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Andrew Hardwick 'Scarred Wilderness'

Publication for 'Scarred Wilderness' by Andrew Hardwick at Anima Mundi

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‘ A n d r e w H a r d w i c k ‘ S c a r r e d W i l d e r n e s s ’


The exhibition represents two years of returning to known<br />

landscapes. Like those of the estuary and coast around Portishead,<br />

where I work and grew up. Also that of the moors. Exmoor and<br />

Dartmoor especially, where as a regular visitor I return for solace.<br />

These landscapes are personal, known, remembered yet at the<br />

same time, strange and always new, when revisited.<br />

The landscapes are embedded in my personal history; their scars,<br />

both geological and historical are joined with mine and all washed<br />

over by the power of the elements and time.<br />

Working in the studio, I try, with conglomerates of texture, to<br />

express something of these feelings. Oil paint, acrylic paint, earth<br />

pigments, ashes, glue, plastic, hay and other found or discarded<br />

material might find a place. Ever present in the image is the sky,<br />

which I find hard to deny.<br />

In some images, ghost-like abandoned quarries, forgotten roads<br />

and railway tracks appear. They are explained in paint, matter<br />

and old toys. A plastic jet disturbs one painting of a seemingly<br />

tranquil vast moor. It is a modern world.


Increasingly my places are upset by walkers and new nature<br />

reserves. The walkers come from new housing estates that have<br />

sanitised and replaced the post-industrial wilderness that ran<br />

alongside the estuary.<br />

Even the old burnt-out cars have now gone, swallowed up by the<br />

ground, their lives now joining those, of earlier and more ancient<br />

artefacts below. Helping on a local archaeological dig, I found in<br />

the medieval layer, clay pipes and pottery all infused with heating<br />

oil leaking from a nearby office.<br />

It is a landscape of strangeness and contradiction. I like to<br />

contrast the the power of this coast and the moorland wilderness<br />

I visit, by including their car parks and roads that take people into<br />

their depths. Also to show a playfulness of the modern world by<br />

producing my images out of materials that perhaps could have<br />

been taken out of a skip.<br />

As always when visiting old friends, there are certainties mixed<br />

with surprises. Love, regret, joy, fear, feelings of loss, and time<br />

now gone, but also of renewal and celebration.<br />

<strong>Andrew</strong> <strong>Hardwick</strong>. 2015<br />

3


White Sea, Estuary, Wind and Cows<br />

mixed media on panels | 175 x 351 cm<br />

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5


Abandoned Quarry, Moor and Sea<br />

mixed media on panels | 180 x 345 cm<br />

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High Moor and Jet Fighter (Roar)<br />

mixed media on panel | 151 x 245 cm<br />

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10


Old Quarry, Road, Moor and Wind<br />

mixed media on panel | 119 x 174 cm<br />

11


Late Light, Beach, Brown Estuary and Car Park<br />

mixed media on panel | 145 x 175 cm<br />

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Estuary, Bream, Brown Coast<br />

mixed media on panel | 123 x 172 cm<br />

15


Purple Estuary, Beach and Old Railway Sidings<br />

mixed media on panel | 154 x 175 cm<br />

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Winter, Moor, Yellow Light<br />

18<br />

mixed media on panel | 123 x 152 cm


Winter, Moor, Valley, Sunset<br />

mixed media on panel | 121 x 152 cm<br />

19


Estuary, Cliffs, Beach<br />

20<br />

mixed media on panel | 100 x 134 cm


Estuary, Cliffs and Car Park<br />

mixed media on panel | 104 x 134 cm<br />

21


Estuary, Purple Sea, Wind, Clouds<br />

22<br />

mixed media on panel | 63 x 92 cm


Wind, Cloud, Moor<br />

mixed media on panel | 62 x 84 cm<br />

23


Estuary, Wind, Grey Sea<br />

24<br />

mixed media on panel | 60 x 76 cm


Valley and Clouds<br />

mixed media on panel | 60 x 70 cm<br />

25


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Late Light, Headland<br />

mixed media on panel | 103 x 134 cm<br />

27


Estuary, Coast<br />

28<br />

mixed media on panel | 60 x 70 cm


High Moor and Road<br />

mixed media on panel | 60 x 70 cm<br />

29


Dull Day, Dark Moor<br />

30<br />

mixed media on panel | 60 x 77 cm


Estuary, Cliffs and Beach<br />

mixed media on panel | 43 x 54 cm<br />

31


Beach Estuary<br />

32<br />

mixed media on panel | 41 x 51 cm


Black Estuary<br />

mixed media on panel | 43 x 54 cm<br />

33


Wind, Rain and Buried Car<br />

34<br />

mixed media on panel | 36 x 47 cm


High Moor, Grey Light<br />

mixed media on panel | 36 x 47 cm<br />

35


Wind, Rain, Wilderness<br />

36<br />

mixed media on panel | 36 x 47 cm


Autumn Purple Moor<br />

mixed media on panel | 32 x 47 cm<br />

37


38<br />

Grey Sky, Dartmoor<br />

mixed media on panel |<br />

33 x 41 cm


Old Workings, Wind, White and Blue Sky<br />

mixed media on panel | 33 x 41 cm<br />

39


Two Horses, Moor and Standing Stone<br />

mixed media on panel | 25 x 30 cm<br />

40


Published by Millennium to coincide with the exhibition ‘Scarred Wilderness’ by <strong>Andrew</strong> <strong>Hardwick</strong><br />

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted<br />

in any form or by any means electronic, mechanical, photocopying, recording or otherwise without permission<br />

Photography by Joseph Clarke<br />

Publication produced by Impact Printing Services<br />

M I L L E N N I U M<br />

Street-an-Pol<br />

St. Ives<br />

Cornwall<br />

01736 793121<br />

mail@millenniumgallery.co.uk<br />

www.millenniumgallery.co.uk

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