WineNZ Summer 18-19 (1)
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feature | wine people’s places<br />
❶<br />
❷<br />
❸<br />
The Lawrences have framed early photos<br />
of it and other memorabilia, which now<br />
hang in their passageway.<br />
It was still in its original state, complete<br />
with a black Shacklock coal range, which<br />
they’ve had refurbished by the original<br />
factory in Dunedin before it closed, Lucie<br />
said.<br />
The house has been thoroughly<br />
insulated and two of the original five<br />
bedrooms opened up to make a study and<br />
television room. The front door has been<br />
decommissioned and the hall space behind<br />
it turned into a wardrobe for Lucie and<br />
Brook’s bedroom.<br />
You enter the house from what was<br />
originally the back, a sunny verandah<br />
opening into a light-filled kitchen/living<br />
room. There’s a large kauri table at the<br />
kitchen end and comfortable chairs and a<br />
wood burner that heats the whole house<br />
at the other.<br />
“I know it’s small, but it’s well formed<br />
and it suits the way we live. We all live<br />
around the kitchen table; I wouldn’t live<br />
any other way anyway. Round the kitchen<br />
table — that’s how I grew up so it makes<br />
sense to me,” Lucie said.<br />
The house is filled with colour, each room<br />
different. Bright pastels for their daughters<br />
Mathilde’s and Madeleine’s bedrooms,<br />
deep blue for the master bedroom, a shade<br />
of melon for the television room, and a<br />
pale, refreshing green for the kitchen and<br />
living room.<br />
There’s a cosiness and a well-lived in<br />
feeling about Lucie’s soft furnishings and<br />
collections of books and objects in attractive<br />
arrangements — a Welsh dresser with a<br />
display of crockery, lamps and vases and<br />
other treasures, including a kimono on the<br />
wall in the television room, and paintings<br />
and photos everywhere.<br />
Across the lawn and down some steps<br />
flanked by garden beds are the clean lines<br />
of Joan and Tony’s creamy white Oamaru<br />
stone house built in 2015. Tony carved<br />
the year, MMXV, in a block above the<br />
arched window.<br />
At first the two houses appear totally<br />
different, but inside there’s a similar feeling:<br />
antique furniture, the arrangements of<br />
objects — charming vignettes that catch<br />
the eye — a bowl of orange gourds on a<br />
low bookcase alongside a vase of yellow<br />
lilies with a painting above, a bust on a<br />
table covered by a kilim, exotic pottery,<br />
and books and paintings everywhere.<br />
Joan explains, “I think our houses are<br />
quite similar. We have the same tastes,<br />
Lucie and I — bright colours. We like the<br />
same things.”<br />
❻<br />
❼<br />
❹<br />
❺<br />
❽<br />
❶ An early photo of the villa’s former life as a Queenstown boardinghouse. ❷ The kitchen table, the centre of family living. ❸ Deep blue walls in Lucie and<br />
Brook’s bedroom. ❹ Attractive vignettes that catch the eye are everywhere. ❺ MMXV, the year the house was built, carved by Tony. ❻ The television room is<br />
filled with colour and soft furnishings. ❼ Crockery displayed on the Welsh dresser in the kitchen-living area. ❽ Some of Joan’s crockery collection and walnuts<br />
from their tree, under the central kitchen bench. ❾ Good taste is everywhere. ❿ The sitting area with the recycled full length arched window.<br />
60 <strong>WineNZ</strong> Magazine | <strong>Summer</strong> 20<strong>18</strong>-<strong>19</strong>