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Botvinnik Semi-Slav, The (Pedersen)

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5 Black's 13th Move Alternatives<br />

1 d4 d5 2 c4 c6 3 llJf3llJf6 4llJc3 e6 5<br />

i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9<br />

llJxg5 hxg5 10 i.xg5 llJbd7 11 exf6<br />

i.b712 g3 c5 13 d5 (D)<br />

B<br />

<strong>The</strong> ideas for Black in this chapter<br />

are not available if White chooses the<br />

move-order with 11 g3, though delaying<br />

the capture on f6 gives Black some<br />

alternative ideas (see Chapter 7, Line<br />

A). It is largely a matter of taste which<br />

deviations White wants to avoid.<br />

Quick Summary<br />

<strong>The</strong> first two alternatives we consider,<br />

13 ... llJb6 (Line A) and 13 ... llJe5 (Line<br />

B) are both rarely seen. 13 ... llJb6 was<br />

reasonably popular until Polugaevsky<br />

discovered the ingenious 14 dxe6!<br />

'ii'xdl + 15 ':'xdl i.xhl 16 e7 a6 17<br />

h4! i.h6 18 f4!, after which Black will<br />

never be able to free his rook on h8.<br />

Hence Black turned his attention towards<br />

14 ... i.xhl 15 e7 'ii'd7, but this<br />

is still good for White. <strong>The</strong> same can<br />

be said of 13. .. llJe5 14 i.g2 llJd3+ 15<br />

~f1, where Black has spent valuable<br />

time to achieve very little.<br />

13 ... llJxf6 (Line C) and 13 ... i.h6<br />

(Line D) are, however, both playable<br />

options. In particular, I find the line<br />

13 ... llJxf6 14 i.g2 i.e7 15 0-0 llJxd5<br />

16 i.xe7 ~xe7 17llJxb5 'ii'b618llJa3<br />

.:!.h4!? 19 'ii'd2llJf4!? very interesting,<br />

but I admit there is a certain risk that<br />

putting two pieces en prise like this<br />

will not hold up to close scrutiny.<br />

<strong>The</strong> <strong>The</strong>ory of Black's<br />

13th Move Alternatives<br />

1 d4 d5 2 c4 c6 3llJf3llJf6 4llJc3 e6 5<br />

i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9<br />

llJxg5 hxg5 10 i.xg5 llJbd7 11 exf6<br />

i.b712 g3 c5 13 d5<br />

Now:<br />

A: 13 ... llJb6 59<br />

B: 13 ... llJe5 60<br />

c: 13 ... llJxf6 62<br />

D: 13 ... i.h6 68<br />

13 ... 'ii'c7 14 i.g2 transposes to<br />

Line Bl in Chapter 7. Not, however,<br />

13 ... b4? 14 i.xc4! and White wins.

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