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Cranford Review 2019

The “Cranford Review” © is a publication of Cranford Community College. Is an annual high standard produced magazine which provides an archive document highlighting various aspects of the life of the academy, its staff, students and community from each academic year. It is a wonderful read and a useful historical document which, with its termly sister publications and occasional special editions, also serves to describe the values of the academy and support the aspirations of the academy, its staff, students and wider community. A colorful layout with a wide range of topics comprising events, extracurricular activities, recognition awards, initiatives, trips and excursions among many others. Hard copies are provided to stakeholders including families, staff, partners, visitors, prospective parents/students, prospective employees and others with an interest or stake in the academy and its students. Headteacher & Director: Kevin Prunty / Editor-in-chief: Jessica Joyce / Graphic Design: Enzo Gianvittorio Danese (Enzo GD) / Printed by: Springfieldpapers.com

The “Cranford Review” © is a publication of Cranford Community College. Is an annual high standard produced magazine which provides an archive document highlighting various aspects of the life of the academy, its staff, students and community from each academic year.
It is a wonderful read and a useful historical document which, with its termly sister publications and occasional special editions, also serves to describe the values of the academy and support the aspirations of the academy, its staff, students and wider community. A colorful layout with a wide range of topics comprising events, extracurricular activities, recognition awards, initiatives, trips and excursions among many others. Hard copies are provided to stakeholders including families, staff, partners, visitors, prospective parents/students, prospective employees and others with an interest or stake in the academy and its students.
Headteacher & Director: Kevin Prunty / Editor-in-chief: Jessica Joyce / Graphic Design: Enzo Gianvittorio Danese (Enzo GD) / Printed by: Springfieldpapers.com

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A Level Drama<br />

The Foreigner<br />

“Electric, Captivating Theatre”<br />

“They have really grasped<br />

Complicité here, both as a<br />

concept and the group’s work.<br />

The imagination was excellent<br />

and they pushed the boundaries<br />

of what they could do as a<br />

group and through doing that<br />

were able to take the audience<br />

on a journey”.<br />

Katie Turner (Creative Arts<br />

Drama practitioner)<br />

In<br />

December 2018, year 13 A level<br />

Drama students performed the first<br />

of their two exam performance components<br />

to an invited audience of staff, students<br />

and parents. The devised piece entitled<br />

“The Foreigner” is based on an extract<br />

from the Greek mythology play “Medea”<br />

by Euripides. Katherine, a foreigner, enters<br />

an unfamiliar rural village with hopes of<br />

finding shelter, a job and place of safety.<br />

However the unpleasant greetings she<br />

receives from the local townsfolk forces her<br />

to turn to extreme measures in order to have<br />

her voice heard.<br />

This was an original ensemble piece of work which had been developed<br />

over the autumn term and had evolved through an organic process of trial<br />

and discovery. A requirement of the work was for the group to choose<br />

a practitioner to use within the devising process and for them to create<br />

a portfolio of evidence to demonstrate their learning. Their chosen theatre practitioner was Complicité<br />

known as one of the most influential theatre companies in the world who prioritise learning and process<br />

to its work. They focus on not having a fixed pattern when it comes to devising. By initially completing<br />

workshops using the practitioner’s ideas and methods it helped play a great role in terms of stimulating the<br />

students’ thinking. In addition, the group researched costumes, music, sound and 17th century language<br />

to make it appropriate to the time period setting and how to link back to the original play “Medea” and<br />

include ritualistic themes. It was truly an inspiring process which created “electric and captivating theatre”<br />

52<br />

Jessica Joyce (Creative Arts – A Level Drama)

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