Botvinnik Semi-Slav, The (Pedersen)
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12 Early Deviations (6 e3 and<br />
6 a4)<br />
1 d4 d5 2 c4 c6 3 ttJf3 ttJf6 4 ttJc3 e6 5<br />
.tg5 dxc4 (D)<br />
w<br />
<strong>The</strong>re are a few rarer alternatives<br />
available for White at move 6, namely<br />
6 e3 and 6 a4. I am sure it is possible to<br />
come up with a few more insipid options,<br />
but I will restrict myself in this<br />
chapter to coverage of these two<br />
moves.<br />
Quick Summary<br />
While 6 e3 (Line A) seems to give<br />
Black few problems, there is still some<br />
unexplored territory in 6 a4 (Line B).<br />
In my opinion Black's best option is<br />
6 ... .th4 7 e4 c5!?, where Black actually<br />
plays a Vienna a tempo down, but<br />
White's extra move a4 is not very<br />
helpful. In fact after 8 .txc4 cxd4 9<br />
ttJxd4, Black has 9 ... h6!, which is not<br />
possible in the Vienna in view of<br />
'ita4+. <strong>The</strong>refore, it has been more or<br />
less established that White's most accurate<br />
move-order is 9 .tb5+, ruling<br />
out 9 ... ttJbd7!? (after 9 ttJxd4 h6 10<br />
.tb5+, 1O ... ttJbd7 looks good) due to<br />
10 'itxd4!. Hence quite an interesting<br />
position arises after 9 ... ttJc6 10 ttJxd4<br />
.td7 11 0-0 h6, while so far Tisdall's<br />
1O ... 0-0!? remains very unclear.<br />
<strong>The</strong> <strong>The</strong>ory of Early<br />
Deviations<br />
1 d4 d5 2 c4 c6 3 ttJf31Df6 41Dc3 e6 5<br />
.tg5 dxc4<br />
Now:<br />
A: 6 e3 151<br />
B: 6 a4 153<br />
A)<br />
6e3<br />
This clearly lacks the aggression of<br />
6 e4, and although it can actually lead<br />
to quite interesting play, Black has little<br />
to fear. Often White seems to end<br />
up in positions reminiscent of those<br />
covered in the previous chapter, but<br />
with White a tempo down, as he has