WineNZ Summer 18-19 (1)
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the frey way | feature<br />
They were putting on a<br />
brave face at Chateau La<br />
Lagune in Haut-Médoc.<br />
Yet the tomb-like quiet in<br />
the winery at harvest time<br />
all but bellowed the grim<br />
reality: the 20<strong>18</strong> vintage was a catastrophe.<br />
Two hail events were its undoing. The<br />
second, by far the worst, arrived on 15<br />
July, a half hour before the kickoff of the<br />
football World Cup final. In that game, you<br />
will remember, France squared off against<br />
Croatia. “Of course we won, but the game<br />
was spoiled for me by the destruction at<br />
La Lagune,” one estate employee told<br />
me. An unusual, swirling wind steered the<br />
hailstorm to a position directly over La<br />
Lagune vineyard, upon which it dumped<br />
its payload. Ninety percent of the crop was<br />
lost in just a few minutes.<br />
This was the main reason I would not<br />
be meeting Caroline Frey in Bordeaux.<br />
The woman who oversees the winemaking<br />
at three separate estates across three of<br />
France’s great wine regions (Chateau<br />
La Lagune in Bordeaux, Jaboulet in the<br />
northern Rhône and Chateau Corton C.<br />
in Burgundy) reasoned her time would<br />
be better spent at her empire’s other two<br />
dominions.<br />
We would cross paths at Tain-Hermitage<br />
in a couple of days. In the meantime, I<br />
would acquaint myself with La Lagune<br />
and in doing so pick up clues about Frey<br />
and her world.<br />
Chateau La Lagune’s Left Bank address<br />
is smart. It’s the first estate of significance<br />
you come to when you head north along the<br />
Route du Médoc from the city of Bordeaux.<br />
Chateau Margaux is just another five minute<br />
drive up the line. La Lagune’s third growth<br />
<strong>18</strong>55 classification has always belied the<br />
quality of its wines.<br />
La Lagune was bought by the Frey family<br />
in 2000. Swiss-born pater familias Jean<br />
Jacques Frey had established himself in<br />
Reims, Champagne, where he made a<br />
fortune in commercial real estate.<br />
Two things were behind Frey’s move<br />
into fine wine. One was a genuine love<br />
of the product, the other a desire to create<br />
something that would remain in the family<br />
for generations. Daughter Caroline (the<br />
eldest of three girls), having finished<br />
her studies in oenology in Bordeaux,<br />
was perfectly placed to give this vision<br />
immediate traction.<br />
She was just 26 when she took the reins<br />
at La Lagune in 2004. She knew what she<br />
wanted. Her approach is rooted in respect<br />
for the natural order of things. Belief in<br />
terroir means doing everything possible<br />
not to distort it, which means growing<br />
grapes organically, which in turn means<br />
preserving corners of the world for whoever<br />
comes next.<br />
Her greening of the estate has not been<br />
confined to vineyards (many of which are<br />
now moving from organic to biodynamic).<br />
The Frey family has sought (and been<br />
granted) official protection for natural<br />
wilderness areas they own that abut<br />
vineyards (even the woodlands around<br />
the winery itself). These are now places<br />
where wild floral and fauna thrive (no<br />
hunting allowed), and provide a foil to the<br />
rigid monoculture of a vineyard.<br />
As with many other organic/biodynamic<br />
wine growers, Caroline Frey believes<br />
embracing these methods will result in<br />
truer, more authentic wines. If truth is<br />
indeed beauty, the wine should also offer<br />
a great tasting experience.<br />
In between vineyard visits, a foray up into<br />
the Médoc and an exploration of Bordeaux’s<br />
Cité du Vin (a remarkable global wine<br />
museum which I highly recommend), I<br />
sat down to a Chateau La Lagune vertical<br />
tasting. It ran from 2009 to 2016 minus the<br />
2013, a tough vintage for which no classic<br />
blend or ‘grand vin’ was made.<br />
Two years before Caroline Frey became<br />
winemaker, British critic Andrew Jefford<br />
applied the descriptor ‘unchallenging claret’<br />
to La Lagune. ‘Anything but’ I thought to<br />
myself as I worked through the line-up. The<br />
wines had depth and distinctiveness; a bold,<br />
savoury thread running through them all.<br />
La Lagune unusually includes a high (up to<br />
10 per cent) petit verdot component, which<br />
gives the blend a dark, moody intensity.<br />
The standouts for me were the 2015 with<br />
its herbal whisper and harmonious tannins,<br />
and the 2010, aging beautifully, an amalgam<br />
of strength and beauty. The value these<br />
wines represent is worth mentioning too.<br />
The Freys have deliberately not jumped on<br />
board Bordeaux’s over-inflated price blimp.<br />
Chateau La Lagune sells for roughly 65<br />
euros (NZ$100) a bottle. The estate puts<br />
out two other lower tier red blends: Moulin<br />
de La Lagune (merlot dominant) and the<br />
fruit-forward Mademoiselle L.<br />
The word ‘chateau’ is a bordelais synonym<br />
for wine estate, hence its omnipresence on<br />
the region’s labels. Chateau La Lagune is<br />
an exception in that a stately pile is part of<br />
the package. This is both a family residence<br />
and a property available for hire (see ‘Your<br />
Chateau Awaits’). It was in the library of<br />
the chateau that I spied photos of Caroline<br />
in her younger days, some showing her in<br />
equestrienne mode. She was mad on horses<br />
as a young girl, I learned, riding and rising<br />
through the equestrian ranks to eventually<br />
compete for the French national junior team.<br />
I flew from Bordeaux to the Rhône;<br />
Caroline Frey does the same back and<br />
www.winenzmagazine.co.nz<br />
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