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WineNZ Summer 18-19 (1)

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feature | wine people’s places<br />

❶<br />

❷<br />

❸<br />

The Lawrences have framed early photos<br />

of it and other memorabilia, which now<br />

hang in their passageway.<br />

It was still in its original state, complete<br />

with a black Shacklock coal range, which<br />

they’ve had refurbished by the original<br />

factory in Dunedin before it closed, Lucie<br />

said.<br />

The house has been thoroughly<br />

insulated and two of the original five<br />

bedrooms opened up to make a study and<br />

television room. The front door has been<br />

decommissioned and the hall space behind<br />

it turned into a wardrobe for Lucie and<br />

Brook’s bedroom.<br />

You enter the house from what was<br />

originally the back, a sunny verandah<br />

opening into a light-filled kitchen/living<br />

room. There’s a large kauri table at the<br />

kitchen end and comfortable chairs and a<br />

wood burner that heats the whole house<br />

at the other.<br />

“I know it’s small, but it’s well formed<br />

and it suits the way we live. We all live<br />

around the kitchen table; I wouldn’t live<br />

any other way anyway. Round the kitchen<br />

table — that’s how I grew up so it makes<br />

sense to me,” Lucie said.<br />

The house is filled with colour, each room<br />

different. Bright pastels for their daughters<br />

Mathilde’s and Madeleine’s bedrooms,<br />

deep blue for the master bedroom, a shade<br />

of melon for the television room, and a<br />

pale, refreshing green for the kitchen and<br />

living room.<br />

There’s a cosiness and a well-lived in<br />

feeling about Lucie’s soft furnishings and<br />

collections of books and objects in attractive<br />

arrangements — a Welsh dresser with a<br />

display of crockery, lamps and vases and<br />

other treasures, including a kimono on the<br />

wall in the television room, and paintings<br />

and photos everywhere.<br />

Across the lawn and down some steps<br />

flanked by garden beds are the clean lines<br />

of Joan and Tony’s creamy white Oamaru<br />

stone house built in 2015. Tony carved<br />

the year, MMXV, in a block above the<br />

arched window.<br />

At first the two houses appear totally<br />

different, but inside there’s a similar feeling:<br />

antique furniture, the arrangements of<br />

objects — charming vignettes that catch<br />

the eye — a bowl of orange gourds on a<br />

low bookcase alongside a vase of yellow<br />

lilies with a painting above, a bust on a<br />

table covered by a kilim, exotic pottery,<br />

and books and paintings everywhere.<br />

Joan explains, “I think our houses are<br />

quite similar. We have the same tastes,<br />

Lucie and I — bright colours. We like the<br />

same things.”<br />

❻<br />

❼<br />

❹<br />

❺<br />

❽<br />

❶ An early photo of the villa’s former life as a Queenstown boardinghouse. ❷ The kitchen table, the centre of family living. ❸ Deep blue walls in Lucie and<br />

Brook’s bedroom. ❹ Attractive vignettes that catch the eye are everywhere. ❺ MMXV, the year the house was built, carved by Tony. ❻ The television room is<br />

filled with colour and soft furnishings. ❼ Crockery displayed on the Welsh dresser in the kitchen-living area. ❽ Some of Joan’s crockery collection and walnuts<br />

from their tree, under the central kitchen bench. ❾ Good taste is everywhere. ❿ The sitting area with the recycled full length arched window.<br />

60 <strong>WineNZ</strong> Magazine | <strong>Summer</strong> 20<strong>18</strong>-<strong>19</strong>

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