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Botvinnik Semi-Slav, The (Pedersen)

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DEVIATIONS FROM THE MAIN LINE 211<br />

A: 7g3<br />

B: 7 'it'c2<br />

C: 7 'it'b3<br />

D: 7e3<br />

211<br />

213<br />

216<br />

219<br />

7 e4 is the most direct attempt but<br />

White does not seem to achieve anything<br />

real to compensate for the displacement<br />

of the king after 7 ... dxe4 8<br />

~xe4 i.b4+ 9 ~e2. Black's best is<br />

probably 9 .. :i'f4 10 'iVc2 i.e7 11 g3<br />

(11 ~e5?! f5! 12 ~2 'iVxd4 13 ~df3<br />

'i'c5 14 ~g6 ':g8 15 ~xe7 'i'xe7 16 g3<br />

e5 =+= Lautier-Kramnik, Paris rpd 1995)<br />

1l...'iVc7 12 i.g2 c!iJd7 13 .:the1 0-0 14<br />

~f1, Teske-Kuczynski, Aschach 1997,<br />

and now 14 ... b6100ks fine for Black.<br />

7 a3 prepares e4 but avoids committing<br />

the queen as in Line B or C.<br />

Still, it seems too slow to cause any<br />

real concern for Black. 7 ... dxc4<br />

(7 ... ~d7 8 e4 dxe4 9 c!iJxe4 'iVf4 10<br />

'i'e2!? promises White some advantage;<br />

Black should probably reply<br />

cautiously with 1O ... i.e7 11 g3 'i'c7<br />

12 i.g2 0-0, since in Czebe-Pinski,<br />

Budapest 1997, Black was punished<br />

for an audacious opening experiment:<br />

1O ... c5?! 11 g3 'iVc7 12 d5 f5 13 dxe6<br />

~e5 14 c!iJxe5 'iVxe5 15 'iWh5+ ..t>d8 16<br />

0-0-0+ ..t>c7 17 c!iJc3 i.xe6 18 i.g2<br />

with a winning attack) 8 c!iJe5 (8 e3<br />

and 8 e4 are both illogical since after<br />

8 ... b5 White will need to play a4,<br />

thereby losing a tempo, to break up the<br />

queenside) 8 ... c5 9 'iVa4+ (9 c!iJxc4<br />

cxd4 10 c!iJb5 'iVd8 11 'iVxd4 'iVxd4 12<br />

c!iJxd4 i.d7 13 g3 i.c5 14 c!iJb3 i.e7 15<br />

c!iJca5 i.c6 16 ~xc6 c!iJxc6 17 i.g2<br />

':c8 was equal in Kasparov-Sveshnikov,<br />

USSR Ch 1981) 9 ... c!iJc6 10 e3<br />

(10 ~xc6 i.d7 11 d5 exd5 12 c!iJxd5<br />

'iid6 13 0-0-0 i.xc6 14 'iVxc4, with<br />

some initiative to White, is suggested<br />

by Wells, but I doubt that this is really<br />

sufficient to worry Black after the further<br />

moves 14 ... .:td8 15 ~e3 'iVf6 16<br />

.:txd8+ 'iVxd8) 1O ... cxd4 11 exd4 i.e7<br />

12 tDxc6 i.d7 13 i..xc4 i.xc6 14 i.b5<br />

0-0 15 i.xc6 bxc6 = Sulava-Guido,<br />

Verona 1997.<br />

A)<br />

7g3<br />

This resembles a Catalan Opening<br />

to some extent and is a reasonably<br />

popular set-up in various <strong>Semi</strong>-<strong>Slav</strong><br />

lines. <strong>The</strong> idea is that the appearance<br />

of a bishop on the h1-a8 diagonal will<br />

make it more difficult for Black to develop<br />

his own light-squared bishop,<br />

and discourages any possible ... c5<br />

break.<br />

7 ... ~d7 8 i.g2 dxc4<br />

Others:<br />

a) 8 ... i.b4 9 0-0 0-0 10 'iVc2 'iVe7<br />

11 a3 i.d6 12 c5 i.c7 13 e4 dxe4 14<br />

~xe4 ':d8 15 .:tad1 c!iJf8 16 .:tfe1 i.d7<br />

17 ~e5 i.e8 = Christiansen-Yusupov,<br />

Bundesliga 1992/3.<br />

b) 8 ... 'iVd8 9 0-0 i.e7 10 e4 (10<br />

~d2 0-011 .:tel b5!? 12 cxb5 cxb5 13<br />

e4 b4 14 ~e2 c!iJf6 15 exd5 c!iJxd5 16<br />

c!iJf4 i..b7 was fine for Black in Adorjan-Miles,<br />

Szeged 1997) 10 ... dxe4 11<br />

~xe4 0-0 and now Black has not been<br />

able to solve his problems fully after<br />

either of White's two options:

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