to centre<br />
and gilted floral border and a<br />
Wedgwood Jasperware blue<br />
plate, circa 20th century<br />
decorated with applied classical scenes<br />
23.5cm diameter<br />
$80–120<br />
283
51<br />
293<br />
293<br />
A large stoneware double sided<br />
face jug by Robert Wallace Martin<br />
for Martin bros, London 1911<br />
incised to base: R.W. Martin bros<br />
London & Southall 8-1911<br />
23cm x 20cm<br />
$3,000–5,000<br />
294<br />
A Sevres style porcelain cobalt blue<br />
and gilt decorated terrine on stand<br />
the cover with painted cartouche<br />
scenes and a gilded pomegranate finial<br />
31cm high<br />
$500–800<br />
295<br />
A Royal Doulton Fanling vase,<br />
Burslem Artwares<br />
limited edition stamped<br />
to base 141/250<br />
18cm high<br />
$200–300<br />
296<br />
A Royal Doulton Nanjing bowl,<br />
Burslem Artwares<br />
limited edition stamped to base 83/250<br />
16cm high<br />
$200–300<br />
297<br />
A Royal Doulton Jintan vase,<br />
Burslem Artwares<br />
limited edition stamped<br />
to base 102/350<br />
30cm high<br />
$250–350<br />
298<br />
A pair of French porcelain cobalt blue<br />
and gilt decorated baluster form vases<br />
with swan form handles and floral<br />
motifs encased in a central medallion<br />
46cm high<br />
$800–1,200
52<br />
299<br />
A large French brass mounted porcelain<br />
centrepiece vase, 19th century<br />
50cm high, 30cm diameter<br />
$600–800<br />
300<br />
A New Hall porcelain tea set in the<br />
“Boy and Butterfly” pattern, circa 1800<br />
comprising a tea pot, two<br />
creamers, tea bowl and saucer<br />
inscribed to base: pattern<br />
number 421 in red enamel<br />
the tea pot 15cm high<br />
$300–500<br />
301<br />
Three Clarice Cliff jugs in the Bizarre<br />
Crocus pattern, circa 1930<br />
the largest 15cm high<br />
$300–500<br />
302<br />
A Chelsea porcelain Kakiemon<br />
style plate, circa 1755<br />
decorated with a phoenix<br />
stilt marks to base<br />
24.5cm diameter<br />
$300–500<br />
303<br />
A Mason’s Ironstone jug, circa 1829<br />
decorated with the “Table<br />
and Flowerpot” pattern<br />
20cm high<br />
$50–100<br />
304<br />
A Worcester porcelain cup<br />
and saucer, circa 1770<br />
painted with green flowers by Giles<br />
inscribed to base: crossed swords<br />
mark (of Dresden) and 91<br />
the saucer 13cm diameter<br />
$200–300<br />
305<br />
A Worcester porcelain punch bowl,<br />
circa 1780<br />
printed with the Fisherman pattern<br />
inscribed to base: disguised numerical<br />
mark 8 in underglaze blue<br />
22.5cm diameter<br />
$300–500<br />
306<br />
A First Period Worcester porcelain<br />
chocolate cup and saucer, circa 1770<br />
decorated with the fence pattern<br />
the saucer inscribed to base: hatched<br />
crescent mark and ‘E’ in underglaze<br />
blue, the cup inscribed to base: hatched<br />
crescent mark in underglaze blue<br />
the saucer 14.5cm diameter<br />
$200–300<br />
307<br />
A First Period Worcester tea<br />
bowl and saucer, circa 1760<br />
decorated with the prunus root pattern<br />
tea bowl and saucer inscribed to base:<br />
open crescent mark in underglaze blue<br />
the saucer 12cm diameter<br />
$100–200<br />
308<br />
A First Period Worcester tea<br />
bowl and saucer, circa 1765<br />
decorated with the hollow<br />
rock lolly pattern<br />
inscribed mark to base: open<br />
crescent in underglaze blue<br />
the saucer 11.5cm diameter<br />
$100–200<br />
299
53<br />
309<br />
309<br />
A pair of Swansea gilded and fluted<br />
cups and saucers, circa 1830<br />
the saucer 15cm diameter<br />
$200–300<br />
310<br />
A First Period Worcester tea cup,<br />
circa 1750<br />
decorated with the feather<br />
moulded floral pattern<br />
inscribed to base: painters<br />
mark in underglaze blue<br />
5.5 high<br />
$80–120<br />
311<br />
A First Period Worcester porcelain<br />
slop bowl, circa 1770<br />
decorated with the Fence pattern<br />
inscribed to base: hatched crescent<br />
mark in underglaze blue<br />
10cm diameter<br />
$100–200<br />
312<br />
A First Period Worcester porcelain<br />
coffee can, circa 1765<br />
decorated with the prunus root pattern<br />
inscribed to base: open crescent<br />
mark in underglaze blue<br />
6cm high<br />
$100–200<br />
313<br />
A First Period Worcester porcelain<br />
sauce boat, circa 1765<br />
decorated with the mission<br />
church pattern<br />
inscribed to base: open crescent<br />
mark in underglaze blue<br />
5.5cm high, 15cm wide<br />
$200–300<br />
314<br />
A First Period Worcester porcelain<br />
butter boat, circa 1758<br />
decorated with the butter<br />
boat Mansfield pattern<br />
inscribed to base of handle:<br />
cross in underglaze blue<br />
3.5cm high<br />
$100–200<br />
315<br />
A First Period Worcester porcelain<br />
pickle dish, circa 1758<br />
decorated with the two<br />
peony rock bird pattern<br />
inscribed to base: painters<br />
mark in underglaze blue<br />
10cm diameter<br />
$100–200<br />
316<br />
A Chamberlain’s Worcester breakfast<br />
cup and saucer, circa 1825<br />
the cup decorated with painted<br />
scenes of St. John’s, Isle of Wight, the<br />
saucer of Brathay Hall, Lancashire<br />
saucer 17cm diameter<br />
$100–200<br />
317<br />
A Copeland cup and saucer, circa 1860<br />
decorated with floral swags in<br />
a gilt arbor on green ground<br />
printed mark to base: back<br />
to back C’s COPELAND<br />
the saucer 13.5cm diameter<br />
$100–200<br />
318<br />
A Minton sucrier with twin handles,<br />
circa 1840<br />
decorated with rose sprigs between<br />
green and gilt oval bands<br />
10cm high<br />
$100–200<br />
319<br />
A New Hall cup and saucer, circa 1790<br />
printed with the three willow<br />
pattern with gilt border<br />
saucer 13cm diameter<br />
$80–120<br />
320<br />
A Chelsea porcelain lobed<br />
edge plate, circa 1765<br />
painted with flowers and birds<br />
inscribed to base: gold anchor<br />
22.5cm diameter<br />
$200–300<br />
321<br />
A Bow porcelain plate, circa 1760<br />
decorated with flowers, bushes and<br />
rocks in a famille rose palette<br />
22.5cm diameter<br />
$200–300
54<br />
322<br />
322<br />
A pair of Swansea plates, circa 1850<br />
each painted and gilt with floral<br />
cartouches reserved on a green<br />
glazed partridge eye ground, red<br />
Swansea mark to the base<br />
21cm diameter<br />
$400–600<br />
323<br />
A large Wemyss ware slop pail<br />
and cover, Scottish circa 1900<br />
decorated with pussy willow and wicker<br />
work handle, mark to base: incised<br />
Wemyss and yellow painted underglaze<br />
37cm high<br />
$800–1,200<br />
323
55<br />
324<br />
A large Sevres style urn and cover,<br />
late 19th century<br />
the tapered neck decorated with<br />
a cartouche portrait of Louis XVI<br />
above panels of bucolic landscape<br />
scenes reserved on a ‘Bleu Celeste’<br />
ground, all surmounted by a cover<br />
with a gilt bronze acorn finial<br />
70cm high<br />
$1,000–1,500<br />
325<br />
A large collection of Booths<br />
gilt and blue painted porcelain,<br />
early 19th century<br />
the covered urns 26cm high<br />
$300–500<br />
326<br />
A collection of three Derby<br />
cabinet plates, circa 1820<br />
painted with landscape scenes<br />
of Italy, France and Wales within<br />
a cobalt blue and gilt border<br />
and gilded gadrooned rim<br />
printed to base on two: BLOOR DERBY<br />
in underglaze red, the other painted<br />
to base: standard mark in red<br />
21.5cm diameter<br />
$200–300<br />
324
56<br />
327<br />
327<br />
A pair of large ebony elephants,<br />
first half of 20th century<br />
each carved with raised<br />
trunks in mirror image<br />
23cm high<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$500–800<br />
328<br />
A group of ebony elephants and<br />
bookends, first half 20th century<br />
comprising four elephants, a<br />
bookend and a small bakelite<br />
trail stand of elephants<br />
the largest 18cm high<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$300–500<br />
328
57<br />
329<br />
EDOUARD PAUL DELABRIERRE<br />
(1829-1912)<br />
A bronze figure of a lioness<br />
inscribed to base: E DELABRIERRE<br />
19cm high<br />
$600–800<br />
330<br />
A Regency miniature portrait of a<br />
lady in pearls, early 19th century<br />
painted on copper<br />
11.5cm x 9.5cm<br />
$200–300<br />
331<br />
JOHN ROWELL (1894-1973)<br />
Deception Bay at Sunset, 1956<br />
oil on board<br />
signed lower left: John Rowell<br />
inscribed verso: DECEPTION BAY<br />
/ AT SUNSET / By John Rowell /<br />
Presented to C Roberts by the Artist<br />
/ as “a personal token” / 1956<br />
23.5 x 34cm<br />
$400–600<br />
332<br />
A pair of George III style<br />
giltwood mirrors<br />
107 x 77cm<br />
$700–900<br />
329
58<br />
333<br />
333<br />
A set of eight George III style<br />
Hepplewhite dining chairs<br />
and a mahogany extension<br />
dining table, 19th century<br />
the table 72cm high,<br />
338cm wide, 122cm deep<br />
$4,000–6,000<br />
334<br />
An ivory night light with<br />
bakelite base, circa 1920<br />
depicting scenes of tigers<br />
and elephants in the wild<br />
16cm high<br />
$150–250 ♦<br />
335<br />
A large Anglo Indian iron bound<br />
damchiya trunk, 19th century<br />
the domed hinged lid and body with<br />
applied heavy wrought iron lockplates,<br />
strapping and handles<br />
92cm high, 141cm wide, 78cm deep.<br />
$600–800
59<br />
336<br />
A Chinese elm altar table<br />
84cm high, 160cm wide, 41cm deep<br />
$400–600<br />
337<br />
A pair of Chinese elm square stools<br />
50cm high, 36cm wide, 36cm deep<br />
$300–500<br />
338<br />
A large elm coffee table<br />
manufactured by Kazari<br />
49cm high, 185cm wide, 112cm deep<br />
$400–600<br />
333
60<br />
339<br />
A silver mounted Russian icon of the<br />
Virgin of Kazan, 18th/19th century<br />
with a gilded mandorla<br />
41 x 35cm<br />
$1,000–1,500<br />
340<br />
A pair of George III cream<br />
upholstered carvers<br />
$400–600<br />
341<br />
Five lithophane porcelain<br />
panels by Prensaich Porzellan<br />
Manufactur, 19th century<br />
four set into a night lamp<br />
and one separate<br />
each impressed mark verso:<br />
PPM and pattern numbers<br />
1286, 434, 1138, 357, 1096<br />
the largest panel 19.5 x 15.5cm<br />
$300–500<br />
339<br />
340
61<br />
342<br />
342<br />
A French bronze bust of a girl<br />
on marble stand<br />
signed verso: vandin straeten<br />
37cm high<br />
$300–500<br />
343<br />
A Louis XV style marquetry inlaid<br />
walnut vitrine, French, 19th century<br />
146cm high, 70cm wide, 37cm deep<br />
$1,500–2,500<br />
344<br />
A gilt framed portrait miniature of a<br />
lady, German, 17th/18th century<br />
painted on panel the figure with<br />
distinctive red hair and wearing a fur<br />
over one shoulder, within an elaborate<br />
relief decorated giltwood frame<br />
the image 9.5 x 7.5cm,<br />
the frame 26 x 24cm<br />
$300–500<br />
343
62<br />
345<br />
A bronze and ormolu figural mantel<br />
clock, French, 19th century<br />
with an eight day bell striking movement<br />
44cm high<br />
$1,000–1,500<br />
346<br />
An Italian provincial floral<br />
painted buffet, 19th century<br />
92cm high, 174cm wide, 49cm deep<br />
$1,800–2,500<br />
347<br />
A Tournai porcelain mustard pot and<br />
cover, French mid 18th century<br />
inscribed to base: G<br />
9.5cm high<br />
$100–200<br />
348<br />
A collection of six large seashells<br />
the largest 9cm high, 8cm deep<br />
$100–200<br />
345<br />
346
63<br />
349<br />
349<br />
SPANISH COLONIAL SCHOOL<br />
(19TH CENTURY)<br />
Untitled (Shepherd)<br />
oil on canvas<br />
76.5 x 57.5cm<br />
$1,500–2,500<br />
350<br />
JOS LAW<br />
Untitled (Golfing), 1997<br />
mixed media and collage<br />
signed and dated lower<br />
right: Jos Law ‘97<br />
78 x 99cm<br />
$100–200<br />
351<br />
LEOPOLDO MARIOTTI<br />
(ITALIAN 1848-1916)<br />
Buffalo Emerging from the Forest<br />
watercolour<br />
signed lower left: Mariotti Roma<br />
64.5 x 99cm<br />
$300–500
64<br />
352<br />
A French Empire style gilt bronze<br />
mounted mahogany bureau plat,<br />
19th century<br />
82cm high, 142cm wide, 75cm deep<br />
$1,500–2,500<br />
353<br />
A French provincial oak dresser,<br />
18th/19th century<br />
225cm high, 165cm wide, 58cm deep<br />
$1,500–2,500<br />
354<br />
A Jugendstil copper platter, by<br />
Steinicken & Lohr, Munich, circa 1900<br />
relief decorated to the serpentine<br />
rim with fish and seaweed<br />
57cm diameter<br />
$800–1,200<br />
355<br />
A set of four door panels inset with<br />
scenes from the life of Christ<br />
two doors 196 x 81.5cm<br />
and two 196 x 55cm<br />
$800–1,200<br />
356<br />
HENRY MARTIN (1891-1944)<br />
End of the Day<br />
oil on canvas<br />
signed lower left: H Martin<br />
inscribed verso: End of the Day<br />
53 x 42.5cm<br />
$600–800<br />
357<br />
JANET DAWSON (BORN 1935)<br />
Japanese Pumpkin and<br />
Duck Egg Shells<br />
pastel on watercolour paper<br />
28 x 32cm<br />
$600–900<br />
358<br />
MARIE LAURENCIN (1885-1956)<br />
Trois Graces 1942<br />
lithograph<br />
signed lower left Marie Laurencin<br />
25 x 30cm<br />
$300–400<br />
352
65<br />
353
66<br />
Glass<br />
359<br />
A set of twelve twist stem wine glasses<br />
each with a tall cane twist<br />
stem, one with the remains of<br />
an old British Antique Dealers<br />
Association sticker to the base<br />
19.5 cm high<br />
$800–1,200<br />
360<br />
A pair of glass lustre vases with lions<br />
head prunts, late 19th century<br />
enamelled with floral motif<br />
12cm high<br />
$120–150<br />
361<br />
Four Victorian cut glass silver mounted<br />
scent bottles, 19th century<br />
including an English double ended<br />
silver caps scent and salts, a ruby<br />
glass Thomas Webb (repairs) and two<br />
ruby faceted with embossed lids<br />
longest 13cm<br />
$500–800<br />
362<br />
An oak silver plate mounted<br />
tantalus, English, circa 1900<br />
with three cut crystal decanters and key<br />
31cm high, 37cm wide<br />
$300–500<br />
363<br />
A broad rimmed and incised reeded<br />
pewter charger, circa 1690<br />
partial touch mark to base and<br />
four ownership marks ‘IH’ within<br />
a heart stamped to rim<br />
42cm diameter<br />
$400–600<br />
364<br />
A collection of glass vessels,<br />
19th century and later<br />
comprising two cranberry bowled wine<br />
glasses, an oil decanter, green pulegoso<br />
bowl and an etched wine tumbler<br />
the oil decanter 18cm high<br />
$100–200<br />
359
67<br />
365<br />
Two Georgian cut crystal dishes,<br />
19th century<br />
a covered bon bon dish<br />
and a sweetmeat dish<br />
17cm x 17cm covered dish<br />
$300–500<br />
366<br />
A George III Sunderland Bridge<br />
rummer, circa 1805<br />
decorated with the bridge and<br />
a ship etched initials EJ<br />
15cm high<br />
$600–800<br />
367<br />
A large George III wine glass, circa 1820<br />
with facet cut bowl and etched<br />
with vine and leaves<br />
20cm high<br />
$600–800<br />
365<br />
366 367
68<br />
368<br />
A Bohemian engraved ruby glass<br />
scent bottle, 19th century<br />
with a rare umbrella stopper<br />
20cm high<br />
$600–800<br />
369<br />
A pair of enamelled glass vases, in<br />
the ‘Islamic’ style, attributed to Fritz<br />
Heckert of Petersdorf, 19th century<br />
each bottle form vase with a slender<br />
knopped and tapering flared neck<br />
29cm high<br />
$800–1,200<br />
370<br />
A Victorian vaseline and ruby<br />
glass shade, circa 1900<br />
22cm high<br />
$50–100<br />
371<br />
Three Victorian green glass spirit<br />
bottles with labels, 19th century<br />
grape and vine cluster decorative<br />
stoppers and labels<br />
31cm bottle<br />
$120–150<br />
372<br />
A pair of ruby small glass decanters<br />
and a large two handled glass urn,<br />
19th century urn hand painted with<br />
geometric borders and enamel<br />
floral sprays and insects<br />
23cm ruby glass decanters<br />
$100–200<br />
373<br />
A collection of Bristol blue glass,<br />
circa 19th century<br />
including a ships decanter, spitoon,<br />
beakers, rinser and bottle with<br />
wooden stopper<br />
decanter 27 x 19cm<br />
$150–250<br />
368 369
69<br />
374<br />
374<br />
A Moser enamelled glass bowl,<br />
19th century<br />
of stylised boat form with rolled<br />
edges, decorated with Chinese<br />
style lotus flowers and butterflies<br />
12cm high, 19cm wide<br />
$800–1,200<br />
375<br />
A pair of Moser glass acorn goblets,<br />
19th century<br />
each of knopped bulbous form<br />
shaded in green glass, richly<br />
enamelled and gilded all over with<br />
colourful oak leaves and branches<br />
applied with gilded acorns, a series<br />
of winged insects scattered about<br />
17.5cm high<br />
$1,200–1,500<br />
375
70<br />
376<br />
A George III glass large<br />
rummer, circa 1820<br />
ovoid bowl with facet cut stem<br />
16cm high<br />
$400–600<br />
377<br />
A George III glass rummer, circa 1800<br />
with double opaque twist stem<br />
19.5cm high<br />
$300–500<br />
378<br />
Three terracotta amphora shape pots<br />
the largest 54cm high<br />
$100–200<br />
379<br />
A pair of Georgian cut<br />
glass candlesticks<br />
24cm high<br />
$150–250<br />
380<br />
A George III glass washer<br />
9cm high, 16cm diameter<br />
$100–200<br />
381<br />
Two plain rummers, 19th century<br />
English, one glass in ovoid form<br />
tallest 13.5cm<br />
$150–250<br />
382<br />
A Victorian glass rummer, circa 1860<br />
etched with garlands and<br />
knopped stem<br />
15cm high<br />
$100–200<br />
383<br />
Two glass rummers, circa 1820<br />
one rummer with bladed knop<br />
and ovoid bowl and one plain<br />
tallest 12cm<br />
$200–300<br />
384<br />
A George III glass rummer and a<br />
toastmasters firing glass, circa 1800<br />
rummer with bladed knop<br />
and bucket bowl<br />
rummer 12cm<br />
$200–300<br />
385<br />
A George III large glass goblet,<br />
circa 1780<br />
with ovoid bowl and polished ovals and<br />
stars to top edge and facet cut stem<br />
16cm high<br />
$300–500<br />
386<br />
A George III glass rummer, circa 1800<br />
plain with large bowl<br />
15 x 10cm<br />
$400–600<br />
376 377
71<br />
387 388 389<br />
387<br />
A George III wine glass, circa 1760<br />
with a composite and multi<br />
spiral air twist stem and basal<br />
inverted knop with tears<br />
16cm high<br />
$300–500<br />
388<br />
A George III wine glass, circa 1770<br />
with a bucket bowl, polished rounds<br />
and star decoration to the top edge and<br />
single spiral opaque twist to the stem<br />
15cm high<br />
$200–300<br />
389<br />
A George III wine glass, circa 1770<br />
with a funnel bowl and<br />
double spiral air twist<br />
15.5cm high<br />
$200–300<br />
390<br />
A George III jelly glass, circa 1760<br />
twin handled jelly glass<br />
9.5cm high<br />
$60–100<br />
391<br />
A George III sweetmeat<br />
glass, circa 1760<br />
with ogee bowl and multi opaque twist<br />
to stem and a radially moulded foot<br />
8.5cm high<br />
$100–200<br />
392<br />
A George III large glass mug, circa 1780<br />
with wrythen and ribbed body<br />
and a shaped handle<br />
15.5cm high<br />
$300–500<br />
393<br />
A George III hops and barley<br />
ale glass, circa 1800<br />
with a baluster stem and<br />
etched barley decoration<br />
14.5cm high<br />
$150–250<br />
394<br />
A William IV coin tankard, circa 1835<br />
with a sixpence to base, the bowl<br />
decorated with doves and a<br />
wreath enclosing the initials RH<br />
14cm high<br />
$300–500<br />
395<br />
Two glass decanters<br />
earliest Birmingham 1885, one with<br />
moulded glass square body and cut<br />
glass stopper Tantalus type, the other<br />
a pinched sided glass decanter with a<br />
sterling silver collar Birmingham 1885<br />
the tallest 25cm<br />
$100–200<br />
396<br />
A George III ale glass, circa 1760<br />
dwarf ale with flammiform wrythen<br />
moulded body and folded foot<br />
12cm high<br />
$200–300<br />
397<br />
A George III Monteith or<br />
bonnet glass, circa 1760<br />
with cut swags and vertical flutes<br />
to bowl, square moulded base<br />
possibly Irish Rex Ebbott sticker to base<br />
12.5 cm high<br />
$200–300
72<br />
398<br />
399
73<br />
400<br />
398<br />
A pair steel engravings,<br />
English, 19th century<br />
i <strong>The</strong> Princess Amelia<br />
inscribed on margin:<br />
SIR T LAWRENCE. F.R.A.PINX<br />
24 x 18cm (image size)<br />
ii <strong>The</strong> Spanish Sisters<br />
inscribed on margin:<br />
J PHILLIP A.R.A. PINX<br />
24.5 x 19cm (image size)<br />
$50–100<br />
403<br />
A pair of Louis VX style silver plate<br />
acanthus scroll chandeliers<br />
with frosted glass shades<br />
80cm high, 55cm diameter<br />
approximately<br />
$800–1,200<br />
404<br />
A scroll arm mahogany carver,<br />
English 19th century<br />
$250–350<br />
399<br />
A large French plaster relief cupid<br />
decorated wall panel<br />
154cm high, 73cm wide, 18cm deep<br />
$600–800<br />
400<br />
A pair of unusual Regency<br />
silvered bronze and gilt boat<br />
form ink stands, circa 1820<br />
with finely cast coiling<br />
snake form handles<br />
34cm wide<br />
$1,000–1,500<br />
401<br />
A Gothic Revival carved oak armchair<br />
in the Pugin style, English 19th century<br />
the seat and back upholstered in a<br />
yellow geometric fleur-de-lis<br />
design on a green ground<br />
$400–600<br />
402<br />
A pair of Louis XVI style gilt bronze<br />
mounted marble fire-surround,<br />
French 19th century<br />
$8,000–12,000<br />
401
74<br />
405<br />
A French Empire brass mounted<br />
walnut biblioteque, 19th century<br />
237cm high, 123cm wide,<br />
40cm deep<br />
$1,800–2,500<br />
406<br />
An underglaze blue and white<br />
inkstone, late 19th century<br />
of circular form decorated<br />
with panels of figures<br />
12cm diameter<br />
$200–300<br />
405
75<br />
407<br />
A set of six tapestry embroidered<br />
walnut dining chairs, in the<br />
James II style, 19th century<br />
$800–1,200<br />
408<br />
A Veuve Perrin faience coffee<br />
cup and saucer, circa 1765<br />
inscribed marks to base: VP in gilt<br />
the coffee can 5cm high<br />
$250–350<br />
409<br />
A La Courtille porcelain pot à fard,<br />
Paris circa 1770<br />
inscribed to base: crossed arrows<br />
mark in underglaze blue<br />
8cm high<br />
$150–250<br />
410<br />
A French gilt bronze and copper<br />
mantel clock, 19th century<br />
44cm high, 25cm wide, 21cm deep<br />
$100–200<br />
411<br />
A pair of Louis XV style gilt<br />
bronze candelabra<br />
50cm high, 34cm diameter<br />
$200–300<br />
412<br />
Two cast metal fowls, a<br />
cockerel and a hen<br />
the largest 40cm<br />
$200–300<br />
413<br />
A copper Adam style samovar,<br />
early 19th century<br />
50cm x 25cm<br />
$300–500<br />
414<br />
A set of three cast iron painted<br />
ceiling roses, English 19th century<br />
the largest 95cm diameter<br />
PROVENANCE<br />
purchased Gary Kay Antiques<br />
$400–600<br />
415<br />
A George III tortoiseshell<br />
veneered tea caddy<br />
12cm high, 25cm wide, 11cm deep<br />
$400–600<br />
416<br />
A large ‘Syrupus Scillae Compositus’<br />
glass apothecary jar, 19th century<br />
39cm high<br />
$400–600<br />
407
76<br />
419<br />
A pair of Biedermeier Karelian birch<br />
burl wood veneer settees, Northern<br />
European early 19th century<br />
upholstered in stripped green silk<br />
length of back 147cm<br />
$1,600–2,400<br />
420<br />
A profusely carved side table, Indian<br />
Kashmiri region, mid 20th century<br />
37cm high, 62cm wide, 42cm deep<br />
$300–500<br />
417<br />
417<br />
A large unmounted red deer buck<br />
skull and attached antlers<br />
76cm long<br />
$300–500<br />
418<br />
An unmounted deer skull and antlers<br />
57cm long<br />
$200–300<br />
418
77<br />
421<br />
An unmounted Sambar deer buck<br />
skull and antlers<br />
68cm long<br />
$200–300<br />
422<br />
A small Paris La Courtille porcelain<br />
pot à fard, circa 1770<br />
7cm high<br />
$120–200<br />
423<br />
A small Spode porcelain basket,<br />
circa 1830<br />
7.5cm diameter<br />
$100–200<br />
424<br />
A Saint-Cloud snuff box in the form<br />
of a recumbent monk, circa 1750<br />
decorated with Kakiemon<br />
flowers, silver mounts<br />
5cm high<br />
$1,200–1,800<br />
421<br />
425<br />
A Wedgwood game pie dish,<br />
insert and cover, circa 1860<br />
impressed mark to base: WEDGWOOD<br />
15cm high, 27cm wide, 20cm deep<br />
$350–550
78<br />
426<br />
ENID PHILIP (1898-1984)<br />
Still Life with Orange Flowers<br />
watercolour<br />
signed lower right: Enid A. Philip.<br />
72.5 x 64.5cm<br />
$300–500<br />
427<br />
A Louis XV style marble top gilt bronze<br />
mounted commode, 19th century<br />
of bombe form with finely<br />
cast mask mounts<br />
89cm high, 139cm wide, 48cm deep<br />
$2,500–3,000<br />
428<br />
A pair of carved oak side chairs,<br />
English 18th century<br />
$600–800<br />
426<br />
427
79<br />
429<br />
429<br />
A pair of Louis XV style gilt<br />
bronze seven light candelabra,<br />
in the Rococo style<br />
finely cast as scrolling<br />
entwined acanthus<br />
67cm high<br />
$4,000–6,000<br />
430<br />
FRENCH SCHOOL<br />
(19TH CENTURY)<br />
Red and Green Perroquet,<br />
circa 1845<br />
watercolour<br />
12.5 x 16cm<br />
$200–300<br />
431<br />
Two framed Chinese<br />
paintings of fan leaves<br />
150 x 80cm<br />
$2,000–3,000<br />
432<br />
JEAN COTTE (BORN 1931)<br />
Untitled (Abstract) 1965<br />
signed and dated lower left: J CottE 65<br />
oil on canvas<br />
96 x 130cm<br />
$200–400<br />
433<br />
TADASHI NAKAYAMA<br />
(1927-2014)<br />
Horses, 1969<br />
wood cut<br />
dated, signed and editioned<br />
lower left and right on margin:<br />
1969 T. Nakayama 42/85<br />
12 x 48cm<br />
$100–200<br />
434<br />
JOHN SKINNER PROUT<br />
(1805–1876)<br />
<strong>The</strong> House In Newport, 1855<br />
watercolour<br />
titled and dated lower left:<br />
<strong>The</strong> house in Newport - Sept 19 1855<br />
14 x 25cm<br />
$200–300<br />
435<br />
RUPERT BUNNY (1864-1947)<br />
i Love, Life and Death<br />
ii House<br />
a pair of drawings<br />
one lower centre: Love, Life & Death<br />
i 7 x 9.5cm, ii 10x16cm<br />
together with a small book<br />
of sketches by the artist<br />
signed frontispiece: Rupert CW Bunny<br />
$300–500
80<br />
436<br />
A George IV cross banded mahogany<br />
cylinder bureau bookcase<br />
210cm high, 110cm wide, 53cm deep<br />
$800–1,200<br />
437<br />
A buttoned black upholstered ottoman<br />
with fringe, English mid 19th century<br />
44cm high, 79cm wide, 79cm deep<br />
$500–800<br />
438<br />
A pair of Regency style painted<br />
and upholstered side chairs<br />
length of back 103cm<br />
$400–600<br />
439<br />
A pair of oak joined chairs after<br />
the original design by William<br />
Richard Lethaby, circa 1900<br />
NOTE<br />
<strong>The</strong> design based on Lethaby’s<br />
‘Masters Chairs’ design for the<br />
Art Workers Guild, 1893.<br />
REFERENCE<br />
Fischer Fine Art Limited, London,<br />
Exhibition catalogue 15 May - 27 June<br />
1986, Truth, Beauty and Design<br />
$800–1,200<br />
440<br />
A set of twelve studded velvet<br />
upholstered mahogany dining<br />
chairs, English, 19th century<br />
$1,200–1,500<br />
441<br />
A Louis XVI style walnut bergere<br />
upholstered in ecru and cream<br />
$600–800<br />
442<br />
A large French provincial style<br />
fruitwood extension dining table<br />
77cm high, 330cm wide, 129cm deep<br />
$1,500–2,500<br />
436
81<br />
443<br />
443<br />
A pair of ceramic pugs, circa 1915<br />
17cm high<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$500–800<br />
448<br />
A Sevres style ‘Chateaus de<br />
Longpre’ jewel box, 19th century<br />
painted and gilt with a bucolic scene<br />
of companions in a rustic landscape<br />
8cm high, 21cm wide, 13cm wide<br />
$250–350<br />
449<br />
A portrait miniature of George<br />
Washington, 19th century<br />
painted wearing a white jabot and black<br />
coat, within a gilt brass ebonised frame<br />
the image 7.5 x 6.5cm<br />
$1,000–1,500<br />
444<br />
A George III string inlaid<br />
foldover card table<br />
75cm high, 91cm wide, 45cm deep<br />
$400–600<br />
445<br />
A William IV rosewood fold-over<br />
card table, English, 19th century<br />
73cm high, 91cm wide,<br />
45cm deep (closed)<br />
$500–800<br />
446<br />
A large collection of thirty nine<br />
tortoiseshell and bakelite hair combs<br />
the largest 22cm long<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$300–500<br />
447<br />
A small Moorcroft Anemone<br />
Pattern ginger jar and Wedgwood<br />
blue jasper coffee can set<br />
$50–100<br />
444
82<br />
450<br />
450<br />
A pair of Chinese elm long stools<br />
54cm high, 115cm wide, 18cm deep<br />
$300–500<br />
451<br />
A Regency style two seat<br />
mahogany settee<br />
upholstered in geometric foliate fabric<br />
length of back 120cm<br />
$300–500<br />
452<br />
A George III mahogany<br />
bracket clock, circa 1790<br />
By J. Jackson, London and Bristol<br />
the gilt mounted mahogany bell top<br />
case with female caryatids and urnform<br />
finials, decorated throughout with<br />
applied scrolling foliate decoration<br />
raised on bracket feet, twin fusee,<br />
bell striking, eight-day spring driven<br />
movement with anchor escapement<br />
and maintaining power beating half<br />
seconds, calendar aperture below the<br />
centre arbour, break arch enamel dial<br />
signed J. Jackson, Bristol and London<br />
61cm high, 38cm wide, 22cm deep<br />
$3,000–5,000<br />
453<br />
A Louis XV style gilt bronze mounted<br />
porcelain mantel clock, 19th century<br />
painted with floral panels reserved<br />
on a bleu celeste ground, the case<br />
decorated with classical motifs<br />
and surmounted by two doves,<br />
enamel dial, eight day locking<br />
plate bell striking movement<br />
28cm high, 22cm wide, 13cm deep<br />
$800–1,200<br />
454<br />
A French Empire marquetry inlaid gilt<br />
bronze mounted portico clock,<br />
late 19th century<br />
the movement stamped Leroy, Paris<br />
the case stamped <strong>The</strong>venard<br />
55cm high, 29cm wide, 16cm deep<br />
$800–1,200<br />
455<br />
A Louis XV style gilt metal mounted<br />
porcelain mantel clock, 19th century<br />
painted throughout with floral<br />
cartouche panels reserved on a bleu<br />
celeste ground, the dial similarly<br />
decorated, with gilded swags and<br />
acanthus mounts and finials, eight<br />
day bell striking movement<br />
35cm high, 36cm wide, 12cm deep<br />
$1,200–2,000<br />
456<br />
A full size cello, probably German,<br />
19th century<br />
with a bow, music stand<br />
and sheet music<br />
the cello 123cm<br />
$300–500
83<br />
457<br />
A profusely carved walnut four<br />
drawer square coffee table and<br />
two side tables, Indian Kashmiri<br />
region, mid 20th century<br />
the coffee table 56cm high,<br />
90cm wide, 90cm deep<br />
$800–1,200<br />
458<br />
DUTCH SCHOOL<br />
(19TH CENTURY)<br />
Still Life of Flowers<br />
oil on canvas<br />
signed lower left: A.M<br />
104 x 78cm<br />
$4,000–6,000<br />
459<br />
A set of three monochrome etchings<br />
depicting the busts of Ercole, Vibio<br />
Volusiano and Busto Incognito<br />
40 x 29cm<br />
PROVENANCE<br />
<strong>The</strong> Contents of Dysart House,<br />
Mossgreen, Melbourne,<br />
October 2011, Lot 406<br />
$250–350<br />
460<br />
A oval Sheraton style barber pole<br />
banded mahogany mirror, English<br />
late 19th, early 20th century<br />
77 x 53cm<br />
$250–350<br />
461<br />
A Regency Mother-of-Pearl tea caddy,<br />
English circa 1830<br />
11cm high, 17cm wide, 12cm deep<br />
$500–800<br />
462<br />
A Jugendstil copper jardinière,<br />
Austrian, circa 1900<br />
with stylised rosette<br />
decoration to the rim<br />
21cm high, 28cm diameter<br />
$100–200<br />
463<br />
A fine tempered steel sword blade, after<br />
Andrea Ferrara, possibly 18th century<br />
stamped marks to blade<br />
85cm length<br />
$500–800<br />
457 (part)
84<br />
464<br />
A Liliyan Rug, South<br />
West Iran circa 1930<br />
201 x 141cm<br />
$800–1,200
85<br />
465<br />
A Kashgai Rug, South<br />
Iran, circa 1900<br />
237 x 152cm<br />
$3,000–4,000
86<br />
466<br />
A Shahrebabak Rug,<br />
South Iran, circa 1950<br />
290 x 206cm<br />
$2,000–2,500
87<br />
467<br />
A Mahal Rug, South<br />
West Iran, circa 1930<br />
270 x 183cm<br />
$2,000–3,000
88<br />
468
89<br />
469<br />
468<br />
A Mahal Rug, South West Iran<br />
203 x 137cm<br />
$1,500–2,000<br />
469<br />
A Brujerd Rug, South West<br />
Iran, circa 1955<br />
205 x 148cm<br />
$800–1,200<br />
470<br />
A Mehraban runner, North Iran<br />
309 x 82cm<br />
$500–800<br />
471<br />
A Persian hand knotted rug in<br />
traditional pattern, circa 1920<br />
333 x 238cm<br />
$800–1,200<br />
472<br />
A Kashan rug, Northern Iran<br />
early 20th century<br />
334 x 238cm<br />
$400–600<br />
473<br />
A Kashan pattern rug, 20th century<br />
167 x 267cm<br />
$300–400<br />
470
90<br />
474<br />
474<br />
JOAN WILLEM BLAEU<br />
(1596-1673)<br />
Map of Holy Island (Lindisfarne)<br />
Northumberland and Farne Island,<br />
including the Stuart Coat of Arms<br />
38.5 x 47.5cm (image size)<br />
$300–500<br />
475<br />
An American historical chronological<br />
scroll, 19th century<br />
based upon the ‘Archbisop<br />
Usher’ school of mapping history<br />
and events beginning with<br />
Adam and ending in 1900<br />
6.5 metres length<br />
$400–600<br />
476<br />
An antique map of the Marianas Islands,<br />
dated 1752, after the original by<br />
Jacques-Nicolas Bellin (1703 - 1772)<br />
23.5 x 16.5cm<br />
$200–300<br />
477<br />
A large sisal rug<br />
548 x 348cm<br />
$500–800<br />
478<br />
GEORGE MORLAND<br />
<strong>The</strong> Shepherds and<br />
<strong>The</strong> Door to the Inn<br />
Mezzotint (1806)<br />
painted by G. Morland. Engraved<br />
by W. Ward Engraver to H.R.H. the<br />
Duke of York, Publisher, London<br />
Published June 1st, 1806 by H.<br />
Morland No. 10 Dean Street, Soho.<br />
38 x 52cm<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM<br />
$200–300
91<br />
479<br />
GERARDUS MERCATOR<br />
Map of Udrone, Irlandiae in<br />
Catherlagh Baronia (modern<br />
Idrone, County Carlow Ireland)<br />
published Amsterdam, circa 1619<br />
35 x 28cm (image size)<br />
$300–500<br />
479<br />
480<br />
GERARDUS MERCATOR<br />
Map of Udrone, Irlandiae in<br />
Catherlagh Baronia (modern<br />
Idrone, County Carlow Ireland)<br />
published Amsterdam, circa 1619<br />
35 x 28cm (image size)<br />
$300–500<br />
481<br />
ABRAHAM ORTELIUS<br />
(1527-1598)<br />
Map of Poictou, France<br />
published by Antwerp<br />
36 x 55cm<br />
$300–500<br />
480
92<br />
482<br />
ROSS ALLAN (1930-2014)<br />
Tuscan Farmhouse<br />
oil on canvas board<br />
signed lower right: R. AllAN<br />
34.5 x 44.5cm<br />
$50–100<br />
483<br />
A George III mahogany carver<br />
with three side chairs<br />
$500–800<br />
482<br />
484<br />
ITALIAN SCHOOL<br />
19TH CENTURY<br />
On Lake Achensee (Untitled)<br />
oil on board<br />
signed and dated illegibly lower right<br />
$300–500<br />
483
93<br />
485<br />
A George III mahogany long case clock<br />
the face signed D. Tickle, Newcastle<br />
220cm high, 36cm wide, 23cm deep<br />
$2,500–3,500<br />
486<br />
WILLIAM LEONARD<br />
ANNOIS (1906-1966)<br />
A View of Florence, 1955<br />
lithograph<br />
editioned, titled, signed and dated lower<br />
left, centre and right on image: 10/10a<br />
a View of Florence Len Annois ‘55<br />
39.5 x 55cm<br />
$100–200<br />
487<br />
PAUL EMILE FELIX (FRENCH)<br />
Untitled (Girl with Pink Roses),<br />
circa 1926<br />
dry point etching<br />
inscribed and signed on<br />
margin: 162 P E Felix<br />
39.5 x 30cm (oval image size)<br />
$200–300<br />
488<br />
DEE BEEBE (AMERICAN<br />
1870–1946)<br />
Still life, Roses<br />
watercolour on paper<br />
30 x 35cm<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$100–200<br />
489<br />
ABU BAKIR IBRAHIM (1925-1971)<br />
Storm at Penang 1975<br />
watercolour<br />
26 x 36cm<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$200–400<br />
490<br />
A satirical Georgian print<br />
‘Ladies Wigs’, 1798<br />
printed by Isaac Cruikshank,<br />
after George Moutard Woodward<br />
inscribed to the base ‘publ. June<br />
12, 1798 by S. W. Fores, Piccadilly,<br />
corner of Sackville St., Folios of<br />
caricatures lent out for the Evening’<br />
33 x 45cm<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$100–200<br />
491<br />
PAUL CASEBEER<br />
(20TH CENTURY)<br />
Californian Landscape<br />
oil on board<br />
signed lower left: Paul Casebeer<br />
23.5 x 29cm<br />
$250–350<br />
485
94<br />
492<br />
492<br />
WILLIAM SCOTT MYLES<br />
(ACT. 1850–1911)<br />
Untitled (Landscapes<br />
with Haystacks)<br />
a pair oil on canvas<br />
one signed lower left and the<br />
other lower right: W. S. Myles<br />
28.5 x 44cm (each)<br />
$400–600<br />
493<br />
A George III oak refectory table<br />
75cm high, 232cm wide, 82cm deep<br />
$2,000–3,000<br />
494<br />
ELSIE MARGARET STONES<br />
(BORN 1920)<br />
Escallonia Rubra, Var<br />
Macrantha (Crimson Spire)<br />
watercolour<br />
signed lower right: E. Margaret Stones<br />
27 x 20cm<br />
$200–300
95<br />
492<br />
493
96<br />
495<br />
A pair of Louis XV style<br />
tapestry upholstered fauteil,<br />
Italian, late 18th century<br />
$2,000–3,000<br />
496<br />
A pair of large Indian carved<br />
wood Ladakh goats<br />
53cm high, 84cm long<br />
$2,000–3,000<br />
497<br />
A profusely carved walnut desk,<br />
Indian Kashmiri region, mid 20th<br />
with articulated top and<br />
cantilevered inner panels<br />
88cm high, 102cm wide, 71cm deep<br />
$2,000–3,000<br />
498<br />
<strong>The</strong> Hunt with Fox & Hounds<br />
colour lithograph<br />
inscribed lower left: E. S. & A.<br />
Robinson, Ltd., Bristol<br />
53.5 x 81cm (image size)<br />
$200–400<br />
499<br />
Two needlepoint tapestries,<br />
19th century<br />
57.5 x 49.5cm each<br />
$200–400<br />
500<br />
JOHN VARLEY (1778-1842)<br />
Near Snowdon in<br />
Caenarvonshire, 1805<br />
watercolour<br />
signed and dated lower right:<br />
J Varley 1805<br />
47.5 x 73cm<br />
NOTE<br />
Inscribed and dated verso<br />
together with further information<br />
on the works of John Varley<br />
$2,500–3,500<br />
501<br />
A portrait miniature of a<br />
gentleman, 19th century<br />
watercolour on card, within a foliate<br />
decorated sterling silver frame<br />
10 x 6.5cm<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$300–500<br />
502<br />
SIMON WATTS (1720–1780)<br />
stipple engraving<br />
after Peter Paul Rubens<br />
study for the portrait of Helena<br />
Fourment, Rubens second wife<br />
52 x 48cm<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$500–800<br />
495
97<br />
496<br />
497
98<br />
503<br />
A George III carved oak side chair<br />
$100–200<br />
504<br />
A pair of Chinese elm stools<br />
47cm high, 47cm wide, 29cm deep<br />
$200–400<br />
505<br />
A George III mahogany fold-over<br />
card table, in the Chippendale<br />
style,18th century<br />
the serpentine top above a flower<br />
and ribbon carved frieze with pierced<br />
and scrolled corner brackets, raised<br />
on square tapering linen fold legs<br />
73cm high, 91cm wide, 45cm deep<br />
PROVENANCE<br />
Christie’s Melbourne, Fine<br />
Furniture and Decorative Arts,<br />
June 19 - 20, 2000, lot 180A.<br />
NOTE<br />
Inscribed under the felt baize in<br />
pencil “My Own Work / Thomas<br />
Chippendale St. Martin’s Lane / 1752”<br />
and further inscribed with a sketch<br />
of two chairs, one with a typical<br />
Chippendale back, the other with<br />
emphasis on the claw and ball foot.<br />
$2,000–3,000<br />
503<br />
506<br />
A Louis XVI style marble top<br />
ebonised fall front secretaire<br />
commode, French, 19th century<br />
85cm high, 124cm wide, 52cm deep<br />
$2,500–3,500<br />
504
99<br />
507<br />
An unusual carved walking<br />
cane, possibly American or<br />
Scandinavian, 19th century<br />
profusely carved throughout with<br />
multiple faces and symbols, carved<br />
monogram signature possibly NB or GV<br />
91cm long<br />
$1,000–2,000<br />
508<br />
An Edward VII sterling silver sugar<br />
caster, Roberts & Belk, Sheffield, 1906<br />
of chamfered baluster form<br />
with pierced pad feet<br />
15.5cm high<br />
$100–200<br />
507 (Detail)<br />
507
100<br />
509<br />
A rare set of fourteen Regency<br />
Etruscan revival painted dining<br />
chairs, early 19th century<br />
$10,000–12,000<br />
510<br />
A small George III style red<br />
leather inset pedestal desk<br />
81cm high, 123 wide, 69cm deep<br />
$200–300<br />
511<br />
A pair of Jacobean style<br />
caned back oak armchairs<br />
$50–100<br />
512<br />
An oak wine table, English 19th century<br />
65cm high, 75cm diameter<br />
$200–300<br />
513<br />
A large William and Mary style<br />
leather top oak pedestal desk<br />
77cm high, 153cm wide, 107cm deep<br />
$500–800<br />
514<br />
Two pairs of red velvet<br />
upholstered carved oak hall<br />
chairs, English 19th century<br />
$200–400<br />
515<br />
A contemporary striped fabric<br />
upholstered three piece lounge suite<br />
length of back of settee 73cm<br />
$200–300<br />
516<br />
A set of ten Art Nouveaux<br />
carved beech caned chairs<br />
$1,000–1,500<br />
517<br />
An oak chest of drawers on stand,<br />
English, 18th century and later<br />
126cm high, 100cm wide, 54cm deep<br />
$400–600<br />
518<br />
A pair of pink silk upholstered tub chairs<br />
$200–300<br />
519<br />
A profusely carved walnut<br />
coffee table, Indian Kashmiri<br />
region, mid 20th century<br />
57cm high,124cm wide 64cm deep<br />
$400–600<br />
520<br />
A red lacquer Chinoiserie<br />
decorated tray top coffee table<br />
45cm high. 76cm wide, 61cm deep<br />
$200–300<br />
521<br />
A stencil work table,<br />
English, 19th century<br />
on bobbin turned tripod stand<br />
75cm high, 55cm wide, 55cm deep<br />
$200–300<br />
522<br />
A Louis XV cherrywood bureau plat<br />
74cm high, 174cm wide, 73cm deep<br />
$4,000–6,000
101<br />
509<br />
509
102<br />
523<br />
A profusely carved walnut red velvet<br />
upholstered settee and a pair of carver<br />
chairs, Indian Kashmiri region, mid 20th<br />
$1,500–2,500<br />
524<br />
Two silkwork needlepoint<br />
embroideries, early 19th century<br />
one depicting a boy with a ewer<br />
drawing water from a well<br />
silk and chenille thread and<br />
original gilt frame<br />
and the other depicting a<br />
shepherdess with sheep,<br />
original frame and verre eglomese<br />
36 x 30cm (oval) and 32 x 25cm (oval)<br />
$300–500<br />
523 (Detail)<br />
525<br />
A pair of Louis XV style gilt bronze<br />
wall sconces, circa 1870<br />
64 x 46cm<br />
$1,000–1,500<br />
523
103<br />
526<br />
A continental brass mounted carved<br />
ivory seal, 18th/19th century<br />
in the form of a classical nude figure,<br />
intaglio armorial cresting to the base<br />
8.5cm high<br />
$300–500 ♦<br />
527<br />
An inkwell in the form of a parrots head<br />
8cm high<br />
$300–500<br />
528<br />
A Japanese sake cup<br />
with presentation box, 7.5cm diameter<br />
together with a Japanese green glazed<br />
porcelain sake cup, 7cm diameter<br />
$120–200<br />
529<br />
A Locré & Russinger porcelain figure of<br />
a gardeners companion, circa 1775<br />
inscribed mark to the base: crossed<br />
flaming torches in underglaze blue<br />
17cm high<br />
NOTE<br />
Laurentius Russinger worked as a<br />
modeller at the Höchst porcelain<br />
factory prior to moving to Paris.<br />
A similar model of the gardeners<br />
companion exists which is<br />
attributed to Russinger on which<br />
this model would be based.<br />
$200–300<br />
530<br />
JOS LAW<br />
Untitled (Golfing Memorabilia),<br />
1997<br />
mixed media and collage<br />
signed and dated lower right:<br />
Jos Law ‘97<br />
98 x 76cm<br />
$100–200<br />
523 (Detail)
104<br />
Chinese & Asian Works of Art<br />
Private Collection, Queensland<br />
531<br />
An ivory Sambaso dancer netsuke,<br />
19th century<br />
carved mid-dance with one leg<br />
raised, holding crotals in one<br />
hand and a fan in the other<br />
6cm high<br />
十 九 世 紀 象 牙 雕 根 付 - 三 番 叟 舞 者<br />
$400–600 ♦<br />
532<br />
A group of three wood netsuke,<br />
19th century<br />
comprising a woman with a child<br />
on her back, a Shi-Shi with a ball<br />
and a leaf embellished gourd<br />
the largest 7.5cm high<br />
十 九 世 紀 木 彫 根 付 三 件<br />
$300–500<br />
531<br />
532
105<br />
533<br />
A boxwood netsuke of Kwanyu,<br />
19th century<br />
carved wearing long robes and<br />
armour, carrying his halberd<br />
and holding his long beard<br />
10cm high<br />
十 九 世 紀 黃 楊 木 雕 根 付 - 關 羽<br />
$600–800<br />
534<br />
A boxwood netsuke of Ashinaga and<br />
an octopus, Edo Period, 19th century<br />
the tall standing figure finely carved with<br />
a flowing beard holding and octopus<br />
11cm high<br />
江 戶 時 代 (19 世 紀 ) 黃 楊 木 雕<br />
根 付 - 神 話 妖 怪 與 章 魚<br />
$1,000–2,000<br />
533 534
106<br />
535<br />
A kagamibuta silver and ivory netsuke,<br />
19th century<br />
with a shibuichi plate relief<br />
decorated with a swordsmith<br />
4cm diameter<br />
$200–300 ♦<br />
535<br />
536<br />
Four ivory, horn and stag antler netsuke,<br />
early 19th century and later<br />
comprising a man with a monkey,<br />
a figure of Hotei with inlaid eyes, a<br />
temple guardian and a Dutchman with<br />
a beard clutching a leg of mutton<br />
the largest 7.5cm high<br />
十 九 世 紀 早 期 或 更 晚 根 付<br />
四 件 象 牙 與 鹿 角 雕 刻<br />
$400–800 ♦<br />
537<br />
A Chinese hexagonal bowl,<br />
20th century<br />
with blue glazed interior,<br />
chrysanthemum decoration and<br />
wave pattern foot on wooden stand<br />
20cm diameter<br />
二 十 世 紀 多 邊 形 菊 花 碗<br />
$100–200<br />
536
107<br />
538<br />
538<br />
A carved spinach jade figure of<br />
a recumbent dog and a mutton<br />
fat jade carving of two cats<br />
each raised on a carved wooden stand<br />
the largest 8cm wide<br />
玉 雕 - 貓 與 犬 兩 件<br />
$200–300<br />
539<br />
A stag antler pipe holder,<br />
signed Hakunsai, Asakusa<br />
school, 18th/19th century<br />
modelled as an elongated<br />
figure of Ashinaga<br />
22cm high<br />
十 八 / 十 九 世 紀 淺 草 風 格 煙<br />
斗 架 鹿 角 雕 刻 日 本 妖 怪<br />
$600–800<br />
540<br />
A pair of Chinese black<br />
ground cloisonné vases<br />
each of baluster form decorated<br />
with chrysanthemums<br />
20cm high<br />
景 泰 藍 牡 丹 花 瓶 一 對<br />
$300–500<br />
541<br />
A Chinese black ground cloisonné<br />
vase together with a covered box<br />
the vase 23cm high<br />
景 泰 藍 花 瓶 與 圓 盒 有 底 座<br />
$200–300<br />
542<br />
A celadon jade and wood gourd<br />
shaped ornament, late Qing Dynasty<br />
set with two jade panels relief<br />
decorated with peaches and bats<br />
29cm high<br />
晚 清 葫 蘆 鑲 以 白 瓷<br />
$100–200<br />
543<br />
A Chinese export blue and<br />
white dish, 19th century<br />
30cm length<br />
十 九 世 紀 藍 白 花 紋 碟 產 於 中 國<br />
$150–250<br />
539
108<br />
544<br />
Three Chinese underglaze blue<br />
and white porcelain snuff bottles,<br />
19th century and later<br />
the largest 9cm high<br />
十 九 世 紀 或 更 晚 瓷 釉 鼻 煙 壺 三 件<br />
$300–500<br />
545<br />
A group of six various mask netsuke,<br />
19th century<br />
comprising a wood mask of kitsune<br />
(fox), two wood masks of smiling<br />
demons, a smiling boy, an ivory<br />
mask of an actor and a realistically<br />
modelled horn mask of a smiling man<br />
the largest 7cm long<br />
十 九 世 紀 木 雕 根 付 - 人 面 六 件<br />
$400–600 ♦<br />
544<br />
545
109<br />
546<br />
A pair of Chinese cloisonné<br />
enamel crane censers<br />
53cm high<br />
景 泰 藍 鶴 形 香 爐 一 對<br />
$800–1,200<br />
547<br />
A group of four ivory animal netsuke,<br />
19th century<br />
comprising a puppy with inlaid eyes<br />
chewing his foot, a rat in a gourd, a dog<br />
on a drum and a snake squeezing a frog<br />
the largest 4cm high<br />
十 九 世 紀 象 牙 雕 根 付 - 動 物 四 件<br />
$400–600 ♦<br />
548<br />
Two ivory netsuke, 19th century<br />
comprising a snake on a lily pad with a<br />
boxwood ojime and a carving of a figure<br />
with a horse and gourd; together with an<br />
ivory incense box with a bakelite base<br />
the largest 6cm long<br />
十 九 世 紀 象 牙 雕 根 付 兩 件<br />
$150–250 ♦<br />
546
110<br />
549<br />
549<br />
A group of four celadon jade and jadeite<br />
carvings, 19th century and later<br />
comprising a figure of a standing robed<br />
deity, a boy on a gourd, a musician<br />
and a jadeite figure of Guanyin<br />
the largest 7cm high<br />
十 九 世 紀 或 更 晚 玉 雕 菩 薩 與 人 物 四 件<br />
$400–600<br />
550<br />
A group of four jade and<br />
hard-stone carvings<br />
comprising a seated ram, two dogs, a<br />
seated oxen and a carved stone disc<br />
the largest 5cm high<br />
動 物 玉 雕 與 石 雕 四 件<br />
$100–200<br />
551<br />
Three ivory kirin netsuke, 19th/<br />
early 20th century<br />
comprising a seated kirin with head<br />
turned, a baying Kirin with upstretched<br />
neck and a standing kirin<br />
the largest 9cm high<br />
十 九 世 紀 / 二 十 世 紀 早 期 象<br />
牙 根 付 - 麒 麟 三 件<br />
$150–250 ♦<br />
552<br />
A collection of six jade and<br />
jadeite carvings, 20th century<br />
comprising an elephant, a bear, a<br />
fish, a figure of a monk and pair of<br />
small circular discs, together with<br />
four jade mounted silver tea spoons<br />
the largest 8cm high<br />
二 十 世 紀 玉 雕 藝 品 六 件<br />
$200–300<br />
553<br />
A carved amethyst figure of<br />
a lion turtle, 20th century<br />
together with a carved bowenite<br />
oriole on a branch<br />
the turtle 10.5cm long,<br />
the bird 19cm high<br />
石 雕 兩 件 - 龜 殼 獅 紫 水 晶 雕 刻 以<br />
及 樹 枝 上 的 鶯 蛇 紋 石 雕 刻<br />
$250–350<br />
554<br />
Two Chinese russet jade carvings<br />
and a malachite figure<br />
comprising a russet jade finger citron<br />
and a hanging plaque pierced and<br />
carved with a figure of Guanyin and a<br />
malachite carved figure of Guan Yin<br />
the largest 9cm high<br />
豆 沙 紅 玉 雕 - 佛 手 柑<br />
二 十 世 紀 孔 雀 石 雕 - 觀 音<br />
$250–350<br />
555<br />
Eleven books on Chinese and<br />
Asian works of art including<br />
Japanese and Chinese porcelain<br />
中 國 與 亞 洲 藝 品 書 籍 ( 包 括<br />
中 國 與 日 本 瓷 藝 ) 共 11 冊<br />
$100–200<br />
556<br />
A group of four ivory netsuke,<br />
19th century<br />
comprising a a hen with a chick,<br />
a seated boar, a recumbent<br />
water buffalo and two frogs<br />
the water buffalo 6cm wide<br />
十 九 世 紀 象 牙 雕 根 付 - 動 物 四 件<br />
$200–300 ♦
111<br />
557<br />
558<br />
557<br />
Three celadon jade<br />
carvings and vessels<br />
comprising a celadon jade tea bowl,<br />
a canister with a pierced wooden<br />
cover and a reclining figure<br />
the largest 9cm high<br />
$100–200<br />
558<br />
A group of four jade and hard-stone<br />
carvings, 19th century and later<br />
comprising a seated water<br />
buffalo, a carving of two birds, a<br />
robed figure and a stone disc<br />
the largest 6.5cm long<br />
十 九 世 紀 或 更 晚 玉 雕 與 石 雕 四 件<br />
$200–300
112<br />
559<br />
A group of four ivory and stag antler<br />
netsuke, 19th century and later<br />
comprising a Noh actor with a<br />
rotating face, a figure of Jurojin,<br />
an old man seated and a standing<br />
heavily cloaked Dutchman<br />
the largest 5.5cm high<br />
十 九 世 紀 或 更 晚 根 付 - 人<br />
物 四 件 象 牙 / 鹿 角 雕<br />
$300–500 ♦<br />
560<br />
A group of four ivory netsuke,<br />
18th and 19th century<br />
comprising a figure of Shoki, two<br />
boys playing leap frog, two men<br />
with a giant sack and a fish and a<br />
carving of two sumo wrestlers<br />
the largest 5.5cm high<br />
十 八 或 十 九 世 紀 象 牙 雕 根 付 - 人 物 四 件<br />
$400–600 ♦<br />
561<br />
Three Chinese russet and celadon<br />
jade carvings, 20th century<br />
comprising a figure of a lady, a<br />
bi-disc relief decorated with a<br />
Qilin and stylised coiled dragon<br />
the largest 11.5cm long<br />
二 十 世 紀 豆 沙 紅 與 碧 玉 雕 四 片<br />
$200–300<br />
562<br />
A group of five reticulated<br />
celadon jade plaques<br />
each carved with auspicious symbols<br />
including bats, qilin and phoenix<br />
the largest 7cm long<br />
碧 玉 雕 牌 五 件<br />
$400–600<br />
563<br />
A collection of five Chinese<br />
cloisonné vessels and birds,<br />
19th century and later<br />
comprising a faceted baluster<br />
covered vase, a small circular<br />
covered box, a miniature vase<br />
and a pair of miniature cranes<br />
the largest 12cm high<br />
十 九 世 紀 或 更 晚 景 泰 藍 罐 子 與 鳥 五 件<br />
$150–250<br />
564<br />
A group of eleven various Chinese<br />
snuff bottles, late 19th/20th century<br />
including malachite, Peking glass,<br />
porcelain, Yi Xing, ivory and stone<br />
the largest 11cm high<br />
十 九 世 紀 晚 期 / 二 十 世 紀 鼻 煙 壺 十 一 件<br />
$200–300 ♦<br />
565<br />
A carved jade brush-washer and<br />
a jade horse, 20th century<br />
the circular brush-washer carved in<br />
high relief with two Qilin, the recumbent<br />
horse resting with head to one side<br />
the brush-washer 9cm diameter<br />
二 十 世 紀 筆 洗 飾 有 麒 麟 和 馬<br />
$200–300<br />
566<br />
A collection of ten blue and<br />
white dishes and vessels,<br />
19th century and later<br />
the largest 19cm diameter<br />
十 九 世 紀 或 更 晚 藍 白 瓷 製 餐 具 共 十 件<br />
$300–500<br />
559
113<br />
Other Properties<br />
567<br />
A rare Chinese jade<br />
embellished hardwood cornerleg<br />
table, 19th century<br />
80cm high, 130cm wide, 44cm deep<br />
PROVENANCE<br />
Private Collection, Queensland<br />
NOTE<br />
For a similar example see Christie’s,<br />
Fine Chinese Ceramics and<br />
Works of Art auction, New York,<br />
September 18 - 19, 2014, lot<br />
1120, sold for 365,000USD.<br />
$15,000–25,000<br />
567
114
115<br />
568<br />
A monumental Japanese<br />
bronze censer, Meiji Period<br />
finely cast in high relief over four<br />
interlocking sections with a writhing<br />
dragon to the base rising to a<br />
tapering stem with swallows and<br />
sparrows, the upper censer bowls<br />
decorated with flying cranes<br />
162cm high<br />
明 治 時 期 大 件 日 式 銅 製 香 爐<br />
$2,000–3,000<br />
569<br />
A Chinese covered beaker,<br />
18th century<br />
13cm high<br />
十 八 世 紀 藍 白 茶 杯 含 蓋<br />
$250–350<br />
570<br />
A Japanese Imari dish, 18th century<br />
15cm diameter<br />
十 八 世 紀 伊 萬 里 瓷 碗 一 件<br />
$40–80<br />
571<br />
A Chinese blanc de chine wine cup,<br />
18th century<br />
with moulded foliate decoration<br />
6.5cm diameter<br />
十 八 世 紀 白 磁 酒 杯 一 件<br />
$120–180<br />
572<br />
A Chinese carved and gilded hardwood<br />
table screen, early 19th century<br />
18cm high, 35cm wide, 35cm deep<br />
十 九 世 紀 初 硬 木 雕 屏 風<br />
$250–350<br />
573<br />
A Japanese folding screen, Meiji period<br />
decorated with images of hawks<br />
each panel 170cm x 63cm<br />
$200–300<br />
Left Lot 568 (Detail)<br />
568
116<br />
574<br />
574<br />
A celadon jade carving of<br />
a shi-shi and cub<br />
5.5cm<br />
石 獅 玉 雕<br />
$400–600<br />
575<br />
A Chinese pale celadon<br />
carved jade plaque<br />
decorated with boats on a lake<br />
in a mountainous landscape<br />
7cm high, 4cm wide<br />
$400–600<br />
576<br />
A Chinese silver box, Hong<br />
Kong, first half 20th century<br />
of hexagonal form decorated<br />
with dragons, prunus and<br />
bamboo, gilt wash interior<br />
5cm high<br />
$500–800<br />
579<br />
A Chinese pale celadon jade<br />
snuff bottle, 19th century<br />
of ovoid form with a carved<br />
coral stopper<br />
8.5cm high<br />
$400–1,200<br />
580<br />
An underglaze blue and white tea<br />
bowl, Kangxi mark, late Qing Dynasty<br />
5cm high<br />
$200–300<br />
581<br />
A miniature silver inlaid bronze<br />
vase, late Qing dynasty<br />
of archaic baluster form<br />
with lug handles<br />
8cm high<br />
晚 清 雙 耳 青 銅 花 瓶<br />
$400–600<br />
575<br />
577<br />
A Chinese celadon glazed fluted bowl<br />
with panels of incised foliate<br />
decoration to the exterior<br />
10cm diameter<br />
小 件 青 瓷 釉 面 雕 花 碗<br />
$80–120<br />
578<br />
A Chinese fish bowl, late Qing Dynasty<br />
decorated with flowering<br />
lotus and bamboo<br />
32cm high, 36cm diameter<br />
$400–600<br />
576
117<br />
582<br />
A jadeite carving of a Qilin<br />
amongst scrolling lotus buds,<br />
probably 19th century<br />
9cm high, 7cm wide<br />
麒 麟 玉 雕<br />
$800–1,200<br />
583<br />
A Japanese lacquer five<br />
case inro, Meiji period<br />
decorated with roundels of<br />
flowers and foliage, carved wood<br />
ojime in the form of a walnut<br />
7cm high<br />
$200–300<br />
582<br />
584<br />
A carved jadeite figure of<br />
Guanyin, 19th century<br />
finely pierced and carved<br />
with a crane and basket of<br />
flowers, black lacquer base<br />
17.5 cm high<br />
觀 音 與 鶴 玉 雕<br />
$1,000–1,500<br />
585<br />
A Japanese bronze crescent form<br />
hanging censer, 19th/20th century<br />
28cm diameter<br />
$200–300<br />
584
118<br />
586<br />
A Chinese celadon crackle glaze<br />
bowl, probably 19th century<br />
the exterior decorated with underglaze<br />
decoration of overlapping leaves<br />
17cm diameter<br />
青 瓷 裂 紋 釉 碗 一 只<br />
$200–300<br />
587<br />
A Chinese fluted celadon bowl,<br />
possibly 18th century<br />
16cm diameter<br />
約 十 八 世 紀 青 瓷 碗 一 只<br />
$500–800<br />
586<br />
588<br />
A celadon bowl, possibly<br />
Sung/Yuan dynasty<br />
with delicate fluting to the interior<br />
15cm diameter<br />
宋 代 青 瓷 碗 一 只<br />
$800–1,200<br />
589<br />
A Chinese polychrome decorated<br />
brush pot, late 19th century<br />
13cm high<br />
十 九 世 紀 晚 期 彩 繪 筆 筒<br />
$500–800<br />
587<br />
590<br />
A Chinese underglaze blue and<br />
white beehive form brush washer<br />
8cm high<br />
窄 口 筆 洗<br />
$300–500<br />
591<br />
A Chinese pale blue glazed brush pot<br />
9.5cm high<br />
水 藍 色 筆 洗<br />
$400–600<br />
588
119<br />
592<br />
A Longquan style pale celadon bowl<br />
17cm diameter<br />
龍 泉 窯 粉 青 瓷 碗<br />
$800–1,200<br />
593<br />
A Chinese underglaze blue<br />
and white miniature vase<br />
8cm high<br />
微 型 畫 瓶<br />
$300–500<br />
594<br />
A pair of iron red gilded butterfly bowls<br />
9cm high<br />
深 紅 蝴 蝶 對 碗<br />
$200–300<br />
599<br />
A polychrome enamel bowl,<br />
Guangxu mark<br />
decorated with calligraphy<br />
roundels and scrolling flowers<br />
19cm diameter<br />
光 緒 款 搪 瓷 碗 一 件<br />
$600–800<br />
600<br />
A polychrome enamel wall vase,<br />
Republic period<br />
decorated with a courtly scene<br />
23cm high<br />
民 國 時 期 多 彩 花 瓶 一 只<br />
$500–800<br />
601<br />
A pair of iron red gilded tea<br />
bowls and covers<br />
decorated with calligraphy<br />
7cm high<br />
$200–300<br />
602<br />
A Japanese carved bamboo walking<br />
stick, first half 20th century<br />
decorated throughout with<br />
carved samurai and horses<br />
90cm high<br />
$300–500<br />
595<br />
A Doucai style miniature vase<br />
10cm high<br />
鬥 彩 微 型 畫 瓶 一 只<br />
$400–600<br />
596<br />
A small underglaze blue and<br />
gilded square covered box<br />
decorated with a river bank scene<br />
4cm high<br />
$200–300<br />
597<br />
A Chinese archaic style bronze<br />
ritual vessel and cover<br />
the compressed circular body and<br />
cover with a continuous frieze of<br />
kuilong flanked by four dragon handles,<br />
raised on a similarly decorated foot<br />
30cm high<br />
$500–800<br />
598<br />
A blue and white porcelain panel,<br />
signed Wang Bu, Republic Period<br />
decorated with a scene of man and<br />
a boy fishing by a pond in a wooded<br />
landscape, signed with artists seal<br />
25cm high, 18cm wide<br />
民 國 時 期 藍 白 瓷 版 畫<br />
$1,500–2,500<br />
592
120<br />
603<br />
A large famille vert vase, Guangxu<br />
period, late Qing dynasty<br />
decorated with a continuous frieze<br />
of travellers in a landscape setting<br />
25cm high<br />
清 光 緒 粉 彩 人 物 罈<br />
$500–800<br />
604<br />
A large Dehua ‘Lotus’ bowl,<br />
Qing Dynasty, 19th century<br />
the deep rounded sides naturalistically<br />
modelled in the form of a lotus leaf,<br />
rising to a rim with elegantly furled<br />
edges, applied to the exterior with<br />
sprigs of flowering and budding<br />
lotus, leaves and arrowheads rising<br />
above the lobed rim, covered<br />
overall in a creamy white glaze<br />
20.3cm diameter<br />
NOTE<br />
For a similar example see<br />
Sotheby’s, Important Chinese<br />
Art, London, 11 November 2015,<br />
Lot 146, sold for 5,000 GBP<br />
十 九 世 紀 清 德 化 蓮 花 瓷 碗<br />
相 似 拍 品 在 2015 年 11 月 蘇 富 比 倫 敦<br />
中 國 藝 品 拍 賣 , 成 交 價 5000 英 鎊<br />
$1,000–2,000<br />
605<br />
A Chinese celadon glaze vase<br />
15cm high<br />
$200–300<br />
606<br />
A pair of Qingbai vases,<br />
possibly Song dynasty<br />
each relief decorated with phoenix, the<br />
tapering neck with applied lug handles<br />
15cm high<br />
約 宋 代 青 白 對 瓶<br />
$600–800<br />
607<br />
A Chinese Doucai style dish,<br />
20th century<br />
decorated with peach and<br />
pomegranate medallion roundels<br />
within foliate borders<br />
26cm diameter<br />
二 十 世 紀 鬥 彩 花 紋 碟 一 件<br />
$500–800<br />
608<br />
A white carved porcelain brush pot,<br />
Qianlong mark, 20th century<br />
finely decorated with mountainous<br />
landscape scenes<br />
14cm high<br />
$800–1,200<br />
609<br />
A pair of orange reticulated porcelain<br />
barrels, mark of Qianlong, 20th century<br />
10cm high<br />
二 十 世 紀 乾 隆 款 橙 色 小 圓 盒 一 對 有 蓋<br />
$300–500<br />
610<br />
An underglaze blue and white pot,<br />
possibly late Qing dynasty<br />
decorated with a continuous frieze of<br />
figures and scholars in a landscape<br />
within cloud scroll and diaper borders<br />
21cm diameter<br />
十 九 世 紀 藍 白 筆 洗<br />
$600–800<br />
611<br />
A blue and white landscape vase,<br />
possibly late Qing dynasty<br />
of unusual split diamond form painted<br />
with a village in a landscape<br />
32.5cm high<br />
十 九 世 紀 早 期 多 角 形 藍 白 紋 花 瓶<br />
$600–800<br />
612<br />
A Chinese polychrome vase<br />
painted with panels of court figures<br />
and attendants on a red and green<br />
diaper and lappet decorated ground<br />
27cm high<br />
人 物 多 彩 棒 槌 瓶 一 只<br />
$100–200<br />
613<br />
A polychrome vase, mark of<br />
Guangxu, late Qing dynasty<br />
painted and gilt with a continuous<br />
scene of a prince and consort<br />
on horseback with attendants<br />
27cm high<br />
人 物 多 彩 棒 槌 瓶 一 只<br />
$200–300<br />
614<br />
Two russet and celadon jade<br />
carvings, 20th century<br />
one modelled as a fisherman<br />
with fish on a lotus leaf, the<br />
other as a recumbent dog<br />
the largest 10cm long<br />
二 十 世 紀 小 型 玉 雕 兩 件<br />
$200–300<br />
603
121<br />
618<br />
A Chinese polychrome bottle vase,<br />
20th century<br />
decorated with Lohan and<br />
figures in a walled garden<br />
27cm high<br />
人 物 多 彩 長 頸 瓶<br />
$400–600<br />
619<br />
A Jun ware splashed blue glaze bowl<br />
of circular form with an unglazed<br />
foot, the interior with a delicate<br />
crimson streak to one side<br />
6.5cm high, 13cm diameter<br />
鈞 窯 藍 漆 碗 一 件<br />
$400–600<br />
620<br />
An unusual lotus decorated<br />
baluster vase<br />
20.5cm high<br />
罕 見 球 狀 花 瓶 繪 有 蓮 花<br />
$250–350<br />
618<br />
615<br />
A Famille Rose bowl decorated<br />
with courtly figures,<br />
mark and period of Daoguang<br />
6.5cm high, 11cm diameter<br />
清 道 光 粉 彩 人 物 碗 有 底 座<br />
$800–1,200<br />
616<br />
A Jun ware splashed blue glaze bowl<br />
of circular form with an unglazed<br />
foot, with a flambe splash and<br />
crackle glaze to the interior<br />
6cm high, 13cm diameter<br />
鈞 窯 藍 漆 碗 一 件<br />
$400–600<br />
617<br />
A celadon crackle glaze vase,<br />
20th century<br />
10cm high<br />
二 十 世 紀 裂 紋 釉 花 瓶<br />
$250–350<br />
615
122<br />
621<br />
621<br />
A pair of blue and white dragon bowls,<br />
Qianlong mark, late 19th century<br />
each decorated with writhing<br />
dragon amongst flaming pearls<br />
14cm diameter<br />
十 九 世 紀 乾 隆 款 藍 白 龍 紋 瓷 碗 一 對<br />
$800–1,200<br />
622<br />
A Chinese under glaze blue and<br />
red porcelain bowl, 18th century<br />
decorated with a continuous<br />
frieze of a pendant grapevine,<br />
underglaze mark on base<br />
15cm diameter<br />
康 熙 款 葡 萄 藤 蔓 瓷 碗<br />
$600–800<br />
622<br />
623
123<br />
626<br />
A blue and white phoenix<br />
decorated dish, Guangxu mark<br />
16cm diameter<br />
光 緒 款 藍 白 鳳 凰 紋 飾 碟 一 件<br />
$400–600<br />
627<br />
A celadon glazed blue and white<br />
covered box, 20th Century<br />
the interior decorated with erotic<br />
scenes, the metal bound exterior with<br />
applied dragon and phoenix mounts<br />
6cm high, 10cm wide, 10cm deep<br />
二 十 世 紀 藍 白 方 形 金 屬 鑲 邊 瓷 盒 有 蓋<br />
$300–500<br />
626<br />
628<br />
A Chinese blue and white jar and<br />
two blue and white vases, Qing<br />
Dynasty, 18th century and later<br />
each decorated in under glazed<br />
blue with landscape scenes<br />
and flowers the tallest vase<br />
20cm high<br />
清 青 花 瓶 一 對 與 瓷 罐 共 三 件<br />
$500–800<br />
623<br />
A large Chinese blue and white<br />
bottle vase, Republic Period<br />
decorated with a continuous frieze<br />
of a boy on a buffalo in a landscape<br />
scene within diaper and wave borders<br />
40cm high<br />
$500–800<br />
624<br />
A large underglaze blue<br />
and white brush pot<br />
decorated with writhing dragons and<br />
flying amongst peony and flaming<br />
pearls within wave and diaper borders<br />
19cm high, 21.5cm diameter<br />
十 九 世 紀 藍 白 釉 大 筆 筒<br />
$1,000–1,500<br />
625<br />
A Chinese blue and white dish<br />
decorated with a scene of figures<br />
on a bridge, square lozenge mark<br />
in underglaze blue to the base<br />
19.5cm diameter<br />
藍 白 碟 繪 有 人 物<br />
$150–250<br />
624
124<br />
629<br />
A Balinese jewel encrusted<br />
gold mounted Kris, probably<br />
early 19th century<br />
with a court style hilt repousse<br />
decorated with the figure of Bataru<br />
Bayu, the god of wealth and well<br />
being, seated on a tumpal throne,<br />
the hilt decorated with semi<br />
precious cabochon cut stones<br />
66cm including the scabbard<br />
NOTE<br />
Keris blades made of Pamor are<br />
considered very valuable and were<br />
part of the pustaka or heirlooms of<br />
the aristocracy to be passed from<br />
generation to generation. <strong>The</strong>y are<br />
considered to have magic and to imbue<br />
magic and power on their owners.<br />
$1,000–1,500<br />
630<br />
YU LIAN<br />
Chinese album leaf,<br />
possibly 19th century<br />
Translation verso: “<strong>The</strong> April Rain falls<br />
to the south of the River / After the<br />
rain the fragrance of, orchids hangs in<br />
the air, / <strong>The</strong> tender bamboo dances,<br />
the yellow bird flies off, / A butterfly<br />
sleeps on the sill of the small window,<br />
/ <strong>The</strong> sun’s rays touch the silken petal<br />
tips” / Painted as a gift for Mr Bai<br />
Kekai, / with respect from Yu Lian, /<br />
Zhekiang Province, Youngning County<br />
29.5 x 32cm<br />
$100–200<br />
629
125<br />
631<br />
A Chinese bronze censer,<br />
probably 18th/19th century<br />
of circular form with loop<br />
handles on a tripod base<br />
15.5cm across the handles, 12cm high<br />
約 十 八 世 紀 中 式 銅 製 香 爐<br />
$1,200–1,500<br />
632<br />
A large Chinese fish bowl, Republic<br />
period, first half 20th century<br />
decorated with a scene of<br />
$300–500<br />
633<br />
A Japanese export ware jardinière,<br />
first half 20th century<br />
28cm high, 43cm deep, 25cm wide<br />
$200–300<br />
634<br />
A white jade carving of two<br />
boys playing on a gourd<br />
6.5cm wide<br />
$400–600<br />
635<br />
A pair of Imari platters, late 19th century<br />
together with two Royal Crown<br />
Derby imari pattern plates<br />
the largest 37cm diameter<br />
一 對 伊 萬 里 燒 碟 與 小 盤 兩 件<br />
$200–400<br />
636<br />
Two Chinese Sung style bowls<br />
one with incised decoration<br />
to the interior<br />
the largest 17cm diameter<br />
$400–600<br />
637<br />
A carved russet and celadon<br />
jade brush rest<br />
in the form of a rocky outcrop<br />
4cm high, 11cm wide<br />
$400–600<br />
638<br />
A pair of Japanese wood block prints<br />
$200–300<br />
639<br />
A jade carving of a boy and a puppy,<br />
possibly Ming<br />
3.5cm high<br />
約 明 代 小 型 男 孩 與 犬 玉 雕 一 件<br />
$600–800<br />
640<br />
A large celadon jade carving of a vase<br />
decorated with entwined foliage and<br />
lotus flowers, raised on a wooden stand<br />
22cm high<br />
翠 玉 雕 刻 一 件<br />
$1,000–1,500<br />
641<br />
A small blue and white beehive<br />
form brush washer<br />
painted with landscape scenes<br />
6cm high<br />
小 件 藍 白 瓷 筆 洗<br />
$200–300<br />
631
126<br />
542<br />
642<br />
A russett and celadon jade<br />
carving, 20th century<br />
carved as a crouching qilin on a rock<br />
6.5cm wide, 5.5cm deep<br />
$400–600<br />
643<br />
A Chinese carved boxwood<br />
Ruyi Sceptre, 19th century<br />
finely pierced and carved with<br />
dragons, phoenix and deer<br />
32cm high<br />
十 九 世 紀 黃 楊 木 雕 刻 如 意 杖<br />
$300–500<br />
644<br />
An 18 carat gold mounted<br />
spinach jade pendant<br />
6cm high<br />
18K 金 碧 玉 吊 墜<br />
$300–500<br />
645<br />
A Japanese Imari charger<br />
46cm diameter<br />
伊 萬 里 燒 大 碟<br />
$150–250<br />
646<br />
A Chinese bone mounted bamboo<br />
opium pipe, late 19th century<br />
47cm long<br />
$300–500<br />
648<br />
A Chinese fish bowl on stand<br />
43cm high, 39cm diameter<br />
$200–300<br />
649<br />
A Chinese carved ivory cribbage<br />
board, late 19th century<br />
the board mount decorated<br />
with a writhing dragon<br />
19cm long, 4cm wide<br />
$150–250 ♦<br />
650<br />
A Japanese four fold screen,<br />
late Meiji Period<br />
each panel 164 x 62cm<br />
明 治 時 期 山 水 屏 風<br />
$800–1,200<br />
651<br />
A Japanese carved bamboo walking<br />
stick, first half 20th century<br />
87cm high<br />
$200–300<br />
652<br />
A Spode Imari trio, 19th century<br />
inscribed to base: spode and<br />
number 2213 in red<br />
PROVENANCE<br />
<strong>The</strong> Howard collection, Leonard<br />
Joel, Sydney Arnold and Co.<br />
$120–150<br />
647<br />
An Anglo-Indian horn mounted<br />
Amboyna covered urn, 19th century<br />
27.5cm high<br />
$300–500<br />
643
127<br />
653<br />
653<br />
A Chinese jade handle magnifying<br />
glass, 19th century<br />
the handle formed from<br />
a white jade belt hook<br />
19.5cm long<br />
十 九 世 紀 玉 製 手 把 放 大 鏡<br />
$600–800<br />
654<br />
A Japanese carved wood and<br />
horsehair Noh mask of Tengu<br />
on a wooden stand<br />
30cm high<br />
日 本 能 面 - 天 狗 含 底 座<br />
$200–300<br />
655<br />
A Chinese cafe au lait tea bowl<br />
5cm high<br />
$100–200<br />
656<br />
A Chinese archaic style<br />
hardstone bi-disc<br />
12cm diameter<br />
玉 璧<br />
$200–400<br />
657<br />
A Chinese blue and white covered<br />
bowl, late 19th century<br />
10cm high<br />
$800–1,200<br />
654
128<br />
662<br />
A pair of Chinese crackle glaze<br />
lobe form bowls, 20th century<br />
7.5cm high, 12cm diameter (each)<br />
二 十 世 紀 裂 紋 釉 碗 一 對<br />
$500–800<br />
658<br />
A polychrome enamel bowl,<br />
Qianlong mark, Republic period<br />
the exterior decorated with floral<br />
roundels on a honeycomb pink ground<br />
with Chinese vase decoration<br />
15cm diameter<br />
民 國 時 期 乾 隆 款 粉 彩 花 紋 碗 一 只<br />
$400–600<br />
659<br />
A small Chinese famille rose mille<br />
fleurs porcelain box, Republic period<br />
7.5cm diameter<br />
民 國 小 件 粉 彩 玫 瑰 瓷 盒<br />
$600–800<br />
658<br />
660<br />
A Longquan celadon glazed<br />
dish, late Ming Dynasty<br />
with central foliate incised decoration<br />
and deep ribs to the cavetto<br />
32.5cm diameter<br />
晚 明 龍 泉 瓷 碟 一 件<br />
$1,600–2,400<br />
661<br />
A large famille rose bowl, 20th century<br />
14cm high, 42cm diameter<br />
20 世 紀 人 物 繪 粉 彩 碗 一 只<br />
$250–350<br />
663<br />
A pair of covered bowls, Republic period<br />
each decorated with a female<br />
figure collecting flowers<br />
11cm diameter, 8.5cm high<br />
民 國 時 期 採 花 姑 娘 茶 碗 一 對 ( 有 蓋 )<br />
$300–500<br />
664<br />
A pair of pale celadon glazed bowls,<br />
probably Sung/Yuan Period<br />
each of lobed circular form<br />
with an unglazed rim<br />
6.5cm high<br />
約 宋 / 元 代 白 瓷 碗 一 對<br />
$500–800<br />
665<br />
A Chinese red painted covered pail<br />
43cm high<br />
紅 漆 提 籃 一 件 有 蓋<br />
$160–240<br />
666<br />
A celadon crackle glaze<br />
footed bowl, 19th century<br />
of shallow circular form, the fluted<br />
body raised on three squat feet<br />
19cm diameter<br />
十 九 世 紀 低 足 裂 紋 釉 碗<br />
$300–500<br />
667<br />
A pair of Ding-style incised<br />
earthenware bowls<br />
of circular form with an unglazed rim,<br />
the interior decorated with floral scrolls<br />
6cm high, 18.5cm diameter (each)<br />
陶 碗 一 對<br />
$900–1,200<br />
659
129<br />
668<br />
A pair of Chinese polychrome<br />
enamelled pierced vases<br />
28cm high<br />
搪 瓷 簍 雕 花 瓶 一 對<br />
$1,000–1,500<br />
669<br />
An unusual sea green crackle glaze<br />
bowl, possibly Sung/Yuan Dynasty<br />
of lobed circular form with a slightly<br />
flared rim, darkened crackling<br />
to the glaze throughout<br />
6cm high, 18.5cm diameter<br />
宋 / 元 代 罕 見 淡 綠 色 裂 紋 釉 碗<br />
$400–600<br />
670<br />
A pale green twin fish bowl,<br />
possibly Sung/Yuan Dynasty<br />
of circular form with an unglazed rim,<br />
the base with two fish swimming<br />
in opposite directions<br />
6cm high, 17.5cm diameter<br />
宋 / 元 時 期 淡 綠 雙 魚 碗 一 件<br />
$500–800<br />
673<br />
An under glazed blue and<br />
red porcelain stem cup<br />
of circular form with flared rim and<br />
foot, the exterior decorated with<br />
fish swimming through lotus, the<br />
interior painted with two goldfish,<br />
the base with an apocryphal under<br />
glazed blue Qianlong mark<br />
10cm high, 12cm diameter<br />
乾 隆 款 游 魚 與 蓮 花 酒 杯 一 只<br />
$80–160<br />
674<br />
A collection of five Chinese<br />
and Annamese blue and white<br />
porcelain bowls and vessels,<br />
Ming Dynasty and later<br />
the largest bowl 16.5cm diameter,<br />
the wine pot 14cm high<br />
明 代 或 更 晚 來 自 中 國 與 安<br />
南 碗 碟 與 小 壺 五 件<br />
$250–350<br />
675<br />
A small Japanese porcelain fan<br />
form box, late Meiji Period<br />
the interior decorated with butterflies<br />
12cm wide<br />
明 治 時 代 晚 期 瓷 製 扇 型 盒 子 一 件<br />
$40–80<br />
676<br />
A Chinese glazed pottery figure of a<br />
female Courtier and a white glazed<br />
earthenware ox, Tang Dynasty<br />
figure of lady 13cm high,<br />
the ox 10.5cm high<br />
PROVENANCE<br />
<strong>The</strong> collection of<br />
Dr John Kenny, Melbourne<br />
唐 代 陶 女 官 與 水 牛 一 對<br />
墨 爾 本 Dr John Kenny 私 人 藏 品<br />
$300–500<br />
671<br />
A pale celadon glazed vase,<br />
20th century<br />
the baluster form with a flared<br />
rim decorated with phoenix flying<br />
amongst clouds, ruyi borders<br />
23.5cm high<br />
二 十 世 紀 淺 色 青 瓷 花 瓶 一 件<br />
$150–250<br />
672<br />
A blue and white porcelain inkstone,<br />
late 19th century<br />
the inkstone of circular form<br />
decorated with panels of figures<br />
the inkstone 12cm diameter<br />
十 九 世 紀 晚 期 藍 白 瓷 硯 一 件<br />
$300–500<br />
668
130<br />
677<br />
A small Chinese polychrome<br />
celadon glaze pumpkin form vase<br />
decorated with insects and flowers<br />
9cm high<br />
小 件 南 瓜 瓷 瓶 飾 有 蝴 蝶 與 花 朵<br />
$300–500<br />
678<br />
A pair of large Japanese blue and<br />
white chargers, late 19th century<br />
each decorated with a central panel of<br />
birds and prunus within a fretted border<br />
together with a Japanese blue and<br />
white blossom decorated charger<br />
the pair 43cm diameter<br />
十 九 世 紀 晚 期 日 式 藍 白 主 盤 一 對<br />
$250–350<br />
679<br />
A Japanese bronze vase, Meiji Period<br />
with a slender fluted neck and<br />
applied grasshopper, engraved<br />
signature to the base<br />
25cm high<br />
明 治 時 期 長 頸 銅 花 瓶 飾 有 蚱 蜢<br />
$300–500 680<br />
A Chinese scroll painting<br />
Bird on a flowering branch<br />
watercolour<br />
signed and inscribed upper left:<br />
Loo Ming Jan<br />
77 x 33cm<br />
茗 真 水 彩 捲 軸 秋 水 為 神 玉 為 骨<br />
$300–500<br />
685<br />
681<br />
Two Chinese blue and white saucer<br />
dishes, 18th century and later<br />
the largest dish 15.5cm diameter<br />
十 八 世 紀 晚 期 藍 白 小 碟 一 對<br />
$300–500<br />
682<br />
A pair of Chinese export glazed pottery<br />
figures of storks, 19th century<br />
each in tones of green,<br />
yellow, white and brown<br />
28cm high<br />
十 九 世 紀 出 口 自 中 國 的 陶 製 鸛 鳥 一 對<br />
$1,500–2,500<br />
683<br />
A pair of Chinese sang de bouef vases<br />
the tallest 40cm high<br />
血 紅 色 中 式 花 瓶 一 對<br />
$300–500<br />
684<br />
A matched pair of Chinese<br />
sang de beouf lidded urns<br />
24cm high<br />
血 紅 瓮 一 對<br />
$300–500<br />
677
131<br />
695<br />
685<br />
685<br />
A Chinese export ‘pseudo tobacco leaf’<br />
porcelain tureen and cover<br />
with platter, circa 1775<br />
of chamfered octagonal form with a<br />
tobacco leaf variant pattern in colourful<br />
enamels showing cut fruit against<br />
curling, leafy tendrils and blossoms<br />
the platter 33.5cm<br />
$600–800<br />
686<br />
An unusual coral glazed dragon<br />
plate, bearing signature for Wang<br />
Bingrong, late Qing Dynasty<br />
the heavily potted plate relief moulded<br />
with two dragons chasing a flaming<br />
pearl, impressed seal mark to base,<br />
raised on a well carved wooden stand<br />
27cm diameter<br />
晚 清 王 炳 榮 罕 見 珊 瑚 飾 龍 紋 盤 有 底 座<br />
$250–350<br />
687<br />
A matched pair of Chinese<br />
sang de beouf lidded urns<br />
the tallest 25cm high<br />
血 紅 瓮 一 對<br />
$300–500<br />
688<br />
A Japanese elm Kyodai vanity<br />
130cm high<br />
$150–250<br />
689<br />
Two Chinese enamelled ‘fu shou’<br />
bowls, Guangxu six-character iron-red<br />
mark, and probably of the period<br />
each painted around the body with<br />
five medallions with a stylised ‘shou’<br />
character, the medallions each outlined<br />
by a pair of green enamel bats, all<br />
between two decorative borders<br />
15cm diameter (each)<br />
PROVENANCE<br />
Bonhams, Fine Furniture, Decorative<br />
Arts and Asian Art, Sydney, 25-<br />
27 November 2013, Lot 132<br />
清 光 緒 福 壽 對 碗 含 底 座<br />
源 流 : 2013 悉 尼 Bonhams<br />
Fine Furniture, Decorative Arts<br />
and Asian Art 拍 品 132<br />
$1,200–2,000<br />
690<br />
A small Korean elm scholar’s<br />
chest, 19th century<br />
36cm high, 90cm wide, 31cm deep<br />
$200–300<br />
691<br />
A marbled ground porcelain wall<br />
vase, by Liu Yu Cheng (1904-1969)<br />
of compressed circular form with<br />
three slender cylindrical necks,<br />
decorated to each side with a<br />
central panel of flowers, birds<br />
and insects, signed in image<br />
15.5cm high<br />
仿 大 理 石 彩 繪 花 瓶 民 初 瓷 版 畫 名 家<br />
劉 雨 岑 (1904 -1069) 雙 面 彩 繪<br />
$400–600<br />
692<br />
A large gilded mazarin blue lobed vase<br />
of lobed baluster form with a flared<br />
rim painted with a scene of shi-shi<br />
playing with a ball, turquoise glazed<br />
interior and foot, the base inscribed<br />
in iron-red with an apocryphal sixcharacter<br />
Qianlong seal mark<br />
33cm high<br />
乾 隆 款 寶 藍 球 形 瓶 一 只<br />
$800–1,200<br />
693<br />
A Chinese cloisonné snuff bottle<br />
6.5cm high<br />
景 泰 藍 鼻 煙 壺 一 只<br />
$60–100
132<br />
694<br />
694<br />
A Chinese rug fragment, reputedly<br />
from the Imperial Palace, Beijing<br />
woven with roundels enclosing qilin<br />
on a yellow ground with flaming<br />
pearls and a lotus decorated border<br />
162 x 78cm<br />
$500–800<br />
695<br />
A large Chinese export<br />
‘pseudo tobacco leaf’ porcelain<br />
serving dish, circa 1775<br />
of deep chamfered octagonal<br />
form with a tobacco leaf variant<br />
pattern in colourful enamels<br />
showing cut fruit against curling,<br />
leafy tendrils and blossoms<br />
the platter 38cm wide<br />
$1,000–1,500<br />
696<br />
A finely carved Indian ivory statue,<br />
19th century<br />
possibly Vishnu holding a sickle<br />
and flames in two of his four arms<br />
mounted on wooden pedestal<br />
22cm high not including pedestal<br />
$400–600 ♦<br />
697<br />
Two carved Chinese soapstone figures<br />
on carved bases, 19th century<br />
one depicting sanxing deities<br />
fu, lu and shou the other a<br />
figure of a man and child<br />
tallest 21 high 17cm wide<br />
十 九 世 紀 福 祿 壽 皂 石 雕<br />
$200–300<br />
698<br />
A pair of European style Chinese<br />
lotus shoes, 19th century<br />
brown leather with heel<br />
14cm long<br />
$200–300<br />
699<br />
A Chinese export saucer dish,<br />
18th century<br />
decorated with figures in a landscape<br />
12cm diameter<br />
PROVENANCE<br />
Mary Wise, Grosvenor<br />
Antiques Ltd, London<br />
$100–200
133<br />
702<br />
A large Chinese yellow ground<br />
porcelain ginger jar and cover<br />
decorated throughout with<br />
mythical creatures among<br />
clouds and flaming pearls<br />
44.5cm high<br />
PROVENANCE<br />
<strong>The</strong> Collection of the late Ross<br />
Gordon (2002) with an earlier<br />
collection number to the base.<br />
神 獸 薑 黃 瓷 罐<br />
源 流 : Ross Gordon 私 人 藏 品<br />
$1,200–1,800<br />
703<br />
A Chinese export porcelain cup<br />
and saucer, 19th century<br />
hand painted with flora and<br />
fauna with gilt rim<br />
saucer 14.5cm diameter<br />
$50–100<br />
704<br />
A Chinese blue and purple<br />
splashed Jun ware bowl<br />
12cm diameter<br />
鈞 窯 窯 變 丁 香 紫 廣 口 碗 一 件<br />
$600–800<br />
700<br />
A small Japanese carved ivory<br />
okimono and a wood netsuke,<br />
Meiji period and later<br />
carved as a figure od ashinga standing<br />
on a circular carved box decorated<br />
with dragons: the wood netsuke<br />
carved as a mouse, dated 1993<br />
the figure 10cm high<br />
$200–300 ♦<br />
701<br />
Three small cloisonne salts and a<br />
lidded shaker<br />
decorated with dragons, blooming<br />
peonies to base of three salts<br />
the salts 2.5cm high, 4cm diameter<br />
明 治 時 期 景 泰 藍 小 型 椒 鹽 碟 和 罐 三 件<br />
$150–250<br />
702
134<br />
705<br />
DING YANYONG (1902-1978)<br />
T’ING Yin-Yung - 丁 衍 庸 -<br />
TING Yin-Yung<br />
Crane and Flower<br />
ink/colour on paper (framed)<br />
signed and inscribed<br />
69 x 45cm<br />
PROVENANCE<br />
East West Art, Melbourne<br />
Private collection, Melbourne<br />
傳 丁 衍 庸 白 鶴 高 飛 正 待 時<br />
白 鶴 高 飛 正 待 時 , 一 飛 沖 天 未 嫌 遲 ;<br />
他 年 相 許 雲 中 見 , 悟 到 禪 時 便 是 詩<br />
源 流 : 墨 爾 本 東 西 畫 廊<br />
墨 爾 本 私 人 藏 品<br />
$3,000–5,000<br />
706<br />
A gilt bronze figure of buddha<br />
the figure with serene expression<br />
and seated in dhayanasana<br />
raised on lotus throne<br />
34.5cm high<br />
銅 鍍 菩 薩 一 尊<br />
$600–800<br />
707<br />
A large Chinese bronze censer,<br />
circa 1930<br />
of circular form with a relief moulded<br />
frieze decoration of mythical animals<br />
amongst foliage raised on three<br />
boldly cast Tao-Tieh mask feet<br />
37cm high, 32cm diameter<br />
大 型 銅 製 香 爐 1930 年<br />
$1,200–2,000<br />
705<br />
708<br />
A pale celadon oval dish carved<br />
with a Qilin, late Qing dynasty<br />
10cm long<br />
晚 清 麒 麟 瓷 碗 一 件<br />
$600–800<br />
709<br />
A pair of Chinese black<br />
ground cloisonné vases<br />
each decorated with a writhing dragon<br />
18cm high<br />
龍 紋 景 泰 藍 花 瓶 一 對<br />
$600–800
135<br />
710<br />
A crackled celadon glaze bottle vase<br />
17cm high<br />
裂 紋 釉 象 牙 白 花 瓶 一 件<br />
$500–800<br />
711<br />
A Chinese celadon vase<br />
the tapering neck with<br />
applied lug handles<br />
29cm high<br />
青 瓷 雙 耳 花 瓶<br />
$200–300<br />
712<br />
A framed Chinese embroidery panel,<br />
circa 1920<br />
within an ornate carved giltwood frame<br />
the panel 45 x 32cm,<br />
the frame 85 x 68cm<br />
1920 年 鴛 鴦 刺 繡<br />
$250–350<br />
713<br />
A collection of twenty one Sotheby’s<br />
International Asian Works of Art<br />
and Paintings catalogues<br />
蘇 富 比 亞 洲 藝 品 拍 賣 目 錄 21 件<br />
$150–250<br />
716<br />
Two Sotheby’s Asian works<br />
of art catalogues<br />
<strong>The</strong> Maiyintang Collection, Part II,<br />
An Important Selection of<br />
Imperial Chinese Porcelains,<br />
Hong Kong, 5 October 2011<br />
and Chinese Art Through the<br />
Eye of Sakamoto Goro, Lacquer,<br />
Hong Kong, 8 October 2013<br />
$100–200<br />
717<br />
Three ivory figure netsuke, 19th century<br />
comprising one of Sarumawashi lying<br />
down with smiling expression and<br />
monkey on his back, signed Yoshimasa;<br />
another of a sennin standing holding<br />
the ribbobs of a large hat on his back;<br />
and another of Ebisu on a Fugu fish<br />
the largest 5.5cm<br />
PROVENANCE<br />
Sotheby’s Australia, Melbourne,<br />
5 April 2011, lot 258<br />
十 九 世 紀 象 牙 雕 根 付 - 人 像 三 件<br />
$600–800 ♦<br />
718<br />
A Chinese lavender jade bangle<br />
7cm diameter<br />
淡 紫 色 玉 環<br />
$100–200<br />
719<br />
A Chinese archaic jade axe head<br />
12.5cm high, 18cm wide<br />
玉 斧 頭<br />
$100–200<br />
720<br />
No lot<br />
714<br />
A large Chinese blue and white<br />
decorated vase, 20th century<br />
decorated with a deer in a<br />
wooded landscape<br />
58cm high<br />
二 十 世 紀 青 花 長 瓶<br />
$500–800<br />
715<br />
A Chinese pale celadon<br />
carved jade pendant<br />
of oval form decorated with<br />
figures and calligraphy<br />
5.5cm high, 4cm wide<br />
玉 雕 牌<br />
$500–800<br />
710<br />
711
136<br />
721<br />
A group of four Sung style bowls<br />
each with a cream glaze relief<br />
decorated with twin fish to the interior<br />
the largest 17cm diameter<br />
宋 代 風 格 魚 飾 淺 碟 四 件<br />
$600–800<br />
722<br />
A Chinese carved Hongmu brush pot<br />
15cm high, 13.5cm diameter<br />
紅 木 筆 洗<br />
$500–800<br />
723<br />
A Chinese tea caddy<br />
18cm high, 12cm wide, 7cm deep<br />
茶 葉 罐<br />
$250–350<br />
724<br />
A Japanese bronze figure of a<br />
scholar and a duck, 19th century<br />
37cm high, 19cm wide, 18cm diameter<br />
十 九 世 紀 日 式 書 生 與 鵝 銅 像<br />
$300–500<br />
725<br />
A Japanese bronze vase, Meiji period<br />
52cm high<br />
明 治 時 期 日 本 銅 瓶<br />
$150–250<br />
726<br />
A Ming bronze figure of an official,<br />
probably early 17th century<br />
the seated figure with clasped hands,<br />
traces of lacquer and gilding<br />
15cm high<br />
約 十 七 世 紀 早 期 明 代 官 員 銅 像<br />
$1,500–2,500<br />
727<br />
A Chinese underglaze blue<br />
and enamel vase, in the Kangxi<br />
style, possibly 19th century<br />
decorated with a continuous<br />
scene of figure and a phoenix<br />
in a trellised garden setting<br />
21cm high<br />
約 十 九 世 紀 康 熙 款 珐 琅 藍 釉 瓶<br />
$500–700<br />
728<br />
A Ming bronze figure of a seated<br />
deity, possibly 17th century<br />
the figure seated in the lotus<br />
position with hands in abhaya mudra,<br />
traces of lacquer and gilding<br />
23cm high<br />
約 十 七 世 紀 銅 製 神 座<br />
$1,200–1,500<br />
729<br />
A pair of Chinese export porcelain<br />
vases, Hsien Feng mark, 20th century<br />
of tapering fluted form decorated<br />
with peony and leafy foliage<br />
28cm high (each)<br />
二 十 世 紀 咸 豐 款 瓷 瓶 一 對<br />
$300–500<br />
730<br />
A Longquan celadon peony vase,<br />
possibly 14th century<br />
of baluster form with a stepped<br />
foot, the body decorated with<br />
shaped cartouches enclosing<br />
scrolling peony within lappet<br />
borders, rising to a scalloped<br />
everted rim, soft grey green glaze<br />
23cm high<br />
約 十 四 世 紀 龍 泉 牡 丹 花 瓶<br />
$1,000–1,500<br />
731<br />
A pair of Chinese Han style<br />
green glazed ceremonial<br />
miniature tomb ornaments<br />
19cm high, 14cm wide, 6.5cm<br />
漢 代 風 格 小 型 綠 釉 飾 品 一 對<br />
$300–500<br />
732<br />
A black glazed earthenware<br />
Oribe sake jug and bowl<br />
in wood packing case<br />
the jug 11cm high<br />
陶 燒 清 酒 壺 與 碗 一 組<br />
$200–300<br />
733<br />
A Chinese blue glazed bottle vase and<br />
a large celadon glaze covered jar<br />
the vase 32cm high, the<br />
covered jar 25cm high<br />
湖 水 綠 欄 杆 花 瓶 與 有 蓋 瓷 罐 一 組<br />
$150–250<br />
721
137<br />
734<br />
A Chinese scroll painting of a quail<br />
signed 33 x 25cm,<br />
156.5 x 40cm (overall)<br />
勞 勞 鷓 鴣 聲 , 誰 能 無 遠 道 . 遠<br />
道 弗 能 無 , 請 君 聽 鷓 鴣<br />
$150–250<br />
735<br />
A Chinese carved horn ornament,<br />
probably late 19th / early 20th century<br />
6cm high, 12cm wide, 9cm deep<br />
十 九 世 紀 晚 期 / 二 十 世 紀 早 期 犄 角 雕 刻<br />
$400–600 ♦<br />
736<br />
A carved russet and celadon<br />
jade finger citron<br />
7cm long<br />
小 型 玉 雕 佛 手 柑<br />
$400–600<br />
737<br />
A russet jade carving<br />
in the form of a reclining deity<br />
with a fish<br />
7.5cm long<br />
小 型 玉 雕 彌 勒 佛 與 魚<br />
$400–600<br />
738<br />
A carved celadon jade snuff bottle<br />
of compressed ovoid form<br />
decorated to one side with<br />
calligraphy, red stone stopper<br />
7.5cm high<br />
玉 製 雲 紋 鼻 煙 壺 一 只<br />
$200–300<br />
739<br />
A carved celadon jade snuff bottle<br />
of tapering form decorated to one<br />
side with a dragon and a lotus<br />
7.5cm high<br />
玉 製 雲 紋 鼻 煙 壺 一 只<br />
$200–300<br />
740<br />
A large carved celadon jade bi disc,<br />
in the archaic style<br />
centred by a pierced and carved dragon<br />
16cm diameter<br />
大 型 麒 麟 玉 雕 牌<br />
$800–1,200<br />
741<br />
A pair of Chinese rosewood and<br />
elm scholars chairs, 20th century<br />
二 十 世 紀 花 梨 木 扶 手 椅 一 對<br />
$500–800<br />
742<br />
A Chinese red lacquer cabinet<br />
with substantial brass lock<br />
plates and handles<br />
110cm high, 62cm wide, 177cm deep<br />
大 型 紅 漆 櫃<br />
$250–350<br />
743<br />
A pair of Chinese red glazed<br />
tea bowls, dated 1962<br />
4cm high<br />
紅 漆 茶 碗 一 對 1962 年 款<br />
$100–200<br />
End of Sale
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140<br />
Terms & Conditions of Sale<br />
<strong>The</strong> terms and conditions of sale listed here contain<br />
the policies of Gibson’s <strong>Auction</strong>eers & Valuers<br />
Pty Ltd. <strong>The</strong>y are the terms on which Gibson’s<br />
<strong>Auction</strong>eers & Valuers Pty Ltd and the Seller contract<br />
with the Buyer. <strong>The</strong>y may be amended by printed<br />
Saleroom Notices or oral announcements made<br />
before and during the sale. By bidding at auction you<br />
agree to be bound by these terms.<br />
1. Background to the Terms used in<br />
these Conditions<br />
<strong>The</strong> conditions that are listed below contain terms<br />
that are used regularly and may need explanation.<br />
<strong>The</strong>y are as follows:<br />
“the Buyer” means the person with the highest bid<br />
accepted by the <strong>Auction</strong>eer<br />
“the Lot” means any item depicted within the sale for<br />
auction and in particular the item or items described<br />
against any lot number in the catalogue.<br />
“the Hammer price” means the amount of the highest<br />
bid accepted by the auctioneer in relation to a lot<br />
“the Buyers Premium” means the charge payable by<br />
the Buyer to the auction house as a percentage of<br />
the hammer price.<br />
“the Reserve” means the lowest amount at which<br />
Gibson’s <strong>Auction</strong>eers & Valuers has agreed with the<br />
Seller that the lot can be sold.<br />
“Forgery” means an item constituting an imitation<br />
originally conceived and executed as a whole, with<br />
a fraudulent intention to deceive as to authorship,<br />
origin, age, period, culture or source, where the<br />
correct description as to such matters is not<br />
reflected by the description in the catalogue.<br />
Accordingly no lot shall be capable of being a forgery<br />
by reason of any damage or restoration work of any<br />
kind (Including re-painting).<br />
“the insured value” means the amount that Gibson’s<br />
<strong>Auction</strong>eers & Valuers in its absolute discretion<br />
from time to time shall consider the value for which<br />
a lot should be covered for insurance (whether or<br />
not insurance is arranged by Gibson’s <strong>Auction</strong>eers<br />
& Valuers.)<br />
All values expressed in Gibson’s <strong>Auction</strong>eers &<br />
Valuers Pty Ltd catalogues (in any format) are in<br />
Australian Dollars (AU$). All bids, “hammer price”,<br />
“reserves”, “Buyers Premium” and other expressions<br />
of value are understood by all parties to be in<br />
Australian Dollars (AU$) unless otherwise specified.<br />
2. Gibson’s <strong>Auction</strong>eers & Valuers<br />
<strong>Auction</strong>s as Agent<br />
Except as otherwise stated Gibson’s <strong>Auction</strong>eers &<br />
Valuers Pty Ltd acts as agent for the Seller.<br />
<strong>The</strong> contract for the sale of the property is therefore<br />
made between the Seller and the Buyer.<br />
3. Before the Sale<br />
A) EXAMINATION OF PROPERTY<br />
Prospective Buyers are strongly advised to examine<br />
in person any property in which they are interested<br />
before the <strong>Auction</strong> takes place. Neither Gibson’s<br />
<strong>Auction</strong>eers & Valuers nor the Seller provides any<br />
guarantee in relation to the nature of the property<br />
apart from the Limited warranty in the paragraph<br />
below.<br />
<strong>The</strong> property is otherwise sold “AS IS”<br />
B) CATALOGUE AND OTHER DESCRIPTIONS<br />
All statements by Gibson’s <strong>Auction</strong>eers & Valuers<br />
in the catalogue entry for the property or in the<br />
condition report, or made orally or in writing<br />
elsewhere, are statements of opinion and are not<br />
to be relied upon as statements of fact. Such<br />
statements do not constitute a representation,<br />
warranty or assumption of liability by Gibson’s<br />
<strong>Auction</strong>eers & Valuers of any kind. References in the<br />
catalogue entry to the condition report to damage<br />
or restoration are for guidance only and should be<br />
evaluated by personal inspection by the bidder or<br />
a knowledgeable representative. <strong>The</strong> absence of<br />
such a reference does not imply that an item is free<br />
from defects or restoration, nor does a reference to<br />
particular defects imply the absence of any others.<br />
Estimates of the selling price should not be relied<br />
on as a statement that this is the price at which<br />
the item will sell or it’s value for any other purpose.<br />
Neither Gibson’s <strong>Auction</strong>eers & Valuers nor <strong>The</strong><br />
Seller is responsible for any errors or omissions in the<br />
catalogue or any supplemental material.<br />
Images are measured height by width (sight size).<br />
Illustrations are provided only as a guide and should<br />
not be relied upon as a true representation of colour<br />
or condition. Images are not shown at a standard<br />
scale. Mention is rarely made of frames (which may be<br />
provided as supplementary images on the website)<br />
which do not form part of the lot as described in the<br />
printed catalogue.<br />
Foreign buyers should note that all transactions<br />
are in Australian dollars (AU$)so there may be a<br />
small exchange rate risk. <strong>The</strong> costs associated<br />
with acquiring a good certificate will be carried by<br />
the purchaser. If the item turns out to be forged or<br />
otherwise incorrectly described, all reasonable costs<br />
will be borne by the vendor.<br />
C) BUYERS RESPONSIBILITY<br />
All property is sold “as is” without representation<br />
or warranty of any kind by Gibson’s <strong>Auction</strong>eers<br />
& Valuers or the Seller. Buyers are responsible for<br />
satisfying themselves concerning the condition<br />
of the property and the matters referred to in the<br />
catalogue by requesting a condition report<br />
4. At the Sale<br />
A) REFUSAL OF ADMISSION<br />
Gibson’s <strong>Auction</strong>eers & Valuers reserves the right at<br />
our complete discretion to refuse admission to the<br />
auction premises or participation in any auction and<br />
to reject any bid.<br />
B) REGISTRATION BEFORE BIDDING<br />
Any prospective new buyer must complete and sign<br />
a registration form and provide photo-identification<br />
before bidding. Gibson’s <strong>Auction</strong>eers & Valuers may<br />
request bank, trade or other financial references to<br />
substantiate this registration.<br />
C) BIDDING AS A PRINCIPAL<br />
When making a bid, a bidder is accepting personal<br />
liability to pay the purchase price including the<br />
buyers premium and all applicable taxes, plus all<br />
other applicable charges, unless it has been explicitly<br />
agreed in writing with Gibson’s <strong>Auction</strong>eers & Valuers<br />
before the commencement of the sale that the<br />
bidder is acting as agent on behalf of an identified<br />
third party acceptable to Gibson’s <strong>Auction</strong>eers &<br />
Valuers and that Gibson’s <strong>Auction</strong>eers & Valuers will<br />
only look to the principal for payment.<br />
D) INTERNATIONAL REGISTRATIONS<br />
All International clients not known to Gibson’s<br />
<strong>Auction</strong>eers & Valuers will be required to scan or fax<br />
through an accredited form of photo identification<br />
and pay a deposit at our discretion in cleared funds<br />
into Gibson’s <strong>Auction</strong>eers & Valuers’ account at least<br />
48 hours before the commencement of the auction.<br />
Bids will not be accepted without this deposit.<br />
Gibson’s <strong>Auction</strong>eers & Valuers also reserves the<br />
right to request any additional forms of identification<br />
prior to registering an overseas bid.<br />
This deposit can be made using a credit card,<br />
however the balance of any purchase price in excess<br />
of $5,000 can not be charged to this card without<br />
prior arrangement. This deposit is redeemable<br />
against any auction purchase.<br />
E) ABSENTEE BIDS<br />
Gibson’s <strong>Auction</strong>eers & Valuers will use reasonable<br />
efforts to execute written bids delivered to us AT<br />
LEAST 24 Hours before the sale for the convenience<br />
of those clients who are unable to attend the auction<br />
in person. If we receive identical written bids on a<br />
particular lot, and at the auction these are the highest<br />
bids on that lot, then the lot will be sold to the person<br />
whose written bid was received and accepted first.<br />
Execution of written bids is a free service undertaken<br />
subject to other commitments at the time of the sale<br />
and we do not accept liability for failing to execute<br />
a written bid or for errors or omissions which may<br />
arise. It is the bidder’s responsibility to check with<br />
Gibson’s <strong>Auction</strong>eers & Valuers after the auction if<br />
they were successful. Unlimited or “Buy” bids will not<br />
be accepted. Please refer to our indicative bidding<br />
increments below for appropriate absentee bid<br />
amounts (Section K).<br />
F) TELEPHONE BIDS<br />
Priority will be given to overseas and interstate<br />
bidders. Arrangements for this service must be<br />
confirmed AT LEAST 24 HOURS PRIOR to the auction<br />
commencing. Gibson’s <strong>Auction</strong>eers & Valuers<br />
accepts no responsibility whatsoever for any errors<br />
or failure to execute bids. In telephone bidding the<br />
buyer agrees to be bound by all terms and conditions<br />
listed here and accepts that Gibson’s <strong>Auction</strong>eers<br />
& Valuers cannot be held responsible for any<br />
mis-communications in the process. <strong>The</strong> success<br />
of telephone bidding cannot be guaranteed due to<br />
circumstances that are unforeseen. Buyers should<br />
be aware of the risk and accept the consequences<br />
should contact be unsuccessful at the time of<br />
<strong>Auction</strong>. You must advise Gibson’s <strong>Auction</strong>eers &<br />
Valuers of the lots in question and recommend a<br />
‘Cover Bid’ amount should there be any issues with<br />
technology or communication via the telephone<br />
number provided. Gibson’s <strong>Auction</strong>eers & Valuers<br />
will advise Telephone Bidders who have registered<br />
at least 24 hours before the auction of any relevant<br />
changes to descriptions, withdrawals or any other<br />
sale room notices.<br />
G) ONLINE BIDDING<br />
Gibson’s <strong>Auction</strong>eers & Valuers accepts no<br />
responsibility for any errors, failure to execute bids or<br />
any other miscommunications regarding this process.<br />
It is the online bidder’s responsibility to ensure the<br />
accuracy of the relevant information regarding bids,<br />
lot numbers and contact details.<br />
H) RESERVES<br />
Unless otherwise indicated, all lots are offered subject<br />
to a reserve, which is the confidential minimum price<br />
below which the Lot will not be sold. <strong>The</strong> reserve will<br />
not exceed the low estimate printed in the catalogue.<br />
<strong>The</strong> auctioneer may open the bidding on any Lot<br />
below the reserve by placing a bid on behalf of the<br />
Seller. <strong>The</strong> auctioneer may continue to bid on behalf<br />
of seller up to the amount of the reserve, either<br />
by placing consecutive bids or by placing bids in<br />
response to other bidders.<br />
I) AUCTIONEERS DISCRETION<br />
<strong>The</strong> <strong>Auction</strong>eer has the right at his absolute and sole<br />
discretion to refuse any bid, to advance the bidding<br />
in such a manner as he may decide, to withdraw or<br />
divide any lot, to combine any two or more lots and,<br />
in the case or error or dispute and whether during or
141<br />
after the sale, to determine the successful bidder, to<br />
continue the bidding, to cancel the sale or to reoffer<br />
and resell the item in dispute. If any dispute arises<br />
after the sale, then Gibson’s <strong>Auction</strong>eers & Valuers’s<br />
sale record is conclusive.<br />
J) SUCCESSFUL BID AND PASSING OF RISK<br />
Subject to the auctioneer’s discretion, the highest<br />
bidder accepted by the auctioneer will be the buyer<br />
and the striking of his hammer marks the acceptance<br />
of the highest bid and the conclusion of a contract<br />
for sale between the Seller and the Buyer. Risk and<br />
responsibility for the lot (including frames or glass<br />
where relevant) passes immediately to the Buyer.<br />
K) INDICATIVE BIDDING STEPS, ETC.<br />
Gibson’s <strong>Auction</strong>eers & Valuers reserves the right to<br />
refuse any bid, withdraw any lot from sale, to place<br />
a reserve on any lot and to advance the bidding<br />
according to the following:<br />
Increment Amount<br />
Dollar Range<br />
$20 $0–$500<br />
$50 $500–$1,000<br />
$100 $1,000–$2,000<br />
$200 $2,000–$5,000<br />
$500 $5,000–$10,000<br />
$1,000 $10,000–$20,000<br />
$2,000 $20,000–$50,000<br />
$5,000 $50,000–$100,000<br />
$10,000 $100,000–$200,000<br />
$20,000 $200,000–$500,000<br />
$50,000 $500,000–$1,000,000<br />
Absentee bids must follow these increments and any<br />
bids that don’t follow the steps will be rounded up to<br />
the nearest acceptable bid.<br />
5. After the Sale<br />
A) BUYERS PREMIUM<br />
In addition to the hammer price, the buyer agrees to<br />
pay to Gibson’s <strong>Auction</strong>eers & Valuers the buyers<br />
premium. <strong>The</strong> buyer’s premium is 22% of the<br />
hammer price plus GST. (Goods and Services Tax)<br />
where applicable.<br />
B) PAYMENT AND PASSING OF TITLE<br />
<strong>The</strong> buyer must pay the full amount due (comprising<br />
the hammer price, buyers premium and any<br />
applicable taxes and GST) not later than three (3)<br />
days after the auction date.<br />
<strong>The</strong> buyer will not acquire title for the lot until<br />
Gibson’s <strong>Auction</strong>eers & Valuers receives full<br />
payment in cleared funds, and no goods under any<br />
circumstances will be released without confirmation<br />
of cleared funds received. This applies even if the<br />
buyer wishes to send items interstate or overseas.<br />
Payment can be made by the following means:<br />
• Bank Transfer/Direct Deposit is our preferred<br />
method of payment<br />
Account Name: Gibsons <strong>Auction</strong>s<br />
Bank:<br />
Bank of Melbourne<br />
(A division of St George)<br />
BSB: 193879<br />
Account No: 441701443<br />
Swift Code: SGBLAU2S<br />
Routing Code: 021000021<br />
Bank Address: 197-201 Glenferrie Road,<br />
Malvern, Vic, 3144<br />
<strong>The</strong> buyer is responsible for any bank fees and<br />
charges applicable for the transfer of funds into<br />
Gibson’s <strong>Auction</strong>eers & Valuers’s account<br />
• Personal, Company and Bank Cheques are not<br />
accepted without prior approval.<br />
• Eftpos (no charge)<br />
• Credit cards: Visa and Mastercard (1.2% incl GST<br />
merchant fee) and American Express (3% incl<br />
GST merchant fee)<br />
Please note that credit card transactions over<br />
$5,000 will not be accepted over the telephone<br />
unless by prior arrangement.<br />
• Cash up to AU$10,000 can accepted in<br />
cash. For any amount over this, cash is to be<br />
deposited directly into our account at a Bank of<br />
Melbourne/St George branch<br />
C) COLLECTION OF PURCHASES & INSURANCE<br />
Gibson’s <strong>Auction</strong>eers & Valuers is entitled to retain<br />
items sold until all amounts due to us have been<br />
received in full in good cleared funds. Subject to this,<br />
the Buyer shall collect purchased lots within three<br />
(3) days from the date of the sale unless otherwise<br />
agreed in writing between Gibson’s <strong>Auction</strong>eers &<br />
Valuers and the Buyer.<br />
At the fall of the hammer, insurance is the<br />
responsibility of the purchaser.<br />
D) PACKING, HANDLING AND SHIPPING<br />
At the request of the buyer, Gibson’s <strong>Auction</strong>eers &<br />
Valuers may assist with packing of goods but takes<br />
no responsibility for loss, damage or breakage that<br />
may occur.<br />
Gibson’s <strong>Auction</strong>eers & Valuers at the request of the<br />
buyer may arrange for a carrier, packer or shipper to<br />
have the property packed, insured and shipped at<br />
the buyer’s expense. All packing, shipping, insurance,<br />
postage & associated charges will be borne by the<br />
purchaser.<br />
Gibson’s <strong>Auction</strong>eers & Valuers can assist with<br />
removal companies that the buyer can use but takes<br />
no responsibility whatsoever for the actions of any<br />
recommended third party.<br />
E) CULTURAL HERITAGE EXPORT LICENCES<br />
Unless otherwise agreed by us in writing, the fact<br />
that the buyer wishes to apply for an export licence<br />
does not affect his or her obligation to make full<br />
payment immediately, nor our right to charge<br />
interest or storage charges on late payment. It<br />
is the Buyer’s responsibility to check Australia’s<br />
Protection of Moveable Cultural Heritage Act 1986<br />
before purchase. If the Buyer requests Gibson’s<br />
<strong>Auction</strong>eers & Valuers to apply for an export licence<br />
then we shall be entitled to charge a fee for this<br />
service. We shall not be obliged to rescind a sale nor<br />
to refund any interest or other expenses incurred<br />
by the Buyer where payment is made by the Buyer<br />
in circumstances where an export licence is not<br />
granted.<br />
F) REMEDIES FOR NON-PAYMENT<br />
If the Buyer fails to make full payment immediately,<br />
Gibson’s <strong>Auction</strong>eers & Valuers is entitled to exercise<br />
one or more of the following rights or remedies (in<br />
addition to asserting any other rights or remedies<br />
available under the law)<br />
i) to charge interest at the ANZ visa credit card<br />
rate as published weekly in the Australian<br />
Financial Review<br />
ii)<br />
iii)<br />
iv)<br />
to hold the defaulting Buyer liable for the<br />
total amount due and to commence legal<br />
proceedings for it’s recovery along with interest,<br />
legal fees and costs to the fullest extent<br />
permitted under applicable law<br />
to cancel the sale<br />
to resell the property publicly or privately on<br />
such terms as we see fit<br />
v) to pay the Seller an amount up to the net<br />
proceeds payable in respect of the amount bid<br />
by the defaulting Buyer. In these circumstances<br />
the defaulting Buyer can have no claim upon<br />
Gibson’s <strong>Auction</strong>eers & Valuers in the event that<br />
the item(s) are sold for an amount greater than<br />
the original invoiced amount.<br />
vi)<br />
vii)<br />
to set off against any amounts which Gibson’s<br />
<strong>Auction</strong>eers & Valuers may owe the Buyer in<br />
any other transactions, the outstanding amount<br />
remaining unpaid by the Buyer.<br />
where several amounts are owed by the Buyer to<br />
us, in respect of different transactions, to apply<br />
any amount paid to discharge any amount owed<br />
in respect of any particular transaction, whether<br />
or not the Buyer so directs.<br />
viii) to reject at any future auction any bids made by<br />
or on behalf of the Buyer or to obtain a deposit<br />
from the Buyer prior to accepting any bids.<br />
ix)<br />
to exercise all the rights and remedies of a<br />
person holding security over any property in<br />
our possession owned by the Buyer whether by<br />
way of pledge, security interest or in any other<br />
way, to the fullest extent permitted by the law of<br />
the place where such property is located. <strong>The</strong><br />
Buyer will be deemed to have been granted such<br />
security to us and we may retain such property<br />
as collateral security for such Buyer’s obligations<br />
to us.<br />
x) to take such other action as Gibson’s<br />
<strong>Auction</strong>eers & Valuers deem necessary or<br />
appropriate<br />
If we do sell the property under paragraph<br />
(iv), then the defaulting Buyer shall be liable<br />
for payment of any deficiency between the<br />
total amount originally due to us and the<br />
price obtained upon reselling as well as for<br />
all costs, expenses, damages, legal fees and<br />
commissions and premiums of whatever kinds<br />
associated with both sales or otherwise arising<br />
from the default.<br />
If we pay any amount to the Seller under<br />
paragraph (v) the Buyer acknowledges that<br />
Gibson’s <strong>Auction</strong>eers & Valuers shall have all<br />
of the rights of the Seller, however arising, to<br />
pursue the Buyer for such amount.<br />
G) FAILURE TO COLLECT PURCHASES<br />
Where purchases are not collected within three (3)<br />
days from the sale date, whether or not payment<br />
has been made, we shall be permitted to remove the<br />
property to a warehouse at the buyer’s expense, and<br />
only release the items after payment in full has been<br />
made of removal, storage handling, insurance and<br />
any other costs incurred, together with payment of all<br />
other amounts due to us.<br />
6. Extent of Gibson’s <strong>Auction</strong>eers &<br />
Valuers Liability<br />
Gibson’s <strong>Auction</strong>eers & Valuers agrees to refund<br />
the purchase price in the circumstances of the<br />
Limited Warranty set out in paragraph 7 below.<br />
Apart from that, neither the Seller nor we, nor any<br />
of our employees or agents are responsible for<br />
the correctness of any statement of whatever kind<br />
concerning any lot, whether written or oral, nor<br />
for any other errors or omissions in description<br />
or for any faults or defects in any lots. Except as<br />
stated in paragraph 7 below, neither the Seller<br />
ourselves, our officers, agents or employees give any<br />
representation warranty or guarantee or assume any<br />
liability of any kind in respect of any lot with regard<br />
to merchantability, fitness for a particular purpose,<br />
description, size, quality, condition, attribution,<br />
authenticity, rarity, importance, medium, provenance,<br />
exhibition history, literature or historical relevance.<br />
Except as required by local law any warranty of any<br />
kind is excluded by this paragraph.<br />
7. Limited Warranty<br />
Subject to the terms and conditions of this<br />
paragraph, the Seller warrants for the period of<br />
fourteen (14) days from the date of the sale that<br />
any property described in this catalogue (noting<br />
such description may be amended by any saleroom<br />
notice or announcement) which is stated without<br />
qualification to be the work of a named author or
142<br />
authorship is authentic and not a forgery. <strong>The</strong> term<br />
“Author” or “authorship” refers to the creator of the<br />
property or to the period, culture, source, or origin<br />
as the case may be, with which the creation of such<br />
property is identified in the catalogue.<br />
<strong>The</strong> warranty is subject to the following:<br />
i) it does not apply where a) the catalogue<br />
description or saleroom notice corresponded<br />
to the generally accepted opinion of scholars<br />
and experts at the date of the sale or fairly<br />
indicated that there was a conflict of opinions,<br />
or b) correct identification of a lot can be<br />
demonstrated only by means of a scientific<br />
process not generally accepted for use until<br />
after publication of the catalogue or a process<br />
which at the date of the publication of the<br />
catalogue was unreasonably expensive or<br />
impractical or likely to have caused damage to<br />
the property.<br />
ii)<br />
iii)<br />
iv)<br />
the benefits of the warranty are not assignable<br />
and shall apply only to the original buyer of the<br />
lot as shown on the invoice originally issued by<br />
Gibson’s <strong>Auction</strong>eers & Valuers when the lot was<br />
sold at <strong>Auction</strong>.<br />
the Original Buyer must have remained the<br />
owner of the lot without disposing of any interest<br />
in it to any third party<br />
<strong>The</strong> Buyer’s sole and exclusive remedy against<br />
the Seller in place of any other remedy which<br />
might be available, is the cancellation of the sale<br />
and the refund of the original purchase price<br />
paid for the lot less the buyers premium which is<br />
non refundable. Neither the Seller nor Gibson’s<br />
<strong>Auction</strong>eers & Valuers will be liable for any<br />
special, incidental nor consequential damages<br />
including, without limitation, loss of profits not for<br />
interest.<br />
v) <strong>The</strong> Buyer must give written notice of claim<br />
to us within fourteen (14) days of the date of<br />
the <strong>Auction</strong>. <strong>The</strong> Seller shall have the right,<br />
to require the Buyer to obtain two written<br />
opinions by recognised experts in the field,<br />
mutually acceptable to the Buyer and Gibson’s<br />
<strong>Auction</strong>eers & Valuers to decide whether or not<br />
to cancel the sale under warranty.<br />
vi)<br />
the Buyer must return the lot to Seller in the<br />
same condition that it was purchased.<br />
8. Severability<br />
If any part of these Conditions of Sale is found by any<br />
court to be invalid, illegal or unenforceable, that part<br />
shall be discounted and the rest of the Conditions<br />
shall continue to be valid to the fullest extent<br />
permitted by law.<br />
9. Copyright<br />
<strong>The</strong> copyright of all images, illustrations and written<br />
material produced by Gibson’s <strong>Auction</strong>eers &<br />
Valuers relating to a lot including the contents of this<br />
catalogue, is and shall remain the property at all times<br />
of Gibson’s <strong>Auction</strong>eers & Valuers and shall not be<br />
used by the Buyer, nor by anyone else without our<br />
prior written consent. Gibson’s <strong>Auction</strong>eers & Valuers<br />
and the Seller make no representation or warranty<br />
that the Buyer of a property will acquire any copyright<br />
or other reproduction rights in it.<br />
10. Law and Jurisdiction<br />
<strong>The</strong>se terms and conditions and any matters<br />
concerned with the foregoing fall within the exclusive<br />
jurisdiction of the courts of the state in which the<br />
auction is held.<br />
11. Pre-Sale Estimates<br />
Gibson’s <strong>Auction</strong>eers & Valuers publishes with each<br />
catalogue our opinion as to the estimated price range<br />
for each lot. <strong>The</strong>se estimates are approximate prices<br />
only and are not intended to be definitive. <strong>The</strong>y are<br />
prepared well in advance of the sale and may be<br />
subject to revision. Interested parties should contact<br />
Gibson’s <strong>Auction</strong>eers & Valuers prior to auction for<br />
updated pre-sale estimates and starting prices.<br />
12. Sale results<br />
Gibson’s <strong>Auction</strong>eers & Valuers will provide auction<br />
results, which will be available as soon as possible<br />
after the sale. Results will include buyer’s premium<br />
(22% plus GST). <strong>The</strong>se results will be posted at<br />
www.gibsonsauctions.com.au.<br />
13. Goods and Service Tax<br />
In accordance with A New Tax System (Goods<br />
and Services Tax) Act 1999 Gibson’s <strong>Auction</strong>eers<br />
& Valuers <strong>Auction</strong>s will collect on behalf of the<br />
Australian tax office (ATO) a Goods and Service Tax<br />
(GST) of 10% on all applicable transactions.<br />
ABN: 26 440 767 899<br />
GST is applicable on the hammer price in the case<br />
where the seller is selling property that is owned by<br />
an entity registered for GST. GST is also applicable<br />
on the hammer price in the case where the seller is<br />
not an Australian resident. <strong>The</strong>se lots are denoted by<br />
a dagger symbol † placed next to the estimate.<br />
GST is also applicable on the buyer’s premium.<br />
Overseas buyers and buyers non-resident in Australia<br />
will not be charged GST on both hammer price and<br />
premiums under the following conditions:<br />
1. <strong>The</strong> items are exported through a Gibson’s<br />
<strong>Auction</strong>eers & Valuers approved freight<br />
company including Australia Post<br />
2. <strong>The</strong> items are exported within 60 days of the<br />
date of the sale<br />
<strong>The</strong> invoice supplied by Gibson’s <strong>Auction</strong>eers &<br />
Valuers for purchases will be regarded as a Tax<br />
invoice for GST purposes.<br />
14. Resale Royalty Scheme<br />
Under the legal obligations of the Resale Royalty<br />
Scheme for Visual Artists Act 2009, sellers must<br />
provide the following information to comply with<br />
the act:<br />
• was the artwork acquired after 8 June 2010?<br />
• is the sale/reserve price (including GST) $1,000<br />
or more?<br />
• is the artist from Australia or a country listed in<br />
the Regulations to the Act?<br />
• is the artist alive, or deceased less than 70<br />
years?<br />
<strong>The</strong> seller:<br />
i) acknowledges that he or she understands his or<br />
her legal obligations under the Resale Royalty for<br />
Visual Artists Act 2009 (the Act);<br />
ii)<br />
iii)<br />
iv)<br />
undertakes to comply with all requirements of<br />
the Act, including by providing its agent, the<br />
company, with accurate information sufficient for<br />
compliance with sections 28 and 29 of the Act;<br />
undertakes to indemnify the company for any<br />
loss incurred by the company as a result of<br />
the vendor’s failure to comply with any of the<br />
vendor’s legal obligations under the Act; and<br />
acknowledges that if he or she fails to comply<br />
with any of his or her legal obligations under<br />
the Act, the company may provide the vendor’s<br />
name and contact details to Copyright Agency<br />
Limited (CAL).<br />
Lots subject to payment of the Resale Royalty<br />
Scheme will be denoted by the §. <strong>The</strong> Australian<br />
Resale Royalty is a flat rate of 5% on the hammer<br />
price (including GST). <strong>The</strong> Australian Resale Royalty<br />
is payable by the seller in addition to the buyers<br />
premium plus any applicable GST.<br />
15. Jewels & Watches<br />
GEMSTONES<br />
Gemstones have historically been subjected to a<br />
variety of treatments to enhance their appearance.<br />
Sapphire and rubies are routinely heat treated to<br />
improve their colour and clarity, similarly emeralds<br />
are frequently treated with oils or resin for the same<br />
purpose. Other treatments such as staining or dyeing,<br />
irradiation, filling or coating may have been used<br />
on other precious and semi-precious gemstones<br />
and organic material. <strong>The</strong>se treatments may be<br />
permanent, whilst others may need special care to<br />
preserve their appearance. Buyers should assume<br />
that each lot has been subject to some form of<br />
treatment and that the estimates reflect this.<br />
A number of laboratories issue certificates that<br />
give detailed descriptions of gemstones, and in<br />
the event that Gibson’s <strong>Auction</strong>eers & Valuers has<br />
been supplied with or obtained certificates for any<br />
lot, this shall be noted in the catalogue. However,<br />
as there may not be consensus between different<br />
laboratories on the degree, or types of treatment<br />
of the gemstones, Gibson’s <strong>Auction</strong>eers & Valuers<br />
supplies these without warranty.<br />
Buyers should assume that all gemstones sold by<br />
Gibson’s <strong>Auction</strong>eers & Valuers may have been<br />
subjected to such treatments, and that the catalogue<br />
estimates reflect this.<br />
PEARLS<br />
Pearls, like gemstones, are also subject to various<br />
treatments. Buyers should assume that any pearls<br />
sold by Gibson’s <strong>Auction</strong>eers & Valuers may have<br />
been subjected to such treatments, and that the<br />
catalogue estimates reflect this.<br />
WATCHES<br />
Please note: All watches sold by Gibson’s<br />
<strong>Auction</strong>eers & Valuers are sold on an “as is”<br />
basis. Gibson’s <strong>Auction</strong>eers & Valuers makes no<br />
representation or warranty that any watch is in<br />
working order. Many watches have been repaired<br />
over their lifetime and may contain non-original parts.<br />
<strong>The</strong> absence of any reference to the condition of a<br />
watch does not imply that the lot is in good condition<br />
and without defects, repairs or restorations. Buyers<br />
should be aware that a general service, change of<br />
battery or further repair work, for which the Buyer is<br />
solely responsible for, may be necessary.<br />
ESTIMATED WEIGHTS<br />
If a stone has a known weight, it has been weighed<br />
out of the mount. If a stone has an estimated weight,<br />
it is an approximate weight only and has been<br />
measured by us in the mount and is a statement of<br />
opinion only. <strong>The</strong> information is given as a guide only<br />
and Buyers should satisfy themselves with regard to<br />
this information as to its accuracy.
ALFRED GREGORY (1913–2010)<br />
Noyce and porters in Western Cwm, 1953/2003<br />
exhibition size silver gelatin photograph on Alubond<br />
100 x 100cm<br />
World record for the artist at auction<br />
Sold for $14,640<br />
Final call<br />
for entries<br />
Australian & Exploration<br />
<strong>Auction</strong>: Monday 2 December 2019<br />
ENQUIRIES 03 9500 2607 | mail@gibsonsauctions.com.au