Botvinnik Semi-Slav, The (Pedersen)
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<strong>The</strong> <strong>Botvinnik</strong><br />
<strong>Semi</strong>-<strong>Slav</strong><br />
Steffen <strong>Pedersen</strong><br />
[e)AI~IBIITI
First published in the UK by Gambit Publications Ltd 2000<br />
Copyright © Gambit Publications Ltd 2000<br />
<strong>The</strong> right of Steffen <strong>Pedersen</strong> to be identified as the author of this work has been<br />
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Printed in Great Britain by Redwood Books, Trowbridge, Wilts.<br />
10 9 8 7 6 5 4 3 2 1<br />
Gambit Publications Ltd<br />
Managing Director: GM Murray Chandler<br />
Chess Director: GM John Nunn<br />
Editorial Director: FM Graham Burgess<br />
Assistant Editor: GM John Emms<br />
German Editor: WPM Petra Nunn
Contents<br />
Symbols<br />
Bibliography<br />
Foreword<br />
Part One: <strong>The</strong> <strong>Botvinnik</strong> System (5 i.g5 dxc4)<br />
1 Introduction to the <strong>Botvinnik</strong> System<br />
2 <strong>The</strong> Main Line: 17 a3<br />
3 16 .. :iVa6 and 16 .. :iVd6<br />
4 Uhlmann's 16 l:tb1<br />
5 Black's 13th Move Alternatives<br />
6 Ideas with .. :iVa5<br />
7 Move-orders and Various Deviations<br />
8 1O ... i.e7<br />
9 Alatortsev' s 9 ... ttJd5? !<br />
10 White Gambits: 9 exf6!?<br />
11 7 a4<br />
12 Early Deviations (6 e3 and 6 a4)<br />
4<br />
5<br />
6<br />
7<br />
10<br />
38<br />
44<br />
58<br />
78<br />
86<br />
106<br />
116<br />
127<br />
141<br />
151<br />
Part Two: <strong>The</strong> Moscow Variation (5 i.g5 h6)<br />
13 Introduction to the Moscow Variation 156<br />
14 <strong>The</strong> Anti-Moscow Variation: 6 il.h4!? 157<br />
15 <strong>The</strong> Main Line: 6 i.xf6 'ii'xf6 7 e3 ttJd7 8 i.d3 dxc4 181<br />
16 Black's 8th Move Alternatives 203<br />
17 Deviations from the Main Line 210<br />
18 Odds and Ends 221<br />
Index of Variations 222
Symbols<br />
+ check<br />
++ double check<br />
# checkmate<br />
!! brilliant move<br />
! good move<br />
!? interesting move<br />
?! dubious move<br />
? bad move<br />
?? blunder<br />
+- White is winning<br />
± White is much better<br />
;!; White is slightly better<br />
= equal position<br />
+ Black is slightly better<br />
=+= Black is much better<br />
-+ Black is winning<br />
Ch championship<br />
Cht team championship<br />
Wch world championship<br />
Ech European Championship<br />
Ct candidates event<br />
IZ interzonal event<br />
Z zonal event<br />
OL olympiad<br />
ECC European Clubs Cup<br />
qual qualifying event<br />
tt team tournament<br />
jr junior event<br />
wom women's event<br />
mem memorial event<br />
rpd rapidplay game<br />
corr. correspondence game<br />
1-0 the game ends in a win for White<br />
Ih-1f2 the game ends in a draw<br />
0-1 the game ends in a win for Black<br />
(n) nth match game<br />
(D) see next diagram
Bibliography<br />
Egon Varnusz: <strong>Semi</strong>-Slawisch II, Reinhold Dreier, 1992<br />
Aleksander Beliavsky and Adrian Mikha1chishin: D44,<br />
Sahovski Informator, 1993<br />
Peter Wells: <strong>The</strong> Complete <strong>Semi</strong>-<strong>Slav</strong>, Batsford, 1994<br />
Alexei Shirov, Fire on Board, Cadogan, 1997<br />
Aleksandar Matanovic (editor-in-chief): ECO D, 2nd and 3rd editions,<br />
Sahovski Informator, 1987 and 1998 respectively<br />
Matthew Sadler: <strong>The</strong> <strong>Semi</strong>-<strong>Slav</strong>, Chess Press/Cadogan, 1998<br />
Graham Burgess, John Nunn and John Emms: <strong>The</strong> Mammoth Book of the<br />
World's Greatest Chess Games, Robinson, 1998<br />
John Nunn, Graham Burgess, John Emms and Joe Gallagher:<br />
Nunn's Chess Openings, GambitlEveryman, 1999<br />
Informators 1-75<br />
New In Chess Yearbooks 1-52<br />
ChessBase Mega Database '99<br />
<strong>The</strong> Week In Chess 1-261<br />
... and various magazines
Foreword<br />
<strong>The</strong>re has been an explosion of interest in the <strong>Semi</strong>-<strong>Slav</strong> during the last ten years<br />
and there is no sign yet that this intends to stop, although the focus has changed<br />
somewhat.<br />
This is the first of two books on the <strong>Semi</strong>-<strong>Slav</strong>. It covers the <strong>Botvinnik</strong> System<br />
and the Moscow Variation, i.e. 1 d4 d5 2 c4 c6 3 liJf3 liJf6 4 liJc3 e6 S .i.gS and<br />
then either S ... dxc4 or S ... h6. While the <strong>Botvinnik</strong> System is in my opinion one of<br />
the most fascinating of all openings, I must admit that the Moscow Variation appeared<br />
a little dull to me when it became hugely popular in the mid-1990s as a<br />
safe and extremely solid option to avoid the complexity arising from the<br />
<strong>Botvinnik</strong>. But just when it seemed that White was constantly hitting his head<br />
against a brick wall, the 'unsound' 6 .i.h4 was livened up and now produces some<br />
of the most spectacular games in the whole <strong>Semi</strong>-<strong>Slav</strong>.<br />
Writing this book has been a real challenge. It has required lengthy analyses,<br />
which have had to be checked very carefully. In these 'Fritzy' times, it is fairly<br />
easy to check analysis to a reasonable degree of accuracy, but with the highly<br />
complicated positions which make up most of this book, chess engines are often<br />
not that trustworthy, or to be more exact need far more time and have to be 'taken<br />
down the road' all the way. Naturally, various chess engines have been of great<br />
help during my work, but when analysing such complicated positions as arise in<br />
the <strong>Botvinnik</strong> System or the Anti-Moscow Variation, intuition counts for a lot.<br />
For example, I wonder whether a computer will ever be able to find Sergei<br />
Ivanov's amazing 22 .. J~hS!! to be found in the introduction to Chapter 2.<br />
This book has been written during one of the happiest times of my life; our<br />
second daughter was born and I managed my first GM norm (actually it is the<br />
second but the first has now expired).<br />
Last but not least I would like to thank all the people who have helped out but<br />
in particular Mona for all her support during the project and Graham Burgess<br />
for his patience during the writing process, and for numerous suggestions and<br />
improvements.<br />
Steffen <strong>Pedersen</strong>, Odense<br />
November 1999
1 Introduction to the <strong>Botvinnik</strong><br />
System<br />
<strong>The</strong> <strong>Botvinnik</strong> System arises after the<br />
moves 1 d4 dS 2 c4 c6 3 liJf3 liJf6 4<br />
liJc3 e6 S j,gS dxc4 (D) and is in my<br />
opinion one of the most complex of all<br />
opening variations.<br />
w<br />
short tour and hence far from complete,<br />
but should give a small picture<br />
of what this is all about. I have also<br />
chosen to examine more concrete<br />
themes in the introductions to some of<br />
the chapters.<br />
Endings<br />
<strong>The</strong> <strong>Botvinnik</strong> System tends to lead to<br />
highly unbalanced endings, which are<br />
either clearly in favour of one side or<br />
the other, or else are almost impossible<br />
to assess. A quick glance at the<br />
most common pawn-structure should<br />
suggest why:<br />
White's pawn sacrifice is only temporary<br />
since after 6 e4 he threatens not<br />
only to regain his pawn but also to play<br />
7 e5. Hence in the main line, 6 ... bS 7<br />
eS h6 8 j,h4 gS 9 liJxgS hxgS 10<br />
j,xgSliJbd7 11 exf6 or 11 g3 and later<br />
exf6, it is in fact Black who is the<br />
gambiteer.<br />
In this chapter, I shall deal briefly<br />
with the various themes occurring<br />
most frequently throughout the first<br />
part of this book. This will only be a<br />
As both sides have a large majority<br />
on one wing, it is only natural that<br />
endings often turn into pawn races.
8 THE BOTVINNIK SEMI-SlAV<br />
Only White has a passed pawn for the<br />
moment, but Black can create one<br />
rather quickly with ... b4 followed by<br />
. .. c3, and this might turn out to be even<br />
more dangerous than White's h-pawn.<br />
Indeed, often it is White's f-pawn that<br />
turns out to cause real concern - that<br />
is, if White is able to win the f7-pawn.<br />
Sacrifices<br />
All manner of sacrifices, by both White<br />
and Black, abound in the <strong>Botvinnik</strong><br />
System. Often the goal is the initiative,<br />
but a common motivation is to<br />
gain positional compensation, in particular<br />
the liberation of pawn majorities.<br />
Here are two of my personal<br />
favourites:<br />
This truly astonishing move solves<br />
all Black's problems. After 23 'ij'xhS<br />
cxb2 Black obtains two far-advanced<br />
passed pawns and great counterplay .<br />
This can all be found in Chapter 2.<br />
w<br />
Another example from Chapter 2:<br />
B<br />
Aseev - Se.lvanov<br />
St Petersburg 1997<br />
White's last move was 22 i.g5-<br />
f4!?, which appears to place Black in<br />
grave peril due to the threat of 23 l:taS.<br />
However ...<br />
22 ... l:thS!!<br />
Ivanchuk - Shirov<br />
Wijk aan Zee 1996<br />
21 iig7!<br />
This fantastic queen sacrifice was<br />
a piece of over-the-board inspiration<br />
from the ever-creative Ukrainian. After<br />
21...i.xg7 22 fxg7 lIg8 23 lLlxcS<br />
White only has two minor pieces for<br />
the queen but excellent positional<br />
compensation and a highly dangerous<br />
passed pawn.<br />
Open files<br />
Black experiences, as is normal in<br />
chess, the most awkward problems in<br />
the middlegame. This is mainly due to<br />
his far more exposed king position;<br />
White often launches an attack by
INTRODUCTION TO THE BOTVINNIK SYSTEM 9<br />
opening files on the queenside against<br />
Black's king. For example:<br />
B<br />
Outposts<br />
Now that we have acquainted ourselves<br />
with the most common structures, it is<br />
natural to consider whether Black can<br />
bring a knight to d3 - and indeed the<br />
d3-square almost screams out to be<br />
occupied by a black knight.<br />
<strong>The</strong> above position arose quite frequently<br />
in the 1980s and the early<br />
1990s but is now hardly seen any<br />
more. Black cannot really avoid White<br />
opening the c-file either by simply<br />
winning thec4-pawn or by sacrificing<br />
a piece. Black's main continuation is<br />
20 ... ltJc6 21 i.xd5 ':'xd5 22 ':'xc4,<br />
which is also a subject of Chapter 2. It<br />
is true that this leaves White's g5-<br />
bishop en prise, but due to Black's<br />
poor coordination and vulnerable king,<br />
White will most likely win it back.<br />
<strong>The</strong> disadvantage of bringing a<br />
knight to d3 is that it can easily get undermined<br />
(with, for example, b3 at<br />
some point) and also that the black<br />
king might miss the knight's protection.<br />
Nevertheless, it is an option Black<br />
should bear in mind, and White should<br />
look out for it too.
2 <strong>The</strong> Main Line: 17 a3<br />
We shall dive straight in to the complexities<br />
of the main line of the <strong>Botvinnik</strong><br />
System. Later chapters shall discuss<br />
earlier deviations for both sides.<br />
1 d4 d5 2 c4 c6 3 tLlf3 tLlf6 4 tLlc3<br />
e6 5 j.g5 dxc4 6 e4 b5 7 e5 h6 8 j.h4<br />
g5 9 ttJxg5 hxg5 10 j.xg5 tLlbd7 11<br />
exf6 j.b712 g3 'ii'b613 i-g2 c514 d5<br />
0-0-0150-0 b416 tLla4 'ifb517 a3(D)<br />
B<br />
B<br />
I believe this may still be considered<br />
the main line, although both<br />
sides, Black in particular, have investigated<br />
earlier deviations. In fact, at the<br />
time of writing, the whole line is more<br />
alive than ever. How the main line<br />
arises has briefly been discussed in the<br />
previous chapter, so I will not repeat<br />
myself, but move on to showing what I<br />
consider one of the most amazing<br />
opening ideas in many years ...<br />
Aseev - Se.lvanov<br />
St Petersburg 1997<br />
White has just played 22 j.g5-f4!?,<br />
intending 23 l:.a5 'ifxb4 24 j.c7+!,<br />
winning. I had analysed this position a<br />
few years prior to this game, and was<br />
convinced that White was more or less<br />
winning after 22 j.f4!? However, GM<br />
Sergei Ivanov, undoubtedly with a<br />
great desire for making this line work,<br />
had prepared the truly astonishing<br />
22 ... l:.h5!!' <strong>The</strong> idea is that after 23<br />
'ifxh5 cxb2 24l:.adl cxb4! 25 j.c7+<br />
cJi>c6 26 'ii'xb5+ cJi>xb5 27 j.xd8 c3 28<br />
l:.xd7 (D), although White is overwhelmingly<br />
ahead in material, Black's<br />
queens ide pawns constitute a lot of<br />
counterplay, and so far this position is<br />
considered fine for Black.
THE MAIN LINE: 17 a3 11<br />
B<br />
Endings<br />
<strong>The</strong> main line of the <strong>Botvinnik</strong> System<br />
is full of astounding ideas such as the<br />
one above, and if the game has not<br />
been decided before then, it can lead<br />
to some fascinating endgames. No<br />
wonder, when one considers how the<br />
pawns are spread out. Take a look at<br />
the following very common structure:<br />
However, since White's f-pawns are<br />
doubled, and the pawns not as far advanced,<br />
it takes quite a long time for<br />
White to create another passed pawn,<br />
while this task is somewhat simpler<br />
for Black. Hence many endings are<br />
quite promising for Black. Just recall<br />
the Aseev-Ivanov encounter above!<br />
Queen sacrifices<br />
One very common theme in the main<br />
line of the <strong>Botvinnik</strong> System sees<br />
White sacrificing his queen for various<br />
amounts of material, but with the<br />
main objective of gaining a strong po- .<br />
sitional grip. My favourite one is definitely<br />
the following:<br />
w<br />
Ivanchuk - Shirov<br />
Wijk aan Zee 1996<br />
Black has a massive 4 vs 1 on the<br />
queenside, while the same applies for<br />
White on the kings ide, but there is<br />
only one passed pawn for each side.<br />
White's a4-knight is threatened,<br />
and exchanging on c5 would concede<br />
control of the d4-square. However,<br />
Ivanchuk found the imaginative 21<br />
'ii'g7! .ixg7 22 fxg7 :g8 23 lOxc5,<br />
when White can claim compensation
12 THE BOTVINNIK SEMI-SLAV<br />
in the form of a very dangerous pawn<br />
on g7 and superior minor pieces. Sadler<br />
is of the opinion that Black should<br />
now play 23 .. J:txg7! 24 ~d4! f5 25<br />
tDxd7!? (25 ~h3 was tried in B.Lalic<br />
Wilson, London 1996 but is not very<br />
convincing) 25 .. .lhd7 26 l:txa7, when<br />
the position is rather unclear, but<br />
probably slightly easier for White to<br />
play.<br />
then his attack is often successful, as<br />
Black's king is left almost naked.<br />
White frequently sacrifices a piece to<br />
bring this about. An example:<br />
w<br />
A more common queen sacrifice<br />
arises (after the 17 moves that characterise<br />
this chapter) in the line 17 ... tDe5<br />
(or 17 ... tDb8) 18 axb4 cxb4 19 'iid4<br />
tDc6 20 dxc6! 1:txd4 21 cxb7+ (D).<br />
B<br />
Once more, in return for a queen<br />
White only has two pieces plus a strong<br />
passed pawn, this time on b7. However,<br />
here theory is more established,<br />
and in White's favour.<br />
<strong>The</strong> sensitive c-file<br />
Black's main worry is usually White's<br />
attacking chances in the middlegame.<br />
If White manages to open the c-file,<br />
Maksimenko - Scherbakov<br />
Aalborg 1993<br />
Black is very close to consolidating,<br />
so drastic measures are required for<br />
White. In this theoretically important<br />
position, White now played 21 ~xd5<br />
l:txd5 22l:txc4, which is the only way<br />
to justify White's set-up. <strong>The</strong>n Black's<br />
best is the probably slightly inferior<br />
ending following 22 ... .:.xg5 23 'iid4<br />
'ifi>b8 24 lhc6 lhg3+ 25 fxg3 'ii'xc6<br />
26 l:td 1 ~h6 but instead Black went<br />
for the rather provocative 22 ... ~d7?!<br />
and was duly punished: 23 l:tacl (23<br />
l:tdl!? has also been suggested but I<br />
find the game continuation convincing<br />
enough) 23 .. J:txg5 24 'ii'e4 tDd8!?<br />
(this is the most consistent, but objectively<br />
Black should prefer 24 ... .:.d5 25<br />
l:txc6 'iixc6 26 l:txc6 ~xc6 27 b3,<br />
when White is only slightly better) 25
THE MAIN LINE: 17 a3 13<br />
'ii'a8! e8 26 l:tc8l:tdS 27 'ilixa7l:thh5<br />
(other defences have also been tried,<br />
but without success) 28 tDb6 l:td2 29<br />
l:t8c7! ~d6 30 l:te7+ ~f8 and now the<br />
simplest way to win would have been<br />
31l:txf7+!.<br />
<strong>The</strong> outpost on d3<br />
In many cases a passed d-pawn is<br />
Black's main asset but one should not<br />
ignore the possibility of creating an<br />
outpost on d3. If a knight or rook lodged<br />
on this square cannot be removed, it<br />
will remain a thorn in White's side. I<br />
will provide you with two examples:<br />
one that went well for Black and one<br />
that should not have done!<br />
c3 24 tDxc3 bxc3 25 l:txc3+ as played,<br />
for example, by Kasparov against Tal)<br />
23 ... b7! 24 ~e3, 24 ... l:td3! contains<br />
the annoying threat 25 .. .'tlr'c6. Following<br />
25 f4 l:txh2!? 26 'it>xh2 l:txe3 27<br />
'ilidl l:td3 28 'ilihl+ tDf3+ 29 'it>g2<br />
"ir'f5, Black had a very strong attack.<br />
w<br />
B<br />
Koopmans - Van der Muysenberg<br />
corr. 1992<br />
White has just played 22 l:tfc1,<br />
threatening the c4-pawn. Black now<br />
has a choice between defending it with<br />
22 ... tDa5 or 22 ... tDe5; the latter is superior,<br />
aiming also for the d3-square.<br />
<strong>The</strong>n after 23 ~xa7?! (better is 23 b3<br />
Maksimenko - Scherbakov<br />
Berlin 1993<br />
Black has just occupied the d3-<br />
square and, as discussed, the assessment<br />
depends on whether Black can<br />
maintain the outpost. White logically<br />
starts undermining the knight:<br />
19 axb4 cxb4 20 b3! exd5 21 'ilig4+<br />
'it>b8<br />
N ow, rather than 22 ~e3? d4! 23<br />
~xd4 ~xg2 24 ~xa7+ b7 25 ~xg2<br />
'iVc6+! 26 f3 'it>xa7, which netted Black<br />
a piece in the game, Mikhalchishin<br />
showed that White should play 22<br />
'iVd4!, forcing Black to block the gl-a7<br />
diagonal with 22 ... ~c5, and thus allowing<br />
23 tDxc5 'iVxc5 24 ~e3 'iVxd4
14 THE BOTVINNIK SEMI-SLA V<br />
25 .txd4 a6 26 .l:f.fbl followed by .tn,<br />
eventually removing the intruding<br />
knight.<br />
Quick Summary<br />
<strong>The</strong> main line of the <strong>Botvinnik</strong> System,<br />
starting with 17 a3, is in my opinion<br />
one of the most fascinating openings<br />
to analyse. <strong>The</strong> rich variety of possibilities<br />
for both sides makes one simply<br />
want to delve deeper and deeper<br />
into the complexity, only to realize that<br />
it is almost impossible to get nearer a<br />
correct assessment.<br />
17 ... 4.Je5 (Line A) and 17 ... 4.Jb8<br />
(Line B) are currently disregarded by<br />
theory. 17 ... 4.Je5 is suspect in view of<br />
the promising queen sacrifice 18 axb4<br />
cxb4 19 'ili'd4 4.Jc6 20 dxc6! .l:f.xd4 21<br />
cxb7+. Since Black seems to have little<br />
choice after 17 ... 4.Jb8 18 axb4 cxb4<br />
19 'ili'd4 but to play 19 ... 4.Jc6, the same<br />
applies to Line B.<br />
However, 17 ... exd5 !? (Line C), has<br />
experienced a revival since it was discovered<br />
that Black has so many hidden<br />
resources after 18 axb4 d4!? <strong>The</strong><br />
main line is currently the amazing 19<br />
.txb7+ ~xb7 20 4.Jc3!? dxc3 21<br />
'ii'd5+ ~b6 22 .tf4 .l:f.h5! !, but I have<br />
the feeling that White needs to look<br />
between moves 19 and 22 for an improvement.<br />
<strong>The</strong> <strong>The</strong>ory of the Main<br />
Line, 17 a3<br />
1 d4 d5 2 c4 c6 3 4.Jf3 tDf6 4 4.Jc3 e6 5<br />
.tg5 dxc4 6 e4 b5 7 e5 h6 8 .th4 g5 9<br />
4.Jxg5 hxg5 10 .txg5 4.Jbd7 11 exf6<br />
.tb7 12 g3 'ili'b6 13 .tg2 c5 14 d5<br />
0-0-0150-0 b4 16 4.Ja4 ~b5 17 a3<br />
Now:<br />
A: 17 ... 4.Je5 14<br />
B: 17 ... 4.Jb8 20<br />
C: 17 ... exd5 24<br />
Others:<br />
a) 17 ... .th6 ought to be too slow<br />
in this particular position, but White<br />
failed to react correctly in V.Muller<br />
SchOn, corr. 1986. Following 18 .te3?!<br />
exd5 19 .txd5? 4.Je5 20 'ili'h5 ':'xd5<br />
White was already in great trouble,<br />
and after 21 axb4 Black concluded energetically:<br />
21....txe3 22 'ili'xh8+ ':'d8<br />
23 'ili'h3+ ~b8 24 fxe3 'ili'c6 25 e4<br />
'it'xe4 26 4.Jxc5 'ili'd4+ 27 ':'f2 4.Jf3+ 28<br />
~n 'it'dl+ 29 .l:f.xdl .l:f.xdl+ 30 ~e2<br />
.l:f.el# (0-1). However, White should<br />
try either 18 h4 or 18 .txh6 ':'xh6 19<br />
dxe6, when, for example, 19 ... .txg2<br />
20 exd7+ .l:f.xd7 21 'it'cllooks good for<br />
White.<br />
b) 17 ... .txd5 18 .txd5 exd5 (alternatively,<br />
18 ... 4.Je5 19 .txe6+ fxe6 20<br />
'tie2 ±) 19 'it'xd5 'it'xa4 20 axb4 4.Jb6<br />
21 'it'xf7 'it'd7 22 ':'xa7! gives White<br />
plenty of play for the sacrificed piece,<br />
according to Korchnoi, and I wholly<br />
agree with this; for example, 22 ... 'it'xf7<br />
23 ':'xf7 cxb4 24 .te3 ':'d7 (24 ... 4.Jd5<br />
25 ':'al!) 25 .l:f.xd7 4.Jxd7 26 .l:f.cl.<br />
A)<br />
17 ... 4.Je5 (D)<br />
This is a very logical move. While<br />
we have seen that Black cannot regain
THE MAIN LINE: 17 a3 15<br />
w<br />
his pawn immediately (with, for example,<br />
17 ... .txd5), Black unveils the<br />
scope of the rook on d8, thus preparing<br />
to capture the d5-pawn. Furthermore,<br />
the knight moves forward, intending<br />
at some stage to place itself at the aggressive<br />
post on d3. This all sounds<br />
very plausible for Black, but the reason<br />
that 17 ... lDe5 is rarely seen any<br />
more is a very promising positional<br />
queen sacrifice which, unfortunately,<br />
can hardly be avoided.<br />
18 axb4<br />
<strong>The</strong> main alternative is 18 'ii'e2,<br />
with the following options:<br />
a) 18 ... .txd5 is completely unsound:<br />
19 'ii'xe5 .txg2 20 ~xg2 .l:td5<br />
21 'iWe3 'iWxa4 22 axb4 'iWc6 23 'iWe4<br />
'ii'b7 24 h4 ± Fahnenschmidt-Sinz,<br />
Baden-Baden 1990.<br />
b) 18 ... .td6 19 f4 (Wegner-M.Miiller,<br />
Bundesliga 1993/4 showed why<br />
White cannot leave the knight in peace<br />
for too long: 19 axb4 cxb4 20 b3 exd5<br />
21 lIfcl ~b8 22 h4l:the8 23 'iVfllDd3<br />
24 lid 1 .te5 25 l:tab 1 .td4 26 lId2 .ta6<br />
with a fantastic position) 19 ... lDd3 20<br />
dxe6 .txg2 21 'ii'xg2 fxe6 22 axb4<br />
cxb4 23 'iWa8+ .tb8 24 b3 'ii'd5 (24 ... c3<br />
25 'ii'e4 was very good for White in<br />
Arbakov-Gorelov, Belgorod 1989) 25<br />
'ii'xd5 exd5 26 l:tadl is clearly better<br />
for White according to Mikhalchishin,<br />
but Wells queries this assessment and<br />
proposes 26 ... a5!? with the idea that<br />
27 bxc4?! is met by 27 ... .ta7+ followed<br />
by ... dxc4, when Black's queenside<br />
pawns look menacing enough to<br />
provide adequate counterplay.<br />
c) 18 ... lDd3 and then:<br />
c 1) 19 dxe6 .txg2 20 ~xg2 (20<br />
e7?! is enticing but not quite enough<br />
here: 20 ... .txfl 21 'ii'g4+ 'ii'd7 22<br />
'ii'xd7+ ~xd7 23 exd8'iW+ ~xd8 24<br />
l:txfl ~c7 and Black's active position<br />
counts more than White's extra pawn;<br />
e.g., 25 lIdl ~c6 26 axb4 cxb4 27 b3<br />
~b5 28 .te3 cxb3 29 :'xd3 ~xa4,<br />
etc.) 20 ... 'ii'c6+ 21 f3 fxe6 with an unclear<br />
position; White's position is optically<br />
better in view of Black's many<br />
weaknesses but Black is very active,<br />
particularly due to the knight on d3.<br />
c2) 19 axb4 cxb4 20 b3! exd5 (this<br />
is the only try; 20 ... .txd5? loses to 21<br />
bxc4 i.xc4 22 .l:tfc1!, while 20 ... c3?<br />
21 l:tfdl! also wins for White) 21<br />
'ii' g4+ ~b8 (D) and now White can<br />
try:<br />
c21) 22 .te3? d4! 23 .txd4 (23<br />
bxc4 'ii'h5! 24 'iWxh5 lIxh5 25 .td2<br />
.txg2 26 ~xg2 ~b7 is good for Black<br />
in view of White's misplaced knight)<br />
23 ... .txg2 24 .txa7+ ~b7 25 ~xg2<br />
'iVc6+! 26 f3 ~xa7 + Maksimenko<br />
Scherbakov, Berlin 1993.
16 THE BOTVINNIK SEMI-SLA V<br />
w<br />
l:tc2 +) 24 ... lDd7 25 i.f2 lDxf6 +<br />
Av.Bykhovsky-Haimovich, Tel-Aviv<br />
1998.<br />
19 ... lDc6<br />
This position also often occurs via<br />
the move-order 17 ... lDb8 18 axb4<br />
cxb4 19 it'd4 lDc6.<br />
20 dxc6! ':xd4 21 cxb7+ (D)<br />
c22) 22 it'd4! i.c5 (it is a pity to<br />
offer an exchange of the a4-knight, but<br />
it is essential to block the gl-a7 diagonal;<br />
22 ... i.h6 23 i.xh6 l:txh6 24 bxc4<br />
'irxc4 25 'ire3 is winning for White)<br />
23 lDxc5 'irxc5 24 i.e3 it'xd4 25<br />
i.xd4 a6 26 l:tfbl followed by i.f1,<br />
with a clear advantage - Mikhalchishin.<br />
Black can try 26 ... c3 but White<br />
has a choice of good continuations;<br />
even 27 i.f1 c2 28 i.xd3 cxbl 'ir+ 29<br />
l:[xbl looks good for White in view of<br />
his pair of very strong bishops combined<br />
with his passed h-pawn.<br />
18 ... cxb4 19 'ii'd4<br />
<strong>The</strong> double attack on the e5-knight<br />
and the a7-pawn limits Black's options.<br />
<strong>The</strong>re seems to be an effective<br />
response to these threats in the reply<br />
19 ... lDc6 but as we shall see, White<br />
has something up his sleeve.<br />
19 it'e2? is worse due to 19 ... :'xd5!<br />
20 i.e3 (20 i.xd5? it'xd5 21 f3lDxf3+<br />
22 :'xf3 'irxf3 23 it'xf3 i.xf3 +)<br />
20 ... l:td3 21 f4 i.xg2 22 it'xg2 it'b7<br />
23 'ii'xb7+ 'ili'xb7 24 i.c5 (or 24 fxe5<br />
1::txe3 25 .:tfdl 'ili'c6 26 :'d4 l:te2 27 h4<br />
B<br />
White has two pieces and a faradvanced<br />
passed pawn to compensate<br />
for the queen, which in this case is<br />
more than sufficient compensation.<br />
21 ... 'iIi'c7<br />
<strong>The</strong> alternative is 21...'iIi'b8. <strong>The</strong>re<br />
seem to be both pros and cons for this<br />
move, but the general opinion is that it<br />
is inferior to the text-move. After 22<br />
i.e3 Black has several rather unappealing<br />
options:<br />
a) 22 ... ':d5 23 i.xa7+! 'ittxb7 transposes<br />
to note 'c2' to Black's 22nd<br />
move.<br />
b) 22 ... i.c5? 23 lDxc5 'ii'xc5 24<br />
l:ta6 l:thd8 25 ':c6! is very good for<br />
White, but after 25 ... 'ire5 26 i.xd4<br />
'ii'xd4 27l:tcl ':d5 28 l:t6xc4 it'xb2 29
THE MAIN LINE: 17 a3 17<br />
~xd5 exd5 30 lIc7 b3 one has to find<br />
31 ~g2!, which creates the crude but<br />
very effective threat of 32 lIlc6 followed<br />
by lIxf7. 31... 'Wa3 is then the<br />
only move. Black needs to keep attacking<br />
the posterior rook, thus being<br />
able to meet 32lIlc6 with 32 ... 'Wa4!.<br />
However, 32 lIc8+ ~xb7 33 lIlc7+<br />
~b6 34lIxf7 looks winning for White.<br />
White will simply exchange his f6-<br />
pawn for Black's b-pawn, converting<br />
to a winning rooks versus queen ending;<br />
e.g., 34 .. :ti'd6 (what else?) 35<br />
lIff8 b2 36 l:tb8+ ~a6 37 lIfc8 'Wxf6<br />
38l:tc2, etc.<br />
c) 22 ... e5 is, as against 21...'itc7,<br />
the best try, but Black is then better off<br />
with the king on c7. 23 b3! and now:<br />
el) 23 ... ~h6 24 bxc4 l:txc4 25<br />
~xa7+ ~c7 26 ~b6+ ~d7 27l:tadl+<br />
'ite6 28 ~h3+ ~xf6 29l:td8! +-.<br />
c2) 23 ... ~d6 24 bxc4 lIxc4 25<br />
~xa7+ ~c7 26l:tfc1l:txcl + 27lIxc1 +<br />
~d7 28 .!Db6+ ~e6 29 lIc6 and White<br />
wins.<br />
c3) 23 ... cxb3 24l:tfcl ~d6 25 ~xd4<br />
exd4 26 lIc6 d3 27 lIacl 'Wxb7 28<br />
l:txd6 'ii'b5 29 .!Db2 l:tc8 30 lIel a5 31<br />
.!Dxd3 a4 32 l:td5 'Wb6 33 .!De5 and<br />
White eventually won in Meissner<br />
Skomorokhin, Brno 1993.<br />
c4) 23 ... c3 24 lIadl! ~d6!? (or<br />
24 ... ~h6?! 25 ~xd4 exd4 26 l:txd4<br />
c2?! 27 l:tc4 cl'ii' 28lIfxc1 ~xcl 29<br />
l:txc1 lId8 30 .!Dc5 a5 31 h4
18 THE BOTVINNIK SEMI-SLAV<br />
c) 22 ... :d5 23 i.xa7 and now:<br />
c1) 23 ... 'iIi'xb7?! 24lDb6 +-.<br />
c2) 23 .. .'~xb7 24lZJb6 i.h6 (after<br />
24 ... i.d6 25 l:tfd1! l:thh5 26 l:tdc1!<br />
White picks up the c-pawn with a continuing<br />
attack) 25lZJxd5 exdS 26 :fe1!<br />
ltd8 27 i.d4 l:td7 28 :eS +- Meissner-Sinz,<br />
Altensteig 1993.<br />
c3) 23 ... i.d6 24 lZJb6 i.c5! 25<br />
lZJxd5+ exd5 was for some time believed<br />
to be Black's best saving try.<br />
First of all, I am not sure whether<br />
Krausser's assessment of the line 26<br />
bS'iIi'+ :xbS 27 i.xbS+ 'ili'xbS 2S<br />
i.xd5 i.xf2+ (;l;;) isn't too modest. I<br />
have a feeling that White should be<br />
able to get his rooks aimed against<br />
Black's c-pawn. If that can be done<br />
without allowing a perpetual check,<br />
the endgame is won for White. However,<br />
this is probably not even relevant<br />
since White plays the much stronger<br />
26 i.xc5! 'iWxc5 27 l:taS! l:tbS (forced)<br />
2S l:td1 and now:<br />
c31) 2S ... c3 29ltxd5 'iWb6 30 lhbS<br />
'ili'xbS 31 bxc3 b3 (31...bxc3 32 i.e4)<br />
32 :e5 'iWdS 33 i.e4 b2 34 ~g2, winning.<br />
c32) Nor does 28 ... :'xb7 work for<br />
Black: 29 l:txd5 'iWc6 (29 ... 'iWb6 30<br />
l:tadS!) 30 :ddS 'iWxf6 31 l:tdc8+ 'ili'b6<br />
32 i.xb7 'ili'xb7 33 l:tab8+ 'ili'a6 34<br />
l:txb4 and White wins.<br />
23lZJc3! (D)<br />
23 b3 c3 is less clear. <strong>The</strong>n we have:<br />
a) 24 l:tad1 was Krausser's initial<br />
suggestion but this has been put seriously<br />
into question: 24 ... l:txd1 25 l:txd1<br />
i.h6! (note that this would not be<br />
possible with Black's king on bS) 26<br />
i.c5 c2 27 i.d6+ ~d7 2S i.h3+ ~eS<br />
29 l:te1 'iWxb7 30 f4 'iWdS 31 i.xe5 'iWdl<br />
0-1 Maiwald-Shabalov, Neu Isenburg<br />
1992.<br />
b) 24 :fcl! is Salov's improvement;<br />
he analyses 24 ... i.c5! 25 lZJxc3<br />
bxc3 26 l:txc3 :hdS 27 i.f3! l:tbS<br />
(27 ... :Sd5 2S i.xd5 l:txd5 29 :ac1<br />
~xb7 30 l:txc5 l:txc5 31 :xc5 'iWxb3<br />
32 l:txe5 with a clear advantage to<br />
White since Black cannot immediately<br />
play 32 ... aS as there is no perpetual<br />
check after 33 :'xaS 'iWbl + 34 'ili'g2<br />
'iWe4+ 35 ~h3) 2S l:tac1 ~b6 29 :xc5<br />
(since Black can hardly move a piece,<br />
29 h4 deserves serious consideration)<br />
29 ... 'iWxc5 30l:txc5 ~xc5 31 'ili'f1 'ili'b4<br />
32 i.xd4 exd4 33 'ili'e2, and now after<br />
33 ... 'iIi'c3! things would not be that<br />
clear.<br />
B<br />
23 ..• bxc3<br />
Black has to accept the sacrifice as<br />
otherwise White would simply play<br />
l:txa7.<br />
24 bxc3 i.c5
THE MAIN LINE: 17 a3 19<br />
Salov's suggested improvement<br />
upon the game Salov-Illescas, Madrid<br />
1993, which went 24 ... :d6? 25 :abl!<br />
a6 26l:hb5 axb5 27 :al l:td8 28 .te4<br />
with a winning advantage for White.<br />
25 cxd4<br />
Salov's idea was that 25 :fbl<br />
':dl+!? 26 l:txdl.txe3 27 fxe3 would<br />
create weaknesses in White's shelter.<br />
Whether this has any importance at all<br />
is doubtful since Kamsky's continuation<br />
is the real test of Black's 24th<br />
move.<br />
25 ... .txd4 26 l:ttbl 'ifc5 27 ':a6<br />
(D)<br />
B<br />
27 ... l:tb8?!<br />
Kramnik must have missed White's<br />
next move in his preparation. <strong>The</strong> alternatives<br />
were, however, not very appealing:<br />
a) 27 ... .txe3 28 ':c6+ 'ifxc6 29<br />
.txc6 ± Kramnik.<br />
b) Ftacnik gives 27 ... c3 as the only<br />
try, but thinks White will win the rook<br />
ending after 28 .txd4 exd4 (28 ... 11hd4<br />
29 l:tc6+ ~d7 30 ':c8 c2 31 l:tn lli'b2<br />
321'hh8 el'if 33 l:txcl 'ii'xcl + 34.tn<br />
wins) 29 l:tc6+ 'ii'xc6 30 .txc6 c2<br />
(30 ... 'iii;>xc6 31 b8'if l:txb8 32 l:txb8<br />
20 THE BOTVINNIK SEMI-SIA V<br />
'ti'xh2+ 37 'ifrf3 ':xb7 38 ~xe5+ ':b6<br />
39 ~c4+ 'ifrd7 40 l:txa7+ 'iitc8 41<br />
l:tc7+ 1-0.<br />
B)<br />
17 ••. ltlb8 18 axb4 cxb4 191i'g4<br />
If White wants to take some kind<br />
of advantage of Black's move-order<br />
(17 ... ltlb8 instead of 17 ... ltle5), this is<br />
the way to do it. From g4 the queen<br />
pins the e6-pawn against the black<br />
king, thus making ... exd5 illegal, and<br />
pressurizes c4, which can be further<br />
attacked by ':fc 1. Both this and 19<br />
'ti'd4 look very promising for White<br />
(which explains Black's preference for<br />
17 ... exd5Iately). Some other options<br />
are:<br />
a) 19 'ti'd4ltlc6 transposes to Line<br />
A, since 19 ... ':xd5? 20 'it'xa7! ltld721<br />
i.f4 is definitely good for White.<br />
Given the highly favourable assessment<br />
of Line A, this already casts a<br />
dark shadow over 17 ... ltlb8.<br />
b) 19 i.e3!? i.xd5 20 i.xdS l::txd5<br />
21 'ti'e2 ltlc6 22 ':fc1 (D) is also very<br />
interesting.<br />
B<br />
Attempting to open the c-file is one<br />
of White's main strategies. Black must<br />
now react to the threat of his c-pawn:<br />
bl) 22 ... ltlaS?! 23 b3! c3 24ltlxc3<br />
bxc3 25 ':xc3+ 'ifrd7 26 'iWc2 i.d6 27<br />
':c1 'it'b7 28 b4! 'it'xb4 (28... l::txh2? 29<br />
'it'a4+! +- Cvitan-Marjanovic, Yugoslav<br />
Ch (Vrbas) 1982) 29 ':bl 'iWg4 30<br />
i.xa7! and now Kasparov has shown,<br />
with a couple of nice wins, that the<br />
continuing attack against the black<br />
king is worth more than the sacrificed<br />
piece:<br />
bll) 30 ... e5 31 'iWa2! ':dl+?! (the<br />
alternative 31... 'it'f5 !? is a more prudent<br />
defence according to Kasparov,<br />
although he thinks that White maintains<br />
an initiative with "32 l::tb7+!<br />
ltlxb7 33 'it'xd5 'it'bl + 34 'ifrg2 ltld8<br />
35 l:tb3 'iWf5 36 h4 'iWxf6 37 ':b6!"; I<br />
am not sure whether this is entirely<br />
clear, and would prefer 32 ':el!? 'iite6<br />
33 ':dl e4 34 f3!) 32l::txdl 'it'xdl+ 33<br />
'ifrg2 'iWh5 34 'it'a4+! ~e6 35 h4! and<br />
Black is not able to hold his pieces<br />
together, Kasparov-Timoshchenko,<br />
USSR Ch (Frunze) 1981.<br />
b12) 30 ... i.e5 31 l::tc5! (31 f3?<br />
i.d4+ 32 i.xd4 'it'xd4+ 33 ~hl ~d6!<br />
+) 31...l::txc5 32 i.xc5! ltlc6 33 'it'd3+!<br />
~c8 34 ':d I! ltlb8 35 ':c I! +- Kasparov-Dorfman,<br />
USSR Ch (Frunze) 1981.<br />
This game was played after Kasparov-Timoshchenko<br />
- 30 ... i.e5 was a<br />
prepared 'improvement'.<br />
b2) 22 ... ~b7? 23 ':xc4 ltlaS 24<br />
b3! (the key move; Black cannot take<br />
the rook on c4, and White is thus soon<br />
able to utilize the semi-open a-file and
THE MAIN LINE: 17 a3 21<br />
the open c-file) 24 ... Jtd6 (24 ... tLlxb3?<br />
25'if'c2! +-) 25'if'a2! a6 (25 ... :tdh5 is<br />
a tougher defence, but White is clearly<br />
better in the rook ending following 26<br />
tLlc5+ lhc5 27 llxc5 i.xc5 28 'if'xa5<br />
'if'xa5 29 lha5 Jtxe3 30 fxe3 - Anikaev)<br />
26 Jtc5 ..txc5 27 1:txc5 .:txc5 28<br />
tLlxc5+ 'if'xc5 29'if'xa5 'iixa5 30.:txa5<br />
'it'b6 31 lle5!, and compared to the<br />
previous bracket, White's pawnstructure<br />
is here much better, and he<br />
was able to win comfortably in Anikaev-Sveshnikov,<br />
Volgodonsk 1981.<br />
b3) 22 ... c3 23 'ji'xb5 llxb5 24<br />
tLlxc3! (24 bxc3 b3! is fine for Black)<br />
24 ... bxc3 25 llxc3 'it'd7 26 lla6 tLld8<br />
27 llxa7+ ~e8 28 ':c8 ± Rashkovsky-Timoshchenko,<br />
USSR Ch 1981.<br />
b4) 22 ... tLle5! (D), as introduced<br />
by Tal, is the best defence and the<br />
cause of White's neglect of this line<br />
lately.<br />
w<br />
<strong>The</strong> knight is obviously more active<br />
on e5, and it also avoids the danger of<br />
being caught in trouble on the semiopen<br />
a-file. White has now tried:<br />
b41) 23 i.xa7?! ~b7! 24 Jte3 (24<br />
tLlb6 c3! is very good for Black)<br />
24 ... lld3! and Black is clearly better.<br />
For example:<br />
b41l) 25 tLlb6!? ':xe3! 26 'ji'xe3<br />
Jtc5 27 'ji'e4+ 'it'xb6.<br />
b412) 25 f41lxh2! 26 ~xh2 ':xe3<br />
27 'ji'dllld3 28 'ji'hl + tLlf3+ 29 ~g2<br />
'ji'd5 with a strong attack, Koopmans<br />
Van der Muysenberg, corr. 1992.<br />
b413) 25 lIn Jtd6 26 f4 tLlg4 27<br />
'ji'xg41lxe3 28 :Udl 'ji'c6! and again<br />
Black's attacking chances are to be<br />
preferred, Goldenberg-Meleghegyi,<br />
corr. 1986.<br />
b42) 23 b3 c3 24 tLlxc3 bxc3 25<br />
llxc3+ ~b8 26 'ji'c2 (26 Jtxa7+ ~b7<br />
27 'if'e4 'if'b4! 28 'if'c2 Jtd6 is much<br />
better for Black according to Kasparov,<br />
with the following easy-to-miss<br />
trap in mind: 29 .:ta4? tLlf3+ 30 ':xf3<br />
'ji'el+ 31 ~g2 .:txh2+!) 26 ... Jtd6 27<br />
..txa7+ ~b7 28 b4 tLlc6 29 Jte3 Jte5<br />
30 1:txc6 Jtxal 31 .:tc7+ ~b8 = Kasparov-Tal,<br />
Moscow tt 1983.<br />
19 ... Jtxd5<br />
19 ... llxd5 20 .:tfel! c3 21 bxc3<br />
llxg5 22 cxb4+ ~d8 23 'ji'd4+ ':d5 24<br />
'ji'xa7 tLlc6 25 'ji'b6+ 'ii'xb6 26 tLlxb6<br />
± Dvoirys-Sveshnikov, Sochi 1983.<br />
20 .:tec1 tLlc6<br />
I must confess to not having properly<br />
analysed this before now, and<br />
looking at it afresh, it dawns on me<br />
that something has gone wrong for<br />
Black if his best is to use two tempi<br />
( ... tLlc6-b8-c6) on exchanging White's<br />
d-pawn for his own c-pawn. However,<br />
the alternatives are even worse, and
22 THE BOTVINNIK SEMI-SLAV<br />
the continuation for White is not that<br />
simple.<br />
21 .txd5 l:.xd5 22l:.xc4 (D)<br />
22 ~xc4? l:.d1+ is embarrassing.<br />
B<br />
22 ... l:.xg5<br />
Black has briefly been flirting with<br />
22 ... ~d7, but in my opinion the textmove<br />
is still the most reliable.<br />
a) 22 ... 'ii;lb7. In view of the brief<br />
fascination for 22 ... ~d7, it is strange<br />
that this other king move has only<br />
been tested once, as far as I know.<br />
Black threatens ... tZ:\e5 and still targets<br />
the bishop on g5. Now we have:<br />
al) 23 lhc6? ~xc6 24 .te3 .td6<br />
was far from convincing for White in<br />
Chia Keng San-Foo Hsiang Ming, Singapore<br />
1998.<br />
a2) 23l:.acl (the point of 22 ... b7 28
THE MAIN liNE: 17 a3 23<br />
as there is no good defence to 31l:[e1 +.<br />
Afterwards, however, I.Sokolov suggested<br />
that White has nothing more<br />
than a perpetual check after 28 ... 'fi a5 !<br />
29 .l:txd8+ 'fixd8 30 l:tc8 .l:td5 31<br />
.l:txd8+.l:txd8 32 'iib5+l:[d7 33 'iib8+.<br />
b12) 25 "ii'a8!. With this amazing<br />
move White combines several threats<br />
and Black cannot parry all of them:<br />
b121) 25 ... "ii'a5 26 l:td4+ ltd5 27<br />
:'xd5+ "ii'xd5 (27 ... exd5 28 'fic8+~d6<br />
29 liJc5 +-) 28 "ii'xa7+ ~e8 29 liJb6<br />
'iib5 30 l:td1! and White wins. <strong>The</strong>re<br />
is mate in a few moves starting with a<br />
sacrifice on d8.<br />
b122) 25 ... "ii'xa4? 26 l:td4+ l:[d5 27<br />
"ii'c8+ ~e8 28 .l:txd5 exd5 29 l:[e1+<br />
mates.<br />
b123) 25 ... ~e8 is the best defence,<br />
but White is winning after 26 .l:tc8 :'d5<br />
27 "ii'xa7 (D).<br />
<strong>The</strong> threat is the artistic liJb6-a8-<br />
c7+. Here are a few lines to illustrate<br />
how bad things really are:<br />
b1231) 27 ... ltd7 28 liJb6!! lha7?<br />
29 :'xd8+ ~xd8 30 :'c8#.<br />
b1232) 27 ... :'h6 28 liJb6 :'d2 (or<br />
28 .. Jbf6 29 liJxd5 "ii'xd5 30 :'xdS+<br />
'iixd8 31 "ii'a4+ +-) 29 liJaS ltd7? 30<br />
liJc7+ :'xc7 31 :'xd8+ 1-0 Lazarev<br />
Dgebuadze, Werfen 1993 .<br />
b1233) 27 ... .l:thh5 is no better. Maksimenko-Scherbakov,<br />
Aalborg 1993<br />
now continued 28liJb6 l:td2? 29 :'8c7!<br />
(this is possible as Black is not attacking<br />
the f6-pawn) 29 ... .lld6 30 l:[e7+<br />
~f8, and now the simplest would have<br />
been 31l:[xf7+!.<br />
b1234) 27 ... 'fid7 28 :'xd8+! "ii'xd8<br />
29 liJb6 l:td1+ and now 30 ~g2? is<br />
mistakenly given as winning for White<br />
by Maksimenko, but I do not see anything<br />
convincing for White after if<br />
Black replies 30 ... "ii'xb6!. However,<br />
do not despair, as White wins with 30<br />
.l:txdl! 'fixd1+ 31 ~g2 .llc5 (forced)<br />
32 'fia8+ 'fid8 33 "ii'c6+ ~f8 34<br />
'fixc5+ ~e8 35 'fib5+ ~f8 36 "ii'xb4+<br />
~e8 37 "ii'b5+ ..ti>f8 38 "ii'c5+ ~e8 39<br />
'fic6+ ~f8 40 b4!; e.g., 40 ... lth5 41<br />
liJd7+ ~g8 42 b5 l::td5 43 "ii'c4! :'g5<br />
(43 ... 'fia8 44 'fie4 'fib7 45 liJc5 "ii'a8<br />
46 b6 'fif8 47 b7 +-) 44 h4 ':g6 45<br />
'fic6, etc.<br />
b2) 23 l::tdl!? was Knaak's idea,<br />
tested in a game by Piket, and while it<br />
may well be rather strong, I find the<br />
above analysis convincing enough, so<br />
I will restrict myself to giving the<br />
Piket game: 23 ... liJe5 24ltc5! liJxg4<br />
(24 ... .txc5 25 lhd5+ ~e8 26 ':xe5<br />
.llxt2+ 27 ~xt2 "ii'xe5 28 h4 and White<br />
wins) 25 ':dxd5+ exd5 26 :'xb5 with a<br />
clear advantage for White, Piket<br />
Nalbandian, Biel IZ 1993.
24 THE BOTVINNIK SEMI-SLAV<br />
23 'ii'd4 'itb8 24 ':'xc6 Ibg3+ 25<br />
fxg3 'ii'xc6 26 ltd1 .i.h6 (D)<br />
w<br />
<strong>The</strong> assessment of this endgame is<br />
very important for the entire variation<br />
with 19 'fig4, but despite several outings<br />
in tournament play, an established<br />
conclusion has not been drawn.<br />
Both kings are exposed, which makes<br />
it difficult for either side to launch a<br />
direct attack, since the counterattack<br />
would be swift. White can net a pawn<br />
on b4 but this opens a line for Black's<br />
rook, and perhaps more critically<br />
wastes time. <strong>The</strong>refore the best is to<br />
activate the knight.<br />
27 ttJc5<br />
27 'ii'xb4+ ~a8 28 'fid4 was suggested<br />
by Knaak, but it is not clear<br />
what White should do after 28 ... ':'b8!'<br />
In Vikulov-Naivelt, USSR corr. Ch<br />
1991, White quickly went astray with<br />
29 h4 (nor does 29 ttJcS ':'bS 30 b4<br />
':'xb4 31 'ii'eS ltb8 appear clear)<br />
29 ... ltb3! 30~h2? 'fic2+ 31 'ith3.i.f4!<br />
32 'ii'xf4 'ii'xdl 33 ttJc3 'ii'd3 34 hS<br />
':'xb2 and Black soon won.<br />
27 ... ~a8 28 'ii'e4 'ii'xe4 29 ttJxe4 as<br />
Black has reasonable counterplay<br />
in the endgame, Yusupov-Tukmakov,<br />
Leningrad 1987.<br />
C}<br />
17 ... exd518 axb4 (D)<br />
18 ltel has received comparatively<br />
little interest but is not without venom.<br />
White now threatens .i.xdS as Black<br />
has been deprived of the reply ... ttJeS.<br />
Hence the only move is 18 ... d4, when<br />
White can try:<br />
a) 19 axb4 transposes to note 'a' to<br />
White's 19th move in Line C2.<br />
b) 19 i.xb7+ 'itxb7 20 axb4 cxb4<br />
21 'fixd4 (21 'fif3+? 'fic6 22 'fifS .i.d6<br />
was fine for Black in Beliavsky-Lutz,<br />
Munich 1994; White has no obvious<br />
attack, while Black has managed to<br />
solve most of his usual problems)<br />
21...'fixgS 22 'fixc4 ':'c8 23 'ii'xf7 ':'c7<br />
with an unclear position according to<br />
Lutz. I would say Black's chances are<br />
quite promising. White will most<br />
likely lose the f6-pawn, while his king<br />
looks as exposed as Black's.
THE MAIN LINE: 17 a3 25<br />
<strong>The</strong>re are now two main continuations<br />
for Black. <strong>The</strong> first used to be the<br />
• automatic' repl y, but realizing White's<br />
firm control of d4, attention has now<br />
been drawn towards the interesting<br />
pawn sacrifice 18 ... d4. Black then<br />
achieves his principal aim in the main<br />
line of the <strong>Botvinnik</strong> System, namely<br />
to get his d-pawn rolling.<br />
Cl: 18 ... cxb4 25<br />
C2: 18 ... d4!? 29<br />
el)<br />
18 ... cxb4 (D)<br />
w<br />
Black has re-established the material<br />
balance, resulting in a lopsided<br />
pawn-structure where White has a<br />
great majority on the kingside, but only<br />
has 1 vs 4 on the queenside. Black's<br />
main trump is his passed d-pawn but<br />
his lack of control over the d4-square<br />
makes its advance far from easy.<br />
Moreover, as long as it remains on d5,<br />
the light-squared bishop is hemmed<br />
in. Hence White should seek to blockade<br />
the d-pawn, and this can be done<br />
with moves like ~d4 and/or 3t.e3, simultaneously<br />
creating a threat against<br />
the shy but very important a-pawn .<br />
This pawn plays a major role in the<br />
defence of Black's king, and therefore<br />
needs coverage. This makes me<br />
think of another, very important, factor,<br />
namely the safety ofthe two kings.<br />
While White's monarch enjoys an almost<br />
unspoiled shelter, Black's king<br />
is much more vulnerable to attacks<br />
with, for example, a queen on g4 and<br />
bishop on f4. Furthermore, White can<br />
try to open the queenside with ~(t)cl<br />
and b3.<br />
19 i.e3<br />
This retreat serves several functions.<br />
First, it is a strong positional move,<br />
taking further control of the d4-square<br />
and attacking the a7-pawn. Second,<br />
White walks out of possible tricks involving<br />
attacks against the unprotected<br />
bishop on g5. While this is in<br />
my opinion the most logical move,<br />
White has also tried other moves:<br />
a) 191i'd4?! occupies d4 with the<br />
wrong piece. <strong>The</strong> only game I know of<br />
with this continuation is Nikolac<br />
Kishnev, Munich 1993, and although<br />
the experiment went well for White, it<br />
is not worth repeating. Black has very<br />
easy play after 19 .. . ltJc5 20 b3 tiJxb3<br />
211i'xa7 (the ·point'). Now, rather than<br />
21...tiJxal?, as in the game, Black can<br />
play Beliavsky's suggestion 21...3t.c5<br />
22 tiJxc5 ~xc5, or Fritz's even stronger<br />
2l...~d6 22 i.f4 ~a6!'<br />
b) 19 .l:tel i.h6!? 20 i.xh6 ~xh6<br />
21 ~d4 ~xf6 22 i.h3 ~d6 (22 ... .l:tc6
26 THE BOTVINNIK SEMI-SLAV<br />
23 :e7 :a6 24 b3 looks good for<br />
White) 23 ttJc5 'ii'b6 24 lied 1 (24<br />
l:te7!?) 24 ... ~c7 25 SLxd7 lI8xd7 26<br />
ttJxd7 'ii'xd4 27 lIxd4 ~xd7 (D) actually<br />
gave Black enough compensation<br />
to draw in the game Stean-Rivas, Marbella<br />
Z 1982.<br />
<strong>The</strong> point is that White cannot maintain<br />
his blockade of the d-pawn after<br />
Black plays ... ~c6-c5. This is one of<br />
those typical totally unclear endings<br />
where material does not seem to matter<br />
much. What counts is that Black's<br />
queenside pawns are so dangerous<br />
that White does not have enough time<br />
to turn his h-pawn to account. Just in<br />
case you do not believe me, here is the<br />
rest of the game: 28 h4 ~c6 29 h5 "'c5<br />
30 l:th4 l:th6 31 g4 d4 32 g5 l:th8 33<br />
lIxa7 SLc6 34 l:ta5+ SLb5 (the pawns<br />
are now becoming threatening enough<br />
to oblige White to liquidate into a<br />
drawn rook ending) 35 l:txd4 'ifi'xd4 36<br />
l:txb5 l:txh5 37 l:txb4 liz-liz.<br />
c) 19 h4 has been used as a surprise<br />
weapon a few times, but should hardly<br />
cause much inconvenience after correct<br />
play from Black. <strong>The</strong> idea is to defend<br />
the g5-bishop, and Black must<br />
now also reckon with the possibility of<br />
a future SLh3+. Black can now choose<br />
between:<br />
c1) 19 ... ttJe5 20 l:te1 SLd6 (20 ... tiJd3<br />
21 lIe7! SLxe7 22 fxe7 lId6 23 'iWg4+<br />
"'b8 24 'iWd4 l:te8 25 SLfl l:ta6 26 b3!<br />
is clearly better for White according to<br />
Dokhoian; I wholly agree with this -<br />
although Black has a material advantage,<br />
all his pieces are tied to defensive<br />
duties) 21 'ti'd4 ttJc6 22 'iWxd5 'iWxd5<br />
23 SLxd5 ttJd4 24 lIad1! ± Yusupov<br />
Dokhoian, Bundesliga 199213.<br />
c2) 19 ... ttJc520'iWg4+?! (this move<br />
has widely been condemned, and 20<br />
l:tel!? suggested as an improvement)<br />
20 ... 'ti'd7! 21 'ii'xd7+ "'xd7 22 ttJxc5+<br />
SLxc5 23 l:ta5 "'c6 24 SLe3 SLb6 and<br />
Black was already much better in<br />
Kolev-Van Wely, Moscow OL 1994.<br />
d) 19 'ii'g4!? d4 (19 ... SLd6!?) 20<br />
SLxb7+ "'xb7 21 'ii'e4+ 'iWc6 22 'iWxd4<br />
SLd6 23 l:tfe1 lIde8 24 l:txe8 lIxe8 25<br />
SLe3 SLb8 26 'ii'xd7+ 'ii'xd7 27 ttJc5+<br />
'ifi'c8 28 ttJxd7 "'xd7 29 l:ta4 a5 30<br />
lIxa5 SLe5 with counterplay, which<br />
was even enough to win for Black in<br />
Zarubin-Andrianov, USSR 1982.<br />
19 ... ttJc5<br />
19 ... ttJe5 20 'ii'd4 ttJc6 21 'ti'g4+<br />
l:td7 22 :fdi ± P.Nikolic-Westerinen,<br />
Esbjerg 1982.<br />
20 'ii'g4+<br />
20 ttJxc5 SLxc5 21 'ti' g4+ "'b8 22<br />
'iWf4+ "'a8 23 'fIc7 allows Black an<br />
easy draw with 23 ... l:tc8 24 'ii'xf7 lIhfS
THE MAIN LINE: 17 a3 2'1<br />
25 fig7 :g8 26 fih7 :h8 27 fig7<br />
1/2_1/2 Kharitonov-Dorfman, Vol godonsk<br />
1981. White can avoid the repetition<br />
but this means that the queen has<br />
to leave the 7th rank, thus allowing<br />
Black's d-pawn to move forward.<br />
20 .. J:td7<br />
Black soon ends up in trouble following<br />
20 .. /.ii'b8? 21 fid4! lLIxa4 22<br />
fixa7+
28 THE BOTVINNIK SEMI-SU V<br />
d) 23 ... d4 is based on a tactical<br />
oversight: 24 i..xb7+ lhb7 25 ltJxb7<br />
'iWb6 (25 ... ~xb7 26 i..xd4 a5 27 l:tfe1<br />
+-) 26 i..xd4!! (this is probably what<br />
Shirov had missed; the combination of<br />
two rooks and a knight is in the following<br />
playa deadly attacking force<br />
against the queen, while the rook is<br />
held up by a single pawn) 26 ... 'iWxd4<br />
27 ':'fd1 'iWxb2 (27 ... 'iWxd1+ 28 ':'xd1<br />
rJ;>xb7 29 l:td4 lhg7 30 ':'xc4 a5 31<br />
':'f4! ~b6 32 h4 ~b5 33 b3 is a winning<br />
rook ending for White, as Black<br />
cannot activate his rook and it is impossible<br />
to create a passed pawn since<br />
... a4 is met by lH5+; 27 ... 'iWxg7 28<br />
l:txa7 ~b8 29 ':'da1 lIe8 30 ltJd6 lie 1 +<br />
31 lIxe1 ~xa7 32 ltJxc4 also gives<br />
White a large endgame advantage) 28<br />
ltJd6+ ~b8 29 lIdbl 'iWxg7 (attempts<br />
to hold on to the b-pawn also fail:<br />
29 ... 'ii'c3 is met by 30 ':'xa7! lIxg7 31<br />
l:tb7+ ~a8 32 l:.7xb4 and 29 ... 'iWd2 by<br />
30 ltJxc4 'iWc3 31 l:.a4! b3 32 ltJa5,<br />
eventually picking up the pawn) 30<br />
l:.xb4+ ~c7 31 l:.a6 l:.b8 32 l:.xa7+<br />
~xd6 33 l:.xb8 'iWg4 34 l:td8+ ~c6 35<br />
l:.a1 1-0 Ivanchuk-Shirov, Wijk aan<br />
Zee 1996.<br />
Returning to the position after<br />
23 ... l:txg7 (D):<br />
24i..d4!<br />
It is best that White prevents Black<br />
from creating counterplay with ... d4.<br />
A few examples to show why:<br />
a) 24 i..h3 f5! (24 ... i..c6 25 lIxa7<br />
would be very good for White) 25<br />
i..xf5 d4!? 26 i..xd4 l:.gf7 (Burgess<br />
mentions 26 ... 'ii'c6 27ltJxb7 rJ;>xb7 28<br />
w<br />
l:.xa7+ ~b8 29 l:.xd7 l:.xd7 30 i..e5+<br />
'iitb7 31 ':'e 1 i), "retaining definite<br />
counterchances" according to Ivanchuk,<br />
and this looks quite right; e.g.,<br />
27 i..g4 i..f3 (27 ... 'iWc6 is similar to<br />
26 ... 'iWc6; for example, 28ltJxb7 ~xb7<br />
29 ':'xa7+ ~b8 30 ':'xd7 ':'xd7 31<br />
i..e5+ 'iitb7 32 i..xd7 'iWxd7 33 f4 and<br />
White is better) 28 ltJxd7 i..xg4 29<br />
ltJe5 'iWd5 and something seems to<br />
have gone wrong for White.<br />
b) 24l:lxa7 and now:<br />
bl) 24 ... d4!? 25ltJxd7 (25 i..xb7+<br />
lhb7 26 ltJxb7 'iWb6! is good for<br />
Black) 25 ... i..xg2 26 i..xd4 i..xfl 27<br />
ltJb6+ ~b8 28ltJd7+ ~c8 29ltJb6+ is<br />
a forced draw.<br />
b2) 24 .. J:tc7 is interesting and can<br />
lead to a fascinating position; e.g., 25<br />
ltJxb7 lIxb7 26 l:.a8+ l:.b8 27 i..h3+<br />
~d8 28 l:.fal l:.xa8 29 l:.xa8+ ~e7 30<br />
l:.a7+ 'iitf6 31 i..d4+ ~g6 32 i..d7!?<br />
'iWb8 33 l:.a6+ ~h7 34 i..f5+ l:.g6<br />
(34 ... ~g8 35 l:tc6) 35 h4 ~h6 36<br />
i..e3+ ~g7 37 i..d4+ ~h6 38 i..e3+<br />
with a perpetual check unless Black<br />
risks 38 .. .'~h5. I am sorry to break off
THE MAIN LINE: 17 a3 29<br />
at this very unclear point, but I am sure<br />
I could spend countless hours trying to<br />
find out whether White can weave a<br />
mating-net or not. I will leave it up to<br />
you to find out.<br />
24 ... f5 25 lL\xd7!?<br />
B.Lalic-Wilson, London 1996 continued<br />
25 i.h3 l::tgf7 26 l::txa7 l::tc7 27<br />
lL\e6l::tce7 (27 ... l::tc6? 2S lL\g5 l::tfS 29<br />
l::tfa1 is good for White; e.g., 29 ... l::ta6?<br />
30 l::t 1 xa6 .txa6 31l::taS+ +- Lalit) 2S<br />
lL\g5 'iifeS! 29 lL\xf7 'iifxf7 30 l::tfa1<br />
'ii'h5 31 .tg2 f4 32 l::t7a5 f3 33 .tn<br />
and now White would have been in<br />
trouble after 33 ... l::te4!.<br />
25 .•. l::txd7 26 l::txa7<br />
White's position is somewhat easier<br />
to play, according to Sadler, although<br />
still very unclear.<br />
C2)<br />
IS ... d4!? (D)<br />
w<br />
This inventive move was first seen<br />
in the game Sakaev-Van Wely, Moscow<br />
OL 1994, which had an abrupt<br />
finish, as it was agreed drawn after 19<br />
i.xb7+. I remember setting about to<br />
analyse the position, and found the<br />
number of hidden possibilities amazing.<br />
<strong>The</strong> move is a very direct way of<br />
trying to avoid the problems arising<br />
when Black cedes control of the d4-<br />
square (as in Line C1).<br />
19 i.xb7+<br />
Exchanging bishops is very logical.<br />
First of all it cannot really be avoided;<br />
second, Black must now decide whether<br />
to recapture with the king or the queen.<br />
<strong>The</strong> other options are:<br />
a) 19l::te1 (this position could also<br />
arise if White had played lSl::te1 d4 19<br />
axb4) 19 ... i.xg2 20 'it>xg2 and now:<br />
a1) 20 ... cxb4 21 'ii'xd4 'ii'xg5 22<br />
'ii'xc4+ 'iitbS is certainly a risky choice.<br />
Black has won the bishop on g5 but at<br />
the cost of White being able to destroy<br />
the whole of Black's centre. White has<br />
tried several rook moves but 23l::ted1!<br />
appears to be the strongest. White<br />
makes sure that Black cannot complete<br />
his development due to the pin of<br />
the d7-knight, while preserving the<br />
other rook on the attractive a-tile. Additionally,<br />
and most importantly, White<br />
threatens the rook-lift 24 l::td5!. Black<br />
can try:<br />
all) 23 .. :~f5 24 l::td5 'iifh3+ 25<br />
'iitf3 and Black has run out of checks<br />
while being faced with the threat of<br />
l::tb5+, and a number of others.<br />
a12) 23 .. :~xf6 24 'ii'b5+ lL\b6 25<br />
lL\xb6 axb6 26 l::txdS+ 'ii'xdS 27 'ii'c6<br />
and Black is soon mated.<br />
a13) 23 ... l::tcs (D) is the only move.<br />
<strong>The</strong>n we have:
30 THE BOTVINNIK SEMI-SlAV<br />
w<br />
a131) 24 ~a6? is tempting but<br />
gives Blackjust the breathing space he<br />
needs. 24 ... ~f5! (an excellent defensive<br />
and attacking move) 25liJb6 (25<br />
h4 l:tc2 and 25 .l:.d2 'iWh3+ 26 ~f3<br />
'it'h5+ win for Black) 25 ... l:txh2+! 26<br />
'it>xh2 ~xf2+ 27 ~h3 (27 'it>h1 'it'f3+<br />
28 ~h2 l:tc2+ and White is mated)<br />
27 .. :ii'f5+ 28 g4 'it'f3+ 29 ~h4 ~f2+!<br />
(Black had a last chance to go wrong<br />
with 29 .. :ii'xf6+? 30 g5 ~f4+ 31 'it>h3,<br />
when there is nothing better than a<br />
perpetual check) 30 ~h3 ~e3+ 31<br />
'iti>h4 ~h6+ 32 'ifi>g3 i.d6+ 0-1 Van<br />
Wely-Piket, Wijk aan Zee 1994.<br />
a132) 24 'ii'xf7! liJe5 (24 ... liJxf6<br />
25liJb6 ':'h7 26liJd7+! wins for White<br />
- Van Wely) 25 ~d5 ~xf6 26 ~b5+<br />
'it>c7 27 ':'ac 1 + liJc6 28 l:tc2! l:th6 29<br />
'it'a6 'ifi>b8 30 liJb6! l:tc7 31 liJd7+<br />
l:txd7 32l:txd7 1-0 Galliamova-Buturin,<br />
L vov 1995.<br />
a2) 20 ... 'ii'xb4! 21 liJc3 (the endgame<br />
after 21 'ii'f3 'it'b7 22 'it'xb7+<br />
~xb7 23l:tac1liJb6 24liJxb6 axb6 25<br />
l:hc4 'ifi>c6 is probably even better for<br />
Black, as it is easier for Black to set his<br />
queens ide pawns in motion than it is<br />
for White to advance his phalanx on<br />
the kingside) 2l...dxc3 22 ':'xa7 ~6<br />
23 ~a4 is unclear according to some<br />
older analysis by Dolmatov but this<br />
obviously needs to be further investigated;<br />
e.g., 23 ... cxb2 and now White<br />
must act quickly, else Black consolidates<br />
with ... liJb8:<br />
a21) 24l:ta6? ~b7+ 25 ':'c6+ ~b8<br />
26 i.f4+ liJe5 27 .ltxe5+ (27 l:txe5<br />
i.d6 28l:te7 b1~ -+) 27 ... .ltd6 -+.<br />
a22) 24l:te8? liJb8 -+.<br />
a23) 24l:txd7 l:txd7 25 ~a8+ ~c7<br />
26 i.f4+ .ltd6 -+.<br />
a24) 24 .ltf4 .ltd6 25l:ta6 (25 i.xd6<br />
'iWxd6) 25 ... i.xf4! 26 l:txb6liJxb6 27<br />
'it'a6+ 'iti>c7 28 l:te7+ l:td7 29 ~b5!<br />
i.d6 30 J:hd7+ liJxd7 31 ~xb2liJb6<br />
and again White's chances of defending<br />
are poor.<br />
b) 19 liJxc5!? and then:<br />
b1) 19 ... i.xc5 20 i.xb7+ 'it'xb7?<br />
(20 ... ~xb7 21 bxc5 liJxc5 with compensation;<br />
this might also occur via<br />
note 'a' to White's 20th move) 21 bxc5<br />
liJe5 22 f4 liJd3, Ronneland-S.<strong>Pedersen</strong>,<br />
Gothenburg 1996, and now White<br />
wins with 23 'ii'a4! liJxb2 24 c6! ~b6<br />
25 'it'xa7 ~xa7 26l:txa7.<br />
b2) 19 ... i.xg2 20 'iti>xg2liJxc5 (or<br />
20 ... i.xc5 21 bxc5 ~b7+ 22 'ifi>gl<br />
transposing to 'b1') 21 bxc5 i.xc5 22<br />
~f3 'ifi>b8 is actually far from clear.<br />
White is a pawn up and even has a<br />
seemingly strong attack but if Black<br />
can repel this (which I think he can)<br />
the centre pawns should not be underestimated.
THE MAIN LINE: 17 a3 31<br />
19 ... xb7 (D)<br />
19 ... 'ii'xb7? 20 lLlxc5lLlxc5 21 bxc5<br />
~xc5 22 'ii'c2 'ii'd5 23l:[fcl 'ii'xg5 24<br />
'it'xc4 and White wins.<br />
w<br />
20 lLlc3!?<br />
When I told a friend of mine, GM<br />
Peter Heine Nielsen, about this line he<br />
soon came up with this possibility. After<br />
a long analysis session we concluded<br />
it was more or less winning for<br />
White (but we were wrong!). <strong>The</strong> alternatives<br />
are therefore worth investigating:<br />
a) 20 lLlxc5+ ~xc5 21 bxc5lLlxc5<br />
seems to give Black quite decent compensation.<br />
b) 20 ~f4! 'ii'c6 21 llel currently<br />
looks the most dangerous:<br />
bl) At first, I thought 21...~d6<br />
was quite clever since 22 ~xd6? allows<br />
22 .. .lhh2! 23 lLlxc5+ lLlxc5 24<br />
lle7+ (24 f3 l::tdh8 -+) 24 ... lLld7 25<br />
llxd7+ llxd7 26 xh2 ':xd6, when<br />
Black is probably slightly better. However,<br />
I soon came down to earth when I<br />
realized that 22 b5! 'ii'c7 23 'ii'f3+<br />
b8 24 ~xd6 'it'xd6 25 l:.e7 stops all<br />
tricks and gives White a very promising<br />
game.<br />
b2) 2l...d3 22 b5 'it'xb5 23 lle4<br />
(Lutz recommends 23 b3!?, which actually<br />
does appear very promising:<br />
23 ... cxb3 24lLlc3 'ii'c6 25 'it'xb3+ gives<br />
White a clear advantage) 23 ... lLlb6 24<br />
lLlxb6 axb6 25 lle7+ (Lutz suggests<br />
that White should rather wait and see<br />
what Black has in mind, for example<br />
after 25 h4!?) 25 ... ~xe7 26 'it'f3+<br />
'it'c6 27 l::ta7+ xa7 28 'it'xc6 ~d6! 29<br />
~xd6 d2 30 'it'd5 l::the8 31 'it'xf7+<br />
(this only leads to a draw, so perhaps<br />
White should consider 31 'iii'xd2!?<br />
lle6 32 ~b8+ ':xb8 33 h4!? with an<br />
edge) 3l...'iita6 32 'ii'xc4+ b5 33 'ii'a2+<br />
~b6 34 'iii'd5 llel+ 35 ~g2 dl'it', and<br />
now rather than 36 ~xc5+? ~c7 37<br />
'ii'xdl llexdl 38 f7 l:tld6 0-1 Aseev<br />
Se.lvanov, St Petersburg Ch 1998,<br />
White should take a draw with 36<br />
'ii'xc5+ 'iita6 37 'ii'c6+ 'iita7 38 'it'c7+<br />
'iita6 39 'ii'c6+.<br />
20 ... dxc3<br />
Black is forced to accept the sacrifice.<br />
21 iidS+ 'iitb6<br />
21...~c8?! occurred in S.<strong>Pedersen</strong><br />
Se.lvanov, Cappelle la Grande 1996. I<br />
had confidently lashed out 20 lLlc3!?<br />
and only spent a couple of minutes.<br />
My opponent now had a long think<br />
and came up with this. I was pretty sure<br />
that I had already refuted it, but having<br />
calmed down I soon realized that there<br />
was not actually a forced win but that<br />
I had t() content myself with 'just' a
32 THE BOTVINNIK SEMI-SLAV<br />
very promising position. 221ba7 j.h6<br />
(22 ... cxb2 23 j.f4 +-) 23 j.xh6 .l:r.xh6<br />
and now:<br />
a) 24 bxc3 .l:r.xf6 25 'it'a8+ 'it'b8 26<br />
.l:r.dl .l:r.e8! and Black survives.<br />
b) Noris 24 bxc5 .l:r.xf6 convincing.<br />
c) 24 'it'a8+ tDb8 25 .l:r.aS 'it'xb4 26<br />
bxc3 'it'b6 :t.<br />
d) 24 'it'd6!? is tempting but a<br />
closer look reveals that things are not<br />
that clear. 24 ... 'it'b6 25 :a8+ ~b7 26<br />
'fixb6+ tDxb6 27 :xd8 cxb2 28 bxc5<br />
c3! 29 cxb6 c2 30 .l:r.dd 1 cxd 1 'it'<br />
(30 ... :xf6 31 :cl! ':'c6 32 h4 ~xb6<br />
33 h5 ~c7 34 h6 bxcl 'it' 351bc1 ~d7<br />
36 h7 .l:r.c8 37 lhc2 .l:r.h8 38 .l:r.e2 gives<br />
White some chances) 31 l:.xdl l1xf6<br />
32 l:.bl l:.xb6 33 h4 ~c6 and I think<br />
Black has enough counterplay to draw<br />
the endgame.<br />
e) 24 l:.fal! tDb8 (24 .. Jbf6 25<br />
:a8+ tDb8 26 .l:r.xb8+ 'fixb8 27<br />
'it'xc5+ and now 27 .. .cJ;b7 28 'ii'e7+<br />
~c8 29 'it'xf6 +- or 27 ... ~d7 28 .l:r.a7+<br />
'fixa7 29 'it'xa7+ ~e8 30 bxc3, winning)<br />
25 'it'xf7 'it'c6 (25 ... 'ii'b6 26<br />
bxc5 'it'c6 27 bxc3 {or 27 'ii'xc4!?} is<br />
also clearly better for White; e.g.,<br />
27 .. .lhh2 28 l:.c7+ 'it'xc7 29 'it'xc7+<br />
xb5 26 'it'xf7 and<br />
then:<br />
a) 26 ... a5!? 27 j.f4 tDb6 28 j.c7<br />
.l:r.d7 29 'it'e8 j.g7 30 'it'e5! j.xf6<br />
(30 ... j.h6 is probably a simpler solution)<br />
31 'it'xf6 :xc7 32 'it'xh8 a4 33<br />
'iWe8+ .l:r.d7 34 'fie 1 a3 35 'ii'b 1 + ~c6<br />
and I think Black has enough counterplay<br />
to draw.<br />
b) 26 ... j.d6 27 'it'd5 tDb6 28 'iWf5<br />
as 29 j.cl?! (Sakaev gives 29 g4!? or<br />
29 'it>g2 a4 30 j.c 1 :he8 31 g4 as possible<br />
improvements) 29 ... l:.he8 30 ~g2<br />
.l:r.el 31 j.a3 j.e5? (31...tDd7! gives<br />
Black an improved version of the game<br />
after 32 f7 but it is still not quite clear<br />
exactly how Black defends against the<br />
rolling pawns) 32 f7 j.d6 33 g4 j.f8
THE MAIN LINE: 17 a3 33<br />
34 h4 l:td2 35 h5! 1:.ee2 36 .txc5!<br />
.txc5 37 'ii'xc5+ ~xc5 38 fS'ii'+ ~b5<br />
39 h6 +- Sakaev-Se.lvanov, Russia<br />
1996.<br />
c) 26 ... .th6 is a more radical way<br />
of solving Black's problem; once his<br />
dark-squared bishop vanishes, White<br />
will only have his queen to prevent<br />
Black's a-pawn from queening. 27 h4<br />
.txg5 28 hxg5 a5 29 'ilVg6 a4 30 'iVb1 +<br />
'it>a5 31 'ii'b7 ltJxf6!? (3l...ltJb6 is a<br />
risky winning attempt) 32 gxf6 l:ta8<br />
33 'ii'c7+ 1/2- 1 /2 Cu.Hansen-S.<strong>Pedersen</strong>,<br />
Odense training match 1995.<br />
Returning to the position after 22<br />
.tf4 (D):<br />
B<br />
22 ... l:thS!!<br />
This is the stunning move that<br />
keeps Black alive in this whole variation.<br />
You can be pretty sure that it is<br />
not one of the many 'computer novelties'<br />
we see these days, but it stems<br />
from the strong desire of GM Sergei<br />
Ivanov, one of the greatest experts in<br />
the whole <strong>Botvinnik</strong> complex, to make<br />
this line to work for Black.<br />
Before I delve into showing why<br />
this is so clever compared to the alternatives,<br />
I will explain the purpose of<br />
the rook sacrifice, for it is actually<br />
very simple: the queen is deflected<br />
from the centre, thus allowing Black<br />
time to establish two far-advanced<br />
passed pawns. "Is this really enough to<br />
compensate for a whole rook?", you<br />
might ask. Well, to be honest, I do not<br />
know, but it does actually look like<br />
Black's chances are by no means<br />
worse. Of course, one cannot just accept<br />
the strength of such a move by<br />
such superfluous considerations - it<br />
has to be backed up by concrete analysis.<br />
We will return to that.<br />
First, a few alternatives; the purpose<br />
of 22 .tf4!? is shown graphically<br />
in the first three lines:<br />
a) 22 ... cxb4? loses outright to 23<br />
.tc7+.<br />
b) 22 ... l:tc8?! 23 l:ta5 'it'xb4 (after<br />
23 ... 'iVc6 24 'ii'xc4 'it>b7 25 .l:tfa1 :a8<br />
26 bxc3 White is much better) 24<br />
'ii'xd7 'ii'xa5 (24 ... 'it>xa5 25 .l:ta1 + 'it>b6<br />
26l:txa7 +-) 25 bxc3 and White wins.<br />
c) 22 ... cxb2?! is another bad decision.<br />
White wins by 23 l:ta5! (but not<br />
23 .tc7+? 'it>xc7 24 :xa7+ r,t>c8 and<br />
Black survives) 23 ... a6 (23 ... 'it'xb4?<br />
24 .i.c7+ 'it>xc7 25 l:txa7+ 'it>c8 26<br />
'ilVc6+ 'it>b8 27 :a8#) 24 :xb5+ axb5<br />
25 .te3!, threatening 26 bxc5+ .txc5<br />
27 'iVd6+ 'it>b7 28 .txc5 winning.<br />
d) 22 ... a6 was the closest I initially<br />
came to making this line work for<br />
Black, but here too White is close to a<br />
forced win. 23 :a5 'ii'xb4 (D) and then:
34 THE BOTVINNIK SEMI-SLAV<br />
w<br />
B<br />
dl) 24 l:tfal?! 'iWxa5 25 ':xa5 cxb2<br />
26 ':xa6+ ~xa6 27 'iWxc4+ ~b7 28<br />
'iWd5+ =.<br />
d2) 24 bxc3 'iWxa5 25 l:tbl + 'iWb5<br />
26 lhb5+ axb5 (26 .. .'it;xb5 27 ~c7)<br />
27 'iWxf7 is probably good for White<br />
but not entirely clear.<br />
d3) 24 l:ha6+! 'iitxa6 25 l:tal +<br />
'iitb5 (25 ... ~b6 26 ~c7+ rl;xc7 27<br />
l:ta7+ +-) and now:<br />
d3l) 26 'iWb7+ is tempting but not<br />
the right move-order; White only has a<br />
draw after 26 ... ttJb6 27 ~c7 ':d6 28<br />
~xb6 (28 .l:ta6?? cxb2! -+; 28 ~xd6??<br />
cxb2! -+; 28 bxc3?? 'iWb2 29 l:ta6<br />
l:tdl+ 30 ~g2 ':xh2+ -+) 28 ... l:txb6<br />
29 'iWd7+ l:tc6 30 'iWb7+.<br />
d32) 26 ~c7! ttJb6 27 'iWxd8 'iWxb2<br />
(27 ... ~c6? 28 ~xb6 cxb2 29 'iWc8+<br />
~d5 30 'iWd7+ and White wins) 28<br />
'iWe8+ 'iitb4 29 .l:ta6 ttJd7 30 'iWa8! (30<br />
'iWxd7 allows Black a perpetual check:<br />
30 ... 'iWbl+ 31 ~g2 'iWe4+) 30 .. .'~b3<br />
31 l:tal (D).<br />
Note the nice geometry in all this;<br />
'iWe8-a8 and now the rook backwards,<br />
threatening ii'a4#. In some lines even<br />
bringing the queen back to e4 becomes<br />
an option. Now Black has two<br />
possibilities:<br />
d321) 31. .. ii'xal + 32 'iWxal c2 33<br />
~a5 with a further branch:<br />
d3211) 33 ... ~d6 34 ~c3! followed<br />
by 'iWb2+ and 'iWxc2+.<br />
d32l2) 33 ... ~h6 34 f4 ~xf4 35<br />
ii'c3+! (35 gxf4? l:th3 36 ~d2 ':'d3 37<br />
~c1 l:tdl+ 38 ~g2 ':xcl 39 'iWxcl<br />
ttJxf6 and Black should make at least a<br />
draw; e.g., 40 h4 ttJd5 41 h5 ttJb4 42<br />
h6 ttJd3 43 ii'n cl'iW 44 'iWxcl ttJxcl<br />
45 h7 c3 46 h8ii' and now 46 ... ttJd3 47<br />
ii'b8+ ttJb4 48 'iWa7 c4 or 46 ... c2!?)<br />
35 ... 'iita4 36 gxf4 l:tc8 (36 ... .l:th3 37<br />
ii'xc2+ rl;xa5 38 'iWd2+ picks up the<br />
knight) 37 'iWxc2+ ~xa5 38 'iWd2+ c3<br />
39 ii'xc3+ ~b5 40 'iWb3+ ~a5 41<br />
'iWxf7 +-.<br />
d3213) 33 ... ttJe5 34 ii'c3+ ~a4 35<br />
'iWxc2+ 'iitxa5 36 'iWc3+ ~a4 37 ii'xe5<br />
'iitb4 (for 37 ... ~b3 38 ii'd5 'iitb4 39<br />
ii'xf7, see 37 ... ~b4) 38 'iWb8+ ~a3 39<br />
'iWa7+ ~b4 40 'iWxf7 c3 41 'iWa2 ~h6<br />
42 f7 and I suppose White should be<br />
able to win, although Black has some
THE MAIN LINE: 17 a3 35<br />
counter-chances after, for example,<br />
42 ... ig7!? followed by ... %:td8.<br />
d322) 31...~c2!? may be Black's<br />
best chance. <strong>The</strong>n after 32 %:tel!? Black<br />
can perhaps play 32 ... itJxf6!? or even<br />
32 ... ~b3!?, while 32 .. :i'b3? runs into<br />
a mating-net following 33 'iii'e4+ ~b2<br />
34 ii'bl + ~a3 35 'i'al + 'iii'a2 36<br />
ii'xc3+ ~a4 37 ii'a5+ ~b3 38 l:te3+,<br />
etc., and 32 ... ih6? 33 'i'xh8 id2 34<br />
%:tf1 ~b3 (34 .. :WWb7? 35 'i'h7+ +-) 35<br />
ii'e8! c2 36 'iii'xd7 clii' 37 l:txcl<br />
ii'xcl + 38 ~g2 should win for White.<br />
23 ii'xh5 cxb2 (D)<br />
w<br />
24:adl<br />
24 bxc5+ ixc5, threatening to play<br />
... ixf2+, and 24 :a5 'iii'xb4 do not<br />
make much sense, so that leaves White<br />
with a choice of the text-move and two<br />
other rook moves. <strong>The</strong> text-move looks<br />
like the most logical as it opposes<br />
Black's rook on d8, thus making it<br />
more difficult for Black to free the d7-<br />
knight. <strong>The</strong> disadvantage is that Black<br />
may eventually be able to get a pawn<br />
to c2 and so attack the rook on dl.<br />
a) 24 :ael (this has the advantage,<br />
as just mentioned, that when a black<br />
pawn eventually arrives at c2 it does<br />
not attack the rook, but the disadvantage<br />
of not attacking the d7-knight is<br />
probably greater) 24 ... cxb4 25 'i'xf7<br />
(25 ic7+ ~c6 26 ii'xb5+ ~xb5 27<br />
.iixd8 c3 is an inferior version of the<br />
main line) 25 ... c3 26 'iii'e6+ ~b7 27 f7<br />
c2 28 'iii'e8 l:tc8 29 h4 'iii'd3 30 ~h2<br />
liJf6 -+ Sakaev-Se.lvanov, St Petersburg<br />
rpd 1997.<br />
b) 24 l:tabl cxb4!? 25 ic7+ ~c6<br />
26 'i'xb5+ ~xb5 27 ixd8 (27 .u.xb2<br />
%:tc8 -+) 27 ... c3 wins for Black. Black<br />
will simply play ...'iitc4-b3 followed<br />
by ... c2 or run the a-pawn all the way<br />
to a2, while White's kingside pawns<br />
are obviously not fast enough.<br />
24 ... cxb4!<br />
As if one rook is not enough, Black<br />
sacrifices a further rook and a knight,<br />
leaving White with two rooks for only<br />
a single pawn! However, White will<br />
have to make use of his entire army to<br />
stop the massive pawn-front on the<br />
queenside.<br />
25.iic7+<br />
This is the most consistent approach;<br />
White accepts all the material<br />
Black offers. An interesting alternative,<br />
however, is 25 ie3+!?, when<br />
Black should probably refrain from<br />
25 ....i.c5 26 l:td6+ ~c7 27 ixc5ltJxc5<br />
(27... fixc5?? 28 l:txd7+! +-) 28 .u.xd8<br />
~xd8 29 ii'xf7, which seems far from<br />
clear, and instead play 25 ... ~c6! 26<br />
ii'f3+ (26 ii'xf7 c3) 26 ... ~c7, and<br />
now White has two possibilities: 27
36 THE BOTVINNIK SEMI-SLAV<br />
'ti'f4+ ~b7 28 'ti'd4 c3 29 'iVxa7+ ~c8,<br />
or 27 i.f4+ ~b6 28 i.e3+ i.c5 (of<br />
course 28 ... ~c7 is just a repetition),<br />
both offering Black good chances.<br />
2S ••• ~e6 26 'ti'xbS+ 'iti>xbS 27 i.xdS<br />
e3! (D)<br />
As you may have noticed already,<br />
material is not so important in this<br />
line!<br />
2Sl:txd7 e2!<br />
In Aseev-Se.lvanov, St Petersburg<br />
1997 Black went for 28 ... a5, which is<br />
less precise, since White can attack<br />
Black's pawns with his rook from behind.<br />
Se.lvanov gives 29 l:tc7! as<br />
White's best (the game continuation<br />
was 29 l:td5+), with the following options<br />
for Black:<br />
a) 29 ... i.d6 30 l:tc8 a4 31 i.e7 a3<br />
32 i.xd6 a2 33 l:tb8+ 'iti>c6 34 i.xb4<br />
bl'ii' 35 l:ta8! (this is only given as interesting<br />
by Se.lvanov, but the fact is<br />
that White wins quite easily) 35 ... c2<br />
(35 .. :ifxb4 36 l:txa2 is trivial; White<br />
threatens l:tc1 followed by l:tac2, eliminating<br />
the c-pawn, and if 36 ... 'iVb3 37<br />
l:te2 there is nothing to be done about<br />
the same threat) 36 i.d2 and again<br />
White wins. Black cannot force the<br />
white rook away from the a-file, and<br />
therefore the win is quite easy: simply<br />
pushing the h-pawn.<br />
b) 29 ... 'iti>a4!?<br />
c) 29 ... i.c5 30 i.e7 i.b6 31 l:tc8<br />
a4 32 h4 a3 33 l:txc3! (without this resource<br />
White would actually be in<br />
great trouble) 33 ... a2 (33 ... bxc3? 34<br />
i.xa3 i.d4 35 i.xb2 cxb2 36 g4 +-)<br />
34 l:tb3 (34 l:tccl ? bxc1 'ti' 35 l:txc1 b3<br />
36 i.a3 i.d4 37 l:tdl 'iti>a4 wins for<br />
Black) 34 ... al'ti' 35 lhb4+ is clearly<br />
better for White according to Se.lvanov,<br />
but I am not sure whether this assessment<br />
is right. <strong>The</strong> problem is that<br />
it is very difficult for White to maintain<br />
his rook behind the b-pawn. A<br />
sample line would be 35 ... 'iti>c6 36<br />
r;t>g2!? i.a5 37 l:tb3 'ifa2 38 l:ta3 (38<br />
l:tb8 i.b6) 38 ... 'ifd5+ 39 ~h2 'iff5<br />
and, I think, eventually White has to<br />
give up a rook for the b-pawn, while it<br />
is far from easy to make any progress<br />
on the kingside.<br />
29 l:tddl exdl'ti'<br />
Lutz gave 29 ... ..ti>c4(?), which looks<br />
like a possible winning attempt, but<br />
Burgess's refutation in NCO looks<br />
convincing: 30 .l:[del ..ti>b3 31 i.e7<br />
i.h6 32 f4 as 33 i.d6! (if White's<br />
bishop reaches e5 the pawns are effectively<br />
stopped; e.g., 33 ... a4 34 i.e5 a3<br />
35 h4 ~a2 36 .l:[al+!) 33 .. .a2 34 g4<br />
bl'if 35 l:txbl cxbl'iV 36 l:txbl ..ti>xbl<br />
37 g5 and White wins.<br />
30 l:txdl r;t>e4
THE MAIN LINE: 17 a3 37<br />
30 ... aS? 31 J..xaS r;t;>xaS 32l:tb1 and<br />
White wins.<br />
31 ~f1!<br />
White must be very careful when to<br />
move the kingside pawns. Lutz gave<br />
31 g4(?) which he considered winning<br />
for White, mainly based on the line<br />
3l...~b3? 32 gS ~c2 33l:tn b1'it' 34<br />
lhb1 ~xb1 3S g6! fxg6 36 J..e7 b3 37<br />
J..xf8 ~a2 38 J..a3! 'it>xa3 39 f7 b2 40<br />
fS'if+, but Black should play the much<br />
better 3l...J..h6!. <strong>The</strong>n after 32 l:tb1<br />
Lutz only gave 32 ... ~c3? 33 J..aS (presumably<br />
winning for White). However,<br />
32 ... ~b3 is much more accurate. <strong>The</strong>n<br />
after 33 J..aS Black plays 33 ... J..d2!<br />
and wins after, for example, 34 h4<br />
~c2 3S l:txb2+ 'it>xb2 36 gS ~a3!.<br />
31...~b3 32 ~e2 ~a2! 33 J..e7<br />
<strong>The</strong>re is a nice trap hidden after 33<br />
l:td2 as the tempting 33 ... ~a1? fails to<br />
34 J..c7 intending J..eS. However, after<br />
33 ... ~b3 White has to play his rook<br />
back again, since 34l:txb2+? loses to<br />
34 ... ~xb2 3S J..e7 b3! 36 J..xf8 ~a2.<br />
33 ... J..h6! (D)<br />
34 J..xb4<br />
34 f4 should be met by 34 ... b3,<br />
when White can still go wrong rather<br />
w<br />
easily; e.g., 3S l:td2? ~a1 36 J..cS b1'it'<br />
37 J..d4+ b2 and Black wins. However,<br />
after the much better 3S J..cS,<br />
Black still has to play accurately to<br />
make a draw, viz. 3S ... b1'if 36 l:txb1<br />
~xb1 37 J..xa7 ~c2 38 J..d4 J..f8 and<br />
now Burgess analysed 39 g4 J..b4 40<br />
gS J..c3 41 J..xc3 ~xc3 42 g6 b2 43<br />
gxf7 b1'it' 44 f8'if 'ife4+ and 39 h4<br />
J..cS 40 J..a1 'it>bl 41 J..eS ~a2 42 hS<br />
J..d6 43 h6 J..xeS 44 fxeS b2 4S h7<br />
b1'iW 46 h8'it' 'it'e4+, with a draw in either<br />
case.<br />
34 ... J..cl 3S J..d2 bl'it' 36 l:txc1<br />
'it'e4+ 37 J..e3 as<br />
According to Se.Ivanov the endgame<br />
is equal.
3 16 ... iVa6 and 16 ... iVd6<br />
1 d4 d5 2 c4 c6 3 tiJf3 tiJf6 4liJc3 e6 5<br />
.ltg5 dxc4 6 e4 b5 7 e5 h6 8 .lth4 g5 9<br />
tiJxg5 hxg5 10 .ltxg5 tiJbd7 11 exf6<br />
.ltb7 12 g3 'iib6 13 i.g2 c5 14 d5<br />
0-0-0 15 0-0 b4 16 tiJa4 (D)<br />
B<br />
Apart from the main line, 16 ... 'iYb5,<br />
Black has two more queen moves<br />
available: 16 .. :iVa6 and 16 ... 'iid6. Particularly<br />
16 ... 'iYa6 has received a lot of<br />
interest, but I have decided to cover<br />
these moves only very briefly, since I<br />
am now very certain that White is<br />
somewhere between clearly better and<br />
winning, with correct play. And the<br />
good thing is that the refutation can be<br />
used against both moves.<br />
Quick Summary<br />
Both 16 ... 'iYd6 (Line A) and 16 ... 'iia6<br />
(Line B) are best met by 17 dxe6!,<br />
which seems to give White at least a<br />
very substantial advantage. After, for<br />
example, 16 ... 'iia6 17 dxe6! (Line B2)<br />
17 .. .'iVxe6 18 lIel liJe5 19 .ltxb7+<br />
'iitxb7 20 'iixd8 tiJf3+ 21 'iitg2 'iic6,<br />
White has the amazing 22 lIe8!, which<br />
seems to win.<br />
This renders other options against<br />
16 .. .'iVd6 and 16 .. .'ifa6 unimportant<br />
but I have provided short analysis of<br />
both, particularly 16 ... 'iia6 17 a3<br />
(Line B 1), just in case there is a flaw in<br />
the analysis of Line B2 (which I very<br />
much doubt).<br />
<strong>The</strong> <strong>The</strong>ory of 16 .. :iVa6<br />
and 16 .. :~'d6<br />
1 d4 d5 2 c4 c6 3 tiJf3 tiJf6 4 tiJc3 e6 5<br />
.ltg5 dxc4 6 e4 b5 7 e5 h6 8 .lth4 g5 9<br />
tiJxg5 hxg5 10 .ltxg5 tiJbd7 11 exf6<br />
.ltb7 12 g3 'iib6 13 .ltg2 c5 14 d5<br />
0-0-0 15 0-0 b4 16 tiJa4<br />
Now:<br />
A: 16 ... 'iid6 38<br />
B: 16 ... 'iWa6 39<br />
A}<br />
16 ... 'iid6 (D)<br />
17 dxe6!<br />
17 .ltf4 is perhaps best met by<br />
17 .. .'iVa6, when 18 dxe6 tiJxf6 does<br />
not look very clear. 17 ... e5 18 .lte3
16 ... 'iia6 AND 16 ... 'iid6 39<br />
w<br />
<strong>The</strong> c-pawn drops, with a clear advantage<br />
to White.<br />
B)<br />
16 ... 1i'a6 (D)<br />
w<br />
i.h6 19 'iWcl i.xe3 20 'iWxe3 i.a6<br />
(20 ... liJxf6 21 'iWxc5+ 'ii>b8 22 lIfcl<br />
'iWd7 23 'iWxb4liJxd5 24 'iWaS 'iWd6 25<br />
liJc5 +- Wunnink-MJohansen, Dutch<br />
U-20 Ch (Hengelo) 1997) 21 a3 ~b8<br />
22 h4!? gave White the advantage in<br />
Kramnik-Ivanchuk, Novgorod 1996.<br />
17 ... fxe6<br />
<strong>The</strong> other capture, 17 ... 'iWxe6, transposes<br />
to Line B2.<br />
18i.xb7+<br />
18 f7 i.xg2 19 ~xg2 'iWc6+ 20 f3<br />
i.d6 21 i.xd8 ~xd8 is unclear according<br />
to Agzamov, although I do not<br />
think that Black has enough compensation.<br />
18 ... ~xb7 19 f7 lIe8 20 1i'xd6<br />
i.xd6 21 lIadl ~e6 22 lIfe1<br />
Agzamov analyses 22 lIxd6+?!<br />
~xd6 23 lId 1 + ~c6 24 i.e7, which at<br />
first sight looks quite good for White,<br />
but a closer look reveals that 24 ... liJe5<br />
25 liJxc5 liJxf7 26 liJxe6 as is not so<br />
clear. Materially, White can be content,<br />
but Black's queenside pawns are<br />
dangerous.<br />
22 ... liJrs 23 lIe4<br />
<strong>The</strong> advantage of 16 ... 'ii'a6 over<br />
16 .. :ii'b5 is that in some lines it is convenient<br />
that the queen covers the 6th<br />
rank. However, there is one significant<br />
difference that makes 16 ... 'iWa6 clearly<br />
inferior. I will return to that. Here,<br />
White has two possibilities:<br />
Bl: 17 a3 39<br />
B2: 17 dxe6! 41<br />
B1)<br />
17 a3<br />
This was for a long time considered<br />
to be the main line, and I agree that it<br />
makes a lot of sense to try to open the<br />
a-file when Black's queen has resided<br />
on a6.<br />
17 ... i.xdS (D)<br />
This is the real point of 16 ... 'ii'a6.<br />
Now when White plays 18 i.xd5,<br />
Black has 18 ... liJe5 since 19 i.xe6+ is
40 THE BOTVINNIK SEMI-SLAV<br />
w<br />
met by 19 ... 'ili'xe6. <strong>The</strong>re are other options,<br />
but all are inferior to the textmove.<br />
18~xd5<br />
An interesting alternative is here IS<br />
axb4 ~xg2 19 rJi>xg2, when Black has<br />
tried:<br />
a) 19 ... cxb4 20 'iVe2 'it'b5 21':fdl!<br />
lbe5 (21...'ili'xg5 loses to 22 'it'xc4+<br />
lbc5 23 lbxc5: 23 ... 'it'xc5 24 'iVa6+<br />
'i;c7 25 ':dc1 or 23 ... ~xc5 24 ':xa7!<br />
+-) 22lbb6+! 'it'xb6 23 ':xdS+ 'it'xdS<br />
24 'ili'xe5 'ili'd5+ 25 'ili'xd5 exd5 26<br />
lha7 d4 27 ~f4 with some initiative<br />
for White in the endgame, P.Nikoli6-<br />
Timman, Dutch Ch (Rotterdam) 1995.<br />
b) 19 ... 'ili'c6+ 20 f3 cxb4 21 'ili'e2<br />
(21 'ili'd4lbb6 22lbxb6+ axb6 23 'iVf2<br />
~c5 24 ~e3 ~xe3 25 'ili'xe3 ':d3 26<br />
'ili'e2 ':hdS gives Black a clear advantage<br />
according to Beliavsky) 21...~d6<br />
22 ':fdllbe5 23 ':xd6 'ili'xd6 24 ~f4<br />
was played in Beliavsky-Khalifman,<br />
Yugoslavia 1995, and now 24 ... 'it'd3<br />
25 'ili'xe5 'ili'c2+ 26 rJi>fl ':dl + 27 ':xdl<br />
'it'xd 1 + 2S ~g2 'it'c2+ 29 ~flleads to<br />
a draw - Beliavsky.<br />
18 ... lbe5 19 'iVe2<br />
19 ~xe6+? 'iVxe6 20 'ili'e2 l:td3!<br />
wins for Black, but 19 lbxc5 ~xc5 20<br />
axb4 ~xf2+ 21 l:txf2leads to a complicated<br />
position; e.g., 21...l:txd5 22<br />
'iVfl 'iVc6!?23 ':xa7!? (23 ':e2? lbf3+<br />
24 'iVxf3 ':dl + 25 'it'fl ':xfl + 26 l::txfl<br />
l:tdS was better for Black in Sapunov<br />
Galliamova, Russian Ch (St Petersburg)<br />
1995) 23 ... lbg4 (23 ... lbd3 is<br />
probably also a draw; e.g., 24 'it'al<br />
'iVb6 25 ~e3 'iVxe3 26 'iVa6+ rJi>dS 27<br />
l:taS+ and White has only a perpetual)<br />
24 b5 l:txb5 25 l:taS+ 'it'xaS 26 'ili'xc4+<br />
~dS 27 'ili'xb5 'iVa7 2S 'ili'd3+ 'i;eS 29<br />
'ili'b5+ = (Lutz).<br />
19 ... .:xd5 20 axb4 cxb4 21 lbc3<br />
(D)<br />
B<br />
21 ... 'ii'c6<br />
This exchange sacrifice is best according<br />
to Shirov. Black gains a strong<br />
square for the knight on d3 and good<br />
attacking chances. However, Black<br />
has also been doing quite well with<br />
21...l::ta5!? 22 ':xa5 'iVxa5 23 lbe4<br />
lbd3 24 b3 'ili'e5 and now:
16 ... 'iia6 AND 16 ... 'iid6 41<br />
a) 2S.::tel? tiJxcl 26 'ii'xc4+ 'ii'c7!<br />
27 'ii'xcl (27 'ii'a6+ 'ittd8! 28 ..tf4 eS<br />
-+) 27 ... 'ii'xcl+ 28 i.xel as! + Lutz<br />
Piket, Cologne TV Cup 1994.<br />
b) 2S .::tdl?! 'ii'b2! 26 'ii'xb2 (26<br />
'ii'e3 'ii'xb3 27 .::tal tiJeS! 28 tiJd2<br />
'ii'xe3 29 ..txe3 b3 30 ':ha7 ..tb4!! and<br />
Black is winning, Rogozenko-Tella,<br />
Cappelle la Grande 1998) 26 ... tiJxb2<br />
27 .::tcl c3 28 tiJxc3 tiJd3! 29 .::tc2 tiJel<br />
30 .::tel tiJd3! =.<br />
c) 2S ..tf4!? (best, I think) 2S ... tiJxf4<br />
(2S ... 'ii'hS is met by 26 g4! .::tg8 27 f3,<br />
when White again obtains an attack<br />
after 27 ... tiJxf4 28 'ii'xc4+ ~b8 29<br />
.::tcl since after 29 ... .::txg4+ 30 'it'hl<br />
.::tgl+ 31 ~xgl tiJh3+ 32 'it'fl! 'ii'xf3+<br />
33 ~el 'ii'hl + 34 'it'e2 'iixh2+ 3S 'it'dl<br />
White's king escapes to the queenside)<br />
26 'ii'xc4+ ~b8 27 gxf4 'ii'hS 28<br />
.::tel with a strong attack for White; for<br />
example, 28 ... 'ii'xh2+ 29 'it'fl 'ii'hl + 30<br />
'it'e2 'ii'hS+ 31 'it'e3 and White should<br />
win.<br />
22 tiJxd5 'iWxd5 23 f3 tiJd3<br />
23 ... ..tcS+ 24 ~g2 tiJd3 2S h4 'it'b7<br />
26 .::ta5! 'ii'd4 (26 ... .::td8!?) 27 b3! was<br />
slightly problematic for Black in<br />
Ivanchuk-Shirov, Novgorod 1994.<br />
24 h4 b3! 25 'it'g2 ~b7 26 l:ta4<br />
..tb4 27 ..td2 ..tc5 28 ..te3 .::tg8<br />
Black has good compensation, Khalifman-Ivanchuk,<br />
Elista 1998.<br />
82)<br />
17 dxe6! 'iWxe6<br />
Unfortunately this is virtually forced<br />
since 17 ... ..txg2, which would be the<br />
usual reply with the queen on bS, can<br />
here be met by 18 e7 ..txfl (18 ... 'ii'e6<br />
runs into 19 tiJxcs, or even 19 exd8'iW+<br />
'it'xd8 20 ~xg2 'ii'h3+ 21 'it'f3, when<br />
the white king escapes) 19 tiJxcS! (see<br />
the point?) 19 ... 'iWc6 20 exd8'ii'+ 'it'xd8<br />
21 'ii'xd7+ 'ii'xd7 22 tiJxd7 ~xd7 23<br />
.::txfl. I find it hard to believe that this<br />
should not be very good for White, but<br />
here is how the game Zarkov-Shabalov,<br />
Boston Harvard Cup 1994 continued:<br />
23 ... ~c6 24 .::tel 'it'bS 2S h4<br />
(2S ..te3! looks more accurate, with<br />
the idea that 2S ... a5 is met by 26 .::tdl!)<br />
2S ... aS 26 ~g2 a4 27 ~f3 ..tcS 28<br />
.l:te 1 ..td4 29 .::te2 b3 30 axb3 cxb3 and<br />
Black's queenside pawns have become<br />
very menacing.<br />
17 ... tiJeS? would be another try, but<br />
fails to 18 'iVxd8+! 'iti>xd8 19 e7+ ..txe7<br />
20 fxe7+ 'iti>e8 21 tiJxcs 'iWg6 22 tiJxb7<br />
'ii'xgS 23 f4 'ii'h6 24 fxeS and White<br />
wins.<br />
18 .::tel (D)<br />
B<br />
18 ... tiJe5<br />
This involves a rook sacrifice but<br />
appears to be Black's best chance to
42 THE BOTVINNIK SEMI-SlAV<br />
mix things up. 18 .. :iWa6 19 .txb7+<br />
'iixb7 20 'iWg4 gives White a clear advantage,<br />
while 18 ... 'iif5 19 .txb7+<br />
~xb7 20 .tf4 'iWxf6 (or 20 .. J:tc8 21<br />
'iWf3+ ~a6 22 a3 ±) 21 l:te8! .tg7 22<br />
l:txh8 .txh8 23 'iWd5+ 'iWc6 24 tiJxc5+<br />
was played in Agzamov-Timoshchenko,<br />
USSR 1982, and also here White<br />
was clearly on top.<br />
19.txb7+<br />
19 'iWxd8+ ~xd8 20 i.xb7 appeared<br />
in Shirov-Piket, Aruba (4) 1995, but<br />
now Black blundered with 20 .. .'~c7??,<br />
when White obtained a more or less<br />
winning position after 21 .tg2 'iWd7 22<br />
.tf4! 'iWxa4 23 .txe5+ (Shirov suggests<br />
23 a3! as being even stronger)<br />
23 ... ~b6 24 l:tadl (threatening l:td8).<br />
However, Shirov thinks that Black can<br />
save himself with 20 ... 'iWf5!, and proposes<br />
the following variations:<br />
a) 21 l:tad 1 + tiJd3 22 .tf4 .td6! 23<br />
.te4 'iWh3 24 lhd3 cxd3 25 .txd6<br />
'iWxh2+26~f1 'iWhl+27 .txhl l:txhl+<br />
28 ~g2 l:txel 29 .tf4 c4! and Black is<br />
better.<br />
b) 21 l:txe5 'iWxe5 22 l:td 1 + ~c7 23<br />
.tf4 'iWxf4 24 gxf4 ~xb7 25 :c1 l:th6<br />
26 l:txc4 ~c6 and the ending is approximately<br />
equal.<br />
19 ... ~xb7<br />
19 ... ~c7 20 'iWe2 +-.<br />
20 'ifxd8 tiJf3+ 21 ~g2 'ifc6<br />
This was the reason that Shirov rejected<br />
19 .txb7 in his encounter with<br />
Piket. Agzamov also analyses the continuation<br />
21. .. tiJxel + 22 :xel 'iixel<br />
23 'iWd7+ ~a6 24 'iWc6+ ~a5 25 .tf4,<br />
which is winning for White, and the<br />
same applies to 21...'iWf5 22 l:te7+<br />
.txe7 23 'iixh8 +-.<br />
22l:te8! (D)<br />
This cool move, indicated by Burgess<br />
in NCO, was missed by Shirov,<br />
who had only reckoned on 22 l:te7+,<br />
when Black has a strong attack after<br />
22 ... .txe7 23 'iWxh8 (23 'iWxe7+ ~a8<br />
wins for Black) 23 ... tiJxg5+ followed<br />
by 24 ... .txf6.<br />
B<br />
22 ... tiJxg5+<br />
<strong>The</strong> best chance, since 22 ... l:txh2+<br />
23 ~f1 l:th 1 + 24 ~e2 tiJd4+ 25 ~d2<br />
leads to less than nothing; for example,<br />
25 .. Jhal 26 'iWa8+ ~a6 27 'iWxc6+<br />
tiJxc6 28l:hf8 c3+ 29 tiJxc3 bxc3+ 30<br />
~xc3 +- Chess Guru-Kallisto, Computer<br />
Wch (Paris) 1997.<br />
23 ~n 'ii'hl + 24 ~e2 'ii'f3+ 25<br />
~e1 'lfl>a6 (D)<br />
White has a choice of wins here.<br />
26l:tdl!<br />
This is the simple way, and leads to<br />
a winning ending. <strong>The</strong> continuation<br />
given by Burgess is sharper, and also<br />
effective, viz. 26 'iWc8+ 'lfl>a5 27 tiJxc5
16 .. .'Wia6 AND 16 ... fid6 43<br />
w<br />
(27 'ii'd7 also looks very promising)<br />
27 ... 'ir'hl+ 28 ~d2, and now:<br />
a) 28 ... ii'd5+ 29 'iitc2 .txc5 30 ndl<br />
and White wins. A sample variation is<br />
30 ... b3+ 31 'Witet .td4 32 ii'c7+ 'iita6<br />
33 l:xd4! 'ii'xd4 34 ii'c6+ 'iita5 35 a4!<br />
a6 36 l:xh8 +-.<br />
b) Black can also try 28 ... ltJf3+:<br />
bl) 29 ~e2?! ltJd4+ 30 'iite3 ii'f3+<br />
31 'iitxd4 ii'xf2+ 32 ~xc4 ii'c2+ 33<br />
~d5 l:h5+ 34 l:e5 and then:<br />
bll) 34 ... ii'g2+ 35ltJe4 nxe5+ 36<br />
~xe5 'ii'xb2+ 37 ~f5 +-.<br />
b12) 34 .. Jbe5+ 35 ~xe5 .txc5 and<br />
now 36 ii'c7+~b5 37 a4+! should win;<br />
e.g., 37 ... bxa3 38 ii'b7+ 'iita5 39 ~d5.<br />
b13) 34 ... ii'd2+ 35 ~c6! (35 ltJd3<br />
nxe5+ 36 'it>xe5 ii'e3+ is just a draw;<br />
e.g., 37 'iitd5 {37 'iitf5 ii'xd3+ 38 'iitg4<br />
ii'g6+ 39 'it>h3 'ii'h5+ 40 'iitg2 'ii'e2+<br />
with perpetual check} 37 ... 'ii'xd3+ 38<br />
'it>c6 ii'b5+ 39 'iitc7 ii'b6+ 40 ~d7<br />
ii'e6+ 41 'it>c7 ii'd6+ 42 'Witb7 ii'a6+ 43<br />
~c7 ii'd6+, etc.) 35 ... ii'd6+ 36 'iitb7<br />
lbe5 37ltJb3+ ~a4 38 net and I suspect<br />
White should win.<br />
b2) 29 'it>e3! .th6+ 30 ~e4 (Burgess)<br />
wins outright. It is appealing that<br />
White again allows a double check (as<br />
on move 22), which turns out to be<br />
harmless. <strong>The</strong> most attractive line is<br />
30 ... nxe8+ 31 ii'xe8 ii'xal 32 ii'a4+<br />
'iitb6 33 ~d5!, when the white king<br />
participates in the final mating attack.<br />
26 ... 'iWhl+<br />
White is threatening 27 nd6+, and<br />
26 ... ii'f5 27 ii'd5! leads to the same<br />
kind of endgame, while Black has no<br />
hope of surviving after 26 ... ltJe6 27<br />
nd6+ .txd6 28 'ifxd6+ ~a5 29 Ihh8<br />
either.<br />
27 'iitd2 'iWe6 28 ii'e8+ ii'xe8 29<br />
llxe8 ltJe6 30 ~el!<br />
White will win the endgame.
4 Uhlmann's 16 z:.bl<br />
1 d4 d5 2 c4 c6 3 It:)f3It:)f6 4lt:)c3 e6 5<br />
i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9<br />
It:)xg5 hxg5 10 .txg5 It:)bd7 11 exf6<br />
i.b7 12 g3 'ii'b6 13 i.g2 c5 14 d5<br />
0-0-0150-0 b416 l:tbl (D)<br />
White from opening the b-file. A further<br />
example of what might then happen<br />
is:<br />
B<br />
B<br />
For many years Uhlmann's 16 l:tb1<br />
failed to attract the attention it deserves.<br />
Despite a few very nice wins<br />
by the German (former East German)<br />
grandmaster in the early 1980s, it is<br />
not until the late 1990s that the system<br />
was practised regularly. Shirov describes<br />
it as not very logical but terribly<br />
dangerous, and indeed it is. Its<br />
immediate justification may be seen if<br />
Black accepts the sacrifice by capturing<br />
the knight on c3, i.e. 16 ... bxc3 17<br />
bxc3 'ii'a6 18 l:txb7! followed by 19<br />
dxe6 with a strong attack. In general<br />
Black should do his utmost to prevent<br />
Piket - lIIescas<br />
Dos Hermanas 1995<br />
White has just met 16 ... i.h6 with<br />
17 i.xh6 l:txh6 18 b3!, in the hope of<br />
opening the b-file. This may be the<br />
case if Black chooses the greedy, albeit<br />
consistent, 18 ... bxc3?!, when 19<br />
bxc4 'iVa6 20 l:txb7 1i'xb7 21 dxe6 is<br />
terribly dangerous. <strong>The</strong> key point is<br />
that 21...1i'b2?! is met by 22 e7! (22<br />
exd7+ is less clear). <strong>The</strong>n 22 ... :e8 23<br />
i.c6 'iVd2 24 'ii'b3! 1i'b2 25 i.xd7+<br />
led Black to resign in Khalifman<br />
Galkin, Elista 1998. <strong>The</strong>re are other<br />
options for Black, of which the best attempt<br />
is probably 18 ... cxb3, but after
UHLMANN'S 16 'f1.b1 45<br />
19 tLJa4 'iWb5 20 axb3 exd5 21 l:tc1<br />
~b8, White can, according to Piket,<br />
claim an advantage by 22 lVd2! (instead<br />
of the game's 22l:tel).<br />
<strong>The</strong> powerful queen<br />
While the open b-file might be Black's<br />
biggest concern, one should also be<br />
wary of the possible consequences following<br />
conceding the as-hI diagonal.<br />
White's knight sometimes gets access<br />
to d5 or e4 but more frequently White<br />
moves his queen up to d5, which is a<br />
very powerful post, whence it not only<br />
attacks pawns on c5, c4 and f7, but<br />
also pinpoints the possibility of a check<br />
on as. <strong>The</strong> following example shows<br />
that Black must be on his utmost alert<br />
to parry all threats:<br />
B<br />
Kasparov - Kramnik<br />
New York peA rpd 1994<br />
19 ... .txe7<br />
Black takes the opportunity to save<br />
his rook but nowadays 19 ... .th6 is<br />
more popular.<br />
20 fxe7 l:tdg8<br />
Here 20 ....td3! has been shown to<br />
be the best defence. Black walks a<br />
tightrope to avoid defeat after 21 tLJe4<br />
i.xbl! 22 tLJd6+ ~c7 23 .tf4 but<br />
Kramnik managed to do so against<br />
Topalov in Dortmund 1996.<br />
21 tLJe4! l:tg6<br />
Black has to defend against tLJd6+.<br />
Now Kasparov took his chance to recoup<br />
some of the material investment<br />
with 22l:txfl ? but he later pointed out<br />
that 22 lVaS+ would have given Black<br />
serious problems. One line continues<br />
22 ... tLJbS 23 .tf41Vb7 24 'ir'xb7+ ~xb7<br />
25 ~xfl ~c6 26 l:tdl tLJd7 27 tLJd6!<br />
:'e6 2S tLJxf7 and White wins. He<br />
threatens both 29 tLJxhS and 29 tLJdS+.<br />
Quick Summary<br />
<strong>The</strong>re are a few interesting things to<br />
note about Uhlmann's 16 :bl. First of<br />
all, I think the briefly popular 16 ... .th6<br />
(Line A) should be disregarded in<br />
view ofPiket's idea 17 .txh6 :'xh6 IS<br />
b3!, which looks very strong.<br />
Hence, the key question is whether<br />
White can find any advantage following<br />
16 .. .'ii'a6 17 dxe6 .txg2 IS e7<br />
.txfl. Line Bl, 191Wd5, seems close<br />
to a forced draw, but 19 'iitxfl (Line<br />
B2) is very interesting. White seems to<br />
hold the better chances after 19 ... 'ir'c6<br />
20 exd81W+ 'iitxdS 21 tLJd5 :'xh2 22<br />
'itgl :'hS 23 .tf4! but 19 ... .th6!? (a<br />
move which has hitherto been ignored)<br />
deserves attention. However,<br />
there is virtually no practical experience<br />
with this move.
46 THE BOTVINNIK SEMI-SLAV<br />
<strong>The</strong> <strong>The</strong>ory of Uhlmann's<br />
16 ~bl<br />
1 d4 d5 2 c4 c6 3ltJf3ltJf6 4ltJc3 e6 5<br />
.tg5 dxc4 6 e4 b5 7 e5 h6 8 .th4 g5 9<br />
ltJxg5 hxg5 10 i.xg5 ltJbd7 11 exf6<br />
i.b7 12 g3 'ii'b6 13 i.g2 c5 14 d5<br />
0-0-0150-0 b416 l:.bl<br />
Now:<br />
A: 16 ... i.h6 46<br />
B: 16 ... 'ii'a6 47<br />
A)<br />
16 ... i.h6 (D)<br />
w<br />
17 i.xh6<br />
Uhlmann once played 17 'ii'c1, while<br />
17 f4 has also been tried. <strong>The</strong> textmove<br />
does little to keep the f6-pawn<br />
but is much more direct.<br />
17 ... l:.xh6 18 b3!<br />
If there is some logic behind 16<br />
l:.bl, then this must be the natural follow-up;<br />
the main idea behind 16 l:.bl<br />
is that the opening of the b-file will be<br />
extremely dangerous for Black, so 18<br />
b3! looks logical when Black does not<br />
oblige by taking voluntarily on c3.<br />
Surprisingly, it nevertheless took some<br />
time to discover the move.<br />
A quieter approach is also possible:<br />
Galliamova-Kalugin, Novgorod 1999<br />
continued 18 'ii'd2 l:tg6 (18 ... l:.dh8!?;<br />
18 ... l:.h5!?) 19 'ii'e3 ltJxf6 20 ltJa4<br />
'ii'b5 21 dxe6 i.xg2 22 'iitxg2 'ii'c6+<br />
23 ~gl ltJg4 24 'ii'xc5 l:.xe6 25 a3<br />
with a clear advantage for White.<br />
18 ... cxb3<br />
This was Black's choice in the stem<br />
game between Piket and Illescas. Although<br />
Black has tried various other<br />
moves since then, he has yet to find<br />
any genuine improvement. Alternatives:<br />
a) 18 ... bxc3?! 19 bxc4 'ii'a6 20<br />
l:.xb7 'ii'xb7 21 dxe6 'ii'b2?! (Petursson<br />
suggests 21... 'ii'b6 but White is<br />
clearly better anyway; after 22 'ii'c1 he<br />
gives 22 ... l:.xf6 23 exd7+ 'i3i>xd7 24<br />
'ii'xc3 or 22 ... l:tdh8 23 exd7+ 'iitxd7 24<br />
h4 'ii'xf6 25 'ii'a3) 22 e7! (White is<br />
winning after this strong but not uncommon<br />
move; the main exponent of<br />
the 16 ... i.h6line, Sergei Ivanov, had<br />
twice successfully defended Black's<br />
position against 22 exd7+) 22 ... l:.e8<br />
(22 ... l:.dh8 23 'ii'd5 is no improvement;<br />
the main line runs 23 ... 'ii'b6 24 l:tdl<br />
'ii'c7 25 'ii'xf7 'ii'e5 26 l:.xd7 and<br />
White wins) 23 i.c6 'ii'd2 24 'ii'b3!<br />
'ii'b2 25 i.xd7+ 1-0 Khalifman-Galkin,<br />
Elista 1998. 25 ... 'i3i>xd7 is met by<br />
26 ~a4+.<br />
b) 18 ... ltJxf619 bxc4 'ii'a6 20ltJa4<br />
'ii'aS 21 a3 l:tdh8 22 axb4 cxb4 23<br />
'ii'b3 l:.xh2 24 'ii'xb4 'ii'xb4 25 l:txb4 ±
UHLMANN'S 16 'f:.b1 47<br />
Goormachtigh-Timmermans, Antwerp<br />
tt 1999.<br />
c) 18 .. :i'a619 bxc4 ir'xc4 20lbe4<br />
lbe5 21 ltcl ir'xd5 22 ltxc5+ ir'xc5 23<br />
lbxc5 ..txg2 24 'iit'c 1 ..txfl 25 lbd3+<br />
~b7 26 lbxe5 +- Rogers-Solomon,<br />
Australian Ch (Gold Coast) 1998.<br />
19 lba4 'tli'b5 20 axb3<br />
This seems preferable to 20 ir'xb3<br />
exd5 (20 ... c4 21 'iit'e3) 21 ltfc1 (21<br />
lbc3 'iit'c4 =), when Piket's 21...ltxf6!<br />
gives Black hopes of counterplay after<br />
22 ir'xb4 'iit'xb4 23 ltxb4 c4. Note that<br />
Black should avoid the immediate<br />
21...c4 on account of 22 lbc3, when<br />
22 ... 'iit'a5? loses to 23lbxd5 ..txd5 24<br />
..txd5 'iit'xd5 25 ltxc4+
48 THE BOTVINNIK SEMI-SLAV<br />
w<br />
18 .. .'iWxe6 is awkward, but in InformaJor<br />
73 Veingold comes up with the<br />
interesting 18 l:te1 I?~ Since a queen<br />
capture on e6 is now ruled out, White<br />
is ready to take the bishop on g2, while<br />
another unpleasant threat is 19 exd7<br />
':xd7 20 l:te8+. <strong>The</strong>se two things look<br />
difficult to parry simultaneously, but<br />
bearing in mind that Black is still attacking<br />
the knight on c3, it would be<br />
surprising if B lack could not find a defence.<br />
<strong>The</strong> following analysis is based<br />
on Veingold's notes in Informator:<br />
a) 18 ... i.a8?! 19 exd7+ ':xd7 20<br />
':e8+ 1.tc7 21 i.f4+ i.d6 22 ':xh8<br />
i.xf4 23 'it'g4 threatens both Black's<br />
bishops and wins.<br />
b) 18 ... i.c6 is tougher to meet: 19<br />
e7! bxc3 (it is no surprise that Fritz<br />
suggests 19 .. Jle8, but after 20 exf8'it'<br />
':hxf8 21 ltxe8+ ':xe8 22lLld5 ~b7<br />
23 a3 the position seems to favour<br />
White, a sample line being 23 ....:e5 24<br />
lLle7 ltxg5 25 f4 ':g6 26 lLlxg6 fxg6<br />
27 f7 and White wins) 20 exd8'it'+ (20<br />
e8'ir' c2!) 20 ... ~xd8 21 bxc3 and White<br />
has a distinct advantage.<br />
c) 18 ... 'it'c61gexd7+l::txd720'ii'g4<br />
bxc3 (20 ... i.h3 is met by 21 l::te8+!?<br />
1.tb7 22 'ii'e4 ±) 21 l::te8+ ~c7 22 bxc3<br />
(Black is a piece up but his king is too<br />
vulnerable) 22 ... i.h3 23 i.f4+ i.d6<br />
24 i.xd6+ l::txd6 (24 ... 'it'xd6 25 'it'f3<br />
+-) 25 l::te7+ l::td7 26 'ii'f4+ 'ii'd6, and<br />
now Veingold only gives 27 'ii'f3 followed<br />
by some strange analysis; Black<br />
can defend with 27 ... l:tb8. However, 27<br />
l:txd7+ wins the queen; for example,<br />
27 ... ~xd7 (the same theme occurs after<br />
27 ... i.xd7) 28 l::tb7 + 1.tc6 29 'ii'e4+<br />
'ii'd5 30 l:tc7 +
UHLMANN'S 16 'J:.b1 49<br />
e3) 21 'iWe2 is more resilient; Black<br />
must then play accurately:<br />
e31) 21...'iWxa2? 22 .tf4+ (Black<br />
may survive 22 ~xg2 'ir'xbl 23 .tf4+<br />
~b6!?) 22 ... J.d6 (22 ... ~b6 23 'iWc2 ±)<br />
23 .txd6+ l:f.xd6 241:txh8 'iWxbl + 25<br />
~xg2 c2 26 'iWe7+ and White wins.<br />
e32) Black should investigate the<br />
disruptive 21...c2. For example, after<br />
22 'iWxc2 the idea from 'e2' above,<br />
22 ... 'iWc6, is less powerful: 23 .tf4+<br />
.td6 24 .txd6+ l:f.xd6 25 l:f.xh8 .te4<br />
26 'iWxc4 J.xb127 'ili'xf7+;t. Nonetheless,<br />
Black can try 22 ... J.d5 23 J.f4+<br />
~c6, which looks risky but is far from<br />
over.<br />
f) 18 ... fxe6!? 19 ~xg2 gives Black<br />
two options:<br />
f1) 19 ... 'iWc6+ 20 lUe4 lUe5 21 'iWe2<br />
lUd3 (the serni-active-looking 21 ... l:f.d4<br />
22 f3 lUd3 is worse since after 23<br />
l:f.edl Black is tied up with no real<br />
prospects of improving his position)<br />
22 'iWf3 (22 l%edl!? lUxf2 23 'ili'xf2<br />
'iWxe4+ 24 ~gl1:td5 is rather unclear<br />
but probably not worse for Black,<br />
whose pawn-mass on the queens ide<br />
counts for just as much as White's<br />
three passed pawns on the kingside)<br />
22 ... ttJxel + (22 ... lUe5!? is worth considering,<br />
but an even better option is<br />
22 ... l:f.d5 !, which introduces the idea<br />
of ... l:f.f5, a not uncommon activation<br />
of this rook) 23 l:f.xel. <strong>The</strong> position is<br />
unclear but probably quite good for<br />
White. <strong>The</strong> exchange sacrifice has<br />
served to remove the knight from d3,<br />
and with White's terribly strong centralized<br />
knight on e4, Black has few<br />
chances of pushing his queenside<br />
pawns forward, while White almost<br />
has a clear run in on the kingside.<br />
f2) 19 ... bxc3 20 bxc3 'ii'c6+ 21<br />
'iitgl J.h6 (2l...ttJb6 22 'ili'g4 presses<br />
against the e6-pawn and is rather uncomfortable<br />
for Black) 22 'ili'g4. Black<br />
can now try:<br />
f21) 22 ... l:f.dg8 23 'iWxc4 l%xg5 24<br />
1:txe6 'ili'f3 25 'ili'a6+ ~d8 26 l:f.d6! and<br />
White seems to win in view of the<br />
threat l:f.b8+.<br />
f22) 22 ... J.xg5! is more prudent.<br />
23 l:f.xe6 'ii'd5 24 'ili'xc4 has the finesse<br />
that 24 ... 'iIt'xc4? 25 l:f.c6# is mate, but,<br />
of course, Black can defend by means<br />
of 24 ... lUb6!, when I do not see anything<br />
convincing for White.<br />
Returning to the position after 18<br />
e7 (D):<br />
B<br />
18 ... .txfl<br />
Recent top-level games suggest that<br />
this is close to being a forced draw.<br />
<strong>The</strong> alternative is 18 ... .ta8!?, but it is<br />
not clear whether Black can really<br />
equalize here:
50 THE BOTVINNIK SEMI-SLAV<br />
a) 19 exd8'ii'+ ~xd8 20 ~e2 is<br />
Yermolinsky's favourite, when after<br />
20 ... ~c8 21 'ii'c2 "e6, he has tried:<br />
a1) 22 ~f41?"g4 23 :fe1.th6 24<br />
.txh6 "f3 (Shabalov claims that Black<br />
already has equalized; in his opinion<br />
White has to allow a perpetual check)<br />
25 ~f1 'ii'hl+ 26 ~e2 "f3+ 27 ~d2<br />
(27 ~f1 =) 27 ... "xf2+ 28 :e2 'iVd4+<br />
29 ~c1 .tf31. A fantastic attacking<br />
idea; in fact White must now play extremely<br />
accurate to maintain the balance;<br />
for example:<br />
all) 30 j,g7?? :xh2! 31 :xh2<br />
'fig1+ 32 ~d2 'ii'xh2+ 0-1 Ermolinsky-Shabalov,<br />
USSR 1986.<br />
a12) 30 "d2 is the only move according<br />
to Shabalov, though he nevertheless<br />
likes Black's position after<br />
30 .. .lhh6 31 'iWxd4 cxd4 32 :d2 d3<br />
33 l:i.f2 .tc6; I am not sure I agree with<br />
this. Black needs a reply to 34 b3 and<br />
neither 34 ... ~xf6 35 bxc4 ~e4 36 l:i.f1<br />
:xh2 37 ~xd3 ~c3 38 l:i.b2 ~xa2+<br />
39 ~b1 nor 34 ... c3 35 ~xd3 .te4<br />
(35 ... a5 36 :a1 .te4 37 ~e1 ~c5 is<br />
too optimistic) 36 ~xb4 .txb1 37<br />
~xbl looks adequate. However, I do<br />
not see why the bishop has to be on c6.<br />
33 ... ~e5 seems more to the point,<br />
when, I think, Black can indeed claim<br />
compensation.<br />
a13) 30 'iWa4 lhh6 31l:i.e8+ ~b7<br />
32 'iVb5+ ~c7 33 'iVa5+ ~b7 and<br />
White does not have better than 34<br />
'iVb5+ with a perpetual check.<br />
a2) 22 f3! .td6 23 :bd 1 and now:<br />
a21) 23 ... .te5 24 :f2 (24 'iVa4!?)<br />
24 ... l:.gX 25 ~f4 'ii'c6 26 ~d5 +-<br />
Yermolinsky-Lapshun, Philadelphia<br />
1998.<br />
a22) 23 ....tc6 24 ~f4 'iVe3+ 25<br />
'fif2 'iVxf2+ 26 l:i.xf2 .te5 27 ~d5 (27<br />
~g2 might be preferable) and now<br />
rather than 27 ....td4? (Ermolinsky<br />
Makarov, USSR 1986), which gives<br />
White a clear advantage after 28l:hd4!<br />
cxd4 29 ~xb4, Black should play<br />
27 ....txd5! 28 l:i.xd5 .td4 with equal<br />
chances - Makarov.<br />
b) 19 ~d5!? (D) and then:<br />
B<br />
b1) 19 ... 'fie6!?20exf81r' l:.dxf8 21<br />
~e7+ ~d8 22 f3 l:.h5 23 'fid2 l:.fh8<br />
(Uhlmann-Schon, Porz 1990) and now<br />
24 l:i.be1 'iVh3 25 l:i.e2 is the easiest.<br />
Black's attack looks well neutralized.<br />
b2) 19 ... 'fib7!? (this is the point of<br />
retreating the bishop all the way to a8)<br />
20 exf8'iV l:.hxf8 21 ~e7+ ~c7 22<br />
.tf4+ ~e5 23 .txe5+ ~b6. Shabalov<br />
initially assessed this as winning for<br />
Black in view of the forced win of<br />
White's queen, but as Santos soon<br />
pointed out, this is actually far from<br />
clear. He suggested that White has
UHLMANN'S 16 :'b1 51<br />
good compensation after 24 f3 ltxdl<br />
25 ':bxdl. This was all tried out in the<br />
game Peter-Thallinger, Budapest 1995,<br />
where, after 25 ... lte8 26 ':d6+
52 THE BOTVINNIK SEMI-SEA V<br />
exdS1W+?! l:xdS 24 .txd8+? ~xd8 25<br />
tDb7+ introduces a nice combination<br />
but simply does not work: 25 ... Wc7 26<br />
1Wxd7+ ~xd7 27 tDxc5+ ~d6 28<br />
tDxa6 c3 and Black wins) 23 .. /ifa'b6 24<br />
tDxc4+ (24 exd8'ii'+ ':xd8 25 tDxf7<br />
':e8 26 "ii'd6+ ~a5 27 "ii'xd7 ':e1 + 28<br />
~g2 .te4+ 29 f3 .tc6 30 'ii'd8+ Wa4<br />
31 "ii'd2 l:a1 gives Black a clear advantage<br />
according to Kramnik) 24 .. .roitb5<br />
25 tDd6+ ~b6 26 exd8.t+ l:xd8 27<br />
tDc4+ ~b5 28 tDd6+ ~b6 29 tDc4+<br />
~b5 1/2_ 1 /2 Topalov-Kramnik, Dortmund<br />
1996.<br />
20.txh6<br />
20 exd8"ii'+ Wxd8 21 tDe4 looks<br />
dangerous but Black keeps his pieces<br />
together with the clever manoeuvre<br />
21....th3! 22 tDxc5 .te6 (note that tour<br />
of the bishop!), Ermolinsky-Ivanchul.,<br />
Pinsk 1986.<br />
20 ... .td3 (D)<br />
w<br />
21 tDe4!? (D)<br />
Shirov describes this as 'not very<br />
dangerous for Black' but he still failed<br />
to find the right way for Black in his<br />
game with Beliavsky. Yet comparing<br />
with Kramnik's 19 ... .txe7 the difference<br />
is not that great and there tDe4 is<br />
invariably played.<br />
21 exd8'ii'+ should be answered by<br />
21...Wxd8. Alternatively, White can<br />
try 21 'ii'a8+ tDb8 22 exd8"ii'+ l:xd8<br />
23 l:e1 ! but with accurate play Black<br />
keeps the balance in the endgame after<br />
23 ... bxc3 24 .tf4 'ii'b6 (24 .. :iVb7? 25<br />
l:r.e7! +-) 25 bxc3 .tf5!. White will ultimately<br />
reach an ending with only<br />
two pawns for a piece but in reality<br />
Black's doubled c-pawns only count<br />
for one and Black's bishop will find it<br />
difficult coping with the white pawn<br />
phalanx on the kingside. After 26 h4<br />
Black has tried:<br />
a) 26 ... .te6?! 27 Wh2 l:d7!? (or<br />
27 ... 'ii'b2 28 l:e2! 'ii'b6 29 h5 .td5 30<br />
'ii'xb8+ 'i'xb8 31 .txb8 Wxb8 32<br />
l:d2! ± Nesis-Kujala, COIT. 1995-8) 28<br />
h5 ':b7, Yermolinsky-D.Gurevich,<br />
USA Ch 1994, and now 29 h6 would<br />
have promised White very good winning<br />
chances; e.g., 29 ... 'ii'b2 30 Wg1<br />
'ii'xc3 31 ':xe6! fxe6 32 .txb8 "ii'f3 33<br />
.td6+ ~d7 34 'ii'xb7+ 'ii'xb7 35 f7<br />
and White wins - Yermolinsky.<br />
b) Thus it seems better to force the<br />
endgame immediately with 26 .. :ii'b7!<br />
but the problem is of course that with<br />
27 'ii'xb7+ Wxb7 28 ':e7+ l:d7 29<br />
.txb8 Wxb8 30 l:xd7 (30 ':e5!?)<br />
30 ... .txd7 White forces Black into a<br />
very difficult ending, but at home<br />
Shirov had already found that Black<br />
can draw: 31 c;i;>g2 ~c7 32 ~f3 ~d6<br />
33 c;i;>f4 .tc6!! (the key move of Black's
UHlMANN'S 16 :b1 53<br />
defence; if White could get his king to<br />
g5 and the pawn to f4 he would be<br />
winning; e.g., 33 ... ~e6?? 34 ~g5<br />
.ltc6 35 f4 .lte4 36 g4 .th7 37 h5 as 38<br />
~h6 .lte4 39 'i;g7 and White wins) 34<br />
~g5 .ltf3 35 ~f5 ~d5! 36 g4 ~d6 37<br />
h5 ~d5 38 ~f4 .ltd 1 39 ~g5.1tf3 40<br />
~f4 .ltdl 41 ~g5 .ltf3 42 ~f4 112-112<br />
Azmaiparashvili-Shirov, Madrid 1996.<br />
White cannot make progress as after<br />
42 h6? .lte4 43 f4 .lth7! White's king<br />
does not have access to h6 and thus<br />
White will even be losing.<br />
22 'it'xe4 .l:.de8<br />
Not 22 ... .l:.xh6? 23 'it'a8+ ltJb8 24<br />
'it'xb8+! winning.<br />
23 .ltg7! .l:.h5 24 .l:.dl (D)<br />
B<br />
B<br />
21 ... .ltxe4<br />
In comparison with note 'b3' to<br />
Black's 19th move above, 21.. . .ltxbl!?<br />
might still be feasible. <strong>The</strong> question is<br />
whether White has more than a perpetual<br />
check after 22 ltJd6+ ~c7 23 .ltf4<br />
~b6 24 ltJxc4+ ~b5 25 ltJd6+ 'it>b6.<br />
<strong>The</strong> only attempt, which could also be<br />
tried in the line with 19 ... .ltxe7, is 26<br />
a4 but 26 ... bxa3 27 ltJc4+ 'it'xc4 28<br />
'it'xc4 a2 29 exd8'it'+ .l:.xd8 gives<br />
White no real winning chances as the<br />
a-pawn is far too strong.<br />
24 ...'ii'b5<br />
White w
54 THE BOTVINNIK SEMI-SLAV<br />
25 f4 e3<br />
2S .. .'~c7!? deserves consideration.<br />
26 bxe3 bxe3<br />
After 26 ... c4? 27 cxb4 ~c7 28 g4<br />
White's initiative is clearly more important<br />
than Black's diminishing material<br />
advantage, Beliavsky-Shirov,<br />
Ljubljana 1995. It is a mystery why<br />
Shirov rejected the text-move even<br />
though he had seen ...<br />
27 .:tbl e21<br />
... when White can claim some compensation<br />
after 28 'iYxc2 'iYc6 29 .:tdl,<br />
but it is very far from certain that this<br />
is adequate.<br />
82)<br />
19 ~xf1 (D)<br />
B<br />
This simple capture has somewhat<br />
overtaken the seemingly impressive<br />
19 'ifdS. White has fared quite well<br />
with it, and the evidence is primarily<br />
based on the fact that Shirov has had<br />
big problems handling the black position.<br />
19 ... ~h61?<br />
When I had finished reviewing<br />
most of the available material after 19<br />
'it'xfl, it struck me that this typical<br />
move of the <strong>Botvinnik</strong> System had for<br />
some reason been totally ignored. My<br />
first thought was that there had to be<br />
an obvious refutation. How else could<br />
a move that is the main defence against<br />
19 'ifdS have been ignored like this?<br />
However, after spending some time on<br />
it, I am inclined to believe that it is<br />
Black's best move - perhaps due to<br />
current negative status of the alternatives.<br />
But first, here is what happens<br />
when Black respectively tries to win<br />
material, save material or seize control<br />
ofthe sensitive hl-a8 diagonal:<br />
a) 19 ... bxc3? is too greedy, and<br />
now White should continue with the<br />
amazingly cool 20 bxc3! rather than<br />
Uhlmann's 20 'ifdS, which permits<br />
Black to muddy the waters with the<br />
disruptive 20 ... ~xe7 21 fxe7 c2!, as in<br />
Uhlmann-Alexandria, Halle 1981.<br />
However, after 20 bxc3! Black is dead<br />
lost; e.g., 20 ... ~h6 21 ~xh6 tLlxf6<br />
(21.. . .:txh6 22 :b8+ +-) 22 exd8'iY+<br />
:xd8 23 :b8+ ~xb8 24li'xd8+ +-.<br />
b) 19 ... ~xe7?! 20 fxe7 :dg8 is an<br />
idea with which Kramnik has experimented.<br />
21 tLle4 li'c6 22 tLld6+ ~b8<br />
23 ~f4 :xh2 (if 23 ... ~a8, 24 h4<br />
keeps the h-pawn and avoids counterplay)<br />
24 ~e2! ~a8 2S 'iYc2!. After this<br />
very fine move, White's queen is about<br />
to take a powerful outpost on fS, and<br />
this gives him a more or less decisive<br />
advantage in most lines, as shown by<br />
Kramnik's analysis in In/armatar:
UHLMANN'S 16 '1:.b1 55<br />
b1) 2S ... liJf6 26 'tWfS (26 'fixc4<br />
liJg4 27 lin ±) 26 ... liJdS (26 ... liJe8 27<br />
lId1; 26 ... liJg4 27 'tWxg4 l:txg4 28<br />
e8'ii'+ 'ii'xe8+ 29 liJxe8; 26 .. J:tgh8 27<br />
'1Wxf61bf2+ 2S ~xf2 lIh2+ 29 'it>e3;<br />
26 .. Jlg6 27 lId1 1Ih5 2S 'ii'cS+!? 'fixcs<br />
29liJxc8) 27 '1Wxf7 l:thh8 (27 ... liJxf4+<br />
2S 'ii'xf4 +-) 2S l:td1liJxf4+ (28 ... liJxe7<br />
29 'ii'xe7 lieS 30 liJxeS l:txeS 31<br />
lIdS+) 29 'ii'xf4 +-.<br />
b2) 2S ... c3 26 'ii'fS! (26 bxc3liJf6)<br />
26 ... 'ii'a6+ 27 ~e3 +-.<br />
b3) 2S ... 'ii'dS and then:<br />
b31) 26 eS'ii'+ lIxeS+ 27 liJxeS<br />
'ii'e6+ (27 ... 'ii'hS+ 28 ~e3 +-) 2S olte3.<br />
b32) 26 'ii'fS! 'ii'xfS 27liJxfS +-.<br />
b4) 2S ... :hS 26 '1Wxc4 (26 l:[d1 I?)<br />
26 ... :dS (26 ... liJeS 27 'ii'e4 +-) 27<br />
eS'1W+ :xe8+ 28 liJxeS '1We6+ 29 'it>f3<br />
+-.<br />
bS) 2S ... liJb6 26 'fifS liJcs 27 eS'fi<br />
(27 'ii'xf7!? might be even stronger, but<br />
Kamsky's move is simpler) 27 ... l:txeS+<br />
2SliJxeS 'ii'xeS+ 29 olte3 and although<br />
Kramnik succeeded in defending this<br />
position in Kamsky-Kramnik, Dos<br />
Hermanas 1996, there can be no doubt<br />
about White's advantage.<br />
c) 19 ... 'ii'c6 (Shirov's preference,<br />
which aims to take control of the h1-<br />
as diagonal before White does so) 20<br />
exdS'ii'+ 'ifi>xdS 21liJdS (21 'ii'dS'ii'xdS<br />
22 liJxd5 lIxh2 is less clear; even<br />
though Black's queen is slightly annoying,<br />
it is Black who benefits from<br />
the exchange) 21..Jbh2 22 ~gl lIhS<br />
23 oltf4 ! (D) and now:<br />
c1) 23 ... oltd6 24 oltxd6 'ii'xd6 2S<br />
'tWf3! ltJes 26 'ii'e4 lleS (Black does not<br />
B<br />
seem so badly off around here, but a<br />
few accurate moves from White secure<br />
a small edge) 27 liJe3! liJc6 2S 'ii'f3!<br />
(not, however, 2S 'ii'xc4? lIxe3 29<br />
fxe3 'ii'xg3+, when Black, if nothing<br />
else, has lots of checks) 28 ... ~c7 29<br />
liJxc4 '1Wd4 30 b3 and White is slightly<br />
better, Kramnik-Shirov, Monaco Amber<br />
blindfold 1996.<br />
c2) 23 ... 'fie6?! (Shirov's attempted<br />
improvement on the above, but when<br />
annotating it later he described it as a<br />
clear mistake) 24 'ii'f3 'ii'h3 (one has to<br />
agree with Shirov's thought that this<br />
looks quite promising, for if White<br />
had to play 2S 'ii'g2?!, Black could<br />
continue 2S ... 'ii'xg2+ 26 ~xg2 ~cS<br />
27 l:[d1 liJb6 with excellent counterplay,<br />
or 27 lIc1?! ~b7! 2S lIxc4 ~c6)<br />
2S lldl! b3!? 26 a4! 'ii'h2+ 27 ~n<br />
'1Wh1 + 2S c;t>e2 'ii'xf3+ 29 ~xf3 'ifi>cs 30<br />
g4!, P.Nikolic-Shirov, Linares 1997.<br />
White should win as Black's pieces<br />
are too passive and there are no real<br />
chances of creating counterplay.<br />
Returning to the position after<br />
19 ... olth6 (D):
56 THE BOTVINNIK SEMI-SLAV<br />
w<br />
22 'ii'd5 bxc3 23 l:dl 'ii'a4 is too optimistic,<br />
while 22 ~e4 'ii'c6 23 'ii'c2<br />
l:txh2 24 ~gl l:th5 25 l:dl (25 'ii'xc4<br />
tiJxf6 26 l:tdl + ~e7 27 l:tel l:te5 28 f3<br />
tiJxe4 29 l:xe4 l:xe4 30 fxe4 and the<br />
resulting queen ending should be a<br />
draw) 25 ... l:td5 gives Black excellent<br />
chances.<br />
20 exd8'ii+ ~xd8 21 ~xh6<br />
One of White's best attackers in such<br />
positions is the dark-squared bishop,<br />
which can be terribly annoying after a<br />
possible ~f4. Here, however, White<br />
has little choice but to exchange it.<br />
21 .•. l:txb6<br />
For the reasons stressed above,<br />
Black should avoid 21...bxc3, due to<br />
22 ~f4! (22 ~g7 l::txh2 23 ~gl c2 24<br />
'ii'xc2 l:h5 25 'ii'e4 also looks good for<br />
White) and now Black has the miserable<br />
choice between:<br />
a) 22 ... 'ii'c6 23 ~gl.<br />
b) 22 ... l:xh2 23 ~gl l:th8 24 bxc3<br />
+-.<br />
c) <strong>The</strong> best attempt is probably<br />
22 ... cxb2 23 'ii'f3! c3+ 24 ~gl l:te8<br />
but all Black's pawns drop off after<br />
25 'ii'a8+ 'ii'c8 26 'ii'xa7 followed by<br />
'ii'a5+ and 'ii'xc3.<br />
22 ~d5!? (D)<br />
This is very similar to note 'c1' to<br />
Black's 19th move above, with only a<br />
few differences. Most notably, Black's<br />
queen is on a6, and it makes sense to<br />
try to utilize this.<br />
B<br />
22 ... c3+<br />
This is the only move I have been<br />
able to make work. Here is a brief<br />
summary of what I looked at:<br />
a) 22 ... l:xh2 23 ~gl l:th8 24 'ii'f3<br />
is similar to Kramnik-Shirov and it<br />
does not seem to make much difference<br />
that the queen is on a6 rather than<br />
d6.<br />
b) 22 ... 'ii'xa2 is risky, but has to be<br />
taken into account. However, White<br />
has the very simple 23 l:tal 'ii'b3 24<br />
'ii'xb3 cxb3 25 l:xa7 tiJxf6 26 l:ta6<br />
tiJg4 27 l:txh6 tiJxh6 28 tiJe3, when<br />
the knight ending favours White. Perhaps<br />
there is even something stronger.<br />
c) 22 ... ~c8!? (D) is an attempt to<br />
free the knight. Now White can try:
UHlMANN'S 16 :b1 57<br />
w<br />
w<br />
c1) 23 'ir'g4 is met by 23 ... 'ir'e6,<br />
with the idea that 24 0,e7+ 'it;(b7 25<br />
'ir'xe6 fxe6 26 f7? (26 l:.el is probably<br />
better for White) is answered by<br />
26 .. .lhh2! 27 :dl (27 'it;(gll:th7 28<br />
:dl0,f8) 27 ... ':hl+ 28 'it;(e2l:txdl 29<br />
~xdl0,f8, when Black is not worse<br />
since his king comes to the rescue.<br />
c2) 23 'ir'f3 is simplest. Now if<br />
23 ... 0,xf6, 24 'ir'f5+ 'ir'e6 25 'iWxe6+<br />
fxe6 260,xf6 ':xf6 27l:tc 1 gives White<br />
a winning rook ending.<br />
23 ~gl 'ii'e6 (D)<br />
240,f4<br />
On the face of it, this looks like the<br />
safest choice. If 24 bxc3 'iWh3 25 cxb4<br />
'iWxh2+, White has to walk his king up<br />
the board if he does not want to allow a<br />
perpetual check. However, this is a<br />
very risky operation, and as the following<br />
analysis shows, Black should<br />
not be unhappy with it: 26 ~fl 'ir'h 1 +<br />
27 'it;(e2 'ir'h5+ 28 ~e3 'ir'e5+ 29 ~f3<br />
'iWh5+ 30 g4 (otherwise Black has an<br />
instant perpetual) 30 ... 'ir'h3+ 31 ~e4<br />
'iWh2!, and, for example, 32 f4 :h3<br />
with a strong attack.<br />
24 ... 'iWxa2 25 bxc3 l:txf6 26 cxb4<br />
Or 26l:tall:td6!, when both 27 'ir'c1<br />
'iWc4 and 27 'iWfl 'ir'c2 give Black adequate<br />
counterplay.<br />
26 ... l:td6! 27 'iWcl c4!<br />
<strong>The</strong> passed c-pawn, together with<br />
the fact that White has some backrank<br />
problems, provides Black with<br />
good counterplay.
5 Black's 13th Move Alternatives<br />
1 d4 d5 2 c4 c6 3 llJf3llJf6 4llJc3 e6 5<br />
i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9<br />
llJxg5 hxg5 10 i.xg5 llJbd7 11 exf6<br />
i.b712 g3 c5 13 d5 (D)<br />
B<br />
<strong>The</strong> ideas for Black in this chapter<br />
are not available if White chooses the<br />
move-order with 11 g3, though delaying<br />
the capture on f6 gives Black some<br />
alternative ideas (see Chapter 7, Line<br />
A). It is largely a matter of taste which<br />
deviations White wants to avoid.<br />
Quick Summary<br />
<strong>The</strong> first two alternatives we consider,<br />
13 ... llJb6 (Line A) and 13 ... llJe5 (Line<br />
B) are both rarely seen. 13 ... llJb6 was<br />
reasonably popular until Polugaevsky<br />
discovered the ingenious 14 dxe6!<br />
'ii'xdl + 15 ':'xdl i.xhl 16 e7 a6 17<br />
h4! i.h6 18 f4!, after which Black will<br />
never be able to free his rook on h8.<br />
Hence Black turned his attention towards<br />
14 ... i.xhl 15 e7 'ii'd7, but this<br />
is still good for White. <strong>The</strong> same can<br />
be said of 13. .. llJe5 14 i.g2 llJd3+ 15<br />
~f1, where Black has spent valuable<br />
time to achieve very little.<br />
13 ... llJxf6 (Line C) and 13 ... i.h6<br />
(Line D) are, however, both playable<br />
options. In particular, I find the line<br />
13 ... llJxf6 14 i.g2 i.e7 15 0-0 llJxd5<br />
16 i.xe7 ~xe7 17llJxb5 'ii'b618llJa3<br />
.:!.h4!? 19 'ii'd2llJf4!? very interesting,<br />
but I admit there is a certain risk that<br />
putting two pieces en prise like this<br />
will not hold up to close scrutiny.<br />
<strong>The</strong> <strong>The</strong>ory of Black's<br />
13th Move Alternatives<br />
1 d4 d5 2 c4 c6 3llJf3llJf6 4llJc3 e6 5<br />
i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9<br />
llJxg5 hxg5 10 i.xg5 llJbd7 11 exf6<br />
i.b712 g3 c5 13 d5<br />
Now:<br />
A: 13 ... llJb6 59<br />
B: 13 ... llJe5 60<br />
c: 13 ... llJxf6 62<br />
D: 13 ... i.h6 68<br />
13 ... 'ii'c7 14 i.g2 transposes to<br />
Line Bl in Chapter 7. Not, however,<br />
13 ... b4? 14 i.xc4! and White wins.
BLACK'S 13TH MOVE ALTERNATNES 59<br />
A)<br />
13 ... ltJb6 14 dxe6!<br />
This is the stunning move that<br />
makes White's whole concept with 11<br />
exf6 instead of 11 g3 playable. If Black<br />
were allowed to capture on d5 he<br />
would be better, for example after 14<br />
.tg2liJxd5.<br />
14 ... .txhl<br />
It is clear that Black has to accept<br />
the rook in one way or another but he<br />
could also choose to throw in an exchange<br />
ond1. For example, 14 ... 'iIi'xdl+<br />
15 ':'xdl .txhl (15 .. .fxe6 16 ':'gl a6<br />
17 h4 ±) 16 e7 (D) and now rather than<br />
attempting to rescue his dark-squared<br />
bishop, Black should restrain White's<br />
knight from jumping forward:<br />
B<br />
a) 16 ... .th6? loses immediately to<br />
17 ltJxb5 ltJd5 (17 ... .:.c8 18 ltJc7+<br />
':'xc7 19 ':d8#) 18 .th3 ltJxe7 19<br />
ltJc7+ ~f8 20 ':'d8+ ':'xd8 21 fxe7+<br />
~g7 22 exd8'i1i' ':xd8 23 .txd8.<br />
b) 16 ... .tc6 17 l:.d6 b4 (17 ... .:.c8<br />
18 h4! .th6 19 f4 b4 20 .th3l:tb8 21<br />
':'xc6 bxc3 22 bxc3 wins for White<br />
since Black will be able to free his imprisoned<br />
rook on h8) 18 ':'xc6 bxc3 19<br />
':'xb6 axb6 20 .txc4 ~d7 21 bxc3<br />
.th6 22 h4 .txg5 23 hxg5 is analysed<br />
by Burgess in <strong>The</strong> Mammoth Book of<br />
the World's Greatest Chess Games,<br />
and forms an incredible ending. White<br />
only has a bishop and four pawns for<br />
two rooks but the far-advanced pawns<br />
provide more than enough compensation.<br />
<strong>The</strong> threat is 24 .txf7, and if<br />
23 ....:.h7, 24 .tb5+ ~e6 25 e8'i1i'+<br />
':'xe8 26 .txe8 is very good for White.<br />
c) 16 ... a6 and then:<br />
cl) 17 exf8'ii'+?! ~xf8 18 .te3<br />
l:th5 19 ':d6 l:.b8 20 .te2 l:.e5 21ltJd 1<br />
~g8 22 .tf4 l:.ee8 23 ltJe3 .te4! with<br />
slightly the better chances for Black,<br />
Beliavsky-Bagirov, Moscow tt 1981.<br />
c2) 17 h4! (this truly amazing idea<br />
is designed to lock in the rook on h8)<br />
17 ....th6 18 f4! (this is the real point;<br />
if Black exchanges on g5, White can<br />
take back with the f-pawn and the h8-<br />
rook will never get out) 18 ... b4 19<br />
':'d6! (only this energetic follow-up<br />
justifies White's idea) 19 ... l:.b8 20<br />
ltJdl .txg5 21 fxg5 ltJd5 22 .txc4<br />
ltJxe7 23 fxe7
60 THE BOTVINNIK SEMI-SLAV<br />
Alternatively, 16 f3!? prepares lDe4<br />
and in fact looks quite dangerous.<br />
However, it seems that Black can solve<br />
his problems:<br />
a) 16 ... 'ii'xd1+ 17 lhd1 i..xf3 18<br />
':d6! is very good for White as there is<br />
no defence against White's knight advancing<br />
on the next move; for example,<br />
18 .. .lhh219lDxb5liJd5 (19 ... ':c8?<br />
20 lDc7+!) 20 i..xc4 ±.<br />
b) 16 ... i..xe7!? 17 fxe7 f6! 18 i..xf6<br />
(18 'iWxd7+? lDxd7 is slightly better<br />
for Black) 18 ... ':xh2, Bareev-Lukacs,<br />
Vrnjacka Banja 1987, and now White's<br />
best is 19 'iWxd7+! lDxd7 20 lDxb5<br />
lDxf6 21 lDc7+
BLACK'S 13TH MOVE ALTERNATIVES 61<br />
one stage or another. True, this is very<br />
disruptive and here it even gets there<br />
with check, but it releases pressure<br />
against the f6-pawn and more importantly<br />
does nothing to complete Black's<br />
development.<br />
14 i.g2 ttJd3+<br />
<strong>The</strong> only logical follow-up. Others<br />
are not worth repeating:<br />
a) 14 ... b4 15 'fia4+ 'fid7 16 'fixd7+<br />
~xd7 17 ttJb5 0-0-0 180-0-0 a6 19<br />
~a7+ rJ;c7 20 dxe6 i.xg2 21 i.f4+<br />
~b7 22 e7! ± Brkljaca-Karaklaji6,<br />
Bela Crkva 1984.<br />
b) 14 ... i.h6 15 'fih5! (the idea of<br />
throwing in ... i.h6 is in itself quite<br />
sensible since 15 i.xh6 ttJd3+ 16 'itf1<br />
:xh6 gives Black a lot of counterplay<br />
in view of White's awkward king's position)<br />
15 ... b4 16 0-0 bxc3 17 .:tael<br />
'fid6 18 i.xh6 cxb2 19 dxe6 i.xg2 20<br />
:xe5 0-0-0 21 rJ;xg21:txh6 221:txc5+<br />
rJ;b8 23 .:tb5+ 'liIc7 24 'fixf7+ 1-0<br />
Ermolinsky-Yuneev, USSR 1984.<br />
15 rJ;n (D)<br />
B<br />
15 ... 'fid7<br />
Black needs to meet White's threat<br />
of 16 dxe6, and since 15 ... exd5 16<br />
'fie2+ 'itd7 17 ttJxd5 leaves no consolation,<br />
there is only the text-move and<br />
15 ... ~b6. However, after 15 ... 'fib6<br />
Black does not threaten to take on d5,<br />
and thus White can begin undermining<br />
the queenside immediately: 16 b3<br />
'fi a5 17 dxe6 i.xg2 + 18 rJ;xg2 fxe6 19<br />
'fif3 .:tb8 20 bxc4 'fixc3 21 f7+ 'itd7<br />
22 .:thdl ± M.Houska-McDonald,<br />
Hampstead 1998.<br />
16 dxe6<br />
Very natural but not necessarily<br />
best. Others:<br />
a) 16 'iWe2 O-O-O! 17 dxe6 fxe6 18<br />
i.xb7+ 'itxb7 19 'fie4+ 'fic6 20 h4<br />
i.d6 21 f4 b4 22 'fixc6+ ~xc6 23 ttJe4<br />
~d5!, as in Bagirov-J.Hansen, Moscow<br />
1975, is actually not very clear.<br />
While White's three passed pawns<br />
look very menacing, Black's queenside<br />
pawn-mass should not be underestimated,<br />
as it is supported by the strong<br />
knight on d3.<br />
b) A better option for White is Vujatovi6's<br />
suggestion 16 'fif3! - even<br />
Kasparov has confirmed that this is<br />
very strong. <strong>The</strong> idea is that 16 ... exd5<br />
is met by 17 h4!, which prevents Black<br />
from castling queenside. Also, 16 ... b4<br />
does not look worth pursuing. Stone<br />
Morrison, Canada 1986 went 17 dxe6<br />
'fid418 exf7+~d819 ttJdS a5 20.:tdl<br />
a4 21 i.f4 .:ta6 22 i.c7+ ~d7 23<br />
'fifS+ 1:te6 24 i.a5 and even though<br />
Black went on to win, it is White who<br />
should be able to convert this into a<br />
full point.
62 THE BOTVINNIK SEMI-SLAV<br />
16 ... fxe6 17 b3<br />
17 'it'e2 0-0-0 transposes to note 'a'<br />
to the previous move.<br />
17 ... 0-0-018 bxc4 j,h6! (D)<br />
w<br />
<strong>The</strong> standard way of softening up<br />
the f6-pawn. If Black could exchange<br />
the dark-squared bishop and win the<br />
f6-pawn, the open f-file in combination<br />
with the powerful knight on d3<br />
would give Black a strong attack.<br />
19 j,h4<br />
<strong>The</strong> only move. Illescas provides<br />
some lines to illustrate the dangers of<br />
exchanging bishops:<br />
a) 19 f4 j,xg5 20 fxg5 j,xg2+ 21<br />
~xg2 'ili'c6+ 22 'ili'f3 tLlf4+! -+.<br />
b) 19 tLlxb5 j,xg2+! 20 ~xg2<br />
'ili'b7+ (20... j,xg5!?) 21 'it'f3 j,xg5 22<br />
'ili'xb7+ ~xb7 and White does not<br />
have sufficient compensation.<br />
c) 19 j,xh6l:hh6 20 tLlxb5 l:lxf6!<br />
21 tLlxa7+ (21 f3 a6 22 tLlc3 'ili'd4 -+)<br />
21...b8 22 j,xb7 l:lxf2+ 23 ~gl<br />
'it'xb7 -+.<br />
19 ... b4 20 tLldS! exdS 21 'it'xd3<br />
dxc4<br />
If Black wants to avoid exchanges,<br />
he can try 21...j,a6 22 ~gl j,xc4 23<br />
'it'f3 with an unclear position.<br />
22 j,xb7+! 'it'xb7 23 'it'fS+ ~b8 24<br />
l:lgl!<br />
Beliavsky-Illescas, Linares 1994. I<br />
would rather not assess this position.<br />
In reality, Black only has two passed<br />
pawns (the doubled c-pawns) while<br />
White has four on the kingside, but<br />
with the better bishop and generally<br />
more active pieces, Black has plenty of<br />
counterplay. Illescas played 24 ... j,d2!?<br />
but 24"'l:ld5 25 'ii'e6 c3 is also worth<br />
considering.<br />
C)<br />
13 ... tLlxf6 (D)<br />
w<br />
A number of recent games have<br />
suggested that we should take a fresh<br />
look at this move. It is slightly provocative,<br />
in as much as Black walks<br />
straight into a pin. However, there is<br />
no direct way for White to exploit this<br />
fact since Black is ready to neutralize<br />
it on his next move with ... j,e7, after
BLACK'S 13TH MOVE ALTERNATNES 63<br />
which there will be substantial pressure<br />
against the d5-pawn. White must<br />
be careful not to lose this pawn without<br />
compensation, while Black's main<br />
worry is that his position will fall apart<br />
with the disappearance of the b5-pawn.<br />
<strong>The</strong> line was quite popular in the<br />
first half of the 1990s with several<br />
very strong players, e.g. Kramnik,<br />
Ivanchuk and Dreev, adopting it, but<br />
has since then almost disappeared.<br />
However, a revival may be in order.<br />
14.tg2<br />
This is the established main line,<br />
but there have been a few (unsuccessful)<br />
attempts to punish Black's previous<br />
move immediately:<br />
a) 14 .txc4 bxc4 and now White<br />
has the option of going for an attack or<br />
re-establishing material equality:<br />
al) 15 .txf6 'iVxf6 16 'iVa4+ ~d8<br />
170-0-0 e5 18 f4 (18 d6? .txhl 19<br />
'ifa5+ litd7 20 'ifc7+ ~e6 21 d7 'ifd8<br />
and Black survives with a clear material<br />
advantage, but playing for longterm<br />
compensation with 18 'ifxc4 is<br />
probably preferable) 18 ... exf4 19 d6<br />
.txhl 20 'ifa5+ litd7 21 'ifc7+ ~e6 22<br />
d7, Shabalov-Miiller, Pula 1989, and<br />
now 22 ... 'ife5! 23 d8'if l:xd8 24 'ifxd8<br />
.tf3 25 l:d7 litf5 26 l:xf7+ 'ittg6 27<br />
l:xfB 'ife 1 + gives Black a decisive advantage<br />
- Shabalov.<br />
a2) 15 'ifa4+ ~d7 16 .txf6 ~xa4<br />
17 ~xa4 l:h6 (17 ... .txd5 18 .txh8<br />
.txhl 19 .tf6 is better for White due<br />
to Black's weak c-pawns) 18 .tg5<br />
l:g6 19 h4 exd5 20 0-0-0 (20 O-O!?)<br />
20 ... .tc6 21 l:hel + 1:te6 22 ~c3 d4 23<br />
~e2 ~d7 24 ~f4 1:td6 25 ~h3 .tf3 26<br />
l:d2 .tg4 27 ~gl l:a6 =1= Iasnikowski<br />
Bany, Polanica Zdroj 1988.<br />
b) 14 dxe6 (D) and then:<br />
bl) 14 ....txhl 15 'ifxd8+ 1:txd8 16<br />
.txf6 +-.<br />
b2) 14 ...'iVxdl+ 15 l:xdl.txhI16<br />
.txf6 1:th6 17 ~xb5 fxe6 (17 ... l:xf6?<br />
18~c7+~e719l:d7#) 18~c7+'litf7<br />
19 .tg5 1:txh2 20 ~xa8 .txa8 21<br />
.txc4 ±.<br />
b3) 14 ....tg7 with a further branch:<br />
b31) 15 1:tgl 'ifb6! 16 'ife2 'ifxe6<br />
17 ~xb5! 'iVxe2+ 18 .txe2 ~e4! 19<br />
0-0-0 (19 .tf4 is worth considering,<br />
but not 19 ~c7+? litf8 and now 20<br />
.tf4 l:d8 with counterplay, or 20 ~xa8<br />
~xg5! 21 ~c7 .txb222l:dl l:xh223<br />
1:td8+ 'lite7 24 l:b8 .td4 =1= Lobron)<br />
19 ... ~xg5 20 ~d6+ 'litf8 21 ~xb7<br />
1:txh2 =+= Lobron-Kramnik, Dortmund<br />
1993 .<br />
b32) Lobron favours the preliminary<br />
queen exchange 15 'ifxd8+!<br />
1:txd8, and only then 16 1:tgl, and I<br />
agree. With the queens off, White has
64 THE BOTVINNIK SEMI-SLA V<br />
a lot less to worry about, and Lobron<br />
likes White in all the following lines:<br />
16 ... a6 17 exf7+ ~xf7 18 i.g2; for<br />
16 .. .llxh2 17lLlxb5 fxe6, see 16 ... fxe6;<br />
16 ... b4 17lLla4 and 16 ... fxe6 17lLlxb5<br />
lLle4 (or 17 .. Jlxh2 18 i.xc4) 18 i.xd8<br />
i.xb2 (18 ... ~xd8 190-0-0+ and White<br />
wins) 19 l:dl +-.<br />
b4) 14 ... i.e7 15l::tgl 'ir'b616 exf7+<br />
BLACK'S 13TH MOVE ALTERNATIVES 65<br />
the a7-pawn, White's knight is ensured<br />
a safe outpost on b5; it and the<br />
queen form a dangerous attacking<br />
duo. Furthermore, White is a pawn up.<br />
Nevertheless, Black has plenty of<br />
counterplay in the form of the bishoppair<br />
and open files against White's<br />
king, but first he must unblock the h<br />
file:<br />
a) 19 ... .tg7 20 a4! 'iWh6?! (White<br />
easily defends against this, so Kasparov<br />
suggests doubling rooks, beginning<br />
with 20 .. J:th6!?) 21 h4 .tf6 22<br />
'iWe1! (a superb move, threatening 23<br />
'iWa5) 22 ... .txh4 23 'iWa5 (23 'iWe5+!<br />
rJi>a8 24 'iWc7 is similar to what happens<br />
in the game) 23 ... .te7 24 'iWc7+<br />
rJi>a8 25 'iWa5+ rJi>b8 26 'iWc7+ ~a8 27<br />
.l:tfe1, and there is no defence to the<br />
simple threat of White advancing his<br />
a-pawn, Kasparov-Ivanchuk, Linares<br />
1994.<br />
b) 19 ... .tg5!? had a fantastic first<br />
outing. <strong>The</strong> idea is of course that White<br />
is deprived of the defence Kasparov<br />
adopted against Ivanchuk (since Black<br />
does not spend two moves before being<br />
able to sacrifice the bishop). Let us<br />
first take a look at the stem game:<br />
b1) 20 f4 'iWh6! 21 fxg5?! (21 h3 is<br />
forced) 2L..iVxh2+ 22 ~f2 d4! 23 l:tg1<br />
.l:th4!!. A magnificent move, threatening<br />
... .l:tf4+! or even the simple ... .l:te8.<br />
It is not so obvious why White cannot<br />
take the rook, so we first examine this:<br />
b11) 24 gxh4 'iWxh4+ 25 rJi>e2 (25<br />
rJi>f1 'iWf4+ 26 .tf3 .txf3 27 'iWc 1<br />
.te2+! 28 ~e1 'iVe4 -+) 25 ... d3+! 26<br />
~e3 (26 ~d2 c3+! 27 tbxc3 'iWf4+ 28<br />
~e 1 d2+ and mate in three more<br />
moves) 26 ... iVxg5+ 27 ~f2 'ilh4+ 28<br />
~e3 lWg3+ 29 .tf3 (29 ~d2 'iWf4+ 30<br />
~c3 'iWf6+ 31 ~xc4 'ilh4+ 32 ~xc5<br />
.l:tc8+ 33 ~b6 iVd8+ -+) 29 ... .l:te8+ 30<br />
~d2 'ilh2+! 31 rJi>c3 .txf3 32 iVc1<br />
'iWe5+ 33 ~xc4 .td5+ 34 ~xc5 .tc6+!<br />
winning - Shirov.<br />
b12) 24 iVe2 .l:te4 25 'iWf3 d3 +<br />
Komljenovic-Lupu, Andorra 1994.<br />
b2) 20 iVe1!? .l:td7 (20 ... iVh6 21<br />
'iWe5+ ~a8 22 h3! intending 'ilJc7 looks<br />
dangerous according to Sadler, so<br />
Black first prevents White's queen<br />
from penetrating) 21 b3 'iWh6 and now<br />
22 iVe5+ ~a8 23 h4 .txh4 24 gxh4 f6<br />
25 iVc3 'iWxh4 26 'ilJa5+ c;i;>b8 27 iVa7+<br />
~c8 28 iVxc5+ ~b8 29 l:tfe1 .l:tg8 30<br />
"ii'a7+ ~c8 31 'iWc5+ rJi>b8 32 rJi>f1?<br />
(32l:[e7!?) 32 ... 'iWg4 33 'ilJa7+ ~c8 34<br />
iVc5+ 'it>b8 35 'iWa7+ ~c8 112-112 lonov<br />
V.Popov, St Petersburg Ch 1997. However,<br />
Lutz points out that White should<br />
hold the check on e5 in reserve, and<br />
play the more accurate 22 h4!.<br />
We return to the position after<br />
14 ... ..te7 (D):<br />
w
66 THE BOTVINNIK SEMI-SlAV<br />
15 0-0 tLlxd5 16 .i.xe7 rJ;;xe7 17<br />
tLlxb5 'ii'b6 (D)<br />
w<br />
A little thought on this position and<br />
the sequence leading up to it is in place.<br />
First, after White castled on move 15<br />
he was actually threatening 16 d6, so<br />
the last few moves have been more or<br />
less forced. <strong>The</strong> material balance is<br />
equal but Black's pawn-structure is<br />
evidently worse, while also his king is<br />
not very safe. On the positive side<br />
there are lots of open files and active<br />
piece-play but Black must keep playing<br />
actively, otherwise White will<br />
consolidate and eventually round up<br />
the c-pawns or queen the h-pawn.<br />
18 tLla3<br />
In the game Quist-Karolyi, Dieren<br />
1988, White decided that the knight<br />
on d5 was too strong and had to be removed;<br />
and hence preferred 18 tLlc3??<br />
tLlxc3 19 bxc3 i.xg2 20 rJ;;xg2, but<br />
now, rather than the game's 20 ... 'ifc6+,<br />
Black can win with 20 ... 'ifb7+! 21 f3<br />
(21 'iitg1 and 21 'iVf3 are both answered<br />
by 21..Jhh2(+)!) 21...'ifb2+<br />
22 ~f2 ~xh2+ 23 'iitxh2 'iVxf2+ 24<br />
'iith3 f5 and mate in a few more moves.<br />
18 ... ~h4!?<br />
This spectacular idea of Kramnik's<br />
has several purposes:<br />
1) it protects the c4-pawn;<br />
2) the rook can be centralized on<br />
the d4-square;<br />
3) it may prepare doubling rooks;<br />
4) ... tLlf4 becomes a serious option.<br />
Of course, all this is only relevant as<br />
long as White cannot simply take the<br />
rook. But first we should examine the<br />
other main continuation for Black,<br />
namely 18 ... c3, when White has the<br />
following options:<br />
a) 19 bxc3 tLlxc3 is fine for Black.<br />
b) 19 ~b1 cxb2 20 tLlc4 'iVc7 21<br />
~xb2 tLlb6 22 i.xb7 tLlxc4 23 i.xa8<br />
tLlxb2 24 'iff3 tLlc4 25 'ifc3 l:ha8 26<br />
'ifxc4 ~d8 with an equal ending,<br />
Razuvaev-Serper, Tilburg 1993.<br />
c) 19 tLlc4 'ifc7 with a further split:<br />
cl) 20 'ifc1?! ~ag8 (20... cxb2 21<br />
'ifxb2 gives White an edge) 21 f4,<br />
Vladimirov-Dzhandzhgava, Pavlodar<br />
1987, and now Black should play<br />
21...~h7! (it is fairly important that<br />
Black chooses this square for the rook<br />
and not h6), with an advantage. For<br />
example, 22 bxc3 ':gh8 23 h4 ':g8 24<br />
'iith2 ~hg7 25 ~f3 tLlf6 and Black has<br />
a clear advantage. Why 21...~h7! is<br />
the strongest comes to light here, as if<br />
Black had played 21. .. ~h6 the rook<br />
would now have been on g6 and not<br />
g7, which would have given White the<br />
chance to put up some resistance with<br />
26 tLle5!.
BLACK'S 13TH MOVE ALTERNATIVES 67<br />
c2) 20 b3 ttJf4! (after 20 .. J:tag8 21<br />
l:te 1 l:tg5!, 22 l:tc 1 ?! ttJf4! was very<br />
good for Black in Czerwonski-A.Sokolov,<br />
Lublin 1993, but White has the<br />
stronger 22 i.e4!, intending 'it'f3 with<br />
an advantage - A.Sokolov) 21 i.xb7<br />
(21 gxf4? 'it'xf4! 22 'it'd6+ 'it'xd6 23<br />
ttJxd6 i.xg2 24 ~xg2 l1ag8+ 25 ~hl<br />
'ittxd6 26 l:tad 1 + ~c6 +) 21 ... ttJh3+ 22<br />
~g2 'it'xb7+ 23 f3. This is unclear according<br />
to A.Sokolov, but I would<br />
rather be Black after 23 ... 'it'd5 24 'it'c2<br />
l:tag8.<br />
c3) 20 bxc3 ttJxc3 21 'it'd2 i.xg2<br />
22 ~xg2 ttJe4 23 'it'e3 ttJf6 24 'it'f3<br />
gives White a slight advantage, Van<br />
Wely-Dreev, Bern 1993.<br />
19 'it'd2 (D)<br />
19 gxh4 is too risky in view of<br />
19 ... l:tg8! (19 ... ttJf4?! 20 i.xb7 'it'xb7<br />
21 f3 'it'xb2 22 'it'd6+! +-) 20 ttJxc4<br />
ttJf4 21 f3 l:txg2+ 22 'itthl 'it'c7, when<br />
Black has excellent compensation.<br />
B<br />
19 ... ttJf4!?<br />
This is for the moment Black's best<br />
try. Other options are:<br />
a) 19 ... l:td4?!. I am not sure whether<br />
this was the product of Kramnik's<br />
preparation but it is certainly not very<br />
impressive. Indeed, the rook is well<br />
centralized and reasonably secure but<br />
more aggressive measures are required.<br />
20 'it'g5+ ttJf6 (20 ... ~d7 is met<br />
by 21 b3!) 21 i.xb7 :'g8 22 'it'e5 ttJd7<br />
(Kramnik had apparently missed that<br />
22 ... ttJg4 23 'it'h5 ttJf6 does not force a<br />
repetition but rather loses a piece due<br />
to 24 'it'f3) 23 'it'e2 'it'xb7 24 ttJxc4 ±<br />
Van Wely-Kramnik, Biel IZ 1993.<br />
b) 19 ... l:tg8? 20 f4! (I would rather<br />
be Black after 20 gxh4 ttJf4 21 l1fdl<br />
1Ii'c7) 20 ... ttJxf4 (this was praised in<br />
many sources but is the only follow-up<br />
to Black's previous move; the fact that<br />
it leads to a rapid loss casts a shadow<br />
over Black's 19th move) 21 l:txf4 (21<br />
ttJxc4?! 'it'c7! is less clear) 21...l1xf4<br />
22 'it'xf4 'it'xb2 " ... and surprisingly<br />
White does not have more than perpetual<br />
check. I advise adherents of the<br />
<strong>Botvinnik</strong> line to study this line well,<br />
as I suspect that White is able to improve"<br />
- Van Wely in New in Chess<br />
Magazine. Well, no need to do that.<br />
White wins instantly, as pointed out by<br />
Dautov, with 23 'it'd6+!! (later played<br />
in J a. Gonzales-Villamayor, Greenhills<br />
Open 1996). 23 ... ~xd6 walks into a<br />
fork, 23 ... ~e8 permits 24 'it'b8+ followed<br />
by 'it'xb7+, and 23 ... ~f6 is simply<br />
met by 24 l1n + followed by<br />
i.xb7, when White stays a piece up.<br />
Also, White wins after 22 ... i.xg2 (instead<br />
of 22 ... 'it'xb2) 23 ttJxc4 'it'c6 24<br />
ttJe5.
68 THE BOTVINNIK SEMI-SLAV<br />
20 tLJxc4 'ii'a6!?<br />
Usually Black would rather have<br />
his queen on c7 than on a6, but in Oll<br />
Topalov, Biel IZ 1993, Black did not<br />
fare well with 20 ... 'ii'c7 21 f3 tLJxg2<br />
(21...l:1d8 22 'ii'a5!) 22 'ii'g5+ ~f8 23<br />
gxh4, and White was winning.<br />
21 tLJe3<br />
all's recommendation. <strong>The</strong> alternatives<br />
are:<br />
a) 21 ..txb7 tLJh3+ 22 ~g2 'ii'xb7+<br />
23 f3 :d8 24 'ii'e2 :g8 with an attack,<br />
Stocek-Papazov, Tallinnjr Ech 1997.<br />
b) 21 l:1fcl l:1g8 (21.. . ..txg2 22<br />
gxh4 l:1g8 23 'ii'xf4 ..th3+ 24 'ii'g3<br />
l:1xg3+ 25 hxg3 'ii'b7 26 tLJe3 'ii'xb2 27<br />
a4 is much better for White - Dautov)<br />
22 ..txb7 'ii'xb7 23 'ii'd6+ 'if.?f6 24 'ii'e5+<br />
'if.?e7 (24 ... 'iii'g6?! 25 gxf4 {25 f3!?}<br />
25 ... 'if.?h7+ 26 'iii'fl llxh2 27 'it>e2! looks<br />
insufficient for Black) 25 'ii'xc5+ 'if.?f6<br />
26 'ii'e5+ 'if.?e7 and now 27 'ii'd6+ repeats,<br />
but 27 tLJe3 is a winning attempt;<br />
e.g. 27 ... tLJe2+ 28 'ittfl tLJxcI 29 tLJf5+<br />
'it>d7 30 'ii'd6+ ~e8 31 l:1xcl exf5 32<br />
'ii'e5+ ~f8 33 'ii'c5+ 'ittg7 34 gxh4.<br />
21...l:1d8 22 'ii'c2 tLJe2+ 23 'if.?hl<br />
l:1h5<br />
N aumann-Ka.Miiller, B undesliga<br />
1998/9. I prefer Black's attacking<br />
prospects.<br />
0)<br />
13 ... ..th614 ..txh61hh6 (D)<br />
<strong>The</strong> exchange of the dark-squared<br />
bishops is strategically a very plausible<br />
decision. Black intends to capture<br />
on f6 with the knight, and compared to<br />
Line C there is no pin now. <strong>The</strong><br />
w<br />
disadvantage is that the operation is<br />
somewhat time-consuming, the rook<br />
is exposed and it is not yet clear<br />
whether the bishop is really needed for<br />
defensive measures - here I am thinking<br />
of controlling the d6-square or defending<br />
the c5-pawn. White has two<br />
options:<br />
Dl: 15 ..tg2 68<br />
D2: 15 'ii'd2 69<br />
Line D 1 is a very natural continuation<br />
but it lacks the directness of the<br />
second option.<br />
01)<br />
15 i.g2 b4<br />
15 ... tLJxf6 16 tLJxb5 is slightly<br />
better for White.<br />
160-0!?<br />
Only recently has this idea been rediscovered.<br />
Dvoretsky analysed it in<br />
1983 but only with the conclusion that<br />
accepting the sacrifice would be too<br />
dangerous and thus Black should reply<br />
16 ... tLJxf6.<br />
<strong>The</strong> alternative is 16 tLJe4 (16 tLJa4<br />
tLJxf6 17 tLJxc5 transposes to line 'c')
BlACK'S 13TH MOVE ALTERNATNES 69<br />
16 ... ttJxf6. Black's position appears<br />
rather loose but White cannot keep his<br />
d-pawn and with its fall White's initiative<br />
decreases significantly, while on<br />
the other hand Black will coordinate<br />
rapidly. A few lines:<br />
a) 17 'ii'e2 .txdS 18 ':dllfi>f8 19<br />
0-0 (19 'ii'e3 ':hS 20 'ii'xcS+ 'ilie7 leads<br />
nowhere) 19 ... ttJxe4 20 .txe4 'ii'gS!<br />
21 f4 'ii'hS 22 .tf3 .txf3 23 ':xf3 c3!?<br />
24 bxc3 bxc3, Razuvaev-Yusupov,<br />
USSR Ch (Moscow) 1983, and now<br />
2S':f2 'it'xe2 261he2 l:tb8 27 l:tcl =.<br />
b) 17 'ii'a4+ lfi>e7! 18 ttJxcS .txd5<br />
19 0-0-0 as 20 l:thel f8 21 .txd5<br />
exdS 22 'ii'c6 l:tc8 23 ':xdS ':xc6 24<br />
':xd8+ cJ;g7 was fine for Black in<br />
Nesis-Kuuskrnaa, corr 1983.<br />
c) 17 ttJxcS .txdS 18 0-0 (18 .txdS<br />
'it'xdS 19 'ii'xdS ttJxdS 20 l:tcl l:tc8 21<br />
':xc4 ttJb6 22 l:tc 1 ttJa4 23 ttJd3<br />
':xcl+ 24 ttJxcl ttJxb2 112-112 Azmaiparashvili-Dolmatov,<br />
USSR Ch 1986)<br />
18 ... .txg2 19 'it>xg2 'ii'b6! (stronger<br />
than the previously played 19 ... l:tc8)<br />
20 'it'a4+? (after 20 'ii'f3, 20 ... l:tc8 21<br />
ttJe4 ttJxe4 22 'ii'xe4 'ii'c6 is equal,<br />
while Black can also try the more ambitious<br />
20 ... ':d8!? 21 ttJe4 ~e7 -<br />
Dvoretsky) 20 ... cJ;e7 21 ttJa6 ttJdS! +<br />
Shneider-Dvoretsky, Frunze 1983.<br />
16 ... ttJxf6<br />
16 ... bxc3?! 17 dxe6 .txg2 18 exd7+<br />
'ii'xd7 19 l:tel+ ~d8 20 bxc3 is dangerous<br />
for Black.<br />
17 'it'c1<br />
17 'ii'a4+ ~f8 18 ttJe2 exdS 19 ttJf4<br />
ttJh5 20 ttJxh5 l:txh5 + Yobava-v.Popov,<br />
St Petersburg 1998.<br />
17 ... l:th51S ttJe2 exdS 19 ttJf4 l:te5<br />
20 b3 'fiIe7 21 bxc4 dxc4 22 .txb7<br />
'ilixb7 23 'fiIxc4 ttJe4<br />
Black has strong counterplay, Tisdall-Ardiansyah,<br />
Jakarta 1997.<br />
02)<br />
15 'it'd2 (D)<br />
Contrary to 15 .tg2, this move has<br />
several purposes. Above all, of course,<br />
it attacks the rook. When Black takes<br />
on f6 with the queen or the rook, the<br />
black knight is deprived of its ideal<br />
square. By covering the el-aS diagonal,<br />
White is also ready to capture the<br />
bS-pawn or play ttJe4 without having<br />
to worry about ... 'ii'a5+, and, additionally,<br />
White can now castle queenside.<br />
Black's two main continuations are<br />
now:<br />
D21: 15 ... l:txf6 70<br />
D22: 15 ... 'it'xf6 71<br />
However, since these obstruct the<br />
knight Black has also experimented<br />
with:
70 THE BOTVINNIK SEMI-SLA V<br />
a) IS .. Jlg6 160-0-0 lLlxf6 and now<br />
the simplest line is 17 lLlxbS i.xdS 18<br />
.%:.gl! ± (Yusupov).<br />
b) IS ... .%:.hS 16 i.e2 .%:.h 7 17 0-0-0<br />
lLlxf6 18 lLlxbS i.xdS 19 'ii'f4 ± Kasparov-Younglove,<br />
London sim 1984.<br />
D21}<br />
IS .. .lbf6 16 i.g2<br />
This is White's most solid option,<br />
preparing kings ide castling and defending<br />
the dS-pawn. 160-0-0 is more<br />
ambitious. <strong>The</strong>n:<br />
a) 16 ... b4 17 lLle4 exdS 18 lLlxf6+<br />
'ii'xf6(18 ... lLlxf619i.xc4!?) 19i.xc4<br />
lLlb6 20 :the 1 + ~f8 gave Black some<br />
compensation in Langeweg-Kuijpers,<br />
Hilversum 1984, even though I am far<br />
from convinced that it is really enough.<br />
<strong>The</strong> game continued 21 i.f1 as 22<br />
'ii'e3 :tc8 23 'ii'eS 'ii'xeS 24 .%:.xeS d4 2S<br />
i.h3 .%:.c7 26 :'del i.dS with counterplay.<br />
b) 16 ... lLlb6 17 i.g2 i.xdS 18 f4<br />
~f8 19 lLlxbS 'ii'e7 20 lLlc3 .%:.b8 21<br />
:'hel 'ii'b7 22 i.e4 'ii'a6 23 i.c2 was<br />
much better for White in Djubek-J.Urban,<br />
COIT. 1989.<br />
16 ... lLleS<br />
Logically aiming for f3 or d3 but<br />
16 ... lLlb6!?, increasing the pressure<br />
against dS, is also interesting; e.g., 17<br />
0-0 (17 0-0-0 is note 'b' to the previous<br />
move) 17 ... i.xdS 18 lLlxdS (18<br />
lLlxbS i.xg2 19 'ii'xd8+ lhd8 20<br />
'it>xg2 .%:.d2 21 :tabl ~f8 22 lLlc3! =)<br />
18 ... exdS 19 :tfel+ ~f8 20 .%:.eS 'ii'd6<br />
21 '%:'ael b4 + Tasc R30-<strong>The</strong>sing,<br />
Munster 1993.<br />
17 0-0 lLlf3+ 18 i.xf3 '%:'xf3 (D)<br />
19lLlxbS<br />
Or:<br />
a) 19'it'e2 i.xdS (19 ... :'xc3 20 bxc3<br />
'it'xdS 21 f3 is not sufficient for Black)<br />
20 .%:.fdl (the right rook; if 20 :'adl,<br />
20 ... :td3! is even better: 21 :'xd3 cxd3<br />
22 'ii'xd3 i.c4 23 'ii'xd8+ :'xd8 +)<br />
20 ... .%:.d3! 21 .%:.xd3 (after 21 lLlxbS,<br />
21.. .i.f3 22 .%:.xd3 i.xe2 23 .%:.xd8+<br />
.%:.xd8 24lLlxa7 :'d2 gives Black counterplay<br />
according to Ribli but Black<br />
can even interpolate 21... 'ii'b8!, and if<br />
White now moves the knight then<br />
... i.f3) 21...cxd3 22 'ii'xd3 i.c6 with<br />
equality, Karpov-Ribli, <strong>The</strong>ssaloniki<br />
OL 1988. Note that after 23 'ii'h7?!<br />
Black has the excellent 23 ... 'ii'f6!.<br />
b) 19 'ii'h6 i.xdS 20 :'adl was<br />
suggested by Ribli as a better attempt<br />
for White, continuing 20 ... 'ii'f6 21<br />
'ii'xf6 :'xf6 22 lLlxdS exdS 23 :'xdS<br />
.%:.c8 but even though I think Black has<br />
fair chances of holding this ending,<br />
20 ... .%:.d3!? still looks interesting.<br />
19 ... i.xdS 20 '%:'fel .%:.b8! 21lLlc7+
BLACK'S 13TH MOVE ALTERNATNES 71<br />
21ltJc3l:td3 22 'iWc2 i.f3 is fine for<br />
Black. As long as White cannot swap<br />
rooks with l:tdl he will be facing continuing<br />
threats of Black's rooks penetrating<br />
the 7th rank. Black's problem<br />
is of course that his c-pawns are weak<br />
but it is not that easy for White to pressurize<br />
them without conceding further<br />
advantages to Black; e.g., 23ltJe4 'iVd4<br />
24 'ifa4+ ~f8 25 %:tac1 .txe4 26 %:txc4<br />
'iWd5 27 l:texe4 l:txb2 +.<br />
21 ... ~f8 22 'ii'h6+ ct;e7<br />
Now:<br />
a) 23 'iVh5?! is a mistake that gets<br />
the knight almost trapped in enemy<br />
territory. 23 ... .tc6! (instead of 23 ... l:td3,<br />
as played in Yusupov-Antunes, Clichy<br />
ECC 1993) leaves White in dire straits<br />
according to Yusupov. For example, 24<br />
'iVg5+ is met by 24 ... ct;d7. White's<br />
best chance (which Yusupov for some<br />
reason ignores) is 24 ltJa6 %:tb5 25<br />
'ifg5+ lH6 26 %:tadl 'iVb6 27 'iVe5 (27<br />
'iVd2 .te8! +) 27 ... .tf3 28 ltJc7 (28<br />
%:td7+ ~xd7 29 'iVxf6 .td5 30 'iWxf7+<br />
ct;c6 31 'ife8+ ct;b7 32 ltJb8 l:txb2 is<br />
better for Black) 28 ... l:txb2 29 ltJe8!<br />
.txdl 30 'ifxf6+ ~xe8 31l:txdll:tbl<br />
with an equal position. <strong>The</strong> best White<br />
has is the repetition 32 'iVh8+ 'i;e7 33<br />
'ifh4+ ~e8 34 'ifh8+, etc.<br />
b) Much better is 23 ltJxd5+ 'iVxd5<br />
24 l:te2 l:.d3 25 'ifh4+, when Yusupov<br />
thinks that White can claim an edge.<br />
This actually looks right since Black<br />
has difficulties defending the rook on<br />
b8 and the f7-pawn at the same time.<br />
For example, after 25 ... 'i;d7 26 'iVf4,<br />
26 ... l:.f8 is close to being the only<br />
sensible move, but this obviously is<br />
not part of Black's plan.<br />
022)<br />
15 ... 'ilVxf6 (D)<br />
w<br />
<strong>The</strong>re are now two main continuations<br />
for White:<br />
D221: 16ltJe4 72<br />
D222: 16 0-0-0 73<br />
16 .tg2 is simply not aggressive<br />
enough. After 16 ... ltJe5 17 0-0 0-0-0<br />
White has a difficult choice:<br />
a) 18 'iWe3? is bad in view of<br />
18 ... l:txh2! 19l:tfel %:txg2+ 20 ~xg2<br />
ltJd3 21 ltJe4 'iVd4 22 l:te2 .txd5 +<br />
Uhlmann-Enders, East Germany 1985.<br />
b) 18 %:tfe1? is suggested by Enders<br />
but is also wrong since it fails to avoid<br />
the idea it seeks to prevent: Black can<br />
play 18 ... l:txh2! anyway, and if 19 ~xh2<br />
then 19 ... l:th8+ followed by ... ltJf3+.<br />
c) 18 f4 is analysed by Shirov but<br />
brings no relief either; e.g., 18 ... ltJd3<br />
19 dxe6? (19ltJxb5 exd5) 19 ... 'ifd4+<br />
20 'i;hl l:txh2+! 21 'i;xh2 l:th8+!
72 THE BOTVINNIK SEMI-SlAV<br />
(Shirov considers this inadequate and<br />
thinks Black should play 21...'iih8+,<br />
but it is not clear what he has in mind<br />
after 22 ~gl; White even seems able<br />
to avoid the repetition after 22 ... 'iid4+<br />
23 :'f2) 22 i.h3 :'xh3+! (Burgess).<br />
Strangely, Shirov misses this move,<br />
which forces mate after 23 ~xh3 'iih8+<br />
24 ~g4 'iig7+ 25 ~h5 'iig6+ 26 ~h4<br />
f5 27 'ii'e2 'ii'f6+ 28 'itih5 i.c6, etc.<br />
0221)<br />
16 ttJe4<br />
This is the direct attempt to refute<br />
15 ... 'i!ixf6.<br />
16 ... li'f3<br />
16 ... 'ii'e5 is probably wrong due to<br />
17 O-O-O! 'i!ixe4 18 'i!ixh6 exd5 19<br />
i.d3 cxd3 (19 .. :.f3 20 .l::.he1+ ~d8<br />
21 i.e4! 'i!if6 22 'i!ixf6+ ttJxf6 23 i.f5<br />
wins for White) 20 .:the1 0-0-0 21<br />
%lxe4 dxe4 22 'i!id6 l:te8 23 h4 l:te6 24<br />
'i!if4 %lf6 25 'i!ig5 and Black does not<br />
have enough compensation. Black's<br />
centre pawns are well blockaded and it<br />
will be difficult to stop the h-pawn<br />
without losing too much control.<br />
17 ttJd6+ rJ;;e7 18 ttJxb7<br />
Or:<br />
a) 18 'i!ixh6 rJ;;xd6 19 %lgl ttJe5<br />
(19 ... c3? 20 dxe6 cxb2 21 'ii'd2+ +-;<br />
19 ... i.xd5!?) 20 i.e2 (20 dxe6? 'ii'e4+<br />
21 ..t>d1 'i!id4+ 22 'i!id2 'ii'xd2+ 23<br />
rJ;;xd2 ttJf3+ 24 ~e3 ttJxg 1 25 exf7<br />
l:tf8 -+) 20 ... ttJd3+ (20 ... 'ii'e4!? 21 ~f1<br />
i.xd5 with compensation) 21 i.xd3<br />
cxd3 22 'ii'e3 i.xd5 23 'i!ixf3 i.xf3 24<br />
~d2 c4 25 ~e3 i.e2 = Buj-Borwell,<br />
COIT 1992.<br />
b) 18 l:tg1 'ii'xd5 (18 ... i.xd5 19<br />
'ii'xh6 ~xd6 20 i.g2 'ii'f6 21 'ii'xf6<br />
ttJxf6 leads to another unclear endgame)<br />
19 'ii'xh6 'ii'xd6 with reasonable<br />
compensation.<br />
18 ... l:thS! (D)<br />
This is Yusupov's improvement on<br />
18 ... 'ii'xh1? 19 d6+ ~e8 20 'ii'xh6<br />
'ii'xb7, Shirov-Kamsky, USSR jr Ch<br />
(Kapsukas) 1987, 21 'ii'h4 ttJb6 22<br />
i.g2 ttJd5 23 l:td1 +-.<br />
w<br />
19d6+<br />
<strong>The</strong> alternative for White is 19 %lgl,<br />
and then:<br />
a) 19 ... c3 20 'ii'c2! (20 bxc3 %le5+<br />
21 i.e2 .:txe2+ 22 'ii'xe2 'ii'xc3+ 23<br />
'itif1 'ii'xa1 + 24 rJ;;g2 'i!ie5 25 'ii'xe5<br />
ttJxe5 26 ttJxc5 %lc8 27 .:tel %lxc5 28<br />
l:txe5 ~d6 is only equal) 20 ... l:te5+ 21<br />
i.e2 cxb2 (21.. . .:th8 22 h4 'ir'xd5 23<br />
ttJa5) 22 :d1 +- Van Wely-Moll, Amsterdam<br />
sim 1994.<br />
b) 19 .. J:te5+ 20 i.e2 exd5 21 ~f1<br />
±.<br />
c) 19 ... l:txd5!? 20 i.g2 l:txd2 21<br />
i.xf3 .:txb2 22 ttJa5 ttJe5 23 ttJc6+ (23
BLACK'S 13TH MOVE ALTERNATNES 73<br />
.te2 l:t.d8) 23 ... tDxc6 24 i.xc6 .ud8<br />
and Black has plenty of counterplay.<br />
19 ... o;Ii>e8 20 .ugl c3?!<br />
This leads to a difficult ending, so<br />
Black needs to try something else:<br />
a) 20 ... .uxh2!? 21 'it'f4! 'ii'xb7 22<br />
0-0-0 gives White excellent compensation<br />
according to Ionov. <strong>The</strong> strong<br />
passed pawn on d6 hampers Black's<br />
movements, while White is ready to<br />
undermine the king's shelter with g4-<br />
gS-g6.<br />
b) 20 ... .ueS+ 21 .te2 'it'xb7 22<br />
0-0-0 .ud8 23 f4 (23 .ugel I?) 23 ... .udS<br />
24 'it'c3 tDf8 2S .uxdS 'it'xdS 26 .udl<br />
'it'c6 27 i.f3 'it'b6 28 h4 .uxd6 29 .uxd6<br />
'it'xd6 and the endgame should be OK<br />
for Black.<br />
21 bxc3 .ueS+ 22 i.e2 .uxe2+ 23<br />
'it'xe2 ii'xc3+ 24 o;Ii>f1 ii'xal + 2S o;Ii>g2<br />
'it'eS<br />
An attempt to improve on 2S ... 'it'd4?!<br />
26 .udl 'it'a4, Ionov-v.Popov, St Petersburg<br />
1995, when 27 'ii'hS! 'it'e4+<br />
28 'it>gl 'it'xb7 29 'ii'h8+ tDf8 30 d7+<br />
o;Ii>e7 (30 ... 'it'xd7 31 .uxd7 o;Ii>xd7 32<br />
'it'hS +-) 31 d8'it'+ .uxd8 32 .uxd8<br />
'it>xd8 33 'it'xf8+ o;Ii>c7 34 'it'xf7+ ~b6<br />
3S 'it'xb7+ 'ii>xb7 36 h4 c4 37 o;Ii>f1 is<br />
winning according to Ionov.<br />
26 ii'xeS tDxeS 27.ubl<br />
27 tDxcs .uc8 28 tDe4 fS gives Black<br />
no worries.<br />
27 ... b4 28 tDxcs as 29 .uel tDd7 30<br />
tDa4 ±<br />
Tella-San Segundo, Athens 1997.<br />
0222)<br />
160-0-0 (D)<br />
B<br />
16 ... ~f8!<br />
Another splendid idea ofYusupov's<br />
in the 13 ... i.h6line. Black steps out of<br />
any knight checks that might pop up in<br />
the event of a future tDe4 or tDxbS,<br />
while also removing the king from<br />
the potentially dangerous e-file. Other<br />
moves have proved less good for<br />
Black:<br />
a) 16 ... 0-0-0?! 17 tDe4 'it'eS 18<br />
'it'xh6 'it'xe4 19 dxe6! 'it'xhl 20 i.h3<br />
+- Quist-<strong>The</strong>sing, Dieren 1988.<br />
b) 16 ... exdS?! 17 i.g2 tDb6 18<br />
.txdS tDxdS 19 tDxdS i.xdS (19 ... 0-0-0<br />
20 tDxf6 .uxd2 21 o;Ii>xd2 i.xhl 22<br />
.uxhl .uxf6 23 f4 ±) 20 'it'xdS 'it'c6 21<br />
.uhel + 'ii>f8 22 h4 .uc8 23 hS! ±<br />
Alterman - Har-Zvi, Israel 1993.<br />
c) 16 ... i.xdS 17 tDxdS exdS and<br />
now:<br />
cl) 18 'it'xdS .ud8 (18 ... tDb6 19<br />
.uel + 'ii>f8 20 'it'xcS+ 'ii>g8 21 'it'xbS!,<br />
intending 'it'eS, is better for White -<br />
Shirov) 19 f4100ks good for White at<br />
fIrst sight but 19 ... tDb6 20 J:tel+ (endings<br />
such as the one arising after 20<br />
'ii'xd8+ 'it'xd8 21 .uxd8+ o;Ii>xd8 are
74 THE BOTVINNIK SEMI-SLAV<br />
usually quite playable for Black; he<br />
easily centralizes with ...'1fr>d7-d6 and<br />
....!DdS, when his queens ide majority<br />
is just as dangerous as White's passed<br />
h-pawn) 20 ...'1fr>f8 21 'iWxcS+ 'iWd6 22<br />
ii'xd6+ l:thxd6 23 i.e2 c3! 24 l:td 1 (24<br />
bxc3? .!Da4 2S 'udl .!Dxc3 26 l:txd6<br />
'uxd6 gives Black an edge) 24 ... cxb2+,<br />
Gofshtein-Kacheishvili, Groningen<br />
open 1993, 2S ~xb2 .!Da4+ 26 ~b3<br />
a6! 27 l:txd6 l:txd6 28 'uc 1 'uh6! 29<br />
l:tc2 (29 h4 'ue6) 29 ... 'uxh2 30 i.g4<br />
l:txc2! 31 ~xc2 and now 31...b4, followed<br />
by ... .!Dc3, draws according to<br />
Kacheishvili, but this is only true if<br />
Black holds the coming endgame with<br />
.!D + /::, versus i. + 2/::': 32 '1fr>b3.!Dc3 33<br />
i.f3 as 34 a3 .!DbS 3S axb4 axb4<br />
(3S ... .!Dd4+? 36 '1fr>c4 .!Dxf3 37 bxaS<br />
and Black is not able to catch up with<br />
the a-pawn) 36 '1fr>xb4.!Dd4 37 i.dl. 1<br />
presume this is a draw but White can<br />
try for some time. Much simpler is<br />
31....!DcS!, and only then ... as and ... b4,<br />
which keeps the pawn on the queenside.<br />
c2) 18 i.g2! .!Db6 19 i.xdS (19<br />
'iWe3+? ~f8 20 ii'xcS+ '1fr>gS 21 'iWd4<br />
l:teS! and Black is taking over the initiative,<br />
Yusupov-Shirov, Linares 1993)<br />
19 ... 0-0-0 (19 ... 'ucS 20 i.b7 l:tc7 21<br />
i.a6 ±) 20 i.b7+ '1fr>c7 21 'iWxdS+<br />
li'xdS 22 lIxdS ~xdS 23 i.a6 and in<br />
this case the ending is better for White<br />
since he is able to provoke a weakness<br />
on the queenside.<br />
Now we return to the position after<br />
16 ... '1fr>fS (D):<br />
17 f3!?<br />
w<br />
<strong>The</strong> main virtue of this strangelooking<br />
move is to block the as-hI diagonal,<br />
thus making IS dxe6 a threat,<br />
and practically forcing the following<br />
liquidation. Whether this is anything<br />
worth striving for is an open question<br />
since it seems that Black's knight will<br />
playa greater role than White's bishop,<br />
which is hampered by enemy pawns at<br />
bS and c4 and the 'friendly' f3-pawn.<br />
White has a large number of other<br />
candidate moves:<br />
a) 17 dxe6?! should be answered<br />
by 17 ... i.xhl IS exd7 l:tdS, intending<br />
... i.c6, rather than the apparently<br />
clever 17 ... .!DeS, which fails in view of<br />
IS e7+ ~g7 19 .!DdS li'f3 (I am not<br />
sure whether there is a better square<br />
available) 20 .!Dc7 with a large advantage<br />
for White.<br />
b) 17.!De4?! li'g618 dxe6i.xe419<br />
f3 i.bl! 20 exd7 'udS =+= Robertsson<br />
H.Jensen, Copenhagen 1994.<br />
c) 17 i. g2 .!DeS IS .!De4 .!Dd3+ 19<br />
'iWxd3 cxd3 20 .!Dxf6 l:txf6 21 l:txd3<br />
l:txf2 gives Black much the better<br />
game according to Ftacnik.
BUCK'S 13TH MOVE ALTERNATIVES 75<br />
d) 17 l:gl (played with the same<br />
idea as 17 f3!? but now the h-pawn is<br />
en prise) 17 ... ttJe5 (17 ... l:xh2!? 18<br />
dxe6 ttJe5 19 'iVd6+ g8 20 f4 'iWf5 + Vujatovi6-Zontakh,<br />
Kiev 1994.<br />
e) 17 g4 l:g6 (the only move according<br />
to Piket, but I must admit that<br />
I cannot work out why it is essential to<br />
place the rook on g6; in my opinion<br />
17 ... l:h4 is a perfectly viable alternative<br />
- for example, 18 dxe6 .i.xhl 19<br />
exd7 l:d8 20 ttJxb5 l:xh2leaves Black<br />
much better, or 18 l:gl, when, compared<br />
to line 'd', having the pawn on<br />
g4 is not particularly useful) 18 l:gl<br />
(now if we compare with line 'd' there<br />
has been some point in g4 as the h<br />
pawn is not attacked) 18 ... ttJe5 19 g5<br />
(19 .i.e2!? and 19 'iWe3!? have been<br />
suggested as possible improvements)<br />
19 ... 'ii'f5 20 'iVe3 exd5 21 .i.h3 'iWf3<br />
(not falling for 21...ttJd3+? 22 l:xd3<br />
'ii'xd3 23 'ii'xc5+ cJ;g7 24 ':'g3 l:c6 25<br />
'iVe7 'ii'd4 26 'iVxb7 ±) 22 'iWxc5+
76 THE BOTVINNIK SEMI-SIA V<br />
tDxd5 'it'a6!, 20 tDxd5 .txd5 21.txd5<br />
c3! or 20 g4 ':'g6 21 h3 b4 22 tDxd5<br />
.txd5 23 .txd5 c3 and again Black is<br />
better) 20 ... tDa4! 21 'it'c2 'it'a6! 22 tDa3<br />
c3 and Black has a tremendous attack,<br />
Kamsky-Shirov, Lucerne Wcht 1993.<br />
17 ... exd5 18 tDxdS (D)<br />
18 ..• .txdS!?<br />
Black sacrifices a pawn, in return<br />
for which he will get the safer king position<br />
and the more active pieces.<br />
IS ... 'it'd6 keeps the material balance<br />
but allows White to generate unpleasant<br />
pressure:<br />
a) 19 tDc7 'it'xd2+ 20 ':'xd2 ncS 21<br />
tDxb5 .txf3 22 .tg2 (22 ':'xd7 .txhl<br />
23 tDd6 ltc6 24 tDf5 ~eS 25 ltxa7<br />
J:bh2 26 .txc4 ltf6 and Black can defend)<br />
22 ... .txg2 23 ltxg2 tDe5 1/2- 1 /2<br />
Salov-Bareev, Madrid 1994.<br />
b) 19 'it' g5 ! (D) is more dangerous;<br />
the queen is removed from the d-file<br />
and therefore 20 tDc7 is a threat. Now<br />
we have:<br />
bl) 19 ... tDe5 20 tDc7 'it'f6 21 'it'xf6<br />
J:bf6 22 tDxaS .txf3 23 J::tgl .txdl 24<br />
~xd 1 ltf2 25 .te2 tDd3 26 b3 ±; the<br />
knight rejoins the game from c7, after<br />
which Black will not be able to keep<br />
his queenside intact.<br />
b2) 19 ... J::tg6 20 'it'f5 tDe5 21 tDf4<br />
J::tf6 22 'it'h3! (not, of course, 22 'it'h5?<br />
'it'xd1+! 23 ~xdl .txf3+) 22 ... 'it'xdl+<br />
23 'ittxdl .txf3+ 24 'iPc1 .txhl 25<br />
'it'h4! tDd7 26 .th3 ltd6 27 .txd7<br />
nxd7 2S 'it'hS+ ~e7 29 'it'e5+ 'iPdS 30<br />
h4! ± Bareev-Filippov, Russia 1995.<br />
Black has survived the middle game,<br />
but with White's centralized queen<br />
and strong knight supporting the h<br />
pawn, Black is in trouble.<br />
b3) 19 ... ltbS!? (a surprising resource;<br />
Black is now threatening<br />
... tDe5 and since White cannot attack<br />
the rook, any discovered knight moves<br />
are not really dangerous as Black can<br />
simply meet them with ... 'it'f6) 20 tDf4<br />
(20 f4 I?) 20 ... 'it'f6 21 'it'xf6 tDxf6 22<br />
.tg2 tDeS!? with a roughly equal position,<br />
Savchenko-Filippov, Minsk 1996.<br />
In fact, White must be careful to keep<br />
the balance since Black is planning<br />
... tDg7-f5-d4 with a good position.
BLACK'S 13TH MOVE ALTERNATNES 77<br />
19 'ii'xdS ltJb6 20 'ii'xcS+ cJi>g8 (D)<br />
Black's king is now relatively safe<br />
and with all his pieces in active positions<br />
he can easily claim compensation<br />
for the pawn. White's main problem is<br />
that he cannot just develop with, for<br />
example, 21 i.g2 or 21 f4 as this<br />
would run into 21...'iWxb2+ followed<br />
by ... ltJa4+. Hence, White must retreat<br />
the queen, when Black will increase<br />
the pressure with ... ltJa4 anyway.<br />
21 WVe3<br />
Others:<br />
a) 21 f4? 'ft'xb2+ 22 cJi>xb2 ltJa4+<br />
23 ~a3 ltJxc5 24 cJi>b4 ltJe4, and now<br />
Black wins after, for example, 25 i.g2<br />
a5+ 26 'ifi>xb5? ltJc3+ 27 cJi>xc4 :'c8+.<br />
b) 21 'iWd4 'iWxf3 22 'iff4 'ifxf4+ 23<br />
gxf4 :'e8 and Black is much better,<br />
Atalik-Ivanisevi6, Szeged 1997. White<br />
still has great difficulties getting his<br />
bishop out.<br />
21...ltJa4 22 :'d4 ltJxb2 23 :'f4<br />
'iVg7<br />
112-112 Bagaturov-Jaracz, Pardubice<br />
1994. A likely continuation is 24 'ug4<br />
l:tg6 25 :'xg6 fxg6 26 ii'e6+ ~h7 27<br />
'ifh3+ cJi>g8 28 ii'e6+ with a draw by<br />
perpetual check.
6 Ideas with .. :iVa5<br />
1 d4 d5 2 c4 c6 3 4:Jf3 4:Jf6 4 4:Jc3 e6 5<br />
J.g5 dxc4 6 e4 b5 7 e5 h6 8 J.h4 g5 9<br />
4:Jxg5 hxg5 10 i.xg5 4:Jbd7 11 g3<br />
~a5 12 exf6 (D)<br />
11 exf6 ~a5 does not really make<br />
any difference as 12 g3 should be the<br />
virtually automatic reply. White could<br />
play 12 J.e2 but this loses the valuable<br />
option of putting the bishop on the<br />
hl-a8 diagonal.<br />
11..:iWaS was a quite popular sideline<br />
in the late 1980s but has now to a<br />
large extent disappeared from tournament<br />
play, and I doubt that its status<br />
will improve.<br />
Compared to .. :iWb6, 11..:iWaS does<br />
not exert pressure against ... d4 and nor<br />
does it help in advancing the c6-pawn.<br />
That said, Black has other advantages,<br />
since after ... b4 the clearance of the<br />
5th rank makes the bishop on g5 vulnerable.<br />
Moreover, if Black gets in<br />
both ... b4 and ... c3 White's king can<br />
sometimes be caught in the centre<br />
when a black bishop arrives at a6. So,<br />
why is this all that bad for Black then?<br />
Well, the main problem is that Black<br />
is spending so much time on attacking<br />
purposes, which in the end may turn<br />
out to backfire since the position easily<br />
becomes too loose. Particularly the<br />
advance ofthe b-pawn is controversial<br />
since Black is rarely able to follow up<br />
with a quick ... c5, meaning that the c<br />
file easily becomes sensitive, without<br />
Black having adequate counterplay.<br />
Typical plans for both sides<br />
w<br />
This is a very common type of position<br />
for the .. :iWaS complex (it occurs
IDEAS WITH .. .'ila5 79<br />
after 12 ... b4 13ltJe4 .ia6 14 'it'f3 'iWd5<br />
or 12 ....ia6 13 'fif3 b4 14ltJe4 'fid5).<br />
It is more often seen with the moves<br />
.ie2 and ... 0-0-0 inserted but it does<br />
not change much.<br />
<strong>The</strong> obvious home for White's lightsquared<br />
bishop is on g2, but White<br />
must be careful he does not place it<br />
there until Black has retreated his<br />
bishop to b7. Otherwise White will<br />
end up having his king stuck in the<br />
centre with no real possibility of getting<br />
castled. Hence, White usually has<br />
to put his bishop on e2, which may<br />
seem like the second-best option but<br />
has the additional advantage that it attacks<br />
the c4-pawn. Black's plan is<br />
clear: he would like to play ....ib7 and<br />
... c5, which may give White some<br />
problems on the a8-hl diagonal, and,<br />
he will attempt to castle queenside.<br />
White should react by retreating his<br />
dark-squared bishop to e3, from<br />
where it protects the d4-pawn but also<br />
makes room for the counter-attacking<br />
ltJg5.<br />
All in all, there seem to be some<br />
clear-cut plans for both sides. White is<br />
a pawn up and has the sounder position,<br />
so if he can avoid immediate catastrophe<br />
he will usually come out<br />
better. As usual, however, Black's<br />
dynamic play must not be underestimated.<br />
<strong>The</strong> following diagram provides<br />
an example.<br />
From the previous diagram, the<br />
game has taken the following logical<br />
course: 15 .ie3 0-0-016 .ie2 c5. Now<br />
White played ...<br />
W<br />
S. Bekker-Jensen - N. <strong>Pedersen</strong><br />
Copenhagen 1996<br />
17ltJg5<br />
Another idea is 17 ltJxc5 .ixc5 18<br />
dxc5.ib7 19 'fixd5, when 19 ... .ixd5<br />
is met by 20 f3!, although Black might<br />
do better with 19 ... exd5!?<br />
17 ... .ib7 18 O-O?!<br />
18 'it' xd5! .ixd5 19 ltJxf7 is good<br />
for White.<br />
18 ... 1i'xg5! 19 1i'xb7+ 'iPxb7 20<br />
.ixg5 cxd4 21 .ixc4 ltJe5 22 i.e2 d3<br />
23 .idl .ic5<br />
All Black's pieces are very active<br />
and with the bishop having to stay on<br />
dl White has difficulties coordinating.<br />
In particular the b2-pawn is difficult to<br />
defend.<br />
24 .if4 .id4 25 %:tel<br />
25 .ixe5 .ixe5 26 %:tbl is possibly<br />
better but White's worries are not over<br />
yet despite the presence of oppositecoloured<br />
bishops. With rooks on the<br />
board Black can still create problems<br />
for White.<br />
25 ... ltJc4 26 .if3+ 'ifi'b6 27 l:abl e5
80 THE BOTVINNIK SEMI-SLAV<br />
28 .te3? .txe3 29 fxe3 tDd2 30 'itg2<br />
tDxbl 31 lIxbl lIh6 0-1<br />
Quick Summary<br />
<strong>The</strong> ... 'ii'a5 systems enjoyed a fair<br />
amount of popularity from the mid-<br />
1980s to the early 1990s but are now<br />
rarely seen. This is first and foremost<br />
in view of the line 12 ... .ta6 (12 ... b4 is<br />
Line A and might transpose to Line B<br />
after 13 tDe4 .ta6 14 'ii'f3 but White<br />
has the additional possibility of 14<br />
b3!?) 13 'ii'f3 (13 a3 was for long considered<br />
promising for White but is less<br />
clear in my opinion) 13 ... b4 14 tDe4<br />
'ir'd5 (14 ... 0-0-0 is more often seen but<br />
is not better) 15 .te3, when Black's<br />
dynamic play does not seem to make<br />
up for his structural weaknesses. This<br />
is covered in Line B.<br />
<strong>The</strong> <strong>The</strong>ory of Ideas with<br />
.. :iia5<br />
1 d4 d5 2 c4 c6 3 tDf3 tDf6 4 tDc3 e6 5<br />
.tg5 dxc4 6 e4 b5 7 e5 h6 8 .th4 g5 9<br />
tDxg5 hxg5 10 .txg5 tDbd7 11 g3<br />
'ir'a5 12 exf6<br />
Now:<br />
A: 12 ... b4 80<br />
B: 12 ... .ta6 81<br />
A)<br />
12 ... b4 13 tDe4 .ta6 (D)<br />
14 b3!?<br />
This principled decision is the main<br />
reason that I prefer 12 ... .ta6 to 12 ... b4,<br />
although they often transpose to each<br />
other. White avoids any trouble on the<br />
w<br />
a5-el diagonal, while also trying to<br />
take advantage of Black having placed<br />
his bishop on a6 so early. Alternatives<br />
are:<br />
a) 14 \i'f3 transposes to Line B.<br />
b) 14 .te2 0-0-0150-0 \i'f5 16 'ii'c2<br />
tDb6 17 lIad 1 (positionally White's<br />
game is very promising but he has to<br />
be careful since there are several<br />
slightly loose pieces, such as the g5-<br />
bishop, the e4-knight and queen on c2;<br />
17 f3 c5! 18 b3 .tb7 19 .txc4 tDxc4<br />
20 bxc4 cxd4 21 'ii'd3 .txe4 22 'ir'xe4<br />
'ir'xe4 23 fxe4 .tc5 24 ~g2 'ifi'b7 with<br />
compensation, Shneider-Neverov, Lvov<br />
1985) 17 ... 'ii'h3 18.th4 lIxh4 19 gxh4<br />
.th6 was unclear in Timman-Torre,<br />
Wijk aan Zee 1981.<br />
c) 14 .te3 0-0-0 (14 ... 'ir'f5!?) 15<br />
'ir'c2 tDb6 16 b3 transposes to the main<br />
line.<br />
14 ... 0-0-0<br />
Other moves are also worth considering:<br />
a) 14 ... 'iWd5!? 15 'ii'c2! cxb3 (according<br />
to Levin, 15 ... tDb6 16 lIcl! is<br />
much better for White) 16 axb3 .txfl
IDEAS WITH ... "iia5 81<br />
17 ~xf1 cS 18 ~gl cxd4 19 1:txa7<br />
ttJeS 20 1:txa8+ 'it' xa8 21 ttJd2 is better<br />
for White despite the momentary clumsiness<br />
of the king and rook.<br />
b) 14 ... ttJb6 IS bxc4 (I am not sure<br />
whether Black, after IS 'it'c2, has anything<br />
better than transposing to the<br />
main line with IS ... 0-0-0) IS ... ttJxc4<br />
16 'it'b3 'ii'dS 17 f3 .tbS 181:tc1 ttJa3<br />
19 'ii'xdS cxdS 20 ttJd2 .td6 21 'ifilf2<br />
with an edge for White, Mecking-Matsuura,<br />
Sao Paulo Z 1995.<br />
15 'iVc2 ttJb6 16 .te3 e5!? (D)<br />
Black cannot delay his counters trike<br />
for too long since White will be much<br />
better as soon as he consolidates.<br />
Hence this push is clearly Black's best<br />
chance. Levin mentions 16 ... c3 17<br />
.txa6+ 'ii'xa6 18 'iWe2! ±, while the attempt<br />
to safeguard the king with<br />
16 ... ~b7171:tc1 ~a818 .te2.tb7 appears<br />
too slow: 19 0-0 'ii'fS 20 h4 .th6<br />
(20 ... c3!?) 21 ttJcS 'it'h3 22 .txh6<br />
1:txh6 23 'ii'e4 1:tg8 24 hS ttJdS!? 2S<br />
ttJxb7 ~xb7 26 1:txc4 1:txf6 (Komarov-Kamsky,<br />
USSR 1987) 27 'iWg2!?<br />
'iWxg2+ 28 ~xg2 ttJf4+ 29 ~f3 ±.<br />
W<br />
17 dxe5<br />
171:tdl! exd4 18 ':xd4looks stronger.<br />
<strong>The</strong>n after 18 ... 1:txd4 19 .txd4<br />
Black's counterplay appears too slow,<br />
and nor does the attempt to avoid exchanges<br />
by 18 ... 1:te8 19 .te2lead anywhere.<br />
17 ...'iVxe5 181:tcl1:te8 19 f3 ttJd5<br />
20.td2<br />
If the bishop moves anywhere else,<br />
for example 20 .txa7 or 20 .tf2, then<br />
comes 20 ... ttJc3 with strong pressure.<br />
20 ...'iWxf6<br />
20 ... 1:txh2?! 21 1:txh2 'iWxg3+ 22<br />
1:tf2 .tcS 23 ~dl1:txe4 24 'ii'xe4 'ii'xf2<br />
2S .txc4 .txc4 26 1:txc4 and White<br />
went on to win in Khenkin-Feher,<br />
Cappelle la Grande 1992 .<br />
21 .te2 'iWd4 22 .txc4<br />
White has to be a little careful here;<br />
22 bxc4? 1:txh2 23 ':'xh2 'iWgl + 24<br />
.tfl 'iWxh2 would give Black a tremendous<br />
attack.<br />
22 ....txc4 23 'iWxc4 'iWxc4 24 bxc4<br />
ttJf6<br />
<strong>The</strong> position is equal - Khenkin.<br />
B)<br />
12 ....ta6 (D)<br />
13 'iWf3<br />
<strong>The</strong> other main option for White is<br />
the attempt to hold up Black's b-pawn<br />
with 13 a3, which renders the bishop<br />
on a6 misplaced but also leaves a hole<br />
on b3. After 13 ... 0-0-0 we have:<br />
a) 14 .te3 ttJeS!? (aiming for rapid<br />
counterplay; note that 14 ... ttJcS? is<br />
bad in view of IS 'iWf3!, and while<br />
Savchenko's 14 ... ttJxf6!? is as yet
82 THE BOTVINNIK SEMI-SLAV<br />
w<br />
B<br />
untested, 14 ... c5 leads to an inferior<br />
position for Black: 15 .tg2 cxd4 16<br />
.txd4 .tc5 17 O-O! lDxf6 18 .txc5<br />
.l:txdl 19 .l:taxdl and White had more<br />
than adequate compensation in Savchenko-Novikov,<br />
Sibenik 1989, especially<br />
as Black cannot re-deploy his<br />
bishop with 19 ... .tb7? due to 20.tb4<br />
'iWb6 21 :'d6!) 15 f4 c5! 16 fxe5 cxd4<br />
17 .txd4 .tb7 18 .l:tgl .l:txh2 19 .te2<br />
'iWc7!. A critical position has arisen, in<br />
which Black seems to have enough<br />
counterplay; Black's last move prepares<br />
... .tc5, which if played immediately<br />
would have been met by .txc5!.<br />
Now it is not easy for White to break<br />
the pin on the d-file. After 20 .l:tcl,<br />
which occurred in Komljenovi6-Kaidanov,<br />
Andorra 1991, according to<br />
Kaidanov Black should first safeguard<br />
the b-pawn with 20 ... a6! and after 21<br />
b4! Black's bishop should enter via<br />
another route, viz. 21.. . .th6 22 .l:tc2<br />
i.e3 23 .txe3 .l:txdl + followed by<br />
... 'iWxe5 with unclear play.<br />
b) 14 i.g2lDc5 150-0 lDb3 16 'ii'f3<br />
(D) and then:<br />
bl) 16 ... lDxd4?! has not been given<br />
proper attention but is good for White.<br />
17 'ii'e4 i.b7 (17 ... 'iWb6 18 :'adl c5 19<br />
i.e3 i.b7 20 'ii'xb7+ 'ii'xb7 21 .txb7+<br />
~xb7 22lDxb5 is good for White) 18<br />
.l:tadl 'ii'b6 (18 ... .l:td7, intending ... c5,<br />
allows a promising queen sacrifice: 19<br />
.l:txd4 c5 20 .l:txd7 .txe4 21 :'fdl<br />
.txg2 22 'ittxg2 'iWb6 23 .l:txf7 'iWc6+<br />
24 f3 ±) 19 .te3 .tc5 20 'tWe5 .l:td7?!<br />
(20 ... lDb3 might be a better try, even<br />
though 21lDe4 .txe3 22 fxe3 'iWxe3+<br />
23 ~hllooks very strong for White)<br />
21 .l:td2 .l:thd8 22l:Hdl, when Black is<br />
more or less in zugzwang and in Borisenko-Gusev,<br />
USSR 1950 felt obliged<br />
to try 22 ... lDf3+ 23 .txf3 .txe3, when<br />
White has a promising choice between<br />
24 'ii'xe3 'ii'xe3 25 .l:txd7 'ilf'xf3 26<br />
.l:txd8+ rl;c7 27 .l:tld7+ ~b6 28 .l:tb8<br />
and the game continuation 24 .l:txd7<br />
i.xf2+ 25 ~g2 .l:txd7 26 :'xd7 ~xd7<br />
27~h5.<br />
b2) 16 ... i.b7 17 .l:tadl and now:<br />
b21) 17 ... b4 18lDe4 bxa3 19 bxa3<br />
i.xa3 20 i.e3 (better than 20 h4 .tb4<br />
21 i.e3 'iWb5 22 lDc5 a5! 23 lDxb7
IDEAS WITH .. :iia5 83<br />
'iti>xb7 24 'ii'e2, Beliavsky-Novikov,<br />
USSR Ch 1990, when 24 ... :'dS! intending<br />
... a4-a3 favours Black according<br />
to Beliavsky) 20 ... i.b4 (Beliavsky<br />
suggests 20 ... 'ii'hS!? 21 'iVxhS l:txhS<br />
with the crude plan of ... i.b2 and<br />
pushing the a-pawn) 21 tiJcs i.xcs<br />
(21...tiJxcS 22 dxcS :'xdl 23 l:txdl<br />
i.xcs is the lesser evil) 22 dxcS 'iVbS<br />
23 :'xd8+ ':xd8 24 'ii'hs and White<br />
has a clear advantage, Gomez Esteban-Novikov,<br />
Pamplona 1990/1.<br />
b22) 17 ... :'d7 18 'ii'e3 'iVb619 tiJe2<br />
cS 20 dxcS i.xcS was first suggested<br />
by Beliavsky and then tested in Savchenko-Wells,<br />
London Lloyds Bank<br />
1994: 21 i.xb7+ 'ii'xb7 22 l:txd7 'ii'xd7<br />
23 'ii'e4 'ii'b7 24 'ii'xb7+ 'iti>xb7 2S l:tdl<br />
'iPc6 26 h4 eS and Black had some<br />
compensation, although it is not clear<br />
whether it is sufficient. For the moment<br />
Black is a pawn down but the<br />
f6-pawn is weak. Moreover, Black has<br />
a queenside majority and the more active<br />
pieces.<br />
Now we return to the position after<br />
13 'ii'f3 (D):<br />
B<br />
13 •.. b4<br />
Black should not be thinking along<br />
defensive lines, as the following examples<br />
show:<br />
a) 13 ... l:tc8? 14 i.e2 b4 (Black's<br />
previous move signals his intention to<br />
play ... cS, but it seems to be the wrong<br />
plan; here 14 ... cS is ill-advised due to<br />
IS dS i.b7 160-0 and now 16 ... tiJb6<br />
17 'ii'e3 tiJxdS 18 tiJxdS i.xdS 19<br />
l:tadl i.b7 20 i.g4 with a very strong<br />
attack, or 16 ... b4?! 17 'ii'e3 bxc3 18<br />
dxe6, winning) IS tiJe4 cS 16 dS! (in<br />
LSokolov-Kamsky, Belgrade 1991<br />
Black was doing fairly well after 16<br />
dxcS tiJxcs 17 tiJxcs i.xcS 18 0-0<br />
i.d4 19 flf4 'ii'eS 20 'ii'xeS i.xeS)<br />
16 ... exdS 17 'ii'fS! dxe4 (other moves<br />
are strongly met by i.g4; for example,<br />
17 ... c3!? 18 i.g4 fibS 19 'ii'xdS cxb2<br />
20 l:tdl ± - Kramnik; 17 ... i.b7 could<br />
be tried though) 180-0-0 l:tc7 19 i.g4!<br />
with a decisive attack, Kramnik-Ehlvest,<br />
Riga 1995. This is probably best<br />
illustrated if Black adopts the counter-attacking<br />
attempt 19 ... 'iWxa2, which<br />
fails, as Kramnik shows, to 20 :'xd7<br />
'iVaI + 21 'iird2 'iWxb2+ 22 'iPe3 'iWc3+<br />
(22 ... 'iVd4+!? 23 l:txd4 cxd4+ 24<br />
'iirxd4 i.cS+ 2S 'ii'xcS!? ':xcS 26<br />
'iirxcs b3 27 'iti>b4 :'g8 28 h4 +-) 23<br />
~f4 i.b7 24 l:thd1.<br />
b) 13 ... i.b7?! carries the idea 14<br />
i.g2 b4 IS tiJe4 cS but White obtains a<br />
substantial advantage with the simple<br />
16 tiJd6+! i.xd6 17 'iWxb7 l:[d8 18<br />
'iWc6! (the two possible moves with the<br />
d-pawn are also good, but this is<br />
clearer) 18 ... i.b8 19 dS 0-0 20 dxe6
84 THE BOTVINNIK SEMI-SLAV<br />
lbeS 21 'iWb7! ':fe8 220-0 ':xe6 23<br />
':adl ':de8 24 'iWe4 'iWbs 2S 'iWh4 1-0<br />
Sakaev-Govedarica, Belgrade 1996.<br />
Black will be mated in a few moves.<br />
14lbe4 (D)<br />
14 ..... d5<br />
Centralizing the queen is an important<br />
part of Black's opening plan. <strong>The</strong><br />
queen attacks the d4-pawn and defends<br />
Black's own pawn on c4, thus<br />
making it possible to reactivate the<br />
light-squared bishop on b7, and preparing<br />
the thematic ... cS advance. It is<br />
my feeling that playing ... 'iWdS immediately<br />
is the most accurate, since<br />
there is no point in any of the advances<br />
of the queenside pawns right now.<br />
However, 14 ... 0-0-0 has been the<br />
most common. <strong>The</strong>re has been several<br />
attempts from White to punish Black's<br />
opening play straight away, including<br />
IS b3 and IS lbcs. My preference is<br />
for IS .te2 (1S .tg2? is a common<br />
mistake; White's king is then caught in<br />
the middle ofthe board after IS ... c3!)<br />
IS ... 'iWdS 16 .te3 .tb7 (16 ... cS was<br />
dealt with in the introduction) 17 0-0<br />
(the direct 17 lbgS might in fact be<br />
more accurate) and then:<br />
a) 17 ... .:g8 is aimed against lbgS<br />
and carries the additional possibility<br />
of rounding up the f6-pawn following<br />
... ':g6, but nevertheless seems too<br />
slow. Even 18 h4, renewing the idea of<br />
lbgS, is an option, while 18 'iWf4 cS 19<br />
f3 cxd4 20 .txc4 is also promising according<br />
to Beliavsky and Mikhalchishin.<br />
<strong>The</strong> game Fodor-Tompa, corr.<br />
1977 continued 18 ':fc1 cS 19 lbd2<br />
lLlxf6 (19 ... cxd4!?) 20 'iWxdS (20 dxcS!?)<br />
20 ... exdS 21 dxcSlbd7 22 a3 (22 c6 is<br />
also possible; then after 22 ... .txc6 23<br />
.txa7 .tg7 White can try 24 lbxc4<br />
dxc4 2S ':xc4 ~b7 26 .td4, which<br />
nets four pawns for apiece) 22 ... .tg7<br />
23 lIabl as 24lbf3 ~c7 2SlbgS d4!<br />
26 .tf4+ .teS 27 lbxf7 .txf4 28<br />
lbxd8 lIxd8! and Black's dynamic<br />
pawn-chain promises enough counterplay<br />
after, for example, 29 gxf4 c3.<br />
b) 17 ... cS 18lbd2 (18lbgS is not<br />
so clear here, since after 18 ... 'iWxgS!<br />
19 'iWxb7+ ~xb7 20 .txgS cxd4 21<br />
.txc4lbeS 22 .te2 d3 23 .td 1 .tcS all<br />
Black's pieces take up active posts,<br />
while White must keep a watchful eye<br />
on the threat posed by Black's centre<br />
pawns, S.Bekker-lensen - N.<strong>Pedersen</strong>,<br />
Copenhagen 1996) 18 ... lbxf6 19<br />
dxcS c3 (19 ... lbd7!? is another possibility)<br />
20 bxc3 bxc3 21 c6 'iWxc6 22<br />
lIac1 lbdS 23 .td4 .ta3 24 lbe4! and<br />
White has a clear advantage, Mikhalevski-N.<strong>Pedersen</strong>,<br />
Arhus 1997.<br />
15.te3
IDEAS WITH .. :ila5 85<br />
It is very possible that White can<br />
leave the d-pawn en prise for a while<br />
but since .i.e3 is a common part of<br />
White's plan (vacating g5 for the<br />
knight), White can just as well retreat<br />
the bishop immediately.<br />
15 ... c5<br />
I had very much wanted this idea to<br />
work. Other moves seem too slow.<br />
15 ... 0-0-0 16 .i.e2 transposes to the<br />
note to Black's 14th move above, while<br />
15 ... .i.b7 is kind of illogical since it<br />
permits White to fianchetto his bishop<br />
without getting his king stuck in the<br />
centre following a ... c3 thrust.<br />
16:dl!<br />
Simple and strong. 16 dxc5?! 0-0-0<br />
17 .i.g2 lDe5 is very risky for White;<br />
for example, 18 'il'e2 'il'd3 19 'il'dl c3<br />
20 bxc3 'it'c4.<br />
16 ... 0-0-0<br />
Alternatively, 16 ... .i.b7 17 .i.g2<br />
0-0-018 O-O! 'it'xe4 19 'it'xe4 .i.xe4 20<br />
.i.xe4lDxf6 21.i.f3 re-establishes material<br />
equality, but is very good for<br />
White in view of his bishop-pair and<br />
the exposed position of Black's king.<br />
17 .i.g2 (D)<br />
17 b3? seeks to exploit the fact that<br />
the bishop on a6 is undefended and attempts<br />
to open lines against Black's<br />
king. However, with it, White neglects<br />
his development, causing serious trouble:<br />
17 ... lDxf6! 18 lDg5 (18 .i.g2 is<br />
perhaps the lesser evil but it is obvious<br />
then that 17 b3 was mistaken; 18 'ili'xf6<br />
'ili'xe4 19 :gl ':xh2 is also clearly<br />
better for Black) 18 ... 'iIi'xf3 19 lDxf3<br />
.i.b7 20 .i.g2 c3 + Khenkin-S.<strong>Pedersen</strong>,<br />
Schaan 1997.<br />
B<br />
17 ... c3<br />
This is the thematic continuation. If<br />
17 ... cxd4 18 ~xd4 c3, then the most<br />
convincing is 19 .i.xc3! lDe5 20 .i.xe5<br />
'ili'xe5 21 :xd8+ ~xd8 22 .i.f1! ±.<br />
18 bxc3 bxc3<br />
18 ... 'iIi'xa2 19lDxc5! wins for White,<br />
and the attempt to reach a better version<br />
of the line in the previous note<br />
with 18 ... cxd4 is not good either in<br />
view of 19 cxd4 (19 .i.xd4 lDe5 20<br />
.i.xe5 'ili'xe5 21 ':xd8+
7 Move-orders and Various<br />
Deviations<br />
1 d4 d5 2 c4 c6 3 tLlf3 tLlf6 4 tLlc3 e6 5<br />
~g5 dxc4 6 e4 b5 7 e5 h6 8 ~h4 g5 9<br />
tZ:lxg5 hxg5 10 ~xg5 tLlbd7 (D)<br />
w<br />
We have now examined most of the<br />
main lines in the <strong>Botvinnik</strong> System<br />
but both sides have a variety of other,<br />
less well explored paths.<br />
So far I have consistently been employing<br />
the move-order 11 exf6, which<br />
allows any of Black's 13th move alternatives<br />
discussed in Chapter 5, and<br />
thus gives Black a larger choice of options.<br />
White might avoid these with 11<br />
g3. <strong>The</strong>n 11...~b7 12 ~g2 'iWb6 13<br />
exf6 c5 14 d5 0-0-0 15 0-0 b4leads to<br />
the main lines examined in Chapters<br />
2-4, but both sides can vary from this<br />
sequence, and we shall look at these<br />
possibilities here. <strong>The</strong> most important<br />
idea for Black is to force White either<br />
to part with his dark-squared bishop or<br />
to enter a position where Black has<br />
two minor pieces against a rook. This<br />
occurs if B lack chooses 11 ... .l:g8 !? (or<br />
11 ... ~b7 12 ~g2 .l:g8 but this is less<br />
flexible).<br />
Quick Summary<br />
White has two move-orders in attempting<br />
to reach the main lines, 11 g3<br />
(Line A) and 11 exf6 (Line B). 11 g3<br />
has the advantage of avoiding Black's<br />
13th move alternatives considered in<br />
Chapter 5 but on the other hand, it allows<br />
a few others. 11... b4?! (Line AI)<br />
cannot be recommended, but I1..J:tg8<br />
(Line A2) is interesting and it is a matter<br />
of taste whether to allow this or the<br />
aforementioned 13th move alternatives<br />
(after 11 exf6). <strong>The</strong> main line after<br />
11.. . .l:g8 runs 12 h4 (12 ~xf6 is<br />
Line A21 but is considered less critical)<br />
12 ... .l:xg5 13 hxg5 tLld5 14 g6<br />
fxg6 15 'iWg4 'iWe7, when White has<br />
three options. 16 'iWxg6+ (Line A222)<br />
aims for an ending in which White<br />
will attempt to make his kingside<br />
pawns tell, but I think Black's defensive<br />
resources are adequate. 16 ':h8
MOVE-ORDERS AND VARIOUS DEVIATIONS 87<br />
(Line A221) is more dangerous but<br />
Shirov's discovery 16 ... ttJxc3 17 bxc3<br />
'iWa3 seems to give Black strong counterplay.<br />
16 .tg2 (Line A223) is probably<br />
the most critical and the assessment<br />
largely depends on whether Black has<br />
sufficient counterplay after 16 ... 'iif7<br />
17 .te4 ttJe7 18 ttJxb5 cxb5 19 .txa8.<br />
Black has more possibilities to deviate<br />
after 11 exf6, but most of them<br />
cannot really be recommended. <strong>The</strong><br />
line 11.. . .tb7 12 g3 c5 (Line B3) 13<br />
d5 'iib6 14 .tg2 0-0-0 (there is probably<br />
room for some new ideas after<br />
14 ... b4!?) 150-0 b4 16 ttJa4 'iWb5 17<br />
dxe6 seems to have been exhausted.<br />
Savchenko's 21..J:td4! looks at least<br />
equal for Black.<br />
Holding back the ... c5 advance a little<br />
longer is a relatively unusual way<br />
of playing the black side of the<br />
<strong>Botvinnik</strong>. Following 11.. . .tb7 12 g3<br />
'iib6 13 .tg2 0-0-0 14 0-0, 14 ... .th6<br />
(Line B23) looks very interesting and<br />
right now the onus is on White to find<br />
something after 15 .txh6 .l:txh6 16<br />
ttJe4 c5 17 'iif3 .l:txf6!. On the other<br />
hand, the lines considered under B21<br />
and B22 are relatively unimportant.<br />
<strong>The</strong> <strong>The</strong>ory of Various<br />
Deviations<br />
1 d4 d5 2 c4 c6 3 ttJf3 ttJf6 4 ttJc3 e6 5<br />
.tg5 dxc4 6 e4 b5 7 e5 h6 8 .th4 g5 9<br />
ttJxg5 hxg5 10 .txg5 ttJbd7<br />
Now:<br />
A: 11 g3 87<br />
B: 11 exf6 98<br />
A)<br />
11 g3 (D)<br />
B<br />
We shall now consider two main<br />
options:<br />
AI: 11 ... b4?! 87<br />
A2: 11 ... l:t.g8 88<br />
Or 1l....tb7 12 .tg2 and now:<br />
a) 12 .. :~c7 13 exf6 is Line Bl.<br />
b) 12 ... 'iWb6 13 exf6 transposes to<br />
the Main Lines (Chapter 2-4) or Line<br />
B2, considered later in this chapter.<br />
c) 12 ... .l:tg8 is possible but in general<br />
Black keeps more options open by<br />
delaying the bishop fianchetto when<br />
adopting the ... l:tg8 line.<br />
AI)<br />
11 ... b4?!<br />
This sharp continuation is not entirely<br />
justified. Black will get three<br />
pieces for the queen and this would indeed<br />
be quite OK if he had time to<br />
consolidate without losing too many<br />
pawns on the way.<br />
12 ttJe4 ttJxe4 13 .txd8 'iitxd8 (D)
88 THE BOTVINNIK SEMI-SlAV<br />
w<br />
16 'ife2 ttJd5 17 'it'xc4l:tb8 180-0<br />
l:tb6 19 :fe1 ttJ7f6 20 h4<br />
White is slightly better, Lipiridi<br />
Lutovinov, corr. 1983.<br />
A2)<br />
1l ... l:tg8 (D)<br />
w<br />
14 i.g2<br />
This is now generally accepted as<br />
the strongest.<br />
14 'ii'f3!? is possible, while Ivanchuk<br />
chose 14 i.xc4 against Illescas<br />
in Linares 1994. That game went<br />
14 ... ttJb6 15 i.d3 f5 16 i.xe4 fxe4 17<br />
'ii'g4 (17 'ife2 a5 18 'ii'xe4 ttJd5 19<br />
:c 1 i.d7 20 f4 a4 21 'iff3 a3 22 b3<br />
ttJc3 23 l:tc2 i.e7 24 h4 ~c7 gave<br />
Black some counterplay in Shestaperov-Agrinski,<br />
USSR 1967) 17 ... i.d7<br />
18 'ii'xe4 ttJd5 19 0-0 ri;c7 20 l:tac1<br />
~b7 21 f4 i.e7 22:f3 l:.afS 23 a3 and<br />
White kept the pressure.<br />
14 ... f5 15 exf6<br />
15 f3! is possibly even stronger.<br />
Now after 15 ... ttJg5, Burgess, in NCO,<br />
recommends 16 'ifcl, picking up the<br />
c4-pawn and another one, while Varnusz<br />
thinks that 16 f4 ttJe4 17 'ii'c2<br />
i.b7 18 'ii'xc4 is also very good since<br />
18 ... l:h6 is met by 19 g4!. I will not<br />
disagree with either.<br />
15 ... ttJexf6<br />
15 ... ttJdxf6? 16 i.xe4 ttJxe4 17 'iff3<br />
+- P.Nikolic-Bagirov, Sarajevo 1980.<br />
At this point White has to select between:<br />
A21: 12 i.xf6 89<br />
A22: 12h4 91<br />
12 i.h4 maintains the pin but<br />
places the bishop passively. Black has<br />
several options:<br />
a) 12 .. :ir'b6 13 exf6 e5!? (playing<br />
along the main lines suggests itself as<br />
White's bishop is strangely placed on<br />
h4, but often it becomes a disadvantage<br />
for Black to have the rook on g8<br />
since White might throw in the annoying<br />
'ifh5 at some point; anyway, the<br />
simple 13 ... i.b7 is considered in 'c'<br />
below) 14 'ife2 b4 15 ttJe4 i.a6 16<br />
0-0-0 0-0-0 17 d5 'ifa5 18 dxc6 'ii'xa2<br />
19 i.h3 (19 cxd7+ l'hd7 20 l:xd7
MOVE-ORDERS AND VAR,OUS DEVIATIONS 89<br />
cJtxd7 is unclear according to Vilela)<br />
19 ... .th6+ 20 f4 exf4 21 cxd7+ ~b8<br />
22 'ir'h5 l:tg5! 23 .txg5 c3! 24 lbxc3<br />
(24 bxc3? b3 -+) 24 ... bxc3 25 bxc3<br />
.txg5 1/2- 1 /2 Vilela-Chekhov, Halle<br />
1981. White cannot avoid a perpetual<br />
check after, for example, 26 'ir'xg5<br />
'ir'al+ 27 ~c2'ir'a2+ 28 ~c1.<br />
b) 12 ... 'ir'aS!? (this makes some<br />
sense as in many of the normal ... 'ir'aS<br />
lines an important part of White's plan<br />
is to retreat the dark-squared bishop to<br />
e3; this is now ruled out) 13 exf6.ta6<br />
(13 ... b4!? 14 lbe4 .ta6) 14 a3 0-0-0<br />
15 .tg2lbc5 160-0 lbb3 (16 ... lbd3 17<br />
'ir'f3 .tb7 18 b4!? 'ir'c7, Magerramov<br />
Savchenko, Helsinki 1992, and now<br />
19 'ir'e3 is very good for White) 17<br />
'ir'h5'ir'c7 18l:tadllbxd4 19lbe4 c5 is<br />
unclear according to Beliavsky and<br />
Mikhalchishin.<br />
c) 12 ... .tb7 13 .tg2'ir'b6 (13 ... 'ir'c7<br />
14 exf6 0-0-0 15'ir'h5!? lbb6 16 ndl<br />
.tb4! 17 0-0 nh8 18 'ir'f3 .txc3 19<br />
bxc3 l:tdg8 20 l:tfel c5! 21 'ir'xb7+<br />
'ir'xb7 22 .txb7+ ~xb7 23 dxc5 lbd5<br />
was fine for Black in the game Komljenovic-Antunes,<br />
Saragossa 1996) 14<br />
exf60-0-0 150-0 lbe5!? 16'ir'h5lbg6<br />
17 .tg5 nh8 intending ... .th6 with at<br />
least an equal position, Mejak-Krivic,<br />
corr. 1981.<br />
A21)<br />
12.txf6<br />
This has never been considered<br />
very critical but is seen now and then if<br />
White wishes to avoid the complications<br />
of Line A22.<br />
B<br />
12 ... lbxf613 exf6 (D)<br />
13 .•. 'ir'xf6<br />
Black hurries to re-establish material<br />
equilibrium but leaving the queenside<br />
has its disadvantages. Hence,<br />
another option is 13 ... .tb7 14 .tg2<br />
and then:<br />
a) 14 ... 'ir'b6 150-00-0-016 'it'h5!<br />
l:tg6 17 lbe4 l:txd4 (this is criticized<br />
by many sources but it is difficult to<br />
see a better move; e.g., 17 ... 'ir'xd4 18<br />
l:tadl'ir'xb2 19l:txd8+ cJtxd8 20 'ir'h8<br />
'ir' a3 21 l:td 1 + cJtc 7 22 'it'h 7 l:th6 23<br />
'ir'xf7+ ~b6 24 l:td7 and White wins)<br />
18'ir'h7'ir'c7 19 h4 c5 20 l:tfel nd8 21<br />
l:tadl .td5 22lbc3 ± Korchnoi-Bellon,<br />
Las Palmas 1981.<br />
b) 14 ... 'ir'c7 (while this does not<br />
support the attack on d4, it has the advantage<br />
that f7 is protected) 15 0-0<br />
(White is not able to utilize his queen<br />
actively without giving up his d-pawn<br />
after this; 15 'it'f3 0-0-0 16 l:tdl is another<br />
possibility) 15 ... 0-0-0 16 'ilt'c2!?<br />
l:txd4 17 a4 .tc5? (Black's attack is insufficient<br />
after this; 17 ... a6 is safer,
90 THE B01YINNIK SEMI-SlAV<br />
even though I would rather be White<br />
after 18 l:.ad1) 18 axbS l:.d3 19 b6!?<br />
(making sure that the a8-h1 diagonal<br />
will not open easily) 19 ... .txb6 20 ttJe4<br />
1li'eS 21 'iWxc4 l:.gd8 22 1li'c2 1li'dS 23<br />
l:.ac1 Novikov-<strong>The</strong>sing, Berlin 1991.<br />
My source says 1-0 here. White is obviously<br />
much better but going as far as<br />
resigning looks premature.<br />
14 .tg2 .tb7 15 ttJxb5 (D)<br />
Consistent but perhaps not the best.<br />
White has to act quickly, and slow<br />
attempts like IS 0-00-0-0 are not advisable,<br />
but IS a4 is interesting. <strong>The</strong>n<br />
if lS ... b4, 16 ttJe41li'fS 17 l:.c1, as in<br />
the game Liberzon-Lombard, Biel IZ<br />
1976, gives White an edge. Fortunately,<br />
Black has the much superior<br />
lS ... 0-0-0!' After 16 axbS cxbS 17<br />
.txb7+
MOVE-ORDERS AND VARIOUS DEVIATIONS 91<br />
excellent attacking chances, and White<br />
must be on the alert to stop Black<br />
breaking through.<br />
A22)<br />
12 h4 (D)<br />
B<br />
<strong>The</strong> critical continuation. Black has<br />
to enter the following complications,<br />
for if he continues similarly to the<br />
main lines, say 12 ... ..tb7 13 ..tg2 'ili'b6<br />
14 exf6, the move h4 is clearly more<br />
useful than ... :tg8.<br />
12 ... .:.xgS<br />
It is possible to play 12 ... .tb7 13<br />
..tg2, and only then 13 ... .:.xgS but this<br />
seems only to limit Black's options<br />
later on.<br />
13 hxgSliJdS14 g6 fxg6 IS'iIi'g4!<br />
Let us just pause for a moment and<br />
sum up what has happened in the last<br />
few moves. Black has two minor<br />
pieces for a rook, which suggests that<br />
the long-term chances are going to be<br />
in Black's favour. However, he is behind<br />
in development and the white<br />
rook is ready to race down the open<br />
h-file, either taking advantage of the<br />
7th rank or running all the way to h8<br />
and preventing Black from developing<br />
his dark-squared bishop. Furthermore,<br />
the weak g-pawn is an obvious<br />
target, while Black is also struggling<br />
with the worse light-squared bishop.<br />
Indeed, the light squares in general<br />
seem to be White's operating area<br />
with ideas such as ':'h7 and .tg2-e4 or<br />
liJe4-d6 hanging in the air.<br />
Does Black's position have nothing<br />
going for it, then? Things aren't so<br />
bad, but interest has declined in taking<br />
on the patient manoeuvring required<br />
to defend Black's position. That said,<br />
if Black does succeed in bringing his<br />
forces workably together, then his<br />
chances should be quite decent.<br />
White's last move attacks the g6-<br />
pawn immediately, but there may also<br />
be a point in preventing the coming<br />
defensive manoeuvre by IS l:th7!?<br />
Let us first have a brief look at this:<br />
a) IS ... 'iIi'aS 16 'ili'f3 'itd8 17 ..th3<br />
.tb4 18 'itn! ..txc3 19 ..txe6 and now<br />
rather than 19 ... ..txd4? 20 ..txdS cxdS<br />
21 IIdl with a strong attack for White,<br />
as in Knaak-Tischbierek, East German<br />
Ch 1981, Black should continue<br />
19 ... ..txb2 20 .txdS 'ili'c3! with a complicated<br />
position - Sveshnikov.<br />
b) IS ... ..te7 16 'ili'f3 liJf8 17 l:tg7<br />
'ili'd7 18 ..th3 liJxc3 19 bxc3 ..tb7 20<br />
'ili'f7+ 'itd8 21 ~e2 with compensation<br />
as it will be hard for Black to free<br />
himself without losing at least a pawn,<br />
Pelletier-Antunes, Erevan OL 1996.<br />
IS ... 'iIi'e7 (D)
92 THE BOTVINNIK SEMI-SLAV<br />
<strong>The</strong> counter-attacking 15 ... 'iWa5?<br />
has been more or less refuted by 16<br />
'iWxe6+ 'itt>d8 17 i.g2! ltJxc3 18 ~f1!<br />
ltJd5 19 'tWxc6ltJ5b6 (19 ... ltJc7 20 e6)<br />
20 lth8 'iWb4 21 e6 l:tb8 22 exd7 ltJxd7<br />
23 a3! ± Knaak-Van der Wiel, Lugano<br />
1989. Note that Black cannot play<br />
23 ... 'tWxb2? due to 24 l:txf8+! ltJxf8 25<br />
'iWf6+ ~c7 26 'tWf4+ winning.<br />
i.g2 i.b7 19 i.e4 0-0-0 20 i.xg6 'tWe7<br />
21 a4! (White has to play aggressively<br />
to maintain an advantage) 21...a6 22<br />
l:th7 i.g7 23 i.e4ltg8 24 'tWf3 (Kamsky<br />
suggests 24 lth5!? {intending<br />
l:tg5} 24 ... ltd8!? 25 'iWg5 'fi'xg5 26<br />
l:txg5 i.f8 27ltg6lte8;t) 24 ... ~c7 25<br />
axb5 axb5, Kamsky-Serper, Groningen<br />
PCA qual 1993, and now White's<br />
best seems to be 26 'iWg4!? It is not<br />
that easy for Black to free his position<br />
while White might slowly build up<br />
with f4, ~d2 and at some stage offer a<br />
queen exchange with 'tWh4. <strong>The</strong> problem<br />
with ... b4 for Black is that it<br />
merely weakens his pawns and in the<br />
current position, for example, they are<br />
simply picked up by 27 l:ta4!.<br />
<strong>The</strong>re are now three possibilities<br />
for White to increase the pressure:<br />
A221: 16lth8 92<br />
A222: 16 'iixg6+ 93<br />
A223: 16 i.g2 95<br />
A221)<br />
16 l:th8 ltJxc3<br />
<strong>The</strong> pin of the f8-bishop does not<br />
look like a major problem, but it is<br />
more annoying than it looks at first<br />
sight. For instance, after 16 ... 'iWf7?<br />
White has 17 ltJe4!.<br />
17 bxc3 'fi'a3! (D)<br />
Here the best defence is a counterattack.<br />
17 ... 'tWf7 is more solid but also<br />
a little passive. White continues 18<br />
18 'iWxg6+<br />
This is not the only option; White<br />
can instead take the e6-pawn. This has<br />
the advantage that White might be<br />
able to rake in the c6-pawn too. Shirov<br />
only mentions "18 'fi'xe6+? ~d8 +",<br />
but Ftacnik takes this a little further,<br />
viz. 19 l:tdl 'iWxc3+ and now:
MOVE-ORDERS AND VARIOUS DEVIATIONS 93<br />
a) 20 :d2?! ii'b4 21 'ji'xc6? c3 22<br />
:d3 c2+ 23 ~e2 ii'b2 24 :xf8+ ltJxf8<br />
25 'ili'f6+ ~e8 26 ii'c6+ it.d7 (Black<br />
also seems to win by 26 ... ~f7; for example,<br />
27 :f3+ it.f5 28 :xf5+ gxf5<br />
29 'ili'f6+ ~e8! 30 ii'c6+ ltJd7!) 27<br />
'ili'xa8+ c2 c5 gives Black lots<br />
of counterplay.<br />
19 .. JWxc3+ 20 ~e21i'b2+! 21 :d2<br />
1i'b4 22 'iixe6 (D)<br />
B<br />
22 ..• c3<br />
White is living right on the edge,<br />
but he would not be badly off if he<br />
could manage to blockade the c-pawn.<br />
However, accuracy is needed.<br />
23 a3!<br />
This is a good move but perhaps 23<br />
l:td3!? (23 .l:tc2? ii'xd4 24 it.g2 it.b7<br />
is good for Black) is possible. After<br />
23 ... c2 Ftacnik gives the weak 24<br />
'ii'h6?
94 THE BOTVINNIK SEMI-SLAV<br />
pawns become an important dynamic<br />
factor. However, Black's problem<br />
seems to be that, though it is quite easy<br />
to place his minor pieces optimally,<br />
they are not exactly doing much. Meanwhile<br />
White has the very simple plan<br />
of pushing forward the f- and g-pawns,<br />
eventually, if successful, causing claustrophobia<br />
of Black's king or minor<br />
pieces. All in all though, the position<br />
should be approximately equal.<br />
16 ..:iif7 17 'ii'xf7+ rJitxf7 (D)<br />
w<br />
18.i.g2<br />
Others:<br />
a) 18 0-0-0 liJxc3 19 bxc3 i.a3+<br />
20 'ifi>c2liJf8 21 i.g2 .i.d7 22 f4l:tb8!<br />
23 g4 b4 24 cxb4 a5! with strong counterplay,<br />
Arbakov-Savchenko, USSR<br />
1989.<br />
b) 18 liJe4 .i.b4+ 19 'ifi>e2 c3! 20<br />
bxc3 liJxc3+ 21liJxc3 i.xc3 22l:tdl<br />
b4 23 .i.g2 i.a6+ 24 'iti>e3 l:tg8 2S<br />
i.xc6liJb6 with at least an equal position<br />
for Black, Lobron-Shirov, Bundesliga<br />
1993/4.<br />
18 ... liJxc3<br />
Black cuts out White's option of<br />
keeping the knights on the board after<br />
all with liJe4. Black should also in general<br />
be happy with piece exchanges,<br />
although White's rooks usually become<br />
more influential the fewer minor<br />
pieces there are on the board. <strong>The</strong><br />
problem for Black is that even though<br />
there is plenty of space available, it is<br />
basically limited to the centre and the<br />
queenside. Hence the exchange is logical<br />
but there is also a disadvantage,<br />
namely that the a8-hl diagonal is now<br />
open for White's bishop.<br />
After other moves White can often<br />
beneficially avoid the exchange of<br />
knights:<br />
a) 18 ... b4?! 19 liJe4liJ7b6 200-0-0<br />
i.d7 21 l:th8 i.e7 22 l:th7+ 'iti>e8 23<br />
liJcs ± Knaak-Enders, East German<br />
Ch 1985.<br />
b) 18 ... liJ7b6 19 liJe4!? .i.d7 20<br />
'iti>e2 i.g7? (I do not like Black's setup<br />
at all, and ceding control of the<br />
central squares cS and d6 like this is<br />
definitely a mistake; Black should<br />
probably try the immediate 20 ... liJa4)<br />
21 liJd6+ 'iti>g8 22 l:thS! liJa4 23 J:r.gS<br />
liJxb2 24 .i.xdS! cxdS 2Sl:thl (White's<br />
attack is surprisingly dangerous and it<br />
is not easy to take measures against<br />
the threat of l:th6-g6) 2S ... aS 26l:th6<br />
l:ta7 27 l:thg6 .i.c6 28 :'xe6 c3 29liJfS<br />
+- Yusupov-Chekhov, USSR Ch (Vilnius)<br />
1980.<br />
c) 18 ... i.b4 19 'iti>d2 liJf8 20 f4<br />
.ltd7 21 l:taft l:td8 22 i.xdS cxdS 23<br />
g4 i.aS 24 fS 'iti>g7! 2S :'hS b4 26<br />
l:tgS+ ..t>h6 27 l:thS+ ..t>g7 28 l:tgS+
MOVE-ORDERS AND VARIOUS DEVIATIONS 95<br />
cJii>h6 lh-1f2 Piesina-Khenkin, Pardubice<br />
1993.<br />
d) 18 ... .tg7 19 tLle4 tLlf8 20 cJii>d2 w<br />
.td7 21 f4 as 22 lIafl a4 23 a3 lIb8 24<br />
tLld6+ 'iti>g8 25 .te4 ;!; Szabo-P.Horvath,<br />
Hungarian Cht 1994.<br />
19 bxc3 lIb8 20 f4<br />
Shirov considers this to be inferior<br />
to the main line, and, indeed, the pawn<br />
does not seem to be very important.<br />
Now Black is able to exchange White's<br />
bishop, while if White leaves the pawn<br />
Black will have to spend a few moves<br />
accomplishing this task. Shirov-Stisis,<br />
London Lloyds Bank 1991 continued<br />
20 .txc6?! .tb7 21 l:rh7+ (21 .txb7<br />
lIxb7 might be objectively better, but<br />
Black should be doing well when the<br />
knight arrives on d5) 2l...'iti>g6 22 l:rxd7<br />
.txc6 23 l:rxa7 .tf3! (this very strong<br />
move not only prevents White from<br />
setting his kingside pawns in motion<br />
but also contains the devilish plan of<br />
... .th6, ... .tg5, ... lIh8 and mate) 24<br />
cJii>d2?! (according to Shirov 24 lIa6!<br />
cJii>f5 25 'iti>d2 is more precise) 24 ... .th6+<br />
25 'iti>c2 l:rf8 26 'iti>b2, and now after the<br />
accurate 26 ... .td2! 27 'iti>c2 .tg5, with<br />
the idea of ... .:h8, Black would have<br />
been clearly better - Shirov.<br />
20 ... b4 (D)<br />
21 cJii>d2 cSt?<br />
21...a5 22 .txc6 tLlb6 23 g4 .tb7<br />
(23 ... bxc3+ 24 'iti>xc3 .tb4+ is premature<br />
in view of 25 cJii>c2 tLld5 26 .txd5<br />
exd5 27 f5, when Black's counterplay<br />
has diminished) 24 .txb7 ':xb7 25<br />
lIh7+.tg7 26 f5 tLld5! (26 ... 'iti>g8 is too<br />
passive; after 27 ':ahl ':d7 28 cJii>c2<br />
White is close to winning) 27 f6<br />
bxc3+ 28 cJii>cl tLlxf6 29 exf6 'iti>xf6 30<br />
cJii>c2 cJii>g6 31 ':xg7+! and 31.. . .:xg7?<br />
32 ~xc3 gave White a slight pull in<br />
Bareev-San Segundo, Madrid 1994,<br />
but according to Bareev White would<br />
not be able to make progress after<br />
3l...cJii>xg7! 32 'iti>xc3 lIb4 33 lIfl 'iti>g6.<br />
22 dS tLlb6 23 dxe6+<br />
Sadler considers 23 d6 more critical,<br />
when Black should play 23 ... tLld5<br />
or 23 ... tLla4, stepping up the pressure<br />
against c3.<br />
23 ... .txe6 24 .te4 lId8+ 25 'it;>e3<br />
tLldS+ 26 .txdS ':xdS 27 lIhdl ':xdl<br />
28 ':xdl .tfS<br />
Black is not worse, Mecking-San<br />
Segundo, Linares 1995.<br />
A223)<br />
16 .tg2 'it'f7!<br />
I have absolutely no faith in other<br />
options for Black here. At the least<br />
White can have a good version of Line<br />
A222, while the different circumstances<br />
might give White even better<br />
options; e.g., 16 ... .tg7? 17 'ii'xg6+
96 THE BOTVINNIK SEMI-SLAV<br />
'fif7 and now 18 'fixf7+ gives White a<br />
superior version of Line A222, but 18<br />
'iWg4! is even more effective, and after<br />
18 ... ltJf8 19 ltJe4 'iWe7 20 :th5!, intending<br />
:tg5, White had a clear advantage<br />
in Dautov-Gabriel, Altensteig<br />
1994.<br />
17 i.e4 ltJe7 (D)<br />
w<br />
18 ltJxbS<br />
I am surprised that this move has<br />
not been investigated more than it has.<br />
It is clearly the most consistent move<br />
as White wins material, but while the<br />
material balance is unusual, three<br />
pieces against two rooks and a pawn is<br />
not that bad for Black if he can make<br />
his pieces cooperate nicely. Maybe<br />
that is why White has been keener to<br />
find a direct way to knock over Black's<br />
position:<br />
a) 18 0-0-0 (this seems to be too<br />
slow) 18 ... i.a6! 19 ltJe2 i.g7 20 ltJf4<br />
ltJf8. This is basically the set-up Black<br />
should be aiming for; the f8-knight<br />
and bishop on g7 cover possible entrances<br />
for White's rook down the<br />
h-file while the knight also guards the<br />
pawns on e6 and g6. Furthermore, the<br />
solid pawn-structure limits the options<br />
for possible pawn-breaks by White,<br />
meaning that Black has a reasonably<br />
quiet time to manoeuvre his pieces<br />
into even better positions. Beliavsky<br />
Kramnik, Linares 1993 continued 21<br />
ltJh3 0-0-022 ltJg5 'iWe8! (the queen<br />
would be almost stalemated on g8) 23<br />
'iWf3 (23 ltJxe6? 'iWd7) 23 ... ltJf5 24<br />
'iWa3! i.b7 (24 ... ~b7? 25 i.g2!, intending<br />
ltJe4, is annoying) 25 'fixa7<br />
'iWe7 26 ltJf3 c5! 27 i.xb7+ 'iWxb7 28<br />
'iWxb7+ ~xb7 29 dxc5 :tc8 30 b4 cxb3<br />
31 axb3 :'xc5+ 32 'it>b2 ltJe7 with an<br />
edge for Black.<br />
b) 18 :th8!? and now:<br />
bl) 18 .. .'~d8 19 i.c2?! (here White<br />
could also consider 19 ltJxb5 with<br />
similar play to the main line) 19 ... ~c7<br />
20 0-0-0 i.g7 21 :th7 ltJf8 22 l'th2<br />
i.b7 23 ltJe4 :'d8 24 ltJg5 'iWg8 25<br />
~bl ltJf5 26 'iWf4 c5 27 dxc5 :'xdl +<br />
28 i.xd 1 ltJd7 + Davies-McDonald,<br />
Wrexham 1995.<br />
b2) 18 ... i.a6?! 19 a4! b4 20 ltJb5<br />
i.xb5 21 axb5 was already very difficult<br />
for Black in Eingorn-Onishchuk,<br />
Cuxhaven 1994.<br />
b3) 18 ... 'fig7!? is mentioned by<br />
Akopian. White's best might be 19<br />
'iWh3 as 19 'iWxe6 'iWxh8 20 i.xc6 :'b8<br />
21 ltJe4 fails on account of 21...~d8!<br />
(Black might even survive 21. .. 'iWh 1 +<br />
22 ~e2 'ti'xal 23 ltJd6+ 'it>d8 24 ltJf7+<br />
~c7 25 'ti'd6+ ~b6) 22 ltJg5 (22 ltJd6<br />
ltJxe5 -+) 22 ... ltJxc6! 23 'iWxc6 (23<br />
ltJf7 + 'it>c7 24 ltJxh8 ltJdxe5 wins for
MOVE-ORDERS AND VARIOUS DEVIATIONS 97<br />
Black) 23 ... .tb4+ 24 ~f1 l:tb6! 25<br />
'ili'xb6+ lbxb6 26lbt7+ ~e7 27lbxh8<br />
.tf5 with a winning ending for Black.<br />
b4) 18 ... lbb6!? and now:<br />
b41) 19 ~e2 with a further branch:<br />
b411) 19 ... b4 20 l:tabl ~d7?! (the<br />
alternative 20 ... bxc3! 21l:tlh7 'ili'xh7<br />
22l:txh7 cxb2 23 'ili'f3lbd7 is unclear)<br />
21l:t8h7! 'ili'g8, Kalantarian-Yegiazarian,<br />
Armenian Ch 1994, and now 22<br />
d5! (D).<br />
B<br />
Akopian provides extensive analysis<br />
in In/ormator, which I have pruned<br />
down to the bare essentials. 22 ... bxc3<br />
(22... cxd5 23 lbxd5 lbbxd5 24 .txd5<br />
l:tb8 25 l:th8 'it't7 26 l:txf8 'ili'xf8 27<br />
'it'xe6+ ~d8 28 'it'd6+ and White<br />
wins) 23 d6! and then:<br />
b4111) 23 ... cxb2 24 dxe7 .txe7 25<br />
l:tdl+ ~c7 26l:txe7+ .td7 27.txc6!<br />
~xc6 (27... bl'iif 28 l:txbl ~xc6 29<br />
'iifd4 +-) 28 l:texd7 lbxd7 29 'iifxc4+<br />
lbc5 30 l:td6+ and White mates in five<br />
more moves.<br />
b4112) 23 ... lbbd5 24 'it'g5! cxb2<br />
25 .txdS cxd5 26 dxe7! .tg7 27 'ili'xg6<br />
.ta6 28 l:txg7 c3+ 29 ~f3 'iife8 30<br />
l:th8! and White wins.<br />
b4113) 23 ... .tb7 24 'iWg5! l:te8 25<br />
l:th8 'it't7 26l:tlh7 .tg7 27l:txe8 ~xe8<br />
28 dxe7 +-.<br />
b4114) 23 ... .ta6 24 dxe7! .txe7<br />
25 l:he7+! ~xe7 26 .txc6 'iWg7 (the<br />
only move to prevent 'iWg5-f6) 27<br />
'ir'g5+ ~t7 28 .txa8 lbxa8 (28 ... cxb2<br />
29 .te4 c3+ 30 ~f3 is still dangerous<br />
for Black) 29 bxc3 ±.<br />
b412) 19 ... .td7! 20 l:tabl (20 a4!?<br />
b4 21 as might be a better idea)<br />
20 ... 0-0-0 21 l:tlh7 .tg7 22 l:txd8+<br />
~xd8 23 ~ellbbd5 24lbe2, Rogers<br />
Solomon, Australian Ch (Gold Coast)<br />
1998, and now 24 .. :iVg8 (24 ... ~e8!?)<br />
25 l:th3 c5 is good for Black according<br />
to Rogers.<br />
b42) 19 .tc2!? lbf5 (19 ... 'it'g7!?)<br />
20 lbe4 ~d7 21 l:th7 .tg7 22 lbd6<br />
lbxd6 was played in Rogozenko-Antunes,<br />
Cairo 1997, and now 23 'iifxg6<br />
'iixg6 24 .txg6lbe8 25 .txe8+ ~xe8<br />
26 l:txg7 ~f8 gives White an advantage<br />
- Rogozenko.<br />
18 ... cxb5 19 .txa8 lbb6 20 .te4<br />
i.d7 (D)<br />
20 ... lbbd5 is another possibility but<br />
it makes sense to attempt to exchange<br />
bishops as White's bishop is clearly<br />
superior to its opposite number.<br />
21l:th8 .tc6 22 f3!<br />
A clever move, passing the ball back<br />
into Black's court. Now if Black wants<br />
to exchange the bishops he cannot<br />
have the d5-square since White recaptures<br />
with the pawn.<br />
22 ... ~d7!
98 THE BOTVlNNIK SEMI-SLAV<br />
mentioned 16 'ii'c2 c3! 17 bxc3 'ii'c7!<br />
18 ttJg3 cxd4 19 c4 ttJcS +) 16 ... 'ii'c7<br />
17 ttJg3 cxd4 18 .ltxc4 'ii'c6 19 f3 d3<br />
+.<br />
22 ... ttJbdS?! is imprecise due to 23<br />
~f2! ttJb4 24 a3! ttJd3+ 2S .ltxd3<br />
cxd3 26 ltdl ± Shirov-Morovic, Las<br />
Palmas 1994.<br />
23~e2!<br />
White's king would stand better on<br />
f2, as in the Shirov game above. However,<br />
with Black's move-order this<br />
square is off-limits since 23 ~f2 allows<br />
23 ....ltxe4, when White cannot<br />
take with pawn, thus giving Black<br />
what he wants.<br />
23 ....ltg7 24 lth7 ttJbd5 25 ltahl<br />
White is slightly better according to<br />
Shirov.<br />
B)<br />
11 exf6 .ltb712 g3 (D)<br />
12 .lte2 has been regarded as not a<br />
very serious attempt for an advantage<br />
ever since the famous game Denker<br />
<strong>Botvinnik</strong>, USA-USSR radio match<br />
1945, which continued 12 ... 'ii'b6 13<br />
0-0 0-0-0 14 a4 (14 .ltf3 is probably<br />
better, when the position should be<br />
compared closely with Line B2) 14 ... b4<br />
IS ttJe4 cS 16 'ii'bl (<strong>Botvinnik</strong> also<br />
Now we analyse three paths for<br />
Black:<br />
Bl: 12 .. JWc7 98<br />
B2: 12 .. :ii'b6 99<br />
B3: 12 ... c5 103<br />
Bl}<br />
12 .. :ii'c7<br />
Most lines involve Black advancing<br />
... cS and the same applies to 12 .. .'it'c7<br />
but, while the queen is usually better<br />
placed on b6 in this respect (defending<br />
the bS-pawn), Black here aims to deliver<br />
a disruptive check on eS after<br />
... cS is met by dS.<br />
13 .ltg2 c5 14 d5<br />
While not exactly forced, this still<br />
looks the best for White. Other options<br />
are:<br />
a) 14 .ltf4 eS (14 .. .'iWb6 is also possible;<br />
then it is not quite clear what the<br />
slight change of location of White's
MOVE-ORDERS AND VARIOUS DEVIATIONS 99<br />
dark-squared bishop means) ISltJdS!<br />
.txdS 16 .txdS 0-0-0 17 dxeS ltJxeS<br />
18 0-0 .td6 19 a4ltJd3 20 .txd6l1xd6<br />
21 'tig4+ 'tid7 (2l...'iPb8 22 .tg2 is<br />
risky for Black) 22 'it'xd7+ 'ifi'xd7 23<br />
.txf7, Vilela-Vera, Havana 1984, and<br />
now Sveshnikov's 23 .. J:tf8 is the most<br />
exact, with an unclear position.<br />
b) 14 O-O!? .txg2 (14 ... b4 IS .tf4!<br />
eS 16 ltJdS .txdS 17 .txdS 0-0-0 18<br />
dxeSltJxeS 19 .txeS 'tixeS 20 'ti g4+ ±<br />
Ruban) IS 'iPxg2 'tib7+ 16 f3 0-0-017<br />
dxcSltJxcs 18 'tie2ltJd3 19ltJe4 with<br />
an edge for White, Ruban-Savchenko,<br />
Tbilisi 1989.<br />
14 ... 'it'eS+ 15 'tie2 (D)<br />
B<br />
IS •.. 0-0-0!<br />
IS ... 'it'xgS is dubious in view of<br />
Vera's 16 dxe6 .txg2 17 f4! (on the<br />
other hand 17 exd7 ++ 'iPxd7 18 lid 1 +<br />
'iPc7 19 f4 'it'xf6 20 'tixg2 lIe8+ 21<br />
'iPfl 'it'c6 is not very clear), when<br />
17 ... 'it'xg3+ (17 ... 'tixf618 exd7++ rJo>xd7<br />
19 0-0-0+ +-) 18 hxg3 lhhl+ 19<br />
rJo>d2ltJxf6 20 'tixg2! wins for White;<br />
e.g., 20 ... lId8+ 21 rJo>c2l1xai 22 'tic6+<br />
ltJd7 23ltJxbS intending 24ltJc7+ ~e7<br />
2SltJdS+ 'iPe8 26 exd7+ winning .<br />
16 dxe6<br />
16 ltJxbS?! 'it'xgS 17 ltJxa7+ rJo>c7<br />
18ltJbS+ 'ifi'b6 19 f4 'it'fS did not give<br />
White anything concrete in Knaak<br />
Vera, Cienfuegos 1984.<br />
16 ... 'ii'xe2+ 17 rJo>xe2 .txg2 IS e7!<br />
Knaak's suggestion, which is stronger<br />
than 18 exd7 + lIxd7 19 lIhd I! b4<br />
20 lIxd7 'it>xd7 21 ltJdl .te4! with<br />
counterplay for Black in Liogky-Savchenko,<br />
USSR 1987.<br />
lS ... .txe7 19 fxe7 lIdgS 20 .tf4<br />
So far Knaak. Now the German GM<br />
only looks at 20 ... .txhl 21ltJxbS t and<br />
20 ... lIe8 21 ltJxbS 1:txe7+ 22 ~d2<br />
.txhl 23 ltJd6+ ~d8 24 lIxhl, both<br />
with a substantial advantage for White.<br />
Black's next move prevents ltJxbS and<br />
is obviously an improvement but does<br />
not seem quite enough for equality ...<br />
2O ... a6! 21l1hdl lIeS 22.td6llxh2<br />
23 a4 b4 24ltJdS lIh6 25 ltJe3 lIe6 26<br />
f3<br />
Now the bishop is in serious trouble.<br />
26 ... ltJeS 27 .txeS! lIxeS 2S J:[dS+!<br />
lIxdS 29 exdS'ii'+ 'iti>xdS 30 'it>f2 .th3<br />
31 g4 fS 32 J:[dl+ cj;c7<br />
Se.lvanov-Svirin, St Petersburg<br />
1999. Now I do not see why White<br />
cannot simply play 33ltJxfS. 33 ... J:[xfS<br />
34 gxfS .txfS is not sufficient to draw<br />
in view of 3S J:[dS .td3 36l1xcS+ cj;d6<br />
37 J:[c8, when White wins.<br />
82)<br />
12 .. :iVb6 13 .tg2 0-0-0
100 THE BOTVINNIK SEMI-SLAV<br />
This is the most accurate. After<br />
13 ... cS White can of course transpose<br />
to the main line, Chapters 2-4, with 14<br />
dS 0-0-0 IS 0-0 b4, but with 14 dxcS!<br />
.i.xcS IS 0-0 is a good alternative:<br />
lS ... 0-0-0 16 'ii'e2 gives White a favourable<br />
version of Line B22, while<br />
lS ... .i.xg2 16 ~xg2 'ii'c6+ 17 f3 0-0-0<br />
18 'ii'e2.i.d4 19 lDe4 lDcs 20 lDxcs<br />
'ii'xcs 21 h4 was much better for<br />
White in I.Sokolov-Djukic, Yugoslavia<br />
1991.<br />
140-0 (D)<br />
15 dxe5! ':'xd116 ':'axdl<br />
Illescas preferred to recapture with<br />
the other rook, viz. 16 ':'fxd1!:<br />
a) 16 ... .i.cS 17lDe4 .i.d4 18lDd6+<br />
~c7 19lDxf7 ':'f8 20 lDd6 .i.xeS 21<br />
.i.e3 'ii'a6 22 lDe4 .i.c8 23 .i.cs ± Vilela-Frey,<br />
Havana 1985.<br />
b) 16 ... b4 17 lDe4 cS 18 a3! (18<br />
lDd6+ ..txd6 19 ':'xd6 'ii'bS 20 .i.xb7 +<br />
'ii'xb7 21 ':'ad1 'ii'bS 22 .i.e3
MOVE-ORDERS AND VARIOUS DEVIATIONS 101<br />
was clearly better for White in Shabalov-Zamora,<br />
Philadelphia 1998.<br />
18 i.f4 c3!?<br />
Black attempts to create counterplay<br />
by activating his bishop on the<br />
a6-fl diagonal but the move has the<br />
obvious drawback that it opens lines<br />
for White against Black's own king.<br />
However, the alternative 18 .. J~h5<br />
is not much better: 19 ltd4 c5 (or<br />
19 .. Jbe5?! 20 i.xe5 'it'xe5 21 ltfd1)<br />
20 ltxc4 i.d5 (20 ... i.a6? 21 ltxc5+<br />
i.xc5 22 ltc1 ± Ermolinsky-Machulsky,<br />
USSR 1982) 21 .l:.c2 c4 22 liJd2<br />
c3 23 bxc3 bxc3 24 ltfc1 i.b4 25 liJb1<br />
i.xg2 26 ~xg2 'it'd5+ 27 f3 ±.<br />
19 bxc3 i.a6!<br />
19 ... bxc3 20 liJg5 i.a6 21 liJxf7<br />
i.xfl 22 i.xfl is very good for White.<br />
20 cxb4 i.xb4 21 a3! i.xa3 22<br />
.l:.fel i.d3! 23 liJd6+ i.xd6 24 exd6<br />
~d7 2SlteS<br />
25 .l:.al!? 'it'b6 26 i.e3 c5 27 .l:.ec1<br />
.l:.c8 28 l:.a3 i.b5 29 ltac3 ~xd6 30 h4<br />
is given by Yermolinsky and Shabalov,<br />
and looks more ambitious. I would<br />
definitely prefer White. Black cannot<br />
hold the c5-pawn and creating counterplay<br />
with ... a5 requires some preparation.<br />
Meanwhile White has walked<br />
his h-pawn closer to promotion.<br />
2S ... i.bS 26 .l:.c1 'it'a4 27 .l:.ecS<br />
White has a bind and an edge, Yermolinsky-Kaidanov,<br />
USA Ch 1993.<br />
822)<br />
14 ... cS<br />
It is important to note that if Black<br />
wishes to play the main line after 11<br />
g3, he will reach this position, i.e. after<br />
11 ... i.b7 12 i.g2 'iVb6 13 exf6 0-0-0<br />
140-0 c5. <strong>The</strong> question is now whether<br />
15 dxc5 represents a greater problem<br />
than 15 d5, which transposes to Chapters<br />
2-4.<br />
15 dxcS liJxcs<br />
15 ... i.xc5 16 'it'e2 .l:.dg8 17 i.xb7+<br />
'ii'xb7 18 liJe4 'ii'd5 19 .l:.fd1 i.d4 20<br />
ltxd4 'ii'xd4 21 ltd 1 'ii'e5 22 'ii'f3!<br />
gave White a promising attack in the<br />
game Yuferov-Timoshchenko, USSR<br />
1981.<br />
16 'iVe2 i..xg217 ~xg2 i.h6! (D)<br />
w<br />
18h4<br />
18 i.xh6 .l:.xh6 19 a4 (19 'ii'f3!?)<br />
19 ... b4 20liJe4 liJxe4 21 'ii'xe4 'ii'b7 22<br />
'ii'xb7+ 'iitxb7 23 l:ac1 l:d4 24 .l:.fd1<br />
ltxd1 25 .l:.xd1 'iitc6 leads to an unclear<br />
ending according to Tal. This is<br />
one of those endings where, despite<br />
being a pawn up, White must take<br />
great care owing to Black's queenside<br />
pawns.<br />
18 ... i..xgS 19 hxgS 'ili'c6+ 20 f3<br />
.l:.hS!
102 THE BOTVINNIK SEMI-SLAV<br />
A precise move; after, for example,<br />
20 .. J~dg8, Black would be in trouble<br />
in view of 21 l:.hl!.<br />
21 a4 b4 22 ltJb5<br />
This occurred in Timman-Tal, Hilversum<br />
KRO (2) 1988. Now 22 .. :ii'dS!<br />
23 l:.fdlltJd3 would give Black plenty<br />
of counterplay. After 24 'iVe3 Tal supplies<br />
the line 24 ... 'iVxgS! (threatening<br />
.. :ilt'xg3+!; 24 ... a6 and 24 ... l:.dh8 are<br />
both inferior) 2S 'iVe4 (2S 'it'xgS?!<br />
l:.xgS 26ltJxa7+ cj;>b7 27 ltJbS l:.gdS!<br />
+) 2S ... 'iVdS 26 l:.xd3 cxd3 and then:<br />
a) 27 l:.cl+ cj;>b8 28 'iVxb4 d2 29<br />
ltJc7+ cj;>c8! (29 .. :ii'b7 30 ltJa6+ =) 30<br />
l:.c3 'iVxf3+!! -+.<br />
b) 27 'ilt'xb4 d2 28ltJxa7+ (28 l:.a3<br />
dlltJ!! -+) 28 ... cj;>c7 29ltJbS+ cj;>b8 30<br />
ltJc3+ (30 'iVaS?! l:.d7; 30 ltJd6+?!<br />
cj;>a8) 30 ... 'ilt'b7 31 'iVxb7+ cj;>xb7 with<br />
an unclear position.<br />
823)<br />
14 ... .th6 (D)<br />
w<br />
This was once thought too slow but<br />
is now becoming quite fashionable.<br />
15 i.xh6<br />
IS .te3 ltJxf6 16 'iVf3 should be<br />
met by 16 ... i.xe3 17 fxe3 l:.h6, when<br />
White's kingside has been weakened<br />
and he cannot really use the semi-open<br />
f-file; Moran-Juarez Flores, Granma Z<br />
1987 continued 18 a4 a6 19 b3 cxb3<br />
20 l:.fbl l:.xd4!? 21 axbS? (after 21<br />
exd4 'ii'xd4+ 22 cj;>hlltJg4 23 h4 Black<br />
may not have anything more than a<br />
perpetual check) 21...l:.c4 22 bxa6<br />
l:.xc3 23 axb7+ cj;>xb7 24 cj;>hl b2 +.<br />
15 ... l:.xh6 16 ltJe4!<br />
White has several other options but<br />
this is the one that makes the best impression.<br />
White centralizes his knight,<br />
threatening ltJd6+ and 'preventing'<br />
16 ... ltJxf6 in view of the positionally<br />
desirable 17 ltJcS. Others:<br />
a) 16 a4ltJxf6 17 as 'iVxd4 18 'ilt'f3<br />
'ii'eS 19 a6 .ta8 20 l:.fdl l:.xdl+ 21<br />
l:.xdl b4 (2l...ltJdS!? - Ernst) 22ltJe2<br />
l:.h8 and Black is better, Wells-Lukacs,<br />
Budapest 1994.<br />
b) 16 'iVd2 l:.g6 17 a4ltJxf6 is unclear.<br />
c) 16 'iVcl l:.dh8 (note that this is<br />
possible, whereas against 16 'iVd2<br />
White would have 17 ltJe4 cS 18 dxcS<br />
ltJxcS 19 ltJd6+) 17 ltJe4 cS (Black<br />
wisely refrains from 17 ... l:.xh2 18<br />
ltJd6+ cj;>b8 19 ltJxb7! cj;>xb7 20 a4,<br />
when, although the position is far from<br />
clear, White has reasonable attacking<br />
chances) 18 'iVf4 l:.xh2 19 ltJd6+<br />
'ilt'xd6! 20 .txb7+
MOVE-ORDERS AND VARIOUS DEVIATIONS 103<br />
w<br />
16 ... cS (D)<br />
21 bxa7~b7 22.l:Hdl ±Beliavsky) 19<br />
a4! ttJc5 20 'it'f4 :h5 21 axb5 ± Beliavsky-Palac,<br />
Bled 1996.<br />
18 ttJd6+ ~c719 'ir'xb7+ ~xd6 20<br />
dxcS+ ttJxcS 21 :adl + ttJd3 22 'it'e4<br />
rj;e7<br />
Here I would prefer Black, if any<br />
colour, Van Wely-Piket, Wijk aan Zee<br />
blitz 1999.<br />
83)<br />
12 ... cS 13 dS (D)<br />
17 'ii'f3!?<br />
This had a storming debut, but nevertheless<br />
I think White should again<br />
turn his attention towards 17 'it'd2. In<br />
fact it is uncertain why White in the<br />
first place looked for an alternative<br />
since 17 'ir'd2 l:thh8 (17 ... l:tdh8 18<br />
dxc5 ttJxc5 19 ttJd6+ ±) 18 'ir'f4 i.xe4<br />
19 i.xe4 cxd4 20 a4! e5 21 'ir'f3<br />
'it'xf6?! 22 'ir'a3! was actually very<br />
promising for White in Lechtynsky<br />
T.Rahman, Dubai OL 1986. However,<br />
it is possible that Black can get away<br />
with 21...b4!?, and, if this does not<br />
work, 17 ... l:th5!? looks like a sensible<br />
alternative.<br />
17 ... l:txf6!<br />
Others are inferior:<br />
a) 17 ... ttJxf6? 18 dxc5 (probably<br />
18 'ir'f4 also favours White) 18 ... i.xe4,<br />
P.H.Nielsen-Ornstein, Gausdal1999,<br />
and now the simplest is 19 'ii'xe4 'ir'a6<br />
20 'ir'a8+ ~c7 21 'ir'f3.<br />
b) 17 ... i.xe4 18 'ir'xe4 cxd4 (or<br />
18 ... ttJxf6 19 dxc5 ttJxe4 20 cxb6 f5<br />
B<br />
He we discuss the relatively few deviations<br />
that have not already been examined<br />
in previous chapters en route<br />
to the main line, including 17 dxe6 instead<br />
of 17 a3.<br />
13 ... 'ir'b6<br />
For alternatives, see Chapter 5.<br />
14 i.g2 0-0-0<br />
14 ... b4 is an interesting alternative.<br />
It might transpose to the main line but<br />
independent approaches often lead to<br />
very complex play; e.g., 15 0-0 (15<br />
ttJa4 'it'd6!?) 15 ... bxc3 (15 ... 0-0-0 is<br />
probably better) 16 bxc3 'ir'c7 (the
104 THE BOTVINNIK SEMI-SLA V<br />
continuation 16 ... 0-0-0 17 .l:.b 1 is covered<br />
in Chapter 4, while 16 ... e5 leads<br />
to the same kind of problems with<br />
White dominating the hl-a8 diagonal<br />
after 17 .l:.bl 'ifa6 18 .l:hb7! 'ifxb7 19<br />
d6, although perhaps this is not that<br />
clear; Babula-Lukacs, Zalakaros 1998<br />
continued 19 ... 'ifc8 20 f4 e4! 21 .l:r.el<br />
.l:r.b8 22 ~xe4 ~d8 23 'iWd5 with a totally<br />
unclear position; White collects<br />
lots of pawns for the rook while still<br />
maintaining an attack) 17 dxe6 fxe6<br />
18 'iWbl!? 0-0-0 (18 ... ~xg2 19 'ifg6+<br />
~d8 20 ~xg2 'ifc6+ 21 f3 .l:r.b8 22<br />
.l:r.f2 gives White an edge according to<br />
Se.Ivanov) 19 ~xb7+ 'iWxb7 20 .l:r.el<br />
~h6 21 'iWxb7+ ~xb7 22 f4 with compensation,<br />
Sakaev-Se.Ivanov, Russia<br />
1995.<br />
15 0-0 b4 16 tiJa4<br />
For 16 :rbI, see Chapter 4.<br />
16 ... 'iWb5<br />
<strong>The</strong> two alternatives, 16 ... 'ifa6 and<br />
16 ... 'ifd6, were examined in Chapter 3.<br />
17 dxe6<br />
17 a3 is the Main Line (Chapter 2).<br />
<strong>The</strong> text-move is also very interesting,<br />
but there is not much new to report<br />
here since Savchenko's spectacular<br />
21.. . .l:.d4! turned the general perception<br />
in Black's favour.<br />
17 ... ~xg218 ~xg2<br />
18 e7?! is a familiar interpolation<br />
but it is not good here: 18 ... ~xfl 19<br />
exd8'if+ 'iitxd8 20 'iitxfl 'ifc6! 21 'iitgl<br />
~d6 22 f4 .l:r.e8 23 'iitf2 'iitc7 and Black<br />
was very active in Ubilava-Timoshchenko,<br />
USSR Ch 1981.<br />
18 .. :i¥c6+ 19 f3 'iWxe6 20 'iWc2<br />
Defending the second rank without<br />
weakening the kingside; the game<br />
Haba-Shabalov, Oberwart 1992 continued<br />
20 h4 ~h6 21 'ifcl ~xg5 22<br />
'ifxg5 .l:r.hg8 23 'iff4 'ifc6 24 b3 c3 and<br />
Black was better due to his reasonable<br />
attacking chances and the out-of-play<br />
knight on a4 .<br />
20 ... tiJe5 21.l:r.ael.l:.d4! (D)<br />
21...'iWh3+ probably also holds up<br />
well, but this is the most energetic.<br />
<strong>The</strong> rook serves multiple purposes<br />
from d4, including defending c4, intending<br />
to bring the queen behind it,<br />
and in some lines sacrificing itself in<br />
order to demolish White's kingside<br />
shelter.<br />
22 h4 ~d6 23 .l:.e2 (D)<br />
White logically attempts to double<br />
rooks on the e-file. Other approaches<br />
have failed:<br />
a) 23 ~e3?! is natural, but one<br />
point of Black's 21st move is revealed<br />
after 23 ... :rdxh4! 24 gxh4 .l:r.xh4 25<br />
~gl tiJd3! 26 'iWg2 ~h2+ 27 'ifxh2<br />
.l:.xh2 28 ~xh2 tiJxel 29 .l:.xel 'ifxf6
MOVE-ORDERS AND VARIOUS DEVIATIONS 105<br />
with a clear advantage for Black, Rublevsky-Savchenko,<br />
Helsinki 1992.<br />
b) 23 .l:.e4?! 'Wd5 24 'We2 (24 .1e3<br />
.l:.d3 25 .l:.el tiJxf3! is also a massacre<br />
- Burgess) 24 ... tiJxf3! 25 .l:.e8+ .l:.xe8<br />
26 'ii'xe8+ 9itc7 -+ Bareev-Oll, Moscow<br />
1992.<br />
c) 23 a3 'Wd5 24 'fif5+rj;c7 25 .l:.e2<br />
rj;c6! and if either side has a slight<br />
edge, it is Black, P.Nikolic-Shirov,<br />
Wijk aan Zee 1993.<br />
investigate 25 ... .l:.e8!?, although I do<br />
not think that Black should despair.<br />
26 .l:.e7 + .1xe7 27 .l:.xe7 + rj;c6 28<br />
'ifxd5+ .l:.xd5 29 .l:.xf7 (D)<br />
B<br />
B<br />
23 .. :ifd5 24 'fif5+ rj;c7 25 .l:.fel!?<br />
tiJd3<br />
This leads to an unbalanced, unclear<br />
position. If Black does not want to<br />
go into this kind of position, he could<br />
<strong>The</strong> position is unclear according to<br />
Shirov. White has plenty of counterplay<br />
with his dangerous f-pawn but<br />
neither should Black's c-pawns be ignored.<br />
White probably has to allow a<br />
repetition after 29 ... tiJel+ 30 9itf2<br />
tiJd3+ since 31 rj;f1 lets Black's rook<br />
penetrate after 31.. . .l:.e5, and entering<br />
the e-file is risky. Alternatively, it is<br />
very unclear what happens if Black<br />
continues 29 ... tiJxb2!? 30 tiJxb2 c3 31<br />
tiJc4 ~b5 32 tiJe3 l:t.d2+ 33 9ith3 .l:.xa2.
8 10 ... ~e7<br />
1 d4 dS 2 c4 c6 3 tLlf3 tLlf6 4 tLlc3 e6 S<br />
i.gS dxc4 6 e4 bS 7 eS h6 8 i.h4 gS 9<br />
tLlxgS hxgSl0 i.xgS i.e7 (D)<br />
sideline. First, from the diagram above<br />
White continues 11 exf6 i.xf6 and<br />
then there is the choice between 12<br />
i.xf6 and 12 i.e3. <strong>The</strong>re are pros and<br />
cons for both moves but some theoretical<br />
works regard 12 i.e3 as the strongest.<br />
After 12 i.xf6 'ii'xf6 (D) we have<br />
the following position:<br />
w<br />
10 ... i.e7 has always had a rather<br />
dubious reputation, except for a short<br />
period in the mid-1980s after Smyslov<br />
used it to draw against Kasparov in<br />
their 1984 Candidates match.<br />
This is the only line where Black<br />
does not play the <strong>Botvinnik</strong> in gambit<br />
style, but his queenside structure is<br />
shaky and mainly due to this and the<br />
dark-squared weaknesses White has<br />
good chances, albeit probably somewhat<br />
overestimated, of coming out of<br />
the opening with an advantage.<br />
Strategy for White and Black<br />
Let us first briefly discuss the ideas for<br />
both sides in this nowadays quite rare<br />
<strong>The</strong> general rule when one side has a<br />
weak colour complex (as here, where<br />
Black is very weak on the dark squares)<br />
is that the other side should pursue an<br />
exchange of the bishops of the same<br />
colour to emphasize this weakness.<br />
Keeping that in mind, exchanging<br />
bishops on f6 is apparently the most<br />
logical, but other factors are also important.<br />
By parting with the darksquared<br />
bishop White is also giving up
lO ... j.e7 107<br />
his own best defender of the weak<br />
d4-pawn, and often Black attempts to<br />
exploit this by the rook-lift .. J:th4, attacking<br />
the pawn. To be even more<br />
optimistic it would be nice if Black got<br />
a chance to throw the knight forward<br />
with ... lDa6-b4.<br />
To counter this, White can prevent<br />
the rook from coming forward by<br />
playing 13 g3, which simultaneously<br />
prepares a kings ide fianchetto. <strong>The</strong><br />
other, more direct, continuation is 13<br />
a4, which allows Black to win the d4-<br />
pawn by 13 .. .l:th4, but in the meantime<br />
Black's queenside pawns are<br />
destroyed. <strong>The</strong> tactics occurring after<br />
this are of great importance to the<br />
10 ... ~e7 system. If Black cannot hold<br />
this, the whole system can be finally<br />
buried.<br />
It is usually White's king that is the<br />
safer but dangers are luring all the<br />
time. One of my favourite tricks occurred<br />
in the following position:<br />
White now decided to move his king<br />
away from the threatened ... lDd3+ and<br />
into safety with 20 O·O?? - at least that<br />
is what he thought. After 20 ... 'ii'h6!<br />
White resigned. He must have realized<br />
that 21 h4 is simply answered by<br />
21...Wxh4!, and there is no clever way<br />
to escape. In the diagram White should<br />
play 20 lha7+ ~b6 21 Wa4 but Black<br />
has a perpetual after 21...lDd3+ 22<br />
~d2 Wxf2+ 23 ~c3 Wxb2+ 24 ~xc4<br />
l:tc8+ 25 ~xd3 e4+ 26 'iite3 .l:f.c3+ 27<br />
lDxc3 'it'xc3+ 28 ~xe4 f5+ 29 ~f4<br />
'it'd2+ and there is no way out of the<br />
checks. Ehlvest-Ivanchuk, USSR 1986<br />
was agreed drawn in this position.<br />
White's other main continuation,<br />
12 ~e3 (D), is less well investigated.<br />
B<br />
Eingorn - Ivanovic<br />
Bor1986<br />
It feels slightly strange that White's<br />
best move might be to retreat the<br />
bishop, but it is much more difficult<br />
for Black to create counterplay when<br />
the d4-pawn is no real target. Ideally,<br />
White would like to play a4 attacking<br />
the queenside, which is the standard
108 THE B01VINNIK SEMI-SlAV<br />
idea in such positions. Combined with<br />
a kingside fianchetto this would be<br />
highly unpleasant since Black is behind<br />
in development. But since Black<br />
moves first, he can of course prevent<br />
the fianchetto with 12 ... .i.b7, as he is<br />
then ready to play ... c5 should White<br />
open the diagonal (with g3). Castling<br />
kingside seems to be running into an<br />
attack, so if White is not keen on leaving<br />
his king in the centre he should<br />
probably refrain from playing a4 and<br />
instead attempt to castle queenside.<br />
Black's strategy is not that easy to<br />
point out since there is no obvious<br />
plan. If White promised to leave Black<br />
in peace, then the moves would be<br />
something like ... .i.b7, ... tDa6, ... 'ike7<br />
and ... 0-0-0. Unfortunately, White is<br />
unlikely to be so cooperative, and he<br />
can quickly generate pressure with<br />
'ikf3 and tDe4. Hence, the best shot for<br />
Black seems to be quick action such as<br />
an ... eS break or insisting on the exchange<br />
of the dark-squared bishops by<br />
playing ... .i.gS. However, these ideas<br />
really need a few outings and it is not<br />
quite clear when exactly is the best<br />
time to implement them.<br />
Quick Summary<br />
After 1O ... .i.e7 11 exf6 .i.xf6 White<br />
has an important strategic decision to<br />
make: whether to exchange the darksquared<br />
bishops with 12 .i.xf6 (Line<br />
A) or to retreat the bishop with 12 .i.e3<br />
(Line B).<br />
Line B is generally considered the<br />
main line but in my opinion Black's<br />
chances have been somewhat underestimated<br />
in the whole 1O ....i.e7 system.<br />
In the main line after 12 .i.e3, Black<br />
has done best with 12 ....i.b7 13 'ikf3!?<br />
.i.e7, but it is probably worth taking a<br />
closer look at the untested 12 ... eS!?<br />
In Line A, after 12 .i.xf6 'ifxf6,<br />
White's most direct line is 13 a4!?<br />
(Line AI), but in view of 17 .. .'~f8!,<br />
which is neglected by some sources,<br />
White should probably choose the<br />
calmer 13 g3 (Line A2). But also here<br />
I think White's chances are largely<br />
overestimated. In particular I think the<br />
position after 17 .. .'~b8 is worth a<br />
closer look.<br />
<strong>The</strong> <strong>The</strong>ory of lO ... .te7<br />
1 d4 d5 2 c4 c6 3 tDf3 tDf6 4 tDc3 e6 5<br />
.i.g5 dxc4 6 e4 b5 7 e5 h6 8 .i.h4 g5 9<br />
tDxg5 hxg5 10 .i.xg5 .i.e7 11 exf6<br />
.i.xf6 (D)<br />
Now:<br />
A: 12 .i.xf6 109<br />
B: 12.i.e3 113
JO ... .i.e7 109<br />
A)<br />
12 .txf6 'iVxf6<br />
Now:<br />
AI: 13 a4 109<br />
A2: 13 g3 110<br />
Other moves:<br />
a) 13 .te2:h4 14 .tg4 just seems<br />
wrong somehow, but it is not that easy<br />
to find a good move for Black, while<br />
14 .tD? I:txd4 15 'iVe2 is certainly unsound,<br />
Bruin-Calinescu, Groningen jr<br />
Ech 1986.<br />
b) 13 'iVd2 (preparing to reinforce<br />
the d-pawn and intending to take control<br />
of the dark squares) 13 ... ttJa6 14<br />
a4 (14 ttJe4 "ike7 15 g3 makes more<br />
sense but is surely not an improved<br />
version of Line A2) 14 ...:h4 15 axb5<br />
:xd4 16 "ike3 ttJb4 =+= Wells-Flear,<br />
British Ch (Edinburgh) 1985.<br />
AI)<br />
13a4<br />
This has been widely regarded as<br />
the most critical approach. In view of<br />
his queenside majority and White's<br />
weak d-pawn, Black will usually have<br />
the better long-term chances since it is<br />
more difficult for White to push the<br />
h-pawn. Hence it makes sense to complicate<br />
things straight away, also since<br />
White is slightly better developed.<br />
13 ... l:th4 (D)<br />
13 ... b4 is inferior. <strong>The</strong>re has to be a<br />
very good reason for playing ... b4<br />
since the c4-pawn will be almost impossible<br />
to defend afterwards. 14 ttJe4<br />
'iif4 15 'iVg4! (15 'iif3 'iixD 16 gxf3<br />
We7 17 .txc4 a5 18 h4 ttJd7 gives<br />
Black some sort of compensation)<br />
15 ... 'iVxg4 16 ttJf6+ We7 17 ttJxg4<br />
:d8 18 :dl .ta6 (18 ... c3 19 bxc3<br />
bxc3 20 ttJe3 gives White a clear advantage)<br />
19 ttJe5 c5 20 dxc5 :d5 21<br />
ttJxc4 :xc5 22 ttJe3 .txfl 23 Wxfl<br />
ttJd7 24 We2 and Black does not have<br />
sufficient compensation for the pawn,<br />
Schroeder-V.Ivanov, COIT. 1989.<br />
14 axb5<br />
In the rnid-1980s, when this line was<br />
popular, attention switched briefly to<br />
14 g4!?, but even though it was initially<br />
rated very highly (starting with<br />
Dreev's '!!' in Informator) it was soon<br />
found out that White has to look elsewhere<br />
for an advantage. Black has<br />
several interesting ideas:<br />
a) 14 ... 'iif4!?<br />
b) 14 ... b4 15 ttJe4 "ikf4 16 .tg2 and<br />
now 16 ... ttJd7 17 h3 .ta6 18 'iicl<br />
'iVxc 1 + 19 :xc 1 was very good for<br />
White in Novikov-Dreev, Tallinn 1986,<br />
but there may be a case for looking at<br />
the provocative 16 .. .f5 !?
110 THE BOTVINNIK SEMI-SLAV<br />
c) 14 ... 'it'g7! ISh3eSl6.Jtg2exd4<br />
17ltJxbS cxbS 18 .Jtxa8 b4 and Black<br />
has good compensation, Dzhandzhgava-Ivanchuk,<br />
Lvov 1987; the rest of<br />
the game was entertaining: 19 'it'e2+<br />
.Jte6 20 .JtdS d3 21 'it'e4 d2+ 22 'iti>e2<br />
'it'xb2 23 lIadl c3 24 .Jtxe6 fxe6 2S<br />
'it'xe6+ 'iti>d8 26 'it'f6+ 'iti>c8 27 'it'xh4<br />
c2 28 lIxd2 'iVeS+ 29 'iti>f3 'iVc3+ 30<br />
~e2 'it'eS+ lh-1f2.<br />
14 ... lIxd4 15 'it'f3!?<br />
This is the improvement that revived<br />
14 axbS but it is far from clear<br />
whether it promises anything at all.<br />
IS 'it'hS .Jtb7 16 .Jte2ltJd7 17 'iVf3<br />
'it'xf3 18 .Jtxf3 ltJeS 19 .Jte4 lId7 20<br />
bxc6 .Jtxc6 21 0-0 .Jtxe4 22 ltJxe4<br />
'iti>e7 was fine for Black in Sturua<br />
Dreev, Lvov 1985.<br />
15 ... 'it'xf3<br />
It is not worth avoiding the queen<br />
exchange.<br />
16 gxf3 .Jtb717 J:.gl (D)<br />
B<br />
17 .•. 'iti>f8!<br />
White enjoys a slight initiative but<br />
it is fairly clear that if Black gets time<br />
to complete his development and coordinate<br />
his pieces, he will not be<br />
worse. White's passed h-pawn is only<br />
a candidate to become strong. Here,<br />
where it is still on its initial square, it is<br />
no real worry. Hence, Black's problems<br />
increase if White is allowed to<br />
maintain his initiative, as he is after<br />
17 ... ltJd7 18 lIg8+ ltJf8 19 bxc6 .Jtxc6<br />
20 lIg4 lIad8 21 .Jte2, when White is<br />
better according to Magerramov.<br />
18lIg4<br />
18 lIa4 ltJd7 19 lIxc4 ':'xc4 20<br />
.Jtxc4 ltJeS 21 .Jte2 cxbS 22 f4 ltJf3+<br />
23 .Jtxf3 .Jtxf3 is fine for Black.<br />
18 ... c5 19 ltJe4 a6!<br />
19 ... ltJd7?! 20 ltJxcS! ltJxcS 21<br />
J:.xd4 ltJb3 22 l:.d7 ltJxal 23 lIxb7<br />
gives White a clear advantage.<br />
20 b6 .Jtxe4! 21 fxe4ltJd7 22l:.h4<br />
'iti>e7 23 f3 ltJxb6<br />
Black is slightly better, Yuferov<br />
Kula, Katowice 1992.<br />
A2}<br />
13g3<br />
This is a good positional move,<br />
which serves both to prepare the fianchetto<br />
and to prevent ... l:th4 but it<br />
lacks the directness of 13 a4.<br />
13 ... .Jtb7 14 .Jtg2ltJa6 (D)<br />
15ltJe4<br />
This is probably the most promising<br />
continuation; White's strong centralized<br />
knight on e4 will fix its<br />
counterpart to the not very agreeable<br />
post on a6 (since otherwise the white<br />
knight would just jump into the cSsquare).<br />
Others:
JO ... iJ.e7 111<br />
a) 150-00-0-016 a4 l:.xd4 17 'iie2<br />
b4 18 lbe4 'it'e5 19 l:.adl l:.hd8 20<br />
l:.xd4 'iWxd4 21 lbg5 l:.d7 + Tunik<br />
Dreev, USSR 1985.<br />
b) 15 a4 and now:<br />
bl) 15 ... b4 16 lbe4 'it'e7 17 'it'e2<br />
O-O-O!? (17 ... f5 18 lbc5 lbxc5 19 dxc5<br />
'iWxc5 20 'iWxe6+ 'fie7 21 'fixe7+ rt;xe7<br />
22 0-0 ± Ross-Schiller, Pan American<br />
1986) 18 'ir'xc4 e5 19 dxe5 'iWxe5 20<br />
0-0 l:ld4 21 'it'c2 c5 22 l:.fel 'it>b8 23<br />
h4 'ir'd5 24 i.f3 'fif5 25 l:.e3 l:lhd8 is<br />
unclear, Ribli-Fahnenschmidt, Bundesliga<br />
1985/6.<br />
b2) 15 ... 0-0-0 16 axb5 cxb5 (Polugaevsky<br />
also considered 16 ... l:.xd4,<br />
when 17 'iWf3 'it'xf3 18 i.xf3 cxb5 19<br />
i.xb7+ ~xb7 20 lbxb5 %:te4+ 21 'it>f1<br />
%:td8 is equal, but White might try 17<br />
bxa6!? l:.xdl+ 18lbxdl i.a8 190-0<br />
followed by lbe3; this is of course<br />
risky but perhaps promising as it is not<br />
so easy for Black to wake up the sleeping<br />
bishop on a8) 17 i.xb7+ ~xb7 18<br />
lbxb5 with a further divide:<br />
b21) 18 ... 'fif5?! 19 'fia4! 'fie4+ 20<br />
rt;d2 'ir'c6 21 b3 leads to a distinct<br />
advantage for White, Polugaevsky<br />
Flear, London 1986.<br />
b22) 18 ... lbb4 190-0 lbc6 20 'fie2<br />
± Babula-Vavra, Czech Extraleague<br />
1998/9.<br />
b23) 18 ... e5 19 d5 and then:<br />
b231) 19 ... lbc5 has the point that<br />
a4 is not accessible to White's queen<br />
but then another route to near Black's<br />
king is available: 20 l:.xa7+ ~b6 21<br />
'ir'd2! lbd3+ 22 ~f1 (22 ~dl? 'it'f3+<br />
23 ~c2 'it'xf2 was rather embarrassing<br />
for White in Kirilov-Nei, Tallinn tt<br />
1986; White inevitably loses a piece<br />
and there is no perpetual afterwards,<br />
so White took the fastest course to end<br />
the game and resigned) 22 ... 'it'xf2+ 23<br />
'iWxf2+ lbxf2 24 ~xf2 'it>xb5 25 %:txf7<br />
and White is better even though it is<br />
not clear that it is enough to win the<br />
game.<br />
b232) 19 ... lbb4 20 l:.xa7+ (20 O-O??<br />
'fih6! and White resigned in view of<br />
21 h4 'fi xh4! in Eingorn-I vanovic, Bor<br />
1986) 20 ... 'it>b6 21 'fia4lbd3+ 22 'it>d2<br />
'fixf2+ 23 ~c3 'fixb2+ 24 ~xc4 l:lc8+<br />
25 'it>xd3 e4+ 26 ~e3 l:.c3+ 27 lbxc3<br />
'fixc3+ 28 'it>xe4 f5+ 29 'it>f4 'it'd2+<br />
Ih-1f2 Ehlvest-Ivanchuk, Minsk 1986. I<br />
can imagine there is a perpetual.<br />
c) 15lbxb5 with a further branch:<br />
cl) 15 ... cxb5!? (playing 15 lbxb5<br />
one does not really expect this to work<br />
but it is not so clear) 16 i.xb7 lbb4 17<br />
0-0 (17 i.xa8lbd3+ 18 ~d2 'it'xd4 is<br />
probably just a draw) 17 ... %:td818 'it'd2<br />
lbd3 19 i.c6+ ~e7 20 i.xb5 %:tdg8,<br />
intending ... 'fih4, is actually very dangerous<br />
for White and led to quick win
112 THE BOTVINNIK SEMI-SLAV<br />
for Black in Danilov-Ignatescu, Romanian<br />
Ch 1992.<br />
c2) 15 ... 0-0-0 and then:<br />
c21) 16li:Jxa7+?! cj;b8 17li:Jxc6+<br />
i.xc6 18 i.xc6li:Jb4 19 i.f3li:Jc2+ 20<br />
'ti'xc2 'ti'xf3 21 :gl :xd4 + Grivas<br />
Toshkov, Iraklion 1985.<br />
c22) 16li:Ja3 l:xd4 17 'ti'e2li:Jb4 18<br />
0-0 i.a6 19 'ti'f3 'ti'xf3 20 i.xf3 :d2<br />
and Black has excellent counterplay to<br />
compensate for his numerous pawn<br />
weaknesses, Uhlmann-Gauglitz, Dresden<br />
1985.<br />
c23) 16 'ii'a4 cxb5 17 i.xb7+ 'iitxb7<br />
18 'ii'xb5+ 'iita8 19 'ii'c6+ cj;b8 20<br />
'ti'b5+ ~a8 21 'ii'c6+ 'iitb8 22 'ii'b5+<br />
112_112 Novikov-Khuzman, Kuibyshev<br />
1986.<br />
15 ... 'iIi'e7 160-00-0-017 a4<br />
In order to free this knight for other<br />
activities, Black has to expel the e4-<br />
knight with ... f5 one way or another.<br />
17 ..• ~b8!?<br />
Kasparov labels this with a question<br />
mark in lnformator 37 and although<br />
Smyslov did not have the<br />
courage to repeat the line, I think the<br />
criticism is too harsh.<br />
Black has also tried the immediate<br />
17 ... f5: 18 li:Jc3 (18 axb5 cxb5 19<br />
':'xa6 i.xa6 20 li:Jc5 'ii'xc5! 21 dxc5<br />
':'xd1 22 :xd1 and now 22 ... b4! is unclear<br />
according to Kasparov, but not<br />
22 ... .:.d8? 23 ':'a1 i.b7 24 c6 i.a8 25<br />
c7! winning, Altyzer-Lautner, Zurich<br />
1987) 18 ... b4 (18 ... e5 19 axb5 cxb5 20<br />
li:Jxb5 i.xg2 21 :xa6! gave White a<br />
strong attack in Vidoniak-Nedobora,<br />
Lvov 1992) 19li:Je2 c5 20 'ii'c2 i.xg2<br />
21 cj;xg2 'ili'b7+ 22 f3 ;j; Ruban-S.lvanov,<br />
USSR 1985.<br />
18 'ili'd2 (D)<br />
B<br />
Now:<br />
a) 18 ... li:Jb4 19 :fd1! e5 20 li:Jc5<br />
li:Jd3 (20 ... a5!? - Paunovic) 21 axb5!<br />
li:Jxc5 22 'ti'aS ':'xd4 23 bxc6 ± Paunovic-Flear,<br />
Geneva 1986.<br />
b) 18 ... b4 19 l:ac1 f5 20 li:Jg5 e5<br />
21 :xc4 c5 22 i.xb7 'ti'xb7 23 'ii'e3!<br />
exd4 24 'ti'e5+ cj;a8, Kasparov-Smysloy,<br />
Vilnius Ct (5) 1984, and now the<br />
simple 25 'ii'xf5 gives White a large<br />
advantage according to Kasparov.<br />
c) 18 ... f5?! 19 li:Jg5 e5 20 ':'fe1<br />
'ti'f6 21 axb5 cxb5 22 i.xb7 ~xb7 23<br />
'ii'aS ± Kasparov.<br />
d) We have seen the ... e5 idea,<br />
which obviously must be part of<br />
Black's idea with ... 'it?b8, carried out<br />
in a few of the above lines, but why<br />
has it always been prefaced by ... f5?<br />
<strong>The</strong> immediate 18 ... e5! looks much<br />
stronger. 19 'ti'g5 (19 'ili'aS is perhaps<br />
the reason why Smyslov decided to<br />
close the queens ide with 18 ... b4 but
lO ... J..e7 113<br />
19 .. Jhd4 20 axb5 cxb5 does not look<br />
that clear) 19 ... 'ii'xg5 (19 ... f6!? is also<br />
possible, and probably a safer choice)<br />
20 llJxg5 exd4 (20 .. .lhd4 21 llJxf7<br />
ne8 22 nfel gives White a clear advantage)<br />
21 axb5 cxb5 22llJxf7 .i.xg2<br />
23 ~xg2 llJc5 is unclear. <strong>The</strong> black<br />
pawns are extremely dangerous and<br />
for the moment a lot closer to their<br />
goal than White's kingside phalanx.<br />
<strong>The</strong> reader is invited to analyse this<br />
even further.<br />
B)<br />
12 .i.e3 (D)<br />
12 ... .i.h7<br />
Other options are:<br />
a) <strong>The</strong> exchange sacrifice 12 ... nh4<br />
13 g3 nxd4 14 .i.xd4 'ii'xd4 would<br />
perhaps be just about OK if White<br />
were forced to exchange queens, but<br />
15 'ii'e2! is strong, and after 15 ... llJd7<br />
16 ndl, Black evidently does not have<br />
enough.<br />
b) 12 ... .i.g5?! 13 g3 .i.b7 14 .i.g2<br />
.i.xe3 15 fxe3 'ii'c7 16 'ii'f3 a6 17 0-0<br />
nf8 18 a4 ± T.Georgadze-Landero,<br />
Seville 1985.<br />
c) 12 ... llJa6 13 a4 (13 g3 llJb4!)<br />
13 ... llJc7 and then:<br />
c1) 14 .i.e2llJd5 15 axb5llJxe3 16<br />
fxe3 .lth4+ 17 ~f1 'ii' g5 with compensation<br />
- Levitt.<br />
c2) 14 g3 c5! (14 ... llJd5 15 .ltg2 b4<br />
16llJe4.i.e7 170-0 f5 18 llJc5 .ltxc5<br />
19 dxc5 e5 20 nel ± Kolev-Haugli,<br />
Moscow OL 1994) 15 dxc5 (15 .i.g2<br />
cxd4 16llJxb5 dxe3! 17llJxc7+ 'ii'xc7<br />
18 .i.xa8 .ltxb2 gives Black excellent<br />
play according to Levitt) 15 ... .ltb7 16<br />
ngl b4 17llJb5! with an unclear position,<br />
Levitt-Landero, Seville 1989.<br />
c3) 14 'ii'f3 .i.d7 15 axb5 cxb5 16<br />
.i.f4 nc8 17llJe4llJd5 18llJd6+ ~e7<br />
19 llJxc8+ 'ii'xc8 20 .i.e2 and Black<br />
does not have sufficient compensation,<br />
Sch6n-Polajzer, Biel 1990.<br />
d) 12 ... e5!? was for a while my<br />
best attempt to resurrect this line for<br />
Black. If Black could exchange the e<br />
pawn for White's d-pawn he would<br />
have a strong queens ide majority, and<br />
the outcome would basically be very<br />
unclear. Another factor is that Black's<br />
bishops are stronger than their white<br />
counterparts and exert pressure against<br />
White's queenside. <strong>The</strong>refore White<br />
must play 13 d5 .i.b7 (13 ... cxd5 14<br />
'ii'xd5 'ii'xd5 15llJxd5 .i.d8 16 a4.i.b7<br />
17llJc3 ±) 14 d6 and now we have:<br />
dl) 14 ... 'ii'a5 15 a4 'ii'b4 16 'ii'f3!<br />
'ii'xb2 17 nclllJd7 18 axb5 +-.<br />
d2) 14 ... llJd7 15 a4 b4 16llJe4 c5<br />
17 llJxc5 llJxc5 18 .ltxc5 and White<br />
should win.
114 THE BOTVINNIK SEMI-SlAV<br />
d3) 14 ... .llg5!? is probably best. It<br />
looks terribly risky but I do not see<br />
anything completely clear: 15 .llxg5<br />
(15 d7+ is enticing but 15 ... liJxd7 16<br />
.llxg5 'iVxg5 17 liJe4 'iVd8 18 liJd6+<br />
1O ... i.e7 115<br />
13 ... .te7 (D)<br />
13 ... .txd4 140-0-0 .txe3+ (14 ... e5?<br />
15 tZJxb5 .txe3+ 16 fxe3 'fIIe7 17<br />
tZJd6+ +-) 15 fxe3 'ilie7 16 tZJe4 ~f8<br />
17 tZJc5! 'fIIxc5 (17 ... .tc8 18 .te2 does<br />
not really solve any of Black's problems)<br />
18 l:td8+ ~e7 19 l:txh8 was very<br />
good for White in Demirel-Fridman,<br />
Sas van Gent jr Ech 1992, but only<br />
since White can escape the checks after<br />
19 ... c3 20 l:th7 cxb2+ 21 ~xb2<br />
'fIIb4+ 22 ~c2 'fIIa4+ 23 ~cl 'fIIa3+ 24<br />
~dl 'ilia4+ 25 ~el 'ilib4+ 26 ~f2<br />
'fIIb2+ 27 .te2, etc. <strong>The</strong> game continuation<br />
did not bring any consolation either:<br />
19 ... tZJd7 20 l:txa8 .txa8 21 .te2<br />
tZJe5 (2L.c3 22 'ilif4 cxb2+ 23 ~xb2<br />
± Atalik and Demirel) 22 'ilie4 tZJd3+<br />
23 ~bl f5 24 'fIIh4+ cJi>d7 25 'fIIh7+<br />
'fIIe7 26 'fIIh8 and White was winning.<br />
14g3<br />
<strong>The</strong> critical continuation has to be<br />
14 tZJxb5!? 'ilib6 (14 ... cxb5 15 'ilixb7<br />
'ilid5 16 'fIIxd5 exd5 17 .te2 tZJc6 18<br />
0-0-0 is better for White) 15 tZJc3<br />
'fIIxb2 16 l:cl. White is ready to meet<br />
16 ... c5 with 17 d5, so Black might try<br />
16 ... tZJd7 with the idea 17 .txc4 c5 18<br />
d5 tZJe5 19 .tb5+ 'ii'xb5 20 tZJxb5<br />
tZJxf3+ 21 gxf3 l:td8 22 .txc5 .txc5 23<br />
w<br />
l:txc5 .ixd5 24 tZJc7+ ~e7 25 tZJxd5+<br />
1'hd5 and the rook ending is a draw. I<br />
admit this is not entirely forced and it<br />
is possible that White can improve<br />
somewhere along the way but it seems<br />
to flow rather nicely, though.<br />
14 ... tZJa6<br />
14 ... tZJd7!? 15 .tg2 b4 also comes<br />
into consideration.<br />
15 .tg2 l:tb8!?<br />
15 ... tZJb4 160-0 tZJd5 17 tZJe4, intending<br />
tZJc5, gives White an edge.<br />
160-0 c5 17 'ii'g4 .txg2 18 ~xg2<br />
b4 19 tZJe2 'ii'd5+ 20 cJi>gl .tf6 21<br />
ltfdl 'iit'h5 22 'iit'xh5 l:xh5 23 l:ac1<br />
At this point a draw was agreed in<br />
W.Schmidt-Hracek, Poznan 1987. I<br />
would rather be White.
9 Alatortsev's 9 ... ctJdS?!<br />
1 d4 d5 2 c4 c6 3 lbf3lbf6 4lbc3 e6 5<br />
i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9<br />
lbxg5lbd5?! (D)<br />
w<br />
1 have for a long time felt that theory<br />
was too pessimistic of 9 ... lbd5,<br />
and this is one of those quite rare lines<br />
that 1 have truly wanted to work for<br />
Black. It is one of those fascinating,<br />
romantic, sacrificial options that 1 tend<br />
to get a special feeling for. 1 hope that<br />
it has not affected my objectivity, but 1<br />
must admit that the number of pages is<br />
quite large in relation to its popularity.<br />
White basically has two options.<br />
He can either retreat the knight to f3,<br />
or he can jump right into it and accept<br />
the sacrifice by 10 lbxf7 'ii'xh4 11<br />
lbxh8. While in the first case 1 believe<br />
Black has already won a moral victory<br />
(and 1 believe that there is nothing<br />
special to fear here), 10 lbxf7 seems to<br />
cause a much greater threat to the entire<br />
system, and to be honest 1 feel that<br />
Black may simply be lost in this line!<br />
White does not accept the sacrifice<br />
1 admit White has succeeded in damaging<br />
Black's kingside substantially<br />
when he decides simply to come back<br />
with the knight to f3, but it has given<br />
Black great activity, and the only (I<br />
have to agree, it is quite a big one)<br />
problem is that it is not possible to castle<br />
queenside. However, it is possible<br />
to generate short-term pressure without<br />
the rook on a8, and in my opinion,<br />
with correct play, it is enough to disturb<br />
White in building up an attack.<br />
w<br />
Campos Moreno - Vera<br />
Hospitalet 1988
ALATORTSEV'S 9 . ..lijd5?! 117<br />
Black has just played 14 ... c6-cS,<br />
opening up the position for his bishop<br />
on b7. White also has some problems<br />
due to the pinned knight on c3. In the<br />
game, White decided to solve this immediately<br />
with a pawn sacrifice ...<br />
15 a3 .ixe3 16 bxe3 'iixa3 17 dxe5<br />
White establishes a strong square<br />
for the knight on d4.<br />
17 ... 'iixe5<br />
17 ... ttJxcS!? is also possible and<br />
might even be stronger.<br />
18 ttJd4 ttJxe5 19 .ih5 l:.g8! 20<br />
l:.fel!<br />
Now 20 ttJxe6? fails in view of<br />
20 ... l:.xg2+!.<br />
20 ... ttJe7!? 21.ig3 'iid5 22 f3<br />
Black should now have played<br />
22 ... ttJSg6! with a very unclear position.<br />
White accepts the sacrifice<br />
I think that White should generally be<br />
trying to castle kingside, but it depends<br />
on which of the 12th move options<br />
he chooses (after 10 ttJxf7 'ti'xh4<br />
11 ttJxh8 .ib4). A rule of thumb is that<br />
if White plays 12 'ti'd2, he should be<br />
castling queenside, while if White<br />
plays 12 l:.cl it is self-evident that<br />
White must castle kingside, or even<br />
leave the king in the centre. <strong>The</strong> following<br />
diagram is an example of what<br />
White should not do:<br />
White should now take the opportunity<br />
to castle queens ide but instead<br />
played 14 .ie2?! with the intention of<br />
hiding the monarch on the kingside.<br />
<strong>The</strong>re followed 14 ... ttJxe5 150-0 (IS<br />
w<br />
S. Gillam - Botterill<br />
England 1979<br />
0-0-0 would still be better) 15 ... .ib7<br />
16 a3 .ixe3 17 bxe3 and now Black<br />
could have obtained a menacing attack<br />
with 17 ... ttJf4; e.g., 18 l:.fel 'ii'gS<br />
19 .ihS+ ~f8 20 'ii'd6+? ~g8 and<br />
Black wins - Botterill.<br />
B<br />
P.H. Nielsen - Sveshnikov<br />
Kemerovo 1995<br />
White has just castled kingside, and<br />
although his king does not look totally
lI8<br />
THE BOTVINNIK SEMI-SU V<br />
safe with the enemy queen hovering<br />
nearby and moves like ... .Jtb7 and<br />
... .Jtf4 on Black's agenda, it is in reality<br />
safer than its opposite number.<br />
White threatens liJxbS, and sometimes<br />
i.hS+ is annoying. Black's greatest<br />
problem, however, is that after liJxbS<br />
the c4-pawn becomes sensitive, and<br />
falls if Black cannot maintain the<br />
knight on eS. In fact, this is just what<br />
happened in the game: 15 ... .Jtb7<br />
(lS ... i.xc3 16 :'xc3! has proved good<br />
for White) 16 liJxb5! .Jtxc5 17 liJg6!!<br />
(deflecting the black knight from eS)<br />
17 ... liJxg6 18 :'xc4 liJdf4 19 l:f.xc5<br />
l:f.d8 20 liJd6+ :'xd6 21 .Jtb5+ rt;f7 22<br />
'ii'xd6 and White won in a few more<br />
moves.<br />
Quick Summary<br />
White has an immediate choice between<br />
10 liJf3 (Line A) and 10 liJxf7!<br />
(Line B). While 10 liJf3 avoids the<br />
great complications arising from accepting<br />
the sacrifice, I very much trust<br />
Black's prospects in this line. Unfortunately,<br />
this does not apply to 10<br />
liJxf7!, which, despite how much I<br />
want it to work for Black, I think is extremely<br />
good for White. <strong>The</strong> correct<br />
line is, after 1O ... 'ii'xh4 11 liJxh8 .Jtb4,<br />
12 :'c1! (Line B2). 12 ... 'ii'e4+? has<br />
been refuted and the attempt to rehabilitate<br />
the line with 12 ... cS 13 dxcS<br />
'ifgS does not look very promising due<br />
to 14 .Jte2 .Jtb7 IS .JthS+! ~f8 16<br />
liJf7! 'ii'xg2 17 .Jtf3 'ifg7 18 liJd8!. 12<br />
a3 is an interesting alternative, which<br />
looks promising.<br />
<strong>The</strong> <strong>The</strong>ory of Alatortsev's<br />
9 ... ttJd5<br />
1 d4 d5 2 c4 c6 3 liJf3 liJf6 4 liJc3 e6 5<br />
i.g5 dxc4 6 e4 b5 7 e5 h6 8 .Jth4 g5 9<br />
tLJxg5 liJd5?!<br />
Now:<br />
A: 10 liJf3 118<br />
B: 10 liJxf7! 120<br />
A)<br />
10 liJf3<br />
White actually scores better with<br />
this quiet move than with 10 liJxf7.<br />
However, I think that Black has less to<br />
fear here, and, perhaps more importantly,<br />
Black can already claim a<br />
moral victory in that White does not<br />
dare to enter the complications after<br />
10 liJxf7.<br />
10 ... 'i*'aS 11 :'cl<br />
11 'iWd2 allows 11...b4!? 12 liJxdS<br />
(12 liJe4 .Jta6 is also satisfactory for<br />
Black) 12 ... cxdS 13 .Jte2, as played in<br />
Flohr-Stahlberg, Zurich 1934, and<br />
now 13 ... .Jta6100ks fine for Black.<br />
11 ... .Jtb4 12 'iVd2 liJd7 13 .Jte2 ( D)<br />
B
ALATORTSEV'S 9.JiJd5?! 119<br />
13 ... ..th7<br />
Black prepares ... c5, which not only<br />
attempts to undermine White's centre<br />
but also gives the bishop excellent<br />
scope on the long diagonal and gets rid<br />
of the doubled c-pawns. <strong>The</strong>re are a<br />
couple of more direct attempts aimed<br />
at White's queens ide, but they both<br />
fail, mainly due to Black's poor development:<br />
a) 13...lDxc3?! 14 bxc3..ta3 15 =tc2<br />
b4 16 ..txc4 lDb6, Uhlmann-Nikolic,<br />
Sarajevo 1980, and now White could<br />
have got a substantial advantage with<br />
17'iVf4, with the point 17 ... lDxc4 18<br />
'it'f60-0 19'iVxh6 +- (Uhlmann).<br />
b) 13 ... lD7b6 14 0-0 (a key move<br />
when Black runs his knight to the<br />
queenside like this is ..tf6, and here<br />
even 14 ..tf6 lDxf6 15 exf6 might<br />
promise White an edge, but I would<br />
still prefer to wait) and now:<br />
bl) 14 ... ..txc3 15 bxc3 lDa4 16<br />
..tf6! (here it is!) 16 ... =tg8 17 'iVxh6<br />
lDaxc3 18 ':c2 ..tb7 19lDg5lDxf6 20<br />
'iVxf6 (20 lDxf7!?) 20 ... lDxe2+ 21<br />
':xe2 'iVc7 22 f4 with a strong attack,<br />
Bukic-Nikolic, Banja Luka 1981.<br />
b2) 14 ... lDa4 15 ..tf6 =tg8 16'iVxh6<br />
..txc3 17 'ir'h7!? 1:;[[8 18 bxc3lDaxc3<br />
and now 19 ..tdl lDxf6 20 exf6 'iVa3<br />
looked very good for Black in Amaral-Camejo,<br />
Portuga11993. White can<br />
improve with 19 =tc2, but perhaps it is<br />
worth just transposing to Bukic-Nikolie<br />
above with 17 bxc3lDaxc3 18 =tc2.<br />
140-0 c5 (D)<br />
14 ... lDf8 and 14 ... lD7b6 have both<br />
been tried, but both moves are well<br />
met by 15 ..tf6!. <strong>The</strong> text-move is the<br />
most aggressive, and, it appears, the<br />
best chance for Black to create counterplay.<br />
w<br />
15 a3<br />
White replies by also choosing the<br />
most aggressive move. By dealing<br />
with the problem of the pinned knight<br />
immediately White sacrifices a pawn.<br />
Black must waste time taking it, while<br />
White establishes a nice square for his<br />
knight on d4, and is allocated more<br />
time to build up the attack. However,<br />
whether this is really worth the pawn<br />
is far from clear. Other options:<br />
a) 15 dxc5 ..txc3 16 bxc3 lDxc5<br />
17 lWd4 lDa4 18 lDd2 (18 ..tf6!?)<br />
18 ... lDaxc3 19..tf3 'ir'b6 20 'ir'g4
120 THE BOTVINNIK SEMI-SLAV<br />
really cannot see what White's idea is;<br />
16 ... i.xc3 17 bxc3 b4 18 dxc5 bxc3 19<br />
'ii'd4 'ii'xc5 20 'ii'g4 'ii'f8 was OK for<br />
Black in Gavrikov-Nogueiras, Tbilisi<br />
1983, and even agreed drawn after 21<br />
'ifd4) 16 ... i.xc3 17 bxc3 ltJf4 18 'ifd2<br />
ltJxe2+ 19 'ifxe2 i.d5 20 dxc5l:txc5!<br />
21ltJd2 'ii'xa2 22 'ii'g4!? ~f8 23ltJe4<br />
l:tg8 with a complicated but probably<br />
quite comfortable game for Black,<br />
Nogueiras-Huerta, Santa Clara 1984.<br />
IS ... i.xc3 16 bxc3 'ii'xa3 17 dxcS<br />
(D)<br />
B<br />
17 ... ltJxcS!?<br />
Also interesting is 17 ... 'ii'xc5 18<br />
ltJd4 ltJxe5 19 i.h5 l:tg8! 20 l:tfe 1 (20<br />
ltJxe6? l:txg2+ 21 ~xg2ltJf4+ 22 ~g3<br />
ltJxh5+ -+) 20 ... ltJe7!? (20 ... ltJg6? 21<br />
ltJxe6 fxe6 22 lhe6+ ~f7 23 ':'xg6<br />
':'xg6 24 'ii'xh6 +-) 21 i.g3 'ii'd5 22<br />
f3!, and now rather than 22 ... l:tg5? 23<br />
'ii'xg5 hxg5 24 l:txe5 'it'd7 25 ltJxe6<br />
with a clear advantage for White, Campos<br />
Moreno-Vera, Hospitalet 1988,<br />
Black should play 22 ... ltJ5g6!. Vera<br />
then supplies the line 23 i.g4 h5 24<br />
i.h3 h4, and this does actually look<br />
very promising for Black.<br />
18 ltJd4!? ltJe4 19 'ifelltJexc3 20<br />
i.hS<br />
Up until here we have followed<br />
analysis by Vera. White can claim<br />
some attack as compensation for the<br />
sacrificed pawns, but it is far from<br />
convincing.<br />
20 ... l:tg8 21 i.g3<br />
2lltJxe6? ':xg2+! wins for Black.<br />
21...l:tgS 22 i.f3<br />
Again 22 ltJxe6? does not work,<br />
this time due to 22 ... .:.xh5 23 ltJg7+<br />
~f8 24 ltJxh5 'ii'xc1 25 'it'xc1 ltJe2+<br />
26 ~hlltJxcl, when Black emerges a<br />
pawn up with three passed pawns on<br />
the queenside.<br />
22 ... b4 23 l:tal 'iWb2 24 i.h4 ':'g8<br />
It is not clear how White can improve<br />
his position. <strong>The</strong> rook on the g<br />
file combined with the bishop on b7<br />
makes it almost impossible to release<br />
the light-squared bishop from its duty<br />
on f3. Perhaps 25 g3 should be considered<br />
but I cannot believe that White's<br />
compensation is adequate.<br />
B)<br />
10 ltJxf7!<br />
White wins an exchange with this<br />
forcing continuation. Black's hope is<br />
that he will either trap the h8-knight<br />
or launch a successful attack against<br />
White's king.<br />
10 ... 'ifxh4 llltJxh8 i.b4 (D)<br />
Note that Black cannot trap the<br />
knight immediately with 11 ... ltJxc3<br />
12 bxc3 i.g7 since White plays 13
ALATORTSEV'S 9 ... 0,d5?! 121<br />
'ti'c2 (13 tOg6 'ti'e4+ 14 .te2 'i;;f7 is<br />
less clear) 13 ... .txh8 14 'ti'h7 winning.<br />
w<br />
Now:<br />
Bl: 12 'ti'd2!? 121<br />
B2: 12.l:tc1! 124<br />
<strong>The</strong> latter is my clear preference.<br />
<strong>The</strong> old main line was 12 'ifd2 but it<br />
makes more sense to keep the queen<br />
on the d1-h5 diagonal, as it is often<br />
very useful to have the possibility of<br />
.th5( +). That is, of course, only after<br />
having ascertained that 12 ... 'ife4+ is<br />
nothing but a blow in the air. However,<br />
the theoretical status of 12 'ti'd2 also<br />
looks very promising for White, although<br />
I have a strange feeling that<br />
Black is able to improve somewhere.<br />
Hence my preference for the move 12<br />
.l:tc1!.<br />
I should also mention that 12 a3!? is<br />
an interesting idea. It has only been<br />
tried in one game (that I know of), but<br />
it remains a mystery to me why it has<br />
not been repeated. Sadler goes as far<br />
as describing 12 a3 as "almost a forced<br />
win"; I will not go that far, but it does<br />
look very promising:<br />
a) 12 ... .txc3+ 13 bxc3 tOxc3<br />
(13 ... c5!?) 14 'ti'd2 tOd5 15 .te2 tOd7<br />
(15 ... c5 16 dxc5 tOc6 17 tOg6 also favours<br />
White) 16 tOg6 'ti'g5 (16 .. :i!i'e4<br />
17 'ifxh6 'i;;d8 18 'ti'h4+ +-) 17 'it'xg5<br />
hxg5 18 h4 should win for White.<br />
b) 12 ... .ta5 is perhaps best, but<br />
then Black is deprived of some of his<br />
sharpest options in the main line.<br />
c) 12 ... tOxc3 13 'it'f3! 'it'xd4 (if<br />
13 ... .ta5 14 bxc3 'it'xd4 then 15 'it'f7+<br />
'i;;d8 16 J::td1 and White wins - Tangborn;<br />
or 13 ... tOe4+ 14 axb4 tOg5 15<br />
'it'f8+ 'i;;xf8 16 tOg6+ 'i;;g7 17 tOxh4<br />
tOa6 18 .te2 tOxb4 19 0-0 tOc2 20<br />
l:tad1 a5 21 f4! ±) 14 'it'h5+ 'i;;d8 15<br />
axb4 'ti'e4+ (or 15 ... tOd5 16 .te2 tOd7<br />
17 tOf7+ 'i;;c7 18 0-0 tOf4 19 'it'f3<br />
tOxe2+ 20 'it'xe2 'iff4 21 tOd6 tOxe5<br />
22 tOxc8 'it>xc8 23 J::tfe 1 +-) 16 .te2<br />
tOxe217 'it'xe2 'ti'h718 't!Vd2+'it>c719<br />
'it'd6+ 'i;;b7 20 J::td1 't!Vxh8 21 't!Ve7+ ±<br />
Stefansson-Inkiov, Gausdal1990.<br />
91)<br />
121iVd2!? c5<br />
This is clearly the most critical.<br />
Other moves can be dealt with briefly:<br />
a) 12 ... tOd7 13 0-0-0 .tb7 is possible<br />
but Harding does not think Black's<br />
compensation is adequate after 14 g3<br />
.txc3 (14 ... 'it'g4 15 't!Vxh6 is good for<br />
White) 15 gxh4.txd2+ 16J::txd2c517<br />
.l:tg1!'<br />
b) 12 .. :iVg4 is Fritz's suggestion<br />
after a short 'think', but 13 .te2 't!Vxg2<br />
140-0-0 looks dangerous.
122 THE BOTVINNIK SEMI-SlAV<br />
130-0-0!<br />
Strangely enough, the safest place<br />
for White's king is actually on the<br />
queenside. Others:<br />
a) 13 a3?! is an inferior version of<br />
Stefansson's idea (12 a3!?) above:<br />
13 ... i.xc3 14 bxc3liJc6 IS dxcS i.b7<br />
(lS ... 'iie4+!?) 16 i.e2liJxeS 17 'ii'd4<br />
'ii'f6 180-0-0 'ii'xh8 19 i.xc4?! bxc4<br />
20 l:1he1 liJf7 + Buturin-Mikhalchishin,<br />
USSR 1977.<br />
b) 13 dxcS liJd7 and now White's<br />
best is probably 140-0-0 liJxeS transposing<br />
to the note to White's 14th<br />
move, while there are also two inferior<br />
options:<br />
b1) 14 i.e2?! liJxeS IS 0-0 (IS<br />
0-0-0 is better, transposing to note 'a'<br />
to White's 14th move) IS ... i.b7 16 a3<br />
i.xc3 (16 ... i.xcS also seems to give<br />
Black a promising attacking position,<br />
but the text-move is the simplest) 17<br />
bxc3, S.Gillam-Botterill, England 1979,<br />
and now 17 ... liJf4 18 %:tfe1 'ii'gS 19<br />
i.hS+ ~f8 20 'ii'd6+? ~g8 wins for<br />
Black (Botterill).<br />
b2) 14 g3 'ii'hS IS i.g2 i.b7 160-0<br />
O-O-O! and then:<br />
b21) 17 'ii'e2 'iixe2 18liJxe2 %:txh8<br />
19 liJd4 liJxeS 20 liJxe6 (20 liJxbS!<br />
i.xcs 21 l:1ae1 a6 22 %:txeS axbS 23<br />
%:txe6 reaches a rather level endgame)<br />
20 ... liJd3 favours Black, Timman-Henley,<br />
Surakarta/Denpasaar 1983.<br />
b22) 17 'ii'c2 %:txh8 (17 ... i.xc3 18<br />
bxc3 %:txh8 19 a4 b4 20 cxb4liJxeS 21<br />
'ii'e4! also favours White) 18 liJxb5<br />
i.xcS 19 'ii'xc4 'ifi>b8, Finegold-Waddingham,<br />
Oakham 1986, and now<br />
White should play 20 liJd6 i.xd6 21<br />
exd6 with the better game; for example,<br />
21...%:tc8 22 'ii'e4liJcS 23 'iid4 eS<br />
24 'ii'd 1 'ii'f7 2S 'ii'd2.<br />
Returning to the position after 13<br />
0-0-0 (D):<br />
B<br />
13 ... liJc6<br />
This is a difficult choice, as there is<br />
a serious alternative, viz. 13 ... cxd4, although<br />
this might appear rather shaky<br />
after 14 'ii'xd4:<br />
a) <strong>The</strong>n after 14 ... 'iigS+ IS f4!<br />
liJxf4 16liJe4! liJe2+ 17 ~b1 liJxd4<br />
18liJxgS, Shashin-Monin, Leningrad<br />
1980, 18 ... hxgS 191hd4liJc620l:1e4!,<br />
followed by 21 h4, White has much<br />
the better game.<br />
b) However, Black can try playing<br />
14 ... 'ii'xd4!? IS l:1xd4liJxc3 16 bxc3<br />
i.xc3, when the attempt to hang on to<br />
the e-pawn with 17 l:1e4 i.b7 18 %:te3<br />
i.d4 19 l:1e2 liJc6 gives Black a very<br />
active position well worth the material<br />
sacrificed. Hence White should play<br />
17 %:tdl!, when unfortunately there<br />
does not seem to be time to grab the
ALATORTSEV'S 9."tiJd5?! 123<br />
e-pawn: 17 ... .txe5 (Black can try<br />
17 ... .tb7 but the compensation after<br />
18 .te2liJd7 19 .th5+ Wd8 20 f4 rJi;c7<br />
21liJn .txg2 22 l:thgl .td5 is hardly<br />
sufficient) 18 .te2! .tb7 (18 ... .txh8<br />
19 .tf3liJa6 20 .txa8liJb4 21 rJi;bl is<br />
not impressive) 19 .th5+ rJi;e7 20<br />
liJg6+ rJi;f6 21liJxe5 Wxe5 22 ':'hel+<br />
rJi;f6 23 ':'d6 .td5 24 .tg4 and White<br />
wins.<br />
14liJg6!? (D)<br />
This brings out the knight immediately<br />
before it gets in danger of being<br />
trapped in the corner, and appears the<br />
most dangerous for Black. White has<br />
another promising option, viz. 14<br />
dxc5 liJxe5 and now:<br />
a) 15 .te2 .tb7 16 g3 'iVf6 17 f4<br />
liJxc3 18 .th5+! ~f8 19 fxe5liJxa2+<br />
20 ~bl 'iVf5+ 21 rJi;xa2 .txd2 22<br />
':'hfl, as analysed by Botterill, is probably<br />
also slightly better for White, for<br />
example after 22 ... 'iVxfl 23 ':'xfl +<br />
~g8 24 liJg6 .te4 25 liJe7+ rJi;h8 26<br />
c6.<br />
b) 15 f4! 'iVxf4 (it is possible to<br />
take on c3 flrst, but I prefer to keep the<br />
bishop) 16 'ti'xf4liJxf4 and now:<br />
bl) 17 g3liJfd3+ 18 .txd3liJxd3+<br />
19 ~c2 (19 ':'xd3!? cxd3 20 liJxb5<br />
l:tb8 21 liJd6+ ~f8 22 liJg6+ has been<br />
suggested as an improvement, and<br />
here I disagree with Peter Wells, who<br />
believes that Black is flne; after<br />
22.A.)g7 23 liJf4 .lixc5 24 liJxc8<br />
.lle3+ 25 'it>bl .txf4 26liJxa7, I think<br />
White keeps an advantage, because<br />
the knight is not in danger of being<br />
trapped, and if Black is not careful<br />
White may even be able to round up<br />
the d-pawn) 19 ... .lixc3 20 ~xc3 .tb7<br />
21 ':'hfl b4+ 22 'it>xc4 liJxb2+ 23<br />
'it>xb4 liJxdl 24 l:txdl l:tb8 25 'it>c3<br />
':'c8 and Black has enough counterplay<br />
to draw, Razuvaev-Inkiov, Moscow<br />
1986.<br />
b2) 17liJxb5 'it>e7! (17 ... ':'b8? 18<br />
liJd6+ rJi;e7 19 liJxc4 wins the c4-<br />
pawn without compensation, Ribli<br />
Nogueiras, Montpellier Ct 1985) 18<br />
c6 and now Polugaevsky's 18 ... ':'b8!?<br />
mixes things up considerably. 19liJxa7<br />
i.a6 almost traps the knight, while if it<br />
retreats, Black will play ... liJfd3+.<br />
B<br />
14 ... .txc3<br />
14 ... liJxc3 15liJxh4liJxa2+ 16 ~bl<br />
i.xd2 17 l:txd2 liJab4 18 liJf3 is good<br />
for White according to Polugaevsky.<br />
15 bxc3<br />
Now there are the following possibilities<br />
for Black:<br />
a) 15 ... 'iVg4 16 'iVxh6 and White<br />
wins.<br />
b) 15 ... 'ti'h516liJf4liJxf417'iVxf4<br />
cxd4 18 cxd4 liJb4 19 'iWd2 a5, with
124 THE BOTVINNIK SEMI-SLAV<br />
the idea of ... .ltd7, ... l:c8 and ... c3,<br />
with compensation.<br />
c) IS ... 'ilgS!? 16 'ilxgS hxgS 17<br />
h4 c;t>f7 18 h5 lDxc3 19 l:d2 cxd4! (or<br />
19 ... lDxd4 20 h6 c;t>xg6 21 h7 .lta6 22<br />
h8'ili' l:xh8 23 l:xh8 ± Corfield-Stoker,<br />
corr. 1990) 20 g4 .ltb7 21 .ltg2 d3 22<br />
f4 lDe2+ 23 l:xe2 dxe2 24 fS is given<br />
as much better for White by Korchnoi,<br />
but this appears far from clear after<br />
24 ... l:b8 with the idea of ... lDd4; for<br />
example, 2S h6 exfS 26 gxfS lDd4 27<br />
e6+ c;t>f6 28 .ltxb7 lDxfS, when suddenly<br />
Black is on top.<br />
62)<br />
12l:c1! (D)<br />
B<br />
12 ... c5<br />
I was once quite interested in this<br />
line, and this was the move to which I<br />
devoted most attention. Black attempts<br />
to soften up White's centre, and with<br />
some luck he might even trap the white<br />
knight on h8.<br />
12 ... 'ili'e4+? has a poor reputation.<br />
13 .lte2lDf4 and now:<br />
a) 14 a3lDxg2+ IS c;t>f1! lLle3+ 16<br />
fxe3 'ili'xhl+ 17 ~f2 'ili'xh2+ 18 ~el<br />
.ltxc3+ (18....lte7 19 ~d2! ± Timman<br />
Ljubojevic, Buenos Aires 1980) 19<br />
bxc3 as 20 ~d2 b4 21 axb4 axb4 22<br />
cxb4 and then:<br />
al) 22 ... c3+ 23 l:xc3 l:a2+ 24 l:c2<br />
l:xc2+ 2S 'ifxc2 .lta6 is given by<br />
Ftacnik with no assessment, but 26<br />
'ifg6+ followed by 'ifhS looks good<br />
for White.<br />
a2) Black can try 22 ...'ili'f2!, when<br />
it seems White has to allow a repetition:<br />
23 l:bc4 l:a3 24 l:c3 l:a2+ 2S<br />
l:c2 l:a3 26 l:c3.<br />
b) 14 'ili'd2! looks stronger; Black<br />
may then choose between:<br />
bl) 14 ... lDxg2+ IS c;t>dl .ltxc3<br />
(IS... lLle3+ 16 'ifxe3 'ili'xhl+ 17 c;t>c2<br />
'ifxh2 18 'ili'f3 'ili'h4 19lLlxbS cxbS 20<br />
'ili'xa8 'ili'xd4 21 .lthS+ wins for White<br />
according to Smyslov) 16 bxc3lLle3+<br />
17 'ifxe3 'ili'xh 1 + 18 ~d2 'if g2 19<br />
'ili'xh6 c;t>d8 20 'ili'f8+ ~c7 21lLlf7 1-0<br />
S.<strong>Pedersen</strong>-M.1ohansen, Denmark tt<br />
1997.<br />
b2) 14 ... lLld3+ IS ~f1 lLlxcl 16<br />
'ili'xcl (16lLlxe4 .ltxd2 17lLlxd2lLlxa2<br />
18 lLle4 as gave Black some counterplay<br />
in Plachetka-Jokimidis, Sofia<br />
1979) 16 ...'ili'xd4 17 'ili'xh6 .ltxc3 18<br />
bxc3 'ili'xc3 19 g3 lLld7 20 'ili' gS! lLlxeS<br />
21 .lth5+ ~d7 22 'ifg7+ ~d6 23<br />
lLlf7+ ~d5 24 .ltf3+ +- Wells.<br />
13 dxc5 'iVg5<br />
This has only been played a few<br />
times in recent practice, with good results<br />
for Black. However, if my analysis<br />
turns out to be watertight then there
ALATORTSEV'S 9 . ..tiJd5?! 125<br />
is an indication that Black should dump<br />
the Alatortsev forever.<br />
Other moves give little ground for<br />
optimism:<br />
a) 13 ... ltJd7 14 .i.e2lL'lxe5 (14 ... .i.b7<br />
15 .i.h5+ ~d8 16 0-0 .i.xc3 17 ':xc3<br />
rl;c7 18 lL'lg6 'ii'e4 19 lIg3 +- Smyslov-Ragozin,<br />
USSR Ch (Leningrad)<br />
1947) 150-0 (D) with a branch:<br />
B<br />
al) 15 ... .i.xc3 16 ':hc3! 'iVf6 (or<br />
16 ... lL'lxc317.i.h5+'ifi>f818'ii'd6+rl;g8<br />
19 'ii'xe5 lL'ld5 20 .i.f7+ +- Nemet<br />
Karaklajic, Yugoslav Ch 1979) 17<br />
.i.h5+ ~d8 18 f4lL'ld3 19 ':xd3 cxd3,<br />
Torrento Caballero-Ruiz Marquez,<br />
corr. 1985, and now 20 lL'lf7+ followed<br />
by 21 'iWxd3 is winning for White.<br />
a2) 15 ... .i.b7 is trickier, but good<br />
for White:<br />
a21) 16 .i.h5+?! 'i;e7 17 lL'lxd5+<br />
(or 17 lL'lg6+ lL'lxg6 18 .i.xg6 ':g8<br />
with a strong attack) 17 ... .i.xd5 18 f4<br />
.i.xc5+ 19 ~h 1 lIg8! 20 ':c2 lL'ld3!<br />
(sacrificing another exchange but<br />
Black's minor pieces are much superior<br />
to White's rooks) 21lL'lg6+ ':xg6<br />
22 J.xg6lL'lxf4 23 ':xf4 'iWxf4 24.i.h5?<br />
(White's rook gets into trouble after<br />
this; Ftacnik suggests 24 'ii'el as a<br />
better defence) 24 ... .i.e4! 25 lIc3<br />
(there is no better square for the rook;<br />
25 ':e2 is answered by 25 ... .i.d3 26<br />
':el J.b4, and 25 lId2 by 25 ... .i.d6)<br />
25 ... .i.d4 26 ':g3 (26 'iWxd4? 'iWfl + 27<br />
'iVgl .i.xg2#) 26 ... .i.xb2 27 ':g8 'ii'c1!,<br />
Zagorskis-Vera, Elista OL 1998. <strong>The</strong><br />
exchange of queens liquidates to a<br />
clearly favourable ending for Black,<br />
as the passed c-pawn is very strong.<br />
a22) 16 lL'lxb5! is much stronger,<br />
and a possibility I discovered with<br />
GM Peter Heine Nielsen, which he<br />
was later able to use successfully:<br />
16 ... .i.xc5 (16 ... 0-0-0 17 lL'ld6+ 'ili>b8<br />
18 lL'lhf7 lL'lxf7 19 lL'lxf7 ':g8 20 .i.f3<br />
±) 17lL'lg6!! (this fine move deflects<br />
the e5-knight from the defence of the<br />
c4-pawn, and with it Black's position<br />
falls apart) 17 ... lL'lxg6 18 lhc4 lL'ldf4<br />
(18 ... 'iIi'e7 19 .i.h5) 19 lIxc5 l:td8<br />
(19 ... J.xg2 20 lL'lc7+ ~f7 21 lL'lxa8<br />
J.xa8 22 .i.f3 and White wins; note<br />
the importance of the black queen not<br />
being able to get to the g-file) 20<br />
lL'ld6+ ':xd6 (20 ... ~f8 21lL'lxb7 l:txdl<br />
22 J.xdl +-) 21 .i.b5+ 'ifi>f7 22 'ii'xd6<br />
'ili'g4 23 'ili'c7+ ~g8 24 'ili'xb7 lL'lh3+<br />
25 ~hllL'lxf2+ 26 l:txf2 1-0 P.H.Nielsen-Sveshnikov,<br />
Kemerovo 1995.<br />
b) 13 ... .i.xc3+!? (the point of this<br />
move is that Black avoids certain lines<br />
where White simply recaptures with<br />
the rook, so in this respect it is strange<br />
that Timman does not follow up similarly<br />
to line 'aI' above) 14 bxc3 'iWg5
126 THE BOTVINNIK SEMI-SlAV<br />
(14 ... ttJd7!?) 15 j.e2 j.b7 160-0 (16<br />
j.h5+!? 'iti>f8 17 ttJf7 'ii'xg2 18 j.f3<br />
'ii'g7 19 ttJd8! looks good, similarly to<br />
the main line) 16 ... ttJf4 17 j.f3 ttJc6<br />
18 h4! 'ii'xh4 19 g3 'ii'g5 20 ttJf7!<br />
'iti>xf7 21 'ii'd7+ ttJe7 22 'ii'xb7 l:.g8 23<br />
l:.cel h5 24 j.g2 +- P.Nikolic-Timman,<br />
Wijk aan Zee.<br />
c) 13 ... 'ii'e4+!? is the move I have<br />
spent most time on, besides 13 ... 'ii'g5,<br />
trying to rehabilitate the line for Black.<br />
It has a few advantages over the immediate<br />
12 .. .'ii'e4+, but, unfortunately,<br />
some disadvantages as well! After 14<br />
'ii'e2 (14 j.e2 j.xc3+ 15 bxc3 ttJf4 is<br />
worth exploring; now that c6 is available<br />
and the a8-hl diagonal is opened,<br />
Black some extra possibilities compared<br />
to 12 ... 'ii'e4+) Black can try:<br />
c1) 14 ... 'Wd4 15 'Wh5+ 'iti>d8 16<br />
'ii'xh6 ttJxc3 17 ttJf7+ 'iti>c7 18 bxc3<br />
j.xc3+ 19l:.xc3 'Wxc3+ 20 'Wd2 'ii'xd2+<br />
(20 ... 'ii'al + 21 'iti>e2 ttJc6 22 'iti>e3! +-)<br />
21 ~xd2 j.b7 22 h4 is very good for<br />
White.<br />
c2) 14 .. .'ii'f4 15 'ii'h5+ 'iti>d8 16<br />
'ii'xh6! ±.<br />
c3) 14 ... 'ii'f5!? is interesting, with<br />
the idea of simply developing with<br />
... ttJd7. White's queen is now misplaced<br />
on e2.<br />
14 j.e2 j.b7 (D)<br />
15 j.h5+!<br />
Now we see why White's queen has<br />
to stay on d 1. Other moves have caused<br />
Black fewer problems:<br />
a) 150-0 ttJxc3 16 j.h5+ 'iti>f8 17<br />
'ii'd6+ ~g8 18 'ii'xe6+ ~xh8 19 'ii'e8+<br />
'ii'g8 20 'ii'xg8+ 'iti>xg8 21 bxc3 j.xc5<br />
reached a far from clear ending, but<br />
one in which Black's minor pieces become<br />
very active, in Timoshchenko<br />
Kozlov, Tashkent 1982.<br />
b) 15 j.f3 ttJd7 16 0-0 j.xc3 17<br />
bxc3 'iti>e7 18 j.e4?! (18 a4!) 18 ... l:.xh8<br />
19 f4 ~ g7 20 'Wd4l:.c8! with a highly<br />
unclear position, Van Wely-Borst, Antwerp<br />
1995.<br />
15 ... 'iti>f8 16 ttJf7!<br />
Lanka gives the line 16 'ii'f3+ 'iti>g7<br />
170-0 'iti>xh8 18 ~f8+ 'ii'g8! (18 ... 'iti>h7<br />
19 j.f3!) 19 ~xh6+, when White<br />
probably has to take the perpetual after<br />
19 ... 'ii'h 7 20 'ii'f8+. Of course White<br />
can exchange queens and from a purely<br />
materialistic viewpoint this looks very<br />
good, but Black's pieces are active,<br />
and I have a feeling that in practice<br />
this would be a very risky decision.<br />
16 ... 'ifxg2 17 j.f3 'ifg7<br />
17 ... 'Wg6 is also met by 18 ttJd8.<br />
18 ttJd8!<br />
White has a clear, perhaps winning,<br />
advantage, e.g., 18 ... j.xc3+ 19 bxc3<br />
~xe5+ 20 'iti>f1 j.c8 21 'ii'd2 'ii'g5 22<br />
~xg5 hxg5 23 l:.el and White wins.
10 White Gambits: 9 exf6!?<br />
1 d4 d5 2 c4 c6 3 ttJf3 ttJf6 4 ttJc3 e6 5<br />
i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9<br />
exf6!? (D)<br />
White introduces the idea of i.hS, attacking<br />
f7 again. For example:<br />
B<br />
B<br />
Contrary to what we have seen in<br />
most lines until now, it is here White<br />
who plays in gambit style. In fact, after<br />
9 ... gxh4 10 ttJeS 'ii'xf6 White is<br />
two pawns down with no immediate<br />
prospects of regaining any of the invested<br />
material. However, Black's<br />
pawns are almost randomly spread out<br />
over the board, and what really counts<br />
is if White can engineer an attack<br />
based upon his lead in development.<br />
<strong>The</strong> attack against f7<br />
<strong>The</strong> most vulnerable point in Black's<br />
position is f7, and White already has<br />
an eye on this pawn when playing<br />
ttJeS. By developing the bishop to e2<br />
Guimaraes - Matsuura<br />
Brazilian Ch (Rio de Janeiro) 1998<br />
Black's pawn-structure is clearly<br />
not admirable, but he is two pawns up.<br />
Particularly the h4-pawn is not worth<br />
much and hence Black often throws it<br />
forward, intending to disrupt White's<br />
kingside:<br />
12 ... h313 i.h5!<br />
A strong move but a very common<br />
idea. 13 g3 could possibly be met by<br />
13 ... cS, so White simply ignores Black's<br />
intentions by counter-attacking the<br />
f7-pawn. <strong>The</strong> pawn is not that difficult<br />
to defend though, but as we shall see<br />
the rook is often unfortunately placed<br />
onh7.
128 THE BOTVINNIK SEMI-SLAV<br />
13 ... lth7<br />
Alternatively, Black can try 13 ... hxg2<br />
14 ltgl lth7 15 .1f3 'ike7 16 ltxg2<br />
l:.g7 (White often wins a tempo on this<br />
rook as it is unprotected on h7 and<br />
ltgS is sometimes also an option for<br />
White, so Black reacts by moving the<br />
rook again to neutralize the g-file) 17<br />
ltJe4 a6 (Black has serious difficulties<br />
completing his development; 17 ... ltJd7<br />
is met by IS ltJxd7 ~xd7 19 ltJc5+<br />
~cS 20 axb5) IS ltJc5 lhg2 19 j.xg2<br />
.1g7 20 'ii'g4 ~f8 (20 ... j.xe5 21 'ikgS+<br />
'ii'fS 22 'ii'xfS+ c;f;;>xfS 23 dxe5 would<br />
leave Black's remaining pieces struggling<br />
for air) 210-0-0 j.cS 22 f4 with<br />
a terrific position for White, Wells<br />
Shabalov, London Lloyds Bank 1994.<br />
14 g3ltJd7 IS 0-0 0-0-0 16 'ii'c2<br />
White attempts to gain a tempo on<br />
the rook and is now ready to meet<br />
16 ... ltg7 by 17ltJxd71::txd7 IS axb5.<br />
16 ... ltJxeS 17 dxeS 'ii'fS 18 'ii'xfS<br />
exfS 19 axbS .tcS<br />
Black has reasonable counterplay<br />
but he must continue playing very energetically<br />
to compensate for his horrible<br />
pawns.<br />
Challenging eS with ... ltJd7<br />
White's e5-knight is an important<br />
piece, and having to defend f7 often<br />
causes Black inconvenience, so the<br />
best defensive plan for Black is as<br />
soon as possible to challenge the knight<br />
by playing ... ltJd7. However, this may<br />
not look that easy, as playing ... ltJd7<br />
leaves the c6-pawn en prise unless<br />
Black has defended it with ... j.b7.<br />
Here are a few examples:<br />
B<br />
Kravtsov - Se. Ivanov<br />
Russian Cht (St Petersburg) 1999<br />
Here Black decided that even though<br />
the c6-pawn is only defended by the<br />
bS-knight, he could still afford to remove<br />
the defence in order to challenge<br />
the e5-knight instead:<br />
1l ... ltJd7! 12lLlxc6<br />
This is the only critical move.<br />
12 ... j.b7 13 j.f3 a6!<br />
This is the key move that makes<br />
11...ltJd7 playable. White's knight<br />
cannot be allowed to b5, and now White<br />
also problems retreating the c6-knight<br />
without making major concessions.<br />
14 0-0 j.g7 IS a4 b4 16 ltJe4 'ii'f4<br />
17 'iVc1 'iVc7 18 'iVxc4 j.xc6 19 l:.acl<br />
l:.c8 20 'ii'xb4 .1f8 21 'ii'c3<br />
For analysis of the alternative 21<br />
'ikel see the theory section (Line B).<br />
21...j.xe4! 22 'ii'xc7 ltxc7 23 l:.xc7<br />
j.xf3 24 gxf3 ltg8+ 2S ~hl ltgS!<br />
<strong>The</strong> ending is advantageous for<br />
Black.
WHITE GAMBITS: 9 exf6!? 129<br />
B<br />
Bellon - Lu. Perez<br />
Havana Capablanca mem 1999<br />
By playing an early a4, White usually<br />
attempts to prevent Black from<br />
playing ... ttJd7, the idea being that it<br />
would leave Black's queenside too<br />
loose. Nevertheless, here Black can<br />
play:<br />
12 ... ttJd7! 13ltJxd7 ~xd7 14 i.f3<br />
a615 axb5<br />
White does not achieve anything by<br />
opening the a-file, so 15 0-0 might be<br />
better, although White's opening then<br />
appears far from convincing.<br />
15 ... axb5 16l:ba8 i.xa8 17 'iVai<br />
i.b7 18 'iVa7 ~c8 190-0 .l:tg8 20 ..te4<br />
'iVf4 21 .l:tel f5<br />
Black is winning.<br />
Quick Summary<br />
In my opinion good antidotes to 9<br />
exf6 have been found, as in the majority<br />
of lines Black can easily neutralize<br />
White's initiative with a timely ... ltJd7.<br />
For example, after 10 ltJe5 'iVxf6, both<br />
11 g3 (Line A) and 11 ..te2 (Line B)<br />
are well met by l1...ltJd7. 11 a4 (Line<br />
C) is White's best try, to which Black<br />
has reacted in various ways. <strong>The</strong> provocative<br />
11...c5 (Line C 1) looks too<br />
ambitious, while 1l...i.b7 (Line C2)<br />
used to have a slightly bad reputation<br />
but is now fully rehabilitated in view<br />
of 12 ... ltJd7! in reply to 12 i.e2. This<br />
seems to be Black's very best approach,<br />
and hence the popular 11.. .h3 !?<br />
(Line C3) will only have real relevance<br />
in the event of something being<br />
found for White in Line C2.<br />
<strong>The</strong> <strong>The</strong>ory of 9 exf6!?<br />
I d4 d5 2 c4 c6 3 ltJf3 ltJf6 4ltJc3 e6 5<br />
..\lg5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9<br />
exf6!? gxh4 10 ttJe5 (D)<br />
This is White's basic idea. His previous<br />
move vacated the e5-square,<br />
which is now accessible to the knight.<br />
This knight serves several purposes.<br />
Above all its main function is to make<br />
it hard for Black to develop smoothly<br />
( ... ltJd7 drops a pawn after ltJxc6,
130 THE BOTVINNIK SEMI-SLA V<br />
although Black should often enter this<br />
kind of transaction) but it is also ideally<br />
placed for attacking purposes<br />
against the sensitive f7 -square.<br />
lO ..:iVxf6<br />
<strong>The</strong>re are various other moves to<br />
consider but this is the most trustworthy.<br />
Black collects a second pawn and<br />
simultaneously gets rid of the annoying<br />
f6-pawn, which makes normal development<br />
hard for Black. For instance,<br />
1O ... ttJd7? (and some of the other alternatives)<br />
runs into 11 ttJxf7!. Of the<br />
more reliable alternatives, 10 ....:gS!?<br />
is worth looking at: 11 ~e2 (perhaps<br />
11 g3 ttJd7 12 ~g2 ~b7 13 0-0 ttJxe5<br />
14 dxe5 'fIc7 15 .:tel is more accurate)<br />
11...ttJd7 (the point; Black has ruled<br />
out the sacrifice on f7, so he can immediately<br />
begin the attack on the e5-<br />
knight) 12 ~f3 (12 ttJxc6 'tib6 13 ~f3<br />
~b7 14 d5 ttJxf6 looks good for<br />
Black) 12 ... ~b7 (12... ttJxe5!? 13 dxe5<br />
'tic7 14 0-0 ~b7 15 .:tel gives White<br />
good compensation but might be even<br />
better with the pawn on g3 and bishop<br />
on g2, cf. 11 g3) 13 ~xc6 (13 O-O!?)<br />
13 ... ~xc6 14 ttJxc6 'fIc7 15 d5 ttJc5<br />
(15 ... ttJxf6 is worth considering) 16<br />
0-0 'fIf4 17 ~h 1 ttJd3 IS dxe6. Both<br />
sides are walking on a tightrope, and<br />
now, rather than lS ... ~c5?, as in Ikonnikov-Stojanovski,<br />
Plovdiv 1990, Ikonnikov<br />
suggests that Black can play<br />
"IS....:txg2!! 19 exf7+ ~xf7! 20 ~xg2<br />
~d6 21 'ii'h5+ ~e6! 22 'fId5+ ~d7 23<br />
ttJe5+ 'fIxe5! 24 'fIxe5 ~xe5 with<br />
compensation" - perhaps true in the<br />
final position but 24 'fIxb5+! is more<br />
accurate, when White has an advantage.<br />
Returning to the position after<br />
1O ... 'fIxf6 (D):<br />
w<br />
White has the following options:<br />
A: 11 g3 130<br />
B: 11 ~e2 132<br />
C: 11 a4 134<br />
A)<br />
11 g3<br />
White intends to deploy his bishop<br />
on the hI-aS diagonal. While the<br />
bishop would be safest on g2, White<br />
could also adopt the same plan with 11<br />
~e2 (Line B), intending to put the<br />
bishop on f3. This has a further advantage<br />
compared to 11 g3, namely that<br />
sometimes White can begin an attack<br />
against f7 by playing ~h5.<br />
11 ... ttJd7!?<br />
Challenging the e5-knight has been<br />
the most common defence for Black.<br />
Incidentally, in Line B, 11 ~e2 ttJd7:<br />
White can capture on c6, whereas this<br />
would be an error in this particular
WHITE GAMBITS: 9 exf6!? 131<br />
position since White's light-squared<br />
bishop is not defended after 12 tiJxc6<br />
.tb7 13 .ltg2, and therefore 13 .. JXc8<br />
is decisive.<br />
Another plausible defence (maybe<br />
even stronger) is 11 ... .ltg7 12 .tg2 0-0<br />
13 tiJxb5 tiJd7 14 tiJxc6 .tb7, and<br />
while White has levelled the material<br />
balance Black has caught up on development.<br />
In Goldin-Shabalov, Vilnius<br />
1988 chances were about equal after<br />
15 0-0 .ltxc6 (15 ... a6!?) 16 .ltxc6<br />
%:.ad8 17 'iVa4 tiJb8 18 .tg2 a6 19 tiJa3<br />
hxg3 20 hxg3 'iVg5 21 tiJxc4 .ltxd4.<br />
12 'ii'e2 (D)<br />
I have already mentioned that 12<br />
tiJxc6 is a mistake, so there remain<br />
only the text-move and 12 f4. However,<br />
12 f4 turns out to expose White's<br />
position too much; e.g., 12 ... .ltb7 13<br />
.ltg2 tiJxe5 14 fxe5 (14 dxe5 'iVd8 15<br />
'iVf3 'ii'd3 16 'iVxd3 cxd3 17 tiJxb5<br />
.ltb4+ 18 tiJc3 0-0-0 +) 14 ... 'iVe7 15<br />
0-0 0-0-0 16 'iVh5 %:'xd4 17 %:'xf7 'iV g5<br />
18 'iVxg5 hxg5 19 tiJe4 h3 20 .thl<br />
%:.d5 with a clear advantage for Black,<br />
F.Portisch-Ribli, Warsaw 1979.<br />
B<br />
12 ... tiJxeS<br />
<strong>Botvinnik</strong>'s choice in his encounter<br />
with Bronstein in the 1951 Soviet<br />
Championship. Few have been willing<br />
to repeat the path chosen by <strong>Botvinnik</strong>.<br />
Hence, the sharp 12 ... c5 has attracted<br />
more attention. However, the<br />
onus is on Black to rehabilitate this<br />
line after it was found that 13 'iVe4! almost<br />
forces a queen sacrifice that may<br />
not quite be sound (in passing it should<br />
be noted that 13 tiJc6 is best met by a<br />
similar sacrifice - and actually the circumstances<br />
appear slightly more inspiring<br />
here - to the main line, viz.<br />
13 ... .tb7 14 tiJd5 .ltxc6 15 tiJxf6+<br />
tiJxf6 16 %:.gl cxd4 17 'ii'e5 i.b4+ 18<br />
~dl ~e7 19 i.g2 i.d6 20 'ii'xd4 i.xg2<br />
21 %:.xg2 %:.hd8 22 ~cl c3! with excellent<br />
counterplay), 13 ... %:.b8 (13 ... cxd4<br />
14 tiJxd7 ~xd7 15 'ii'xa8 dxc3 16<br />
'iVxa7+ ~e8 17 i.g2! +-) 14 tiJc6.<br />
White is threatening 15 tiJd5, thus<br />
leaving Black with two options:<br />
a) 14 ... i.b7 15 tiJd51i'd8 16 tiJxd8<br />
.txd5 17 'iVf4 %:.xd8 (17 ... i.xhl is inferior<br />
due to 18 tiJxf7 %:.h7 19 tiJd6+<br />
.txd6 20 'iVxd6 %:.b6 21 1i'f4 ±) 18<br />
%:.gl and now:<br />
al) 18 ... .tg7 19 gxh4 i.xd4 20<br />
0-0-0 ~e7 21 %:.xd4 cxd4 22 1i'xd4<br />
and Black does not have sufficient<br />
compensation, Piket-Murshed, Palma<br />
de Mallorca 1989.<br />
a2) 18 ... cxd4 19 1i'xd4 i.b4+ 20<br />
~e2 ~e7 (20 ... %:.g8 is more circumspect,<br />
since then in the event of 21<br />
'iVxh4?, Black has 21...tiJe5!, but 21<br />
.th3 is still better for White) 21 %:.dl
132 THE BOTVINNIK SEMI-SLAV<br />
(the simple 21 'it'xh4+!? is also worth<br />
considering) 2l...ttJc5 22 'it'xh4+ f6 23<br />
~h3 ± Peek-Savchenko, Groningen<br />
open 1993.<br />
b) 14 ... l:.b7! 15 d5 (Piket suggests<br />
15 0-0-0 b4 16 lbd5 'it'g6 17 'it'xg6<br />
fxg6 18 ~h3! with an initiative for<br />
White) 15 ... ~g7! (15... b4 16 dxe6<br />
'it'xe6 17 ~xc4 'it'xe4+ 18 lbxe4 l:.c7<br />
19 lbaS, followed by 0-0-0, gives<br />
White compensation) 16 l:.dl (16 dxe6<br />
'it'xe6 17 'it'xe6+ fxe6 18 0-0-0 is<br />
better, after which White can claim<br />
some sort of compensation in view of a<br />
number of weak black pawns) 16 ... 0-0<br />
17 d6!? l:.b6 18 lbe7+ 'it'h8 and<br />
White's attack is lost in the sands.<br />
13 dxe5 "ilie7 14 i.g2<br />
14lbe4? can be met by 14 ...'it'b4+.<br />
14 ... ~b7 150-0-0 i.g7 (D)<br />
16l:.d6!<br />
A major improvement on the previously<br />
played 16 f4. White sacrifices a<br />
second pawn in return for a rapid mobilization<br />
of all his forces. Black will<br />
have to accept the pawn offer to punish<br />
White for omitting f4, but the result is<br />
a difficult defence.<br />
After 16 f4 0-0 17 l:.d6 :ad8 18<br />
l:.hd 1 l:.xd6 19 exd6 'it'd8 20 lbe4 'it'aS<br />
21 'it'bl, Bronstein-<strong>Botvinnik</strong>, USSR<br />
Ch (Moscow) 1951, Black should play<br />
21...h3! 22 ~xh3 c5 23 lbxc5 ~d5<br />
with excellent play for Black in view<br />
of his two very powerful bishops -<br />
<strong>Botvinnik</strong>.<br />
16 ... hxg3<br />
16 ... 0-0 17 l:.hdl :ad8 18 'it'd2<br />
l:.xd6 19 exd6 'it'f6? (19 ... 'it'd8 is more<br />
profound, but the advantage of White's<br />
move-order is shown after 20 d7!,<br />
when the strong passed pawn holds up<br />
the majority of Black's forces) 20 lbe4<br />
'it'g6 21 d7 l:.d8 22 'it'f4 ± Peek-Van<br />
Linde, Groningen open 1997.<br />
17 hxg3 "ilig5+ 18 f4 "ilixg3 19 "ilid2<br />
b4 20 lbe4 c3!?<br />
20 ... 'it'g6 21lbc5 c3 22 bxc3 bxc3<br />
23 'it'f2 gives White the advantage.<br />
21 bxc3 bxc3 22lbxc3 :b8<br />
22 ... ~f8 23 :d3 ~a3+ 24 ~dl<br />
'it'g6 25 l:.d7 ±.<br />
23 l:.d3 'it' g6 24 lbe4<br />
White has a terrific attack. While<br />
White is simply invading the d-file,<br />
Black's queen is merely a spectator<br />
from the kingside and can even be<br />
subjected to an attack after :g3.<br />
B)<br />
11 ~e2lbd7!<br />
<strong>The</strong>re is no need to delve into the<br />
alternatives for too long. <strong>The</strong> textmove<br />
has an obvious indication of being<br />
the best move in the position:
WHITE GAMBITS: 9 exf6!? 133<br />
White has to react to the attack against<br />
what is currently his most powerful<br />
piece, namely the eS-knight. Here is a<br />
short survey of the alternatives:<br />
a) 1l ... ..td6? 12 ttJe4 ..tb4+ 13<br />
~f1 'fie7 14 a3 J.aS 15 ..thS ± Petursson-Isler,<br />
Bern 1992.<br />
b) ll.....tb4 12 ..to ..tb7 13 0-0<br />
.ixc3 14 bxc3 a6 IS 'ue1 'ug8 16 ..thS<br />
'ug7 17 ttJg4 'fie7 18 'fid2 ±. <strong>The</strong> h6-<br />
pawn is under attack, and Black reacted<br />
naturally to this with 18 .. J:tgS,<br />
attacking the bishop on hS, but was<br />
met by the blow 19 l::txe6! 'it'xe6 20<br />
'ue1 in Dietze-SchOn, Bundesliga<br />
198617.<br />
c) 1l.....tg7 12 a4 b4 13 ttJe4 'fIe7<br />
140-00-0 IS f4 ':d8 16 ..txc4 f5 17<br />
ttJcS ':d6 18 'ii'b3 ~h7 19 ':ae1 with<br />
strong pressure, Moskalenko-Shabalov,<br />
USSR 1988.<br />
d) 1l...h3 12 ..thS! (Black has to be<br />
very careful when and where to open<br />
the g-file; in this case it only helps<br />
White's attack) 12 ... hxg2 13 ,Ug1 'uh7<br />
14 ..to ..tb7 IS ttJxbS ..tb4+ 16 ~e2<br />
'ii'e7 17 ':xg2 ~f8 18 'it'c2 'uh8 19<br />
'it'e4 with a substantial advantage to<br />
White, Ivanisevic-N.<strong>Pedersen</strong>, Zagan<br />
jr Wch 1997.<br />
e) 11.. . ..tb7 12..tO a6 13 0-0 (13<br />
a4 ttJd7 14 ttJxd7 rJi>xd7 transposes to<br />
Line C2) 13 ... ttJd7 14 ..txc6 ..txc6 IS<br />
ttJxc6 ..td6 16 f4 'it'fS 17 'flo ttJf6 18<br />
a4 with a slight advantage to White,<br />
Fiister-Egri, Hungary 1945.<br />
12 ttJxc6<br />
<strong>The</strong> only critical approach. Continuing<br />
in sacrificial style with 120-0<br />
ttJxeS 13 dxeS 'fixeS 14 ..tf3 ..tb7 IS<br />
'ue1 is dubious since Black defends<br />
well with lS ...'fid616 ttJxbS 'ilkxdl17<br />
'uexd 1 cxbS 18 ..txb7 'ub8 19 ..tc6+<br />
~e7, as in the game Ree-Hamann,<br />
Netanya 1968.<br />
12 ....ib7 13 ..tf3 a6! (D)<br />
w<br />
<strong>The</strong> key element in Black's defence.<br />
<strong>The</strong> bS-pawn is defended, thereby stabilizing<br />
the queenside. Black can then<br />
continue the completion of his development<br />
with ... J.g7 and ... 0-0, while<br />
ttJe4 by White at any stage can be met<br />
safely by ... 'fIf4 or ... 'fIfS.<br />
14 0-0 J.g7 15 a4 b4 16 ttJe4 'ilkf4<br />
17 'ilkc1 'fic7<br />
Black only needs to avoid playing<br />
17 ... 'fIxc1? 18 ttJd6+ ~f8 19 'uaxc1<br />
..txc6 20 ..txc6 'ua7 21 'uxc4 ±.<br />
18 'it'xc4 ..txc6 19 ':ac1 ':c8!<br />
Simple and strong. 19 ... 0-020 'fIxc6<br />
'ilkxc6 21 'uxc6 (Barlov-Karaklajic,<br />
Yugoslavia 1987) 21...,Ua7 is good<br />
enough for an equal position but nothing<br />
more.<br />
20 'ilkxb4!? ..tf8 21 'fic3
134 THE BOTVINNIK SEMI-SLAV<br />
Alternatively, Karaklajic analyses<br />
21 'ii'el 'ii'b7 22l:f.xc6 'ii'xc6 (22 ... l:f.xc6<br />
is risky due to 23 d5) 23 lDf6+ lDxf6<br />
24 J-xc6+ l:f.xc6 25 'iVe5, but Black<br />
seems to be doing quite well with<br />
25 ... J-e7 26 d5 exd5 27 l:f.el l:f.e628<br />
'iVb8+ J-d8 29 l:f.xe6+ fxe6 30 'iVc8<br />
as! 31 'iV xe6+ f8, when the rook can<br />
be activated via h7.<br />
21...J-xe4! 22 'iixc7 l:f.xc7 23l:f.xc7<br />
St.xf3 24 gxf3 l:f.g8+ 25 hll:f.g5 26<br />
]:a7 a5 27 :a8+ e7 28 :c1l:f.d5<br />
<strong>The</strong> endgame is winning for Black<br />
due to White's numerous weaknesses,<br />
while the rook performs a great role in<br />
both defence and attack, Kravtsov<br />
Se.lvanov, Russian Cht 1999.<br />
C)<br />
11 a4 (D)<br />
B<br />
We have learned, by examining the<br />
two previous main lines, that Black<br />
can defend rather easily if he is allowed<br />
to play ... lDd7. With 11 a4<br />
White prevents this since 11...lDd7 is<br />
now met by 12lDxc6 J-b7 13 axb5.<br />
Now we split the variations into<br />
three further main lines:<br />
Cl: 11 ... c5 134<br />
C2: 11 ... J-b7 136<br />
C3: 1l ... h3!? 138<br />
Cl)<br />
11 ... c5<br />
With this rather provocative move,<br />
Black claims that White's previous<br />
move was not really threatening anything.<br />
12lDg4!<br />
Regarded as White's best since<br />
11.. .c5 was launched in the late 1980s.<br />
Deliberately removing the pride and<br />
joy of White's position from e5 is here<br />
justified for various reasons. First of<br />
all, its supporter on d4 is about to be<br />
undermined, but, secondly, and not less<br />
importantly, Black has completely<br />
opened his queenside, and so it is logical<br />
to begin an attack here by first<br />
forcing Black's queen to a less favourable<br />
position. However, the two captures<br />
on b5 should also be investigated:<br />
a) 12 lDxb5? is simply good for<br />
Black: 12 ... cxd4 13 lDc7+ ~d8 14<br />
'iVxd4+ lDd7 150-0-0
WHITE GAMBITS: 9 exf6!? 135<br />
12 .. :ifxd4? loses on the spot to 13<br />
'it'f3.<br />
13 dxc5 (D)<br />
Black coordinates rather quickly by<br />
fianchettoing his bishops so White<br />
must act quickly. Others have promised<br />
little:<br />
a) 13 axbS .i.b7 14 .i.e2 .i.g7 IS<br />
dxcS 'it'xcs 16.i.f3 'iie7 17 tLle4 .i.dS<br />
::;: Tukmakov-Novikov, Mazatlan rpd<br />
1988.<br />
b) 13 .i.e2 .i.g7 (13 ... b4!? has been<br />
suggested in several sources but I see<br />
no reason to deviate from the text) 14<br />
dxcS (14 .i.f3 cxd4 IS tLlxbS a6 16<br />
.i.xa8 axbS 17 f4! b4! is considered<br />
unclear by Dzhandzhgava and Bokuchava;<br />
if I were to pick a colour it<br />
would be Black) 14 ... b4 IS tLlbS 0-0<br />
160-0, and now rather than 16 ... 'iixcS<br />
17 ':c1 .i.b7 18 ':xc4 'iidS 19 tLle3<br />
'iixd1 20 ':xd1 tLlc6 112-112 Epishin<br />
Dzhandzhgava, Vilnius 1988, Black<br />
should play 16 ... a6 17 tLld6 tZ:ld7 with<br />
an edge.<br />
B<br />
13 ... .i.b7!<br />
Black would like to play 13 .. :ii'xcS<br />
but White then has 14 'it'f3 'iic6 IS<br />
'it'f6 ':g8 16 axbS. By preventing 'it'f3,<br />
Black is now ready to capture on cS<br />
(tLlf6+ is not as annoying as it looks).<br />
13 ... i.g7, first seen in the game<br />
Moskalenko-Kaidanov, Lvov 1988, is<br />
less accurate, and does not solve all<br />
Black's problems: 14 axbS (14 'it'd6!?<br />
was suggested by Kaidanov and analysed<br />
further by Wells, who thinks that<br />
Black obtains reasonable chances with<br />
14 ... 'iixd6 IS cxd6 b4 16 tLlbS .i.xb2)<br />
14 ... tLld7 IS 'iif3 ':b8 16 c6 tLlb6 17<br />
.i.e2 tLldS 18 .i.xc4! (an improvement<br />
over the Moskalenko-Kaidanov game,<br />
in which White castled) 18 ... tLlxc3 19<br />
bxc3 hS (19 ... fS 20 'iie3! fxg4 21':xa7<br />
'iif6 22 0-0 and White's queens ide<br />
pawns look very menacing) 20 tLle3<br />
(in Delemarre-Van der Poel, Dutch Ch<br />
1995, White scored an easy win with<br />
20 'lWe3 hxg4 21 ':xa7 'it'd6 22 0-0<br />
':hS 23 'iie4 .i.xc3? 24 'iixg4l:i.h8 2S<br />
'iif3 1-0; at any rate White's initiative<br />
is very strong and requires very accurate<br />
defence on Black's part)<br />
20 ... .i.xc3+ 21 ~e2 .i.xa1 22 :'xa1<br />
'iics 23 'iif6 0-0 24 f4!? ':xbS 2S<br />
.i.xbS 'it'xbS+ 26 ~f2 .i.a6 27 .:ta2<br />
and what started as promising queenside<br />
pressure has now turned into good<br />
chances of a successful kingside attack,<br />
Moskalenko-Summerscale, Andorra<br />
1991.<br />
14 axb5<br />
Kaidanov gave the line 14 'it'd4 eS!<br />
IS 'it'xeS 'it'xeS+ 161tJxeS .i.xcs with<br />
an unclear position. Again Wells took
136 THE BOTVINNIK SEMI-SlAV<br />
this a little further: 17 ttJxbS .tb4+ 18<br />
ttJc3 (it is not clear how Black responds<br />
best to 18 ~dl, but presumably<br />
by 18 ... 0-0, with the idea that 19<br />
.txc4 can be met by 19 ... h3 20 l::tg 1<br />
hxg2 21 f3 ttJd7!) 18 ... ttJc6!? 19 ttJxc6<br />
(19 ttJxc4 0-0-0 looks promising for<br />
Black with ... ttJd4 coming) 19 ... .txc6<br />
200-0-0 and then 20 ... .txc3 21 bxc3 h3<br />
22 :'gl .txa4 23 l:!.d4 with a roughly<br />
equal position. If Black wants more<br />
than this, 20 ... l::tg8 21 l:!.gl .tcS looks<br />
worth a try.<br />
14 .... tWxc5 15 l:!.a4 .tg7 16 :'xc4<br />
~e7 17 .te2 0-0 180-0 h3 19 g3 l::td8<br />
<strong>The</strong> position is approximately balanced,<br />
Vescovi-Matsuura, Sao Paulo<br />
Z 1995.<br />
e2}<br />
1l ... .th712 .te2 (D)<br />
It becomes apparent there is little<br />
logic in other moves as soon as it is noticed<br />
that 12 axbS cS 13 b6 backfires<br />
after 13 ... cxd4 14 'iia4+ ~d8 IS 'iiaS<br />
.td6!? 16 bxa7+ ~e7! - Korchnoi.<br />
12 ... ttJd7!<br />
Was this not the kind of thing White<br />
was trying to prevent with 11 a4? Yet<br />
again Black seems to get away with<br />
this move; if this is true, the whole 9<br />
exf6 system can be put on the shelf.<br />
Just in case, here is a survey of the<br />
other options, which are by no means<br />
less exciting:<br />
a) 12 ... .td6? 13lDe4 .tb4+ 14 ~f1<br />
'iig7 IS .tf3 0-0 16 axbS f6 17 ttJxc4<br />
cxbS 18 ttJcd6 .tdS 19 ttJcs ± Lukacs<br />
Nemeth, Budapest 1986.<br />
b) 12 ... h3 13 .thS! hxg2 (Black<br />
should probably refrain from this but<br />
then it is hard to see the point of<br />
12 ... h3; nonetheless 13 ... :'h7 14 g3<br />
ttJd7 IS 0-0 0-0-0 16 'iic2 ttJxeS 17<br />
dxeS'iifS 18 'iixfS exfS 19 axbS .tcS<br />
gave Black reasonable counterplay in<br />
Guimaraes-Matsuura, Brazilian Ch<br />
(Rio de Janeiro) 1998) 14 l:!.gl :'h7 IS<br />
.tf3 a6 (or IS ... 'iie7 16 :'xg2 l:!.g7 17<br />
ttJe4 a6 18 ttJcS :'xg2 19 .txg2 .tg7<br />
20 'iig4 ~f8 210-0-0 .tc8 22 f4 with<br />
a fantastic position for White, Wells<br />
Shabalov, London Lloyds Bank 1994)<br />
16 axbS axbS 17 :'xa8 .txa8 18 'iial<br />
.tb7 19 'iia7 ttJd7 20 ttJxd7 'iixf3 21<br />
ttJeS 1-0 Ikonnikov-Godena, Vienna<br />
1991.<br />
c) 12 ... cS. This seems more to the<br />
point but Black still has to go through<br />
a lot of nerve-wracking defending<br />
mixed with counter-attacking threats<br />
before reaching his goal. We shall<br />
look at:<br />
c1) 13 ttJxbS ttJa6 (13 ... cxd4 14<br />
0.c7+ ~d8 IS 'iixd4+
WHITE GAMBITS: 9 exf6!? 137<br />
tZ:lc6 17 tZ:lxc6 i.xc6 18l:c 1 e5 19 b4!<br />
gave White an advantage in Piket-Van<br />
der Wiel, Leiden 1986) and now:<br />
cll) 14 i.f3 i.xf3 15 ~xf3 ~xf3<br />
16 gxf3 (Meulders considers 16 tZ:lxf3<br />
superior, but I do not agree that White<br />
should be better) 16 ... cxd4 17 tZ:lxc4<br />
i.c5 18 l:d 1 0-0-0 19 tZ:le5 l:d5! +<br />
Meulders-Van der Wiel, Brussels 1987.<br />
c12) 14 i.h5?! does not have the<br />
same effect as usual: 14 ... cxd4 15<br />
i.xf7+ (15 tZ:lxf7?! i.b4+ followed<br />
by ... 0-0 leaves White embarrassed)<br />
15 ... ~e7 16 ~xd4l:d8 17 ~e3l:d5<br />
18 f4 ~d8! and Black takes over the<br />
initiative as the dark-squared bishop<br />
can now be developed actively along<br />
the f8-a3 diagonal (c5 or b4), Van<br />
Gaalen-Okkes, Dutch Ch (Eindhoven)<br />
1986.<br />
c13) 14 tZ:lg4!? iVf4 (14 ... ~e7!? is<br />
preferable) 150-0 i.e7 16l:cll:g8 17<br />
l:xc4 i.d5 18 l:c3 l::td8 19 g3 ~ g5 20<br />
~c 1 cxd4 21 tZ:lxd4 tZ:lb4 22 l:c7 ±<br />
Bellon-Abreu, Havana 1998. <strong>The</strong> invasion<br />
of the 7th rank makes ideas<br />
with f4 followed by a sacrifice on e7<br />
very relevant, while Black, with his<br />
badly coordinated pieces, has no interest<br />
in leaving White in complete control<br />
after a queen exchange.<br />
c14) 14 O-O! l:g8 (this pseudoattacking<br />
move is mostly a defensive<br />
move since White was planning 15<br />
i.h5, which, with White safer king's<br />
position, was about to become a real<br />
threat) 15 i.f3 i.xf3 16 tZ:lxf3 cxd4<br />
(Pinter suggests 16 ... h3 17 g3 l:d8!?)<br />
17 l::tcl ! l:c8 18 tZ:lfxd4l:c5 19 f4 tZ:lb4<br />
20 f5 e5 21 iVf3 i.e7 22 tZ:lb3 (22 tZ:le6<br />
fxe6 23 ~a8+ i.d8! 24 tZ:ld6+ ~e7 25<br />
tZ:le4 i.b6!!) 22 ... l:c8 23 tZ:ld2 h3 24 g3<br />
a6, Seirawan-Pinter, Zagreb IZ 1987,<br />
and now 25 tZ:lc3! intending tZ:lde4 is<br />
clearly better for White.<br />
c2) 13 i.h5 (D) and now:<br />
B<br />
c21) 13 ... l:h7 is slightly passive<br />
and leaves White with an advantage<br />
after 14 axb5:<br />
c211) 14 ..:ii'f4 15 tZ:le2! iVg5 16<br />
i.f3 i.xf3 17 gxf3 f6 18 ~c2 cxd4 19<br />
'iVxh7 iVxe5 20 ~f1 and although<br />
Black can continue fighting, the compensation<br />
is not entirely adequate,<br />
Gaprindashvili-Arakhamia, Tskhaltubo<br />
worn Ct 1988.<br />
c212) 14 ... l::tg7!? 15 i.f3l:xg2 16<br />
i.xg2 i.xg2 17l:g1 h3 18 b6 cxd4 19<br />
iVxd4 i.g7 20 f4 ~h4+ 21 iVf2 iVxf2+<br />
22 ~xf2 and White wins, Den Boer<br />
Kuijf, Netherlands 1989. <strong>The</strong> immediate<br />
threat is a sacrifice on g2 followed<br />
by b7.<br />
c213) 14 ... h3 15 i.f3 i.xf3 16 gxf3<br />
~d8 17 dxc5 i.xc5 18 ~xd8+ ~xd8
138 THE BOTVINNIK SEMI-SLAV<br />
(Piskov-S.Ivanov, Moscow 1986) 19<br />
liJe4 leads to a distinct advantage for<br />
White.<br />
c22) 13 ... i.g7 (voluntarily giving<br />
up on the defence of f7, but in return<br />
Black will get a few 'free' moves) 14<br />
i.xf7+ ~e7 15 f4. White could also<br />
return the bishop to h5, but it must be<br />
right to try to maintain the outpost on<br />
e5. Now we have:<br />
c221) 15 ... liJc6 16 0-0 liJxe5 17<br />
fxe5 'iWg5 18 d5! 'iVxe5 19 i.xe6 and<br />
White is gradually taking over, Tukmakov-Kuijf,<br />
Wijk aan Zee 1991.<br />
c222) 15 ... l:td8 16 0-0 b4 is interesting<br />
but this is only relevant if<br />
Black wants to play stubbornly for a<br />
win since line 'c223' looks fine for<br />
Black.<br />
c223) 15 ... i.xg2!? was Wells's preference<br />
in <strong>The</strong> Complete <strong>Semi</strong>-<strong>Slav</strong> and<br />
it must have been an awkward surprise<br />
when he was faced with it soon after<br />
his book was released! Wells-Lukacs,<br />
Budapest 1994 now went 16 l:tg1 h3<br />
17 'iWg4 (Wells had published his analysis<br />
this far) 17 ... liJd7! 18 i.xe6 (according<br />
to Lukacs, White can make a<br />
draw with 18 :'xg2! hxg2 19 i.xe6<br />
gl'iV+! 20'iVxg1 'iVh4+21 ~e2i.xe5!<br />
22 dxe5 '1txe6 23 'iVg6+ liJf6! 24 exf6<br />
l:thg8 25 'iWe4+ '1txf6 26 liJd5+ ~f7<br />
27 'iVf5+ but nothing more) 18 ... h5 19<br />
'iWg3 ~xe6 20 l:txg2 hxg2 21 'ii'h3+<br />
'iWf5 22 d5+ ~e7 23 d6+ ~e6 24<br />
'iWxg2 i.xe5 25 'iWd5+ ~f6 0-1.<br />
13liJxd7<br />
I also prefer Black after 13 liJe4<br />
i.b4+ 14 '1tfl 'iWf5 15liJxd7 ~xd7 16<br />
i.f3 '1tc8! 17 b3 :'d8, while Sadler's<br />
13 f4!? is best met by 13 ... b4 14 i.h5<br />
l:th7 15 liJe2 h3!?<br />
13 ... '1txd7 14 i.f3 a6 15 axb5<br />
I don't see why White should want<br />
to exchange many pieces in this line,<br />
so 15 0-0 looks like a better try, intending<br />
liJe4-c5, claiming that the<br />
two-pawn deficit does not mean that<br />
much as long as Black's light-squared<br />
bishop does not participate. However,<br />
Black seems to solve this problem by<br />
playing 15 ... i.g7! 16 axb5 (16 liJe4<br />
'iWxd4 gives White nothing) 16 ... axb5<br />
17liJxb5 :'xal18 'iWxal :'a8 19liJa3<br />
h3.<br />
15 ... axb5 16 lha8 i.xa8 17 'iVaI<br />
i.b7 18 'fJa7 '1tc8 19 0-0<br />
19 liJxb5 i.b4+ is very good for<br />
Black.<br />
19 ... l:tg8 20 i..e4 'iVf4 21 l:te1 f5<br />
Black has a winning advantage,<br />
Bellon-Lu.Perez, Havana Capablanca<br />
mem 1999.<br />
C3)<br />
1l ... h3!? (D)<br />
w
WHITE GAMBITS: 9 exf6!? 139<br />
Such a doubled pawn is not worth<br />
much in the long run, so why not sacrifice<br />
it to create disturbance in White's<br />
camp? In fact, this has been the most<br />
popular move recently. Compared to<br />
1l....tb7 12 .te2 h3, when 13 .thS! is<br />
strong, White is now deprived of this<br />
possibility. But currently I see no reason<br />
for Black to avoid Line C2.<br />
12 gxh3!?<br />
This is not, of course, very desirable<br />
in the line 1l....tb7 12 .te2 h3.<br />
<strong>The</strong> main advantage of this somewhat<br />
unaesthetic move is that White is immediately<br />
ready to bring his bishop<br />
out on the hl-a8 diagonal. Here is a<br />
summary of the other options:<br />
a) 12 .te2?! hxg2 13ltgl.td6! 14<br />
.tf3 .txeS IS 4:Je4 'it'f4 16 dxeS 4:Jd7<br />
17 4:Jf6+ 4:Jxf6 18 exf6 .t b 7 19 ax bS<br />
'it'eS+ 20 'it'e2 'it'xbS 21ltxg2 0-0-0 +<br />
P.Cramling-Cu.Hansen, Cap d' Agde<br />
rpd 1996.<br />
b) 12 g3 cS! (D) (12.....ib7?!, hoping<br />
to transpose to Line C2, misses its<br />
goal since White can now advantageously<br />
play 13 J.xh3 cS 140-0). Now<br />
White has several options but none of<br />
them promises much:<br />
bl) 13 f4 J.b7 14ltgl J.g7 IS axbS<br />
cxd4 16 'it'xd4 0-0 was rather unclear<br />
in P.Cramling-Doornbos, French Cht<br />
1999 but I like Black's initiative.<br />
b2) 13 .txh3 cxd4 14 4:Jg4 'it'g7 IS<br />
'it'f3 dxc3 16 'it'xa8 (Black easily defends<br />
after 16 0-0 cxb2 17 ltadl fS!!<br />
18 'it'xa8 'it'b7! -+ Khenkin) 16 ... cxb2<br />
17 ltdl .tb4+ 18 'it>e2 c3 19 'fixb8<br />
0-0. Black is a whole rook down - not<br />
W<br />
counting pawns - but the passed<br />
pawns are almost a guarantee of winning<br />
back the material. Tukmakov<br />
Khenkin, Iraklion 1992 now continued<br />
20 'it'xbS (20 'it'c7 bxa4! and there<br />
is a further problem to deal with)<br />
20 ... c2 21 'it'xb4 .ta6+ 22 ~e3 (22<br />
'it>f3 fS! 23 4:Je3 'it'b7 +! 24 'ii'xb7<br />
.txb7+ 2S 'it'f4 cxdl'ii' 26 l:i.xdl .te4<br />
winning another rook and the game -<br />
Khenkin) 22 ... ltc8 23ltcl hS 24 'it>d2<br />
'it' gS+ 2S 4:Je3 'it'd8+ 0-1.<br />
b3) 13 4:JxbS cxd4! 14 4:Jc7+ (14<br />
~xd4 J.b4+ IS 'it>dl 0-0 +) 14 ...'it>d8<br />
IS 'it'xd4+ 4:Jd7 16 O-O-O!? (16 4:Jxa8?<br />
J.b4+! 17 'it>e2 'it'xeS+ 18 'it'xeS 4:JxeS,<br />
intending ....tb7, is tremendous for<br />
Black) 16 ... ~xc7 17 'it'xc4+ 4:JcS 18<br />
'it'bS! (compared to the similar line<br />
where ... h3 and g3 have been left out,<br />
White has a much better version here<br />
since Black does not have the saving<br />
...'fif4+ followed by ...'fixa4, but this<br />
does not give him more than a draw)<br />
18 ... ~xeS (18....te7!?) 19 'it'a5+ 'it>b8<br />
20 'fibS+, and since Black cannot play<br />
20 ... J.b7 in view of 21ltd8+ 'it>c7 22
140 THE BOTVINNIK SEMI-SLAV<br />
'iWa5+ ~c6 23 i.bS#, he has to allow a<br />
repetition after 20 ... ~c7 21 'iWa5+.<br />
c) 12 axbS!? has surprisingly, at<br />
least to my knowledge, never been<br />
tried in practice. <strong>The</strong>n:<br />
c1) 12 ... i.b7 13 'it'a4 is good for<br />
White.<br />
c2) 12 ... cS is not as strong as after<br />
11...i.b7 12 axbS. White plays 13 b6<br />
cxd4 14 'it'xd4, and now since the rook<br />
on a8 is undefended Black must play<br />
14 ... a6, when, for instance, IS ll'le4<br />
looks dangerous.<br />
c3) <strong>The</strong>refore Black's best try is<br />
12 ... cxbS 13 ll'lxbS i.b4+ 14 ll'lc3<br />
1:tg8!? but White maintains an advantage<br />
with IS 'it'a4+ ll'ld7 (not lS ... i.d7?<br />
16 'it'xb4 hxg2 17 i.xg2 .:txg2 18ll'le4<br />
'iWe7 19 'iWb7 and White wins) 16 g3<br />
.:tb8 17 i.xc4.<br />
Summing up, 12 axbS!? may well<br />
be the critical move against l1...h3!?<br />
12 ... i.d6<br />
In Ward-Boudre, Paris 1994, Black<br />
soon got into trouble after 12 ... .i.b7 13<br />
%lgl i.d6 14 'iWhS ll'la6? (White still<br />
has to show where his compensation<br />
lies after 14 ... a6, when Black toys with<br />
ideas such as the simplifying ... ll'ld7 or<br />
the undermining ... cS; e.g., IS .:tg3 cS<br />
+) 15 axbS cxbS 16ll'lxbS .i.b4+ 17<br />
~e2 1:tc8 18 .i.g2 .i.xg2 19 1:txa6 i.dS<br />
20.:txa7 with a fantastic attack.<br />
13 'ii'e2<br />
It is worth noting that 13 ll'le4 is<br />
rarely anything since Black can almost<br />
always meet this with a bishop check<br />
on b4.<br />
13 ... .:tgS 140-0-0 ll'ld7!? 15 'ii'e4<br />
i.b7 (D)<br />
16 ll'lxb5 cxb5 17 'ii'xb7 1:tdS IS<br />
.i.e2 bxa4!?<br />
This kind of capture can rarely be<br />
recommended since exchanging the<br />
c4-pawn for White's a-pawn mostly<br />
suits White. However, in this particular<br />
situation, Black is able to launch a<br />
counter-attack, forcing White into a<br />
worse endgame.<br />
19l1'lxc4 'ii'f4+ 20 ~bl a3! 21 'ii'c6<br />
~e7 22 'ii'xd6+ 'ii'xd6 23ll'lxd6 ~xd6<br />
24 bxa3 .:tbS+ 25 ~a2 ll'lb6<br />
Despite being a pawn down, Black<br />
has a clear advantage, Parker-Hector,<br />
Copenhagen 1996. <strong>The</strong> knight will excel<br />
from dS, serving both as a blockader<br />
and an attacker, while White will<br />
be kept busy defending his hopelessly<br />
weak pawns.
11 7 a4<br />
1 d4 d5 2 c4 c6 3 lLlf3 lLlf6 4 lLlc3 e6 5<br />
.i.g5 dxc4 6 e4 b5 7 a4 (D)<br />
B<br />
7 a4 is usually chosen by practical<br />
players who are looking for something<br />
not too theoretical but at the same time<br />
want an interesting position. 7 a4<br />
serves both purposes. White aims to<br />
disrupt Black's queens ide while keeping<br />
the 'threat' of e5 in the reserve.<br />
Quick Summary<br />
7 ... b4 (Line A) is a relatively new attempt.<br />
After 8 lLlbl .i.a6 9 'ii'c1 c3 10<br />
bxc3 .i.xfl 11 ~xfl lLlbd7 Black has<br />
had good results in a few recent<br />
games. If White does not find an improvement<br />
here, this looks like the<br />
easiest path for Black against 7 a4.<br />
7 ... .i.b7 (Line B) is generally regarded<br />
as the safest approach for Black<br />
and usually leads to approximately<br />
equal positions following 8 axb5 cxb5<br />
9 lLlxb5 .i.xe4, while the other two options<br />
for Black, 7 ... .i.b4 (Line C) and<br />
7 ... 'tWb6!? (Line D), lead to much<br />
sharper play. I have always thought<br />
White to be much better in the line<br />
7 ... i.b4 8 e5 h6 9 exf6 hxg5 10 fxg7<br />
.l::.g8 11 h4!, but this might not be that<br />
clear. <strong>The</strong> safest is 11...g4 (although<br />
11...gxh4 is not that clear either),<br />
when 12 lLle5 f5 13 h5 ':xg7 14 .i.e2<br />
'tWg5!? seems to be about equal.<br />
7 ... 'tWb6!? leads to messier positions,<br />
with White having to justify his<br />
pawn sacrifice. Here, I find the idea<br />
of the small rook-lift after 8 .i.xf6<br />
gxf6 9 i.e2 a6 10 0-0 ':a7!? interesting.<br />
Black intends to meet 11 d5 with<br />
1l....l::.d7.<br />
<strong>The</strong> <strong>The</strong>ory of 7 a4<br />
1 d4 d5 2 c4 c6 3 lLlf3 tiJf6 4 lLlc3 e6 5<br />
.i.g5 dxc4 6 e4 b5 7 a4<br />
Now:<br />
A: 7 ... b4 141<br />
B: 7 ... .i.b7 142<br />
C: 7 ... .i.b4 144<br />
D: 7 ... 'WWb6 147<br />
A)<br />
7 ... b4 (D)
142 THE BOTVINNIK SEMI-SLAV<br />
This has lately grown from a rather<br />
obscure line into something quite playable<br />
for Black.<br />
w<br />
8 ttJbl<br />
8 ttJa2 i.a6 9 eS h6 10 exf6 hxgS<br />
11 fxg7 i.xg7 12 ttJxb4 g4 13 ttJeS<br />
~aS 14 ~d2 i.xeS IS dxeS ~xeS+<br />
and now, rather than 16 i.e2? c3! -+<br />
Guliev-Chilov, Iraklion 1996, White<br />
has to try 16 ~e2, whereupon Black<br />
has at least a draw with 16 ... ~aS 17<br />
~d2 'ii'eS+, while the more ambitious<br />
player might want to try 17 .. J~hS!?<br />
8 ... i.a6 9 'ii'c1 c3<br />
Mikhalchishin's 9 ... i.e7 10 i.xf6<br />
i.xf6 11 i.xc4 cS does not look convincing<br />
after the simple response 12<br />
dxcS!.<br />
10 bxc3 i.xfi 11 'it>xfi ttJbd7<br />
11...h6 12 i.xf6 'ii'xf6 13 ttJbd2<br />
bxc3 14 'ii'xc3 as (14 ... cS IS eS cxd4<br />
16 ttJxd4 ~d8 17 ttJbS! ±) and now IS<br />
ttcl i.b4 16 'ii'd3 0-0 17 ttJb3 ttd8 18<br />
eS ~e7 19 g3 ~d7 20 ~c4 'ii'dS 21<br />
'it>g2 ttJd7 led to a roughly equal position<br />
in Mikhalchishin-A.Petrosian,<br />
Lvov 1996, but Mikhalchishin suggests<br />
that IS ttJb3 i.b4 16 'ili'c4 might be an<br />
edge for White.<br />
12 g3 c5 13 'iti'g2 ttc8 14 cxb4 cxb4<br />
15 'ii'b2 h6 16 i.xf6 ttJxf6 17 ttJbd2<br />
i.e7 18 tthcl 0-0 19 ttJe5 ~b6<br />
White enjoys a slight space advantage<br />
in the form of two centre pawns<br />
versus one but Black also has a significant<br />
plus in his passed b-pawn and the<br />
possibility of creating pressure against<br />
the d-pawn. However, for the moment<br />
White can easily blockade the passed<br />
b-pawn with ttJb3, which simultaneously<br />
defends d4.<br />
20 f3 ttfd8<br />
20 ... 'iIi'a6 21 ttJb3 ttxc1?! (this exchange<br />
allows White a free game; it is<br />
better to maintain the control of the c<br />
file and transpose to the main line with<br />
2l...ttfd8) 22 ttxc1 'ili'xa4 23 ttal 'ili'bS<br />
24 ttxa7 i.d6 2S ttaS 'ili'b7 26 ttJc4<br />
i.e7 27 'ii'a2! gave White an advantage<br />
in Comas Fabrego-Korneev, Linares<br />
1997.<br />
21 ttJb3 'ii'a6 22 'it>f2 i.d6 23 'ili'e2<br />
'ili'xe2+ 24 'it>xe2 i.xe5 25 dxe5 ttJd7<br />
Black has an edge, Dizdar-Sveshnikov,<br />
Bled 1998.<br />
B)<br />
7 ... i.b7 (D)<br />
This is generally regarded as the<br />
safest of Black's four main approaches,<br />
and commonly leads to more open positions.<br />
8 axb5<br />
8 eS is a fairly interesting alternative<br />
but probably inferior to the text.
7 a4 143<br />
w<br />
After the forced 8 ... h6 White has two<br />
options:<br />
a) 9 i.h4 gS 10 exf6 gxh4 and<br />
now:<br />
a1) 11 i.e2 cS!? 12 dxcS ltJd7 13<br />
c6 i.xc6 14 ltJd4 i.xg2 IS .:tg1<br />
(Dokhoian-Kuijf, Wijk aan Zee 1989)<br />
lS ... h3!? 16ltJxe6 'iWxf6 17ltJc7+ (17<br />
ltJd5 i.b4+) 17 .. .'~d8 18ltJ7d5! 'iWeS!?<br />
(18 ... 'iWd619 'iWd4) 19 f4 'iWd6 20 i.f3!<br />
'iWe6+ 21 ~d2 b4 22ltJbS is unclear<br />
Dokhoian.<br />
a2) 11 axbS cxbS 12ltJxbS i.b4+<br />
l3lZJc3, Ki.Georgiev-Nogueiras, Sarajevo<br />
1985, and now after the accurate<br />
13 ... 0-0! 14 i.xc4 'iWxf6, intending<br />
... .:td8, Black has an edge - Nogueiras.<br />
a3) 11 ltJeS ltJd7! (11... 'iW xf6 is<br />
Line C2 of Chapter 10) 12 'iWhS 'iWxf6<br />
13 ltJxd7 (13 axbS ltJxeS 14 dxeS<br />
'iWgS IS 'iWxgS hxgS 16 i.xc4 i.g7 =+=<br />
Kramnik) 13 ... ~xd7 14 axbS cxbS IS<br />
'iWxbS+ i.c6 16 'iWxc4 i.d6 was<br />
slightly better for Black in Van Wely<br />
Kramnik, Manila OL 1992.<br />
b) 9 i.d2!? ltJdS 10 ltJe4 a6 11 b3<br />
cxb3 12 'iWxb3 ltJd7 13 i.d3 i.e7 14<br />
0-00-0 IS i.b1 (this is more accurate<br />
than IS .:tfe1 'iWb6 16 i.b1 l:.fc8 17<br />
'ikc2 cS!, as in Guliev-Savchenko,<br />
Nikolaev Z 1993; now Black does not<br />
get his rook to c8) IS ... l:.e8 16 'iWc2<br />
ltJf8 17 ltJcs (17 .:tel!?) 17 ... i.xcs 18<br />
dxcS. I would be surprised if White<br />
had more than just reasonable practical<br />
chances for the pawn, but practice<br />
has shown that it is not that easy for<br />
Black to defend:<br />
bl) 18 ... fS (this looks a little too<br />
desperate) 19 exf6 'iWxf6 20 i.a2 .:tad8<br />
21 .:tfe1 eS 22 i.aS! .:td7 23ltJd2 (itis<br />
clear that as long as Black's bishop<br />
does not participate White has excellent<br />
compensation) 23 ... ~h8 (23 ... 'iWg6<br />
is more prudent) 24 i.b1 ltJf4 2S .:ta3<br />
'iWg6 26 'iWxg6ltJ4xg6 27lZJe4 ~ Maksimenko-Pinter,<br />
Bnmsh"j 1995.<br />
b2) 18 ... aS!? 19 axbS cxbS 20 c6<br />
i.c8 21 ..txaS!? .:txaS 22 c7 l:.xa1 23<br />
cxd8'iW .:txd8 24 'iWb2 l:.a8 2S l:.e1 b4<br />
26 ..te4 i.b7 27 h3 l:.ab8 112-112 Pogorelov-Korneev,<br />
Benasque 1996.<br />
8 ... cxb5 9 ltJxb5<br />
If White was not ready to play eS on<br />
the previous move, it appears less logical<br />
to do it here. Nevertheless it is<br />
seen once in a while; e.g., 9 eS h6 10<br />
i.d2ltJe4 11ltJxbS ltJxd2! and then:<br />
a) 12 ltJxd2 ltJc6 13 i.xc4 a6 14<br />
ltJd6+ i.xd6 IS exd6 'iWxd6 =F Bouaziz-Zhu<br />
Chen, Cannes 1997.<br />
b) 12 'iWxd2 i.xf3! 13 gxf3ltJc614<br />
.:tdl 'iWb6 IS i.xc4 i.b4 16 ltJc3<br />
O-O-O! with a good position for Black,<br />
Scherbakov-Novikov, Blagoveshchensk<br />
1988.
144 THE BOTVINNIK SEMI-SLAV<br />
9 ... .i.xe4 10 .i.xc4 .i.b4+ 11 lbc3<br />
(D)<br />
B<br />
Black is slightly better, Hulak<br />
Piket, Wijk aan Zee 1995.<br />
C)<br />
7 ... .i.b4 (D)<br />
This leads to sharp play but does<br />
not enjoy the best reputation. However,<br />
a few strong players have employed<br />
it recently, which suggests that<br />
it is worth taking a fresh look at it.<br />
w<br />
11 ... lbc6!?<br />
<strong>The</strong> most ambitious; the alternative<br />
is 11...0-0 120-0 and now:<br />
a) 12 ... .i.b7 13 lbe5!? .i.e7?! 14<br />
'ii'b3 'ii'b6 15 'ii'xb6 axb6 16 l1xa8<br />
.i.xa8 17 l1a1 ± Knaak-Ka.Miiller,<br />
Bundesliga 1998/9.<br />
b) 12 ... .i.xc3 13 bxc3 'ii'c7!? 14<br />
.i.xf6 'ii'xc4 15 lbd2 'ii'c6 16 lbxe4<br />
'ii'xe4 17 ltel 'ii'f5 18 .i.e7 l1c8 19 l1e5<br />
'ii'g6 20 l1g5 'ii'e4 21 .i.f6 g6 22 'ii'a4<br />
a6! 23 ltc5 'ii'b7 24 'ii'b3 'ii'd7 25 c4! ;!;<br />
I.Sokolov-Pinter, Lyons ECC 1994.<br />
12 0-0 .i.xf3 13 .xf3 lbxd4 14<br />
'ii'e3!?<br />
A slight provocation but White<br />
gains nothing from 14 'ii'b7 'ii'b8! 15<br />
ltxa7 O-O! - Piket.<br />
14 .•• lbc2 15 .i.b5+ ~f8 16 .i.xf6<br />
lbxe3<br />
Not, of course, 16 ... gxf6? 17 'ii'h6+<br />
or 16 ... 'ii'xf6 17 'ii'e4.<br />
17 .i.xd8lbxf118 .i.g5 f6 19.i.c1<br />
lbxh2 20 ~xh2 as<br />
8e5<br />
Throwing in an exchange on b5 is<br />
possible but does not appear very logical.<br />
<strong>The</strong> text-move is clearly the way<br />
forward.<br />
8 ... h6 9 exf6<br />
9 .i.h4 g5 is similar to the main line<br />
but Black benefits from already having<br />
established a pin on the c3-knight:<br />
a) 10 lbxg5 hxg5 11 .i.xg5 'ii'a5<br />
(11...lbbd7 12 exf6 .i.b7 is also well<br />
playable) 12 .i.xf6 .i.xc3+ 13 bxc3<br />
'ii'xc3+ 14 'itte2 'ii'b2+ 15 'ii'd2 'ii'xal<br />
16 'ii'b4 'iWa2+ 17 ~e1 'ii'al+ 18 'itte2<br />
'ii'a2+ 1/2_1/2 Laffler-Haugli, Copenhagen<br />
1988.
7 a4 145<br />
b) 10 exf6 gxh4 11 ~eS cS! 12<br />
'iWhS? (12 'ii'f3!? is stronger; Shirov<br />
then analyses 12 ... cxd4 130-0-0 "ikc7<br />
14 ~xbS 'ii'xeS IS .txc4! with compensation)<br />
12 ... 'ii'xf6 13 0-0-0 a6 =+<br />
Ubilava-Shirov, Daugavpils 1989.<br />
9 ... hxg510 fxg7 ':g8 (D)<br />
w<br />
11 h4!<br />
It is my opinion that Black experiences<br />
the most difficulties after this<br />
dynamic move, but many strong players<br />
prefer the calmer 11 g3 .tb7<br />
(ll...g4!? 12 ~h4 .tb7 13 .tg2 ':xg7<br />
is seriously worth considering) 12<br />
.tg2 with the possibilities:<br />
a) 12 ... cS!? 13 0-0 (13 dxcS "iiixdl+<br />
14 'ittxdl g4 IS ~el .txg2 16 ~xg2<br />
bxa4 17 ':xa4 ~c6 18 ~e3 .l:txg7 19<br />
~xc4 .txcS 20 ~e4 .td4 was roughly<br />
equal in Kantsler-Oll, Uzhgorod 1987)<br />
13 ... g4 14 ~h4 .txg2 IS ~xg2 cxd4<br />
16 ~xbS ~c6 17 'ii'xg4 a6 18 'ii'e4!?<br />
.!:tc8 19 .l:tfdl!? (19 "ikh7 ~d7!, with the<br />
idea that 20 lHdl is met by 20 ... 'iVf6,<br />
looks good for Black), Yusupov-Van<br />
Wely, Groningen 1994, and now Black<br />
should play 19 ... axbS 20 axbS ~e7 21<br />
.!:txd4 "iiib6. White can then try several<br />
ideas. 22 .!:ta8, 22 .!:txc4 and 22 ~e3<br />
are all candidate moves but it is far<br />
from clear that White's attack prevails,<br />
and at best it looks very unclear.<br />
b) 12 ... ~d7 is safer. After 13 0-0,<br />
Black has these options:<br />
bl) 13. .. a6 and then:<br />
bll) 14 ~eS!? 'iVc7 (14... ~xeS IS<br />
dxeS .txc3 16 bxc3 'iVxdl 17 ':fxdl<br />
±) IS axbS cxbS (Kupreichik suggests<br />
IS ... axbS!? as an interesting alternative;<br />
then after 16 ':xa8+ .txa8, 17<br />
~xbS?! cxbS 18 .txa8 ~xeS 19 dxeS<br />
~e7! 20 'ii'f3 'iVxeS gives Black a<br />
good game, but White might try 17<br />
~e4!? or 17 'ii'hS!?) 16 .txb7 'ii'xb7<br />
17 ~xd7 'ir'xd7 18 'ir'f3 ~e7 19 dS<br />
.txc3 20 dxe6 fxe6 21 'ii'xc3 'ii'd3<br />
with approximately equal chances,<br />
Gabriel-Kupreichik, Bad Worishofen<br />
1997.<br />
b12) 14 axbS axbS IS ':xa8 .txa8<br />
16 ~eS ~xeS 17 dxeS .txc3 (not<br />
17 ....!:txg7? 18 ~e4 'iVxd119 ':xdl ±<br />
Khuzman-Oll, Uzhgorod 1987) 18<br />
bxc3 'ii'xdl 19 .!:txdl .tb7 20 ':d6<br />
.!:txg7 21 .txc6+ .txc6 22 ':xc6 with<br />
much the better endgame for White,<br />
Peshina-Baburin, Budapest 1990.<br />
b2) 13 ...l'hg7?! 14 axbS .txc3 IS<br />
bxc6.txc6 16 bxc3 favoured White in<br />
Dydyshko-Ribic, Berlin 1995, which<br />
explains why Black should exchange<br />
on c3 before capturing the g7-pawn.<br />
b3) 13 ....txc3!? 14 bxc3 ':xg7 IS<br />
"ikbl a6 16 ~d2 'ii'c7 17 axbS cxbS 18<br />
.txb7 'ii'xb7 19 ~xc4 'ii'c6 with an
146 THE BOTVINNIK SEMI-SLAV<br />
equal position, Chernin-Kramnik, Villarrobledo<br />
rpd 1998.<br />
1l ... g4<br />
This is the safest approach. It is<br />
generally agreed that White benefits<br />
from the opening of the h-file. Both<br />
11.. .':'xg7 12 hxgS and 11... ttJd7 12<br />
hxgS are certainly good for White, but<br />
things are less clear after 11...gxh4 12<br />
':'xh4 'ir'f6, although when subjected<br />
to close scrutiny, it seems to be in<br />
White's favour:<br />
a) 13 axbS cxbS 14 l:thS .td7 IS<br />
ttJeS .tc6 16 ttJxc6 ttJxc6 17 l:txbS<br />
'ir'xd4 18 fif3 l:tc8 19 l:tdl fixg7 20<br />
':'b7 fieS+ 21 .te2 l:tg7 22 ~f1 l:th7<br />
23 g3 fih8 24 ~gl ttJeS was fine for<br />
Black in Skomorokhin-Belov, USSR<br />
Ch 1987.<br />
b) 13 ~c2!? .tb7 14 ~e4 a6 IS<br />
axbS axbS 16 l:txa8 .txa8 17 ~eS!<br />
fixeS+ 18 ttJxeS l:txg7 19 l:th8+ .tf8<br />
20 ttJe4 and now rather than 20 ... cS,<br />
which gives White the possibility of<br />
21 ttJd6+
7 a4 147<br />
<strong>The</strong>re seems to be no way that<br />
White can really exploit this, so I prefer<br />
to defend the g-pawn. This is just,<br />
after 12 .. .lhg7, to rule out 13 lLlxg4,<br />
whether it be good or bad.<br />
13 hS 1:txg7 14 i.e2 (D)<br />
B<br />
14 .. :iVgS!?<br />
After this it is clear that White must<br />
continue energetically, otherwise the<br />
h-pawn will simply become weak.<br />
Other options for Black look inferior:<br />
a) 14 ... cS?! IS h6l:th7 16 i.xg4!<br />
'iWxd4 17 i.hS+ (17 'iWxd4 cxd4 18<br />
i.f3 dxc3 19 0-0-0 lLld7 20 lLlxd7<br />
i.xd7 21 i.xa8 bxa4 gave Black sufficient<br />
counterplay to draw in Dizdar<br />
Sulava, Makarska tt 1994) 17 .. /tite7<br />
18 lLlg6+ ct;f6 19 \WcI! i.xc3+ 20<br />
bxc3 'iWe4+ 21 ct;n i.b7, Dokhoian<br />
Yakovich, Uzhgorod 1987, and now<br />
Dokhoian recommends 22 f3 'iWd3+<br />
23 ct;gl b4, when both 24 'iWel and 24<br />
'iWf4 win on the spot.<br />
b) 14 ... 'iWdS IS 'iWd2! lLld7 16 h6<br />
.%:th7 17 'ii'gS ± Lipman-AI. Karpov,<br />
USSR 1986.<br />
IS'iWd2<br />
Yudasin and all's suggestion, but<br />
Yudasin was willing to play Black's<br />
position later, so he might not think it<br />
to be that much. Other options are:<br />
a) IS axbS cxbS 16 dS?! is a very<br />
direct attempt but not at all convincing.<br />
16 ... i.b7 17 dxe6 i.xg2 18 l:tgl<br />
i.b7 19 i.f3?!, Lautier-Thorsteinsson,<br />
Reykjavik 1988, and now 19 ... 'iWf6!<br />
looks very strong.<br />
b) IS ~n i.b7 (1S ... l:th7!?) 16<br />
axbS i.xc3 17 bxc6 lLlxc6 18 bxc3<br />
lLlxeS 19 dxeS i.dS 20 'ii'a4+ ct;f8 21<br />
i.xc4 'iWd2 with counterplay, Kramnik-Yudasin,<br />
Pamplona 1992/3.<br />
IS ... 'iWxd2+ 16 ct;xd2 i.b7 17 f3!<br />
lLld7 18 h6l:th7 19lLlxd7<br />
19 fxg4 0-0-0 20 'Oitc2 cS!? is more<br />
critical according to Gil but does not<br />
actually look bad for Black.<br />
19 ... ~xd7 20 fxg4 a6 21 gxfS exfS<br />
<strong>The</strong> position is approximately equal,<br />
Bellon-Gil Capape, Spanish Ch 1993.<br />
White's h-pawn is likely to be exchanged<br />
for Black's f-pawn, when<br />
Black's bishops will make up for the<br />
passed g-pawn.<br />
D)<br />
7 .. :iib6!? (D)<br />
This is Black's sharpest option,<br />
holding on to the extra pawn. While in<br />
my opinion the move is quite playable,<br />
it is noteworthy that few players are<br />
prepared to take on the defensive task<br />
required. <strong>The</strong> key is not to become<br />
too desperate when White attempts to<br />
break up Black's centre.
148 THE BOTVINNIK SEMI-SlAV<br />
w<br />
8 i.xf6<br />
It must be right to give Black more<br />
weaknesses, although 8 'ikc2 is probably<br />
playable. <strong>The</strong> game W.Schmidt<br />
Henley, SurakartalDenpasaar 1983<br />
then continued in Black's favour:<br />
8 ... ~bd7 9 i.e2 a5!? 10 0-0 (Henley<br />
thinks that White can minimize the<br />
disadvantage with 10 axbS cxbS 11<br />
dS!? i.b4 12 0-0 i.b7) 1O ... b4! 11<br />
~dl b3 121i'bl i.a613 ~c3 i.b4 +.<br />
8 ... gxf6 9 i.e2 a6<br />
Or:<br />
a) 9 ... ~d7 10 0-0 (10 dS!? is another<br />
idea) 1O ... i.b4 11 dS i.xc3 12<br />
bxc3 ~cS 13 dxc6 (13 'iVd4? eS 14<br />
~xeS ~b3 IS 'ikxb6 axb6 16 ~xc6<br />
~xal 17 l:hal i.d7 + Slepukhov<br />
Bronstein, Moscow 1945) 13 ... ~xa4<br />
14 llxa4 bxa4 IS 'iVd6. White can perhaps<br />
claim some compensation since<br />
it is not easy for Black to coordinate,<br />
but HUbner believes that Black is able<br />
to untangle with IS ...'ikd8 16 'iVg3<br />
'iti>f8 17 lld 1 'ike7, although this is still<br />
very unclear.<br />
b) 9 ... i.b7 and then:<br />
b 1) After 10 0-0 Black can try a<br />
number of ideas:<br />
b11) HUbner recommends 1O ... i.b4<br />
(a move that he seems to fancy in several<br />
similar lines) with the intention of<br />
ruling out White's pawn-breaks b3<br />
and dS.<br />
b12) 1O ... a6 transposes to the main<br />
line.<br />
b13) 1O ... ~d7 11 a5!? 'ikc7 12 a6<br />
i.c8 13 dS! i.cs 14 b3 b4 IS ~a4 c3<br />
16 ~xcS ~xcS 17 'ikd4 ~xb3 18<br />
'f:fxf6 :g8 19 :abl gave White the<br />
stronger attack in Lutz-eu.Hansen,<br />
Tilburg rpd 1993.<br />
b2) 10 a5!? 'iVc7 11 dS is Lputian's<br />
proposal, with the continuation 11.. .eS<br />
12 ~h4 ±, but this is hardly best play<br />
from Black. 11...b4 looks more critical,<br />
when White can try the piece sacrifice<br />
12 dxe6 bxc3 13 exf7+ 'ikxf7 14<br />
bxc3 with a rather unclear outcome.<br />
100-0 (D)<br />
B<br />
10 ... :a7!?<br />
Black is already far behind in development<br />
and spending another tempo
7 a4 149<br />
on such a peculiar rook move may<br />
seem like a luxury, but 1O ... l:r.a7!? is<br />
actually not so stupid. <strong>The</strong> main idea<br />
is that it seeks to discourage 11 d5 in<br />
view of 11 ... l:r.d7, and the simple presence<br />
of a rook on the d-file limits<br />
White's options substantially. <strong>The</strong> development<br />
of the minor pieces can<br />
wait, for it is often quite handy to have<br />
the bishop defending e6. Also, if everything<br />
goes Black's way, it may<br />
even be possible to play ... c5, and then<br />
develop the knight actively on c6.<br />
Other options:<br />
a) 1O ... ttJd7 11 d5 l:r.b8 12 dxc6<br />
'tixc6 13 axb5 axb5 14 ttJd4 'iVc5 15<br />
b4 cxb3 16 ttJdxb5 i.e7 is unclear according<br />
to Hubner.<br />
b) 1O ... i.b7 and now:<br />
bI) 11 b3 with a further branch:<br />
bll) 1l...b4 12 as 'tic7 13 ttJa4 c3<br />
14 ttJb6 l:r.a7 15 d5 is actually not very<br />
clear. If Black just had time to kick the<br />
knight away from b6 with ... ttJd7 everything<br />
would be in order, but it is not<br />
that easy; in Stone-Nogly, Hamburg<br />
1993 Black failed to find a good defence,<br />
and soon succumbed to the attack:<br />
15 ... e5 16 i.c4 ttJd7 17 ttJh4<br />
ttJxb6 18 d6! 'tixd6 19 i.xf7+! 'it>xf7<br />
20 'tih5+ 'it'g8 21 axb6 lIa8 22 'iVg4+<br />
~f7 23 lIadl 'tic5 24 lId7+ i.e7 25<br />
ttJf5 :the8 26 ttJh6+ and mate next<br />
move.<br />
b12) 11...cxb3 12 'i'xb3 ttJd7 13<br />
d5 ttJc5 (13 ... cxd5 14 exd5 ttJc5 15<br />
'i'b4 ttJd7 16 'i'h4 b4 17 dxe6 fxe6 18<br />
ttJe4 is clearly better for White, Lerner-Kaidanov,<br />
Moscow 1985) 141i'bl<br />
i.e7 15 dxc6 1/2- 1 /2 Zakharevich-Savchenko,<br />
Russian Club Cup (Maikop)<br />
1998. Black would indeed have no<br />
problems after 15 ... i.xc6 16 axb5 axb5<br />
17 l:r.xa8+ i.xa8 18 i.xb5+ 'it>f8.<br />
b2) 11 d5!? (D) and then:<br />
B<br />
b21) 1l...b4?ismuchtoorisky: 12<br />
dxe6 fxe6 (12 ... bxc3 13 exf7+ 'it'xf7<br />
14 i.xc4+ ~e8 15 bxc3 ttJd7 16 l:r.bl<br />
'tic7 17 ttJd4 and White wins -<br />
Hubner) 13 as'tid8 14 'iVxd8+ ~xd8<br />
15 ttJa4 ttJd7 16 i.xc4 ± Lputian<br />
Odeev, USSR 1985.<br />
b22) 11...i..c5 12 dxe6 fxe6 and<br />
now White has several ways to increase<br />
the pressure:<br />
b221) 13 e5!? ttJd7 14 exf6 0-0-0<br />
and here Lputian-Ribli, Sarajevo 1985<br />
was agreed drawn in this highly unclear<br />
position.<br />
b222) 13 b3 'tid8!? 14'i'cl (White<br />
can hardly count on anything after 14<br />
'iVxd8+ 'it>xd8 15 bxc4 b4 16 ttJbl<br />
ttJd7) 14 ... ttJd7 15 axb5 cxb5 16 bxc4<br />
b4 17 ttJa4 'i'e7 with a roughly balanced<br />
position, but one in which I
150 THE BOTVINNIK SEMI-SLAV<br />
would rather play Black if I should<br />
choose a colour, Ragozin-Szily, Moscow-Budapest<br />
1949. Black has the<br />
more active pieces and it is not clear<br />
what White's plan consists of.<br />
b223) 13 tLlh4!? 'Wd8!? 14 i.hS+<br />
(14 'iVcl is maybe better) 14 ... 'ifi>e7 IS<br />
'iVe2 tLld7 16 eS?! tLlxeS 17 lIadl tLld3<br />
18 tLlfS+ ~d7 19 tLle4 i.e7 =+= Zaid<br />
Novikov, Lvov 1986.<br />
b23) 1l...tLld7!? 12 tLld4 cS? (the<br />
alternative 12 ... cxdS 13 exdS i.cs is<br />
better) 13 tLlc6 1:.g8 14 i.hS (14 dxe6<br />
'Wxc6 IS exd7+ 'iVxd7 16 'ilt'xd7+ 'ifi>xd7<br />
17 1:.fd 1 + rJi;e7 is probably not much<br />
for White) 14 ... i.xc6 IS dxe6! (better<br />
than IS dxc6) IS ... tLleS 16 axbS i.xbS<br />
17 'WdS! (17 i.xf7+ tLlxf7 18 exf7+<br />
rJi;xf7 and now 19 tLlxbSlId8 20 ~hS+<br />
~g7 21 tLlc3 gives White an edge, but<br />
19 'WdS+ ~e6! 20 ~xa8?! allows a<br />
perpetual check with 20 ... lIxg2+ 21<br />
'iti>xg2 ~g4+ 22 'ifi>hl 'iVf3+) 17 ... lIa7<br />
18 tLlxbS ~xbS 19lIfdi with a winning<br />
attack for White, Bellon-Antunes,<br />
Platja d' Aro 1994.<br />
b24) 11...cxdS!? 12 exdS tLld7 13<br />
axbS axbS 14 .l:ha8+ i.xa8 IS b3!? (IS<br />
tLld4 i.cs 16 tLldxbS tLleS 17 b4 i.e7<br />
18 'iti>hl 0-0 19 f4 tLld3 20 i.xd3 cxd3<br />
21 1:.f3 Wh8 22 ~xd3 i.xb4 23 tLla4<br />
'WaS 24lIh3 fS 2S1:txh7+ 112-112 Gorelov-Kishnev,<br />
Barnau11984) IS ... i.b4<br />
16 tLla2 i.cs 17 bxc4 b4 is unclear according<br />
to Hubner.<br />
11 b3!?<br />
11 'i'd2 tLld7 (ll...lId7!? 12 ~f4<br />
i.g7 is worth considering) 12 dS cxdS<br />
13 exdS tLlcs 14 'ilt'e3 lIb7 IS axbS<br />
axbS 16lIa8lIb8 17 lIxb8 'i'xb8 18<br />
tLld4 gave White an initiative in Kelecevi6-Shifrer,<br />
Yugoslavia 1985.<br />
11 ... exb3!<br />
In Lukacs-H6Izl, Budapest 1987,<br />
White was able to create problems for<br />
Black after 11 ... b4 12 as ~d8 13 tLla4<br />
c3 14 tLlb6 tLld7 IS tLlxc8 ~xc8 16<br />
dS!.<br />
12 'iVxb3 tLld7 13 lIfc1<br />
It is also worth considering the immediate<br />
13 dS!? but whether it is<br />
stronger than in the game is not clear.<br />
13 ... lIe7 14lIabl i.e7 15 d5 tLle5<br />
An interesting possibility is here<br />
IS ... b4!?, when after 16 dxe6 fxe6, 17<br />
~xe6 ~aS looks good for Black, but<br />
White can try 17 eS!?, leading to great<br />
complications.<br />
16 'iVdl b4 17li'd4 tLld7<br />
But not 17 ... aS?! 18 d6 eS? 19<br />
tLlxeS!.<br />
18 'iVxb6 tLlxb6 19 a5<br />
In the post-mortem we concluded<br />
that 19 tLla2! would have been better.<br />
19 ... tLla8! 20 tLla4 exd5 21 tLlb6!?<br />
lIxc1 + 22 lIxc1 tLlxb6 23 axb6<br />
Kroll-S.<strong>Pedersen</strong>, Danish League<br />
1995. Now the continuation 23 ... 'it>d7!<br />
24lIc7+ 'ifi>d6 would have been very<br />
good for Black.
12 Early Deviations (6 e3 and<br />
6 a4)<br />
1 d4 d5 2 c4 c6 3 ttJf3 ttJf6 4 ttJc3 e6 5<br />
.tg5 dxc4 (D)<br />
w<br />
<strong>The</strong>re are a few rarer alternatives<br />
available for White at move 6, namely<br />
6 e3 and 6 a4. I am sure it is possible to<br />
come up with a few more insipid options,<br />
but I will restrict myself in this<br />
chapter to coverage of these two<br />
moves.<br />
Quick Summary<br />
While 6 e3 (Line A) seems to give<br />
Black few problems, there is still some<br />
unexplored territory in 6 a4 (Line B).<br />
In my opinion Black's best option is<br />
6 ... .th4 7 e4 c5!?, where Black actually<br />
plays a Vienna a tempo down, but<br />
White's extra move a4 is not very<br />
helpful. In fact after 8 .txc4 cxd4 9<br />
ttJxd4, Black has 9 ... h6!, which is not<br />
possible in the Vienna in view of<br />
'ita4+. <strong>The</strong>refore, it has been more or<br />
less established that White's most accurate<br />
move-order is 9 .tb5+, ruling<br />
out 9 ... ttJbd7!? (after 9 ttJxd4 h6 10<br />
.tb5+, 1O ... ttJbd7 looks good) due to<br />
10 'itxd4!. Hence quite an interesting<br />
position arises after 9 ... ttJc6 10 ttJxd4<br />
.td7 11 0-0 h6, while so far Tisdall's<br />
1O ... 0-0!? remains very unclear.<br />
<strong>The</strong> <strong>The</strong>ory of Early<br />
Deviations<br />
1 d4 d5 2 c4 c6 3 ttJf31Df6 41Dc3 e6 5<br />
.tg5 dxc4<br />
Now:<br />
A: 6 e3 151<br />
B: 6 a4 153<br />
A)<br />
6e3<br />
This clearly lacks the aggression of<br />
6 e4, and although it can actually lead<br />
to quite interesting play, Black has little<br />
to fear. Often White seems to end<br />
up in positions reminiscent of those<br />
covered in the previous chapter, but<br />
with White a tempo down, as he has
152 THE BOTVINNIK SEMI-SLAV<br />
spent two moves advancing the e<br />
pawn to e4.<br />
6 ... b57 a4 i.b4 (D)<br />
<strong>The</strong> most common but not necessarily<br />
the best. Here are a few alternatives:<br />
a) 7 ..... b6!? 8 i.e2 (8 i.xf6 gxf6 9<br />
axb5 cxb5 10 b3 is a very direct attempt<br />
to exploit Black's set-up but it<br />
failed in Keck-Maksimenko, Bern<br />
1994: 1O ... i.b4 11 'ii'c2 i.b7 12 bxc4<br />
bxc4 13 i.xc4 tiJd7 14 ~e2 ':c8 15<br />
tiJa4 "d6 and White was already in<br />
trouble) 8 ... a6 9 0-0 i.b7 10 tiJe5<br />
tiJbd7 11 b3 l:td8 12 tiJxd7 l:txd7 13<br />
i.xf6 gxf6 14 bxc4 b4 15 tiJe4 'ii'd8 =<br />
Mantovani-Nemeth, Budapest 1987.<br />
b) 7 ... a6 8 axb5 cxb5 9 i.xf6 gxf6<br />
10 tiJxb5 axb5!? 11 ':xa8 i.b4+ 12<br />
tiJd2 i.b7 transposes to the note to<br />
Black's 8th move.<br />
w<br />
8 tiJd2<br />
White has tried a large number of<br />
other moves here but this move, with<br />
the idea of taking on b5, or simple development,<br />
appears most logical.<br />
8 i.e2 is slower. White intends simply<br />
to complete his development, and<br />
argues that his better control of the<br />
centre is sufficient compensation for<br />
the pawn. Black has then tried:<br />
a) 8 ... h6 9 i.xf6 i.xc3+ 10 bxc3<br />
gxf6 11 0-0 tiJd7 12 tiJd2 'ilic7 13 'ii'bl<br />
a6 14 i.f3 i.b7 15 axb5 cxb5 16<br />
i.xb7 'iixb7 17 tiJxc4 fIIc7 18 tiJaS<br />
0-0 19 l:tc 1 tiJb6 with a roughly equal<br />
position, P.Nikolic-Illescas, Dubai OL<br />
1986.<br />
b) 8 ... tiJbd7 9 0-0 'ii'b6 10 fIIc2<br />
i.b7 11 e4 0-0 12 l:tadl a6 13 e5?!<br />
(this is rarely a good idea in such positions<br />
unless White is able to follow up<br />
with a direct attack) 13 ... tiJd5 14 tiJe4<br />
c5 15 tiJd6 cxd4 16 tiJxd4 tiJxe5 17<br />
tiJxb7 'ii'xb7 18 'ii'e4 i.d6 and White's<br />
compensation is obviously insufficient,<br />
Seul-Dokhoian, Bonn 1993.<br />
c) 8 ... i.b7 9 0-0 a6 10 tiJe5 tiJbd7<br />
11 i.f3 tiJxe5 12 dxe5 'ii'xdI13l:tfxdl<br />
i.xc3 14 axb5 axb5 15 l:txa8+ i.xa8<br />
16 bxc3 tiJd7 + Geller-Sveshnikov,<br />
USSR Ch (Moscow) 1976.<br />
8 ... i.b7<br />
I would very much advise against<br />
an early exchange on c3. White is not<br />
really threatening to take twice on b5<br />
since axb5 can almost always be met<br />
by ... i.xc3. Clearly, White has more<br />
options available after, for example,<br />
8 ... i.xc3?! 9 bxc3 than after 8 ... i.b7 9<br />
axb5 i.xc3 10 bxc3 cxb5, as in the latter<br />
case Black benefits from the a8-hl<br />
diagonal being open. 8 ... a6 is, however,<br />
also possible, and sometimes<br />
transposes to the main line, e.g. after 9
EARLY DEVIATIONS (6 e3 AND 6 a4) 153<br />
J.e2. However, critical is 9 axb5 cxb5<br />
(9 ... J.xc3 10 bxc3 cxb5 11 'it'f3 'it'd5<br />
12 'it'g3 ltJbd7 13 J.e2 gives White B<br />
excellent compensation according to<br />
Korchnoi but 12 ... ltJbd7 is hardly the<br />
best move) 10 ltJxb5 axb5 11 ':'xa8<br />
J.b7 12 J.xf6 gxf6 13 ':'al e5!? 14 'it'h5<br />
ltJc6 15 l:1dl, Koerholz-Karsa, Luxembourg<br />
1986, and now 15 ... exd4! 16<br />
'it'xb5 dxe3 17 fxe3 'it'e7 would have<br />
given Black good attacking prospects<br />
- Karsa.<br />
9J.e2<br />
9 axb5 J.xc3 10 bxc3 cxb5 11 'it'bl<br />
'it'b6 12 J.xf6 gxf6 13 ltJe4 ltJd7 +=<br />
Blees-Lukacs, Budapest 1990.<br />
9 ... ltJbd7 10 0-0 'it'b6 11 J.f3 0-0<br />
12 'it'c2 a6 13 l:1adl l:1fe8 14 ltJde4<br />
J.e71SltJxf6+ ltJxf616 l:1d2 l:1ac817<br />
l:1fdl h6 18 J.h4 J.a8!?<br />
White hardly has enough for the<br />
pawn, but he eventually managed to<br />
draw in Gausel-Bryson, Novi Sad OL<br />
1990.<br />
B)<br />
6 a4 J.b4 7 e4 (D)<br />
7 e3 transposes to Line A.<br />
7 ... cS!?<br />
Note that this position is actually<br />
identical to the Vienna Variation of the<br />
Queen's Gambit (1 d4 d5 2 c4 e6 3<br />
ltJc31tJf6 41tJf3 dxc4 5 e4 J.b4 6 i.g5<br />
c5) but with the difference that White<br />
has got the move a4 for free. Here<br />
Black argues that a4 is not very helpful<br />
for White, and actually gives Black an<br />
option that is not available in the Vienna.<br />
I will return to what exactly this<br />
option consists of, but first a few<br />
words on the alternatives. <strong>The</strong> point of<br />
playing a4 at move 6 is that White entices<br />
Black to playa marginally inferior<br />
line of the 7 a4 variation, i.e. if<br />
Black in this position plays 7 ... b5, we<br />
have reached Line C of Chapter 11.<br />
7 ... J.xc3+ 8 bxc3 'it'a5 9 e5 ltJe4 is<br />
also possible, with two continuations<br />
for White:<br />
a) 10 l:1cl 'it'd5 11 J.e3 c5 12 J.e2<br />
ltJc6 13 0-00-0 14 'it'c2 cxd4 15 cxd4<br />
c3 16 i.d3 ltJb4 17 J.xe4 ltJxc2 18<br />
i.xd5 ltJxe3 19 fxe3 exd5 20 ':'xc3<br />
J.d7 21 ':'c7 J.xa4 22 ':'xb7 J.c6 23<br />
l:1c7 i.b5 with a roughly equal endgame,<br />
Petursson-Kuijf, Wijk aan Zee<br />
1990.<br />
b) 10 J.d2 c5 !? (this appears better<br />
than 10 ... 'it'd5 11 a5!, when White has<br />
chances of a small edge) 11 J.xc4<br />
cxd4 12 cxd41tJxd2 13ltJxd21tJc6 14<br />
J.b5 0-015 J.xc6 bxc6 160-0 'it'd5 =<br />
Lputian-Kaidanov, Lucerne W cht 1993.<br />
8 i.xc4<br />
8 e5 cxd4 (I remember during a<br />
game of mine, pondering over 8 ... h6!?
154 THE BOTVINNIK SEMI-SLAV<br />
9 exf6 hxg5 10 fxg7 lIg8, which I felt<br />
should also be quite comfortable for<br />
Black) 9 exf6 gxf6 10 i.h4 tDc6 11<br />
tDxd4 tDxd4 12 i.xc4 ~e7 13 'ii'd2<br />
tDf5 14 i.xf6+! ~xf6 15 tDe4+ ~g7<br />
(it should not come as a surprise that<br />
Fritz's first suggestion is 15 ... ~e5,<br />
but 16 'ii'xb4 ~e4 17 lIdl tDd4 18 'ii'c3<br />
e5 19 f4looks terribly dangerous) 16<br />
'ii'xb4 'fid4 17 tDg3 'ii'e5+ 18 i.e2<br />
l:td8 is roughly level, Lin Weiguo<br />
Kaidanov, Lucerne Wcht 1993.<br />
8 ... cxd4 (D)<br />
w<br />
a1) 1O ... tDxe4 11 0-0 tDd6 (after<br />
1l...tDf6, 12 'fif3 0-0 13 l:tad1 'fie7 14<br />
l:tfe1 tDc6 was fine for Black in Bronstein-<strong>Botvinnik</strong>,<br />
Moscow Wch (24)<br />
1951, but White should play more aggressively<br />
with 12 tDdb5!) 12 i.a2 0-0<br />
13 'fif3 'fie7 14 l:tfd1 ~h8 15 tDc2<br />
i.xc3 16 bxc3 tDf5 17 i.c 1 l:te8 18<br />
i.a3 'ii'f6 19 tDd4 tDxd4 20 'ii'xf6<br />
tDe2+ 21 ~f1 gxf6 22 ~xe2 tDc6 with<br />
equality, Sergeev-Savchenko, St Petersburg<br />
1993.<br />
a2) 10 ... 0-0 11 f3 'fie7 120-0 tDc6<br />
13 tDxc6 bxc6 14 'fie2 as 15 e5 tDd5<br />
16 tDe4 tDxe3 17 'fixe3 lId8 18 l:tad1<br />
i.a6 = Yermolinsky-Atalik, Hastings<br />
1995.<br />
b) 10 i.b5+ tDbd7!? 11 i.xf6 'fixf6<br />
12 tDde2 a6 13 i.xd7+ i.xd7 140-0<br />
i.c6 15 'fib3 i.d6! 16 lIad 1 lId8 17<br />
~h 1 0-0 18 f4 i.c5 19 'fic4 'fie7 20 h3<br />
l:tc8 =+= Kiselev-Dreev, Helsinki 1992.<br />
9 ... tDc610 tDxd4 (D)<br />
9 i.b5+<br />
This is now considered the most<br />
accurate, since if 9 ... tDbd7, White can<br />
now play 10 'fixd4!.<br />
After 9 tDxd4, 9 ... h6 is the option I<br />
referred to in my discussion of the<br />
similarities to the Vienna. In the Vienna,<br />
White would now be able to play<br />
'fia4+, but with the pawn taking up<br />
that square, White has to respond to<br />
the attack on the bishop:<br />
a) 10 i.e3 leading to a further<br />
branch:<br />
B<br />
lO ... i.d7<br />
I suppose it is still too early to draw<br />
a conclusion from the pawn sacrifice
EARLY DEVIATIONS (6 e3 AND 6 a4) 155<br />
1O ... 0-0!?, but in Stefansson-Tisdall,<br />
Reykjavik Z 1995 Black achieved fine<br />
compensation after 11 tDxc6 (11 i.xc6<br />
bxc6 12 tDxc6 i.xc3+ 13 bxc3 'ilic7)<br />
11...'ilixdl+! 121hdl bxc6 13 i.xc6<br />
:tb8 14 e5?! (Tisdall queries this move<br />
but does not give any improvement)<br />
14 ... tDg4 15 i.f4 i.a5!.<br />
11 0-0<br />
11 tDxc6 bxc6 12 i.d3 h6 (another<br />
idea is 12 ... 'ilia5!?) 13 i.h4 e5 140-0<br />
i.e6 15 'ilie2 i.e7 16 i.c4 i.xc4 17<br />
'ilixc4 was better for White in Slipak<br />
Kanefsck, Buenos Aires 1998.<br />
11 •.. h6 12 i.e3<br />
Others:<br />
a) 12 i.xf6?! 'ilixf6 13 i.xc6 i.xc6<br />
(13 ... bxc6!?) 14 tDxc6 bxc6 is fine for<br />
Black, Lputian-Akopian, Erevan 1994.<br />
<strong>The</strong> weakness of the c-pawn is not<br />
very significant as long as Black is<br />
guaranteed counterplay against the<br />
backward b-pawn.<br />
b) 12 i.h4 g5!? (12 ... i.e7 is more<br />
solid) 13 i.g3 i.xc3 14 bxc3 tDxe4 15<br />
i.xc6 i.xc6 16 i.e5 :tg8 17 tDxc6<br />
bxc6 led to unclear play in Levin<br />
Hector, Berlin 1995.<br />
12 ..• 0-0<br />
Or 12 ... i.xc3 13 bxc3 tDxe4?! 14<br />
'ilig4 tDg5 15 :tadl! and White's initiative<br />
looks well worth the sacrificed<br />
pawn - Tisdall.<br />
13 f3 tDe5 14 tDc2 i.xc3 15 bxc3<br />
(D)<br />
B<br />
15 ... 'ilic7 16 i.d4:tfd8 17 tDe3<br />
eu.Hansen-Tisdall, Reykjavik Z<br />
1995 . Now 17 ... i.c6 is best, with a<br />
roughly equal game.
13 Introduction to the Moscow<br />
Variation<br />
<strong>The</strong> Moscow Variation arises after the<br />
moves 1 d4 d5 2 c4 c6 3 tiJf3 tiJf6 4<br />
tiJc3 e6 5 i.g5 h6 (D) and usually<br />
leads to much more peaceful play than<br />
the <strong>Botvinnik</strong> System.<br />
w<br />
That is when White feels obliged to<br />
capture on f6 and content himself with<br />
a small lead in development and a<br />
space advantage. However, there is an<br />
exception if White chooses to continue<br />
in gambit style with 6 i.h4. Contrary<br />
to the <strong>Botvinnik</strong> System, this<br />
offers a real gambit since Black can<br />
play 6 ... dxc4 7 e4 g5.<br />
<strong>The</strong> Anti-Moscow Variation, 6 i.h4,<br />
is, however, becoming very fashionable<br />
these days and is now regarded as<br />
very dangerous, contrary to only a few<br />
years ago, when the line only enjoyed<br />
a reputation as an obscure and slightly<br />
suspicious gambit. <strong>The</strong>refore prospective<br />
Moscow Variation players are advised<br />
to study Chapter 14 closely,<br />
because one cannot any longer count<br />
on playing long positional games<br />
where the possession of the bishoppair<br />
is Black's long-term compensation<br />
for handing over to White a space<br />
advantage.<br />
Nevertheless, there are still a lot of<br />
players who do not want to engage in<br />
the tactics of the Anti-Moscow Variation<br />
and instead go for the more standard<br />
positions arising after 6 i.xf6<br />
'iVxf6. However, there is a slight tendency<br />
for White to look for something<br />
other than the well-trodden main lines<br />
of Chapter 15. Indeed, there is still<br />
room for new ideas in the main lines,<br />
but variations such as 7 'iVc2 or 7 e3<br />
tiJd7 8 a3 are gaining in popularity.
14 <strong>The</strong> Anti-Moscow Variation:<br />
6 Jth4!?<br />
1 d4 d5 2 c4 c6 3 liJf3 liJf6 4 liJc3 e6 5<br />
iLg5 h6 6 iLh4!? (D)<br />
B<br />
Building up enough courage to play<br />
S i.gS requires a lot of effort. However,<br />
those who confidently dash out S<br />
i.gS and are primarily looking for<br />
some fun after S ... dxc4, may be in for<br />
a negative surprise after the 'boring'<br />
S ... h6. Is there really nothing better<br />
than to exchange on f6 and settle for a<br />
small lead in development? Black's<br />
position is rock solid then, and it is not<br />
certain that White is able to derive<br />
anything from his temporary advantages.<br />
A long positional struggle is not<br />
really what White is looking for since<br />
the bishop-pair usually provides Black<br />
good long-term chances.<br />
But do not worry. <strong>The</strong> Anti-Moscow<br />
Variation, 6 i.h4!?, provides just what<br />
White is looking for: complicated play<br />
with White usually enjoying a hefty<br />
initiative. What was not long ago considered<br />
a rather dubious gambit is now<br />
regarded as perhaps the most dangerous<br />
weapon against the Moscow Variation<br />
and is now the preference of<br />
many strong grandmasters. Unlike in<br />
the <strong>Botvinnik</strong> System, here White is<br />
offering a real gambit. As compensation<br />
he gets a lead in development and<br />
the better pawn-structure. Here is an<br />
example, which features a powerful<br />
idea that helped revive the whole line.<br />
Sakaev - Kobaliya<br />
Russian Ch (St Petersburg) 1998
158 THE BOTVINNIK SEMI-SLA V<br />
Black has weakened his queens ide<br />
with ... b4 in order to grab the e-pawn,<br />
thus isolating White's d-pawn. Black<br />
would indeed be doing quite well if he<br />
were allowed a few 'free' moves.<br />
However, White's lead in development<br />
enables him to launch an immediate<br />
offensive.<br />
12 ttJc5!<br />
<strong>The</strong>re is no real rush to capture the<br />
c-pawn and hence White first activates<br />
his badly placed knight.<br />
12 ... .i.g7<br />
12 ... .i.xcS 13 dxcS ttJbd7 is perhaps<br />
a better defence but I think White<br />
keeps an advantage with 14 .i.d6, intending<br />
'ikd4.<br />
13 .i.xc4 0-0 14 'tli'c2 ttJbd7 15 h4<br />
It is obvious that White has more<br />
than adequate compensation for the<br />
pawn. Now IS ... g4!? could be met by<br />
16 ttJgS! .l:!.e8 17 0-0-0 with a great attack.<br />
<strong>The</strong> game continuation was no<br />
better:<br />
15 ... gxh4 16 ttJxd7 .i.xd7 17 .l:!.xh4<br />
ttJdS 18 .i.xg7 rlitxg7 19 .l:!.g4+ ~h8 20<br />
'tli'd2 'ir'f6 21 ttJe5 .i.e8 22 0-0-0<br />
White won in a few more moves.<br />
Pawn-breaks<br />
Looking at the pawn-structure in the<br />
following diagram, it is obvious that<br />
Black's structure is more vulnerable<br />
to attack. Typical pawn-breaks from<br />
White include a4, dS and b4, with the<br />
most common being the two latter<br />
moves. Both aim to disrupt Black's<br />
structure and both require extremely<br />
accurate defence from Black. Here is<br />
an example of a rapid black catastrophe:<br />
w<br />
Beliavsky - Bacrat<br />
Albert (2) 1999<br />
10d5!<br />
This is now regarded as the most<br />
dangerous move in this position.<br />
10 ... b4<br />
Although Black has attempted to<br />
improve later in this game I think this<br />
is already too risky. 1O ... cxdS 11 exdS<br />
ttJb6 is probably Black's best try but<br />
as a whole this particular line looks
THE ANTI-MoSCOW VARIATION: 6 .i.h4!? 159<br />
very promising for White at the moment.<br />
11 dxe6 bxc3 12 exd7+ 'ilVxd7<br />
12 ... .txd7 has been the attempted<br />
improvement (see the <strong>The</strong>ory Section).<br />
13 'ii'c2 g4 14 l:tdl 'ii'b7 15 tLle5<br />
'ii'xb2 16 'ii'a4 'ii'b5? 17l:td8+! 1-0<br />
<strong>The</strong> move e5 is seen once in a<br />
while, usually with the idea of creating<br />
a square for the knight on e4 but<br />
also ...<br />
Opening an entrance for the queen<br />
Sometimes the somewhat anti-positional<br />
e4-e5 serves another purpose,<br />
viz. to open a line for White's queen to<br />
penetrate into Black's position.<br />
W<br />
Lobron - Siobodjan<br />
Nussloch 1996<br />
15 i.xf6! i.xf6 16 e5 .te7 17 'ii'h7<br />
l:tf8 18 .th5<br />
White already has a strong attack,<br />
but thanks to Black's inferior defence<br />
it soon became stronger still ...<br />
18 ... 'ii'd7?! 19 tLle4 'ii'c7 20 tLlc5!<br />
.tc8 21 f4<br />
White went on to win.<br />
Quick Summary<br />
As a whole the Anti-Moscow Variation,<br />
6 .th4!?, looks very promising<br />
for White at the moment. <strong>The</strong>re is no<br />
safe line for Black and each time Black<br />
reinforces his defence, White comes up<br />
with a new idea.<br />
Play generally continues 6 ... dxc4 7<br />
e4 g5 8 .tg3 b5 9 .te2. <strong>The</strong>n Line A,<br />
9 ... b4?!, can be written off in view of<br />
Sakaev's splendid novelty 12 tLlc5!<br />
(after 10 tLla4 tLlxe4 11 .te5 tLlf6), and<br />
even though his opponent did not defend<br />
optimally, I will not advise for a<br />
repetition.<br />
9 ... .tb4 (Line B) is becoming increasingly<br />
popular and may be where<br />
Black should look for new ideas.<br />
9 ... .tb7 (Line C) and 9 ... tLlbd7 (Line<br />
D) both look risky for Black at the moment,<br />
9 ... .tb7 in view of 10 h4! (Line<br />
C3) 1O ... g4 11 tLle5; and 9 ... tLlbd7,<br />
which is right now very fashionable,<br />
due to 10 d5!.<br />
<strong>The</strong> <strong>The</strong>ory of the Anti<br />
Moscow Variation<br />
1 d4 d5 2 c4 c6 3 tLlf3 tDf6 4 tLlc3 e6 5<br />
.tg5 h6 6 .th4 (D)<br />
6 ... dxc4 7 e4<br />
<strong>The</strong> most aggressive and the only<br />
critical continuation. Others:<br />
a) <strong>The</strong> pre-emptive 7 a4 is best met<br />
by 7 ... .tb4, when 8 e3 transposes to
160 THE BOTVINNIK SEMI-SLAV<br />
B<br />
line 'b', while the game Lammi<br />
Dokhoian, Helsinki 1992 provided the<br />
entertaining continuation 8 'iWc2 b5 9<br />
.Jtxf6 (if 9 e4 g5 10 .Jtg3 Black can<br />
play safe with 1O ... .Jtb7 or even try the<br />
riskier 10 ... g4!?) 9 ... 'it'xf6!? 10 axb5<br />
cxb5 11 'it'e4 'it'f5! 12 'it'xa8 'it'c2 13<br />
lDd2 'it'xb2 14 .l:.dl.Jtxc3 15 e3 .Jtxd2+<br />
16 .l:.xd2 'iWal + 17 ~e2 0-0 18 'iWxb8 c3<br />
19 .l:.c2 .Jta6 and Black was winning.<br />
b) 7 e3 b5 8 a4.Jtb4 is most likely<br />
better for Black, but it is worth noting<br />
that it is the kind of position that usually<br />
provides White with quite reasonable<br />
practical chances. Sometimes it is<br />
even easier for White to make use of<br />
his extra centre pawn than it is for<br />
Black to get something out of his<br />
rather shaky pawn majority on the<br />
queenside. <strong>The</strong> following are the most<br />
common options in practice:<br />
bl) 9 axb5 cxb5 10 tDd2 'it'b6?!<br />
(10 ... .Jtxc3 11 bxc3 .Jtb7 transposes<br />
right into 'b43' below) 11 .Jtxf6 gxf6<br />
12 'it'f3 .Jtb7 13 'it'xf6 .l:.h7 14 .Jte2<br />
tDd7 15 'it'h4 .Jte7 16 'iWh5 .Jtxg217<br />
.l:.gl .Jtc6 18 .Jtf3 and White has very<br />
good compensation as Black has great<br />
difficulties finding a safe place for his<br />
king, Lesiege-Fridman, Bermuda 1998.<br />
b2) 9 'it'c2 .Jtb7 10 tDd2 a6 11 .Jte2<br />
tDbd7 120-0 'iWb613 tDf3 0-014 :fdl<br />
nfc8 + Pajeken-Steckner, Hamburg<br />
1992.<br />
b3) 9 tDe5 'it'aS 10 'iWeI 'iWb6 11<br />
i.e2 i.b7 12 0-0 tDbd7 13 f4 a6 14<br />
.Jtf3 0-0 15 tDe4 'it'c7 16 tDxf6+ tDxf6<br />
17 'iWc2 tDd5 18 .Jtxd5 exd5 19 f5 f6<br />
20 tDg6 nfe8 gives Black a clear advantage,<br />
Hillarp Persson-A.Matthiesen,<br />
Copenhagen 1996.<br />
b4) 9 tDd2 is the most common .<br />
White unpins the c3-knight while also<br />
toying with ideas of exchanging on b5<br />
followed 'it'f3. <strong>The</strong> hope is that Black<br />
may feel obliged to concede his darksquared<br />
bishop quickly in order to prevent<br />
this. Now we have:<br />
b41) 9 ... a61O axb5 .Jtxc3 (1O ... cxb5<br />
is preferable, with an unclear position<br />
after 11 tDxb5 axb5 12 nxa8 .Jtb7, but<br />
the real idea is that 11 'iWf3? :a7 12<br />
'it'g3 fails in view of 12 ... g5 13 'it'xb8<br />
l:lb7 14 'iWe5? .Jtd6 -+) 11 bxc3 cxb5<br />
12 'iWf3 'it'd5 13 e4 'iWh5, Bronstein<br />
Pachman, Moscow 1967, and now 14<br />
'iWg3! tDbd7 15 .Jte2 'it'g6 16 'iWd6!<br />
'it'xg2 17 .Jtf3 'ii'h3 18 e5 is clearly<br />
better for White.<br />
b42) 9 ... .Jtxc3 10 bxc3 tDbd7 11<br />
axb5 cxb5 12 'iWf3 is good for White<br />
since either the rook must move,<br />
which permits l:ha7, or Black has to<br />
play 12 ... tDb6, when 13 tDe4 illustrates<br />
the danger of Black conceding<br />
the dark-squared bishop.
THE ANTI-MOSCOW VARIATION: 6 Ji.h4!? 161<br />
b43) 9 ... .i.b7 10 axb5 .i.xc3 11<br />
bxc3 cxb5 12 'ii'bl 'ii'b6 (12 ... 'ii'd7 13<br />
.i.xf6 gxf6 14 ltJe4 .i.xe4 15 'ii'xe4<br />
'ii'c6 16 'ii'f4 ltJd7 17 .i.e2 'ii'b6 18 0-0<br />
l:tc8 19l:ta2 a5 20 l:tfal a4 21l:tb 1 provides<br />
White with good compensation<br />
in view of Black's complete mess of<br />
pawns, Dlugy-Romero, Dubai OL<br />
1986) 13 .i.xf6 gxf6 14l:ta2!? .i.c6 15<br />
e4 ltJd7 16 .i.e2 'ii'c7 with an unclear<br />
position, Lesiege-Fontaine, Gonfreville<br />
1999.<br />
7 .•. g5<br />
A more simplistic method of attempting<br />
to solve Black's problems is<br />
7 ... .i.e7. White cannot play the immediate<br />
8 .i.xc4 in view of 8 ... ltJxe4 9<br />
.i.xe7 ltJxc3 10 .i.xd8 ltJxdl, when<br />
Black emerges with a pawn more, so<br />
White has to try 8 e5 ltJd5 9 .i.xe7<br />
'fIixe7 10 .i.xc4 'ii'b4 (if White is allowed<br />
to finish his development without<br />
any interference he will be simply<br />
better because of the weakening of<br />
Black's kingside and the possibility of<br />
a knight settling on d6) 11 'fIib3 (11<br />
.i.xd5 exd5 12 0-0 .i.g4 definitely<br />
causes no problems, Urban-Kuczynski,<br />
Polish Ch (Czestochowa) 1992)<br />
11...a5?! (this semi-active move unnecessarily<br />
weakens the queenside;<br />
Black has better chances of equalizing<br />
after, for example, 11...'ii'xb3 12.i.xb3<br />
ltJxc3 13 bxc3 b6, but with the accurate<br />
14 ltJd2! {14 0-0 .i.a6 15 l:tfel<br />
ltJd7 followed by a well-timed ... c5<br />
break is OK for Black} 14 ... .i.a6 15<br />
ltJe4 ltJd7 16 ltJd6+
162 THE BOTVINNIK SEMI-SLAV<br />
his king survives, but whether it does<br />
is far from clear.<br />
b) 8 .txc4 .txc3+ (8 ... g5 9 i.g3<br />
transposes to the note to Black's Sth<br />
move) 9 bxc3 "a5 10 0-0 lLlxe4 11<br />
tDe5 tDd7 12 "g4 g5 (12 ... tDxe5 13<br />
dxe5 tDg5 14 .txg5 hxg5 15 'ii'xg5 0-0<br />
is also clearly better for White) 13<br />
"xe4 tDxe5 (l3 ... gxh4 14 tDxf7 +-)<br />
14 dxe5 gxh4 15 ':abl h3 (the fact that<br />
Black's king cannot flee to the queenside<br />
just adds to his miserable state;<br />
e.g., 15 ..... c7 16 lIfdl i.d7 17 ':d6<br />
0-0-0 IS i.a6! bxa6 19 'ii'a4 a5 20<br />
"c4 ':dgS 21 'ii'a6+ rJi>dS 22 ':b7 'ii'cs<br />
23 "xa7 +-) 16 ':fdl':gS 17 g3 ':g5<br />
18 f4 and White is already winning,<br />
Kasparov-Korchnoi, Horgen 1995.<br />
8 i.g3 (D)<br />
B<br />
8 ..• b5<br />
Black obviously cannot allow White<br />
to capture the c-pawn so he lashes out<br />
to defend it. However, S ... i.b4 is another<br />
option, though nowadays rarely<br />
played. A reason might be that after 9<br />
"c2 Black can hardly do better than<br />
9 ... b5, which, at best, after 10 i.e2,<br />
transposes to Line B. If White is not<br />
satisfied with this, he can also try 9<br />
i.xc4 tDxe4 100-0, sacrificing a further<br />
pawn for a substantial lead in development.<br />
<strong>The</strong>n Black has a choice<br />
of three lines, all requiring extremely<br />
alert defence just to survive a miniature<br />
catastrophe:<br />
a) 10 ... i.xc3 11 bxc3 tDd7 (if<br />
Black plays 11...tDxc3, then White<br />
replies 12 'ii'el, intending i.xbS followed<br />
by 'ii'e5) 12 'ii'd3 f5 13 ':ael<br />
tDdf6 14 tDe5 0-015 f3 tDxg3 16 hxg3<br />
rJi>g7 17 lIe2 with excellent compensation<br />
for the pawn, Lputian-Boudre,<br />
Cappelle la Grande 1991.<br />
b) 10 ... tDxc3 11 bxc3 i.xc3 12<br />
lIcl i.a5 (l2 ... i.b4 might be better)<br />
13 tDe5 h5 14 i.e2! h4 15 i.h5 lIh7<br />
16 tDxf7 lIxf7 17 i.xf7+ (17 f4!?)<br />
17 ... c.fi>xf7 IS 'ii'h5+ rJi>fS 19 ':c5 i.d2<br />
20 i.e5 with a winning attack.<br />
c) 10 ... tDxg3 11 fxg3 tDd7 12 'ii'e2<br />
'ii'e7 13 a3 i.d6 14 lIael tDb6 15 tDe4<br />
tDxc4 16 'ii'xc4 0-017 tDe5 f5 IS tDg6<br />
'ii'eS 19 tDxd6 'ii'xg6 20 ':e5 ± Itkis<br />
Szuhanek, Romanian Ch 1995. White<br />
wins back the pawn with continuing<br />
pressure.<br />
9i.e2<br />
This may actually seem a little slow<br />
at first sight but White needs to bring<br />
more forces into play before initiating<br />
an attack. Moreover, the move is very<br />
flexible, and thus White only decides<br />
where to attack after seeing how Black<br />
intends to develop. Here is a summary<br />
of the alternatives:
THE ANTI-MOSCOW VARIATION: 6 iLh4!? 163<br />
a) 9 tDe5 h5!? 10 f3 (this looks too<br />
slow; 10 h4 seems more in the spirit,<br />
after which Black probably has to play<br />
1O ... g4, since 1O ... b4 11 tDa4 tDxe4 is<br />
way too risky in view of 12 tDxf7!<br />
cJ;xf7 13 'iWf3+ ±) 1O ... h4 11 i.f2 i.b7<br />
12 i.e3 tDfd7 13 tDxd7 tDxd7 14 ~d2<br />
i.e7 (Manninen-L.B.Hansen, Ostersund<br />
Z 1995). White has little to show<br />
for his sacrificed pawn and now played<br />
too passively. According to L.B.Hansen<br />
White should have tried 15 d5!, even<br />
though Black maintains the better<br />
chances with the accurate 15 ... tDe5 16<br />
i.d4 'iWc7! 17 'iWe3 a6!, intending ... c5.<br />
b) 9 h4 (this is very similar to Line<br />
C3, i.e. 9 i.e2 i.b7 10 h4, and might<br />
indeed transpose) 9 ... g4 (9 ... b4!? 10<br />
tDa4 tDxe4 is another idea and should<br />
be compared with the note to Black's<br />
10th move in Line C3) 10 tDe5 (D)<br />
and now:<br />
B<br />
bl) 1O ... b4 11 tDa4 tDxe4 12 i.xc4<br />
tDxg3 13 fxg3 and White is a tempo up<br />
on the note to Black's 11th move in<br />
Line C3, although this might actually<br />
turn out to be to Black's advantage!<br />
<strong>The</strong> reason is that the bishop might<br />
stand better on c8 than it does on b7<br />
since the e6-pawn is defended. Nevertheless,<br />
I assume this should be much<br />
better for White.<br />
b2) 10 ... h5 and now:<br />
b21) After 11 i.e2, 11...i.b7 transposes<br />
directly to Line C3, but Black<br />
might try ll...b4, when Epishin analyses<br />
12 tDa4 tDxe4 13 0-0 i.g7 14 i.f4<br />
'jj'xh4 15 'jj'c2 g3 16 fxg3 tDxg3 17<br />
i.xg3 'iWxg3 18:0 'iWh4 19 ':'dl i.xe5<br />
20 dxe5 tDd7 with the better game for<br />
Black, but I am far from convinced<br />
that this is best play from White.<br />
b22) 11 f3 I:.g8 12 a4 b4 13 tDe2<br />
gxf3 14 gxf3 i.a6 15 'iWet c3 16 i.f2<br />
'iWa5 17 bxc3 bxc3 18 i.e3 i.b4 and<br />
Black was better in the game Gofshtein-Zso.Polgar,<br />
Tel-Aviv Czerniak<br />
mem 1998.<br />
b3) 1O ... i.b4!? 11 f3 and then:<br />
b31) 1l...i.b7 12 a3 i.a5 13 tDxg4<br />
tDxg4 14 fxg4 c5 15 dxc5 'iWxdl+ 16<br />
cJ;xdl i.xc3 17 bxc3 tDd7 18 i.d6<br />
':'c8 19 a4 tDxc5 is quite comfortable<br />
for Black, Itkis-Dumitrache, Romanian<br />
Ch 1998.<br />
b32) ll...tDh5 12 i.f21Wa5 13 'iWd2<br />
g3 14 i.e3 f6 15 tDg4? (15 tDg6 ':'g8<br />
16 tDf4 is much better, although Black<br />
has good counterplay after 16 ... tDxf4<br />
17 i.xf4 h5 18 ':'h3 c5) 15 ... f5 16 tDe5<br />
f4 17 i.gl i.b7 18 ':'c1 .:tg8 with a<br />
clear advantage for Black, I.Sokolov<br />
Thorhallsson, Reykjavik 1998.<br />
c) 9 'ii'c2. <strong>The</strong> main purpose of this<br />
move is to protect the e4-pawn, and
164 THE BOTVINNIK SEMI-SLAV<br />
thus it avoids Black winning it with a<br />
... b4 followed by ... lDxe4 sequence,<br />
but since this is often too risky for<br />
Black, I prefer 9 J.e2.<br />
Nevertheless, it is not unusual in the<br />
main lines for White to adopt a set-up<br />
with the queen on c2 and while I could<br />
have gathered all the 'iVc2 set-ups together<br />
here, I have decided rather to<br />
cover them in later branches where appropriate.<br />
Here, though, are three independent<br />
attempts for Black that do<br />
not fit in elsewhere:<br />
cl) 9 ... g4 (with this Black goes for<br />
another pawn but it looks too risky) 10<br />
lDeS 'iVxd4 11 ':'dl 'ii'b6?! 12 J.e2<br />
hS?! 13 lDg6! (an instructive motif;<br />
White deflects the pawn from f7 and<br />
thus ruins the cover of Black's king<br />
with the aim of following up with eS,<br />
opening an entrance for the queen)<br />
13 ... fxg6 14 eS ~f7 (Black cannot allow<br />
White's queen to capture on g6<br />
with check) IS exf6 eS 16lDe4 J.b4+<br />
17 ~f1':'eS IS a3 J.fS 19 ':'d6! with a<br />
winning attack, Gabriel-Zhu Chen,<br />
Bad Homburg 1995.<br />
c2) 9 ... b4!? 10 lDa4 b3 11 'iVxc4<br />
lDxe4 12lDc3 lDxg3 13 hxg3 bxa2 14<br />
':'xa2 as! with an unclear position,<br />
Bellon-Bator, Stockholm 1999.<br />
c3) 9 ... J.g7!? 100-0-00-0 11 eS<br />
(it is a bit unusual for White to castle<br />
queenside in the Anti-Moscow Variation,<br />
and following up with eS looks<br />
inconsistent; I would prefer 11 h4 g4<br />
12 lDeS) 11...lDdS 12 lDe4 (White's<br />
play seems a little primitive and in the<br />
following it is obvious that the white<br />
king is the more exposed) 12 .. :ii'aS<br />
(threatening ... lDb4!) 13 a3 b414 J.xc4<br />
bxa3 IS bxa3 J.a6 16 ':'d3 J.xc4 17<br />
'ii'xc4lDd7 IslDfd2 cS 19lDxcs ':'fcS<br />
20 lDde4 J.f8, Yurtaev-Shirov, Elista<br />
OL 1995. White's attack never really<br />
got going and hence Black already has<br />
a winning position.<br />
Now we return to 9 J.e2 (D):<br />
B<br />
We shall now consider four main<br />
options for Black:<br />
A: 9 ... b4?! 164<br />
B: 9 ... J.b4!? 167<br />
C: 9 ... J.b7 169<br />
D: 9 ... lDbd7!? 177<br />
9 ... lDhS had a successful outing in<br />
Oll-Liiva, Estonian Cht (Tallinn) 1995<br />
but is not worth repeating. After 10<br />
J.eS ':'gS 11 J.xbS ':'xbS 12lDe5 lDf4<br />
13 lDxc6 'ii'b6 14 lDxbS lDxg2+ IS<br />
~f1 lDf4 White could now have got a<br />
winning position with 16 J.xc4!.<br />
A)<br />
9 ... b4?!
THE ANTI-MoSCOW VARIATION: 6 ~h4!? 165<br />
This is an extremely ambitious attempt<br />
but in view of Sakaev's fantastic<br />
12 lLlcS!, it can now more or less be<br />
written off. Since White's knight has<br />
to move, Black will gain the e4-pawn,<br />
and, he hopes, will be able to exchange<br />
off White's dark-squared bishop. But<br />
as we shall see, White will be able to<br />
keep this bishop alive and, just as importantly,<br />
obtain a dangerous initiative.<br />
10 lLla4<br />
This is definitely best. Even though<br />
it is not strictly necessary, White is advised<br />
to move the knight and from a4<br />
it keeps on eye on the cS-square. Others:<br />
a) 10 eS? bxc3 11 exf6 cxb2 12<br />
%:tb1 'iWaS+ 13 cJi>f1 c3 +- Pecorelli<br />
Garcia-Nogueiras, Villa Clara 1998.<br />
b) 10 tiJb1 tiJxe4 11 0-0 i..g7 12<br />
i..eS tiJf6 13 tiJbd2 c3 14 bxc3 bxc3 IS<br />
tiJc4 0-0 16 i..d6 lIe8 17 tiJfeS i..a6!?<br />
18 i..xb8 i..xc4 19 i..xc4 l:txb8 +<br />
Karason-Thorsteinsson, Icelandic Ch<br />
(Akureyri) 1997.<br />
10 ..• tiJxe4 11 .teS!<br />
Unfortunately White does not have<br />
to cooperate! l1...f6? is now too loosening<br />
in view of 12 'iWc2!, so by moving<br />
the bishop and simultaneously<br />
attacking the rook, White gets time to<br />
deal with the e4-knight. An alternative<br />
is 11 i..xc4 but as has been shown,<br />
Black's life is a lot easier without<br />
White's dark-squared bishop. After<br />
11...lLlxg3 12 hxg3 (Timman's suggestion<br />
of instead opening the f-file by<br />
12 fxg3!? remains untested) 12 ... tiJd7<br />
13 0-0 i..g7 14 %:tel 0-0 White seems<br />
to have fairly decent compensation.<br />
Black's pawn-structure is the usual<br />
mess but he still has one pawn more,<br />
and White needs a real target. <strong>The</strong> c<br />
pawn is the most obvious, and there<br />
are two ways to begin the pressure<br />
against it:<br />
a) IS l:tc1 is the most logical but,<br />
as pointed out by Timman, this allows<br />
Black to equalize with lS ... tiJb6!? 16<br />
i..b3 tiJxa4 17 i..xa4 i..b7 18 i..xc6<br />
i..xc6 19 %:txc6 'iWdS 20 'iWa4 l:tfd8,<br />
rather than IS ... i..b7 16 i..d3 cS (this<br />
does not look very convincing, but<br />
Black needs to free his position somehow)<br />
17 dxcS i..c6 18 i..e4 'iWc7 19<br />
i..xc6 'iWxc6 20 %:te2!, when Black was<br />
struggling because of White's strong<br />
passed pawn and good control of the<br />
centre in Korchnoi-Timman, Wijk aan<br />
Zee 1997.<br />
b) IS .td3!? anticipates the ... tiJb6<br />
idea and was suggested by Timman afterwards,<br />
with the intention of meeting<br />
lS ... tiJb6 with 16 tiJcS.<br />
11 ... tiJf6 (D)<br />
If this is the big idea of the 9 ... b4?!<br />
line, I am not surprised that White is<br />
able to find a refutation. <strong>The</strong> logic behind<br />
it is less than impressive. Black<br />
exchanges his c-pawn for White's e<br />
pawn but also wrecks his own pawnstructure<br />
even more. However, 11.. .:g8<br />
has no bright future either:<br />
a) 12 i..xc4 g4 13 tiJd2 tiJxd2 14<br />
'iWxd2 lLld7 IS i..f4 'iWaS 16 lLlcs tiJxcs<br />
17 dxcS i..xcs 18 :dl i..e7 190-0 ±<br />
Ligterink-Kuijf, Dutch Ch (Hilversum)<br />
1986.
166 THE BOTVINNIK SEMI-SLAV<br />
b) 12 'ii'c2 f5 13 .ixc4 g4 14 .!L)d2<br />
.!L)f6 15 .!L)c5 .!L)d5 16 h3!? gxh3 17<br />
gxh3 with excellent compensation.<br />
White is ready to redeploy the bishop<br />
via e2 to h5, Timoshchenko-Antoshin,<br />
Tashkent 1982.<br />
w<br />
12.!L)c5!<br />
This was probably well-known to<br />
Sakaev a long time before he got the<br />
chance to play it. This was initially an<br />
idea of Kramnik's, and virtually refutes<br />
Black's opening. <strong>The</strong> only justification<br />
of Black's idea is the hope of<br />
being able to eliminate White's bishop<br />
on e5. <strong>The</strong>re is no real rush to collect<br />
the c4-pawn and hence 12 .!L)c5! prevents<br />
Black's only idea.<br />
Previously, White used to play 12<br />
0-0 (or first 12 .ixc4) 12 ... .!L)bd7 13<br />
.ixc4, when Black has the following<br />
possibilities:<br />
a) 13 ... .ig7 14 'ii'e2 .!L)b6 15 .ib3<br />
0-0 16.!L)c5 appeared very pleasant for<br />
White in the game Relange-G.Georgadze,<br />
Ubeda 1997.<br />
b) 13 ... g4 and now:<br />
b1) 14 .ixf6!? 'ii'xf6 15 .!L)e5 .!L)xe5<br />
(15 ... h5? 16 f4! .!L)xe5 17 fxe5 ± Lputian-Smagin,<br />
USSR Ch (Riga) 1985)<br />
16 dxe5 'ii'xe5 17 'ii'xg4 .td618 g3. I<br />
must say that I am rather suspicious<br />
about this idea, but in Gormally-Ippolito,<br />
Hampstead 1998, White was able<br />
to launch a devastating attack after<br />
18 ... .id7 19ltadl .ie7 20 ltfe1 'ii'a5?<br />
(20 ... 'ii'f6) 21ltxd7! ~xd7 22.ixe6+<br />
~c7 23 'ii'f4+ .id6 24 'ii'xf7+ ~b8 25<br />
.tb3 'ii'c7 26 'ii'c4 ±, but Black can improve<br />
with 18 ... .ib7!; e.g., 19 ltad1<br />
h5 20 'fif3 ltd8 21 lHel 'ii'g5, and although<br />
Black still needs to tread carefully,<br />
he should be able to defend.<br />
b2) 14 .!L)d2 .!L)xe5 15 dxe5 .!L)d7<br />
and now White has a number of continuations,<br />
all of them very dangerous-looking<br />
but none decisive:<br />
b21) 16 f4!? gxf3 17 'ii'xf3 .!L)xe5<br />
18 'ii'a (18 'ii'e4!?) 18 ... .ig7 19 .!L)e4<br />
0-020 ltadl 'ii'e7 21 .ie2 .id7 22 .!L)ac5<br />
.ie8 and Black defends, Neurohr-Beikert,<br />
2nd Bundesliga 1992.<br />
b22) 16 'ii'xg4 .!L)xe5 17 'ii'e4 .!L)xc4<br />
18 .!L)xc4 'ii'd5 19 'fif4?! (19 'ii'c2 is a<br />
better idea, intending, after 19 ... .ia6,<br />
to reply 20 b3 .ixc4 21 l:.ad1 with<br />
compensation - Galliamova) 19 ... .ia6<br />
20 .!L)e5 (here Black is able to meet 20<br />
b3 with 20 ... lId8!) 20 ... 0-0-0 21.!L)xc6<br />
.id6 22 'ii'cl ~d7! 23 .!L)xd8 .ixfl 24<br />
'ii'xflltxd8 and Black is slightly better,<br />
Chiburdanidze-Galliamova, Groningen<br />
worn Ct 1997.<br />
b23) 16 l:.el h5 (16 ... 'ii'a5!?) 17 f4<br />
.!L)b6?! (Lutz suggests 17 ... gxf3 18<br />
.!L)xf3 .ib7 followed by either ... 'ii'a5
THE ANTI-MoSCOW VARIATION: 6 i&.h4!? 167<br />
or ... 'ilic7 and ... 0-0-0) 18lLlxb6 'ii'xb6+<br />
19 'ithl J..e7 20 lLle4 J..b7 21 f5 with a<br />
strong attack for White, Savchenko<br />
Izkuznykb, Russian Club Cup (Maikop)<br />
1998.<br />
Returning to the position after 12<br />
lLlc5! (D):<br />
B<br />
12 ... J..g7?!<br />
<strong>The</strong> type of position that arises after<br />
this move is clearly in White's favour,<br />
so Black needs to look for an improvement<br />
around here.<br />
a) 12 ... lLlbd7!? 13lLlxd7 J..xd7 14<br />
J..xc4 leads to the same kind of position,<br />
which is better for White.<br />
b) Curiously Sakaev does not examine<br />
12 ... J..xc5!? 13 dxc5 lLlbd7,<br />
which looks more critical. Baburin<br />
says 14 'ii'd6 is unclear, and Black<br />
may actually be able to defend with<br />
14 ... J..b7 15 :tdllDxe5 16 'ilixe5 'ii'e7.<br />
Of course, White has plenty of compensation,<br />
but there is no clear way to<br />
break through. I would prefer 14 J..d6,<br />
intending to centralize the queen on d4.<br />
Both 14 ... 'ilia5 15 'ii'd4 and 14 ... lLle4<br />
15 'ii'd4 lLldf6 16 h4 g4 17 lLle5 look<br />
good for White.<br />
13 J..xc4 0-0<br />
13 ... lLlbd7 14lLlxd7 J..xd7 15 'ii'd3<br />
'fie7 16 J..b3 is clearly better for White<br />
according to Sakaev.<br />
14 ~c2lLlbd7 15 h4 gxh4<br />
This opens lines against his own<br />
king. However, 15 ... g4!? 16lDg5! :te8<br />
17 0-0-0 also gives White a fantastic<br />
attack.<br />
16 lLlxd7 J..xd7 17 :txh4 ±<br />
Sakaev-Kobaliya, Russian Ch (St<br />
Petersburg) 1998.<br />
B)<br />
9 ... J..b4!?<br />
This has for some time been slightly<br />
underestimated (or just neglected) but<br />
has lately been the preference of some<br />
very strong players. In fact Black wins<br />
a pawn unless White plays 10 e5,<br />
which is simply undesirable since it<br />
buries his own bishop while conceding<br />
important central squares.<br />
10 'iic2 (D)<br />
10 0-0 offers the pawn sacrifice under<br />
slightly different circumstances.<br />
1O ... J..xc3 11 bxc3 lLlxe4 and now:<br />
a) 12 'fic2lLlxg3 13 fxg3lDd7 and<br />
now, rather than 14 'ilie4?! 'ilic7 15<br />
lLld2 J..b7 16 J..h5 0-0-017 :txf7 c5!,<br />
when Black had strong counterplay in<br />
Utemov-Mukbametov, Moscow 1990,<br />
White should play 14 lLle5 lLlxe5 15<br />
dxe5, intending J..h5.<br />
b) 12lDe5!? and then:<br />
bl) 12 ... lLlxc3 13 'ilic2 and now<br />
13 ... lLlxe2+ 14 'fixe2 with ideas such
168 THE BOTVINNIK SEMI-SlAV<br />
as IS ':'adl, IS f4 or IS 'ii'hS gives<br />
White good compensation according<br />
to Yusupov, and Black cannot play<br />
13 .. :ii'xd4? in view of 14 .thS 0-0 IS<br />
.l:[ad I! lDxd 1 16 ':'xd 1 'if'b6 17 lDxf7<br />
':'xf7 18 'if'g6+ ':'g7 19 'ii'e8+ 'it'h7 20<br />
.teS and Black cannot prevent mate,<br />
beginning with .tg6+ - Yusupov.<br />
b2) 12 ... lDd713.thS 0-0 14lDxf7!?<br />
':'xf7 IS .txf7+ 'it'xf7 16 'if'c2 lDdf6<br />
17 .teS with some compensation, Yusupov-Akopian,<br />
Ubeda 1997. White<br />
ideally wants to open the f-file; in the<br />
game this was carried out after the preliminary<br />
g4, so as to avoid Black answering<br />
f4 with ... g4.<br />
B<br />
10 •.. g4!?<br />
After this White has to show compensation<br />
for two pawns, and it is clear<br />
that if Black survives the middlegame<br />
he will be in a position to cash in the<br />
full point without much trouble. A<br />
safer option is 1O ... .tb7 11 0-0 lDbd7<br />
12lDeS hS 13 h3 h4 14 .th2 lDhS IS<br />
.txhS .l:[xhS 16 .l:[adl 'if'e7 17 lDxd7<br />
'if'xd7 18 dS!? cxdS 19 exdS .txc3 20<br />
'ii'xc3 i.xdS 21 ':'fel 1/2_ 1 /2 B.LaliC<br />
Zhu Chen, Ubeda 1998. <strong>The</strong> oppositecoloured<br />
bishops mean that White has<br />
adequate counterplay for the two-pawn<br />
deficit.<br />
11 tDeS!<br />
This is much stronger than 11 lDd2<br />
'ii'xd4 12 0-0-0 'ii'b6, after which I<br />
doubt that White has enough compensation<br />
since the knight makes a rather<br />
clumsy appearance on d2 and thereby<br />
lessens White's pressure and influence<br />
on the centre substantially. In<br />
Ikonnikov-Prie, St Affrique 1994,<br />
White may have realized that Black<br />
can complete his development without<br />
too much trouble and hence went for<br />
13 .txc4?! bxc4 14lDxc4 and now instead<br />
of 14 ... 'if'a6 Black should play<br />
14 ... 'ii'cS, which Prie thinks is extremely<br />
good for Black; e.g., IslDd6+<br />
'it'e7 16 eS (or 16 a3 .txc3 17lDxc8+<br />
l:txc8 18 .td6+ 'if'xd6 19 .l:[xd6 ..ti>xd6<br />
20 'if'xc3 lDbd7 and Black is about to<br />
consolidate) 16 ... lDdS 17 .th4+ 'itd7<br />
18lDxf7 ':'f8 19lDd6 (19 'ii'h7 ..ti>c7!)<br />
19 ... 'it'c7 20 'if'h7+ lDd7 21lDde4 WaS<br />
+.<br />
11 .. :ii'xd4 12 0-0<br />
12 lDxg4!? is maybe stronger; for<br />
example, 12 ... lDxg4 13 .txg4 lDd7<br />
140-0 (14 .l:[dl Wg7 IS .te2 .tb7 16<br />
0-0 looks more promising for White)<br />
14 ... .tb7 IS .thS?! lDcs 16 .l:[fel<br />
O-O-O! 17 .txf7 'if'f6 18 .thS lDd3<br />
leading to an unclear game, Mellegers-Cifuentes,<br />
Dutch Ch (Enschede)<br />
1998.<br />
12 ... .txc3
THE ANTI-MoSCOW VARIATION: 6 ~h4!? 169<br />
12 ... hS?! 13 ':adl 'ii'cs (13 ... 'iWb6!?)<br />
14 ':d8+! ~xd8 IS .!Dxf7+ ~e8 16<br />
.!Dxh8 'iWfB 17 eS gave White a distinct<br />
advantage in Bosboom-Hofman, Wijk<br />
aan Zee 1997.<br />
13 bxc3 'ii'xe4 14 'ii'd2 .!Dbd7 15<br />
':adl<br />
Yusupov claims compensation for<br />
White here, but I am rather uncertain<br />
about this. Black can play IS ... .!DdS 16<br />
.!Dxg4 hS 17 .!De3 h4 18 .i.f3 'ii'g6 19<br />
.i.d6 .i.b7, when White's position does<br />
not impress.<br />
C)<br />
9 ... .i.b7 (D)<br />
W<br />
Now:<br />
Cl: 10 0-0 170<br />
C2: 10 e5 172<br />
C3: 10 h4! 173<br />
Currently, Line C3, an idea from<br />
Khalifman, appears very dangerous.<br />
Moreover, even if Black finds a good<br />
defence against this particular line,<br />
White has a variety of other quite<br />
promising options.<br />
Instead, lO .!DeS is so far relatively<br />
unexplored. Indeed, White does often<br />
move the knight to eS but, on the face<br />
of it, it makes more sense to do so after<br />
provoking ... g4. However, it is not yet<br />
clear how Black should best react:<br />
a) 10 ....!Dbd7!? looks sensible but<br />
nevertheless seems to give White a<br />
good position: 11 h4 (11 'ii'c2 .i.g7!?<br />
12 ':dl 'ii'b6 13 h4 looks rather unclear<br />
but is perhaps quite promising<br />
for White) 11...b4 12.!Dxd7 'ii'xd7 13<br />
..IteS (13 .!Da4 .!Dxe4 14 .i.eS f6 defends<br />
for Black) 13 ... bxc3 (13 ....i.g7<br />
14.!Da4) 14 .i.xf6 cxb2 (l4....i.b4 IS<br />
bxc3 .i.xc3+ 16 ~f1 .i.xal 17 .i.xh8<br />
.i.c3 18 hxgS hxgS 19 .i.f6 'iWd6 20<br />
.i.xc4 ±) IS l:tbl .i.b4+ 16 ~f1 ':g8<br />
17 l:txb2 and White is much better.<br />
b) lO ....i.g7 11 h4.!Dfd7?! (the alternative<br />
11.. ..!Dbd7!? is better, and<br />
similar to 'a' above) 12 .!Dg4! with a<br />
difficult choice for Black:<br />
bl) 12 ...'iWaS? 13 hxgS hxgS 14<br />
l:txh8+ .i.xh8 IS ~f1 .!Da6 16 eS!<br />
0-0-0, Topalov-Timman, Wijk aan Zee<br />
1998, and now plonking the knight in<br />
on d6 with 17 .!De4 and .!Dd6 would<br />
have been very good for White.<br />
b2) 12 ... hS 13 .!De3 g4 14 dS!? is<br />
dangerous.<br />
b3) 12 ... fS!? looks terribly risky<br />
but is not clear if White continues 13<br />
.!DeS; e.g., 13 ....!DxeS 14 .i.xeS .i.xeS<br />
IS dxeS 'iWxdl + 16 ':xdl g4. However,<br />
much stronger is 13 exfS exfS 14<br />
'ii'c2! 0-0 IS hxgS it'xgS 16 ltJe3<br />
.i.xd4 (16.. .f4? 17 .i.h4 and the queen<br />
is trapped) 17 l:th5 ±.
170 THE BOTVINNIK SEMI-SLAV<br />
el)<br />
100-0 (D)<br />
B<br />
This was for a long time White's<br />
main option but is now eclipsed somewhat<br />
by the alternatives. This is not<br />
because it is a bad move, but simply<br />
for the reason that it does not seem that<br />
promising any more. <strong>The</strong>re follows a<br />
rather lengthy survey of the possibilities<br />
(some of them might be irrelevant<br />
for White, but I feel they have to go in<br />
for the sake of thoroughness, and for<br />
the black player who feels courageous<br />
enough to try 9 ... ~b7).<br />
10 ... lDbd7<br />
This is Black's main option and the<br />
most flexible. Others:<br />
a) 10 ... ~e7 11 lDeS lDbd7 12 f4<br />
(when White has castled this makes<br />
more sense than breaking with h4)<br />
12 ... lDxeS 13 fxeSlDh7 14 ~hS 0-0 IS<br />
'ilf3! fS?! (too loosening; better is<br />
IS ... 'ilxd4+ 16 ~hl 'ild7!? 17 ~xf7+<br />
'ifilh8 18 l:ladl 'ilc7 19 'ilhS b4, but 20<br />
lDe2 ~cS 21 ~xe6 looks good for<br />
White) 16 exfS 'ilxd4+ 17 ~f2 'ilxeS<br />
181hel 'ilxfS 19 'ilxfSlhfS 20 l:lxe6<br />
± Kupreichik-Sveshnikov, USSR Ch<br />
(Riga) 1985.<br />
b) 1O ... 'ilb6 will, if White plays 11<br />
'ilc2lDbd7 12 .:tad 1 , transpose to Line<br />
D, note 'd21' to White's 10th move. In<br />
Bosboom-Kruppa, Cappelle la Grande<br />
1998 White instead tried to exploit<br />
the early queen move with 11 l:lbl<br />
lDbd7 12 'ilc2lDhS 13 b3!?, but after<br />
13. .. lDxg3 14 hxg3 g4 ISlDh4 ~g7!<br />
16 bxc4 'ilxd4 17 cxbS cS! Black was<br />
doing well.<br />
c) 1O ... ~b4 11 lDeS!? O-O?! (another<br />
idea is ll...lDbd7!?) 12 ~hS!<br />
lDbd7 13 ~xf7+ lhf7 14lDxf7 ~xf7<br />
IS eS lDdS 16lDxdS cxdS 17 f4 'ifilg7<br />
18 'ilg4lDf8 19 h4 1-0 Pavlovic-Blagojevic,<br />
Yugoslav Ch (Niksic) 1997. I<br />
fully agree that this is very good for<br />
White but it seems rather early to resign.<br />
d) 1O ... a6 and now:<br />
dl) l1lDeS ~g7 (11...lDbd7!? 12<br />
f4 gxf4 13 ~xf4 'ile7!?, Bosboom<br />
Riemersma, Dutch Ch 1996, and now<br />
White should try 14 lDxd7 lDxd7 IS<br />
dS!?; for example, IS ... 'ilcS+ 16 ~hl<br />
cxdS 17 exdS eS 18 ~g3 b4 19lDe4<br />
'ilxdS 20 ~g4 with an unclear position)<br />
12 f4 0-0 13 fxgS hxgS 14 h4!?<br />
cS IS dxcS 'ilxdl 16 l:laxdl gxh4 17<br />
~xh4 lDxe4 18 lDxe4 ~xe4 19 ~f6<br />
~xf6 20 l:xf6 lDc6 21 lDd7 with a<br />
clear advantage for White, Ikonnikov-Kozirev,<br />
Cheliabinsk 1990.<br />
d2) 11 'ilc2 lDbd7 transposes to<br />
note 'd21' to White's 10th move in<br />
Line D.
THE ANTI-MoSCOW VARIATION: 6 iLh4!? 171<br />
d3) 11 eS!? ttJdS 12 ttJd2 ttJd7 13<br />
ttJde4 "b6 14 i.hS! O-O-O?! (the pressure<br />
against the f7-pawn is very awkward<br />
and it is clear that Black must<br />
seek cover for his king on the queenside,<br />
but this turns out to be premature<br />
and should have been prefaced by the<br />
immediate 14 ... cS!?) IS i.xf7 cS 16<br />
ttJxdS exdS (16 ... i.xdS 17 ttJc3 i.b7<br />
18 dS ±) 17 dxcS ttJxcS 18 "g4+ ~b8<br />
19 e6+ ~a7 20 ttJxcS i.xcs 21 i.eS<br />
and White wins material, Malinin<br />
Evseev, Novgorod 1997.<br />
d4) 11 a4 i.g7?! 12 eS ttJdS 13<br />
ttJe4 i.f8 14 ttJd6+ i.xd6 IS exd6 ttJd7<br />
16 ttJeS ttJxeS 17 dxeS "d7? (17 ... cS)<br />
18 "d4 ':c8?! 19 "cS "d8 20 as hS<br />
21 h3 with a substantial advantage for<br />
White, Poluliakhov-Meister, Kuibyshev<br />
1990.<br />
Returning to the position after<br />
1O ... ttJbd7 (D):<br />
W<br />
11 a4<br />
Otherwise:<br />
a) 11 "c2 transposes to Line D,<br />
note 'd2' to White's 10th move.<br />
b) 11 dS!? is the most direct approach,<br />
the idea being that l1...exdS 12<br />
exd5 ttJxd5 13 ttJxdS cxdS is refuted<br />
by 14 i.xc4! dxc41S ':e1+. However,<br />
Black need not despair as he has an adequate<br />
defence in 11...cxdS 12 exdS<br />
ttJxdS (12 ... a6 13 dxe6 fxe6 14 ttJd4<br />
was very good for White in Ikonnikov-Filipenko,<br />
Cheliabinsk 1990, and<br />
the same applies to 12 ..... b6? 13 dxe6<br />
fxe614 ttJd4, Spassky-Kostrol, Siegen<br />
OL 1970) 13 ttJxbS a6 and now:<br />
bl) 14 ttJd6+ i.xd6 IS i.xd6 "b6<br />
16 i.g3 (16 i.a3? ttJf4 is good for<br />
Black and bears the idea 17 i.xc4<br />
ttJxg2!) 16 ... .:c8 17 ':c1 c3 18 ttJeS<br />
cxb2 19 ':xc8+ i.xc8 20 "c2 0-0 21<br />
ttJc4 'iid4 22 ':b1 ttJc3! 23 ':xb2 ttJe4<br />
and White does not have enough compensation<br />
for the pawn, Bareev-Dreev,<br />
Wijk aan Zee 1995.<br />
b2) 14 ttJbd4!? i.g7 IS i.xc4 0-0<br />
16 ':e 1 ':c8 17 ':c 1 'iib6 18 "d2 ':fe8<br />
= Shirov-Kramnik, Frankfurtrpd 1996.<br />
11 ... h4<br />
11...a6! is perhaps the simplest solution.<br />
<strong>The</strong>n Scherbakov-M.Gurevich,<br />
Yugoslavia 1996 continued 12 dS<br />
(Scherbakov suggests 12 axbS cxbS 13<br />
dS ttJcS 14 ttJd4) 12 ... cxdS 13 exdS<br />
ttJxdS 14 axbS ttJxc3 IS bxc3 axbS +.<br />
12 e5 ttJh5<br />
12 ... bxc3 13 exf6 cxb2 14 ':bl cS!?<br />
(after 14 ... c3 IS 'iib3 ttJb6! 16 as "dS<br />
17 'ifxc3 ttJa4 18 'ifc2 "xas 19 ttJeS<br />
the position is unclear) IS i.xc4 (IS<br />
i.eS c3!) lS ..... xf6 16 i.eS ttJxeS 17<br />
dxeS 'ifd8 18 i.bS+
172 THE BOTVINNIK SEMI-SlAV<br />
to Flear. Black's king is badly placed<br />
in the centre and White might have<br />
some chances to organize an attack<br />
against the c-pawn, or pressure on the<br />
d-file.<br />
13ll)e4 c5<br />
Now:<br />
a) 14ll)xc5ll)xcS 15 dxc5 'ikdS 16<br />
'ikcl ~a6 gives Black the advantage<br />
Gelfand.<br />
b) 14 ll)d6+?! ~xd6 IS exd6 is<br />
also inadequate because Black can<br />
eliminate the d6-pawn's supporter with<br />
15 ... ll)xg3 16 hxg3 0-0 (or 16 .. :ilb6<br />
17 dxc5 'iI' xc5 18 .l:i.c1 ~d5 19 ~xc4<br />
~xc4 20 ll)d2 with a level position,<br />
Scherbakov-Galkin, Novgorod 1997)<br />
17 .l:i.c 1 .l:i.c8 18 ~xc4ll)b6 19 ~bS c4 !<br />
20 ll)es 'il'xd6 21 f4 f6! 22ll)xc4ll)xc4<br />
23 ~xc4 ~d5 and Black is better,<br />
Ikonnikov-Pri6, St Affrique 1996.<br />
c) 14ll)fd2ll)xg3 15 fxg3 ~e7 16<br />
ll)d6+ ~xd6 17 exd6 c3 18 bxc3 bxc3<br />
19 ll)c4 0-0 20 .l:i.c 1 f5 21 dxc5 .l:i.c8<br />
with counterplay, Topalov-Gelfand,<br />
Dortmund 1996.<br />
C2)<br />
10 e5 (D)<br />
10 ... ll)h5<br />
After 1O ... ll)d5 11 h4 Black will<br />
have to advance the pawn to g4 but it is<br />
worth considering throwing in ... 'iI'aS<br />
first:<br />
a) 11...g4!? 12 ll)d2 h5 13 ll)de4<br />
ll)d7 140-0 'ikb615 .l:i.bl (1S b3!? 'il'aS<br />
16 'il'c2 b4 17ll)a4 c3 18 a3 bxa3 19<br />
ll)axc3 is rather unclear; obviously,<br />
Black will be better if he survives the<br />
middlegame and keeps the pawn on<br />
a3, but it is very uncertain that he will<br />
do so, since White can almost at any<br />
time bring a knight to d6, and sometimes<br />
opening the f-file with f3 becomes<br />
a feasible option) 15 ... ~b4 16<br />
'ikd2 as 17 f3 gxf3 18 .l:i.xf3 O-O-O! 19<br />
.l:i.xf7 cS with a highly unclear position,<br />
1.Watson-Bhat, Hawaii 1998.<br />
b) l1...'iI'aS 12 .l:i.cl g4 l3ll)d2 c5<br />
(13 ... ll)xc3 14 bxc3 h5 IS ll)e4 ll)d7<br />
16 f3 cS 17 ll)d6+ ~xd6 18 exd6 cxd4<br />
19 'ikxd4 0-0-0 20 fxg4 ~xg2 21 .l:i.gl<br />
~c6 22 a4!? was unclear in Kishnev<br />
Bykhovsky, USSR 1982 but I prefer<br />
White's initiative) 14ll)ce4! (byavoiding<br />
exchanges White is playing for<br />
maximum activity) 14 ... cxd4 15 0-0<br />
hS 16 a4 a6, Kasparov-Tal, Moscow<br />
IZ 1982, and now Kasparov thinks<br />
highly of 17 ..txc4! bxc4 18 ll)xc4<br />
'ikb4 19 f3!!, opening the f-file and<br />
creating unlimited threats.<br />
11 a4!<br />
Or:<br />
a) 1lll)e4 ~b4+ 12 ~f1 'il'd5! is<br />
better for Black.
THE ANTI-MoSCOW VARIATION: 6 iLh4!? 173<br />
b) 11 0-Otlld712 a4 a613 ~hl (13<br />
d5!?, either immediately or after 13<br />
axb5 axb5, is best met by ... tllc5)<br />
13 ... tllg7! (a splendid manoeuvre, repositioning<br />
the knight to f5, from<br />
where it covers the d6-square and is<br />
very difficult to remove) 14 tlle4 tllf5<br />
15 tllfd2 'ii'b6 (and not 15 ... tllxd4? 16<br />
tllxc4 bxc4 17 'ii'xd4 ±) 16 i.h5 "it'xd4<br />
17 "it'g4 and now 17 ... tllc5 18 .l::tael<br />
tlld3 19 ':'e2 i.e7 20 f4! gave White a<br />
promising attack in Piket-Dreev, Groningen<br />
1991, but Dreev suggests instead<br />
the much better 17 ... c5! 18 l':tael<br />
l':th7! 19 f4 0-0-0, with a clear advantage<br />
for Black.<br />
c) 11 tllxg5 tllxg3 12 tllxf7 ~xf7<br />
13 fxg3 ~g8 14 0-0 is similar to<br />
Kramnik's idea below, but here Black<br />
can try to defend with 14 ... tlla6!, bringing<br />
the knight to c7, from where it defends<br />
the e6-pawn.<br />
11 ... a6 12 tllxg5! tllxg3 13 tllxf7<br />
~xf7 14 fxg3 (D)<br />
Throwing in 11 a4 a6 has deprived<br />
Black of the ... tlla6-c7 manoeuvre,<br />
and this fact makes his defence much<br />
harder. Now we have:<br />
a) 14 ... ~e8 intends to escape to the<br />
queenside but is too risky: 15 0-0 ~d7<br />
16 .l:H7+ i.e7 17 i.g4 ~c7 18 i.xe6<br />
l':tf8 19 l':tg7 ~b6 20 d5! ± (Anand).<br />
b) 14 ... tlld7? 15 i.h5+! ~e7 16<br />
"ir'g4! tllb6 17 0-0 ~d7 18 ':'f7+ i.e7<br />
19 tlle4 and White's attack looks too<br />
strong.<br />
c) 14 ... ~g8 15 0-0 tlld7 16 i.g4<br />
(White can force a draw with 16 i.xc4<br />
bxc4 17 "ir'g4+ i.g7 18 "it'xe6+ ~h7<br />
19 "it'f5+ but of course he should go<br />
for the attack) 16 ... 'ii'e7 17 tlle4 l':th7<br />
(Anand convincingly refutes 17 ... c5;<br />
his main line runs 18 tlld6 i.d5 19<br />
i.f3! cxd4 20 i.xd5 exd5 21 "it' g4+<br />
i.g7 22 l':tf7 with a strong attack as<br />
White regains his piece and continues<br />
pressing) 18 tlld6 l':tb8, Kramnik<br />
Anand, Belgrade 1997, and now according<br />
to Kramnik and Kasparov<br />
White could get a very promising position<br />
with 19 axb5 cxb5 20 tllxb7<br />
l':txb7 21 l':txa6 l':tb6 22 l':txb6 tllxb6 23<br />
l':tf6. <strong>The</strong> e6-pawn drops and Black<br />
will have a hard time dealing with the<br />
ongoing attack and White's menacing<br />
centre pawns.<br />
C3)<br />
10h4!<br />
This move, which is an idea by<br />
Khalifman, looks more dangerous than<br />
Ivan Sokolov's sister variation 9 h4.<br />
<strong>The</strong> interpolation, 9 i.e2 from White<br />
and 9 ... i.b7 by Black, actually seems<br />
to favour White since often it comes
174 THE BOTVINNIK SEMI-SLAV<br />
into consideration to sacrifice a piece<br />
either on e6 or on f7. With Black's<br />
bishop on b7 the centre is much more<br />
vulnerable to such actions.<br />
10 ... g4<br />
1O ... b4 is perhaps worth investigating.<br />
To my knowledge it has not been<br />
tried in practice but it is not entirely<br />
clear how White should proceed. 11<br />
tDa4 tDxe4 12 ~e5l:tg8 13 ~xc4 g4<br />
14 tDd2 tDxd2 15 'i'xd2 tDd7 looks<br />
comfortable enough for Black, even if<br />
White interpolates an exchange of the<br />
h-pawns on move 13. White probably<br />
has to venture into 11 hxg5 bxc3 12<br />
gxf6 cxb2 13l:tb1 'i'a5+ 14 ~f1 'i'xa2<br />
15 tDe5, which, though dangerous,<br />
does not look very clear.<br />
11 tDe5 (D)<br />
B<br />
11 ... h5<br />
11...b4? is as usual very risky. 12<br />
tDa4 tDxe4 13 ~xc4 tDxg3 (Black realizes<br />
that he cannot afford to waste<br />
any more moves on non-developing<br />
moves, so he immediately exchanges<br />
White's bishop; he could also have<br />
chosen to defend the g-pawn with<br />
13 ... h5, but 14 'tie2 tDxg3 15 fxg3 is at<br />
any rate extremely dangerous since<br />
White is already threatening to sacrifice<br />
on f7) 14 fxg3 tDd7 15 tDxf7!<br />
(anyway) 15 ... ~xf7 16 'tixg4 'tie7 17<br />
0-0+ ~e8 18 ~xe6 ~c8 19 l:tae1 ~d8,<br />
Khalifman-Dreev, Elista 1998, and<br />
now the simplest is 20 ~f7! 'tid6 21<br />
l:f.e6 'tib8 22 :t.e8+ ~c7 23 ~e6 with a<br />
winning attack. This is one example<br />
confirming my initial remark on 10<br />
h4!? It turned out that the bishop was<br />
prematurely developed to b7 and Black<br />
even had to return the bishop in order<br />
to avoid immediate disaster.<br />
120-0<br />
This is the most common move, and<br />
is often played with the hope of opening<br />
the f-file. Hence the immediate 12<br />
f3!? should not go unnoticed. Black<br />
can react in several ways but only one<br />
(maybe two) looks worth trying:<br />
a) 12 ... b4?! 13 tDa4 gxf3 14 gxf3<br />
is very good for White. <strong>The</strong> c-pawn<br />
drops and Black lacks counterplay.<br />
b) 12 ... ~b4?! 13 0-0 is also promising<br />
for White since the f-file will be<br />
opened next.<br />
c) 12 ... gxf3 led to a quick victory<br />
for White in Gormally-McDonald,<br />
Hampstead 1998 and was a nice display<br />
of the importance of rapid development:<br />
13 ~xf3 c5?! (Black is<br />
desperate to create counterplay but<br />
this is too weakening) 14 O-O! 'i'xd4+<br />
15 'tixd4 cxd4 16 tDxb5 tDa6 17 tDxc4<br />
:g8 18 ~e5 tDd7 19 ~xd4 ~c6 20<br />
tDxa7 1-0.
THE ANTI-MoSCOW VARIATION: 6 il..h4!? 175<br />
d) 12 .. J~g8!? is an interesting idea<br />
that aims, in some lines, to exploit the<br />
undefended bishop on g3. 13 fxg4 (13<br />
i.f4!? lDbd7) 13 ... b4 14lDa4lDxe415<br />
i.f4 hxg4 with a mess.<br />
e) 12 ... i.h6! ? (D) is the first move<br />
Fritz suggests and one that leads to interesting<br />
complications. Since White<br />
has weakened the dark-square complex<br />
around his king it looks very sensible<br />
to attempt to bring in an intruder.<br />
White cannot really castle in view of<br />
... i.e3+, when the d-pawn immediately<br />
falls, so he has to try something<br />
else, e.g.<br />
el) 13 O-O?! i.e3+ 14 ~h2 (14 i.t2<br />
i.xf2+ 15 ltxf2 g3 -+) 14 ... i.xd4 +.<br />
e2) 13 fxg4 b4 14 lDxc4 bxc3 15<br />
lDd6+ ~f8 16 lDxb7 i.d2+ 17 ~f1<br />
'ii'xd4 18 i.d6+ ~g7 19 bxc3 i.xc3<br />
20 'ii'xd4 i.xd4 21 ltdl e5 +.<br />
e3) 13 ltf1 i.e3 (13 ... lth7 is another<br />
idea, intending to meet 14 fxg4<br />
with 14 ... b4, when 15lDxc4?! bxc3 16<br />
lDd6+ 'ii'xd6! 17 i.xd6 i.d2+ 18 ~t2<br />
lDxe4+ 19 ~gllDxd6 20 bxc3 i.e3+<br />
21 ~h2 hxg4 gives Black some play<br />
for the queen, but unfortunately 15 g5<br />
bxc3 16 ltxf6 cxb2 17 ltbl i.g7 18<br />
l:txf7! is very good for White) 14 fxg4<br />
hxg4 (14 ... i.xd4 15 g5 i.xc3+ 16 bxc3<br />
'ii'xdl+ 17 l:txdllDxe4 18lDxf7 ±) 15<br />
lDxf7 ~xf7 16 e5 l:th6 17 i.f4! i.xf4<br />
18 ltxf4lDbd7 is unclear.<br />
12 ... lDbd7<br />
<strong>The</strong> e5-knight is too powerful to be<br />
left alone, so this is definitely best.<br />
12 ... i.g7 gives White just the time<br />
he needs to generate an attack: 13 f3!<br />
0-0 14 fxg4 (the prophylactic 14 ~h2<br />
comes seriously into consideration;<br />
there is hardly anything better for<br />
Black than 14 ... lDbd7, but then 15<br />
fxg4 tiJxe5 16 dxe5 'ii'xdl 17 ltaxdl<br />
lDxg4+ 18 i.xg4 hxg4 19 ltd7 i.a6 20<br />
ltfd 1 f6 21 exf6 i.xf6 22 e5 i.g7 23<br />
lDe4 is almost forced and 1 would certainly<br />
rather be White in the end; most<br />
of Black's pawns are weak and White's<br />
knight is much superior to either of the<br />
black bishops, not to mention the importance<br />
of White controlling the d<br />
file) 14 ... hxg4 15 i.xg4 c5?! (Black is<br />
keen to get the central situation clarified<br />
but this merely gives White a<br />
strong passed pawn; 15 ... b4!? is better<br />
but White might still consider the sacrifice<br />
16 lDxf7 ltxf7 17 i.xe6; e.g.,<br />
17 ... bxc3 18 bxc3! followed by i.xf7+<br />
andeS) 16d5! exd5 17 tiJxf7! ltxf718<br />
i.e6 (the pin on the rook is very awkward<br />
and White has the direct threat of<br />
i.xf7+ followed byeS) 18 ... 'ii'e7 19<br />
exd5 lDbd7 20 lDe4 (20 tiJxb5 !? is also<br />
very tempting) 20 ... lDxe4!? (I am not
176 THE BOTVINNIK SEMI-SlAV<br />
sure this is really necessary; at first<br />
glance 20 ... i.xdS!? 21 tOxf6+ tOxf6<br />
22 i.xdS tOxdS 23 'ir'xdS looks very<br />
unpleasant, but it is not clear that White<br />
can exploit the pin; e.g., 23 ... l:taf8 24<br />
.l:.ael 'ii'd8 2S 'ir'e6 i.xb2 26 .l:.e4 'iVd7<br />
27 .l:.g4+ i.g7 28 .l:.xg7+ r1;xg7 29<br />
i.eS+ ~g8 30 'ir'g6+ .l:.g7 31 .l:.xf8+<br />
r1;xf8 32 i.xg7+ 'ii'xg7 33 'i'fS+ results<br />
in a likely draw) 21 .l:.xf7 'iVxf7<br />
22 i.xf7+ ~xf7, Khalifman-Morovic,<br />
Piirnu 1998, and now the simplest<br />
would have been 23 'i'f3+ tOdf6 24<br />
.l:.dl, when White is clearly better in<br />
view of the passed d-pawn.<br />
13 'iVc2 (D)<br />
B<br />
13 ..• tOxe5<br />
<strong>The</strong> stem game with this variation<br />
continued 13 ... i.g7 14 .l:.adl 'iVb6 IS<br />
tOa4! 'ii'a5? (White only retains a slight<br />
edge after IS ... bxa4 16 tOxc4 'ii'b4 17<br />
eS tOdS 18 a3 'iWb3 19 'iWxb3 axb3 20<br />
tOd6+ ~e7 21 tOxb7 a5 -I.Sokolov)<br />
16 tOcs tOxcs 17 dxcS 'iVb4 18 .l:.d6!<br />
'iVxcS 19 .l:.fd 1 and now there are two<br />
options for Black:<br />
a) 19 ... 'iVb6 and now I.Sokolov<br />
goes on with a lengthy analysis of 20<br />
tOxf7!? but in the end concludes that<br />
20 tOd7 is probably a simpler solution.<br />
For example, 20 ... tOxd7 21 .l:.xd7 i.c8<br />
22 .l:.d8+ 'iWxd8 23 .l:.xd8+ r1;xd8 24<br />
'i'd2+ r1;e8 2S 'iVgS with a strong attack.<br />
b) 19 ... 0-0 20 tOd7! tOxd7 21 .l:.xd7<br />
'iVb6 22 'iVcl!, intending 'iVgS, gave<br />
White a winning attack in I.Sokolov<br />
Novikov, Antwerp 1997.<br />
I should mention that this game featured<br />
the move-order 9 h4!? g4 10<br />
tOeS hS 11 i.e2 i.b7, etc., but it was<br />
I.Sokolov's idea of 9 h4!? that started<br />
the explosion of interest in this particular<br />
line.<br />
14 .txe5 .l:.g8 15 .l:.adl (D)<br />
Lutz has been advocating centralizing<br />
the other rook, and since White is<br />
not going to open the f-file anyway,<br />
this contains a dose of logic. A line of<br />
his runs ISl:tfdl tOd7 16 i.g3 'iWb6 17<br />
b3 cxb3 18 axb3 .l:.c8?! 19 eS!, which<br />
he assesses as clearly better for White,<br />
and I wholeheartedly agree with this.<br />
White is ready to bring his knight into<br />
e4, from where it may continue its<br />
journey towards f6 or d6. However, it<br />
puzzles me why Lutz gives the clearly<br />
inferior 18 ... .l:.c8 instead of the key<br />
move 18 ... i.b4!, which is well-known<br />
from the main line. <strong>The</strong> fact that White<br />
has a rook on al rather than fl does not<br />
seem to make much difference.<br />
15 ..• tOd7<br />
Black can also choose the strangelooking<br />
IS ... .l:.g6. It is obvious that
THE ANTI-MoSCOW VARIATION: 6 ~h4!? 177<br />
B<br />
this lends support to the f6-knight and<br />
thus Black might be able to use his<br />
queen for other purposes, but to understand<br />
it fully, one has to be aware<br />
of the idea of White exchanging on f6<br />
followed by e5 and 'tWh7. This would,<br />
for instance, occur if Black continues<br />
l5 ... ~e7. <strong>The</strong>n 16 ~xf6! ~xf6 17 e5<br />
~xh4 18 'iVh7 is very good for White.<br />
In Sakaev-Khenkin, Belgrade 1999,<br />
White met 15 .. .l1g6 with 16 ~f4 ~e7<br />
17 g3!, which seems rather slow but<br />
turns out to be very effective. Now<br />
Black's best would be 17 ... 'iia5 but instead<br />
Khenkin chose the slower 17 ... a6<br />
and ran into difficulties following 18<br />
b3 cxb3 (18 ... b4 19 ttJa4 c3 20 ttJc5<br />
~xc5 21 dxc5 'tWa5 22 ~d6 ttJd7 23 e5<br />
is good for White; he loses the c-pawn<br />
but this does not seem to matter much<br />
as he is ready to double on the d-file<br />
and eventually open the queenside) 19<br />
axb3 ~b4 20 ~d3 'tWxd4 21 ttJa2 e5<br />
22 ~e3 'tWd6 23 ~e2 'tWe7 24 ttJxb4<br />
'iixb4 25 ~c5 'iia5 26 'iib2 and White<br />
had a fantastic position.<br />
16 ~g3 'iib617 b3<br />
This is very logical. Black is obviously<br />
hoping (perhaps naIvely) to hide<br />
his king on the queenside, so White<br />
immediately opens lines. Alternatively,<br />
White could try to bring the knight<br />
into the centre with 17 e5, but this<br />
causes some inconvenience to the<br />
bishop on g3. Hence, 17 ... c5! 18 d5<br />
exd5 19 ttJxd5 ~xd5 20 l:[xd5 'ii'e621<br />
lIfdl ttJb6 22 l:t5d2 ~e7 looks satisfactory<br />
for Black.<br />
17 ... cxb318 axb3 ~b4!<br />
This is a key move in Black's defence.<br />
If Black, for example, plays<br />
18 ... a6 (to prepare ... c5) White can<br />
continue with 19 e5 or even 19 d5!?<br />
Now these thrusts are ruled out since<br />
Black simply exchanges on c3.<br />
19 ttJa2 ~e7 20 ttJc3 ~b4 21 ttJa2<br />
~e7 22 ttJc3<br />
1/2- 1 /2 Notkin-Galkin, Russian Club<br />
Cup (Maikop) 1998. It is very difficult<br />
for either side to improve their position.<br />
D)<br />
9 ... ttJbd7!? (D)<br />
W
178 THE BOTVINNIK SEMI-SLAV<br />
One of the greatest <strong>Semi</strong>-<strong>Slav</strong> experts,<br />
Alexei Dreev, has lately preferred<br />
this more flexible move over<br />
the more common 9 ... ~b7 and the increasingly<br />
popular 9 ... ~b4.<br />
lOdS!<br />
White immediately attempts to exploit<br />
his lead in development by utilizing<br />
the fact that Black has lessened his<br />
control of the d5-square. This energetic<br />
continuation requires extremely<br />
accurate play from Black if he wishes<br />
to survive the opening but is of course<br />
double-edged in the sense that if<br />
White's initiative slips then Black will<br />
inevitably come out with very good<br />
chances.<br />
<strong>The</strong>re are several quieter, and less<br />
powerful, continuations:<br />
a) 10 0-0 b4 11 lDa4 lDxe4 12<br />
~xc4 ~g7 13 'it'e2lDxg3 14 fxg3 0-0<br />
15 :tadl ~b7 16 h4 with an unclear<br />
position, Namgilov-Ariskin, Moscow<br />
1999.<br />
b) 10 e5lDd5 11 h4 g4 12liJd2 h5<br />
13 lDde4 ~b7 140-0 a6 15 a4 'it'b6<br />
16 a5 (16 lDg5 c5 17 axb5 axb5 18<br />
:txa8+ ~xa8 19 lDxd5 ~xd5 20 dxc5<br />
~xc5 21 'it'd2 ~d4 + Forster-Dreev,<br />
Elista OL 1998) 16 ... 'it'a7 17 'it'd2,<br />
Se.lvanov-Dreev, Russian Ch 1998,<br />
and now Lutz suggests 17 ... c5 18<br />
lDxd5 ~xd5 19 lDd6+ ~xd6 20 exd6<br />
cxd4 21 'it'g5 f6 22 'it'g6+ 'ifi>d8 23 'it'g7<br />
:te8, when Black is clearly better.<br />
c) 10 h4 is not as dangerous as<br />
against 9 ... ~b7 but does nevertheless<br />
deserve attention. 1O ... b4!? 11 lDa4<br />
(11 hxg5 bxc3 12 gxf6 cxb2 13 11bl<br />
'it'a5+ 14 ~f1 c3 is very good for<br />
Black) ll...lDxe4 12 ~e5 11g8 13<br />
'it'c2!? lDef6 (13... lDxe5 14 dxe5lDc5<br />
15lDxc5 ~xc5 16 hxg5 hxg5 17 ~xc4<br />
with compensation - Mikhalevski) 14<br />
hxg5 hxg5 15 'it'xc4 ~b7 16 lDc5!?<br />
~xc5 17 dxc5 g4 18 ~xf6 'it'xf6 19<br />
lDd2 a5! and Black is doing well,<br />
Mikhalevski-Kaspi, Tel-Aviv 1999.<br />
d) 10 'it'c2 (D) and now:<br />
dl) 10 ... lDh5 11 a4!? lDxg3 12<br />
hxg3 'it'b6 13 d5 g4 14 lDd2lDe5 15<br />
dxc6 b4 16lDdi 'it'xc6 17lDxc4 ~a6<br />
18 l:tc1lDxc4 19 ~xc4 ~xc4 20 'it'xc4<br />
'it'xa4 21lDc3 'it'd7 22lDb5 ± R6tSagov-Karasev,<br />
St Petersburg 1998.<br />
d2) 10 ... ~b7 (it is worth noting<br />
that the following lines can arise from<br />
a number of transpositions) II 0-0 and<br />
then:<br />
d21) 11...a6 12 l:tadl ~e7 (alternatively,<br />
12 ... 'it'b6 13 lDe5 c5 14 d5<br />
~g7 15lDa4! bxa4 16lDxc4 'it'a7 17<br />
dxe60-0 18 exd7 ± Scherbakov-Beshukov,<br />
Krasnoiarsk 1998) 13 lDe5lDxe5<br />
14 ~xe5 :g8 15 ~xf6! ~xf6 16 e5
THE ANTI-MoSCOW VARIATION: 6 i4.h4!? 179<br />
i.e7 17 'ilfh7 ':f8 18 i.h5 with a strong<br />
attack, Lobron-Slobodjan, Nussloch<br />
1996.<br />
d22) 11...i.e7 12 l:.adl "b6 13<br />
liJeS hS 14 dS!? cxdS IS exdS h4 16<br />
dxe6 'ili'xe6 17 liJxbS ':c8 18 liJd4<br />
'ili'a6 19 liJxd7 hxg3 20 liJxf6+ i.xf6<br />
with an unclear position, S.<strong>Pedersen</strong><br />
Gausel, Oxford 1998.<br />
d23) 11...liJhS (there is reason to<br />
believe Black should try ... liJhS as<br />
soon as he can get away with it) 12 dS<br />
liJxg3 13 hxg3 i.g7 14 dxe6 fxe6 IS<br />
l:.adl "e7 16liJd4 0-0-0 + Bosboom<br />
Kramnik, Wijk aan Zee blitz 1999.<br />
Returning to the position after 10<br />
dS (D):<br />
B<br />
lO ... cxd5<br />
Black is far behind in development<br />
and must find a way to get his forces<br />
out before his position collapses. <strong>The</strong><br />
text-move attempts to develop the<br />
light-squared bishop conveniently by<br />
removing a possible target for White<br />
on c6. However, now the bS-pawn becomes<br />
weak. Other options:<br />
a) 1O ... exdS 11 exdS b4 12 dxc6<br />
bxc3 is hardly better than 'c' below.<br />
b) 10 ... i.b7 11 dxe6 fxe6 12liJd4<br />
liJcs 13 eS (13 O-O?! is probably too<br />
slow: 13 ..... d7 14 eS 0-0-0 IS exf6<br />
'ili'xd4 16 'iWxd4 ':xd4 17 i.eS ':d2 18<br />
f7 l:th7 19 i.hS l:td7, intending simply<br />
to capture the f7 -pawn, with a good<br />
position, Van Wely-Porper, Antwerp<br />
1998) 13 ... liJdS 140-0 'iWb6 IS i.hS+<br />
~d7 16 'ili'g4 ':h7 17 l:tadl ':d8 18 h4<br />
with excellent attacking prospects for<br />
White, Zhu Chen-Dreev, Shenyang<br />
1999.<br />
c) 1O ... b4 currently appears to be<br />
too risky. 11 dxe6 bxc3 12 exd7+<br />
i.xd7 (12 ..... xd7 turned out disastrously<br />
for Black in Beliavsky-Bacrot,<br />
Albert (2) 1999: 13 "c2 g4 14 l:tdl<br />
'it'b7 ISliJeS 'iWxb2 16 "a4 "bS? 17<br />
':d8+! 1-0; 16 ..... bS is obviously unfortunate<br />
but Black's position is nevertheless<br />
critical) 13 bxc3 liJxe4 and<br />
now:<br />
c1) 14 i.eS f6 IS 'it'c2 i.fS 16liJd4<br />
i.g6 (other moves, such as 16 ... 'iIi'dS<br />
or 16 ... i.h7, are met by 17 i.hS+) 17<br />
i.f3 'it'dS (17 ... fxeS 18 i.xe4 i.xe4 19<br />
'it'xe4 'iWdS 20 "g6+ is clearly better<br />
for White according to Sveshnikov)<br />
18 i.xf6 l:tg8 19 0-0~f7 20 l:tfel ':e8<br />
21 i.d8 g4! + Savchenko-Sveshnikov,<br />
Moscow 1991.<br />
c2) 14 "d4! liJxg3 IS hxg3 l:.g8<br />
16 'ili'xc4 (White has levelled material<br />
and is positionally much better; first<br />
and foremost Black is yet to find a safe<br />
place for his king and secondly his<br />
pawn-structure is worse than White's)
180 THE BOTVINNIK SEMI-SLAV<br />
16 ... ~g7 17 0-0 ~f6 18 l:tabl ~e6 19<br />
'i'xc6+ 'ifi'fS 20 lDd4 ~xd4 21 cxd4<br />
'ifi'g7 22 'i'a4 gives White a clear advantage,<br />
Beliavsky-Atalik, Vrnjacka<br />
Banja 1999.<br />
11 exdS lDb6 12 dxe6 (D)<br />
B<br />
lDd4 ~f6 21 l:tfe1 e5 22lDf3 l:tad8 23<br />
~fl l:tfe8 24lDd2 ± Bareev-Akopian,<br />
Las Vegas FIDE KO Wch 1999.<br />
13lDd4 (D)<br />
13lDxb5 ~b4+ 14 'ifi'fl 'ii'xd1+ 15<br />
l:txd1 0-0 16lDfd4 ~d7 17 ~f3lDfd5<br />
18 ~d6 ~xd6 19lDxd6 l:tfd8 20 lD4f5<br />
~xf5 21 lDxf5 is also very good for<br />
White, Van Wely-Godena, French Cht<br />
1999.<br />
B<br />
12 ... ~xe6<br />
If Black insists on a queenless middlegame<br />
he should exchange queens<br />
here, but this option also does not solve<br />
Black's problems fully: 12 ... 'i'xdl+<br />
13 l:txdl ~xe6 14 ~e5 ~g7 15lDxb5<br />
0-0160-0 (a simple glance at Black's<br />
pawn-structure suggests that he is in<br />
trouble; the question is whether it is<br />
possible to mobilize enough activity<br />
to compensate) 16 ... lDfd5 17 ~xg7<br />
'ifi'xg7 18 lDfd4 a6 19 lDxe6+ fxe6 20<br />
13 ... ~b4<br />
Or 13 ... a6 14 ~f3 l:ta7 15 lDxe6<br />
'i'xdl+ 16 l:txdl fxe6 17 ~e5 ±.<br />
14 0-0 0-0 15 lDcxbS ~dS 16 a4<br />
lDe4 17 as lDxg3 18 hxg3 a6 19 lDc3<br />
~xc3 20 bxc3 lDd7 21lDrs<br />
White has a clear advantage, Beliavsky-Bacrot,<br />
Bugojno 1999.
15 <strong>The</strong> Main Line: 7 e3 liJd7<br />
8 Jtd3 dxc4<br />
1 d4 d5 2 c4 c6 3 tiJf3 tiJf6 4 tiJc3 e6 5<br />
i..g5 h6 6 i..xf6 'ii'xf6 7 e3 tiJd7 8<br />
i..d3 dxc4 9 i..xc4 (D)<br />
B<br />
be a profitable deal for White, but the<br />
modern conception is that Black's<br />
long-term chances are by no means<br />
worse, and many strong grandmasters<br />
are today happy playing the black side,<br />
taking a possibly very slightly inferior<br />
middlegame but with a long-term asset<br />
in the form of the bishop-pair.<br />
Slow manoeuvring<br />
To illustrate how the long-term asset<br />
of the bishop-pair can be put into practice,<br />
I will fIrst explain the basic ideas<br />
in the following position:<br />
<strong>The</strong> Moscow Variation has become<br />
increasingly popular for those not<br />
quite willing to take the risks involved<br />
in the <strong>Botvinnik</strong> System. However, attention<br />
has to some extent moved<br />
away from the rather dull but strategically<br />
interesting main line, which we<br />
shall consider in this chapter, towards<br />
the much more ambitious Anti-Moscow<br />
Variation (considered in the previous<br />
chapter).<br />
White gives up one of his bishops at<br />
a very early stage of the game, but in<br />
return gains a rather large advantage in<br />
space. Not long ago this was thought to<br />
Black's development of his bishop<br />
to d6 remains the preferred choice of<br />
probably the greatest <strong>Semi</strong>-<strong>Slav</strong> expert<br />
of all, Alexei Dreev. With his life-long
182 THE B01VINNIK SEMI-SLAV<br />
experience of this opening he knows<br />
the ins and outs, and he seems to prefer<br />
his dark-squared bishop in the centre<br />
rather than hiding it away on the<br />
kingside. However, the ... eS break is<br />
not that easy to carry out since with<br />
White moving his knight to e4, controlling<br />
the d6-square and placing the<br />
rook on the semi-open c-file, White<br />
can usually meet ... eS with dS. <strong>The</strong>refore,<br />
to find suitable places for his<br />
pieces Black will have to engage in<br />
rather slow manoeuvring as illustrated<br />
with arrows in the diagram above.<br />
With the limited space available this<br />
almost seems to cause a traffic-jam,<br />
but it all fits nicely together with one<br />
piece freeing just the square needed<br />
for another all the time. Of course,<br />
Black must be careful not to doze off<br />
and allow White too much space.<br />
B<br />
Savchenko - Kuczynski<br />
Groningen 1992<br />
Here are first a few examples where<br />
White in the first place seems to enjoy<br />
a nice controlled space advantage, but<br />
following Black's patient defensive<br />
manoeuvring, he is gradually pushed<br />
back.<br />
In the diagram above, White has<br />
grabbed as much space as he could,<br />
and soon might be threatening to start<br />
an attack. However, Black's position<br />
is rock-solid and he now seized the<br />
initiative with ...<br />
19 ... f6 20 ltJc4?!<br />
20 ltJf3 is probably better, but even<br />
so 20 ... i.g6 21 'li'f2 :ta8 maintains a<br />
flexible and very solid position.<br />
20 ... i.g6 21 'ii'c3 i.h5 22 :te1:ta8<br />
23ltJc5 :ta7 24 .:tf1 i.f7 25 .:tn b6 26<br />
ltJe4 .:taa8 27 ltJcd2 :ac8 28 b4?<br />
A mistake but it is not easy to suggest<br />
a plan for White. On the other<br />
hand, Black's position seems much<br />
easier to handle, with ideas such as<br />
...i.b8 and ... fS followed by ... cS on<br />
the agenda.<br />
28 ... f5 29 ltJg3 i.d6!<br />
Black has a clear advantage.<br />
White's play in the above example<br />
was far from perfect, although very<br />
natural. It is the kind of position where<br />
Black can easily eject the white knights<br />
from their rather unstable outposts on<br />
eS and cS. A much better strategy for<br />
White, which was initially developed<br />
by Artur Yusupov, is to try to get in the<br />
advance e4-eS, and that means White<br />
has to refrain from playing ltJeS. However,<br />
White must be careful that he advances<br />
e4 in a position where Black is<br />
not able to reply with ... eS. Here is
THE MAIN LINE: 7 e3 !i:Jd7 8 i.d3 dxc4 183<br />
how it can be done, and it is also a<br />
good example of what can happen to<br />
Black if he becomes too passive and<br />
plays without a clear plan:<br />
It has been difficult to predict any<br />
of Black's previous three moves, but<br />
they do not seem to do anything particularly<br />
useful for the defence. White<br />
broke through with ...<br />
29 d5 'ii'd8 30 d6<br />
... and went on to win in another 10<br />
moves.<br />
<strong>The</strong> set-up with a white pawn on eS<br />
occurs more frequently when Black<br />
has decided upon a kingside fianchetto.<br />
<strong>The</strong>n White also has a nice outpost for<br />
his knight on d6 but he must take care<br />
that his centre does not get undermined<br />
by ... cS.<br />
VVard - Ferguson<br />
Hastings 1995<br />
16 ... ~d7 17lLlc5<br />
This should be played only after<br />
Black has played ... ~d7, thus gaining<br />
a tempo by attacking the b-pawn.<br />
17 ... :'a7 18 e4 ~e8<br />
18 ... eS is now met strongly by 19<br />
lLlxeS ~xeS 20 dxeS1WxeS 211Wb3.<br />
19 e5lLlg6?!<br />
In Sakaev-Dreev, Brno 1992 an<br />
early peace agreement was signed after<br />
19 ... b6 20 lLla4 :'aa8. 20 lLle4 is<br />
clearly more ambitious but Black replies<br />
20 ... a4 with some counterplay.<br />
20'WWe4! ~b6?<br />
This only wastes time. 20 ... b6 was<br />
still the move.<br />
21lLla4 ~c7 22 h4 :'aa8 23 'ii'g4<br />
b6 24 h5 lLlf8 25 lLlc3 ~h8 26 lLle4<br />
i.b8 27 :'e1 :'a7 28 :'e3 :'c8<br />
B<br />
Ivanchuk - Kramnik<br />
Novgorod 1996<br />
White has supported the eS-pawn<br />
with a rook on el. Hence, it is not so<br />
easy for Black to undermine White's<br />
centre with ... cS since White has the<br />
strong reply dS. If Black could get in<br />
... cS without White being able to reply<br />
dS White's centre would be close to
184 THE BOTVINNIK SEMI-SLAV<br />
falling apart, especially if this is supported<br />
with a bishop on b7. <strong>The</strong>n Black<br />
will be threatening to exchange pawns<br />
and exchange the knight on f3, when<br />
e5 drops. Of course, White should<br />
take measures against this. Usually<br />
this means attempting to exchange the<br />
light-squared bishops and making sure<br />
that ... c5 can be met by d5.<br />
14 ••. b6 15 'it'e2<br />
Further reinforcing the e5-pawn but<br />
also intending to meet 15 ... .ib7 with<br />
16 .ia6!. It would be quite an achievement<br />
if White could exchange the<br />
light-squared bishops under such circumstances,<br />
as this is Black's good<br />
bishop. This will also take some of the<br />
sting out of a possible ... c5 break.<br />
15 ... .:tbS! 16 .id3<br />
If 16 .ia6, Black can safely free his<br />
position with 16 ... c5; e.g., 17 d5 .ixa6<br />
18 'ii'xa6 exd5 19lLlxd5 "e6 20 lLlc7<br />
"c6 21lLlb5 .:ta8! and Black is doing<br />
well.<br />
16 ... .ib7<br />
In Dautov-Fridman, PulaEcht 1997,<br />
Black played the unusual 16 ..... f8!?<br />
<strong>The</strong> idea is that if Black could have a<br />
move for free then he would be ready<br />
to play ... c5: 17 ... c5 18 d5 .ib7 and<br />
now if Black's queen were on e7<br />
White could play 19 d6 followed by<br />
.ie4, but here 19 d6 is answered by<br />
19 ... .ixf3. <strong>The</strong> game continued 17 h4<br />
c518d5.ib719h5exd520hxg6,and<br />
now Sadler suggests 20 ... f6!? 21 e6<br />
lLle5 with an unclear position. In fact,<br />
Black has little to fear. His kingside is<br />
relatively safe, and it is not clear how<br />
White takes measures against the intimidating<br />
black centre.<br />
17 .ie4lLlfS 1S g3 ':'bcS 19 a3 .:tc7<br />
20 .:ted1 c5 21 .ixb7 ':'xb7 22lLle4<br />
White has a small advantage, which<br />
he convincingly exploited to win in 40<br />
moves.<br />
Even though White is ready to meet<br />
the ... c5 break with d5, this is not always<br />
enough. Sometimes Black is able<br />
to expand on the queenside and simply<br />
exchange the e-pawn for White's d<br />
pawn, thus obtaining a three versus two<br />
majority on the queens ide and pressure<br />
against the e5-pawn.<br />
B<br />
Van Wely - Dreev<br />
Wijk aan Zee 1996<br />
13 ... a6!<br />
Black prepares to play ... b5 followed<br />
by ... c5 with no problems at all.<br />
14 a3 b6<br />
This clever move is very typical of<br />
such positions. Black prepares the<br />
... c5 advance slowly, and only when
THE MAIN LINE: 7 e3 liJd7 8 i.d3 dxc4 185<br />
he is fully developed will he move his<br />
b-pawn to bS. <strong>The</strong> immediate 14 ... bS?!<br />
is dubious on account of IS i.a2 cS 16<br />
dxcS!? ltJxcs 17 b4, when White exploits<br />
his lead in development to put<br />
Black under pressure.<br />
15 e4 i.b7 16 e5?!<br />
White is not able to support this<br />
pawn adequately and now it merely<br />
becomes weak. <strong>The</strong> prophylactic 16<br />
i.a2 is better.<br />
16 ... c5 17 d5 b5 IS i.a2 c4! 19 i.b1<br />
exd5 20 liJxd5 i.xd5 21 .:txd5 .:tfeS<br />
Black is better. White even lost the<br />
eS-pawn without any compensation<br />
whatsoever after ...<br />
22.:te1?!<br />
Dreev gives 22 e6 fxe6 (22 ... ltJb6!?)<br />
23 .:td2 ltJf8 24 'ilVe4 as a better try,<br />
when White has at least created some<br />
weaknesses on Black's kingside as<br />
compensation for the pawn, but by<br />
correct play Black should still win.<br />
22 .•. .:tadS 23 'iWd2 liJxe5 24 ltJxe5<br />
.:txd5 25 'iWxd5 i.xe5<br />
Black won in some 30 more moves.<br />
Central systems<br />
<strong>The</strong> subheading is borrowed from<br />
Matthew Sadler's book <strong>The</strong> <strong>Semi</strong>-<strong>Slav</strong><br />
for the simple reason that I could find<br />
no better heading to cover the next examples.<br />
<strong>The</strong>se usually involve Black<br />
replying ... eS to White's e4. A few<br />
snapshots (see/allowing diagram):<br />
1l ... e5! 12 d5 liJb6 13 i.b3 i.g4!<br />
Black should hurry to play this,<br />
even though the following ending is<br />
not very enterprising. However, after<br />
B<br />
Khalifman - Akopian<br />
Erevan 1996<br />
13 ... 0-0 14 h3! White is better as neither<br />
of Black's bishops is very good.<br />
14 h3 i.xf3 15 ..wxf3 ..wxf3 16 gxf3<br />
186 THE BOTVINNIK SEMI-SLAV<br />
22 .l:ac1 a4 23 .i.dl ~d7 24 ~n<br />
.i.h6 25 ~e1
THE MAIN LINE: 7 e3 0.ti7 8 j,.d3 dxc4 187<br />
Beliavsky has had this pOSItIon<br />
twice. <strong>The</strong> first time he preferred 19<br />
tiJbxd4 but did not obtain an advantage.<br />
Also here Black's resources look<br />
fully adequate.<br />
19 ... tiJf6 20 .:tel i.d7 21 l:tae2<br />
i.xbS 22 i.xbS 'iid8 23 i.c6 l:ta7 24<br />
g3 'iid6 2S 'iic4 .:tc8 26 bS tiJdS 27<br />
tiJeS 112_112<br />
B<br />
17 tiJd2 cS 18 dS (D)<br />
B<br />
P.Nikolic - Kramnik<br />
Erevan OL 1996<br />
14 ... aS! IS bxaS<br />
15 b5 c5 is fine for Black, both after<br />
16 d5 llJb6 as well as 16 b6 cxd4 17<br />
exd4 'ti'b4!.<br />
lS ... l:txaS 16 .:tfd1 b6<br />
Black is still suffering slightly for<br />
his lack of space but it is not very severe<br />
since he has counterplay against<br />
the a4-pawn and is now preparing to<br />
play ... c5. White would be better if he<br />
could manage to get his knight around<br />
to c4 before Black plays this but he is a<br />
tempo short for it.<br />
18 ... i.xc3!<br />
An excellent defence. Black can<br />
rarely afford to give up his strong<br />
bishop for the knight like this but here<br />
it is possible (and indeed, virtually essential)<br />
since it increases the pressure<br />
against a4 by removing one of the defenders<br />
and makes it impossible for<br />
White to maintain his pawn on d5.<br />
19 l:txc3 tiJf6 20 dxe6 i.xe6 21<br />
.:tcel<br />
White actually has to avoid a few<br />
tactics. <strong>The</strong> natural 21 'tWxb6 .:txa4 22<br />
i.xe6 surprisingly loses a piece after<br />
22 ... l:tb4! 23 'ti'xc5 'tWxc5 24 .:txc5<br />
l:txd2!.<br />
21.. . .:ta7 22 i.xe6 'iixe6 112_112<br />
Quick Summary<br />
Most lines lead to strategically interesting<br />
play. 9 ... i.d6 (Line A) is probably<br />
slightly underestimated but only<br />
Alexei Dreev frequently takes on the<br />
task of the patient manoeuvring required<br />
after 10 0-0 'tWe7 11 tiJe4 i.c7
188 THE BOTVINNIK SEMI-SlAV<br />
12 :'cl 0-0 13 'ikc2 :'d8, preparing a<br />
solid set-up with ... lbf8 and ... i.d7 -eS.<br />
<strong>The</strong> main line, 9 ... g6 (Line B) gives<br />
White a choice of three different strategies<br />
after 10 0-0 i.g7.<br />
Line B 1 (11 :tel) is flexible, enabling<br />
White to play both in the centre<br />
and on the queens ide, while Line B2<br />
(11 e4) is more direct. However, the<br />
endgame after 11...e5 12 d5 lbb6 13<br />
i.b3 i.g4 14 h3 i.xf3 15 'ikxf3 'ikxf3<br />
16 gxf3 ~e7 17 dxc6 bxc6 is nothing<br />
special. White probably has a microscopic<br />
advantage but Black should be<br />
able to defend the position without too<br />
much trouble.<br />
11 b4 (Line B3) is White's best<br />
chance of an advantage but also here<br />
Black's defensive resources are quite<br />
good. <strong>The</strong> main line runs 11...0-0 12<br />
a4 'ike7 13 :tbl, when 13 ... b6 probably<br />
is the most accurate since 13 ... a5 is<br />
premature in view of 14 b5 c5 15 b6!.<br />
<strong>The</strong> <strong>The</strong>ory of the Main<br />
Line Moscow Variation<br />
1 d4 d5 2 c4 c6 3 lbf3lbf6 4lbc3 e6 5<br />
i.g5 h6 6 i.xf6 'ikxf6 7 e3 lbd7 8<br />
i.d3 dxc4 9 i.xc4<br />
Now:<br />
A: 9 ... i.d6 188<br />
B: 9 ... g6 192<br />
A)<br />
9 •.• i.d6 (D)<br />
If Black is not going to waste another<br />
move preparing to develop,<br />
adopting the hyper-modern approach<br />
9 ... g6, this is the most logical move.<br />
<strong>The</strong>re are other squares available for<br />
the bishop on the a3-f8 diagonal but<br />
on b4 the bishop may be subjected to<br />
attack while on e7 it blocks the queen's<br />
retreat. <strong>The</strong> bishop also seems to be<br />
better placed on d6 than on g7 following<br />
an e4 e5 sequence, and in general<br />
it is more helpful in the support of an<br />
... e5 break, so the worst problem for<br />
Black in this line is that another piece<br />
is placed in the rather limited space in<br />
the centre.<br />
100-0<br />
10 lbe4 is playable but Black rather<br />
easily solves his problems as long as<br />
there is a check on b4: 10 ... i.b4+ 11<br />
~e2 'ilVdS 12 'ikc2 0-0 13 .l:r.hdl 'ilVc7<br />
14 a3 i.e7 15 .l:r.acl .l:r.dS 16 h3 b6 17<br />
'ii;>f1 1 h- 1 h Ribli-Dreev, Calcutta 1992.<br />
10 ... 'iYe7<br />
With no check on b4, White was<br />
threatening 11 lbe4 'ilVe7 12 lbxd6+<br />
'ikxd6 13 e4 with an advantage.<br />
lllbe4<br />
Anyway. <strong>The</strong> main virtue of this<br />
move is now to defuse the ... e5 break
THE MAIN LINE: 7 e3 tiJd7 8 i.d3 dxc4 189<br />
by preparing to clear the c-file, and<br />
with the knight controlling the d6-<br />
square it means that a future ... eS can<br />
be met by dS threatening d6. Other<br />
moves have promised very little:<br />
a) <strong>The</strong> kind of position arising<br />
from, for example, 11 e4 e5 12 dS<br />
liJb6 13 dxc6 bxc6 (13 ... liJxc4? 14<br />
cxb7 followed by 'ifa4+) 14 i.b3 i.g4<br />
15 h3 i.h5 16 :cl 0-0 is generally accepted<br />
as fine for Black, whose active<br />
piece-play makes up for his inferior<br />
pawn-structure.<br />
b) 11 'iWd3 0-0 12 :adl :d8 13<br />
i.b3 i.c7 14 i.c2liJf8 15 'ife2 cS 16<br />
'ifc4 cxd4 17 exd4 i.aS + Ljubojevic<br />
I.Sokolov, Dutch Cht (Breda) 1997.<br />
c) 11 'iWc20-0 12 a3 (12 :ac1 eS<br />
13liJe4 exd4 14liJxd6 'ifxd6 15 :fdl<br />
liJb6 16 :xd4 'iWe7 17 i.b3 i.e6 =<br />
Stone-L.B.Hansen, Groningen 1992)<br />
12 ... eS 13 i.a2 liJf6 (13 ... exd4 14<br />
exd4! is better for White) 14 dxe5<br />
i.xe5 IS liJxeS 'if xeS 16 :ae 1 i.e6 17<br />
i.bl :ad8 18 f4 'ifd6 19 e4 'ifd4+ 20<br />
'iff2 i.c4 21 'ifxd4 :xd4 22:f3 :d2<br />
23 b4 :fd8 24 eS liJe8 2S fS liJc7 26<br />
:g3 ~f8 with a roughly equal endgame,<br />
I.Sokolov-Dreev, Biel IZ 1993.<br />
1l ... i.c7 12 :cl<br />
Shirov tried to leave out :c1 for a<br />
few moves and was to some extent rewarded:<br />
12 'ifc2 0-0 13 i.b3 :d8 14<br />
:fdlliJf8 IS liJeS i.d7 16 f4 i.e8 17<br />
liJc5 i.d6 18 :ac1 and after 18 .. .'~h8<br />
19 liJe4 i.c7 (Shirov-Dreev, Linares<br />
1995) White's best is 20 'ifc5 'ifxc5 21<br />
liJxc5 :ab8 22 i.c4, intending 23 b4<br />
with a comfortable game for White.<br />
Dreev instead suggests that Black<br />
should prefer 18 .. J%ac8, claiming 19 fS<br />
was not a threat by analysing 19 ... i.xeS<br />
20 dxeS :xd 1 + 211hd 1 exfS 22 'ifxf5<br />
:c7 and now 23liJe4 i.d7 24 'ikh.s (24<br />
'iff4liJg6) 24 ... i.e6 +, or 23 e6 b6! 24<br />
liJa6 fxe6, but this allows 2S liJxc7.<br />
Perhaps he meant 24 .. J:tb7 intending<br />
... fxe6. <strong>The</strong> real point of 18 ... :ac8 is<br />
that Black is ready to meet Shirov's<br />
plan 19liJe4 with 19 ... i.b8, when 20<br />
'ifcs is pointless as Black can simply<br />
avoid the queen exchange by 20 ... 'ifc7.<br />
12 ... 0-0 13 'ifc2 ( D)<br />
A slightly different piece arrangement<br />
is seen if White chooses 13 'ife2<br />
but with White not controlling the c<br />
file as much as in the main line, Black<br />
might take the opportunity to play<br />
13 ... e5!? 14 dS cxdS IS i.xdSliJb6!?<br />
Instead in Bareev-Anand, Linares 1992<br />
Black chose 13 ... :d8 14 i. b3 as IS a3<br />
liJf6?! (IS ... liJf8) 16liJxf6+ 'ifxf6 17<br />
:fdl and White was better. It is interesting<br />
that even though Black's knight<br />
does not look at much it is best to keep<br />
it in order to defend the kingside.<br />
B
190 THE B01VINNIK SEMI-SLAV<br />
13 .. J:td8<br />
Preparing the regrouping of the<br />
pieces .... lLlfS and ... ..td7-eS. mentioned<br />
in the introduction to the chapter.<br />
Black has also tried two interesting<br />
ideas to prepare ... eS:<br />
a) On 13 ... b6. Yusupov suggests 14<br />
..tbS. when 14 ... cxbS IS "fixc7 gives<br />
White a clear advantage. This is true.<br />
but Black should grab a pawn with<br />
14 ... ..txh2+. While it does not solve<br />
all his problems. Black at least has a<br />
pawn to compensate. However. White<br />
still enjoys a nice initiative after IS<br />
THE MAIN LINE: 7 e3 liJd7 8 ~d3 dxc4 191<br />
example, 15 ... b6 White does not have<br />
the usual 16 i.b5 (Black simply replies<br />
16 ... i.xh2+ 17 ..txh2 cxb5 and<br />
White can hardly increase the pressure).<br />
15 i.b3 cuts across the ... b6<br />
plan but White has also tried two other<br />
moves that attempt to dissuade this:<br />
a) After 15 ttJc5 I?, White can meet<br />
15 ... b6 with 16 ttJa6. Chemin-Dreev,<br />
Moscow 1989 therefore continued instead<br />
15 ... i.d6!? 16 ttJe4 i.c7 17 ttJc5<br />
i.d6 18 ttJd3 i.d7 19 e4 i.e8 20 'iWe2<br />
i.c7 21 e5 i.b6 22 'iWe3 a5 with a<br />
roughly equal position. White has<br />
managed to get his pawn to e5 but it<br />
has been at the cost of a not very optimal<br />
piece placement.<br />
b) 15 a3 a5 (15 ... b6 16 b4!?) 16<br />
i.a2 i.d7 17 ttJc5 l:ta7 18 e4 (18 ttJe5<br />
i.e8 19 f4 c;i;>h8 20 'fif2 f6 21 ttJf3 b6<br />
22 ttJe4 a4 23 g4l:ta5 gave Black good<br />
counterplay in Bellon-Dreev, Logrofio<br />
tt 1991) 18 ... i.e8 19 e5 b6 (19 ... ttJg6?!<br />
20 'iWe4 i.b6 21 ttJa4 i.c7 22 h4 'uaa8<br />
23 'ii'g4 b6 24 h5 ttJf8 25 ttJc3 c;i;>h8 26<br />
ttJe4 ± Ward-Ferguson, Hastings 1995<br />
- see also the introduction to the chapter)<br />
20 ttJa4 (20 ttJe4 is more ambitious;<br />
then after 20 ... a4 White can try<br />
to improve his position with ttJg3,<br />
'fie4, etc.) 20 ... ,Uaa8 112-112 Sakaev<br />
Dreev, Bmo 1992. It is now more difficult<br />
for White to achieve the attacking<br />
formation with the queen on g4<br />
and knight on e4 since White must<br />
constantly watch out that Black is not<br />
allowed to free his position by means<br />
of ... c5.<br />
15 ... i.d7<br />
15 ... a5 16 a3 i.d7 17lbc5 reaches,<br />
via a slightly different move-order, a<br />
position from which Artur Yusupov<br />
has been very successful as White:<br />
a) 17 ... :'a7 18 e4 i.e8 19 e5 i.b6<br />
is the same position as in Sakaev-Dreev<br />
above, except that White's bishop is<br />
here on b3, thus preventing Black from<br />
playing ... a4. Yusupov-Dreev, Tilburg<br />
1992 then continued 20 lbe4 'uaa8 21<br />
i.a2 :'d7 22 'iWb3 i.a7 23 lbd6 ;1;.<br />
b) 17 .. J::tab8 18 e4! i.c8 (18 ... i.e8<br />
19 e5 ;1;) 19 ttJd3!? ttJg6 20 e5 ttJh4?!<br />
(an instructive example of the defending<br />
side not benefiting from exchanges;<br />
20 ... i.d7 is better) 21 ttJdel !<br />
lbxf3+ 22 ttJxf3 i.d7 23 'ife4! c5!?<br />
(after 23 ... i.e8 24 h4 it becomes clear<br />
why Black should not have exchanged<br />
his knight; White is planning h5 and<br />
i.c2 with a strong attack) 24 :xc5<br />
i.c6 25 'iff4 i.xf3!? 26 gxf3!, Yusupov-M.Gurevich,<br />
Munich 1993. Black<br />
can claim some sort of compensation<br />
due to the opposite-coloured bishops<br />
but it is evidently not enough.<br />
16 ttJc5 :ab817 a3<br />
17 e4 looks more ambitious but I<br />
cannot help feeling that Black is better<br />
off with the pawn still being on a7<br />
compared to some of the similar positions<br />
examined above.<br />
17 ... i.e8 18 i.a2 ~h8 19 ttJd3 b6<br />
20 b4 l:tdc8 21 :d2 :a8 22 'i¥b2 a5<br />
23 :dc2 axb4 24 axb4 f6!?<br />
<strong>The</strong> position is more or less equal,<br />
P.Cramling-Galliamova, Groningen<br />
worn Ct 1997. White has maintained<br />
her space advantage but the b4-pawn
192 THE BOTVINNIK SEMI-SLAV<br />
might become weak. Moreover, Black<br />
is almost ready to activate her lightsquared<br />
bishop.<br />
B)<br />
9 ... g6 10 0-0 i.g7 (D)<br />
Black can avoid Line B3 by first<br />
playing 10 ... 'ii'e7. <strong>The</strong> queen usually<br />
has to retreat to e7, so the choice is<br />
quite sensible in itself since that particular<br />
line might be the most problematic<br />
for Black at the moment. <strong>The</strong><br />
disadvantage, however, is that after 11<br />
e4 i.g7 12 eS, White has achieved a<br />
favourable version of Line B2.<br />
w<br />
Now we have:<br />
Bl: 11:c1 192<br />
B2: 11 e4 196<br />
B3: 11 b4 199<br />
Other continuations that merit some<br />
attention are:<br />
a) 11 h3?! seems like rather a<br />
worthless move compared with some<br />
of the positions considered later on;<br />
e.g., 11...0-0 12 e4 'ike7 (after 12 ... eS<br />
13 dS lbb6 14 i.b3 there would be<br />
some point in White's 11th move since<br />
Black cannot play ... i.g4) and I would<br />
certainly rather have my rook on cl<br />
(Line Bl) than the pawn on h3.<br />
b) 11 a4 0-012 as 'iie7 13 'ikc2 cS!<br />
14 .l:r.fdl (14 dslbf6 is fine for Black)<br />
14 ... cxd4 IS exd4lbf6 = Salov-Komarov,<br />
St Petersburg 1997.<br />
c) 11 'iWc2 0-0 and now:<br />
cl) 12 .l:r.adl 'ike7 13 .l:r.fel :d8 14<br />
a3 b6 ISlbe2 i.b7 16 ltJf4 ltJf8 17 h3<br />
1/2_ 1 /2 Kasparov-Ehlvest, Riga Tal mem<br />
1995.<br />
c2) 12 lbe4 'ike7 13 i.b3 with a<br />
further branch:<br />
c21) 13 ... .l:r.d8 14 :adl as IS a3<br />
.l:r.a6 16 .l:r.d2 lbf6 17 lbcS .l:r.a 7 18 lbeS<br />
i.d7 19 .l:r.fd 1 i.e8 20 lba4 .l:r.aa8! =<br />
Bareev-Dreev, Wijk aan Zee 1995.<br />
c22) 13 ... eS! (this makes sense as<br />
long as White does not get any advantage<br />
from playing dS) 14 :adl exd4<br />
IS exd4lbb6!? 16 .l:r.fel i.g4171tJed2<br />
'ikd6 18 h3 i.fS 191tJe4 'iif4! with a<br />
good position for Black, Dautov<br />
Godena, Vienna 1996.<br />
c3) 12 i.b3 'iWe7 13 :adl b6 14<br />
e4 i.b7 IS .l:r.fel :fd8 16 eS lbf8<br />
(16 ... :ab8!?) 17 'iWe2 cS 18 dS exdS<br />
19 lbxdS i.xdS 20 i.xdS :ac8 21<br />
'ikc4 ;!; Chernin-Kuczynski, Debrecen<br />
Echt 1992.<br />
B1)<br />
11 .l:r.cl<br />
A very flexible continuation, in<br />
which White can still play in the centre<br />
or on the queenside. Of course, the
THE MAIN LINE: 7 e3 liJd7 8 ~d3 dxc4 193<br />
main virtue of the move is that it is directed<br />
against Black's ... cS advance,<br />
and in general occupying the c-file<br />
with the rook makes it less attractive<br />
for Black to move his b-pawn.<br />
11 ... 0-0<br />
This 'automatic' move is not necessarily<br />
best. I actually prefer 11...'ii'e7<br />
for the simple reason that it avoids<br />
Line B3. Also, Black might sometimes<br />
eschew castling for a more rapid<br />
development of the queenside. <strong>The</strong>re<br />
seems to be no clear way for White to<br />
take advantage of the slight amendment<br />
of the move-order. Here are a<br />
few examples:<br />
a) 12 'ii'c2 0-0 13 l:Hdl b6 14 e4<br />
i.b71S'ii'e2(1SeS!?) IS ... bSI6i.b3<br />
a6 17 eS cS 18 dS c4 19 i.c2 (19 d6<br />
'ii'd8 2p' i.c2 i.xf3 21 'ii'xf3 ttJxeS)<br />
19 ... exdS 20 ttJxdS i.xdS 21 l:.xdS<br />
l:.fe8 22 l:.el l:.ad8 + Savchenko-Magerramov,<br />
Groningen open 1993.<br />
b) 12 i.b3 b6!? 13 ttJe2 i.b7 14<br />
ttJf4 0-0 IS 'ii'c2 l:.fd8 16 l:.fd 1 l:.ac8<br />
17 'ii'e2 a6 18 a3 bS 19 ttJd3 cS 20 dxcS<br />
ttJxcS 21 ttJxcS l:.xd 1 + 22 i.xd 1 l:.xcS<br />
23 l:.xcS 'ii'xcs + Bator-eu.Hansen,<br />
Malm61996.<br />
c) 12 e4 0-0 and then:<br />
cl) 13 l:.el l:.d8 (13 ... eS 14 dS ttJb6<br />
IS dxc6! bxc6 {IS ... ttJxc4 16 ttJdS<br />
'ii'd6 17 l:hc4 bxc6 18 l:.xc6! +-} 16<br />
i.b3 l:.d8 17 'ii'c2 gave White an edge<br />
in Piket-Novikov, Antwerp 1996) 14<br />
eS (D) with a further branch:<br />
cll) 14 ... bS!? IS i.d3 i.b7 16 ttJe4<br />
cS, Khalifman-Khuzman, Amsterdam<br />
1995, and now 17 dxcS!? i.xe4 18<br />
B<br />
i.xe4 l:.ac8 19 c6 ttJxeS 20 'ii'b3<br />
ttJxf3+ 21 i.xf3 would give White an<br />
edge according to Khuzman.<br />
el2) 14 ... b6 IS 'ii'e2 and now:<br />
c121) IS ... i.b7 16 i.a6 ':ab8 17<br />
i.xb71hb7 18 a3 cS 19 'ii'e4 l:bb8 20<br />
ttJbS cxd4 21 ttJbxd4 ± Sadler-Van<br />
Wely, Monaco Amber rpd 1998.<br />
el22) IS ... a6 16 i.d3 i.b7 17 i.e4<br />
bS 18 ttJbl (18 h4!?) 18 ... l:.dc8 19<br />
ttJbd2 as 20 ttJb3 a4 21 ttJcS ttJxcS 22<br />
l:.xcS ;!; Vaganian-Akopian, Groningen<br />
FIDE KO Wch 1997.<br />
el23) IS ... aSI6i.d3! i.b717 i.e4<br />
i.a6 18 'ti'e3 l:.ac8 19 h4 ± Beliavsky-Pavasovi6,<br />
Krsko (1) 1997. White<br />
already has an attack going on the<br />
kingside while Black is yet to find a<br />
reasonable way to enforce ... cS.<br />
el24) IS ... .:bS! (now Black is<br />
ready to play ... i.b7 without having to<br />
worry about White exchanging bishops<br />
with i.a6, for then Black can simply<br />
retreat the bishop to as) 16 i.d3<br />
and now:<br />
c1241) An unusual but nevertheless<br />
interesting way of preparing ... cS
194 THE BOTVINNIK SEMI-SlAV<br />
was seen in Dautov-Fridman, Pula<br />
Echt 1997: 16 ... 'iff8!? (now d4-dS-d6<br />
will not come with tempo) 17 h4 cS 18<br />
dS .i.b7 (with the queen on e7, White<br />
would be able to play 19 d6 'iff8 20<br />
.i.e4!) 19 hS exdS 20 hxg6 and now<br />
Sadler considers 20 ... f6!? 21 e6liJeS<br />
as a good chance for Black.<br />
c1242) 16 ... .i.b7 17 .i.e4liJf8 (or<br />
17 ... bS 18 'ife3 :tdc8 19liJd2 'iff8 20<br />
f4 a6 21 'iff3 .i.a8 22 a3 cS with counterplay,<br />
Bacrot-Godena, Elista OL<br />
1998) 18 g3 :bc8 19 a3 :c7 20 :tedl<br />
cS 21 .i.xb7 lbb7 22 liJe4 with an<br />
edge for White, Ivanchuk-Kramnik,<br />
Novgorod 1996.<br />
c2) 13 eS Ad8 14 'ife2 cS!? (after<br />
14 ... b6 IS :fel we have transposed to<br />
'el2' above) IS dSliJxeS!? 16liJxeS<br />
exdS 17 liJf3 'ifxe2 18 .i.xe2 .i.e6 (I<br />
am amazed that Black can get away<br />
with such a sacrifice but White's problem<br />
is that there is no clear way of<br />
improving his position as Black's<br />
pawns restrict the knights very well)<br />
19liJbS!? (M.Gurevich also analyses<br />
19 :tfdl %tac8 20 liJa4 b6 21.i.a6 %tc7<br />
22 b4 .i.f8 23 'ifi>f1 .i.d6 24 bxcS bxcS<br />
2S liJc3 .i.f4, when Black maintains<br />
his pawn-centre and has good compensation)<br />
19 ... :dc8 20 b4 (White<br />
logically attempts to destroy the centre)<br />
20 ... cxb4 (20 ... b6 21 bxcS bxcS 22<br />
:fdl a6 23 liJc3 is very good for<br />
White since Black will be forced to<br />
weaken his centre by moving one of<br />
the pawns) 21 liJc7 Aab8 22 .i.bS<br />
cJi>f8! (White was threatening 23liJxe6<br />
fxe6 24 .i.d7) 23 .i.a4 (23liJxe6+ fxe6<br />
24 ':xc8+ ':xc8 2S .i.d7 %tc2 26 .i.xe6<br />
:txa2 27 .i.xdS %tc2 is stronger according<br />
to M.Gurevich, but the issue<br />
remains unclear) 23 ... .i.fS! 24liJxdS<br />
bS 2S .i.b3 as with strong counterplay,<br />
Hillarp Persson-M.Gurevich, Korinthos<br />
1998.<br />
Returning to the position after<br />
1l...0-0(D):<br />
12 :tel<br />
This little move was for a short period<br />
quite popular but now 1 do not<br />
think that White is able to get any advantage<br />
with it. Here is a summary of<br />
the other options:<br />
a) 12 b4 is considered in the note to<br />
White's 12th move in Line B3.<br />
b) 12 .i.b3 l:[d8 13 'ifc2 'ife7 14<br />
:tfdl (this is too slow; White should<br />
play 14liJe4, transposing to 'c' below)<br />
14 ... b6 IS a3 .i.b7 16 .i.a2 a6 17<br />
liJd2?! (White should try 17 e4 cS 18<br />
dS bS but this kind of structure is usually<br />
not in White's favour as Black has<br />
plenty of counterplay due to his strong<br />
bishop on g7, which assists the 3 vs 2
THE MAIN LINE: 7 e3 tDti7 8 .ii.d3 dxc4 195<br />
majority on the queenside) 17 ... cS 18<br />
ltJc4 (White should try to liquidate<br />
with 18 dxcS since now he is saddled<br />
with an isolated pawn, which Black can<br />
easily blockade and attack) 18 ... cxd4<br />
19 exd4 bS 20 ltJaS ltJb6 21 ltJxb7<br />
'fixb7 22 ltJe2 l:tac8 23 'fid3 'fid7 +<br />
Salov-Anand, Wijk aan Zee 1998.<br />
c) 121tJe4!? 'fie7 13 ~b3! (White<br />
attempts to prevent the usual fianchetto)<br />
13 ... l:td8 (13 ... b6 14 ~a4! cS IS<br />
~c6 l:tb8 16 'iia4 ~b7 17 ~xb7 l:txb7<br />
18 dxcS bxcS 19 b3 is very pleasant<br />
for White) 14 'iic21tJf6 (14 ... aS IS a3<br />
ltJf6 16 ltJcs l:ta7 17 ltJeS ~d7 is<br />
about equal) IS ltJcs b6?! (a mistake<br />
that is worth noting since White now<br />
obtains a grip with a series of powerful<br />
moves; lS ... aS is again preferable) 16<br />
ltJeS! l:td6 (16 ... bxcS 171tJxc6 'fid6 18<br />
ltJxd8 'iixd8 19 'iixcS! gives White an<br />
advantage due to his control of the c<br />
file and Black being unable to activate<br />
his rook without losing the a-pawn) 17<br />
ltJcd3 ~b7 18 ~a4 l:tc8 19 b4 and<br />
White is better as he has successfully<br />
prevented ... cS and ... eS, and Black<br />
will have to defend c6, Dautov-Dreev,<br />
Reggio Emilia 199516.<br />
d) 12 'iie2 'fie7 13 l:tfd1 a6 (preparing<br />
the freeing ... bS followed by<br />
... cS) 14 a3 (14 ~b3 b6 IS e4 ~b7 16<br />
'iie3 cS 17 dS bS 18 'ili'f4 c4 = LSokolov-Timman,<br />
Dutch Ch playoff (Amsterdam)<br />
1996) 14 ... b6 IS e4 ~b7 16<br />
eS (Dreev queries this move, which<br />
gives Black an easy game; 16 ~a2 is<br />
better) 16 ... cS 17 dS bS 18 ~a2 c4 19<br />
~b1 exdS 20 ltJxdS ~xdS 21 l:txdS<br />
l:tfe8 + Van Wely-Dreev, Wijk aan<br />
Zee 1996.<br />
e) 12 e4 eS (Black's activity more<br />
or less makes up for the structural<br />
weaknesses he gets; 12 ... 'fie7 transposes<br />
to note 'c' to Black's 11th move<br />
above) 13 dslDb614 dxc6 bxc6 (Black<br />
cannot avoid this structure; 14 ... ltJxc4<br />
IS lDdS is clearly better for White,<br />
while the attempt to avoid the structure<br />
with 14 ... 'fixc6 results in a much<br />
worse position: lSltJdS 'iid6 16 ~b3<br />
and now Korchnoi-McDonald, Hamburg<br />
1997 continued 16 ... ~g4?! 17<br />
l:tc7! ltJxdS 18 l:txb7 ~xf3 19 gxf3<br />
'iif6 20 ~xdS ±) IS ~e2 l:td8 16 'fic2<br />
~g4 (D) (16 ... ~e6!? intending ... hS<br />
and ... ~h6 is another idea). White can<br />
now choose between no fewer than<br />
four different knight moves:<br />
w<br />
e1) 17 lDd2!? 'figS 18 l:tfd1 ~h3<br />
19 ~f1 is suggested by Chekhov but<br />
does not really appeal to me. White<br />
will be forced to weaken his kingside<br />
after 19 ... ~g4 or allow a repetition of<br />
moves.
196 THE BOTVINNIK SEMI-SIA V<br />
e2) 17 ~dl ':d6 (17 ... J-xf3 18<br />
J-xf3 l:tac8 19 ~e3 hS 20 ':fd 1 ltd4<br />
liz_liz Hillarp Persson-Stefansson, COpenhagen<br />
1998) 18 ~e3 J-xf3 19<br />
J-xf3 hS 20 a4 J-h6 21 as ~d7 22<br />
l:tfdl J-xe3 23 fxe3 l::tc8 is roughly<br />
equal, Vaganian-Akopian, Groningen<br />
FIDE KO Wch 1997. White has a<br />
small initiative but at the cost of a<br />
compromised pawn-structure.<br />
e3) 17 ~bl!? J-xf3 18 J-xf3 .l:.d6<br />
19 ~d2 (19 a4!?) 19 ... hS 20 ~b3 as<br />
21 .l:.fdl l:txdl+ 22 ltxdl 'iWe6 23 a3<br />
(Kuijf and de Boer suggest 23 J-e2<br />
with an edge for White) 23 ... 'iWc4 24<br />
l::tc 1 'iWxc2 2S .l:.xc2 ~a4! and Black is<br />
very near equality, Van der Sterren<br />
Kamsky, Wijk aan Zee Ct (7) 1994.<br />
e4) 17 ~a4!? (White intends simply<br />
to settle on the cS-square rather<br />
than attempting to pressurize the c6-<br />
pawn) 17 ... hS (17 ... J-xf3 18 J-xf3<br />
.l:.d4 19 ~cS ':ad8 20 ~b3 .l:.4d6 21<br />
.l:.fdl ;t Lutz) 18 ~cS J-h6 19 .l:.cdl<br />
J-f8 20 ~b7! l:txdl 21 ':xdll::tc8 22<br />
~aS J-b4 23 ~b3 J-f8 24 ~bd2 .l:.d8<br />
2S h3 J-xf3 26 ~xf3 l:txd 1 + 27 J-xdl,<br />
Dautov-I.Sokolov, Dresden 1998. <strong>The</strong><br />
ending is as usual slightly in White's<br />
favour but I feel Black should be able<br />
to hold it without too much trouble.<br />
Returning to the position after 12<br />
l::tel (D):<br />
12 ... l:r.d813 'iWc2<br />
Other moves do not promise White<br />
any advantage:<br />
a) 13 e4 eS 14 'iWb3 ~e7 IS dS<br />
~b6 16 dxc6 bxc6 liz_liz P.H.Nielsen<br />
Schandorff, Copenhagen 1996.<br />
B<br />
b) 13 ~e2 'iWe7 and now:<br />
bl) 14 e4 cS IS dS ~b6 16 b3 (16<br />
h3 ~xc4 17 'iWxc4 b6 18 eS exdS 19<br />
~xdS 'iWe6 20 ~c7 'iWxc4 21 ':xc4<br />
l:tb8 22 e6 fxe6 23 ~xe6 lte8 24 ~xg7<br />
l:r.xel+ 2S ~xel ~xg7 with a slight<br />
advantage for Black, Hillarp Persson<br />
Stefansson, Reykjavik 1998) 16 ... exdS<br />
17 ~xdS ~xdS 18 J-xdS ltb8 with<br />
equality, Filippov-Supatashvili, Ekaterinburg<br />
1997 .<br />
b2) 14 ~e4 as IS J-b3 b6 16 ~c3<br />
J-b7 liz-liz Timman-Gelfand, Erevan<br />
OL 1996.<br />
13 ... 'iWe714 a3 b61S e4 J-b716 eS<br />
.l:.ab8 17 ':cdl<br />
Korchnoi suggests 17 J-a2!? with<br />
the idea of meeting 17 ... cS by 18 dS<br />
exdS 19 ~xdS J-xdS 20 J-xdS ~f8 21<br />
'iWe4, with an edge.<br />
17 ... bS! 18 J-a2 cS19 dS c4<br />
<strong>The</strong> position is unclear, Korchnoi<br />
Bareev, Ubeda 1997.<br />
82)<br />
11 e4 (D)<br />
l1 ... eS!
THE MAIN LINE: 7 e3 liJd7 8 i..d3 dxc4 197<br />
B<br />
11...0-0 12 e5 'ike7 gives White a<br />
space advantage, but has a strategically<br />
interesting aspect. While most<br />
middlegames are slightly superior for<br />
White, Black will be quite happy if he<br />
reaches an endgame, for then the e<br />
pawn will show to be more of a weakness.<br />
White's main strategy therefore<br />
fIrst involves dissuading the ... c5 advance:<br />
a) 13 'ike2!? and now:<br />
a1) After 13 ... c5?!, Kamsky suggests<br />
14 l:tad1 cxd4 15 .l:.xd4 with an<br />
edge for White, while he does not like<br />
14 d5! in view of 14 ... ttJxe5 IS ttJxeS<br />
exdS, when 16 ttJxg6 'iVxe2 17 .ixe2<br />
fxg6 18 ttJxdS .ixb2 19 .l:.ab1 .if6!<br />
gives Black a clear advantage, but why<br />
not 16 ttJf3 instead? I can hardly believe<br />
that Black's compensation is suffIcient<br />
after 16 ... 'iVxe2 17 i.xe2.<br />
Hence 14 dS! looks much easier.<br />
a2) 13 ... .l:.d8 14 .l:.fe1 transposes to<br />
'b2' below.<br />
a3) 13 ... b6 14 l:tfe1 and now:<br />
a31) 14 ... a61Si.d3(lSttJe4c5=)<br />
lS ... i.b7 16 i.e4 l:ta7 (16 ... l:tab8!?)<br />
171bc1 bS 18 'ilVe3!? (trying to take<br />
advantage of the relatively strange position<br />
of Black's rook on a7) 18 ... cS<br />
19 dS! ttJxeS 20 ttJxeS i.xe5 21 dxe6!,<br />
Kamsky-Kramnik, Lucerne Wcht 1993,<br />
and now according to Kramnik Black<br />
could equalize with 21...~g7!. In fact<br />
Black certainly looks no worse after<br />
22 i.xb7 i.d4 23 'iVg3 'ikxb7.<br />
a32) 14 ... a5!? IS ttJe4?! (Kamsky's<br />
plan with IS i.d3 is worth considering)<br />
IS ... cS! 16 dxcS bxcS 17 ltJed2<br />
(17 ttJd6? ttJxe5!) 17 ... l:td8 18 l:tad1<br />
i.b7 = Hulak-B.Lalic, Yugoslav Ch<br />
1989.<br />
b) 13 .l:.e1 with the following possibilities:<br />
bl) Kramnik's plan with 13 ... b6 is<br />
here best met by 14 ttJe4, with the<br />
point 14 ... l:td8 IS ttJd6 cS 16 dS ttJxeS<br />
17 ttJxc8 ttJxf3+ 18 'iVxf3 l:taxc8 19<br />
dxe6±.<br />
b2) 13 ... .l:.d8 14 'ilVe2 and then:<br />
b21) 14 ... ttJb6 IS i.b3 cS 16 dxcS<br />
'ilVxcs 17 ttJe4 'ilVb4 18 ttJd6 with an<br />
edge for White, Korchnoi-Anic, Enghien<br />
1997.<br />
b22) 14 ... bS IS i.d3 i.b7 16 i.e4<br />
.l:.ab8 17 .l:.ac1 ;t Van Wely-Magerramov,<br />
Tilburg 1992.<br />
b3) 13 ... bS!? 14 i.b3 (14 i.d3 is<br />
better; White needs his bishop on e4<br />
in the event of Black playing ... cS)<br />
14 ... i.b7 IS l:tc1 l:tfd8 16 'ilVe2 'ilVb4!?<br />
(I do not see anything wrong with the<br />
immediate 16 ... cS!; e.g., 17 ttJxbS<br />
i.xf3 18 'ir'xf3 cxd4 19 ttJxd4 ltJxeS)<br />
17 ttJe4 c5 18 ttJd6 l:tab8 19 ltJxb7<br />
.l:.xb7 20 d5! (it is not an easy position,
198 THE BOTVINNIK SEMI-SLAV<br />
but White has to be praised for finding<br />
a way to complicate things) 20 ... c4 21<br />
dxe6 fxe6 22 .tc2 (22 .tdl tiJc5 +)<br />
22 ... 1Wxb2 23 1We4 Ac7, Cebalo-Scekie.<br />
Nova Gorica 1997, and now White<br />
could claim reasonable compensation<br />
with 24 Abl 'i'xa2 25 lhb5 tiJf8 26<br />
:eb 1 - Sceki6.<br />
12 dS tiJb6 13 ~b3<br />
If White wishes to avoid the forthcoming<br />
endgame he should try 13 tiJd2<br />
but Black's chances are not worse:<br />
a) 13 ...'ii'g5 14 'ii'e2 0-0 15 l:tfdl<br />
~h3 16 f3 Aad8 17 ~b3 ~c8 18 tiJc4<br />
tiJxc4 19 ~xc4 with an edge for<br />
White, Piket-Van der Wiel, Dutch Ch<br />
(Rotterdam) 1998.<br />
b) 13 ... 0-0 14 a4 l:td8 15 a5 tiJxc4<br />
16 tiJxc4 'Ii' g5 17 'ii'b3 ~h3 18 tiJe3<br />
':ab8 19 l:tacl ~f8 20 ~hl ~d7 21<br />
tiJe2 cxd5 22 tiJxd5 ~e6 was fine for<br />
Black in Piket -Kramnik, Linares 1997.<br />
13 ... ~g4!<br />
<strong>The</strong> resulting endgame is probably<br />
a tiny bit better for White but Black<br />
should still play this, for after 13 ... 0-0<br />
14 h3! the bishop is deprived of much<br />
of its scope and Black has no convincing<br />
counterplay to contain White's<br />
passed d-pawn; e.g., 14 ...':d8 15 'ii'e2<br />
~d7 16 Afdl ':ac8 (16... c5 17 tiJd2<br />
tiJc8 18 ~a4 Ab8 19 ~xd7 ':xd7 20<br />
a4 ± Anastasian-Pelletier, Pula Echt<br />
1997) 17 a4 cxd5 18 ~xd5 (18 exd5!)<br />
18 ... tiJxd519 tiJxd5 'li'e6 with roughly<br />
equal chances, Shulman-Ippolito, Linares<br />
1997.<br />
14 h3 ~xf3 15 'iixf3 'ii'xf3 16 gxf3<br />
~e717 dxc6 bxc6 (D)<br />
White's chances ought to be slightly<br />
better as the c6-pawn is weaker than<br />
the doubled f-pawns. However, Black<br />
has had few problems defending this<br />
position in practice. Both sides have<br />
little chance of generating an attack,<br />
so here the opposite-coloured bishops<br />
are often only a drawing factor.<br />
w<br />
IS':ac1!?<br />
In the game Khalifman-Akopian,<br />
Erevan 1996, White used the other<br />
rook and immediately began redeploying<br />
the knight: 18 l:.fc1 l:.hd8 19<br />
tiJd 1 l:td6 20 l:tc3 a5!? 21 tiJe3 h5 22<br />
Ibcl a4 23 ~dl ~d7 24 ~f1 ~h6<br />
with a roughly equal position.<br />
IS ..• l:tabS<br />
If Black embarks on the plan chosen<br />
by Akopian, White can here exchange<br />
a rook with l:tfdl. Swapping<br />
one pair of rooks actually increases<br />
the pressure as Black will then often<br />
end up with two weaknesses (c6 and<br />
f7). Take, for example, a position with<br />
a white rook on the c-file and one pair<br />
of rooks and the knights exchanged
THE MAIN LINE: 7 e3 CUd7 8 i.d3 dxc4 199<br />
(this is actually one of such positions<br />
where the opposite-coloured bishops<br />
favour White). <strong>The</strong>n White can very<br />
likely provoke ... c5, whereafter White's<br />
bishop will become much stronger<br />
than its opposite number. Placing it on<br />
d5 will create a pathway for White's<br />
king across the light squares towards<br />
the queenside. Black can probably still<br />
defend but it is certainly unpleasant.<br />
19lLle2!?<br />
If 19 l::tc2, Atalik gives 19 ... h5! 20<br />
lLla4 l::thc8 21lLlc5 (21 l::tfcl?! .th6)<br />
2l...a5!? with counterplay. Even though<br />
it is probably not enough to win if<br />
Black plays correctly, I would certainly<br />
rather be White after 22 l::tdl<br />
.th6 23 l::tc3 intending ':cd3.<br />
19 •• J:thc8 20 l::tc5lLld7 21lh5 l::tb7<br />
22 l::tellLlb8 23 lLlc3 l::td8 24 lLldl h5<br />
25lLle3<br />
<strong>The</strong> rook on the 5th rank prevents<br />
Black activating his bishop immediately.<br />
25 .• .'~f6!?<br />
A simpler method of equalizing is<br />
25 ... f6.<br />
26 lLlc4 .th6 27 l::tdl l::txdl+ 28<br />
i.xdl a6!!<br />
A very profound defence. 28 ... .tf4?<br />
29 .ta4! is unpleasant, but after the<br />
text-move White has to be content<br />
with an equal position. Black's idea is<br />
... l::tb5, while White gets nothing from<br />
taking the e5-pawn; e.g., 29 lLlxe5?<br />
i.d2 30 l::tc5 .tb4 or 29 l::txe5 l::txb2!.<br />
29 .te2! l::tb5 30 l::ta4 c5!? 31 b3<br />
l::tb4 32 l::ta3! .tel 33 l::ta5 l::tb5 34<br />
l::txb5 axb5 35 lLld6 b4 36lLlb7<br />
Ehlvest-Atalik, Philadelphia 1995.<br />
Now 36 ... lLlc6 followed by ... lLld4<br />
would have assured instant equality.<br />
83)<br />
11 b4(D)<br />
It is not clear how useful 11 l::tc 1<br />
really is if Black takes his time ftrst to<br />
prevent White from following up with<br />
b4, and 11 e4 e5 seems to solve Black's<br />
problems rather easily, so this immediate<br />
advance of the b-pawn has lately<br />
become White's best chance of an<br />
opening advantage.<br />
11 ... 0-0<br />
11...a5 is an attempt to take advantage<br />
of the early move with the b-pawn<br />
but 12 b5 c5 13 lLle4 'ike7 14 dxc5 is<br />
very strong. Taking on al is evidently<br />
too risky and it is hardly advisable to<br />
recapture on c5, with a knight dropping<br />
into d6. P.Cramling-Portisch, Prague<br />
(Women vs Veterans) 1995 therefore<br />
continued 14 ... 0-0 15 l::tcl lLlxc5 16<br />
lLlxc5 'ikxc5 17 i.xe6 'ikxb5 18 .td5<br />
with an advantage for White.
200 THE BOTVINNIK SEMI-SLAV<br />
12a4<br />
12 l:r.c 1 is also very common and often<br />
arises from the move-order 11 l:r.c1<br />
0-012 b4. Now Black has a choice:<br />
a) 12 ... b6 13 bS!? cS (13 ... .i.b7 !?)<br />
14lLle4 (14 dSlLleS ISlLlxeS 'ii'xeS is<br />
fine for Black) 14 ... 'ii'e7 IS dxcslLlxcs<br />
16 lLlxcs bxcS (16 ... 'ii'xcs 17 .i.xe6<br />
'ii'xbS 18 .i.dS .i.a6 19 .i.xa8 'ii'xfl +<br />
20 'ii'xfl .i.xfl 21 .i.dS intending l:r.c7<br />
gives White an advantage - Novikov)<br />
17 'ii'a4 .i.b7 18 .i.e2 l:r.fd8 with approximately<br />
equal play, Aseev-Novikov,<br />
Novgorod 1995. Black's bishops<br />
and active position make up for the<br />
isolated c-pawn.<br />
b) 12 ... eS 13 .i.b3! exd4 14 exd4<br />
':d8?! (Sakaev and Nesis recommend<br />
14 ... lLlb6, when after ISlLleS, IS ... .i.e6<br />
16lLle4 'ii'e7 17 .i.xe6 'ii'xe6 18lLlcs<br />
'ile7 19 l:r.el leads to an edge for<br />
White; perhaps IS ... .i.fS is worth considering)<br />
IS l:r.ellLlf8 16lLle4 'ilf4 17<br />
lLlcS! 'ilc7 18 'ile2! b6 19lLld3 ± Sakaev-Galliamova,<br />
Alushta 1994.<br />
c) 12 ... 'ile7 13 'ilb3 (D) with another<br />
branch:<br />
B<br />
cl) 13 ... eS?! 14 bS exd4 IS exd4<br />
lLlb616 l:r.fel ± Lutz-Kuczynski, Bundesliga<br />
1992/3.<br />
c2) 13 ... b6. Black has a reasonably<br />
clear-cut plan, viz. to complete his development<br />
and then prepare to play<br />
... cS or ... eS; if White follows with a4<br />
at some point then Black replies ... as.<br />
By contrast, White's best plan is not at<br />
all clear. <strong>The</strong> most logical is to continue<br />
some sort of queens ide action<br />
but Black seems well placed to meet<br />
this; the other possibility is to switch<br />
to playing in the centre:<br />
c21) 14 bS .i.b7 IS bxc6 .i.xc6 16<br />
.i.e2 (16 lLld2 a6 17 .i.d3 bS 18 .i.e4<br />
.i.xe4 19lLlcxe4lLlb6 20 l:r.c6 'ilb7 21<br />
l:r.c2 'ii'dS 22l:r.fc1 'ii'xb3 23lLlxb3lLldS<br />
= P.Nikolic-Anand, Monaco Amber<br />
rpd 1998) 16 .. J:tac8 (16 ... a6!? 17 a4<br />
l:r.fb8, intending ... bS, is worth considering)<br />
17 lLld2 lLlb8 18 a4 l:r.fd8 19 f4<br />
.i.b7 20 lLlc4 with a small advantage<br />
for White, Aseev-Prie, St Petersburg<br />
1996.<br />
c22) 14 e4 .i.b7 IS l:r.fel l:r.fd8<br />
(1S ... l:r.ac8 16 a3l:r.fd8 17 l:r.cdllLlf8<br />
18 h3 l:r.c7 19 eS l:r.cd7 20 ':d2 cS! =<br />
Novikov-Slobodjan, Calcutta 1996)<br />
16 a4lLlf8 (16 ... aS 17 bS cS 18 dS is<br />
betterforWhite) 17l:r.cdl':ab818 bS<br />
':bc8 19 bxc6 ':xc6 20 lLldS 'ild7 21<br />
lLlb4 l:r.cc8 22 dS and White is better,<br />
Bacrot-Savchenko, Elista OL 1998.<br />
c3) 13 ... lLlb6!? Black gives up all<br />
hope of carrying out ... eS but simply<br />
intends to complete his development.<br />
Since Black has dS available for the<br />
knight, Black is just in time to place
THE MAIN LINE: 7 e3 liJd7 8 i.d3 dxc4 201<br />
his bishop on eS. 14 i.d3 (14liJe4!?<br />
{intending b5} 14 ... liJxc4 15 'iWxc4<br />
lId8 16 liJe5 might be a better chance<br />
of an advantage) 14 .. JXd8 15 liJe4liJd5<br />
16 a3 i.d7 and now:<br />
c31) 17 lIc2 i.e8 18 lIbl lIdb8 19<br />
liJed2 a5 20 i.fli.f8 21 e4liJc7 22 e5<br />
liJd5 =+= Ionov-Andreev, St Petersburg<br />
1998.<br />
c32) 17 liJc5 i.e8 18 i.b1?! (18<br />
lIfd1, with the idea of placing the<br />
bishop on fl, is better) 18 ... b6 19liJd3<br />
a5 20 ':c4 axb4 21 axb4 ':db8 =+=<br />
P.Nikolic-Anand, Groningen FIDE<br />
Wch KO 1997. Black's position is<br />
rock solid and all his pieces are harmoniously<br />
placed. White's bishop on<br />
b1 is out of play and White must constantly<br />
be on the alert to prevent Black<br />
from opening up the position by ... c5.<br />
c4) 13 ... lIdS. Now White can continue<br />
his queenside expansion or react<br />
in similarly flexible fashion:<br />
c41) 14 a4 a5! 15 bxa5 (after 15 b5<br />
c5, 16 d5liJb6 gives Black good counterplay<br />
and on 16 b6?! Black has<br />
16 ... cxd417 exd4 'iWb4!) 15 .. Jba516<br />
':fd1 b6 17 liJd2 (17 i.e2 i.b7 18<br />
liJd2 c5 19liJc4 ':aa8 20 d5 i.xc3! 21<br />
dxe6 'iWxe6 22 ':d6 "ilfe7 23 'iWxc3 i.a6<br />
with counterplay, Beliavsky-Dreev,<br />
Novosibirsk 1995) 17 ... c5 18 d5 i.xc3!<br />
(we have already examined this common<br />
idea in the introduction) 19 ':xc3<br />
liJf6 20 dxe6 i.xe6 21 ':cc1 lIa7 22<br />
i.xe6 'iVxe6 1/2- 1 /2 P.Nikolic-Kramnik,<br />
Erevan OL 1996.<br />
c42) 14 ':fd1!? b6 (Black can<br />
probably play 14 ... a5 anyway but there<br />
is no need to do this when White has<br />
not yet committed himself to a4) 15 b5<br />
c5 (15 ... i.b7, similarly to 'c21' above,<br />
is probably a better response) 16 d5<br />
liJf8 17 dxe6 i.xe6 18liJd5 'iVb7 19 h3<br />
lId7 20 lId2 ':ad8 21 ':cd1 ~h8 22<br />
liJf4! i.xc4 23 'iWxc4 ;!;; Ionov-Yagupov,<br />
St Petersburg 1995.<br />
Returning to the position after 12<br />
a4 (D):<br />
B<br />
12 .• JWe7<br />
Black's problem is the development<br />
of his light-squared bishop. It will<br />
most likely have to be fianchettoed,<br />
which defines Black's main short-term<br />
plan, but first he improves the position<br />
of his queen. <strong>The</strong> alternatives for<br />
Black are:<br />
a) 12 ... e5 13 a5 exd4 14 exd4 'ild6<br />
(14 ... .:d8 15 'ilb3liJf8 16liJe4!? 'iWf4<br />
17 liJc5 ;!;; Kumaran-Schandorff, Copenhagen<br />
1996; of course there are<br />
problems with the d-pawn, but White's<br />
pressure on the a2-g8 diagonal makes<br />
up for this) 15 ~b1 g5!? 16liJe4 'iWf4<br />
17 l:!e1liJf6 18liJc5 i.f5 19 'iWb3 'fic7
202 THE BOTVINNIK SEMI-SLAV<br />
20 tbe5 ;!; Tukmakov-Rogic, Croatian<br />
Cht (Poree) 1998.<br />
b) 12 ... b6!? 13 a5 :tb8 14 axb6 axb6<br />
15 :a7 l:[b7 16 :a2 "ike7 17 "ikb3 c5<br />
18 tbb5 cxd4. Beliavsky has reached<br />
this position twice recently but without<br />
proving any advantage for White:<br />
b1) 19 exd4 tbf6 20 l:[e1 ~d7 21<br />
l:[ae2 ~xb5 22 ~xb5 "ikd8 23 ~c6 .:ta7<br />
24 g3 "ikd6 was fine for Black in Beliavsky-Timoshchenko,<br />
Nova Gorica<br />
1999.<br />
b2) 19 tbbxd4 tbe5 20 ~e2 tbxf3+<br />
21 ~xf3 ~xd4 22 exd4 l:[d7 23 d5<br />
exd5 24 ~xd5 112-112 Beliavsky-Novikov,<br />
Koszalin 1998.<br />
13:bl<br />
This move is a measure against<br />
Black's defensive plan with ... a5 discussed<br />
in the introduction to this chapter<br />
and seen several times in the note<br />
to White's 12th move above.<br />
On the face of it, Beliavsky's suggestion<br />
13 "ikb3!? looks more logical.<br />
White retains an edge after 13 ... e5 14<br />
a5 exd4 15 exd4, while 13 ... a5 14 b5<br />
tbb6 15 bxc6 tbxc4 16 "ikxc4 bxc6 17<br />
:tfc 1 also gave White the better prospects<br />
in Pelletier-Lukasiewicz, Cannes<br />
1998. 13 ... :d8 is slow but probably<br />
best. <strong>The</strong>n Rausis-M.Gurevich, Vlissingen<br />
1999 continued 14 a5 tbf6 15<br />
tba4 ~d7 16 b5 cxb5 17 ~xb5 tbe4<br />
18 :fc1 :ac8 19 ~d3 tbd6 =.<br />
13 ... b6<br />
<strong>The</strong> most accurate. Black would<br />
like to play ... a5 but on the immediate<br />
13 ... a5, Sakaev's 14 b5 looks strong:<br />
a) 14 bxa5 (similar to the main<br />
line) 14 ... .:txa5 15 'ili'c2 b6 and now:<br />
a1) 16 e4 c5 17 d5 ~xc3 18 "ikxc3<br />
:'xa4 19 'i'c2 :'a7 20 'ili'd2 exd5<br />
(20 ... 'iti>g7!?) 21 exd5
16 Black's 8th Move Alternatives<br />
1 d4 d5 2 c4 c6 3lLlf3 lLlf6 4lLlc3 e6 5<br />
i.g5 h6 6 i.xf6 'it'xf6 7 e3 lLld7 8<br />
i.d3 (D)<br />
B<br />
In this chapter we shall consider<br />
Black's alternatives to the main line<br />
8 ... dxc4, which was covered in the<br />
previous chapter. While all of them are<br />
playable, they seem to lack the flexibility<br />
of 8 ... dxc4.<br />
Quick Summary<br />
8 ... g6 (Line A) transposes to the previous<br />
chapter if Black replies 9 ... dxc4 to<br />
9 e4, but capturing the other way with<br />
9 ... dxe4 is also playable. After 10<br />
lLlxe4 i.b4+ 11 ~e2 Black should<br />
prefer the aCGurate 11... 'it' g7 !.<br />
8 ... i.d6 (Line B) gives White a<br />
promising game and a large space advantage<br />
after 9 0-0 'it'e7 10 c5! i.c7 11<br />
e4 dxe4 12 lDxe4, which has been<br />
confirmed in several games, although<br />
12 ... 0-013 l:tel l:td8 14 'ii'c2lLlfS gave<br />
Black reasonable chances in Bareev<br />
Granda, Groningen PCA qual 1993.<br />
After 8 ... 'ii'd8 (Line C) 9 0-0 i.e7<br />
White has a choice of the immediate<br />
central action, 10 e4 (Line Cl), or<br />
playing on the queenside with 10 a3<br />
(Line C2). Both seem slightly in<br />
White's favour.<br />
<strong>The</strong> <strong>The</strong>ory of Black's 8th<br />
Move Alternatives<br />
1 d4 d5 2 c4 c6 3 lLlf3lLlf6 4 lLlc3 e6 5<br />
i.g5 h6 6 i.xf6 'iVxf6 7 e3 lLld7 8<br />
i.d3<br />
Now:<br />
A: 8 ... g6 203<br />
B: 8 ... i.d6 204<br />
c: 8 ... 'iVd8 206<br />
A)<br />
8 ... g6 (D)<br />
This often transposes to Chapter 15<br />
if Black captures on c4 later.<br />
ge4<br />
Another option, of which particularly<br />
Pia Cramling seems to be in favour,<br />
is 9 cxd5 exd5 100-0 i.g7 11 b4,<br />
which gives the position a distinct flavour<br />
of an Exchange Queen's Gambit.
204 THE BOTVINNIK SEMI-SLAV<br />
<strong>The</strong>n Black has tried:<br />
a) 11...0-0?! is inaccurate and lets<br />
White immediately transform into a<br />
favourable structure with 12 b5 li'd6<br />
13 bxc6 bxc6 14ltc1. White is ready<br />
to play lLla4 with a bind, and is therefore<br />
clearly better. In Ruban-Lazic,<br />
Yugoslavia 1993 Black tried to avoid<br />
this by 14 ... c5 but was presented with<br />
yet another problem after 15 dxc5<br />
lLlxc5 16 i.c4!.<br />
b) 11...lLlb6 12ltc1 i.g4 13 i.e2<br />
i.xf3 14 i.xf3 0-0 15 b5 'iWd6 16 'iWd3<br />
(Lutz suggests another interesting<br />
plan, viz. 16lLla4!? with the idea that<br />
White will win back his pawn after<br />
16 ... cxb5 17lLlxb6 axb6 IS 'iWb3, and<br />
if 16 ... lLlc4 17lLlc5 b61SlLld3 White<br />
can again win back the pawn after<br />
IS ... cxb5 19 lLlf4) 16 ... 'iWa3 17 ltbl<br />
ltfdS IS l:lb3 'ike7 19 bxc6 bxc6 20<br />
l:ldl ;j; Lutz-Korchnoi, Ptuj 1995.<br />
c) 11...'iWd6!? 12 'iWb3 (12 b5 can<br />
now be answered by 12 ... c5!) 12 ... lLlb6<br />
(again the most accurate since White<br />
was ready to play b5) 13 a4 i.e6 14<br />
lLld2 lLld7 15 lLle2 0-0 16 ltfc1 ltfeS<br />
17 ltablltacS IS a5 i.g4 is roughly<br />
equal, P.Cramling-Korchnoi, Prague<br />
(Women vs Veterans) 1995.<br />
9 ... dxe4<br />
9 ... dxc4 transposes to Chapter 15;<br />
e.g., Line B2 after 10 e5 'ike7 11 i.xc4<br />
i.g7 12 0-0.<br />
10 lLlxe4 i.b4+ 11 ~e2<br />
This seems more logical than 11<br />
~f1 but it is not entirely clear whether<br />
it is really better. <strong>The</strong> problem for<br />
Black is now that his queen is attacked<br />
and hence White will gain a tempo for<br />
c5, which cuts off Black's dark-squared<br />
bishop.<br />
11 ... li'g7!<br />
11... 'ikdS 12 c5 0-0 13 h4 gave<br />
White a promising attack in Ribli-Farago,<br />
Hungarian Ch 1977.<br />
12 e5 i.a5<br />
Forced, or else White will trap the<br />
bishop by 'iWa4.<br />
13 lLld6+ ~e7 14 'ii'b3 i.e7 15<br />
lthel!?<br />
15 lLlxcs+ lthxcS 16 'iixb7 ltabS<br />
17 'iixa7 ltxb2+ gives Black some<br />
counterplay, although it is far from<br />
certain whether it sufficiently compensates<br />
the pawn. At any rate, this might<br />
be an argument for placing the king on<br />
f1 at move 11.<br />
15 ... i.xd616 exd6+ ~xd617 'iitn<br />
~e7 18 l:lac1lLlb6 19 lLle5<br />
White has reasonable compensation<br />
for the pawn, Topalov-Ljubojevic,<br />
Monaco Amber rpd 1995.<br />
B)<br />
8 ... i.d6 9 0-0 'ii'e710 e5! (D)
BLACK'S 8TH MOVE ALTERNATIVES 205<br />
B<br />
This fairly typical move of such<br />
<strong>Semi</strong>-<strong>Slav</strong> positions marks White's<br />
space advantage further. Black is never<br />
really able to exploit the hole that<br />
arises on d5 and will be fighting to activate<br />
his light-squared bishop.<br />
10 ... .i.c7 11 e4 dxe4 12lDxe4<br />
I would probably capture with the<br />
knight automatically, but 12 .i.xe4!?<br />
has some point. <strong>The</strong> reason is that after<br />
Black plays ... lDf6 at some point in<br />
reply to lDxe4 White usually avoids<br />
the exchange of knights, and retreating<br />
the knight to c3 might be best. Hence<br />
White here argues that taking with the<br />
bishop opens the opportunity to improve<br />
the position of the bishop after<br />
the same kind of sequence, that is retreating<br />
it to c2. Here is an example to<br />
back up a slightly confusing explanation:<br />
12 ... 0-0 13 b4 .:ld8 14 l:tel<br />
lDf6 15 .i.c2 (if White had taken on e4<br />
with the knight and retreated it to c3,<br />
White's bishop would now have been<br />
on d3) 15 ... b6 16 .i.a4! i.b7 17 'ii'e2 a5<br />
18 a3 with an edge for White, Polugaevsky-Mecking,<br />
Lucerne Ct (I) 1977.<br />
12 ... 0-013 l:tell:td8 14 'iVc2<br />
Of course this contradicts my comment<br />
to 12 .i.xe4!? above, but line 'b'<br />
gives an idea of what I mean:<br />
a) 14 'ii'e2 b6 15 b4 .i.b7 16 .:lac1<br />
l:tac8 17 a3 .i.b8 18l:tcdl a5 19 g3 axb4<br />
20 axb4 i.c7 21 h4 ~ Hjartarson-Bjarnason,<br />
Icelandic Ch (Reykjavik) 1995.<br />
b) 14 b4lDf8 15lDc3!? (Black did<br />
not play ... lDf6 but White reckons that<br />
retreating the knight is still the best decision<br />
since Black could consider<br />
playing ... lDg6 next) 15 ... 'ii'f6 16lDe4<br />
'ii'e7 17lDc3 'ii'f6 18lDe5!? (18 'ii'b3)<br />
18 ... i.d7?! (this is too passive; Sakaev<br />
suggests 18 ... l:txd4!? 19 .i.h7+ ~xh7<br />
20 'ilVxd4lDg6 21lDf3 'ii'xd4 22lDxd4<br />
e5 23 lDb3 .i.e6 with compensation)<br />
19lDg4! 'ii'g5 20lDe4 'ii'h4 21 g3 'fie7<br />
22lDef6+! ~h8 23 d5 ± Sakaev-Neverov,<br />
St Petersburg 1995.<br />
14 ... lDf8<br />
Or 14 ... lDf6 15 :'adl (Granda suggests<br />
15 lDed2 with the idea of lDc4-<br />
e5) 15 ... lDxe4 16 .i.xe4 .i.d7 17 lDe5<br />
i.e8 18 g3 :'ac8 19 'ii'c3 .i.b8 20 b4<br />
with an edge for White, lonov-Thorhallsson,<br />
Cappelle la Grande 1996.<br />
15lDed2<br />
15 'ii'c3 .i.d7 16 .i.c4! i.e8 17 .i.b3<br />
f6 18 lDed2 .i.f7 19 :'e2 is slightly<br />
preferable for White due to the pressure<br />
against e6 - Granda.<br />
15 ... .i.d7 16lDc4 .i.e8 17 .:ladl f6<br />
18 'iVc3 :'d7<br />
In this position the chances are approximately<br />
equal, Bareev-Granda,<br />
Groningen peA qual 1993. White's<br />
pressure against e6 is not as strong as
206 THE BOTVINNIK SEMI-SLAV<br />
in the previous note and Black has<br />
counterplay against d4.<br />
C)<br />
S .. :ii'dS<br />
This is probably the most solid option<br />
at Black's disposal, but it is also a<br />
little passive. Black intends to develop<br />
his bishop to e7, from where it, contrary<br />
to placing it on d6, is not vulnerable<br />
to attacks from a white e- or<br />
c-pawn. But before developing the<br />
bishop Black needs to retreat the queen<br />
so as not to leave her majesty in front<br />
of the army.<br />
90-0 i.e7 (D)<br />
w<br />
<strong>The</strong>re are now two strategic options<br />
available for White. He can either play<br />
on the queenside or attempt to exploit<br />
his lead in development and space advantage<br />
by breaking in the centre immediately.<br />
Hence we have:<br />
Cl: 10 e4 206<br />
C2: 10 a3 207<br />
Other possibilities:<br />
a) 10 'ii'e2 0-0 IIl::tfdl f5 12l::tabl<br />
a6 13 b4 i.d6 14 a4 tiJf6 15l::tdc1 tiJe4<br />
16 'ii'c2 i.d7 17 b5 axb5 18 axb5 'ii'e7<br />
with an unclear position, perhaps<br />
slightly in White's favour, Torre-Ribli,<br />
Alicante Ct (5) 1983.<br />
b) 10 cxd5 exd5 (10.:.cxd5 11l::tc1<br />
a6 is also about equal) 11 a3 a5 12 'ii'e2<br />
0-0 13l::tadl. Some sort of Exchange<br />
Queen's Gambit has arisen and I suspect<br />
Black should have no genuine<br />
problems here. <strong>The</strong> simple 13 ... l::te8<br />
suggests itself. Nevertheless in the<br />
game B6nsch-Sveshnikov, Sochi 1984<br />
White was able to achieve a slight<br />
edge after 13 ... i.d6 14 e4 dxe4 15<br />
tiJxe4 tiJf6 16 tiJe5 i.e6 17 l::tfel.<br />
c) 10 l::tc1 0-0 11 e4 (11 'ii'e2 a6 12<br />
i.bl f5 13 tiJel i.d6 14 c5 i.c7 15 f4<br />
tiJf6 16 i.d3 i.d7 was about equal in<br />
Karpov-Anand, Wijk aan Zee 1998)<br />
ll...dxc4 12 i.xc4 b5 13 i.b3 a6 14<br />
'ii'e2 c5 15 a4 b4 16 tiJbl i.b7 17l::tfdl<br />
'ii'b6 18 tiJbd2 cxd4 19 tiJc4 'ii'a7 20<br />
tiJxd4 tiJc5 21 i.c2 i.g5 22l::tal 1 h- 1 h<br />
Lazarev-Volodin, Cappelle la Grande<br />
1997.<br />
Cl)<br />
10 e4 dxc4<br />
Black could also consider the other<br />
capture, 1O ... dxe4. This results in a<br />
strategically different position from<br />
the main line, for after Black breaks<br />
with ... c5, White will obtain a 3 vs 2<br />
majority on the queenside. However, it<br />
is doubtful whether this is really to<br />
White's advantage and another idea is<br />
hence to play for a passed d-pawn.
BLACK'S 8TH MOVE ALTERNATIVES 207<br />
Anapolsky-Szuhanek, Baile Herculane<br />
1994 continued 11 liJxe4 c5 12<br />
dxc5?! (Szuhanek queries this and instead<br />
suggests 12 d5 but does not think<br />
that Black has any problems; then<br />
12 ... liJb6 is a possibility, while Szuhanek<br />
also gives the following line:<br />
12 ... liJf6 13 'iia4+ .id7 14 'iib3 exd5<br />
15 cxdSliJxe4 16 .ixe4 .id6 17 'iixb7<br />
l:tb8 18 'iixa7l:ta8 19 'iib7 with equality)<br />
12 ... liJxc5 13 liJxc5 .ixc5 14<br />
'iie20-0 15l:tad1 'iif6 (15 ... 'iic7!?) 16<br />
liJe5 as! 17 'iifh 1 l:ta6 18 .ie4 l:td6 19<br />
l:txd6 .ixd6 20 f4 and a draw was<br />
agreed but Szuhanek rightly thinks<br />
that Black would be slightly better after<br />
20 ... l:td8.<br />
11 .ixc4 b5 12 .ib3<br />
12 .id3 0-0 13 e5 b4 14liJe4 c5 15<br />
dxc5 liJxc5 16 liJxc5 .ixc5 17 'ii'c2<br />
.ib7! 18 'iixc5 .ixf3 19 'iie3 .ib7 20<br />
l:tfd1 \i'g5 21 \i'xg5 hxg5 was fine for<br />
Black in Guliev-Vologin, Cappelle la<br />
Grande 1996.<br />
12 ••• 0-0<br />
12 ... b4 13 liJa4 .ia6 14 d5!? exd5<br />
15 liJd4 was seen in Tal-Chandler,<br />
Sochi 1982 and now Black should play<br />
15 ... liJe5 with great complications but<br />
instead went wrong with 15 ... l:tc8 16<br />
exd5 cxd5 17 l:te1 0-0 18 .ixd5, when<br />
White was clearly better.<br />
13d5<br />
<strong>The</strong> more cautious 13 l:tel, transposing<br />
to note 'c' to White's 10th<br />
move in Line C, might be preferable.<br />
13 ... cxdS 14 exd5 liJc5 15 liJd4<br />
After 15 dxe6.ixe6 16 .ixe6liJxe6<br />
17liJxb5, 17 ... l:tb8 is unclear according<br />
to Volodin. I think I would prefer to<br />
play 17 ... 'iib6 but see no cause for<br />
concern for Black.<br />
15 ... liJxb3 16 liJc6!? liJxal! 17<br />
liJxd8 l:txd8 18 d6 .ixd6 19 'iie2 b4<br />
20 liJe4 .ie7 21l:txal .ib7<br />
<strong>The</strong> chances are roughly equal. <strong>The</strong><br />
rook and two bishops plus a pawn are<br />
worthy contenders against White's<br />
queen and knight, Khenkin-Vol odin,<br />
Pardubice 1997.<br />
C2)<br />
10 a3 0-0 (D)<br />
w<br />
11 'iWc2<br />
This flexible continuation is White's<br />
most common approach. White keeps<br />
his options open as to whether to play<br />
on the queenside or in the centre. <strong>The</strong><br />
main question is whether the queen<br />
should be on c2 or e2 but whereas the<br />
queen on c2 seems to be better placed<br />
in connection with a queenside expansion<br />
the queen on e2 is more appropriately<br />
used for playing in the centre.<br />
Alternatives:
208 THE BOTVINNIK SEMI-SLAV<br />
a) 11 'iWe2 a6 12 ':'acl f5 13 ttJd2!?<br />
ttJf6 14 f3 J.d6 15 'iithl e5 16 c5 J.c7<br />
17 dxe5 J.xe5 18 f4 J.c7 19 ttJf3 J.d7<br />
20 ttJd4 g6 21 ':'f3 'iWe7 22 b4 with an<br />
edge for White, Yusupov-Kramnik,<br />
Moscow rpd 1995.<br />
b) 11 e4!? dxc4 (ll...dxe4 12 ttJxe4<br />
c5!? looks about equal) 12 J.xc4 c5<br />
(12 ... b5 13 J.d3 b4 14 axb4 J.xb4 15<br />
e5 ;I; P.Nikolic-M.Gurevich, Tilburg<br />
1993) 13 dxc5 (13 d5 also allows Black<br />
to equalize comfortably: 13 ... ttJb6 14<br />
J.a2 exdS 15 ttJxd5 J.e6 16 'iWc2 J.xdS<br />
liz-liz Haba-Grabarczyk, Koszalin 1999)<br />
13 ... J.xc5 14 'ii'e2 a615 e5 b5 16 'iVe4<br />
l:.a7 17 J.d3 g6 with a roughly equal<br />
position, Dolmatov-Sveshnikov, Moscow<br />
1985.<br />
c) 11 l:.c 1 a6 12 e4 dxc4 13 J.xc4<br />
b5 14 J.a2 c5 15 d5 c4 16 e5 exd5 17<br />
'ii'xd5, Kramnik-Illescas-Alcobendas<br />
(2) 1993, and now 17 ... l:.a7 is fine for<br />
Black, with the idea 18 e6 ttJc5 19<br />
exf7+ ':'xf7 20 ttJe5 'ii'xd5 21 ttJxd5<br />
:'f5 22 f4 J.d6, which is assessed as<br />
unclear by Kramnik. Black's main<br />
cause for concern is whether White<br />
has something direct; otherwise the<br />
bishop-pair and queenside majority is<br />
in Black's favour.<br />
11 ... a612 b4 f5!? (D)<br />
Black adopts the solid Stonewall<br />
set-up to restrict White's space advantage.<br />
<strong>The</strong>se kind of positions are usually<br />
slightly in White's favour due to<br />
his promising queenside pressure and<br />
the fact that Black has a horrible lightsquared<br />
bishop that is very hard to activate.<br />
A few other options:<br />
a) 12 ... b5?! 13 c5 as 14 e4 dxe4 15<br />
j.xe4 ':'a6 16 l:.adl axb4 17 axb4 'iWc7<br />
18 l:.al ttJb8 19 ttJe5 ;I; Rogozenko<br />
K.Miiller, Hamburg 1998.<br />
b) 12 ... dxc4 13 J.xc4 as (13 ... J.f6,<br />
intending ... e5, is worth considering)<br />
14 'iVb3! ttJb6 15 ~e5!? (White does<br />
not mind giving up his bishop for a<br />
knight as long as it means that he can<br />
maintain his space advantage and<br />
avoid Black's bishops getting more<br />
scope) 15 ... ttJxc4 16 'ii'xc4! J.d7 17<br />
ttJe4 j.e8 18 ttJc5 'iVc8 19 bxaS!? (this<br />
slightly anti-positional move is played<br />
with the aim of avoiding having the<br />
knights kicked back after a possible<br />
... b6 and .. .f6 by Black) 19 ... .:.xaS 20<br />
'iWc3 l:.a7 21 ttJc4 f6 22 ttJb6 'iWc7 23<br />
l:.abl ;I; Kramnik-Bareev, Novgorod<br />
1994.<br />
w<br />
13 ttJa4!?<br />
It is interesting that Kramnik was<br />
willing to take the black side of a position<br />
he had played as White a year earlier.<br />
Kramnik-Illescas, Alcobendas (4)<br />
1993 had continued 13 c5 J.f6 (13 ... g5
BLACK'S 8TH MOVE ALTERNATIVES 209<br />
14 ltJe5!?, intending a bind with f4,<br />
also seems a little better for White) 14<br />
a4 g5 (14 ... g6, intending ... e5, gives<br />
Black better chances of counterplay)<br />
15 b5 a5 16ltJe2 j.g7 17 :abl and<br />
White is slightly better.<br />
13 ••. j.d6<br />
13 ... b5 14 cxd5! cxd5 (14 ... bxa4 15<br />
dxe6ltJf6 16 j.xf5 is good for White<br />
since Black does not have time for<br />
16 .. :iVd5 in view of 17 e4) 15 ltJc5<br />
ltJb6 16 ltJe5 is better for White according<br />
to Kramnik.<br />
14ltJc5 'ii'f6 15 l:.ac1 g5 16 'ii'c3!<br />
This instructive move shows the<br />
importance of controlling the e5-<br />
square in Stonewall positions.<br />
16 ... g4 17 ltJxd7 j.xd7 18 ltJe5<br />
j.e8 (D)<br />
19f4?<br />
Unfortunately White follows up his<br />
strong 16th move with this inexplicable<br />
error, opening up the position for<br />
w<br />
Black's bishops. Much better is 19 a4,<br />
when Kramnik claims an advantage<br />
for White.<br />
19 ... gxf3 20 :xf3 'ifi'h8 21 :h3<br />
:g8 22 :n :g5!<br />
Black has good counterplay, Kamsky-Kramnik,<br />
New York PCA Ct (3)<br />
1994. Black is preparing to continue<br />
... j.h5, which White in turn should<br />
have prevented by playing 23 :f4 intending<br />
:fh4.
17 Deviations from the Main Line<br />
1 d4 d5 2 c4 c6 3 ltJf3ltJf6 4ltJc3 e6 5<br />
i.g5 h6 6 i.xf6 'iixf6 (D)<br />
We have now almost reached the<br />
end of this book, and it only remains to<br />
cover the various deviations arising<br />
from the Moscow Variation. <strong>The</strong>se are<br />
by no means unimportant odds and<br />
ends, but contain several rather unusual<br />
systems that are growing in popularity;<br />
all the lines we examine here<br />
are seen quite frequently. For example,<br />
7 'iic2 is becoming increasingly<br />
popular while White has also lately<br />
tried 7 e3 ltJd7 8 a3, intending quick<br />
queenside action.<br />
Quick Summary<br />
7 g3 (Line A) offers a gambit after<br />
7 ... ltJd7 8 i.g2 dxc4 9 0-0 but rather<br />
than stubbornly trying to hang on to<br />
the pawn, Black should seek to solve<br />
his problems in the centre, and thus<br />
Black has been doing quite well with<br />
the continuation 9 ... i.e7 to ltJe4 'iVf5<br />
11 ltJed2 e5!.<br />
With 7 'iVc2 (Line B) White intends<br />
to play e4. While Black may simply<br />
continue 7 ... ltJd7 8 e4 dxe4, I think<br />
7 ... dxc4 is the most accurate. <strong>The</strong>n after<br />
8 e3 b5 9 a4 i.b7! 10 axb5 cxb5 11<br />
ltJxb5 i.b4+ 12ltJc3 0-013 i.e2ltJd7<br />
140-0 Kramnik's 14 ... l:tfc8 is probably<br />
best.<br />
7 'iVb3 (Line C) is another way of<br />
preparing e4, by taking away from<br />
Black the option of ... i.b4+. Black has<br />
several ways of replying but in particular<br />
7 ... ltJd7 8 e4 dxe4 9 ltJxe4 'iVf4<br />
(9 ... 'iVf5!? is probably safer) to i.d3<br />
e5!? 11 0-0 f5 leads to complicated<br />
play.<br />
Finally, 7 e3 (Line D) 7 ... ltJd7 8 a3<br />
g6 9 b4 i.g7 to cxd5 has been tried<br />
regularly lately but Gelfand's move<br />
to ... cxd5!? seems to equalize comfortably.<br />
<strong>The</strong> <strong>The</strong>ory of Deviations<br />
from the Main Line<br />
1 d4 d5 2 c4 c6 3 ltJf3 ltJf6 4ltJc3 e6 5<br />
i.g5 h6 6 i.xf6 "xf6<br />
Now:
DEVIATIONS FROM THE MAIN LINE 211<br />
A: 7g3<br />
B: 7 'it'c2<br />
C: 7 'it'b3<br />
D: 7e3<br />
211<br />
213<br />
216<br />
219<br />
7 e4 is the most direct attempt but<br />
White does not seem to achieve anything<br />
real to compensate for the displacement<br />
of the king after 7 ... dxe4 8<br />
~xe4 i.b4+ 9 ~e2. Black's best is<br />
probably 9 .. :i'f4 10 'iVc2 i.e7 11 g3<br />
(11 ~e5?! f5! 12 ~2 'iVxd4 13 ~df3<br />
'i'c5 14 ~g6 ':g8 15 ~xe7 'i'xe7 16 g3<br />
e5 =+= Lautier-Kramnik, Paris rpd 1995)<br />
1l...'iVc7 12 i.g2 c!iJd7 13 .:the1 0-0 14<br />
~f1, Teske-Kuczynski, Aschach 1997,<br />
and now 14 ... b6100ks fine for Black.<br />
7 a3 prepares e4 but avoids committing<br />
the queen as in Line B or C.<br />
Still, it seems too slow to cause any<br />
real concern for Black. 7 ... dxc4<br />
(7 ... ~d7 8 e4 dxe4 9 c!iJxe4 'iVf4 10<br />
'i'e2!? promises White some advantage;<br />
Black should probably reply<br />
cautiously with 1O ... i.e7 11 g3 'i'c7<br />
12 i.g2 0-0, since in Czebe-Pinski,<br />
Budapest 1997, Black was punished<br />
for an audacious opening experiment:<br />
1O ... c5?! 11 g3 'iVc7 12 d5 f5 13 dxe6<br />
~e5 14 c!iJxe5 'iVxe5 15 'iWh5+ ..t>d8 16<br />
0-0-0+ ..t>c7 17 c!iJc3 i.xe6 18 i.g2<br />
with a winning attack) 8 c!iJe5 (8 e3<br />
and 8 e4 are both illogical since after<br />
8 ... b5 White will need to play a4,<br />
thereby losing a tempo, to break up the<br />
queenside) 8 ... c5 9 'iVa4+ (9 c!iJxc4<br />
cxd4 10 c!iJb5 'iVd8 11 'iVxd4 'iVxd4 12<br />
c!iJxd4 i.d7 13 g3 i.c5 14 c!iJb3 i.e7 15<br />
c!iJca5 i.c6 16 ~xc6 c!iJxc6 17 i.g2<br />
':c8 was equal in Kasparov-Sveshnikov,<br />
USSR Ch 1981) 9 ... c!iJc6 10 e3<br />
(10 ~xc6 i.d7 11 d5 exd5 12 c!iJxd5<br />
'iid6 13 0-0-0 i.xc6 14 'iVxc4, with<br />
some initiative to White, is suggested<br />
by Wells, but I doubt that this is really<br />
sufficient to worry Black after the further<br />
moves 14 ... .:td8 15 ~e3 'iVf6 16<br />
.:txd8+ 'iVxd8) 1O ... cxd4 11 exd4 i.e7<br />
12 tDxc6 i.d7 13 i..xc4 i.xc6 14 i.b5<br />
0-0 15 i.xc6 bxc6 = Sulava-Guido,<br />
Verona 1997.<br />
A)<br />
7g3<br />
This resembles a Catalan Opening<br />
to some extent and is a reasonably<br />
popular set-up in various <strong>Semi</strong>-<strong>Slav</strong><br />
lines. <strong>The</strong> idea is that the appearance<br />
of a bishop on the h1-a8 diagonal will<br />
make it more difficult for Black to develop<br />
his own light-squared bishop,<br />
and discourages any possible ... c5<br />
break.<br />
7 ... ~d7 8 i.g2 dxc4<br />
Others:<br />
a) 8 ... i.b4 9 0-0 0-0 10 'iVc2 'iVe7<br />
11 a3 i.d6 12 c5 i.c7 13 e4 dxe4 14<br />
~xe4 ':d8 15 .:tad1 c!iJf8 16 .:tfe1 i.d7<br />
17 ~e5 i.e8 = Christiansen-Yusupov,<br />
Bundesliga 1992/3.<br />
b) 8 ... 'iVd8 9 0-0 i.e7 10 e4 (10<br />
~d2 0-011 .:tel b5!? 12 cxb5 cxb5 13<br />
e4 b4 14 ~e2 c!iJf6 15 exd5 c!iJxd5 16<br />
c!iJf4 i..b7 was fine for Black in Adorjan-Miles,<br />
Szeged 1997) 10 ... dxe4 11<br />
~xe4 0-0 and now Black has not been<br />
able to solve his problems fully after<br />
either of White's two options:
212 THE BOTVINNIK SEMI-SLAV<br />
b1) 12 Ac1 b6 (12 ... 'ii'a5!?) 13 dS!<br />
(Black only needs to play ... .i.b7 to<br />
stand well, but this excellent move<br />
gives him no respite) 13 ... cxdS 14 cxdS<br />
exdS (14 ... .i.a6 IS dxe6.i.xfl 16 'ii'xfl<br />
fxe617lDd4lDcS!? 18lDc6! 'ii'e8 19<br />
lDxe7+ 'fIxe7 20 lDxcs bxcS 21 .i.xa8<br />
Axa8 22 'fIc4! ± Speelman) IS 'fIxdS<br />
.i.a616 l:tfd1lDcS, Agdestein-Speelman,<br />
Hastings 199112, and at this point<br />
Speelman suggests 17 'fIhS! 'fIe8 (if<br />
17 ... lDd3, then 18.i.fl!) 18lDeSlDxe4<br />
(Black also comes under strong pressure<br />
after 18 ... Ac8 19lDxcs: 19 ... .i.xcS<br />
20 .i.dS! or 19 ... AxcS 20 l:txcS .i.xcs<br />
21 .i.dS! .i.c8 and now, rather than<br />
Speelman's 22 b4, 22 .i.xf7+ wins<br />
outright) 19 .i.xe4 .i.gS (after 19 ... l:tc8<br />
or 19 ... Ad8 White maintains the pressure<br />
with 20 .i.c6!) 20 .i.xa8! and now,<br />
instead of Speelman's 20 ... 'fIxa8? 21<br />
l:tc7 ±, 20 ... 'fixeS! keeps Black in the<br />
game.<br />
b2) 12 cS!? b6 13 'ii'c2 'ii'c7 14<br />
Aac1.i.b7 IS l:tfe1 Aad8 16 b4 (White<br />
has built up typical Catalan pressure<br />
where Black has a weak pawn on c6<br />
and a horrible light-squared bishop;<br />
White has a slightly weak d-pawn and<br />
is weak on dS but Black cannot exploit<br />
this) 16 ... lDf617lDxf6+.i.xf618 'fIc3<br />
l:td7 19 lDeS .i.xeS 20 dxeS l:tfd8 21<br />
'fIa3 bS 22 'fiB a5 23 a3 l:td3 24 .:te3<br />
l:t3d4 2S l:tb1 l:t8d7 26 h4 ± Komarov<br />
Kramnik, USSR jr Ch (Kherson)<br />
1991.<br />
90-0.i.e7<br />
Usually in the Moscow Variation,<br />
Black retreats the queen from f6 before<br />
developing the bishop but here Black<br />
intends to play actively with a quick<br />
... eS. Nevertheless, 9 ... 'fId8 also looks<br />
perfectly playable; e.g., 10 e3 (10 e4<br />
.i.e7 11 'fIc2, followed by Afd1 with<br />
an active game for White, is also possible,<br />
but the text-move should not be<br />
underestimated) 10 ... .i.d6 11 'it'e2 0-0<br />
12 Afd1 'We7 13 'fIxc4 eS 14 dS lDb6<br />
IS 'ilh4! (after this strong move White<br />
retains a small initiative due to his<br />
better development but, as we shall<br />
see, unfortunately not enough to<br />
achieve anything tangible) lS ... cxdS<br />
16 'ii'xe7 .i.xe7 17 lDxeS .i.f6 18 f4<br />
.i.xeS 19 fxeS .i.e6 20 lDxdS lDxdS 21<br />
.i.xdS .i.xdS 22 AxdS Aad8 23 Ad4 b6<br />
24 Aad1 Ade8! and Black eventually<br />
drew without too much trouble in Yermolinsky-I.Sokolov,<br />
Wijk aan Zee<br />
1997.<br />
10 lDe4 'ii'f5 (D)<br />
w<br />
lllDed2<br />
White regains the pawn immediately.<br />
11 lDfd2 is worse since after<br />
1l...lDb6! White has to work to get his
DEVIATIONS FROM THE MAIN LINE 213<br />
pawn back, thereby allowing Black to<br />
free his position comfortably: 12 f4<br />
(12 a4 'iWa5 13 'iWc2 0-0 14liJxc4liJxc4<br />
15 'iWxc4 e5 gives Black an edge according<br />
to Sveshnikov) 12 ... 0-0 13<br />
'iWc2.:td8 14 e3 c5 =+= Tisdall-I.Sokolov,<br />
Torshavn 1997.<br />
ll ... eS!<br />
Black plays to free his position<br />
rather than trying to hang on to the<br />
pawn. For example, after 11 ... b5 12 a4<br />
0-0 13 axb5 'ii'xb5 14 'ii'c2 .tb7 15<br />
liJxc4 c5, Christiansen-M.Gurevich,<br />
Antwerp 1993, White can, according<br />
to M.Gurevich, keep an advantage<br />
with 16liJa5! .txf3 17 .txf31:tac8 18<br />
d5 exd5 19 .txd5.<br />
12liJxc4<br />
Black equalizes without too many<br />
problems after this but neither does<br />
the more dynamic 12 e4 cause much<br />
trouble: 12 ... 'ii'e6 13 'ii'c2 (in Komarov-Renet,<br />
French Cht 1996, White<br />
chose 13 'iWe2; Renet replied 13 ... b5<br />
14 a4.:tb8 15 d5 cxd5 16 exd5 'iWxd5<br />
17 axb5 'ii'd3! with a roughly equal<br />
game, but even here Savchenko's plan<br />
13 ... exd4 14 liJxd4 'iWf6 looks perfectly<br />
viable) 13 ... exd4 14liJxd4 'ii'f6<br />
15 liJf5liJb6 16liJxe7 'iWxe7 17liJxc4<br />
'iWc5 18 liJe3 'iWxc2 19 liJxc2 .te6 20<br />
liJd4 .:td8 21 .:tfdl
214 THE BOTVINNIK SEMI-SLAV<br />
b) 9 ... g6 (D) is the most popular<br />
set-up in the main lines so why not<br />
here? <strong>The</strong> only difference in the structure<br />
is that here White has a c-pawn,<br />
whereas in the main lines he has an e<br />
pawn. White has several options:<br />
bI) 10 i.d3 i.g7 11 0-0 0-0 12<br />
:tfe1 c5 13 d5 ttJb6 14 d6 (a doubleedged<br />
decision as it is far from clear<br />
whether this pawn will be strong or<br />
weak; however, White is virtually<br />
obliged to try it since Black obviously<br />
solves all his problems if he is allowed<br />
to exchange on d5, when the lightsquared<br />
bishop wakes up) 14 ... 'iWd8!<br />
(this is much stronger than 14 ... e5 15<br />
'iWxe5 ir'xe5 16 tDxe5 l:r.d8 17 l:r.ad1<br />
l:r.xd6 18 tDb5, which gave White the<br />
initiative in Yermolinsky-Serper, Chicago<br />
1996) 15 'iWf4 i.d7! 16 :tad1<br />
i.c6 17 i.e4? (17 tDe5 'iWxd6 18 tDxg6<br />
ir'xf4 19 tDxf4 is hardly a problem for<br />
Black but is definitely an improvement<br />
over the game continuation) 17 ... tDxc4<br />
18 i.xc6 tDxb2 19 i.xb7 l:r.b8! and<br />
Black regains his material investment<br />
with interest, Atalik-Bacrot, Wijk aan<br />
Zee 1997.<br />
b2) 10 h4!? is more than just a<br />
hacker's move; since Black will most<br />
likely be thinking of castling kingside<br />
it makes some sense to provoke a<br />
weakness on that side. Now:<br />
b21) 10 ... h5 11 i.d3 i.h6 12 0-0<br />
0-013 :tad1 :td814 c5 l:r.b8 (14 ... 'iWf4?!<br />
15 'iWe2 i.g7 16 tDe4 tDf6 17 tDd6<br />
tDg4 18 g3 'iWf6 19 tDg5 tDh6 20 i.c4<br />
± Kruppa-Mukhametov, Berlin 1997)<br />
15 'iWe2 b6 16 tDe4 'iWe7 17 b4 i.f4 18<br />
g3 i.c7 19 i.c4 a5 20 a3 ;!; Matveeva<br />
Prudnikova, Russian wom Ch (Elista)<br />
1997.<br />
b22) 10 ... i.g7 11 h5 g5 12 i.d3 c5<br />
13 d5.!De5 (13. .. ~d8!?) 14 tDxe5 'iWxe5<br />
150-0-0 'iWxe4 16 tDxe4 exd5 17 cxd5<br />
i.d4 18 tDd6+ (18 :thel ~f8 19 f3<br />
i.d7 is fine for Black) 18 ... ~e7 19<br />
tDb5 i.e5 20 :the 1 ~f6 21 tDc3 i.g4<br />
22 i.e2 i.f5 23 i.d3 i.g4 24 i.e2 i.f5<br />
25 i.d3 i.g4 1/2-1/2 Matveeva-Galliamova,<br />
Russian wom Ch (Elista) 1997.<br />
b3) 10 c5 i.g7 11 'iWe3 0-0 12 tDe4<br />
is one of White's best set-ups but the<br />
move-order is inaccurate because of<br />
12 ... 'iWd8! (the threat of ... 'iWa5+ almost<br />
forces White's next move; otherwise<br />
Black easily undermines the<br />
centre) 13 0-0-0 (13 l:r.dl 'iWa5+ 14<br />
tDc3 e5 favours Black - Lutz) 13 ... b6<br />
14 i.c4 tDf6 15 :td2 tDxe4 16 'iWxe4<br />
bxc5 17 dxc5 'iWa5 18 'iWe3 i.a6 19<br />
i.xa6 'iWxa6 + Bacrot-Nogueiras, Havana<br />
1998.<br />
b4) 10 'iWe3 i.g7 11 tDe4 (this is a<br />
more accurate move-order since now
DEVIATIONS FROM THE MAIN LINE 215<br />
Black does not have the possibility of<br />
... 'fid8 due to the annoying tiJd6+)<br />
11...'fie7 12 c5 0-0 and then:<br />
b41) 13 -tc4 b6 (Lutz suggests<br />
13 ... e5!? 14 tiJd6 'fif6 15 dxe5 tiJxe5<br />
16 tiJxe5 'fixe5 17 0-0 b5!?) 14 l:tdl as<br />
150-0 -ta6 16 -txa6 :'xa6 is roughly<br />
equal, Liogky-Bacrot, Corsica rpd 1997.<br />
b42) 13 :'dl e5 14 tiJd6 'fif6 15<br />
dxe5 tiJxe5 16 tiJxe5 'fixe5 17 -tc4 and<br />
now 17 ... 'fixe3+ 112-112 was Babula<br />
Votava, Olomouc 1997, but 17 ... b5<br />
looks interesting; Black's problems<br />
are solved if the bishop has to retreat<br />
and if 18 cxb6 axb6 19 tiJxf7 'fixe3+<br />
20 fxe3 -ta6 21 tiJxh6+ ~h7 22 -txa6<br />
:lxa6 23 tiJg4 :lxa2 Black is better.<br />
S e3 bS 9 a4<br />
9 tiJxb5!? is surely critical but has<br />
for unknown reasons been largely neglected.<br />
Wells mentions 9 ... cxb5 10<br />
'fie4 -tb4+ 11 ~dl 0-0 12 'fixa8 -td7!<br />
with compensation, and this does look<br />
like Black's best try.<br />
9 ... -tb7! 10 axbS cxbS 11 tiJxbS<br />
-tb4+ 12 ttJc3 0-013 -te2 tiJd714 0·0<br />
(D)<br />
B<br />
14 ...l::tfcS<br />
After a series of more or less forced<br />
moves we have come to a crossroads.<br />
<strong>The</strong> text-move is Kramnik's preference<br />
and this is enough to persuade me to<br />
choose it as the main line. Black has<br />
some minor, though probably not very<br />
serious, problems with his c-pawn, but<br />
the bishop-pair and altogether active<br />
position compensate for this.<br />
Other moves have fared reasonably<br />
well in practice but there may be a reason<br />
for Kramnik avoiding them. <strong>The</strong><br />
question is: had he noted a problem<br />
with the main lines or did he just want<br />
to win?<br />
a) 14 .. J:t£d8 15 tiJd2 (15 tiJe4 'ii'g6<br />
16 'fixc4!?) 15 ... e5 16 -tf3! -txf3 17<br />
tiJxf3 'iWe6 (Stohl-Sveshnikov, Leningrad<br />
1984) and now White can keep<br />
an edge with 18 :'fdl according to<br />
Sveshnikov.<br />
b) 14 ... e5Iooks very drawish based<br />
on practical examples, but I think<br />
White may have an improvement here:<br />
bl) 15 dxe5 tiJxe5 16 tiJxe5 'ii'xe5<br />
17 -txc4 :'ac8 (17... aS 18 :'fdl :'ac8<br />
19 'fib3 -txc3 20 bxc3 -txg2 21 ~xg2<br />
'fie4+ 22 f3 'fixc4 23 'ii'xc4 :'xc4 24<br />
:'xaS :'xc3 25 e4 112-1/2 Gustafsson<br />
Pavasovic, Bled 1999) 18 'ii'b3 (18<br />
-te2 -txc3 19 bxc3 :'xc3 20 'ii'b2<br />
:'xe3 21 'ii'xb7 :'xe2 22 'ii'xa7 liz-liz<br />
Guseinov-Sveshnikov, Volgodonsk<br />
1983) 18 ...-txg2! (this crafty move just<br />
seems to force a draw) 19 -txf7+! (19<br />
~xg2 -txc3 20 bxc3 'ii'e4+ is similar<br />
to the Gustafsson-Pavasovic liquidation<br />
above, while 19 'ii'xb4 'ii'g5 20 f4
216 THE BOTVINNIK SEMI-SIA V<br />
'ili'g4 21 i.e2 i.f3+ 22 ~f2 'ili'g2+ 23<br />
~el i.xe2 24 lLlxe2 ':c2 looks sufficiently<br />
dangerous to secure a draw)<br />
19 .. .1hf7 20 l:txa7 i.xfl 21 'ili'xf7+<br />
~h7 22 'iftxfl i.xc3 23 'ili'd7! (23 bxc3<br />
l:txc3 is just equal as White's king is<br />
too exposed to make any winning attempts<br />
realistic) 23 ... i.d4! (this brilliant<br />
move had to be foreseen on move<br />
18; if 23 ... l:tc5, 24 'ili'd3+ ~g8 25 bxc3<br />
gives White good winning chances as<br />
suddenly it is Black's king that is exposed)<br />
24 'ii'xd4 l::tel+ 25 ~g2 'ii'g5+<br />
26 ~f3 'ii'f5+ 27 'ii'f4 'ii'h3+ 28 'ii' g3<br />
'ii'fS+ 29 'iftg2 'ii'dS+ 30 'ifth3 'fihS+<br />
31 ~g2 'ii'dS+ 112_112 Lautier-Illescas,<br />
Khalkidhiki 1992.<br />
b2) 15 i.xc4!? (could this be the<br />
reason for Kramnik avoiding 14 ... e5?;<br />
at any rate I am surprised White has<br />
not tried it yet) 15 ... i.xf3 16 gxf3 exd4<br />
(16 ... 'iIi'xf3 17 i.dS 'ii'g4+ 18 ~hl<br />
l::tad8 19 l:tg 1 'ii'hS 20 l:tg3! ±) 17lLld5<br />
'ii'g5+ 18 ~hl i.d6 (18 ... 'iIi'h5 19 'ii'dl!<br />
lLleS 20 l:tgl 'ii'xf3+ 21 'ii'xf3lLlxf3 22<br />
lLlxb4lLlxgl 23 ~xgl with the better<br />
ending for White) 19 f4 'fihS 20 'ii'dl<br />
'ii'xdl 21 l:tfxdl ~.<br />
15 l:tfc1<br />
Others do not promise anything:<br />
a) 15 l::tfdl as 16lLld2lLlb617 i.f3<br />
lLld5 18 lLlde4 'ii'e7 19 lLla4 l::tab8 20<br />
lLlec5 i.c6 21 l:tdel i.b5 22 h3 'ii'd8<br />
23 i.e2 c3 24 lLlxc3 lLlxc3 25 bxc3<br />
i.xc5 26 dxc5 l:txcS 27 i.xbS ':bxb5<br />
28 l:ta4 = Lacrosse-Novikov, Antwerp<br />
1996.<br />
b) 15 lLld2lLlb6 16 i.f3 lLld5 17<br />
l::tfel as 18 'ii'dl'fie7 19 i.e2lLlb6 20<br />
lLlf3 i.d5 21 lLleS i.d6 22 lLlf3 'ii'b7<br />
and Black is slightly better, Bjerke<br />
Agdestein, Norwegian Ch 1986.<br />
IS ... aS 16 lLla4 l::tabS 17 'iidl eS!<br />
With this pawn sacrifice Black<br />
solves most of his problems and leaves<br />
White with a worthless extra pawn.<br />
ISl:txc4<br />
18 dxeS?! is wrong due to 18 ... lLlxe5<br />
19 lLlxe5 'ii'xeS and Black obtains<br />
promising attacking chances in view<br />
of his powerful bishops. For example,<br />
if 20 l:txc4 then 20 ... l::txc4 21 i.xc4<br />
i.d6 22 g3 'fie4, so White must already<br />
think about equalizing; 20 'ili'd4<br />
is probably best.<br />
IS ... l::txc4 19 i.xc4<br />
112-112 Beliavsky-Kramnik, Dortmund<br />
1998. 19 ... i.xf3 20 'fixf3 'ii'xf3<br />
21 gxf3 exd4 22 exd4 lLlb6 23 lLlxb6<br />
l::txb6 is completely equal.<br />
C)<br />
7 'iib3 (D)<br />
B<br />
As pointed out earlier, Black's<br />
chances are probably slightly better in
DEVIATIONS FROM THE MAIN LINE 217<br />
the long run in view of his possession<br />
of the bishop-pair. <strong>The</strong>refore White<br />
should seek to utilize his space advantage,<br />
and with the text-move White attempts<br />
to make this more apparent by<br />
preparing e4. Of course, the immediate<br />
7 e4 can be met by 7 ... dxe4 8lDxe4<br />
i.b4+, so by taking away the ... i.b4+<br />
option from Black, White argues that<br />
he is now ready for e4.<br />
7 ... lDd7<br />
Black has two alternatives:<br />
a) 7 ... dxc4 (it is of course also possible<br />
to capture this way after White<br />
has played e4, but by playing it immediately<br />
Black assures that White has to<br />
recapture with the queen) 8 'iWxc4lDd7<br />
and now:<br />
al) 9 e4 e5 10 d5 lDb6 11 'iWb3<br />
i.c5 12 i.e2 i.g4 13 0-0 i.xf3 14<br />
i.xf3 0-0 15 .:tac1 .:tac8 16 i.g4 .:tc7<br />
= Kishnev-Lukacs, Budapest 1991.<br />
a2) 9 .:tdl. This is aimed against<br />
Black's freeing advance ... e5; if, for<br />
example, 9 ... e5?, then 10 dxe5 lDxe5<br />
11 'iWe4 i.d6 12 lhd6 wins; hence<br />
Black has two options:<br />
a21) 9 ... g6 10 g3 i.g7 11 i.h3 0-0<br />
120-0 'iWe7 (with the idea ... lDb6 followed<br />
by ... c5) 13lDe4 .:tb8 14 a3 .:te8<br />
15 b4 a5! 16lDc5 axb417 axb4 .:ta8<br />
with an equal position, Timman-I.Sokolov,<br />
Dutch Ch (Rotterdam) 1997.<br />
a22) 9 ... 'iWe7 (Black improves the<br />
position of his queen and intends<br />
... 'iWb4) 10 'iWb3 g6 11 e4 i.g7 12 e5<br />
0-0 13 lDe4 c5 14 dxc5 lDxc5 15 'iWa3<br />
b6 = Brenninkmeijer-Novikov, New<br />
York 1993.<br />
a3) 9 g3 with a further branch:<br />
a31) 9 ... 'fIe7 1O.tg2 'ti'b411 'ii'xb4<br />
(l1liJd2? 'fIxb2! 12 .l:tbl 'iWa3 13 0-0<br />
lDb6 14 'iWd3 i.e7 15lDc4 'ii'a6! + Shirov-Anand,<br />
Linares 1994) 11...i.xb4<br />
120-00-013 .l:tac1.l:td8 14 a3 i.e7 15<br />
.:tfd 1 lDf8 16 lDe5 .td7 17 lDe4 i.e8<br />
18 e3 .l:tac8 = Gulko-Chernin, New<br />
York 1998.<br />
a32) 9 ... e5 lO O-O-O!? (other moves<br />
promise Black an easy game) lO ... i.e7<br />
l1lDe4 'ii'f5 12 'ii'c2 0-0 13 h4!? (13<br />
~bllDf6! =) 13 ... exd4 14lDxd4 'ii'a5<br />
15 ~bllDf616 e3lDd5 17 a3 i.g4! =<br />
Timman-Gelfand, Belgrade 1995.<br />
b) 7 ... a5 renews the possibility of<br />
... i.b4+ after White plays e4, but<br />
with dl available for his king, White<br />
should probably try it anyway. 8 e4<br />
(the most consistent, although 8 a3 is a<br />
viable alternative; then 8 ... a4 9lDxa4<br />
dxc4 lO 'ii'c2 'ii'd8 11 .:tdl b5 12lDc3<br />
lDd7 13 e4lDb6 14 i.e2 i.b7 150-0<br />
i.e7 16 d5!? exd5 17 exd5 lDxd5 18<br />
a4 led to unclear play in S.<strong>Pedersen</strong><br />
Cu. Hansen, Odense rpd 1996) 8 ... dxe4<br />
9lDxe4 i.b4+ lO 'iitdl (10 'ii'xb4 axb4<br />
11 lDxf6+ gxf6 is roughly equal)<br />
lO ... 'ii'f4 11 i.d3 (11 'ii'e3 'ii'xe3 12<br />
fxe3 i.e7 13 c5 lDd7 is, in spite of<br />
White's space advantage, fine for<br />
Black, who can break with either ... b6<br />
or ... e5) 11...f5 (11...i.e7 12 lDe5 h5<br />
13 g3 'ii'h6 14 'ii'b6! was very good for<br />
White in Stohl-Kuczynski, Budapest<br />
Z 1993) 12lDg3 c5! 13 a3 a4 14 'ii'c2<br />
i.a5 15 lDe2! (15 'ti'xa4+?! i.d7 16<br />
'iWc2 cxd4 and now 17 lDe2?! 'ii'g4!<br />
was clearly better for Black in the
218 THE BOTVINNIK SEMI-SLAV<br />
game Novikov-Dreev, Lvov Z 1990;<br />
even after the superior 17 'ir'c1 'ir'xc 1 +<br />
18 l:txc1 liJc6 Dreev believes Black<br />
has the better prospects) 15 ... 'ir'd6 (after<br />
15 ... 'ir'g4 16liJe5! 'ir'xg2 17 l::tgl<br />
'ir'xf2 18 'ir'xa4+ liJd7 19 b4 cxd4 20<br />
l:txg7 White had a winning attack in<br />
Novikov-Strokov, Alicante 1992) 16<br />
'ir'xa4+ ~d7 17 'ir'c2 cxd4 18 c5 is<br />
good for White - Stohl.<br />
8 e4 dxe4 9 liJxe4 (D)<br />
B<br />
9 ... 'ir'f4<br />
This is clearly the most ambitious<br />
move for Black. By attacking the e4-<br />
knight, Black wins a tempo to prepare<br />
... e5. This is strategically very attractive<br />
for Black, since with an open position<br />
Black's bishops will soon excel.<br />
However, the disadvantage is that<br />
Black falls behind in development due<br />
to the many queen moves and the<br />
queen may also feel herself rather exposed<br />
so far forward.<br />
A safe alternative is 9 ... 'ir'f5 10 ~d3<br />
'ir'a5+; my intuition tells me that Black<br />
should be doing fairly OK here. For<br />
example, 11 liJc3 (11 ~f1, as in Rylander-Ziegler,<br />
Swedish Ch (Haninge)<br />
1997, is perhaps worth investigating;<br />
after 1l...~e7 12 l:tel liJf6 13 liJg3<br />
'ii'b6 14 'ir'c2 c5 15 d5 exd5 16 cxd5<br />
liJxd5 17 ~c4, Black came under<br />
pressure but was able to avert the danger<br />
after 17 ... liJb4 18 'ir'e4 liJc6 19<br />
~d5 'ir'c7 20 liJh5 g6 21 liJg3 ~f8)<br />
l1...e5! (11...~b4 12 0-0 ~xc3 13<br />
bxc3 0-0 14 l:tfel 'ir'c7 15 l:tadl b6 16<br />
~bl %:.d8 17 'ir'c2liJf8 18liJe5 ~b7<br />
19 f4!? gave White an edge in Jasnikowski-Roogaard,<br />
Arhus 1996) 120-0<br />
exd4 13 :'fel + ~e7 14 liJxd4liJc5 15<br />
'ir'c2 'ir'd8! with at least equality.<br />
IO~d3<br />
Timman's suggestion, 10 liJfd2!?,<br />
intending to fianchetto the bishop, was<br />
tried in Hillarp-Persson - Cu.Hansen,<br />
Reykjavik 1998, but Black was able to<br />
equalize following 10 ... ~e7 11 g3<br />
'ir'c712~g2e5! 13d5f514liJc3liJc5<br />
15 'ir'c2 e4 160-00-0 17 l:tadl ~f6 18<br />
liJb3 liJxb3 19 'ir'xb3 'ir'b6 20 'ir'a3<br />
~xc3 21 'ir'xc3 cxd5 22 l::txd5 ~e6 23<br />
l::td4 %:.ad8 24 l::tfdl :'xd4 25 l::txd4<br />
'ir'c5 26 b3 a5.<br />
IO ... eS!?<br />
10 ... ~e7 is more solid but slightly<br />
passive; e.g., 11 0-00-0 12 :'fel and<br />
now:<br />
a) 12 ... l:td8 13 :'adl 'ir'c7 14 ~bl<br />
liJf8 15 c5! b5 16 liJg3 ~d7 17 'ir'e3<br />
~e818~c2a519a3l:ta720h4witha<br />
promising position for White, Smyslov-Petrosian,<br />
Moscow 1971.<br />
b) 12 ... c5 13 :'adl cxd4 14liJxd4<br />
liJc5 (14... l::td8!? is probably a more
DEVIATIONS FROM THE MAIN LINE 219<br />
accurate move) lSltJxcS i.xcs 16ltJf3<br />
b6 17 i.e4 l:b8 18 'irc2 ;! Lengyel<br />
Dely, Hungarian Ch 1965.<br />
11 0-0 (D)<br />
B<br />
claim some compensation according<br />
to Kishnev.<br />
D)<br />
7 e3ltJd7<br />
I see no point in avoiding this since<br />
the knight is the only piece whose best<br />
square can already be established.<br />
8 a3 (D)<br />
1l ... f5<br />
1l...i.e7 121tfe1 exd4 13ltJg3ltJcS<br />
14 'ira3 and now 14 ... 'ird6?! IS i.fS!<br />
gave White the better chances in Timman-Gelfand,<br />
Wijk aan Zee 1996 but<br />
even after the stronger 14 ... ltJe6 Timman<br />
thinks that White obtains fairly<br />
decent compensation with IS cS.<br />
12ltJg3<br />
12 ':Ue1 fxe4 13 ':'xe4 'irf7 14 :tae1<br />
~d8 is unclear according to R.-A.Simon<br />
but I would put my money on<br />
Black's defensive resources; the king<br />
is about to escape, and IS dxeS ltJcs<br />
16 ':'d4+ ~c7 does not lead to anything.<br />
12 .•• e413 :tfel ~d814 i.xe4 fxe4<br />
15 ':'xe4 ikf7 16 'ifc2!?<br />
So far we have been following the<br />
game Kishnev-R.-ASimon, Budapest<br />
1989, and now after 16 ... i.d6 17 ':'ae1<br />
ltJf6 18ltJeS i.xeS 191heS White can<br />
<strong>The</strong> keyword here is 'flexibility'.<br />
White awaits Black's set-up before<br />
committing to a strategy himself, while<br />
simultaneously airing the possibility<br />
of a queenside advance.<br />
8 ... g6<br />
As in the main lines, a fianchetto of<br />
the dark-squared bishop is Black's<br />
most popular set-up. <strong>The</strong> other main<br />
line is 8 ... 'ird8, reacting in similarly<br />
flexible fashion. <strong>The</strong>n 9 'irc2 (9 e4 is<br />
rather illogical and should not worry<br />
Black: 9 ... dxe4 10 lLlxe4 i.e7 11 'ii'd2<br />
cS 12 0-0-0 0-0 13 dxcS 'irc7 14 ~b1<br />
ltJxcs IS 'ii'e3 b6 16 ltJc3 i.b7 with<br />
slightly the better prospects for Black,<br />
Korchnoi-Kramnik, Groningen PCA
220 THE BOTVINNIK SEMI-SLAV<br />
qual 1993) 9 ... .te7 10 .td3 0-011 0-0<br />
a6 gives White a choice between:<br />
a) 12 l:tacl l:tb8!? (12 ... f5!?) 13<br />
l:tfdl b5 14 cxd5 cxd5 15 e4 dxe4 16<br />
.txe4 .td6! = Tukmakov-Illescas,<br />
Wijk aan Zee 1993.<br />
b) 12 liJe2 .td6 (12 ... b5 13 cxd5<br />
cxd5 14 l:tfel is much better for<br />
White) 13 c5 (13 l:tacl f5!?) 13 ... .tb8<br />
14 e4 e5 15 l:tadl f5?! (very ambitious<br />
but probably too loosening; 15 ... dxe4<br />
16 .txe4 exd4 17 liJexd4 'ii'f6 would<br />
to a large extent have solved Black's<br />
problems with his bishops) 16 exd5 e4<br />
17 d6! exf3 (17 ... exd3 18 'ii'xd3 liJf6<br />
19 liJe5 .txd6 20 cxd6 'iixd6 21 liJf4<br />
± Anand) 18liJf4liJf6 19 l:tfe1 .txd6<br />
20 cxd6 'iixd6 21 g3 ± Ivanchuk<br />
Anand, Linares 1992.<br />
9b4!?<br />
Other options are:<br />
a) 9 cxd5 exd5 10 b4 is regarded as<br />
less accurate than the main lines since<br />
Black has a chance to switch plans<br />
with 1O ... .td6!? <strong>The</strong>n 11 .td3 'ii'e7<br />
12 0-0 liJf6 13 b5 c5! 14 dxc5 .txc5<br />
15 'iib3 .te6 16liJd4 O-O!? 17 liJxe6<br />
'ii'xe6 is roughly equal, Van Wely<br />
M.Gurevich, 2nd Bundesliga 1995/6.<br />
b) 9 e4!? dxe4 10 liJxe4 'iif4 is<br />
similar to the line arising from 7 a3 except<br />
that here Black's g-pawn is on g6.<br />
11 .td3 (11 'ii'e2!?) 11.. . .tg7 12 0-0<br />
0-013 l:te1 and then:<br />
b1) 13 ... e5? 14 g3 'iig4 (14 ... 'iif5<br />
15liJd6 'iie6 16 c5 gives White a substantial<br />
advantage due to his magnificent<br />
knight on d6 and Black's trouble<br />
finding a place for his queen) 15liJd6!<br />
exd4 16 l:te41i'h3 17 .tn ir'h5 18 b4!<br />
g5 (the only move, as otherwise the<br />
queen is simply trapped) 19 liJxd4!<br />
'ii'xdl 20 l:txdl ± Tukmakov-M.Gurevich,<br />
Wijk aan Zee 1993.<br />
b2) 13 ... c5! 14 dxc5 (14 liJxc5<br />
liJxc5 15 dxc5 .txb2 16 l:tbl .tc3 17<br />
'ii'cl 'ii'xel 18 l:texcl .tf6 is roughly<br />
equal, Cvitan-Chernin, Bern 1996)<br />
14 ... .txb2 15 l:tb1 .tg7 16.tn ir'c7!<br />
17 'ii'd6 'ii'xd6 18 cxd6 b6, intending<br />
... .ta6 and ... l:tac8, favours Black,<br />
Petursson-Serper, Oslo 1994.<br />
9 ..• .tg7<br />
9 ... dxc4 10 .txc4 .tg7 11 0-00-0<br />
gives White a tempo-up version of<br />
Line B3 of Chapter 15, but the extra<br />
move is a3, which in practice may not<br />
count for that much.<br />
10 cxdS cxdS!?<br />
This relatively recent idea of Gelfand's<br />
seems to equalize comfortably.<br />
<strong>The</strong> alternative 1O ... exd5 gives White<br />
better chances of an advantage: 11<br />
.td3 0-0 120-0 liJb6 13 ir'b3 'iid6 14<br />
l:tfel.te615liJd2l:tfb8!? 16l:tabl a5!<br />
17 bxa5 liJd7 18 a4 l:txa5 19 'iic2!, intending<br />
liJb3 and a5 with an edge for<br />
White, Piket-Dreev, WijkaanZee 1996.<br />
11 .td3 0-0 12 0-0 'ike7 13 'ikb3<br />
liJb6 14 a4 .td7 IS as<br />
15 liJd2 liJc8 16 l:tfel liJd6 17 b5<br />
l:tfc8 18 a5 'ii'd8 19 'iib2 e5! does not<br />
promise White anything either, Van<br />
Wely-Gelfand, Tilburg 1996.<br />
IS ..• liJc8 16 l:tac1 liJd6 17 l:tc2<br />
l:tfc8 18 l:tfc1 bS!<br />
Black is at least equal, Ki.Georgiev-Gelfand,<br />
Belgrade 1997.
18 Odds and Ends<br />
A few things need to be mentioned as<br />
a final note. First of all, white-players<br />
who have built up their courage to play<br />
S .tgS may be in for a disappointment<br />
if faced by S ... ttJbd7 or S ... .te7. Both<br />
lines may lead to a Classical Queen's<br />
Gambit Declined (though Black's early<br />
... c6 is a slight concession) or a Cambridge<br />
Springs in the case of S ... ttJbd7.<br />
Here this book will not be able to help<br />
as these systems are really outside the<br />
scope of it.<br />
It is worth mentioning that S ... ~b6?!<br />
leads Black into some trouble. After 6<br />
~c2, Black has no good way to justify<br />
the queen move, as after 6 ... ttJe4 7<br />
ttJxe4 dxe4 8 cS! he loses a pawn for<br />
inadequate compensation.<br />
Finally, there is the line 1 d4 dS 2 c4<br />
c6 3 ttJf3 ttJf6 4 ttJc3 e6 S .tgS dxc4<br />
(S ... h6 6 .th4 dxc4 7 e4 gS 8 .tg3 bS 9<br />
eS leads to the same thing) 6 e4 bS 7 eS<br />
h6 8 .th4 gS 9 .tg3 (D).<br />
This has not been covered so far in<br />
the book, and might not be that good<br />
but has the practical advantage from<br />
White's viewpoint that it can be used<br />
against both the <strong>Botvinnik</strong> and the<br />
Moscow Variation.<br />
B<br />
Black's best is probably 9 ... ttJdS 10<br />
h4 ~a5! 11 :c1 .tb4 12 ~c2 (after 12<br />
~d2 g4 13 tiJh2 hS Black has achieved<br />
a very good version of the Alatortsev<br />
Variation!) 12 ... gxh4 13 .txh4 'ii'xa2<br />
and White did not have compensation<br />
for the pawn in Gerber-Shabalov,<br />
Geneva 1992. <strong>The</strong>re are quieter attempts<br />
for White, such as 10 .te2 or<br />
10 ttJd2, but neither promises anything.<br />
For a better feeling of this type<br />
of position, the reader is invited to<br />
'study Chapter 14, <strong>The</strong> Anti-Moscow<br />
Variation. Here White is very often reluctant<br />
to play eS since this loses a lot<br />
of his dynamism, whilst it is not that<br />
easy to exploit the dark squares.
Index of Variations<br />
Chapter Guide<br />
1 d4 d5 2 c4 c6 3 tDf3 tDf6 4 tDc3 e6 5<br />
i.g5 dxc4<br />
Rare 5th moves for Black - Chapter<br />
18<br />
5 ... h6 6 i.xf6 (6 i.h4!? - Chapter 14)<br />
6 ... li'xf67 e3 (other moves - Chapter<br />
17) 7 ... tDd7 8 i.d3 dxc4 (other moves<br />
- Chapter 16) 9 i.xc4 - Chapter 15<br />
6e4<br />
Other moves - Chapter 12<br />
6 ... b57 e5<br />
7 a4 - Chapter 11<br />
7 •.. h6 8 i.h4 g5 9 tDxg5<br />
9 exf6!? - Chapter 10<br />
9 .•• hxg5<br />
9 ... tDd5?! - Chapter 9<br />
10 i.xg5 tDbd7<br />
10 ... i.e7 - Chapter 8<br />
11 exf6<br />
11 g3 i.b7 (l1...'ii'aS - Chapter 6;<br />
other moves - Chapter 7) 12 i.g2 'ii'b6<br />
(other moves - Chapter 7) 13 exf6 -<br />
see 11 exf6<br />
11 ... i.b7<br />
ll...li'aS - Chapter 6<br />
12 g3 c5<br />
Other moves - Chapter 7<br />
13 d5 'ilib6<br />
Other moves - Chapter 5<br />
14 i.g2 0-0-0<br />
Other moves - Chapter 7<br />
15 0-0 b4 16 tDa4<br />
161:tb1 - Chapter 4<br />
16 .. JlVb5<br />
16 .. :~a6 and 16 .. :~d6 - Chapter 3<br />
17 a3 - Chapter 2<br />
Other moves - Chapter 7<br />
2: <strong>The</strong> Main Line: 17 a3<br />
1 d4 d5 2 c4 c6 3 tDf3 tDf6 4 tDc3 e6 5<br />
i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9<br />
tDxg5 hxg5 10 i.xg5 tDbd7 11 exf6<br />
i.b7 12 g3 'ilib6 13 i.g2 c5 14 d5<br />
0-0-0150-0 b416 tDa4 'ii'b517 a314<br />
A: 17 ... tDe514<br />
B: 17 ... tDb820<br />
C: 17 ... exd524 18 axb4 24<br />
C1: 18 ... cxb4 25<br />
C2: 18 ... d4!? 29<br />
3: 16 .. :iVa6 and 16 .. :tli'd6<br />
1 d4 d5 2 c4 c6 3 tDf3 tDf6 4 tDc3 e6 5<br />
i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9<br />
tDxg5 hxg5 10 i.xg5 tDbd7 11 exf6<br />
i.b7 12 g3 'ii'b6 13 i.g2 c5 14 d5<br />
0-0-0 15 0-0 b4 16 tDa4<br />
A: 16 .. :iVd6 38<br />
B: 16 ... 'ilia639<br />
B1: 17 a3 39<br />
B2: 17 dxe6! 41<br />
4: Uhlmann's 16 .l:.bl<br />
1 d4 d5 2 c4 c6 3 tDf3 tDf6 4 tDc3 e6 5<br />
i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5 9
INDEX OF VARIATIONS 223<br />
ttJxg5 hxg5 10 .txg5 ttJbd7 11 exf6<br />
.tb7 12 g3 'ii'b6 13 .tg2 c5 14 d5<br />
0-0-0150-0 b4 16 ':'b146<br />
A: 16 ... .th646<br />
B: 16 ... 'ii'a6 47 17 dxe6 .txg2 18 e7<br />
.txfi 49<br />
B1: 191i'd5 51<br />
B2: 19 'iitxfl 54<br />
5: Black's 13th Move Alternatives<br />
1 d4 d5 2 c4 c6 3 ttJf3 ttJf6 4 ttJc3 e6 5<br />
.tg5 dxc4 6 e4 b5 7 e5 h6 8 .th4 g5 9<br />
ttJxg5 hxg5 10 .txg5 ttJbd7 11 exf6<br />
.tb7 12 g3 c5 13 d5 58<br />
A: 13 .•. ttJb6 59<br />
B: 13 ••• ttJe560<br />
c: 13 ... ttJxf6 62<br />
D: 13 ... .th6 68 14 .txh6 ':'xh6 68<br />
D1: 15 .tg2 68<br />
D2: 15~d2 69<br />
D21: 15 ... .:.xf6 70<br />
D22: 15 .. :ti'xf6 71<br />
D221: 16 ttJe4 72<br />
D222: 16 0-0-0 73<br />
6: Ideas with ... 'ii'a5<br />
1 d4 d5 2 c4 c6 3 ttJf3 ttJf6 4 ttJc3 e6 5<br />
.tg5 dxc4 6 e4 b5 7 e5 h6 8 .th4 g5 9<br />
ttJxg5 hxg5 10 .txg5 ttJbd7 11 g3 (11<br />
exf6 'ii'a5 78) 11 ... 1i'aS 12 exf6 80<br />
A: 12 ... b4 80<br />
B: 12 ..• .ta681<br />
7: Move-orders and Various<br />
Deviations<br />
1 d4 d5 2 c4 c6 3 ttJf3 ttJf6 4 ttJc3 e6 5<br />
.tg5 dxc4 6 e4 b5 7 e5 h6 8 .th4 g5 9<br />
ttJxg5 hxg5 10 .txg5 ttJbd7<br />
A: l1g387<br />
AI: 11 ... b4?! 87<br />
A2: 11 .. J:tg8 88<br />
A21: 12 .txf6 89<br />
A22: 12 h4 9112 ... .I:r.xg5 13 hxg5 ttJd5<br />
14 g6 fxg615 ~g4! 'fIIe791<br />
A221: 16 .I:r.h8 92<br />
A222: 16 'ii'xg6+ 93<br />
A223: 16 .tg2 95<br />
B: 11 exf6 9811 ... .tb712 g3 98<br />
B 1: 12 ... 'ii'c798<br />
B2: 12 ... 'ii'b6 9913 .tg2 0-0-0 140-0<br />
100<br />
B21: 14 ... ttJe5 100<br />
B22: 14 ... c5 101<br />
B23: 14 ... .th6 102<br />
B3: 12 •.. c5 103<br />
8: 10 ... .te7<br />
1 d4 d5 2 c4 c6 3 ttJf3 ttJf6 4 ttJc3 e6 5<br />
.tg5 dxc4 6 e4 b5 7 e5 h6 8 .th4 g5 9<br />
ttJxg5 hxg5 10 .txg5 .te7 108 11 exf6<br />
.txf6108<br />
A: 12 .txf610912 .. :.wxf6109<br />
AI: 13 a4109<br />
A2: 13 g3110<br />
B: 12.te3113<br />
9: Alatortsev's 9 ... ttJd5?!<br />
1 d4 d5 2 c4 c6 3 tiJf3 ttJf6 4 ttJc3 e6 5<br />
.tg5 dxc4 6 e4 b5 7 e5 h6 8 .th4 g5 9<br />
ttJxg5 tiJd5?! 118<br />
A: 10 tiJf3 118<br />
B: 10 ttJxf7! 120 10 ... 'ii'xh411 ttJxh8<br />
.tb4120<br />
B1: 12 'ii'd2!? 121<br />
B2: 12 ];lc1! 124<br />
10: White Gambits: 9 exf6!?<br />
1 d4 d5 2 c4 c6 3 tiJf3 ttJf6 4 ttJc3 e6 5
224 THE BOTVINNIK SEMI-SLAV<br />
i.g5 dxc4 6 e4 b5 7 e5 h6 8 i.h4 g5<br />
9 exf6!? 129 9 ... gxh4 10 lDe5 'tli'xf6<br />
130<br />
A: 11 g3130<br />
B: 11 i.e2 132<br />
C: 11 a4134<br />
Cl: l1...cS 134<br />
C2: 11 ... i.b7 136<br />
C3: l1...h3!? 138<br />
11: 7 a4<br />
1 d4 d5 2 c4 c6 3 lDf3 lDf6 4 lDc3 e6 5<br />
i.g5 dxc4 6 e4 b5 7 a4 141<br />
A: 7 ... b4141<br />
B: 7 ... i.b7 142<br />
C: 7 ... i.b4144<br />
D: 7 ... 'tli'b6147<br />
12: Early Deviations (6 e3 and 6<br />
a4)<br />
1 d4 d5 2 c4 c6 3 lDf3 lDf6 4 lDc3 e6 5<br />
i.g5 dxc4 151<br />
A: 6e3151<br />
B:6a4153<br />
14: <strong>The</strong> Anti-Moscow Variation: 6<br />
i.h4!?<br />
1 d4 d5 2 c4 c6 3 lDf3 lDf6 4 lDc3 e6 5<br />
i.g5 h6 6 i.h4!? dxc4 1597 e4 g5 8<br />
i.g3 b5 9 i.e2 162<br />
A: 9 ••• b4?! 164<br />
B: 9 ... i.b4!? 167<br />
C: 9 ••• i.b7 169<br />
Cl: 10 0-0170<br />
C2: 10 eS172<br />
C3: 10 h4! 173<br />
D: 9 •.. lDbd7!? 177<br />
15: <strong>The</strong> Main Line: 7 e3 lDd7 8 i.d3<br />
dxc4<br />
1 d4 d5 2 c4 c6 3 lDf3 lDf6 4 lDc3 e6 5<br />
~g5 h6 6 ~xf6 'tli'xf6 7 e3 lDd7 8 ~d3<br />
dxc4 9 i.xc4 188<br />
A: 9 ... i.d6188<br />
B: 9 ... g6 192 100-0 i.g7 192<br />
Bl: 11 l:tc1192<br />
B2: 11 e4196<br />
B3: 11 b4199<br />
16: Black's 8th Move Alternatives<br />
1 d4 d5 2 c4 c6 3 lDf3 lDf6 4 lDc3 e6 5<br />
~g5 h6 6 i.xf6 'ii'xf6 7 e3 lDd7 8<br />
~d3203<br />
A: 8 •.• g6203<br />
B: 8 ... ~d6204<br />
C: 8 ... 'tli'd8 206 9 0-0 i.e7 206<br />
Cl: 10 e4 206<br />
C2: 10 a3 207<br />
17: Deviations from the Main Line<br />
1 d4 d5 2 c4 c6 3 lDf3 lDf6 4 lDc3 e6 5<br />
i.g5 h6 6 i.xf6 'tli'xf6 210<br />
A: 7 g3 211<br />
B: 7 'tli'c2 213<br />
C: 7'iWb3 216<br />
D: 7e3219<br />
18: Odds and Ends<br />
1 d4 d5 2 c4 c6 3 lDf3 lDf6 4 lDc3 e6 5<br />
~g5 221<br />
S ... lDbd7 or S ... i.e7 221<br />
S ... 'tli'b6?! 221<br />
S ... h6 6 ~h4 dxc4 7 e4 gS 8 i.g3 bS 9<br />
eS or S ... dxc4 6 e4 bS 7 eS h6 8 i.h4<br />
gS 9 i.g3 221
<strong>The</strong> <strong>Semi</strong>-<strong>Slav</strong> has been one of the most topical openings of the last decade, and its most<br />
critical variation is the <strong>Botvinnik</strong> System (5 Bg5 dxc4). Most of today's top grandmasters,<br />
including Kasparov, Kramnik and Shirov, have relied on it as Black, White or both,<br />
especially in make-or-break situations.<br />
Black creates immediate imbalance by establishing a big queens ide majority, at the cost of<br />
major damage to his kingside. Black tends to possess the long-term trumps, so the main<br />
lines see White launching a massive attack against the black king . Black's standard<br />
response is counterattack, and positions with bizarre material imbalances arise almost as<br />
a matter of course.<br />
To play such an opening successfully, one requires a firm grounding in the underlying<br />
principles (such as there are!) and a detailed knowledge of specific variations. This book<br />
provides both. <strong>The</strong> author is a well-known theoretician and player who has had a strong<br />
interest in the <strong>Botvinnik</strong> System fo r many years - for instance the move 18 .. . d4, which<br />
became the 'main line' in 1998, was first suggested by <strong>Pedersen</strong> in 1994.<br />
<strong>Pedersen</strong> also discusses in depth the Moscow Variation (5 Bg5 h6), which is a calmer<br />
option for Black, and a favourite of Anand and Dreev. This book therefore provides<br />
comprehensive coverage of 5 Bg5 versus the <strong>Semi</strong>-<strong>Slav</strong>.<br />
Steffen <strong>Pedersen</strong> is a young international master from Denmark. He achieved a<br />
grandmaster norm when he was 16, and played in several World and European junior<br />
championships. In 1998 he was joint winner of the Hampstead Grandmaster tournament.<br />
He has written several highly-regarded opening books, with subjects including the Dutch<br />
Defence, Sicilian Scheveningen and the Benko Gambit.<br />
Other titles from Gambit Publications include:<br />
Vishy Anand: My Best Games of Chess<br />
VishyAnand<br />
<strong>The</strong> Gambit Guide to the Bogo-Indian<br />
Steffen <strong>Pedersen</strong><br />
Secrets of Modern Chess Strategy<br />
John Watson<br />
<strong>The</strong> Gambit Guide to the Benko Gambit<br />
Steffen <strong>Pedersen</strong><br />
<strong>The</strong> Gambit Guide to the Torre Attack<br />
Graham Burgess<br />
<strong>The</strong> Gambit Guide to the English Opening: 1 ... e5<br />
Carsten Hansen<br />
<strong>The</strong> Road to Chess Improvement<br />
Alex Yermolinsky<br />
101 Attacking Ideas in Chess<br />
Joe Gallagher<br />
£14.99<br />
ISBN 1-901 S<br />
us at:<br />
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