This Holy Fire of Love
by Gareth Farr | Two Voices and Orchestra
by Gareth Farr | Two Voices and Orchestra
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GARETH FARR<br />
<strong>This</strong> <strong>Holy</strong> <strong>Fire</strong> <strong>of</strong> <strong>Love</strong><br />
Two Voices and Orchestra<br />
Facsimile Study Score<br />
PROMETHEAN EDITIONS<br />
WELLINGTON
GARETH FARR<br />
<strong>This</strong> <strong>Holy</strong> <strong>Fire</strong> <strong>of</strong> <strong>Love</strong><br />
Two Voices and Orchestra<br />
Facsimile Study Score<br />
Score version April 2010<br />
<strong>This</strong> <strong>Holy</strong> <strong>Fire</strong> <strong>of</strong> <strong>Love</strong>, a setting <strong>of</strong> Shakespeare’s Sonnets for two<br />
voices and orchestra, was premiered by Rima Te Wiata (voice) and<br />
Kristian Lavercombe (voice) with the New Zealand Symphony<br />
Orchestra at the Auckland Town Hall, Auckland, New Zealand on<br />
18 June 2010.<br />
<strong>This</strong> edition is a facsimile <strong>of</strong> the original score provided by the composer.<br />
PEF/GF/HF<br />
© 2010 Promethean Editions Limited<br />
PO Box 10-143<br />
Wellington<br />
NEW ZEALAND<br />
www.prometheaneditions.com<br />
+64 4 473 5033
Instrumentation<br />
2 Flutes<br />
2 Oboes<br />
2 Clarinets in BÏ<br />
2 Bassoons<br />
4 Horns in F<br />
3 Trumpets in C<br />
2 Trombones<br />
Bass Trombone<br />
Tuba<br />
Timpani<br />
3 Percussion<br />
Player 1: clash cymbal, vibraphone, temple blocks,<br />
tambourine, 4 tom-toms, glockenspiel, suspended cymbal,<br />
snare drum, bass drum<br />
Player 2: bass drum, clash cymbal, glockenspiel, triangle,<br />
tam-tam, tambourine<br />
Player 3: tam-tam, suspended cymbal, tubular bells,<br />
suspended cymbal, triangle, clash cymbal<br />
William<br />
Muse<br />
Harp<br />
Strings<br />
TRANSPOSED SCORE
orchestated version commissioned by the New Zealand Symphony Orchestra<br />
<strong>This</strong> <strong>Holy</strong> <strong>Fire</strong> <strong>of</strong> <strong>Love</strong><br />
a setting <strong>of</strong> Shakespeare's Sonnets, for 2 voices and orchestra<br />
3<br />
Flute 1<br />
Flute 2<br />
Oboe 1<br />
Oboe 2<br />
Clarinet in Bb 1<br />
Clarinet in Bb 2<br />
Bassoon 1<br />
Bassoon 2<br />
Horn in F 1<br />
Horn in F 2<br />
Horn in F 3<br />
Horn in F 4<br />
Trumpet in C 1<br />
Trumpet in C 2<br />
Trumpet in C 3<br />
Trombone 1<br />
Trombone 2<br />
Bass Trombone<br />
Tuba<br />
Timpani<br />
Percussion 1<br />
Percussion 2<br />
Percussion 3<br />
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W: Words! Words! Words! Why is my verse so barren <strong>of</strong> new pride,<br />
so far from variation or quick change?<br />
Why with the time do I not glance aside to new found methods<br />
and to compounds strange?<br />
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W: Lord <strong>of</strong> my life, commander <strong>of</strong> my thoughts, I, William, swear to thee by Cupid's strongest bow, by his best arrow with golden head, I'll work the means to make thee capable.<br />
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Hn. 3<br />
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Perc. 1<br />
56 E<br />
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$<br />
M: An O. Nothing. What does thou think 'tis worth?<br />
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$ M: Aye.<br />
W: Then thou liest!<br />
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8<br />
Sonnet 76 - Why Is My Verse...<br />
Fl. 1<br />
q=112<br />
60 F<br />
!<br />
" $ $ $ $ $ #<br />
2 4 1<br />
+<br />
5<br />
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p mf p<br />
1<br />
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Cl. 1<br />
Cl. 2<br />
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mp<br />
6 6 6 6 6 6 6 6<br />
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++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + .<br />
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mp<br />
6 6 6 6 6 6 6 6<br />
Perc. 2<br />
!<br />
" ' # "<br />
Glockenspiel<br />
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Vln. I<br />
Vln. II<br />
Vla.<br />
M: Your answer sir, is enigmatical. Art not a poet?<br />
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mf<br />
p<br />
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Fl. 1<br />
64<br />
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6 6 6 6 6 6 6 6<br />
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0 1 4 2<br />
Cl. 2<br />
Perc. 2<br />
""/ / / / /<br />
!<br />
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6 6 6 6 6 6 6 6<br />
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Vln. I<br />
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div<br />
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9<br />
Fl. 1<br />
68<br />
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0 1 4 2<br />
Cl. 2<br />
Perc. 2<br />
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Vln. II<br />
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Fl. 1<br />
72<br />
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Cl. 2<br />
"" // / / /<br />
6 6 6 6 6 6 6 6<br />
7<br />
+ !<br />
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Perc. 2<br />
William<br />
Vln. I<br />
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7<br />
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3<br />
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me - thods and to com - pounds strange<br />
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! ,<br />
Vln. II<br />
Vla.<br />
6 6 6 6 6 6 6 6<br />
7<br />
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6 6 6 6 6 6 6 6<br />
pp mp poco a poco cresc.<br />
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%$ $ 7<br />
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poco a poco cresc.
10<br />
Cl. 1<br />
Cl. 2<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
'<br />
Vla.<br />
Vc.<br />
Cl. 1<br />
Cl. 2<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
76<br />
6 6 6 6 6 6 6<br />
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poco a poco cresc.<br />
7<br />
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poco a poco cresc.<br />
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7<br />
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no - ted weed That ev - 'ry word doth al - most tell my name Show - ing their birth and where they did pro -<br />
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7<br />
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mf poco a poco cresc.<br />
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mf poco a poco cresc.<br />
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mf poco a poco cresc.
11<br />
Fl. 1<br />
85<br />
!<br />
" $ $ $ $ $ !<br />
# # #<br />
G<br />
3 + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + +<br />
6 6 6 6<br />
f<br />
Ob. 1<br />
" $ $ $ $ $ !<br />
# # #<br />
f<br />
+ + + + + + + + + + + + + + + 3+<br />
Cl. 1<br />
6 6 6 6<br />
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0 1 4 2 + + + + + + + + + + + + + + + / +<br />
f<br />
Cl. 2<br />
6 6 6 6 6 6 6 6<br />
"" // / / / ! ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + . 0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + / + .<br />
0 1 4 2<br />
f<br />
B. Tbn.<br />
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mf<br />
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William<br />
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,<br />
O know, sweet love,<br />
Muse<br />
$ $ "" $ $$ ,<br />
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ceed? O know, sweet love,<br />
f<br />
Vln. I<br />
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12<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. 1<br />
Cl. 2<br />
B. Tbn.<br />
Tba.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
89<br />
!<br />
" $ $ $ $ $ 3+<br />
.<br />
0 1 4 2 3 + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + . 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + +<br />
5<br />
6 6 6 6 6 6 6 6<br />
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.<br />
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5<br />
f 6 6 6 6 6 6 6 6<br />
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13<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. 1<br />
Cl. 2<br />
B. Tbn.<br />
Tba.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
93<br />
!<br />
" $ $ $ $ $ 3+<br />
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.<br />
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5<br />
6 6 6 6 6 6 6 6<br />
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you and love are still my ar - gu - ment<br />
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you and love are still my ar - gu - ment<br />
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14<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. 1<br />
Cl. 2<br />
B. Tbn.<br />
Tba.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
97<br />
!<br />
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6 6 6 6 6 6 6 6<br />
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5<br />
3 + + ++ + ++ + ++ + ++ + ++ + ++ + ++ + + + 1 4 2<br />
5<br />
6 6 6 6 6 6 6 6<br />
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+ + + + + + + + + + + + + + + 3+<br />
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#<br />
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$ 3<br />
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,<br />
+% + 0 *<br />
So all my best is dres - sing old words new Spend - ing a - gain<br />
!<br />
" $ $ $ $ , , , ,<br />
$<br />
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15<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. 1<br />
Cl. 2<br />
B. Tbn.<br />
Tba.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
101<br />
!<br />
" $ $ $ $ $ + . 1 4 2 3 + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + + 3+<br />
. 0 1 4 2<br />
#<br />
5<br />
6 6 6 6<br />
mp<br />
" $ $ $ $ $ ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + 0 3+<br />
. 1 4 2 3 + +++ + ++ + ++ + ++ + ++ + ++ + ++ + + + . 1 4 2<br />
5<br />
6 6 6 6 6 6 6 6<br />
mp<br />
p<br />
" $ $ $ $ $ + 3 + + + + + + + + + + + + + + +<br />
# # #<br />
" $ $ $ $ $ # + + + + + + + + + + + + + + + 3 + + 3 + + + + + + + + + + + + + + +<br />
#<br />
p<br />
"/ / / / 6 6 6 6<br />
/ # #<br />
+ / + + + + + + + + + + + + + + + ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + +<br />
p<br />
poco a poco cresc.<br />
"" // / / / # + + + #<br />
+ + + + + + + + + + + + / + + / + + + + + + + + + + + + + + +<br />
p<br />
!%$ $ +% $ $$<br />
1 * 3 ,<br />
+% 1<br />
* +<br />
+ * + 5 1<br />
p poco a poco cresc.<br />
%$<br />
" $<br />
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1<br />
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+%<br />
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+ * + 0 1<br />
p poco a poco cresc.<br />
3<br />
! $<br />
" $<br />
$ $$<br />
3<br />
+ + + +% + +<br />
5 4 2 4 + + + + + + + + + +<br />
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what is al - rea - dy spent; For as the sun is dai - ly new and old<br />
$ $ 3<br />
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3<br />
+ + + +%<br />
+ 0 + 4 2 4 + + + + + + + + + +<br />
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what is al - rea - dy spent; For as the sun is dai - ly new and old<br />
!<br />
" $ $ $ $ , , , ,<br />
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p<br />
poco a poco cresc.<br />
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poco a poco cresc.<br />
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poco a poco cresc.<br />
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p<br />
poco a poco cresc.<br />
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poco a poco cresc.
16<br />
Fl. 1<br />
105<br />
!<br />
" $ $ $ $ $ # # # #<br />
Cl. 1<br />
Cl. 2<br />
B. Tbn.<br />
Tba.<br />
Perc. 3<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
6 6 6 6 6 6 6 6<br />
" // / / / + . 0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + .<br />
0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + +<br />
""/ / / / 6 6 6 6 6 6 6 6<br />
/ ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + . 0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + .<br />
0 1 4 2<br />
poco a poco cresc.<br />
p<br />
!%$ $<br />
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*% 4<br />
3,<br />
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4<br />
, 3 ,<br />
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Susp. Cym.<br />
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$ 3<br />
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5<br />
$<br />
So is my love, still tel - ling<br />
mf 3<br />
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So is my love, still tel - ling<br />
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Fl. 1<br />
Fl. 2<br />
Cl. 1<br />
Cl. 2<br />
B. Tbn.<br />
Tba.<br />
Perc. 2<br />
Perc. 3<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
109<br />
!<br />
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++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + +<br />
ff<br />
f<br />
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poco a poco dim.<br />
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poco a poco dim.<br />
17
18<br />
Fl. 1<br />
Fl. 2<br />
rit.<br />
&<br />
113<br />
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4<br />
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Cl. 1<br />
Cl. 2<br />
" // / / /<br />
""/ / / / /<br />
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0 1 4 2<br />
mf mp p<br />
6 6 6 6 6 6 6 6<br />
-<br />
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-<br />
#<br />
/ / / / /<br />
/ / / / /<br />
B. Tbn.<br />
Tba.<br />
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Perc. 2<br />
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2<br />
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mp<br />
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William<br />
Muse<br />
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W: Friend, art thou certain this is true?<br />
$ M: As certain as I know the sun is fire.<br />
W: Is't most certain. But speak you on -<br />
you look as you had something<br />
$ more to say -<br />
Will you not tell me who you are?<br />
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$ $$<br />
M: O, tis most sweet when in<br />
one line two crafts directly meet.<br />
M: Not now, the feather stirs.<br />
$<br />
As if our hands, our sides, voices<br />
and minds had been incorporate.<br />
Vln. I<br />
rit.<br />
!<br />
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$ , , , ,<br />
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p<br />
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Vln. II<br />
Vla.<br />
Vc.<br />
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p<br />
p<br />
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'<br />
Cb.<br />
Perc. 1<br />
Perc. 2<br />
Perc. 3<br />
William<br />
Muse<br />
#<br />
Hp.<br />
Vc.<br />
Cb.<br />
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q=92 Temple Blocks<br />
accel.<br />
mp<br />
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on bell<br />
q=92<br />
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pizz<br />
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sim - all chords rolled<br />
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1 9 9<br />
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19<br />
Perc. 1<br />
125<br />
!<br />
' 1 + -<br />
5 4 1 0 + + + 4 + + + 4 1 + 5 4 1 0 + + + 4% + 0 + + 1 + 5 4 1 0 + + + 4 + + + 4 1 + 5 4 1 0 + + + 4% + 0 + + + #<br />
q=42<br />
Perc. 2<br />
' 2% 1 + . # 2% 1 + . # 2% 1 + . # 2% 1 + . 2 4 1 + . - # 5 5 5 5 5<br />
Perc. 3<br />
9<br />
" ' # 2 4 # 2 1 9 9<br />
5 4 # 2 4<br />
# 2 1 9 5 4<br />
- #<br />
Muse<br />
! $ $<br />
"" $ $$ M: My practices ride easy.<br />
W: I see the business.<br />
$<br />
THE MUSE PICKS<br />
UP A PIECE OF<br />
PAPER.<br />
#<br />
Hp.<br />
" $ $ $ $ - $ , 2 2 4 $ + + 2<br />
2 4 $ + + 2<br />
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F§<br />
Vln. I<br />
Vln. II<br />
Vc.<br />
!<br />
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" $ $ $ $ $ # # # # # # #<br />
-<br />
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pp<br />
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q=42<br />
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/ / / /<br />
/ / / /<br />
Cb.<br />
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'<br />
Sonnet 26 - Lord <strong>of</strong> my <strong>Love</strong><br />
Hn. 1<br />
134 I q=66<br />
!<br />
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+ +<br />
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Muse<br />
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""/ / / / #<br />
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Lord<br />
3 3<br />
+ + + + * 1 + 5<br />
<strong>of</strong> my love,<br />
+ + + + +<br />
1<br />
+<br />
0 + + + + + + +<br />
+ *<br />
+ + + + * 1 + 5 + + + + +<br />
1<br />
+<br />
0 + + + + + +<br />
to whom in vas-sal-age<br />
Thy me-rit<br />
hath mydu-ty<br />
strong - ly knit To thee I send this writ-ten<br />
em-bas-sage<br />
To wit-ness<br />
du- ty, not to<br />
#<br />
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Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
q=66<br />
I<br />
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p<br />
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20<br />
Cl. 1<br />
Hn. 1<br />
Timp.<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
'<br />
Vla.<br />
Vc.<br />
Cb.<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
Ob. 2<br />
Cl. 1<br />
Cl. 2<br />
Timp.<br />
Muse<br />
!<br />
"" // # #<br />
!<br />
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+ 0 2<br />
3 * /*<br />
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3 + + *% 1 / +<br />
0 + + + +% + + + +% $ + *% 1 / +<br />
0 + + +% + + + +% + 0 + + + + + + + + + + + + *%<br />
#<br />
142<br />
#<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
mp<br />
show<br />
!<br />
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3 * *<br />
mp<br />
mp<br />
mp<br />
mp<br />
%<br />
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mp<br />
149<br />
J<br />
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p<br />
my wit: Du - ty so great,which with so poor as mine May make seem bare in want-ingwords to show it, But thatI hope some good con-ceit<strong>of</strong> thine<br />
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Bb Db D§ B§ Bb Db<br />
In thy soul's thought,all na-ked<br />
will be-stow<br />
it Till what - so - e - ver star that<br />
J<br />
pp mp pp mp<br />
mp<br />
pp mp pp mp<br />
mp<br />
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guides my mo - ving<br />
Points on me gra - cious - ly with<br />
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+
Fl. 1<br />
A. Fl.<br />
Ob. 1<br />
Ob. 2<br />
Cl. 1<br />
Cl. 2<br />
Timp.<br />
154<br />
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fair as - pect<br />
And puts ap - par - el on my tat - tered lo - ving<br />
To show me wor - thy <strong>of</strong> thy sweet re - spect:<br />
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Vln. II<br />
" // / /<br />
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Fl. 1<br />
A. Fl.<br />
Perc. 1<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
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159 Meno mosso<br />
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Then may I dare to boast how I do love thee; Till then, not show my head where thou mayst prove me<br />
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22<br />
William<br />
Muse<br />
164<br />
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W: My good friend, that voluntary oath lives in this bosom, dearly cherished.<br />
When were you wont to be so full <strong>of</strong> songs, sirrah?<br />
M: Ah. Never durst poet touch a pen to write, until his ink were tempered with love's sighs.<br />
W: I am ignorance itself in this. Come on and kiss me.<br />
M: The kiss you take is better than you give. Therefore no kiss.<br />
W: I'll give you three for one.<br />
M: You are an odd man. Give even or give none.<br />
W:Every man is odd. Is the pressing <strong>of</strong> noses?<br />
'<br />
Fl. 1<br />
Ob. 1<br />
Ob. 2<br />
K q=66<br />
165<br />
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William<br />
Muse<br />
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M: There was a star danced, and under that was I born.<br />
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8<br />
!<br />
W: When you do dance, I wish you a wave o' the sea, that you might ever do nothing but that.<br />
M: Prithee, if you love me, tell me.<br />
W: I love thee. Be thou the tenth muse?<br />
M: More than the perfection <strong>of</strong> ten. So shalt thou show me friendship? Loyalty?<br />
W: In faith, I will... friend, are these things spoken, or do I but dream?<br />
8<br />
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8<br />
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Vla.<br />
Vc.<br />
Cb.<br />
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176<br />
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24<br />
Perc. 3<br />
196<br />
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q=60<br />
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M: Sir, they are spoken, and these things<br />
are true. Make a recordation to my soul <strong>of</strong><br />
every syllable that here we spoke.<br />
Do not forget this visitation.<br />
Time must friend or end!<br />
p<br />
3<br />
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$ + + / + + + 3 + + + 0 + + + +% + + *% + + +<br />
Th'i- dea <strong>of</strong> her life shall sweet-ly<br />
creep In - to his stu - dy <strong>of</strong> i-ma<br />
- gi-na<br />
- tion.<br />
In-to<br />
the<br />
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202<br />
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5 5<br />
M: The next thing he espies may be the lady. THE MUSE EXITS<br />
$<br />
eye<br />
and pro-spect<br />
<strong>of</strong> hissoul.<br />
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# - # 3 3 3<br />
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25<br />
Sonnet 55 - Not Marble<br />
Ob. 1<br />
M q=66<br />
208<br />
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ma-ble<br />
nor the gil-ded<br />
mon-u-ments<br />
<strong>of</strong> prin-ces<br />
shall out - live this power-fulrhyme, But you shall shine morebright than these con tents<br />
mf<br />
- Than<br />
un-swept<br />
stone be-smeared<br />
with<br />
#<br />
Hp.<br />
" *% + *% +<br />
%<br />
------------------<br />
mf<br />
*<br />
*%<br />
------------------<br />
-------------------<br />
------------------<br />
*%<br />
------------------<br />
+<br />
------------------<br />
sim - all chords rolled<br />
*%<br />
+<br />
*%<br />
+<br />
*%<br />
+<br />
* % % +<br />
% +<br />
+<br />
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% +<br />
+<br />
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% +<br />
+<br />
*<br />
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% +<br />
+<br />
*<br />
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% +<br />
+<br />
*<br />
*%<br />
% +<br />
+<br />
*<br />
* % % + +<br />
*%<br />
*% + *%<br />
*% + * %<br />
+ * * % % + +<br />
+<br />
+<br />
Vln. I<br />
!<br />
"<br />
*% + *% + *% + *% + *% + *% + *% + *% + *% +<br />
"<br />
M q=66<br />
mp<br />
"<br />
*% + *% + *% + *% + *% + *% + *% + *% + *% +<br />
Vln. II<br />
mp<br />
mf<br />
Vla.<br />
mp<br />
mf<br />
% arco<br />
Vc.<br />
mp<br />
mf<br />
% arco<br />
Cb.<br />
)<br />
*% + *% + *% + *% + *% + *% + *% + *% + *% +<br />
*% + *% + *% + *% + *% + *% + *% + *% + *% +<br />
*% + *% + *% + *% + *% + *% + *% + *% + *% +<br />
mp<br />
mf<br />
mf<br />
'<br />
Ob. 1<br />
Bsn. 1<br />
217<br />
!<br />
" 1 + 5<br />
+ +++ + + * + + * * *<br />
p mf p p<br />
* 1 + 0 $ + + + ++ + + + +<br />
%<br />
"<br />
# # # # # # #<br />
mp<br />
+ + + + + ,<br />
4<br />
+ + +<br />
mf<br />
William<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
mp<br />
mf<br />
3<br />
!<br />
3<br />
3<br />
"" + + % *% 1%<br />
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+ +% + 0 + + +% + +% + + + + + %+ + + + + + + *%<br />
$<br />
#<br />
slut-tish<br />
time.<br />
When waste-ful<br />
war shall sta-tues<br />
o-ver- turn, And broils root out the work <strong>of</strong> ma-son-ry,<br />
Nor Mars his sword nor war's quick fire shall burn The li-ving<br />
re-cord<br />
<strong>of</strong> your me-mo-ry.<br />
" *% + * % + + * + *%<br />
+ *% + + * + *% +<br />
*% +<br />
*%<br />
+<br />
+<br />
% *% + *%<br />
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* + *% + * % + !<br />
"<br />
*% + *% + + * + *% + *% + + * + *% + *% +<br />
mp mf p<br />
"<br />
*% + *% + + * + *% + *% + + * + *% + *% +<br />
mp mf p<br />
)<br />
*% + *% + + * + *% + *% + + * + *% + *% +<br />
mp<br />
mp<br />
mf<br />
%<br />
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mf<br />
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mp mf p<br />
p<br />
p<br />
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p
26<br />
Ob. 1<br />
Bsn. 1<br />
225 N<br />
!<br />
" # # # #<br />
1 +<br />
0 + + + + + + * + + + + + + * + +<br />
p mp p mf<br />
% + + + # # # # # #<br />
" +<br />
,<br />
William<br />
!<br />
"" #<br />
$<br />
mp<br />
1 + 0 + + + + + + + + + + + + + + 1 + 0 + + + + + , + + +% + +% + 0 + + +% + * 1% + <<br />
+ + +% + +% +<br />
'Gainst deathand all o-bli-vious<br />
en-mi-ty<br />
Shall you pace forth; your praise shall still findroom E-ven<br />
in the eyes <strong>of</strong> all pros-pe- ri-ty<br />
That wears this world out to the<br />
mf<br />
mp<br />
#<br />
Hp.<br />
"<br />
%<br />
*<br />
* % % + + *%<br />
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+<br />
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+<br />
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+<br />
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+<br />
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+<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
N<br />
!<br />
" *% + *% + *% + *% + *% + *% + *% + *% +<br />
mp mf mp<br />
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)<br />
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%<br />
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mf<br />
mp<br />
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mp mf mp<br />
'<br />
Ob. 1<br />
233<br />
! * *<br />
"" *<br />
* 1 0 + $ +<br />
# /<br />
+ + + + + + + +<br />
+ + + + + ,<br />
p p mp pp<br />
rall.<br />
William<br />
f<br />
mp<br />
!<br />
3<br />
W: O thou my lovely boy.<br />
"" + +<br />
I would not wish<br />
% +<br />
1%<br />
+ = + + + + + + + +%<br />
+ + * 1 + 0 + + +% + 0 +% + 0 + 0 +% * ,<br />
$<br />
end-ing<br />
doom. So,till the judge-ment<br />
that your-self<br />
a rise, You live in this, and dwell in lo - vers'<br />
p<br />
eyes.<br />
Any companion in the world but you.<br />
#<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
-<br />
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Fl. 1<br />
O<br />
solo<br />
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q=66<br />
pp<br />
P<br />
%<br />
q=112<br />
# # # # #<br />
27<br />
Bsn. 1<br />
Bsn. 2<br />
% / # # # # # # # %<br />
. . . . . . . . . . . . .<br />
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.<br />
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0 1<br />
pp<br />
Perc. 1<br />
Perc. 2<br />
Tambourine<br />
!<br />
' # # # # # # # % 4 + + + # 4 + + 4 # 4 + + 4<br />
" ' # # # # # # # % #<br />
p<br />
,<br />
Triangle<br />
p<br />
# 2<br />
*<br />
#<br />
William<br />
!<br />
"/<br />
$<br />
Ah, such shaping fantasies.<br />
Here will I rest me till the break <strong>of</strong> day<br />
That I might see what<br />
the old world could say.<br />
WILLIAM LIES DOWN AND GOES TO SLEEP<br />
Muse<br />
Vln. II<br />
Vc.<br />
""/ THE MISTRESS ENTERS<br />
$<br />
q=66<br />
q=112<br />
O<br />
P<br />
pizz<br />
!<br />
" / # # # # # # # %<br />
+ + + + 2 4 + + 5<br />
+ 0 +<br />
%<br />
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p<br />
pizz<br />
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+ / + 5<br />
2 2 1 + 0 / +<br />
p<br />
2 1 0 + + + 0 + + / +<br />
0 2 2 1 0 + / +<br />
'<br />
Bsn. 1<br />
Bsn. 2<br />
Perc. 1<br />
252<br />
!% / . . . . .<br />
. . . .<br />
. . . . . . . .<br />
.<br />
%<br />
. . . .<br />
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. . . . . . . . . . . . . . .<br />
.<br />
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!<br />
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Perc. 2<br />
, , , ,<br />
' # # # %<br />
# # # #<br />
Perc. 3<br />
" ' # # # #<br />
%<br />
Susp Cym<br />
-<br />
2 & , , &<br />
p<br />
# # # # #<br />
William<br />
Muse<br />
!<br />
"/ W: But s<strong>of</strong>t, here comes the<br />
$<br />
treaurer <strong>of</strong> my spirit.<br />
""/<br />
$<br />
M: What hast here? Sonnets? "Every word doth almost tell my name..."<br />
"So till the judgement that youself arise,<br />
You live in this, and dwell in lover's eyes"<br />
An O: Cupid's heart-inflaming brand. He would say untruths and<br />
be ever double, both in his words and meanings.<br />
THE MISTRESS TURNS<br />
THE PAGE OVER<br />
Vln. I<br />
Vln. II<br />
Vc.<br />
!<br />
"/ # # # #<br />
"/ %<br />
#<br />
+ / + + 0 1 1 0 + + + + / + + + + + 4 4 + + + 0<br />
5 + 1 + 0 4 4 1 0 / + + + + + 4<br />
%<br />
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1 5<br />
5<br />
%<br />
2<br />
-<br />
& * , &<br />
pp<br />
# # # # #<br />
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3+<br />
4 1 +<br />
0 + + + 4<br />
1 + 5 + + + + + + / + 1 / +<br />
0 4 / + 2 3+<br />
4 1 + + + + 4 5
28<br />
Bsn. 1<br />
263<br />
! . . . .<br />
% . . . . . .<br />
. / . . . . .<br />
. . . .<br />
. .<br />
4<br />
+ + +<br />
5 1 1<br />
+ 5 2 1 + + + + + 5 1 / + 2 2 1 5 + .<br />
0 / + 1 5 + / + + 5 1 1 + .<br />
0 + + + / + + +<br />
+ + 4<br />
#<br />
Bsn. 2<br />
%<br />
" / 4 + . 0 1 + . + . 1 + . 0 2 1<br />
+ . 0 + . + . + . + . 1 . . . . . . . . . . . . . . #<br />
/ +<br />
0 2 2 1<br />
+ 0 / +<br />
0 1<br />
+ / + + 0 1 1 + 0 + + + / + + + + 4<br />
+ .<br />
Perc. 1<br />
Perc. 2<br />
Perc. 3<br />
!<br />
' # 4 + + 4 # 4 + + 4 4 + 4 + 4 + + 4 #<br />
,<br />
*<br />
+%<br />
' # 2<br />
# # 2 1<br />
#<br />
" ' # # # # #<br />
-<br />
2 1 & 9 % ,<br />
&<br />
p<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vc.<br />
!<br />
"/ WILLIAM FARTS<br />
$<br />
""/<br />
$<br />
M: Yes, as much love in rhyme As would be crammed up<br />
in a sheet <strong>of</strong> paper Writ o'both sides <strong>of</strong> the leaf,<br />
margin and all That he was fain to seal on Cupid's name!<br />
M: S<strong>of</strong>t, what is that noise?<br />
W: Aaargh...<br />
M: Wherefore was that cry?<br />
!<br />
" / # # # # # -<br />
2 1 $ + & % , &<br />
" / 4 + + 5<br />
+ + 0 2 1 + 0 + + + 0 + / +<br />
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+<br />
+ + 4<br />
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+ + 5 2 1 + + + + 5 5<br />
+ / + 5<br />
2 2 1 + 0 / + + / + + 5 1 1 + 0 + + + / + + + + + 4 #<br />
pp<br />
'<br />
Bsn. 1<br />
Bsn. 2<br />
270<br />
!% . . . .<br />
/ + + + +<br />
- . . . . . .<br />
2 # 4<br />
+ + +<br />
5 1 1<br />
+ + +<br />
5<br />
1 / + . 2<br />
- # / / / / 5 / / /<br />
% - " /<br />
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1<br />
. / + .<br />
0 2<br />
-<br />
#<br />
/ / / / / / /<br />
Perc. 1<br />
Perc. 2<br />
!<br />
' 4 + + + - # 4 + + 4<br />
# - #<br />
" ' #<br />
-,<br />
# 2<br />
*<br />
- #<br />
William<br />
Muse<br />
!<br />
"/ WILLIAM FARTS<br />
AGAIN<br />
$<br />
""/ M: What a pied ninny's this? O' monster <strong>of</strong> most dire combustion. I'll stand further <strong>of</strong>f.<br />
$<br />
Vln. II<br />
Vc.<br />
!<br />
" / #- - # / / /<br />
+ + + + 2 4 + + + / / / 5 + 0 + 0 + / +<br />
0 2<br />
/<br />
%<br />
" / + + + +<br />
- + + +<br />
2 # 4<br />
5 + + + - 5 5 / + 2<br />
# / / / / 5 / / /
29<br />
#<br />
Hp.<br />
#<br />
Hp.<br />
--------------------<br />
q=116<br />
---------------------<br />
---------------------<br />
--------------------<br />
f<br />
--------------------<br />
Sonnet 24 - Mine eye hath played...<br />
espressivo<br />
275 Q<br />
!<br />
Ob. 2<br />
""/ / / / / Cor<br />
/ # # # / / / / Anglais<br />
/ / 2 4 + +% +<br />
% 5<br />
+% + + 5 * + + +% + 5<br />
+% + 5<br />
+% + +% + +%<br />
5 5 +<br />
5 * * +<br />
%<br />
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+% + 5<br />
+% + 5<br />
+ + *% + + + % + + + 5<br />
f<br />
%<br />
Vc. / / / /<br />
3 , ,<br />
/ / , , , , , , ,<br />
, ,<br />
/<br />
f<br />
%<br />
Cb.<br />
" / / / / / / , , ,<br />
, ,<br />
, , ,<br />
,<br />
,<br />
/<br />
mf<br />
!<br />
William "/ / / / / / W: What time o'day?<br />
/<br />
M: The hour that fools should ask.<br />
W: How now, what is in you? Why dost thou tear it?<br />
$<br />
W: I shall be a fool in question hoping<br />
M: By the pattern <strong>of</strong> my own thoughts, I cut out the purity <strong>of</strong> his.<br />
to be the wiser by your answer.<br />
W: Thy mind is a very opal.<br />
M: Dark needs no candles now, for dark is light.<br />
M: <strong>Love</strong> is blind, and lovers cannot see the pretty follies that they themselves commit;<br />
Muse<br />
W: I think thou art in mind. Passing light in spirit.<br />
Thou art all my art.<br />
""/ / / / / /<br />
M: Why, so I am in mind - and that's enough.<br />
W: And you must live drawn by your own sweet skill.<br />
$<br />
sim. all chords rolled<br />
" // / / / / /<br />
,<br />
, ,<br />
,<br />
% , , , ,<br />
,,<br />
3 , 3 , , , , ,<br />
,,<br />
G§ Gb G§<br />
mf<br />
% / / / / / / %<br />
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,<br />
,<br />
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,<br />
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289<br />
R<br />
!<br />
C. A.<br />
"" / / / / -<br />
* +% + 5<br />
* +<br />
4 % # # # # # # # # # # #<br />
(1st time only)<br />
mf<br />
!<br />
Muse<br />
""/ / / / / -<br />
/ # 2 4 +<br />
$<br />
%<br />
+% + 5<br />
+% + 0 + * + + +% + 0 +% + 0 +% + 0 +% + 0 +%<br />
+ 0 * *%<br />
+ +% + +% 5 + 0 +% + 0 + + *% + + + % + 5<br />
+ + * +% + 5<br />
Mine eye hath played the paint- er, and hath steeled Thy beau-ty's<br />
form in ta - ble <strong>of</strong> my heart. My bo dy is the frame where- in 'tis held, and per-spec-tive<br />
it is best paint-er's<br />
" // / / / / -<br />
/ 3 , 3 * * % , , , ,<br />
,,<br />
3 , 3 , , , , ,<br />
,,<br />
3 ,<br />
Gb G§ Gb G§<br />
-<br />
% / / / / / / , * * % , ,,<br />
,<br />
/ , , , , ,,<br />
,<br />
, ,<br />
'<br />
302<br />
!<br />
Muse<br />
""/ / / / / / *%<br />
+ +% 3+<br />
0 + + + 3 + $ + + /,<br />
+ + + + * +<br />
* 3 + + / + 3 , *% + + + 3+<br />
0 + $ + , + + + + *<br />
$<br />
3*<br />
art; For through the paint-er<br />
must you see his skill To find where your true i-mage<br />
pic-tured<br />
lies, Which in my bos-om's<br />
shop is hang-ing<br />
still, That hath his win - dows<br />
"/<br />
A§<br />
Hp.<br />
Bb B§ Bb B§ Bb B§<br />
C§<br />
#<br />
/ / / / / 3, 3, 33,,<br />
3/,<br />
3 ,, 3, ,, 3, 33,,<br />
3/,<br />
3 ,, 3, ,, 3, 33,,<br />
3/,<br />
3 ,, 3, ,, 3,<br />
3<br />
% / / / / / / ,<br />
3<br />
/ 3,<br />
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M: What if I said I had seen him<br />
do you wrong?<br />
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I dreamt a dream tonight<br />
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W: See, see! they join, embrace, and seem to kiss, As if they vowed some league inviolable! Now they are but one lamp, one light, one sun! That unmatched form and feature <strong>of</strong> blown youth Blasted with ecstasy!<br />
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Sonnet 144 - Two loves I have<br />
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William<br />
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Which like two spi-rits<br />
do sug- gest me still; The bet-ter<br />
an - gel is a man right fair, The wor-ser<br />
spi-rit<br />
a wo- man, col-our'd<br />
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my bet ter - an - gel from my side, And would cor-rupt<br />
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his pu - ri - ty with her foul pride; And whe-ther<br />
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be turned fiend Sus-pect<br />
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37
38<br />
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40<br />
B. Cl.<br />
Bsn. 1<br />
Bsn. 2<br />
Perc. 1<br />
Perc. 2<br />
Perc. 3<br />
William<br />
Muse<br />
Hp.<br />
!<br />
" / # # #- $<br />
*% + / +<br />
$<br />
++++++ , ,<br />
%<br />
" / / / # # *% + / +<br />
- # 3 ++++++ 3 3<br />
, ,<br />
!<br />
*<br />
*<br />
*<br />
" # # 2 * 2 * 2 *<br />
-<br />
' #<br />
!<br />
"/ / + + + + +<br />
/ 5<br />
+ + + + + + ,<br />
5 M: He's mad that trusts in a boy's<br />
$<br />
""/ / /<br />
$<br />
#<br />
420<br />
To shun the hea-ven<br />
that leads men to this hell.<br />
To shun the hea-ven<br />
that leads men to this hell.<br />
f<br />
% / / / # # *% + + / +<br />
- # +++++ 3<br />
, ,<br />
3 3<br />
f<br />
f<br />
' # # 4 4<br />
4 4 4 4<br />
- #<br />
+ +<br />
+ + + +<br />
-<br />
" ' # #<br />
, , , ,<br />
+ + + / + + 3 + / + / + 5 5 + + + ,<br />
love or a whore's oath.<br />
W: A boy. A whore. These two<br />
beget a generation <strong>of</strong> still<br />
breeding thoughts...<br />
Metamorphosed...<br />
a double majesty...<br />
*<br />
*<br />
*<br />
" // / # # 2 * 2 * 2 *<br />
- # 3 3 3<br />
% / / / # # # # # # - 3 3 3<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
!<br />
"/ / -<br />
/ +++<br />
+ ++ + ++ + ++++ + + ++++++ + +++ + ++++ + ++ + +++++ + ++ + + + + + + +++<br />
+ +++ + +++++ + ++++ + ++ + ++ + ++++ + + ,<br />
" // -<br />
/ +++<br />
+ ++++++++++ + + ++++++ + +++ + ++++ + ++++++++ + ++++ + + + + + +++ + +++++ + ++++ +++<br />
+ ++++++++++ + + ,<br />
W: O, thou<br />
)/ / my lovely boy.<br />
-<br />
/<br />
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + ,<br />
% -<br />
/ / / +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + ,<br />
% -<br />
" / / / +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + ,<br />
3 3 3<br />
3 3 3<br />
3 3 3<br />
3 3 3<br />
3 3 3<br />
'<br />
Sonnet 66 - Tired with all these<br />
Perc. 1<br />
Perc. 3<br />
William<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
426 Z AA q=72<br />
!<br />
' - Vibraphone<br />
# # # 4 * + + * + + * + + * +<br />
" ' - # " , ( ,( # # # #<br />
!<br />
" M: They say we are almost<br />
$ as like as eggs.<br />
M: What hour now?<br />
W: If it proves so, then loving<br />
goes by haps. Some Cupid<br />
kills with arrows, some<br />
with traps.<br />
"" $<br />
#<br />
Tubular Bells<br />
Z AA q=72<br />
!<br />
" - # # # #<br />
mf<br />
"" - # # # # # # #<br />
mf<br />
It has struck. It strikes a man<br />
more dead than a great reckoning<br />
in a little room. M: What hour now? MUSE EXITS<br />
" # - # # # # # #<br />
% # - #<br />
mf<br />
* *<br />
* *<br />
p<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
p<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
"<br />
$<br />
p<br />
1 + + + + 0 +%<br />
*<br />
*<br />
Tired<br />
with all<br />
*<br />
*<br />
these,<br />
++++++++++++++++ ++++++++++++++++ +++++++ + ++++++++
41<br />
Bsn. 1<br />
433<br />
!) * + +<br />
"<br />
# + *%<br />
* + +<br />
4<br />
+ ,<br />
# #<br />
pp mp p pp mp p<br />
Perc. 1<br />
!<br />
" '<br />
+ * + + * + + * + + * + + * + + * + + * +<br />
William<br />
Hp.<br />
3<br />
!<br />
"" 1 + 0 + + + 0 + + *% 5<br />
1 + +<br />
5<br />
+ + + + + + + +% *% 1 + 5<br />
$<br />
#<br />
for rest fuldeath I cry: As, to be hold de-sert<br />
a beg gar born, And need-y<br />
no thing trimmedin jol-li-ty<br />
Andpur-estfaith un - hap-pi<br />
- ly fore<br />
" # # # # # # #<br />
%<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
+ + + +% + + + ++ + + + + +% + 5<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
+ + * +<br />
*<br />
*<br />
*<br />
*<br />
Vln. I<br />
!<br />
""<br />
++++++++++++++++ ++++++++++++++++ +++ + +++++++++ +++ ++++++++++++++++ +++++ +++ + + +++ +++ ++++++++++++++++ ++++++++++++++++<br />
'<br />
Fl. 1<br />
Fl. 2<br />
Ob. 1<br />
440<br />
BB<br />
! ++++<br />
" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ + +++ 1 3 + + ++1 ++++ $ + +++ 1 3 + + ++1 +++ + $ + + ++ 1 3 + + + + 1 +++ + $ + + ++ 1 3 + + + + 1 +++ + $ + . + . ++ . . 1 3 + . + . + . + . 1<br />
p<br />
" $ + . +++ 1 . . . ++++ . . . . / + . + . ++ . . 1 $ + . +++ 1<br />
. . . ++++ . . . . / + . + . ++ . . 1 $ + . ++ . . + 1<br />
. + . + . ++ . . + . + . $ + . + . 1 $ + . ++ . . + 1<br />
. + . + . ++ . . / + . + . + . + . 1 $ + . ++ . . + 1<br />
. + . + . ++ . . / + . + . + . + .<br />
1<br />
p<br />
" $ + . +++ . . . . . . .<br />
. . . .<br />
. . . .<br />
. . . .<br />
$ + . +++ 1<br />
. . . 3 + . + . $ + . + .<br />
1 $ + +++ $ + . +++ 1<br />
. . . 3 + . + . $ + . + .<br />
1 $ + ++ + $ + . + . ++ 1<br />
. . 3 + . + . $ + . + .<br />
1 $ + ++ + $ + . + . ++ 1<br />
. . 3 + . + . $ + . + .<br />
1 $ + ++ + $ + . + . ++ 1<br />
. . 3 + . + . $ + . + .<br />
1<br />
p<br />
Bsn. 1<br />
* + + + + + + + + ,<br />
) %<br />
pp mp mf p mp<br />
1<br />
+ + + + 3+<br />
,<br />
5 5 5<br />
Bsn. 2<br />
% # # #<br />
"<br />
1 + + 0 + 0 + $ +<br />
0 * 3*<br />
mp<br />
Perc. 1<br />
!<br />
'<br />
+ * + + * + + * + + * + + * +<br />
Perc. 2<br />
""<br />
Glockenspiel<br />
1 $ + + + 5<br />
1 3+<br />
+ + 5<br />
1 $ + + + 5<br />
1 3+<br />
+ + 5<br />
1 $ + + + 5<br />
1 3+<br />
+ + 5<br />
1 $ + + + 5<br />
1 3+<br />
+ + 5<br />
1 $ + + + 5<br />
1 3+<br />
+ + 5<br />
pp<br />
William<br />
3<br />
! ,<br />
"" 2 4 + + + + + +% + + + * + + + +<br />
4 1 5<br />
+ + + + + $ + +<br />
$<br />
sworn,<br />
mf<br />
And<br />
gil - ded hon - our shame - ful-ly<br />
mis - placed<br />
And mai-den<br />
vir - tue rude ly strumpet-ed<br />
#<br />
Hp.<br />
" # #<br />
%<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
*<br />
1<br />
$ + $ + + $ + $ + + 1<br />
3 + $ + + 3 + $ + + 1<br />
$ + $ + + $ + $ + + 1<br />
3 + $ + + 3 + $ + + 1<br />
$ + $ + + $ + $ + + 1<br />
3 + $ + + 3 + $ + +<br />
C# G# G§ G# G§ G# G§ G#<br />
$*<br />
$ * $<br />
$ * *<br />
*<br />
* * * 3 3<br />
$*<br />
$ * $<br />
$ * *<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
BB<br />
!<br />
" ++++ ++++++++ ++++ ++++ ++++++++ ++++ +++ + + + ++ +++ + + + ++ +++ + + + ++ +++ + + + ++ +++ + + + ++ ++ + + + + ++<br />
mf<br />
" # #<br />
)<br />
pizz<br />
$ + ++ + + + ++ 3 + ++ + + + ++ $ + ++ + + + ++ 3 + ++ + + + ++ $ + ++ + + + ++ 3 + + + + + + ++<br />
mf<br />
1 $ + + + 1 35 + + + 1 $5 + + + 1 35 + + + 1 $5 + + + 1 3+<br />
+ + 1 $ + + + 1 3+<br />
+ + 1 $ + + + 1 3+<br />
+ +<br />
5 5 5 5 5 5<br />
Vc.<br />
Cb.<br />
mf<br />
% # #<br />
%<br />
"<br />
# #<br />
4<br />
div<br />
arco<br />
mf<br />
pizz<br />
$+<br />
mf<br />
4<br />
4 + 4<br />
4<br />
4<br />
+<br />
3+<br />
$+<br />
/*<br />
/*<br />
* * *<br />
* * * / / * *<br />
* *<br />
3+
42<br />
Fl. 1<br />
445<br />
! +++<br />
" . . . + . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ + + ++ 1 3 + + + + 1 +++ + $ + + + + 1 3 + + + + 1 +++ + $ + + ++ 1 3 + + + + 1 + ++ + $ + + ++ 1 3 + + + + 1 +++ + $ + . + . ++ . . 1 3 + . + . + . + . 1<br />
Fl. 2<br />
" $ + . ++ . . + . + . + . ++<br />
1<br />
. . / + . + . + . +<br />
1 $ +<br />
. . ++ . . + . + . + . + . +<br />
1<br />
. / + . + . + . +<br />
1 $ +<br />
. . ++ . . + . + . + . ++<br />
1<br />
. . / + . + . + . +<br />
1 $ +<br />
. . ++ . . + . + . + . ++<br />
1<br />
. . / + . + . + . +<br />
1 $ +<br />
. . ++ . . + . + . + . ++<br />
1<br />
. . / + . + . + . +<br />
1<br />
.<br />
Ob. 1<br />
" $ + . ++ . . + . . . . .<br />
. . . .<br />
. . . .<br />
. . . .<br />
$ + . + . ++ 1<br />
. . 3 + . + . $ + . + .<br />
1 $ + ++ + $ + . + . + . + 1<br />
. 3 + . + . $ + . + .<br />
1 $ + ++ + $ + . + . ++ 1<br />
. . 3 + . + . $ + . + .<br />
1 $ + ++ + $ + . + . ++ 1<br />
. . 3 + . + . $ + . + .<br />
1 $ + ++ + $ + . + . ++ 1<br />
. . 3 + . + . $ + . + .<br />
1<br />
Bsn. 1<br />
%<br />
1 + + + + 3+<br />
,<br />
5 5 5<br />
1 + + + + 3+<br />
, ,<br />
5 5 5<br />
mp<br />
mp<br />
Bsn. 2<br />
%<br />
"<br />
1 + + 0 + 0 + $ +<br />
0 * 3*<br />
1 + + 0 + 0 + $ +<br />
0 * 3 * $ * 3*<br />
mp<br />
mp<br />
Perc. 1<br />
!<br />
' + * + + * + + * + + * + + * + (<br />
Perc. 2<br />
""<br />
1 $ + + + 5<br />
1 3+<br />
+ + 5<br />
1 $ + + + 5<br />
1 3+<br />
+ + 5<br />
1 $ + + + 5<br />
1 3+<br />
+ + 5<br />
1 $ + + + 5<br />
1 3+<br />
+ + 5<br />
1 $ + + + 5<br />
1 3+<br />
+ + 5<br />
William<br />
!<br />
3<br />
mp<br />
"" * 4 1 + +% + + + + + + ++ + 5 4 4 1 + + + + + + + + 5 $ + + *% 1 $ + 5<br />
$<br />
And right per fec - tion wrong - ful ly disgraced Andstrengthby limp - ing swaydis - a - bl-ed,<br />
And<br />
#<br />
Hp.<br />
"<br />
%<br />
1<br />
$ + $ + + $ + $ + + 1<br />
3 + $ + + 3 + $ + + 1<br />
$ + $ + + $ + $ + + 1<br />
3 + $ + + 3 + $ + + 1<br />
$ + $ + + $ + $ + + 1<br />
3 + $ + + 3 + $ + + 1<br />
*<br />
* * * 3 3<br />
$ + $ + + $ + $ + + 1<br />
3 + $ + + 3 + $ + + 1<br />
$ + $ + + $ + $ + + 1<br />
3 + $ + + 3 + $ + +<br />
G§ G# G§ G# G§ G# G§ G# G§ Ab<br />
Bb C§<br />
$*<br />
$ * $<br />
$ * *<br />
*<br />
* * * 3 3<br />
$*<br />
$ * $<br />
$ * *<br />
*<br />
* * * 3 3<br />
Vln. I<br />
!<br />
"<br />
+++ + + + ++ +++ + + + ++ +++ + + + + + +++ + + + ++ +++ + + + ++ +++ + + + ++ + ++ + + + ++ +++ + + + ++ +++ + + + ++ +++ + + + ++<br />
Vln. II<br />
"<br />
$ + ++ + + + ++ 3 + ++ + + + ++ $ + ++ + + + + + 3 + ++ + + + ++ $ + ++ + + + ++ 3 + ++ + + + ++ $ + ++ + + + ++ 3 + ++ + + + ++ $ + ++ + + + ++ 3 + ++ + + + ++<br />
Vla.<br />
)<br />
1 $ + + + 1 3+<br />
+ + 1 $ + + + 1 3+<br />
+ + 1 $ + + + 1 3+<br />
+ + 1 $ + + + 1 3+<br />
+ + 1 $ + + + 1 3+<br />
+ +<br />
5 5 5 5 5 5 5 5 5 5<br />
Vc.<br />
%<br />
4 + 4<br />
+<br />
4<br />
$+<br />
4<br />
3+<br />
4 + 4<br />
+<br />
4<br />
$+<br />
4<br />
3+<br />
4 + 4<br />
+<br />
Cb.<br />
%<br />
"<br />
*<br />
* * * / / * *<br />
* * *<br />
* * * / / * *<br />
* * *<br />
* * *
43<br />
Ob. 1<br />
450<br />
!<br />
" 2 3 +<br />
= ><br />
. + % 2 3 +<br />
= ><br />
. + % 2 / +<br />
= ><br />
. + % 2 / +<br />
= ><br />
. + % 2 3 + .<br />
= > +%<br />
pp<br />
C. A.<br />
" $ (Cor Anglais)<br />
2 $ +<br />
= ><br />
. + % 2 $ +<br />
= ><br />
. + % 2 + = ><br />
. + % 2 + = ><br />
. + % 2 + .<br />
= > +%<br />
pp<br />
Cl. 1<br />
" $ $<br />
2 3 + . = >+% 2 3 + . = >+% 2 / + . = >+% 2 / + . = >+% 2 3 +<br />
= ><br />
. + %<br />
pp<br />
Cl.<br />
"" $ $ Clarinet in Bb 2<br />
$ + . => 2<br />
+%<br />
$ + . => 2<br />
+%<br />
+ . => 2<br />
+%<br />
+ . => 2<br />
+%<br />
+ .<br />
= > + %<br />
pp<br />
Hn. 1<br />
!<br />
" $ $ . ? . ? . ? . ?<br />
.<br />
?<br />
+ >+% 3 + % < 1 $ + < > +% 3 + % 1 + < >+% $ + % 1 + < > +% $ + % 1 $ + > +% 3 + % 1<br />
<<br />
pp mf pp mf pp mf pp mf pp mf<br />
Hn. 2<br />
Hn. 3<br />
" $ ?<br />
$ + .<br />
=> +% 3 + %<br />
1<br />
?<br />
$ + .<br />
= > +% 3 + %<br />
1<br />
?<br />
+ .<br />
= > +% $ + %<br />
?<br />
+ .<br />
= > +% $ + %<br />
?<br />
$ + .<br />
= > + % 3 + %<br />
pp mf pp mf pp mf pp mf pp mf<br />
" $ ?<br />
?<br />
?<br />
?<br />
?<br />
$ +<br />
= >+%<br />
.<br />
+% 1 $ +<br />
= ><br />
. +% +% 1 + = >+%<br />
. +% 1 + = ><br />
. +% +% 1 + .<br />
= > +% +% 1<br />
pp mf pp mf pp mf pp mf pp mf<br />
1<br />
1<br />
1<br />
Hn. 4<br />
" $ $ +<br />
=> . +% +%<br />
?<br />
1<br />
$ +<br />
= > . +% +%<br />
?<br />
1<br />
+ = > . +% +%<br />
pp mf pp mf pp mf pp mf pp mf<br />
?<br />
?<br />
1<br />
+ = > 1<br />
. +% +%<br />
?<br />
+= > . +% +%<br />
1<br />
Tpt. 1<br />
"<br />
con sord.<br />
1 $ + + + + + + 3 + % 1 1 $ + + + + + + 3 + % 1 1 + + + + + + $ + % 1 1 + + + + + + $ + % 1 1 $ + + + + + + 3 + % 1<br />
pp<br />
mp pp mp pp mp pp mp pp mp<br />
Tpt. 2<br />
"<br />
1<br />
con sord.<br />
$ + + + + + + +%<br />
pp<br />
1 1<br />
$ + + + + + + +%<br />
1 1<br />
1 1<br />
1 1<br />
+ + + + + + +%<br />
+ + + + + + +%<br />
$ + + + + + + +%<br />
mp pp mp pp mp pp mp pp mp<br />
1<br />
Tpt. 3<br />
""<br />
con sord.<br />
1<br />
$ + + + + + + 3 + %<br />
pp<br />
1 1<br />
$ + + + + + + 3 + %<br />
1 1<br />
+ + + + + + $ + %<br />
mp pp mp pp mp pp mp pp mp<br />
1 1<br />
+ + + + + + $ + %<br />
1 1<br />
$ + + + + + + 3 + %<br />
1<br />
William<br />
#<br />
Hp.<br />
!<br />
"" $ 3 3<br />
+ + + + +% + + $ + + * 1 3+<br />
0 + + + + +% $ + + + *% 1 + 0 + + + + +% + + $ + +<br />
$<br />
art madetongue tied by au-tho-ri-ty,<br />
And fol - ly (doc - tor - like) con-trol-ling<br />
skill, And sim - ple truth mis- call'd sim-pli-ci<br />
- ty,<br />
/ + / +<br />
/+<br />
" # / + / +<br />
# #<br />
/+<br />
+ ++ + + / + / +<br />
+ + + + + + + +<br />
+ ++++<br />
p<br />
A§ Gb<br />
Cb<br />
% # /+<br />
/ + / +<br />
# + + +<br />
#<br />
Vln. II<br />
!<br />
"<br />
$ + ++ + + + + + + +++ + +++ $ + + + + + + + + + +++ + + + + + / + + + + + + + + +++ + +++ + / + + + + + + + + ++++ + + + + + + + + + + + + + + + + + + +<br />
mp<br />
Vla.<br />
)<br />
arco<br />
$<br />
$ + 1 5<br />
p<br />
*<br />
*% % 3+ *<br />
# 3 1 *% % # $ +<br />
5 5<br />
1 * *%<br />
%<br />
Vc.<br />
% #<br />
arco<br />
$<br />
$<br />
+ 1 * *%<br />
% # 3<br />
3+ 1 * *%<br />
%<br />
#<br />
5 5<br />
p<br />
Cb.<br />
%<br />
"<br />
pizz<br />
4 $ +<br />
mp<br />
$+<br />
+ 4 $ +<br />
$+<br />
+ 4 3+<br />
3+<br />
+ 4 +<br />
+<br />
+ 4 +<br />
+<br />
+
44<br />
Fl. 1<br />
Fl. 2<br />
455<br />
!<br />
" # #<br />
" # #<br />
rit. q=72<br />
2<br />
/<br />
-<br />
* + . + . + . + . . . . . . . . . . . . . $ + + + + 1 3 + + + + 1 + + + + $ + . + . + . + . 1 3 + . + . + . + . 1<br />
pp p<br />
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MISTRESS ENTERS<br />
W: <strong>This</strong> paper is the history <strong>of</strong> my knowledge touching her flight.<br />
Satisfy me home what has become <strong>of</strong> her!<br />
Writ o' both sides <strong>of</strong> the leaf. Cupid's name.<br />
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49<br />
A. Fl.<br />
515<br />
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+ + + + + + + + + + + + 3 + + + + + + + 0 4 + + + + + + + + + + + + 3 + + + + + + + + + + + + + + + + + + + + + + + + 3 + + + + + + + 0 4<br />
Ob. 1<br />
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Cl. 1<br />
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bird, <strong>of</strong> flower, or shape which it doth latch. Of his quick ob - jects hath the mind no part, Nor<br />
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Fl. 1<br />
A. Fl.<br />
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C. A.<br />
Cl. 1<br />
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mp<br />
+ + 0 + + 0 / + + 0 + + 0 *% 4% 1 1 + 0 + / +<br />
0 3 + + + 5 + 0 3 + + 0<br />
his own vi - sion holds what it doth catch; For<br />
his own vi - sion holds what it doth catch; For<br />
mp<br />
if it see the rud'st or gentl - est<br />
+ / +<br />
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if it see the rud'st or gentl - est<br />
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Vln. II<br />
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50<br />
Fl. 1<br />
A. Fl.<br />
Ob. 1<br />
527<br />
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sight, The most sweet fa - vour or de - for - med'st crea - ture<br />
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sight, The most sweet fa - vour or de - for - med'st crea - ture<br />
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'<br />
Fl. 1<br />
A. Fl.<br />
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C. A.<br />
Cl. 1<br />
B. Cl.<br />
533<br />
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Muse<br />
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sea, the day or night The crow or dove, it shapes them to your fea - ture.<br />
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sea, the day or night The crow or dove, it shapes them to your fea - ture.<br />
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Fl. 1<br />
A. Fl.<br />
C. A.<br />
Cl. 1<br />
B. Cl.<br />
Bsn. 1<br />
Bsn. 2<br />
William<br />
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538<br />
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- pa - ble <strong>of</strong> more, re - plete with you, My most true mind thus makes mine eye un -<br />
+ + 0 + + 0 + + 0 / + + 0 *% * 1 + 0 + + 0 + + 0 / + + 0 + + + +<br />
- pa - ble <strong>of</strong> more, re - plete with you, My most true mind thus makes mine eye un -<br />
To Cbsn.<br />
51<br />
Vln. I<br />
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Cb.<br />
A. Fl.<br />
C. A.<br />
Hn. 1<br />
Hn. 2<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Timp.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
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senza sord.<br />
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senza sord.<br />
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senza sord.<br />
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true<br />
true<br />
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- ther doth my mind, being crowned with you, Drink<br />
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52<br />
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550<br />
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Tpt. 3<br />
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William<br />
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up the mon - arch's plague this flat - ter - y,<br />
Or whe - ther shall I say mine eye saith true, And<br />
Muse<br />
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up the mon - arch's plague this flat - ter - y,<br />
Or whe - ther shall I say mine eye saith true, And<br />
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Hn. 1<br />
556<br />
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Tpt. 1<br />
" // / / $ $ .& .& .& .&<br />
*%<br />
&<br />
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. * *%<br />
Tpt. 2<br />
"/ / / / $ $<br />
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/*% + + * 3 *% + & + *<br />
+ & . + & . * *%<br />
Tpt. 3<br />
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Tbn. 1<br />
Tbn. 2<br />
% *% *%<br />
/ / / / # $ $ .&<br />
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p<br />
f<br />
% *% *%<br />
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B. Tbn.<br />
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that your love taught it this al - che - my,<br />
To make <strong>of</strong> mon - sters and thingsin - di - gest<br />
Muse<br />
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that your love taught it this al - che - my,<br />
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Vln. I<br />
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Vln. II<br />
Vla.<br />
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54<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Timp.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
562<br />
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$ * + 3 * + * + 3 * + * + 3 * +<br />
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Such che - ru - bins as your sweetself re - sem - ble<br />
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Such che - ru - bins as your sweetself re - sem - ble<br />
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$<br />
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Fl. 1<br />
A. Fl.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
B. Cl.<br />
Bsn. 1<br />
Bsn. 2<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
Timp.<br />
Perc. 1<br />
Perc. 2<br />
Perc. 3<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
569<br />
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55
56<br />
Fl. 1<br />
Picc.<br />
Ob. 1<br />
Ob.<br />
Cl. 1<br />
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Cl.<br />
Bsn. 1<br />
Cbsn.<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
Timp.<br />
Cym.<br />
B. D.<br />
T.-t.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.
Fl. 1<br />
Picc.<br />
Ob. 1<br />
Ob.<br />
Cl. 1<br />
581<br />
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"<br />
Cl.<br />
Bsn. 1<br />
Cbsn.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
Timp.<br />
Cym.<br />
B. D.<br />
T.-t.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ff<br />
57
58<br />
Fl. 1<br />
Picc.<br />
Ob. 1<br />
Ob.<br />
Cl. 1<br />
587<br />
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Cl.<br />
Bsn. 1<br />
Cbsn.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
Timp.<br />
Cym.<br />
B. D.<br />
T.-t.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.
Fl. 1<br />
Picc.<br />
Ob. 1<br />
Ob.<br />
Cl. 1<br />
Cl.<br />
Bsn. 1<br />
Cbsn.<br />
Hn. 1<br />
592<br />
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59<br />
Hn. 2<br />
Hn. 3<br />
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Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
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B. Tbn.<br />
Tba.<br />
Timp.<br />
Cym.<br />
B. D.<br />
T.-t.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
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60<br />
Perc. 1<br />
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Hp.<br />
Vla.<br />
Vc.<br />
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WILLIAM DRINKS<br />
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William<br />
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9)<br />
#<br />
+ $ + % >++<br />
+ +<br />
>++ ++ + + +<br />
Vc.<br />
%<br />
" / / + + 1 4 2 # + + 1 4 2 # # + + 1 4 2<br />
#<br />
'<br />
Perc. 1<br />
617<br />
!<br />
""<br />
,<br />
$<br />
$ , $<br />
$ , ,,<br />
$,<br />
$<br />
$<br />
$ ,<br />
,<br />
,<br />
> *%%%<br />
*<br />
%%%<br />
,<br />
,<br />
William<br />
Muse<br />
#<br />
Hp.<br />
Vla.<br />
Vc.<br />
!<br />
"/ / $ ,<br />
, $ *% 1 + 0 $ + + + +% + + + + $ + $ + % 4 1% = +<br />
$<br />
""/ / 2 3 * , 3 *% 4<br />
# # #<br />
!<br />
)/ /<br />
%<br />
" / /<br />
Aah What po-tions<br />
have I drunk <strong>of</strong> Si - ren te- ars,<br />
Dis-till'd<br />
fromLim-becks<br />
foul as Hell with<br />
Aah<br />
+ + + $ + $ + + + +% +<br />
" // &&<br />
&&<br />
&&<br />
& &<br />
& &<br />
+ + + $ + %+++ ++ + + +<br />
$ +<br />
+ + $ + %>++ > + $ + + + $ +<br />
+ + $ + %+++ + $ + + + +<br />
+ + + $ + % +++ ++ + + +<br />
+ + $ + ++ + %+ + + + + + $ + % +++ ++ + + +<br />
% / / + + # $+<br />
$ + # $ +<br />
$+ # + + # > + + # + + #<br />
& &<br />
& &<br />
& &<br />
& &<br />
& &<br />
& &<br />
1 + + 4 2 1 $ +<br />
+ 4 2 1 $ +<br />
+ 4 2 1 + + +<br />
4 2 1% + <<br />
+ + 1 4 2 $ +<br />
2 1 + + 4 2<br />
$ + 1 4 2 $ +<br />
$ + 1 4 2 + + 1 4 2 > + + 4 2 + + 1 4 2
Perc. 1<br />
William<br />
Muse<br />
Hp.<br />
Vla.<br />
Vc.<br />
623<br />
! 0<br />
"" > + %<br />
# #<br />
+<br />
1% + = + + + % % $ + + + + ,<br />
,<br />
$ $,<br />
$ $ ,<br />
!<br />
"/ / $ + 1% $ +<br />
= + +% $ + % + $ + 4 1% $ + + + + * <<br />
4 1 3+<br />
3 + 5<br />
+ + $ + + + + + + 3 * *<br />
$<br />
""/ / 4 1 > = + + +% # #<br />
+% + $ + 4 1% $ +<br />
= + + + * 4 4<br />
#<br />
!<br />
)/ / 1% +<br />
+<br />
<<br />
2 1 + + 4 2 1 $ +<br />
+ 4 2<br />
# #<br />
%<br />
" / /<br />
in ap - ply-ing<br />
fears to hopes and hopes to fears Still lo - sing when I saw my - self to win!<br />
ap - ply-ing<br />
fears to hopes and hopes to fears<br />
" // ><br />
+ + $ + + +% + + + +<br />
+ + $ +<br />
& + + + + + +<br />
& & + + + +<br />
$ +<br />
+ $ + + + + + + +<br />
& & &<br />
$ + + $ + $ +<br />
+ + +<br />
+ + + + +<br />
+ + + $ + $ + + + +<br />
+ + +<br />
+ + +<br />
+ + +<br />
+ + + $+ + $ +<br />
% / / > + + && # + + &&<br />
# + $ +<br />
$ +<br />
& & &<br />
# $ +<br />
&<br />
# #<br />
> + + 4 2 + + 1 4 2 $ +<br />
$ + 1 4 4 + $ + +% + + +% + $ + +% + + + + +%<br />
61<br />
'<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
628<br />
!<br />
" / # #<br />
" / # #<br />
" / # #<br />
"/ # #<br />
2 4 1 + 5<br />
p<br />
p<br />
p<br />
p<br />
II<br />
*<br />
7<br />
$ ,<br />
,<br />
! !<br />
2 4 1 + 0 7<br />
! * ! , ,<br />
2 4 1 $ + 7 * $ ,<br />
,<br />
5 ! !<br />
2 4 1 +<br />
0<br />
7<br />
!<br />
f<br />
f<br />
f<br />
* ! $ ,<br />
,<br />
f<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
B. Tbn.<br />
Tba.<br />
Perc. 1<br />
Perc. 3<br />
William<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
%<br />
" / / # # # 7<br />
! # ! #<br />
$,<br />
f<br />
! ,<br />
,<br />
,<br />
" 7<br />
! # ! $<br />
$ #<br />
,<br />
,<br />
, $<br />
$ , ,,<br />
" ' # # #<br />
!<br />
"/ / $ * *<br />
7<br />
! !<br />
#<br />
3 *% 4 3 ,<br />
* $ ,<br />
$<br />
7<br />
"" // $ * *<br />
* * *% 4 2<br />
$ + $ *%<br />
! !<br />
#<br />
#<br />
" // # #<br />
" // # #<br />
Aah<br />
2 4 1 ++ 7 ++++++++ ! ! $ ,<br />
,<br />
Aah<br />
% 7<br />
" / / + + 1 4 2 + + 1 4 2 + + 1 4 2 ! # $ +<br />
! $ + 1 4 2 $ +<br />
Aah<br />
p<br />
2 4 1 ++ 7<br />
! ++++++++ ! $ ,<br />
,<br />
7<br />
" // # # 2 4 1 ++ ! ++++++++ !<br />
$ ,<br />
,<br />
p<br />
f<br />
% / / # # # 7<br />
! # ! #<br />
$,<br />
p<br />
(ord)<br />
)<br />
7<br />
!<br />
& , 9 ! 4 2<br />
" // 7<br />
+ + $ +<br />
! !<br />
& + ++ +++<br />
& & ++ + + +<br />
+ + $ +<br />
& + ++ +++<br />
& & ++ + + +<br />
+ + $ +<br />
& + ++ +++<br />
& & ++ +<br />
&<br />
&<br />
& + + $ +<br />
+ + ++ + ++ $ $ + 4 1%<br />
+ = + + + $ + $ $ + + %% + + + $ + $ +<br />
++<br />
mp<br />
f<br />
% / / + + # + + # + + # 7<br />
$<br />
! # $<br />
! $ + 4 2 " $ $+ + % + + + 4<br />
& &<br />
& &<br />
& &<br />
pizz<br />
II<br />
!<br />
7<br />
" // & & & &<br />
arco 6 ( 6<br />
# 1% + < 1% + < > + %<br />
5 1 + 5 1% + < 1% + < > + %<br />
5 ! # ! 1%<br />
f<br />
f<br />
&<br />
+<br />
+ = $ + $ + ++ ++ + + + + $ + $ + + + $ +<br />
+ + +<br />
+ + +<br />
+ + + + +<br />
$ +<br />
"/ / pizz<br />
arco 6 ( 6<br />
# 1% + = 1% + = 0<br />
>+% 1 $ +<br />
0 1% + = 1% + = 0<br />
>+% 7<br />
! # ! 1%<br />
& &<br />
& &<br />
f<br />
f<br />
&<br />
+<br />
+ = $ + $ + ++ ++ + + + + $ + $ + + + + $ + + + + + + + + + $ +<br />
+ +<br />
)/ / 1 + + 4 2 1 + + 4 2 1 + + 4 2 7<br />
! # ! 1 $ +<br />
+ 4 2<br />
#<br />
p<br />
f<br />
f<br />
mf<br />
f<br />
#<br />
$ + % $ + + + +
62<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Perc. 1<br />
William<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
!<br />
" // # $,<br />
# # # #<br />
%<br />
" / / $,<br />
# # # # #<br />
!<br />
"" # # #<br />
!<br />
"/ / 3 ,<br />
, $ *% 4<br />
# # #<br />
$<br />
#<br />
634<br />
mp<br />
mp<br />
mp<br />
Aah<br />
Aah<br />
p<br />
"/ / # $,<br />
# # # #<br />
p<br />
" // # # # # #<br />
$,<br />
$,<br />
p<br />
% / / # # # # #<br />
% / / $,<br />
# # # # #<br />
"" // 2<br />
3 * , $ *%<br />
What wretch ed er rors - hathmyheartcom - mit ted, Whilstithas<br />
(<br />
!<br />
"/ / +<br />
(<br />
$ + $ +<br />
++ + 6<br />
(6 (<br />
$+ + +++ + + + + + $ + +<br />
+<br />
$ +<br />
$+++ + +++ + + + + + + $ + $ +<br />
++ +<br />
+ + +<br />
++ + + # # #<br />
( (<br />
$+<br />
+<br />
+<br />
+ $ +<br />
6<br />
" // $ +<br />
++ +<br />
+ +++ +<br />
+ + +<br />
+ $ + $ + +<br />
+ +++ +<br />
+ + + (6 (<br />
$+<br />
+ $+++<br />
+ + $ + $ +<br />
++ + # # #<br />
$+ + + +<br />
++ + +<br />
+ +<br />
)/ / # # # 1 + + 4 2 # 1 + + 4 2<br />
1%<br />
+ $+ +<br />
<<br />
4 2% 1 0 $ +<br />
* % * , , 1%<br />
+ $+ +<br />
<<br />
* % *<br />
$ + + + +% + + +% + $ + $ + % 4 1 0 + + +<br />
" // $<br />
+ +<br />
+ + %% + + + + + + %% + $ + + $ + +<br />
$ + + + % + + + + + + %% + $ + + $ + $ + + % %% + + + % %% + $ + + $ + + + + $ + %* 4 $ + ++ ++ + + +4<br />
+ + + $ + %2<br />
p<br />
" // $<br />
%<br />
$ $+ + % + ++ % 4 $+<br />
+ + # # + + #<br />
$ + % + ++ % 4 $ + + %% + ++ %% 4<br />
%<br />
" / / $+<br />
$ + % $ + + +% + $ +<br />
%<br />
"<br />
#<br />
$ + % $ + ++% $ + $ + $ + %<br />
+ + $ + + + + 1 4 2 + + 1 4 2<br />
'<br />
Tba.<br />
Perc. 1<br />
640<br />
!% " / / # # # # #<br />
! $+ "" 1% + * % *<br />
<<br />
# # # #<br />
William<br />
!<br />
"/ / # #<br />
$<br />
Gently mp 3<br />
4 $ + 3 + + * 4 $ + 3 + + 3 + + + $ + % + +<br />
How have mine eyes out <strong>of</strong> their spheres been fit ted<br />
$ % 4 + + +<br />
Muse<br />
"" // 3 + + $ + + + +% + $ + % + 4 2<br />
# # #<br />
- in the disthought<br />
it<br />
- self so bles sed - ne-<br />
ver!<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
#<br />
"/ / + + + $ + % + + + + + + + +<br />
+ + $ + + + + % % / / + + # > + + + + + $ + $ + + + + 4 > $ +<br />
$ +<br />
+ $ + $ + + + + + + $ + + + + 4 + $ + $ + + $ + $ + + +<br />
& &<br />
# $ +<br />
$+ # # $+<br />
$+<br />
#<br />
!<br />
"/ / # #<br />
" // # #<br />
$ & ,<br />
p<br />
&, $<br />
&,<br />
&,<br />
&,<br />
&,<br />
Vla.<br />
p<br />
)/ / 1 + + +<br />
4 2 1% + $+<br />
$+<br />
2 1 $ + 4 2 2 1 $ + 4<br />
#<br />
<<br />
Vc.<br />
%<br />
" / / + + 1 4 2 > + + 4 2 $ +<br />
$ + 1 4 2 2 $ +<br />
$ + 1 4<br />
#
Tpt. 1<br />
645<br />
!<br />
" // #<br />
,& &*%%% & + &*%%% & + &*%%% & + < < <<br />
f<br />
63<br />
Tpt. 2<br />
Tpt. 3<br />
B. Tbn.<br />
" // #<br />
" // #<br />
% / / #<br />
, *%%% + = *%%% + = *%%% + =<br />
& & & & & & &<br />
f<br />
,<br />
& &<br />
*%%%<br />
&<br />
+ = &<br />
*%%%<br />
&<br />
+ = &<br />
*%%%<br />
&<br />
+ =<br />
f<br />
,<br />
& &<br />
*%%%<br />
&<br />
+ = &<br />
*%%%<br />
&<br />
+ = &<br />
*%%%<br />
&<br />
+ =<br />
f<br />
Tba.<br />
Timp.<br />
%<br />
" / / #<br />
!% "<br />
#<br />
,<br />
& &<br />
*%%%<br />
&<br />
+<br />
&<br />
*%%%<br />
&<br />
+<br />
&<br />
*%%%<br />
&<br />
+<br />
f(ossia 8va)<br />
& & & & & & &<br />
, *%%% + *%%% + *%%% + < < <<br />
f<br />
=<br />
=<br />
=<br />
Perc. 1<br />
!<br />
" #<br />
> + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + $ +<br />
f<br />
C<br />
Perc. 3<br />
" '<br />
, 9 )<br />
&<br />
pp<br />
f<br />
4 2<br />
# # #<br />
William<br />
ff<br />
!<br />
"/ / $ + + + + + +% $ *<br />
$ ,<br />
3 ,<br />
,<br />
#<br />
$<br />
trac-tion<br />
<strong>of</strong> this mad-ding<br />
fe<br />
- - -<br />
ver!<br />
Muse<br />
ff<br />
"" // # 3 + +% $ * + , ,<br />
#<br />
mad-ding<br />
fe - ver!<br />
#<br />
Hp.<br />
,<br />
" // $,<br />
# # #<br />
f<br />
gliss<br />
% / / 2 $ + + 3 + $ + $ + + 3 + $ +<br />
# # # #<br />
Vln. I<br />
!<br />
" //<br />
&,<br />
+ + $ +<br />
ff<br />
+ + 3 + + + + 3 + + + + + + + +<br />
+ + + + $ + +<br />
Vln. II<br />
"/ /<br />
&,<br />
+ + $ +<br />
ff<br />
+ + 3 + + + + 3 + + + + + + + +<br />
+ + + + $ + +<br />
Vla.<br />
)/ / #<br />
arco (<br />
6<br />
> + + $ + + + + (<br />
+ + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + $ +<br />
ff<br />
Vc.<br />
% / / #<br />
arco<br />
6 ( (<br />
> + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + $ +<br />
ff<br />
Cb.<br />
%<br />
" / / #<br />
,<br />
& &<br />
*%%%<br />
&<br />
+ = &<br />
*%%%<br />
&<br />
+ = &<br />
*%%%<br />
&<br />
+ =<br />
ff
64<br />
Fl. 1<br />
650<br />
!<br />
" // #<br />
2 4<br />
+ $ + .<br />
$ +<br />
$ +<br />
++ +<br />
5 1 4 2<br />
f 6<br />
# #<br />
Cl. 1<br />
" #<br />
.<br />
4 1 + $ + $ +<br />
$ +<br />
++ + $ + $ + +<br />
5 1<br />
f 3<br />
6<br />
+ $ + $ + + + + 3 + + $ + + .<br />
5 4<br />
6 3<br />
6<br />
+ $ + $ + + + +<br />
# #<br />
B. Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
""<br />
Bass Clarinet<br />
in Bb<br />
#<br />
.<br />
+ $ + $ + + + + + $ + $ + +<br />
5 2 4 1<br />
f<br />
6<br />
3<br />
!<br />
" / # # #<br />
" / # # #<br />
" / # # #<br />
" / # # #<br />
3<br />
+ $ + $ + + + + + + $ + + .<br />
5 1<br />
6<br />
# #<br />
, ,<br />
p<br />
$ , ,<br />
p<br />
, ,<br />
p<br />
, ,<br />
p<br />
ff<br />
ff<br />
ff<br />
ff<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
" // 6 6 6 6<br />
+ +% + + + + +% $ *<br />
++++ + ++ + + +++ $ + + ++++ ++ ++ + +*<br />
# #<br />
p ff p<br />
6 6 6 6<br />
"/ / + +% + + + + +% $ *<br />
++++ + ++ + + +++ $ + + ++++ ++ ++ + +*<br />
# #<br />
p ff p<br />
" // 6<br />
6 6 6<br />
# #<br />
+ +% + + + + +% $ *<br />
++++ + ++ + + +++ $ + + ++++ ++ ++ + +*<br />
p ff p<br />
B. Tbn.<br />
Tba.<br />
% / /<br />
+ +% + + + + +% $ + % +% + $ + % +% + +% +% + +% +% +<br />
%<br />
" / /<br />
+ +% + + + + +% $ + % +% + $ + % +% + +% +% + +% +% +<br />
(ossia 8va)<br />
(ossia 8va)<br />
Timp.<br />
!% & & & & & & & "<br />
+ +% + + + + +% $ + % +% + $ + % +% + +% +% + +% +% +<br />
&<br />
Perc. 1<br />
Perc. 3<br />
!<br />
" $ +<br />
+ *<br />
$ + + + + + + + + + + + + + ,<br />
$ * *<br />
+ $,<br />
$*<br />
# #<br />
D<br />
, 9 )<br />
" ' #<br />
&<br />
4 2<br />
# #<br />
pp<br />
f<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
!<br />
"/ / $ ,<br />
, $ + 4 2 3 , ,<br />
$<br />
Aah<br />
"" // 2 + + . 03 + 3 ,<br />
$ + 4 2 2 * ,<br />
Aah<br />
!<br />
"/ / :;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;<br />
+ *% $ ,<br />
, *% & & + & * * &<br />
"/ / :;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;<br />
+ *% $ ,<br />
,<br />
&*%<br />
&+ &*<br />
* &<br />
Aah<br />
Aah<br />
Vla.<br />
)/ / $ +<br />
+ $ + + + + +<br />
+ + +<br />
+ + +<br />
+ + +<br />
+ $ + $ +<br />
+ + + + + +<br />
+ + + + + +<br />
+ $ + $ +<br />
+ + +<br />
+ + + + + +<br />
+ + + + $ + $ * & $ % & + & * $ * &<br />
Vc.<br />
% / / $ +<br />
+ $ + + + + +<br />
+ + +<br />
+ + +<br />
+ + +<br />
+ $ + $ +<br />
+ + + + + +<br />
+ + + + + +<br />
+ $ + $ +<br />
+ + +<br />
+ + + + + +<br />
+ + + + $ +<br />
& * % & + & * & *<br />
Cb.<br />
%<br />
" / /<br />
+ +% + + + + +% $ + % +% + $ + % +% + +% +% + +% +% +
Tpt. 1<br />
655<br />
!<br />
" // 6 6 6 6 6<br />
> > > $ + + #<br />
$ + + + + < <<br />
>++> $ + + > $ + + > $ + + < <<br />
>++> > > = 2 $ + + + + + + + + + + + + 4 ++++++++++++++++++<br />
$ + + + + +<br />
mp<br />
ff p pp f pp pp f pp<br />
65<br />
@<br />
!<br />
Tpt. 2<br />
Tpt. 3<br />
" // > > > = = $ + + >++ > ++> ++> = = $ + + >++ > ><br />
#<br />
$ + + + +<br />
$ + + + +<br />
>+ = 2 $ + + + + + + + + + + + + 4 ++++++++++++++++++<br />
mp<br />
mp<br />
ff<br />
ff<br />
pp f pp pp f pp<br />
p<br />
p<br />
6 6<br />
6 6 6<br />
" // 6 6 6 6 6<br />
> > > = = > > $ + +> $ + +> = = > > ><br />
#<br />
$ + + + + + + ++ + + ++<br />
$ + + + +<br />
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So I re - turn re-buked<br />
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Sonnet 57 - Being Your Slave<br />
Perc. 1<br />
Perc. 2<br />
Perc. 3<br />
William<br />
Muse<br />
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M: Do you love me?<br />
W: How if I answer no?<br />
M: Then thou liest.<br />
SHE LASHES HIM<br />
M: Speak, or thy silence on the<br />
instance is thy condemnation<br />
and thy death. Do you love me?<br />
W: Yes.<br />
M: But how, but how?<br />
Give me particulars!<br />
SHE LASHES HIM<br />
M: You general <strong>of</strong> hot desire!<br />
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Vla.<br />
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" ' 2 4 2 4 2 4 2 4 2 4 2 4 2 4<br />
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William<br />
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$<br />
what should I do but tend Up-on<br />
the hours and times <strong>of</strong> your de- sire?<br />
I have no pre-cioustime at all to spend, Nor ser-vi<br />
ces to do, till you re - qui - re;<br />
"/<br />
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Vln. II " // / 1 + 0 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + +<br />
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Nor dare I chide the world with-out-end<br />
hour Whilst I, my sover-eign,<br />
watch the clock for you, Nor think the bit-ter<br />
ness <strong>of</strong> ab-sence<br />
sour When<br />
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69<br />
Fl. 1<br />
Perc. 1<br />
Perc. 2<br />
Perc. 3<br />
William<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
'<br />
Vla.<br />
Vc.<br />
Cb.<br />
Fl. 1<br />
Perc. 1<br />
Perc. 2<br />
Perc. 3<br />
William<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
692<br />
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$<br />
you have bid your ser-vant<br />
once a- dieu.<br />
Nor dareI ques tion with my jea-lous<br />
thought Where you may be, or your af-fairssup pose, But like a sad slave<br />
"<br />
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stay and think <strong>of</strong> naught Save where you are, how hap-py<br />
you make those. So true a fool is love that<br />
mf<br />
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70<br />
Perc. 1<br />
704<br />
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q=60<br />
$ Vibraphone<br />
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Perc. 2<br />
Perc. 3<br />
William<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
'<br />
Vla.<br />
Vc.<br />
Cb.<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
Perc. 1<br />
Perc. 3<br />
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in your will, Though you do a-ny<br />
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To T.<br />
To To To T.<br />
arco q=60<br />
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M: Come hither William,<br />
hold up your head. Come.<br />
Come on sirrah.<br />
Hold up your head.<br />
W: Here hung those lips that I have kissed I know<br />
not how <strong>of</strong>t. The force <strong>of</strong> honesty can translate<br />
beauty into his likeness, gilding streams with<br />
heavenly alchemy.<br />
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W: Give me up the truth. Could beauty, my lord, have better commerce than with honesty?<br />
Muse<br />
Hp.<br />
Vln. I<br />
"" // M: I have heard a sonnet begin so to one's mistress.<br />
/<br />
gliss<br />
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71<br />
Sonnet 138 - When My <strong>Love</strong> Swears<br />
Bass Drum<br />
Perc. 2<br />
William<br />
714<br />
!<br />
" '<br />
q=72<br />
-<br />
&,<br />
pp<br />
!<br />
""/ - #<br />
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When my love swears that she is made <strong>of</strong> truth,<br />
I do believe her, though I know she lies,<br />
That she might think me some untutored youth<br />
Unlearned in the world's false subtleties.<br />
Thus vainly thinking that she thinks me young,<br />
Although she knows my days are past the best,<br />
Simply I credit her false speaking tongue;<br />
On both sides thus is simple truth suppressed.<br />
But wherefore says she not, she is unjust?<br />
And wherefore say I not that I am old?<br />
O love's best habit is in seeming trust,<br />
And age in love loves not t'have years told.<br />
'<br />
Hn. 1<br />
715<br />
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rall.<br />
Perc. 2<br />
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William<br />
!<br />
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$<br />
There-fore<br />
I lie with her, and she with me, And in our faults by lies we flat-tered<br />
be.<br />
To T.<br />
To<br />
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Fl. 1<br />
q=80<br />
720<br />
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Vibraphone<br />
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William<br />
Muse<br />
!<br />
"/ W: How dost, fool?<br />
Dost dialogue with thy shadow?<br />
$ No, tis to thyself.<br />
M: Ha! A fool when he dedicates his behaviour to love.<br />
W: Where is my mistress?<br />
M: O, she is fallen into a pit <strong>of</strong> ink, that the wide<br />
sea Hath drops too few to wash her clean again.<br />
The lady is disloyal. Disloyal. The word is too good<br />
to paint out her wickedness.<br />
"" /<br />
M: Know you this ring?...<br />
No words! I like your silence;<br />
it the more shows <strong>of</strong>f<br />
your wonder.<br />
Vln. I<br />
q=80<br />
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725<br />
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Susp Cym<br />
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William<br />
Muse<br />
!<br />
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"" /<br />
W: O, thou my lovely boy. I wait<br />
upon the hours and times<br />
<strong>of</strong> your desire.<br />
M: Desire is death<br />
It is required<br />
You do awake your faith<br />
#<br />
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74<br />
Fl. 1<br />
LL<br />
Sonnet 130 - My Mistress' Eyes<br />
731<br />
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W: I love thee. I should murder her,<br />
""/<br />
upon the love and truth<br />
and vows which I have made<br />
M: Do't W: I'll do't. " 1 + 5<br />
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Fl.<br />
Ob. 1<br />
Ob.<br />
Hn. 1<br />
Hn. 3<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Timp.<br />
Perc. 1<br />
Perc. 3<br />
William<br />
Hp.<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
ff<br />
mis- tress' eyes are no thing - like the<br />
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75<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Timp.<br />
736<br />
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Muse<br />
Vln. II<br />
sun; If snow be white, why then her breasts are dun;<br />
"" / 2<br />
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is far more red than her lips' red. If hairs be<br />
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Tpt. 2<br />
Tpt. 3<br />
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!<br />
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I<br />
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have seenro-ses<br />
dam - asked, red and white,But no such ro-ses<br />
see I in her cheeks<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
"" /<br />
wires, black wires grow on her head. I have seenro-ses<br />
dam - asked, red and white,But no such ro-ses<br />
see I in her cheeks<br />
!<br />
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76<br />
Ob.<br />
746<br />
!<br />
"" / # # # # #<br />
Hn. 1<br />
Hn. 3<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Timp.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
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5<br />
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And in some per-fumes<br />
is there more de - light Than in thebreath that from my mis - tressreeks<br />
"" /<br />
1 + 0 + + +<br />
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is there more de - light Than in thebreath that from my mis - tressreeks<br />
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p ff p ff p mf p mf p mf p mf p mf p mf p ff p ff<br />
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*<br />
*
Fl. 1<br />
Picc.<br />
Ob. 1<br />
Ob.<br />
Cl. 1<br />
B. Cl.<br />
Bsn. 1<br />
Cbsn.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
Timp.<br />
Perc. 1<br />
Perc. 2<br />
Perc. 3<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
MM<br />
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751<br />
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77
78<br />
Fl. 1<br />
Picc.<br />
754<br />
.<br />
!<br />
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.<br />
" / 1 + ++ ++ + + + + + + + + + + + + + + + + 5 1<br />
# # #<br />
# # #<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
B. Cl.<br />
Bsn. 1<br />
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5 1<br />
# # #<br />
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Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
" 4 + $ + 3+<br />
0 1<br />
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3<br />
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.<br />
Tbn. 1<br />
Tbn. 2<br />
% / 1<br />
3 3<br />
+ . + . + . *.<br />
$ + 3 + $ +<br />
% / 1<br />
3 3<br />
+ . + . + . *.<br />
$ + 3 + $ +<br />
# # #<br />
# # #<br />
B. Tbn.<br />
Tba.<br />
Timp.<br />
Perc. 2<br />
Perc. 3<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
% / 4<br />
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#<br />
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I love to hear her speak, yet well I know<br />
""/ # #<br />
2 1 0 + + + + + + $ + + 3+<br />
* ( + + + That mu - sic hath a far more pleas ing<br />
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79<br />
C. A.<br />
B. Cl.<br />
Bsn. 1<br />
Cbsn.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
758<br />
! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
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I grant I ne - ver saw a god-dess<br />
go:<br />
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2 1 0 + + + +% + 5<br />
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sound. My mis-tress<br />
when she walks treads on the ground.<br />
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$ & + 3 & + & + & + & + $ & + 3 & + 3 & + / & + 3 & + $ & + 3 & + $ & + 3 & + & + & + $ & + & + & + +<br />
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p mf p mf p mf p mf p mf p mf p mf p mf p<br />
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p mf p mf p mf p mf p mf p mf p mf p mf p<br />
% +<br />
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80<br />
Fl. 1<br />
Picc.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
B. Cl.<br />
Bsn. 1<br />
Cbsn.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
Timp.<br />
Perc. 1<br />
Perc. 2<br />
Perc. 3<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
. .<br />
763<br />
!<br />
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1<br />
1<br />
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To Bsn.<br />
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Picc.<br />
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Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
Timp.<br />
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Sonnet 80 - O, how I faint<br />
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Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Perc. 2<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
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85<br />
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Fl.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Perc. 2<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
789
86<br />
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PP<br />
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And in the praise there - <strong>of</strong><br />
spends all his might, To make me tongue tied, speak - ing <strong>of</strong> your fame!<br />
" // / # # #<br />
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Fl.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Perc. 2<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.
87<br />
Fl. 1<br />
6<br />
6<br />
!<br />
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6<br />
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Fl.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Perc. 2<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
797
88<br />
Fl. 1<br />
6 6<br />
6<br />
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Fl.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Perc. 2<br />
William<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
801
89<br />
Fl. 1<br />
++ + ++ + ++ + ++ 2<br />
!<br />
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as the o - cean is,) The hum - ble as the proud - est sail doth bear, My sau - cy bark, in - fe - rior<br />
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2 + + + + ,<br />
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Fl.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
805
90<br />
Fl. 1<br />
!<br />
" $ 6<br />
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far to his, On your broad main doth will - ful - ly ap- pear.<br />
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Fl.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
William<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
809
Fl. 1<br />
+ ++ 2<br />
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help will hold me up a - float,<br />
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help will hold me up a - float,<br />
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) $ $ * * + * + + * + * *<br />
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Fl.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
813<br />
91
92<br />
Fl. 1<br />
817<br />
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Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
Perc. 2<br />
Perc. 3<br />
William<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.
Fl. 1<br />
Fl.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Tbn. 1<br />
Tbn. 2<br />
B. Tbn.<br />
Tba.<br />
Perc. 2<br />
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Ob. 1<br />
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Fl.<br />
Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
William<br />
Muse<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
Cb.<br />
827<br />
6
96<br />
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Ob. 1<br />
C. A.<br />
Cl. 1<br />
Cl.<br />
Hn. 1<br />
Hn. 2<br />
Hn. 3<br />
Hn. 4<br />
Tpt. 1<br />
Tpt. 2<br />
Tpt. 3<br />
Perc. 2<br />
William<br />
Muse<br />
Hp.<br />
Vln. I<br />
Vln. II<br />
Vla.<br />
Vc.<br />
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831
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W: His words are bonds, his oaths are oracles. Swear by your double self, and there's an oath <strong>of</strong> credit.<br />
M: A double blessing is a double grace.<br />
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Muse<br />
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Sonnet 18 - Shall I compare thee<br />
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