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WineNZ Summer 18-19 (1)

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the frey way | feature<br />

They were putting on a<br />

brave face at Chateau La<br />

Lagune in Haut-Médoc.<br />

Yet the tomb-like quiet in<br />

the winery at harvest time<br />

all but bellowed the grim<br />

reality: the 20<strong>18</strong> vintage was a catastrophe.<br />

Two hail events were its undoing. The<br />

second, by far the worst, arrived on 15<br />

July, a half hour before the kickoff of the<br />

football World Cup final. In that game, you<br />

will remember, France squared off against<br />

Croatia. “Of course we won, but the game<br />

was spoiled for me by the destruction at<br />

La Lagune,” one estate employee told<br />

me. An unusual, swirling wind steered the<br />

hailstorm to a position directly over La<br />

Lagune vineyard, upon which it dumped<br />

its payload. Ninety percent of the crop was<br />

lost in just a few minutes.<br />

This was the main reason I would not<br />

be meeting Caroline Frey in Bordeaux.<br />

The woman who oversees the winemaking<br />

at three separate estates across three of<br />

France’s great wine regions (Chateau<br />

La Lagune in Bordeaux, Jaboulet in the<br />

northern Rhône and Chateau Corton C.<br />

in Burgundy) reasoned her time would<br />

be better spent at her empire’s other two<br />

dominions.<br />

We would cross paths at Tain-Hermitage<br />

in a couple of days. In the meantime, I<br />

would acquaint myself with La Lagune<br />

and in doing so pick up clues about Frey<br />

and her world.<br />

Chateau La Lagune’s Left Bank address<br />

is smart. It’s the first estate of significance<br />

you come to when you head north along the<br />

Route du Médoc from the city of Bordeaux.<br />

Chateau Margaux is just another five minute<br />

drive up the line. La Lagune’s third growth<br />

<strong>18</strong>55 classification has always belied the<br />

quality of its wines.<br />

La Lagune was bought by the Frey family<br />

in 2000. Swiss-born pater familias Jean<br />

Jacques Frey had established himself in<br />

Reims, Champagne, where he made a<br />

fortune in commercial real estate.<br />

Two things were behind Frey’s move<br />

into fine wine. One was a genuine love<br />

of the product, the other a desire to create<br />

something that would remain in the family<br />

for generations. Daughter Caroline (the<br />

eldest of three girls), having finished<br />

her studies in oenology in Bordeaux,<br />

was perfectly placed to give this vision<br />

immediate traction.<br />

She was just 26 when she took the reins<br />

at La Lagune in 2004. She knew what she<br />

wanted. Her approach is rooted in respect<br />

for the natural order of things. Belief in<br />

terroir means doing everything possible<br />

not to distort it, which means growing<br />

grapes organically, which in turn means<br />

preserving corners of the world for whoever<br />

comes next.<br />

Her greening of the estate has not been<br />

confined to vineyards (many of which are<br />

now moving from organic to biodynamic).<br />

The Frey family has sought (and been<br />

granted) official protection for natural<br />

wilderness areas they own that abut<br />

vineyards (even the woodlands around<br />

the winery itself). These are now places<br />

where wild floral and fauna thrive (no<br />

hunting allowed), and provide a foil to the<br />

rigid monoculture of a vineyard.<br />

As with many other organic/biodynamic<br />

wine growers, Caroline Frey believes<br />

embracing these methods will result in<br />

truer, more authentic wines. If truth is<br />

indeed beauty, the wine should also offer<br />

a great tasting experience.<br />

In between vineyard visits, a foray up into<br />

the Médoc and an exploration of Bordeaux’s<br />

Cité du Vin (a remarkable global wine<br />

museum which I highly recommend), I<br />

sat down to a Chateau La Lagune vertical<br />

tasting. It ran from 2009 to 2016 minus the<br />

2013, a tough vintage for which no classic<br />

blend or ‘grand vin’ was made.<br />

Two years before Caroline Frey became<br />

winemaker, British critic Andrew Jefford<br />

applied the descriptor ‘unchallenging claret’<br />

to La Lagune. ‘Anything but’ I thought to<br />

myself as I worked through the line-up. The<br />

wines had depth and distinctiveness; a bold,<br />

savoury thread running through them all.<br />

La Lagune unusually includes a high (up to<br />

10 per cent) petit verdot component, which<br />

gives the blend a dark, moody intensity.<br />

The standouts for me were the 2015 with<br />

its herbal whisper and harmonious tannins,<br />

and the 2010, aging beautifully, an amalgam<br />

of strength and beauty. The value these<br />

wines represent is worth mentioning too.<br />

The Freys have deliberately not jumped on<br />

board Bordeaux’s over-inflated price blimp.<br />

Chateau La Lagune sells for roughly 65<br />

euros (NZ$100) a bottle. The estate puts<br />

out two other lower tier red blends: Moulin<br />

de La Lagune (merlot dominant) and the<br />

fruit-forward Mademoiselle L.<br />

The word ‘chateau’ is a bordelais synonym<br />

for wine estate, hence its omnipresence on<br />

the region’s labels. Chateau La Lagune is<br />

an exception in that a stately pile is part of<br />

the package. This is both a family residence<br />

and a property available for hire (see ‘Your<br />

Chateau Awaits’). It was in the library of<br />

the chateau that I spied photos of Caroline<br />

in her younger days, some showing her in<br />

equestrienne mode. She was mad on horses<br />

as a young girl, I learned, riding and rising<br />

through the equestrian ranks to eventually<br />

compete for the French national junior team.<br />

I flew from Bordeaux to the Rhône;<br />

Caroline Frey does the same back and<br />

www.winenzmagazine.co.nz<br />

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