Botvinnik Semi-Slav, The (Pedersen)
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DEVIATIONS FROM THE MAIN LINE 211<br />
A: 7g3<br />
B: 7 'it'c2<br />
C: 7 'it'b3<br />
D: 7e3<br />
211<br />
213<br />
216<br />
219<br />
7 e4 is the most direct attempt but<br />
White does not seem to achieve anything<br />
real to compensate for the displacement<br />
of the king after 7 ... dxe4 8<br />
~xe4 i.b4+ 9 ~e2. Black's best is<br />
probably 9 .. :i'f4 10 'iVc2 i.e7 11 g3<br />
(11 ~e5?! f5! 12 ~2 'iVxd4 13 ~df3<br />
'i'c5 14 ~g6 ':g8 15 ~xe7 'i'xe7 16 g3<br />
e5 =+= Lautier-Kramnik, Paris rpd 1995)<br />
1l...'iVc7 12 i.g2 c!iJd7 13 .:the1 0-0 14<br />
~f1, Teske-Kuczynski, Aschach 1997,<br />
and now 14 ... b6100ks fine for Black.<br />
7 a3 prepares e4 but avoids committing<br />
the queen as in Line B or C.<br />
Still, it seems too slow to cause any<br />
real concern for Black. 7 ... dxc4<br />
(7 ... ~d7 8 e4 dxe4 9 c!iJxe4 'iVf4 10<br />
'i'e2!? promises White some advantage;<br />
Black should probably reply<br />
cautiously with 1O ... i.e7 11 g3 'i'c7<br />
12 i.g2 0-0, since in Czebe-Pinski,<br />
Budapest 1997, Black was punished<br />
for an audacious opening experiment:<br />
1O ... c5?! 11 g3 'iVc7 12 d5 f5 13 dxe6<br />
~e5 14 c!iJxe5 'iVxe5 15 'iWh5+ ..t>d8 16<br />
0-0-0+ ..t>c7 17 c!iJc3 i.xe6 18 i.g2<br />
with a winning attack) 8 c!iJe5 (8 e3<br />
and 8 e4 are both illogical since after<br />
8 ... b5 White will need to play a4,<br />
thereby losing a tempo, to break up the<br />
queenside) 8 ... c5 9 'iVa4+ (9 c!iJxc4<br />
cxd4 10 c!iJb5 'iVd8 11 'iVxd4 'iVxd4 12<br />
c!iJxd4 i.d7 13 g3 i.c5 14 c!iJb3 i.e7 15<br />
c!iJca5 i.c6 16 ~xc6 c!iJxc6 17 i.g2<br />
':c8 was equal in Kasparov-Sveshnikov,<br />
USSR Ch 1981) 9 ... c!iJc6 10 e3<br />
(10 ~xc6 i.d7 11 d5 exd5 12 c!iJxd5<br />
'iid6 13 0-0-0 i.xc6 14 'iVxc4, with<br />
some initiative to White, is suggested<br />
by Wells, but I doubt that this is really<br />
sufficient to worry Black after the further<br />
moves 14 ... .:td8 15 ~e3 'iVf6 16<br />
.:txd8+ 'iVxd8) 1O ... cxd4 11 exd4 i.e7<br />
12 tDxc6 i.d7 13 i..xc4 i.xc6 14 i.b5<br />
0-0 15 i.xc6 bxc6 = Sulava-Guido,<br />
Verona 1997.<br />
A)<br />
7g3<br />
This resembles a Catalan Opening<br />
to some extent and is a reasonably<br />
popular set-up in various <strong>Semi</strong>-<strong>Slav</strong><br />
lines. <strong>The</strong> idea is that the appearance<br />
of a bishop on the h1-a8 diagonal will<br />
make it more difficult for Black to develop<br />
his own light-squared bishop,<br />
and discourages any possible ... c5<br />
break.<br />
7 ... ~d7 8 i.g2 dxc4<br />
Others:<br />
a) 8 ... i.b4 9 0-0 0-0 10 'iVc2 'iVe7<br />
11 a3 i.d6 12 c5 i.c7 13 e4 dxe4 14<br />
~xe4 ':d8 15 .:tad1 c!iJf8 16 .:tfe1 i.d7<br />
17 ~e5 i.e8 = Christiansen-Yusupov,<br />
Bundesliga 1992/3.<br />
b) 8 ... 'iVd8 9 0-0 i.e7 10 e4 (10<br />
~d2 0-011 .:tel b5!? 12 cxb5 cxb5 13<br />
e4 b4 14 ~e2 c!iJf6 15 exd5 c!iJxd5 16<br />
c!iJf4 i..b7 was fine for Black in Adorjan-Miles,<br />
Szeged 1997) 10 ... dxe4 11<br />
~xe4 0-0 and now Black has not been<br />
able to solve his problems fully after<br />
either of White's two options: