Botvinnik Semi-Slav, The (Pedersen)

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140 THE BOTVINNIK SEMI-SLAV 'iWa5+ ~c6 23 i.bS#, he has to allow a repetition after 20 ... ~c7 21 'iWa5+. c) 12 axbS!? has surprisingly, at least to my knowledge, never been tried in practice. Then: c1) 12 ... i.b7 13 'it'a4 is good for White. c2) 12 ... cS is not as strong as after 11...i.b7 12 axbS. White plays 13 b6 cxd4 14 'it'xd4, and now since the rook on a8 is undefended Black must play 14 ... a6, when, for instance, IS ll'le4 looks dangerous. c3) Therefore Black's best try is 12 ... cxbS 13 ll'lxbS i.b4+ 14 ll'lc3 1:tg8!? but White maintains an advantage with IS 'it'a4+ ll'ld7 (not lS ... i.d7? 16 'it'xb4 hxg2 17 i.xg2 .:txg2 18ll'le4 'iWe7 19 'iWb7 and White wins) 16 g3 .:tb8 17 i.xc4. Summing up, 12 axbS!? may well be the critical move against l1...h3!? 12 ... i.d6 In Ward-Boudre, Paris 1994, Black soon got into trouble after 12 ... .i.b7 13 %lgl i.d6 14 'iWhS ll'la6? (White still has to show where his compensation lies after 14 ... a6, when Black toys with ideas such as the simplifying ... ll'ld7 or the undermining ... cS; e.g., IS .:tg3 cS +) 15 axbS cxbS 16ll'lxbS .i.b4+ 17 ~e2 1:tc8 18 .i.g2 .i.xg2 19 1:txa6 i.dS 20.:txa7 with a fantastic attack. 13 'ii'e2 It is worth noting that 13 ll'le4 is rarely anything since Black can almost always meet this with a bishop check on b4. 13 ... .:tgS 140-0-0 ll'ld7!? 15 'ii'e4 i.b7 (D) 16 ll'lxb5 cxb5 17 'ii'xb7 1:tdS IS .i.e2 bxa4!? This kind of capture can rarely be recommended since exchanging the c4-pawn for White's a-pawn mostly suits White. However, in this particular situation, Black is able to launch a counter-attack, forcing White into a worse endgame. 19l1'lxc4 'ii'f4+ 20 ~bl a3! 21 'ii'c6 ~e7 22 'ii'xd6+ 'ii'xd6 23ll'lxd6 ~xd6 24 bxa3 .:tbS+ 25 ~a2 ll'lb6 Despite being a pawn down, Black has a clear advantage, Parker-Hector, Copenhagen 1996. The knight will excel from dS, serving both as a blockader and an attacker, while White will be kept busy defending his hopelessly weak pawns.

11 7 a4 1 d4 d5 2 c4 c6 3 lLlf3 lLlf6 4 lLlc3 e6 5 .i.g5 dxc4 6 e4 b5 7 a4 (D) B 7 a4 is usually chosen by practical players who are looking for something not too theoretical but at the same time want an interesting position. 7 a4 serves both purposes. White aims to disrupt Black's queens ide while keeping the 'threat' of e5 in the reserve. Quick Summary 7 ... b4 (Line A) is a relatively new attempt. After 8 lLlbl .i.a6 9 'ii'c1 c3 10 bxc3 .i.xfl 11 ~xfl lLlbd7 Black has had good results in a few recent games. If White does not find an improvement here, this looks like the easiest path for Black against 7 a4. 7 ... .i.b7 (Line B) is generally regarded as the safest approach for Black and usually leads to approximately equal positions following 8 axb5 cxb5 9 lLlxb5 .i.xe4, while the other two options for Black, 7 ... .i.b4 (Line C) and 7 ... 'tWb6!? (Line D), lead to much sharper play. I have always thought White to be much better in the line 7 ... i.b4 8 e5 h6 9 exf6 hxg5 10 fxg7 .l::.g8 11 h4!, but this might not be that clear. The safest is 11...g4 (although 11...gxh4 is not that clear either), when 12 lLle5 f5 13 h5 ':xg7 14 .i.e2 'tWg5!? seems to be about equal. 7 ... 'tWb6!? leads to messier positions, with White having to justify his pawn sacrifice. Here, I find the idea of the small rook-lift after 8 .i.xf6 gxf6 9 i.e2 a6 10 0-0 ':a7!? interesting. Black intends to meet 11 d5 with 1l....l::.d7. The Theory of 7 a4 1 d4 d5 2 c4 c6 3 lLlf3 tiJf6 4 lLlc3 e6 5 .i.g5 dxc4 6 e4 b5 7 a4 Now: A: 7 ... b4 141 B: 7 ... .i.b7 142 C: 7 ... .i.b4 144 D: 7 ... 'WWb6 147 A) 7 ... b4 (D)

140 THE BOTVINNIK SEMI-SLAV<br />

'iWa5+ ~c6 23 i.bS#, he has to allow a<br />

repetition after 20 ... ~c7 21 'iWa5+.<br />

c) 12 axbS!? has surprisingly, at<br />

least to my knowledge, never been<br />

tried in practice. <strong>The</strong>n:<br />

c1) 12 ... i.b7 13 'it'a4 is good for<br />

White.<br />

c2) 12 ... cS is not as strong as after<br />

11...i.b7 12 axbS. White plays 13 b6<br />

cxd4 14 'it'xd4, and now since the rook<br />

on a8 is undefended Black must play<br />

14 ... a6, when, for instance, IS ll'le4<br />

looks dangerous.<br />

c3) <strong>The</strong>refore Black's best try is<br />

12 ... cxbS 13 ll'lxbS i.b4+ 14 ll'lc3<br />

1:tg8!? but White maintains an advantage<br />

with IS 'it'a4+ ll'ld7 (not lS ... i.d7?<br />

16 'it'xb4 hxg2 17 i.xg2 .:txg2 18ll'le4<br />

'iWe7 19 'iWb7 and White wins) 16 g3<br />

.:tb8 17 i.xc4.<br />

Summing up, 12 axbS!? may well<br />

be the critical move against l1...h3!?<br />

12 ... i.d6<br />

In Ward-Boudre, Paris 1994, Black<br />

soon got into trouble after 12 ... .i.b7 13<br />

%lgl i.d6 14 'iWhS ll'la6? (White still<br />

has to show where his compensation<br />

lies after 14 ... a6, when Black toys with<br />

ideas such as the simplifying ... ll'ld7 or<br />

the undermining ... cS; e.g., IS .:tg3 cS<br />

+) 15 axbS cxbS 16ll'lxbS .i.b4+ 17<br />

~e2 1:tc8 18 .i.g2 .i.xg2 19 1:txa6 i.dS<br />

20.:txa7 with a fantastic attack.<br />

13 'ii'e2<br />

It is worth noting that 13 ll'le4 is<br />

rarely anything since Black can almost<br />

always meet this with a bishop check<br />

on b4.<br />

13 ... .:tgS 140-0-0 ll'ld7!? 15 'ii'e4<br />

i.b7 (D)<br />

16 ll'lxb5 cxb5 17 'ii'xb7 1:tdS IS<br />

.i.e2 bxa4!?<br />

This kind of capture can rarely be<br />

recommended since exchanging the<br />

c4-pawn for White's a-pawn mostly<br />

suits White. However, in this particular<br />

situation, Black is able to launch a<br />

counter-attack, forcing White into a<br />

worse endgame.<br />

19l1'lxc4 'ii'f4+ 20 ~bl a3! 21 'ii'c6<br />

~e7 22 'ii'xd6+ 'ii'xd6 23ll'lxd6 ~xd6<br />

24 bxa3 .:tbS+ 25 ~a2 ll'lb6<br />

Despite being a pawn down, Black<br />

has a clear advantage, Parker-Hector,<br />

Copenhagen 1996. <strong>The</strong> knight will excel<br />

from dS, serving both as a blockader<br />

and an attacker, while White will<br />

be kept busy defending his hopelessly<br />

weak pawns.

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