30.07.2019 Views

ΧΡΙΣΤΙΑΝΙΚΑ ΜΝΗΜΕΙΑ Ι.Μ.Ι.Σ. ENG

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

THE CHURCHES<br />

AT IERAPETRA<br />

50<br />

The twin-naved church, dedicated to Christ the Master and St. Charalambos, which<br />

is located in the port, to the west of the medieval fortress of Kales, is the oldest<br />

church of the city. Its architectural form is the result of interpolations to a barrel-vaulted,<br />

single-nave church of the Venetian period to which, during the early 17th century, one<br />

more aisle to the south was added, the one dedicated today to St.<br />

Charalambos. A group of<br />

three icons of the first half<br />

of the 18th century on the<br />

altar screen of the church which have been<br />

attributed to the famous painter, George<br />

Kastrophylakas, are of interest. A narthex<br />

with two domes was added in later years to<br />

the west of the church, which subsequently<br />

was expanded. This surviving church is<br />

possibly identified with the church of the<br />

Saviour, for which rich archival material<br />

survives, and which had been the object of<br />

dispute between the Orthodox and Roman<br />

Catholic Christians of the city, since it housed<br />

both denominations. The dispute was<br />

created when the Franciscan hieromonk,<br />

Paul Mudarro, who served in the church,<br />

decided to appropriate it on behalf of the<br />

Franciscan order, abolishing the Orthodox<br />

altar screen and building a chapel which is<br />

probably identical to the present south aisle.<br />

The dispute ended after the intervention of<br />

the general provedditore of Crete, Francesco<br />

Morosini, with more beneficial terms for the The Dormition of the Theotokos. Christ the Saviour.<br />

Roman Catholics as it was suggested that<br />

the south chapel be used exclusively by them, while the church of the Saviour by both<br />

denominations, after the area of the sanctuary was<br />

suitably structured.<br />

The barrel-vaulted, single-nave church of St.<br />

Nicholas is located further to the west of Christ<br />

the Master. It is also clear that this is a building of<br />

the Venetian period, even though it has been<br />

subjected to interpolations during later years, such<br />

as the opening of the western entrance. In the<br />

interior a signed icon of the Holy Trinity of the 18th<br />

century, is preserved, work of the painter George<br />

Kastrophylakas.<br />

Church of St. Nicholas.<br />

The most important church of the city<br />

is the metropolitan church of St. George,<br />

who is also the patron saint of Ierapetra<br />

due to his wonderworking interventions<br />

during the period of Turkish occupation.<br />

The church, which is also located in the<br />

historical centre of Kato (Lower) Mera,<br />

was built in the 19th century in place of<br />

an older church. This original church, as<br />

was recently discovered during<br />

excavation research, was single-nave<br />

with an orientation to the northwestsoutheast<br />

and had two phases. Probably<br />

Metropolitan Church of St. George.<br />

a building of the Venetian period it<br />

should be identified with the church of St. George in the homonymous neighbourhood<br />

which is mentioned in inventory catalogues of the 17th century. The present church,<br />

which was built in 1856 by the architect Chatzi-Manolis, belongs to the three-aisled<br />

domed plan in which the upper structure is built from bagdati, i.e., a wooden frame<br />

covered with mortar. In 1936 various extensive interpolations to the church took place,<br />

of which the most important was its expansion by 3.20 metres to the east. The church,<br />

relatively spacious, is particularly elaborate in individual elements, such as the fine-spun<br />

columns with the different capitals that may originate from ancient monuments of the<br />

city, but also in the monumentally structured doorframes and the decorative reliefs which<br />

were highlighted and conserved after its recent restoration by the local Metropolis that<br />

was completed in 2000.<br />

Interior of Metropolitan Church.<br />

51

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!