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Botvinnik Semi-Slav, The (Pedersen)

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12 Early Deviations (6 e3 and<br />

6 a4)<br />

1 d4 d5 2 c4 c6 3 ttJf3 ttJf6 4 ttJc3 e6 5<br />

.tg5 dxc4 (D)<br />

w<br />

<strong>The</strong>re are a few rarer alternatives<br />

available for White at move 6, namely<br />

6 e3 and 6 a4. I am sure it is possible to<br />

come up with a few more insipid options,<br />

but I will restrict myself in this<br />

chapter to coverage of these two<br />

moves.<br />

Quick Summary<br />

While 6 e3 (Line A) seems to give<br />

Black few problems, there is still some<br />

unexplored territory in 6 a4 (Line B).<br />

In my opinion Black's best option is<br />

6 ... .th4 7 e4 c5!?, where Black actually<br />

plays a Vienna a tempo down, but<br />

White's extra move a4 is not very<br />

helpful. In fact after 8 .txc4 cxd4 9<br />

ttJxd4, Black has 9 ... h6!, which is not<br />

possible in the Vienna in view of<br />

'ita4+. <strong>The</strong>refore, it has been more or<br />

less established that White's most accurate<br />

move-order is 9 .tb5+, ruling<br />

out 9 ... ttJbd7!? (after 9 ttJxd4 h6 10<br />

.tb5+, 1O ... ttJbd7 looks good) due to<br />

10 'itxd4!. Hence quite an interesting<br />

position arises after 9 ... ttJc6 10 ttJxd4<br />

.td7 11 0-0 h6, while so far Tisdall's<br />

1O ... 0-0!? remains very unclear.<br />

<strong>The</strong> <strong>The</strong>ory of Early<br />

Deviations<br />

1 d4 d5 2 c4 c6 3 ttJf31Df6 41Dc3 e6 5<br />

.tg5 dxc4<br />

Now:<br />

A: 6 e3 151<br />

B: 6 a4 153<br />

A)<br />

6e3<br />

This clearly lacks the aggression of<br />

6 e4, and although it can actually lead<br />

to quite interesting play, Black has little<br />

to fear. Often White seems to end<br />

up in positions reminiscent of those<br />

covered in the previous chapter, but<br />

with White a tempo down, as he has

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