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Angelus News | October 25, 2019 | Vol. 4 No. 36

Young dancers from Ballet Folklórico Herencia Mexicana at St. Agatha in Mid-City at the first “Día de los Muertos” celebration 2014 at Calvary Cemetery in East LA. On Page 10, Pilar Marrero reports on how both the cultural and religious aspects of the traditional Mexican feast of “Día de los Muertos” (“Day of the Dead”) have created an opportunity for evangelization in Los Angeles. On Page 14, R.W. Dellinger gives a look into the daily reality of life and death seen through the eyes of three employees at a local Catholic cemetery.

Young dancers from Ballet Folklórico Herencia Mexicana at St. Agatha in Mid-City at the first “Día de los Muertos” celebration 2014 at Calvary Cemetery in East LA. On Page 10, Pilar Marrero reports on how both the cultural and religious aspects of the traditional Mexican feast of “Día de los Muertos” (“Day of the Dead”) have created an opportunity for evangelization in Los Angeles. On Page 14, R.W. Dellinger gives a look into the daily reality of life and death seen through the eyes of three employees at a local Catholic cemetery.

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Bishop David O’Connell leads a “Día de los Muertos” celebration at Calvary Cemetery in East LA <strong>No</strong>v. 1, 2015.<br />

In Mexico, and in the homes of<br />

Mexican immigrants in Southern<br />

California, the cultural traditions of<br />

the Day of the Dead have always been<br />

celebrated along with the religious.<br />

“The celebration did take place in<br />

the Church in parishes, prayer groups,<br />

youth groups, and Latino families,<br />

but there was no official archdiocesan<br />

celebration before,” said Vega. “But<br />

I remember that when I was in the<br />

seminary in the 1990s here in Los<br />

Angeles, we would be asked to bring<br />

portraits of relatives and we would<br />

make altars around All Souls’ Day.”<br />

The altars are particular to the<br />

Mexican celebration, but other Latin<br />

American Catholics have their own<br />

way of remembering the departed.<br />

Wilmer Perez said that in Guatemala,<br />

many attend Mass <strong>No</strong>v. 2 and visit the<br />

cemeteries where their loved ones are<br />

buried.<br />

Roberto Rodríguez, from El Salvador,<br />

said that in his region of the<br />

country people get together around<br />

the tomb of the loved one to share a<br />

meal he or she would have liked, and<br />

to tell stories about that person.<br />

Altars are not part of the traditions<br />

of their respective countries, but both<br />

Central American men, who live in<br />

Los Angeles, participated this year in<br />

building one.<br />

Together with other Spanish-speaking<br />

parishioners from St. Charles<br />

Borromeo in <strong>No</strong>rth Hollywood, they<br />

built an altar to remember the Central<br />

American children who have died<br />

crossing the desert into the United<br />

States or while in federal detention.<br />

The altar is one of more than 50 that<br />

will be on display at Calvary Cemetery<br />

<strong>No</strong>v. 2 in East Los Angeles for the Day<br />

of the Dead celebrations. In this case,<br />

the altar tradition is used to depict<br />

a painful reality, to educate other<br />

community members, and to honor<br />

the children, said Carlos Castillo, a<br />

Guatemalan immigrant who is part of<br />

a group of 15 faithful that created it.<br />

In the lyrics of a “corrido” (a Mexican-style<br />

narrative ballad) co-written<br />

by Castillo and musician Prudencio<br />

Perez (also from Guatemala), Castillo<br />

prays for the children who have<br />

died but also those in detention, and<br />

expresses hope for immigration reform<br />

“to keep these tragedies from happening.”<br />

In this context, the celebration serves<br />

as a collective prayer by immigrants<br />

from several countries to address an<br />

issue of interest to the community.<br />

Sandra Martinez, a Mexican<br />

immigrant who attends St. Charles<br />

Borromeo Church, explained that she<br />

has always seen this tradition as a mix<br />

of the cultural and the religious. “It<br />

is a combination of all the elements,”<br />

she said during a recent interview at<br />

Calvary.<br />

12 • ANGELUS • <strong>October</strong> <strong>25</strong>, <strong>2019</strong>

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