Botvinnik Semi-Slav, The (Pedersen)
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148 THE BOTVINNIK SEMI-SlAV<br />
w<br />
8 i.xf6<br />
It must be right to give Black more<br />
weaknesses, although 8 'ikc2 is probably<br />
playable. <strong>The</strong> game W.Schmidt<br />
Henley, SurakartalDenpasaar 1983<br />
then continued in Black's favour:<br />
8 ... ~bd7 9 i.e2 a5!? 10 0-0 (Henley<br />
thinks that White can minimize the<br />
disadvantage with 10 axbS cxbS 11<br />
dS!? i.b4 12 0-0 i.b7) 1O ... b4! 11<br />
~dl b3 121i'bl i.a613 ~c3 i.b4 +.<br />
8 ... gxf6 9 i.e2 a6<br />
Or:<br />
a) 9 ... ~d7 10 0-0 (10 dS!? is another<br />
idea) 1O ... i.b4 11 dS i.xc3 12<br />
bxc3 ~cS 13 dxc6 (13 'iVd4? eS 14<br />
~xeS ~b3 IS 'ikxb6 axb6 16 ~xc6<br />
~xal 17 l:hal i.d7 + Slepukhov<br />
Bronstein, Moscow 1945) 13 ... ~xa4<br />
14 llxa4 bxa4 IS 'iVd6. White can perhaps<br />
claim some compensation since<br />
it is not easy for Black to coordinate,<br />
but HUbner believes that Black is able<br />
to untangle with IS ...'ikd8 16 'iVg3<br />
'iti>f8 17 lld 1 'ike7, although this is still<br />
very unclear.<br />
b) 9 ... i.b7 and then:<br />
b 1) After 10 0-0 Black can try a<br />
number of ideas:<br />
b11) HUbner recommends 1O ... i.b4<br />
(a move that he seems to fancy in several<br />
similar lines) with the intention of<br />
ruling out White's pawn-breaks b3<br />
and dS.<br />
b12) 1O ... a6 transposes to the main<br />
line.<br />
b13) 1O ... ~d7 11 a5!? 'ikc7 12 a6<br />
i.c8 13 dS! i.cs 14 b3 b4 IS ~a4 c3<br />
16 ~xcS ~xcS 17 'ikd4 ~xb3 18<br />
'f:fxf6 :g8 19 :abl gave White the<br />
stronger attack in Lutz-eu.Hansen,<br />
Tilburg rpd 1993.<br />
b2) 10 a5!? 'iVc7 11 dS is Lputian's<br />
proposal, with the continuation 11.. .eS<br />
12 ~h4 ±, but this is hardly best play<br />
from Black. 11...b4 looks more critical,<br />
when White can try the piece sacrifice<br />
12 dxe6 bxc3 13 exf7+ 'ikxf7 14<br />
bxc3 with a rather unclear outcome.<br />
100-0 (D)<br />
B<br />
10 ... :a7!?<br />
Black is already far behind in development<br />
and spending another tempo