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Botvinnik Semi-Slav, The (Pedersen)

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18 Odds and Ends<br />

A few things need to be mentioned as<br />

a final note. First of all, white-players<br />

who have built up their courage to play<br />

S .tgS may be in for a disappointment<br />

if faced by S ... ttJbd7 or S ... .te7. Both<br />

lines may lead to a Classical Queen's<br />

Gambit Declined (though Black's early<br />

... c6 is a slight concession) or a Cambridge<br />

Springs in the case of S ... ttJbd7.<br />

Here this book will not be able to help<br />

as these systems are really outside the<br />

scope of it.<br />

It is worth mentioning that S ... ~b6?!<br />

leads Black into some trouble. After 6<br />

~c2, Black has no good way to justify<br />

the queen move, as after 6 ... ttJe4 7<br />

ttJxe4 dxe4 8 cS! he loses a pawn for<br />

inadequate compensation.<br />

Finally, there is the line 1 d4 dS 2 c4<br />

c6 3 ttJf3 ttJf6 4 ttJc3 e6 S .tgS dxc4<br />

(S ... h6 6 .th4 dxc4 7 e4 gS 8 .tg3 bS 9<br />

eS leads to the same thing) 6 e4 bS 7 eS<br />

h6 8 .th4 gS 9 .tg3 (D).<br />

This has not been covered so far in<br />

the book, and might not be that good<br />

but has the practical advantage from<br />

White's viewpoint that it can be used<br />

against both the <strong>Botvinnik</strong> and the<br />

Moscow Variation.<br />

B<br />

Black's best is probably 9 ... ttJdS 10<br />

h4 ~a5! 11 :c1 .tb4 12 ~c2 (after 12<br />

~d2 g4 13 tiJh2 hS Black has achieved<br />

a very good version of the Alatortsev<br />

Variation!) 12 ... gxh4 13 .txh4 'ii'xa2<br />

and White did not have compensation<br />

for the pawn in Gerber-Shabalov,<br />

Geneva 1992. <strong>The</strong>re are quieter attempts<br />

for White, such as 10 .te2 or<br />

10 ttJd2, but neither promises anything.<br />

For a better feeling of this type<br />

of position, the reader is invited to<br />

'study Chapter 14, <strong>The</strong> Anti-Moscow<br />

Variation. Here White is very often reluctant<br />

to play eS since this loses a lot<br />

of his dynamism, whilst it is not that<br />

easy to exploit the dark squares.

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