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THE CHURCHES<br />
AT STAVROS<br />
56<br />
Asignificant number of churches, with wall paintings and without, are preserved<br />
in the surrounding area of the settlement of Stavros (Kapistri).<br />
Lower (Kato) St. George is located on the south side of the settlement, a single-nave<br />
church to which was later added a transverse, barrel-vaulted narthex. The main church,<br />
which is dated, on the basis of its wall painting decoration, to the 14th<br />
century, is shaped in its longitudinal sides with blind brick arcades that<br />
have zigzag ceramoplastic decoration on their intermediate surfaces as<br />
well as on the apse of<br />
the sanctuary. The iconographic<br />
programme that does not survive<br />
intact includes scenes from the<br />
Christo logical cycle and the cycle of<br />
St. George with emphasis on scenes<br />
of his martyrdom. Special reference<br />
should be made to the full-length figure<br />
of St. George with the relief wreath that<br />
Lower (Kato) St. George.<br />
has the place of a pilgrimage icon on the south wall next to the altar screen as well as to<br />
the partially surviving Evangelists on the north wall that are depicted seated, writing<br />
their Gospels.<br />
Three kilometres to the northwest of the settlement, the twin-naved church of the All-<br />
Holy Virgin at Gourni, dedicated to the Dormition of the Theotokos (August 15) and the<br />
Transfiguration of the Saviour (August 6),<br />
may have been the catholicon of a small<br />
monastery as we can determine from the<br />
ruins of one-storey buildings to its north<br />
and west.<br />
Its architectural plan is the result of the<br />
addition to the original single-nave, small<br />
church of the end of the 14th– beginning<br />
All-Holy Virgin at Gourni.<br />
of the 15th century, of a barrel-vaulted<br />
aisle to the north and of a narthex,<br />
probably of the late Venetian occupation period. At an even later period, the narthex was<br />
demolished, the two arches connecting its aisles were walled in and two rectangular<br />
doorframes were built in their place. The good quality, partially preserved, wall painting<br />
decoration that is dated to the beginning of the 15th century, has scenes from the<br />
Christological cycle in its eastern section, in which the large scene of the Ascension<br />
dominates, and scenes from the Marian cycle in its western section. The single-nave<br />
church of St. Mamas, with an expansion to the west, is located close to the All-Holy<br />
Virgin. It preserves parts of high quality wall decoration of the beginning of the 14th<br />
century. Of interest are the depictions of the two donors, facing each other in the corners<br />
of the north and south walls of the original church, St. Mamas on the south wall next to<br />
the sanctuary, in the usual place where the eponymous saint is presented, and, in the 57<br />
Joseph thinking, from the Birth. Lower (Kato) St. George.<br />
Christ Enthroned, detail. All-Holy Virgin at Gourni.