Botvinnik Semi-Slav, The (Pedersen)
128 THE BOTVINNIK SEMI-SLAV 13 ... lth7 Alternatively, Black can try 13 ... hxg2 14 ltgl lth7 15 .1f3 'ike7 16 ltxg2 l:.g7 (White often wins a tempo on this rook as it is unprotected on h7 and ltgS is sometimes also an option for White, so Black reacts by moving the rook again to neutralize the g-file) 17 ltJe4 a6 (Black has serious difficulties completing his development; 17 ... ltJd7 is met by IS ltJxd7 ~xd7 19 ltJc5+ ~cS 20 axb5) IS ltJc5 lhg2 19 j.xg2 .1g7 20 'ii'g4 ~f8 (20 ... j.xe5 21 'ikgS+ 'ii'fS 22 'ii'xfS+ c;f;;>xfS 23 dxe5 would leave Black's remaining pieces struggling for air) 210-0-0 j.cS 22 f4 with a terrific position for White, Wells Shabalov, London Lloyds Bank 1994. 14 g3ltJd7 IS 0-0 0-0-0 16 'ii'c2 White attempts to gain a tempo on the rook and is now ready to meet 16 ... ltg7 by 17ltJxd71::txd7 IS axb5. 16 ... ltJxeS 17 dxeS 'ii'fS 18 'ii'xfS exfS 19 axbS .tcS Black has reasonable counterplay but he must continue playing very energetically to compensate for his horrible pawns. Challenging eS with ... ltJd7 White's e5-knight is an important piece, and having to defend f7 often causes Black inconvenience, so the best defensive plan for Black is as soon as possible to challenge the knight by playing ... ltJd7. However, this may not look that easy, as playing ... ltJd7 leaves the c6-pawn en prise unless Black has defended it with ... j.b7. Here are a few examples: B Kravtsov - Se. Ivanov Russian Cht (St Petersburg) 1999 Here Black decided that even though the c6-pawn is only defended by the bS-knight, he could still afford to remove the defence in order to challenge the e5-knight instead: 1l ... ltJd7! 12lLlxc6 This is the only critical move. 12 ... j.b7 13 j.f3 a6! This is the key move that makes 11...ltJd7 playable. White's knight cannot be allowed to b5, and now White also problems retreating the c6-knight without making major concessions. 14 0-0 j.g7 IS a4 b4 16 ltJe4 'ii'f4 17 'iVc1 'iVc7 18 'iVxc4 j.xc6 19 l:.acl l:.c8 20 'ii'xb4 .1f8 21 'ii'c3 For analysis of the alternative 21 'ikel see the theory section (Line B). 21...j.xe4! 22 'ii'xc7 ltxc7 23 l:.xc7 j.xf3 24 gxf3 ltg8+ 2S ~hl ltgS! The ending is advantageous for Black.
WHITE GAMBITS: 9 exf6!? 129 B Bellon - Lu. Perez Havana Capablanca mem 1999 By playing an early a4, White usually attempts to prevent Black from playing ... ttJd7, the idea being that it would leave Black's queenside too loose. Nevertheless, here Black can play: 12 ... ttJd7! 13ltJxd7 ~xd7 14 i.f3 a615 axb5 White does not achieve anything by opening the a-file, so 15 0-0 might be better, although White's opening then appears far from convincing. 15 ... axb5 16l:ba8 i.xa8 17 'iVai i.b7 18 'iVa7 ~c8 190-0 .l:tg8 20 ..te4 'iVf4 21 .l:tel f5 Black is winning. Quick Summary In my opinion good antidotes to 9 exf6 have been found, as in the majority of lines Black can easily neutralize White's initiative with a timely ... ltJd7. For example, after 10 ltJe5 'iVxf6, both 11 g3 (Line A) and 11 ..te2 (Line B) are well met by l1...ltJd7. 11 a4 (Line C) is White's best try, to which Black has reacted in various ways. The provocative 11...c5 (Line C 1) looks too ambitious, while 1l...i.b7 (Line C2) used to have a slightly bad reputation but is now fully rehabilitated in view of 12 ... ltJd7! in reply to 12 i.e2. This seems to be Black's very best approach, and hence the popular 11.. .h3 !? (Line C3) will only have real relevance in the event of something being found for White in Line C2. The Theory of 9 exf6!? I d4 d5 2 c4 c6 3 ltJf3 ltJf6 4ltJc3 e6 5 ..\lg5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9 exf6!? gxh4 10 ttJe5 (D) This is White's basic idea. His previous move vacated the e5-square, which is now accessible to the knight. This knight serves several purposes. Above all its main function is to make it hard for Black to develop smoothly ( ... ltJd7 drops a pawn after ltJxc6,
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128 THE BOTVINNIK SEMI-SLAV<br />
13 ... lth7<br />
Alternatively, Black can try 13 ... hxg2<br />
14 ltgl lth7 15 .1f3 'ike7 16 ltxg2<br />
l:.g7 (White often wins a tempo on this<br />
rook as it is unprotected on h7 and<br />
ltgS is sometimes also an option for<br />
White, so Black reacts by moving the<br />
rook again to neutralize the g-file) 17<br />
ltJe4 a6 (Black has serious difficulties<br />
completing his development; 17 ... ltJd7<br />
is met by IS ltJxd7 ~xd7 19 ltJc5+<br />
~cS 20 axb5) IS ltJc5 lhg2 19 j.xg2<br />
.1g7 20 'ii'g4 ~f8 (20 ... j.xe5 21 'ikgS+<br />
'ii'fS 22 'ii'xfS+ c;f;;>xfS 23 dxe5 would<br />
leave Black's remaining pieces struggling<br />
for air) 210-0-0 j.cS 22 f4 with<br />
a terrific position for White, Wells<br />
Shabalov, London Lloyds Bank 1994.<br />
14 g3ltJd7 IS 0-0 0-0-0 16 'ii'c2<br />
White attempts to gain a tempo on<br />
the rook and is now ready to meet<br />
16 ... ltg7 by 17ltJxd71::txd7 IS axb5.<br />
16 ... ltJxeS 17 dxeS 'ii'fS 18 'ii'xfS<br />
exfS 19 axbS .tcS<br />
Black has reasonable counterplay<br />
but he must continue playing very energetically<br />
to compensate for his horrible<br />
pawns.<br />
Challenging eS with ... ltJd7<br />
White's e5-knight is an important<br />
piece, and having to defend f7 often<br />
causes Black inconvenience, so the<br />
best defensive plan for Black is as<br />
soon as possible to challenge the knight<br />
by playing ... ltJd7. However, this may<br />
not look that easy, as playing ... ltJd7<br />
leaves the c6-pawn en prise unless<br />
Black has defended it with ... j.b7.<br />
Here are a few examples:<br />
B<br />
Kravtsov - Se. Ivanov<br />
Russian Cht (St Petersburg) 1999<br />
Here Black decided that even though<br />
the c6-pawn is only defended by the<br />
bS-knight, he could still afford to remove<br />
the defence in order to challenge<br />
the e5-knight instead:<br />
1l ... ltJd7! 12lLlxc6<br />
This is the only critical move.<br />
12 ... j.b7 13 j.f3 a6!<br />
This is the key move that makes<br />
11...ltJd7 playable. White's knight<br />
cannot be allowed to b5, and now White<br />
also problems retreating the c6-knight<br />
without making major concessions.<br />
14 0-0 j.g7 IS a4 b4 16 ltJe4 'ii'f4<br />
17 'iVc1 'iVc7 18 'iVxc4 j.xc6 19 l:.acl<br />
l:.c8 20 'ii'xb4 .1f8 21 'ii'c3<br />
For analysis of the alternative 21<br />
'ikel see the theory section (Line B).<br />
21...j.xe4! 22 'ii'xc7 ltxc7 23 l:.xc7<br />
j.xf3 24 gxf3 ltg8+ 2S ~hl ltgS!<br />
<strong>The</strong> ending is advantageous for<br />
Black.