Botvinnik Semi-Slav, The (Pedersen)
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144 THE BOTVINNIK SEMI-SLAV<br />
9 ... .i.xe4 10 .i.xc4 .i.b4+ 11 lbc3<br />
(D)<br />
B<br />
Black is slightly better, Hulak<br />
Piket, Wijk aan Zee 1995.<br />
C)<br />
7 ... .i.b4 (D)<br />
This leads to sharp play but does<br />
not enjoy the best reputation. However,<br />
a few strong players have employed<br />
it recently, which suggests that<br />
it is worth taking a fresh look at it.<br />
w<br />
11 ... lbc6!?<br />
<strong>The</strong> most ambitious; the alternative<br />
is 11...0-0 120-0 and now:<br />
a) 12 ... .i.b7 13 lbe5!? .i.e7?! 14<br />
'ii'b3 'ii'b6 15 'ii'xb6 axb6 16 l1xa8<br />
.i.xa8 17 l1a1 ± Knaak-Ka.Miiller,<br />
Bundesliga 1998/9.<br />
b) 12 ... .i.xc3 13 bxc3 'ii'c7!? 14<br />
.i.xf6 'ii'xc4 15 lbd2 'ii'c6 16 lbxe4<br />
'ii'xe4 17 ltel 'ii'f5 18 .i.e7 l1c8 19 l1e5<br />
'ii'g6 20 l1g5 'ii'e4 21 .i.f6 g6 22 'ii'a4<br />
a6! 23 ltc5 'ii'b7 24 'ii'b3 'ii'd7 25 c4! ;!;<br />
I.Sokolov-Pinter, Lyons ECC 1994.<br />
12 0-0 .i.xf3 13 .xf3 lbxd4 14<br />
'ii'e3!?<br />
A slight provocation but White<br />
gains nothing from 14 'ii'b7 'ii'b8! 15<br />
ltxa7 O-O! - Piket.<br />
14 .•• lbc2 15 .i.b5+ ~f8 16 .i.xf6<br />
lbxe3<br />
Not, of course, 16 ... gxf6? 17 'ii'h6+<br />
or 16 ... 'ii'xf6 17 'ii'e4.<br />
17 .i.xd8lbxf118 .i.g5 f6 19.i.c1<br />
lbxh2 20 ~xh2 as<br />
8e5<br />
Throwing in an exchange on b5 is<br />
possible but does not appear very logical.<br />
<strong>The</strong> text-move is clearly the way<br />
forward.<br />
8 ... h6 9 exf6<br />
9 .i.h4 g5 is similar to the main line<br />
but Black benefits from already having<br />
established a pin on the c3-knight:<br />
a) 10 lbxg5 hxg5 11 .i.xg5 'ii'a5<br />
(11...lbbd7 12 exf6 .i.b7 is also well<br />
playable) 12 .i.xf6 .i.xc3+ 13 bxc3<br />
'ii'xc3+ 14 'itte2 'ii'b2+ 15 'ii'd2 'ii'xal<br />
16 'ii'b4 'iWa2+ 17 ~e1 'ii'al+ 18 'itte2<br />
'ii'a2+ 1/2_1/2 Laffler-Haugli, Copenhagen<br />
1988.