Issue 5_B BRIGHT BOLD SHINY

FASHION BEAUTY MUSIC ART 

ISSUE 5 - BRIGHT // BOLD // SHINY 

1ST ANNIVERSARY ISSUE 

PART B 

COVER STORY BY LEÏLA JOY

ISSUE 6 THEME 

SHARP // GRAPHIC // SHADED 

• SUBMIT NOW • 

DEADLINE // 25 FEBRUARY 2019 

www.fenhongsemagazine.com/submissions/ 

www.fenhongsemagazine.com/themes/ 

ISSUE 3 COVER STORY: PHOTOGRAPHER Aaron VIII • STYLIST Megan Quigley • HMUA Liz Tieu • MODEL Cindy Wang of Chadwick Models

Fen Hong Se Magazine (Pink Magazine) is a Australian full colour 

quarterly, print on demand publication available in English & 

Mandarin. 

Our purpose is to showcase the amazing talent we have in Australia 

& internationally & to celebrate the creativity that is all around us in 

the areas of fashion, art & music. 

You can order a copy of the magazine through the website & get it 

delivered right to your door no matter where you are in the world. 

From mainstream to avant garde, emerging to established, 

electronic to rock & surrealism to realism - we have a passion for it 

all & we can't wait to publish & show this talent off on a global scale! 

For art and photographic submissions: 

www.fenhongsemagazine.com/submissions/ 

Quarterly themes can be found here: 

www.fenhongsemagazine.com/themes/ 

Editor-In-Chief 

Megan Quigley 

Special Thanks 

John Quigley 

Natasje Garbers 

Brooke Fowler 

Aaron VIII 

General Inquiries 

editor@fenhongsemagazine.com 

Submissions 

www.kavyar.com/fen-hong-se-magazine 

LETTER FROM THE EDITOR: 

1 YEAR! 

What a year and we made it! It's been such an amazing whirlwind of 

new things: new experiences, new friends, new collaborations, new 

ventures, all of them fantastic! 

So here is my inspirational message for you for 2019: Life is short, 

too short to be scared of failure, to doubt yourself, to not dream big. 

Dream as big as you can and follow that dream with the determination 

and perseverance to make your dream a reality. Nothing worth doing 

is easy, life is hard and you have to work at it to make it what you 

want it to be. Be as out there and as unapologetically creative as you 

can be right now! 

I hope you enjoy this very large double issue, I've spent many hours 

(and a few sleepless nights) compiling these amazing creatives for 

you to be inspired by. 

Meg xox 

Editor-In-Chief 

CONTACT / editor@fenhongsemagazine.com 

FACEBOOK / facebook.com/fenhongsemag 

INSTAGRAM / @fenhongsemag 

WEBSITE / www.fenhongsemagazine.com

FRONT COVER (P49) 

PHOTOGRAPHER Leïla Joy, STYLIST Emma Cotterill 

HMUA Steph Lai, MODEL Nya Leth, AGENCY KULT 

BACK COVER (P81) 

PHOTOGRAPHER Luke Foley Martin, STYLIST Jason 

Kapurubandara, HAIR STYLIST Lenard Johnston, 

MAKE UP ARTISTS Olga Gill and Abbie Ahmed, 

MODELS Alex of Clyne Models and Tanya Garcial of 

62 Models 

CONTENTS 

P7: DOODAD + FANDANGO, P13: PHILIPPA RIDDIFORD, 

P19: CHRISTNA LAZAR-SCHULER, 

P25: PIYATHATH PATIPARNPRASERT, P33: DANIELA RAITI, 

P41: LAUREN AZAR, P47: LEÏLA JOY, P59: NATASJE 

GARBERS, P67: CHRISTINE ITEL, 

P77: LUKE FOLEY-MARTIN, P85: CONSTANZA MARTINEZ, 

P97: TAMIE ANTHAS, P103: CHRISSIE HALL, 

P113: BROOKLYN MAROK, P119: ALEXANDRA MANTOURA, 

P125: JAMES ATKINS, P129: CONTRIBUTORS LIST 

THIS PAGE: PHOTOGRAPHER Constanza Martinez, STYLIST & CREATIVE DIRECTOR Diego Ibañez, HMUA Sean Derbees, MODEL Danielle Van Randen, AGENCY 

Paragon Model Management & IMG Worldwide, MODEL Isabel Asprilla, AGENCY New Icon Model Management, SHOT ON LOCATION Taqueria Orinoco

WANT TO ADVERTISE WITH 

FÊN HÓNG SÈ MAGAZINE? 

FOR MORE INFORMATION EMAIL US AT: 

EDITOR@FENHONGSEMAGAZINE

Image courtesy of Liz Ham

From necklaces made of teeth, to a collection inspired by the romance of Italian culture, Doodad + Fandango’s 

colour-pop statement pieces are made to stand out and shout "FASHUN!" from the highest peak. 

Designer Nikita Margarita has a knack for designing pieces that you can’t help but want to in your accessories 

drawer. Nikita took the plunge in creating her own line, which is the plastique fantastique wearable art signature 

style that you see today. Read on as Nikita shed’s some light on her career as a jewellery designer. 

Your resume is coloured in careers in fashion design, shoe making and costume styling, when did you first realise you wanted 

to leave these other careers behind to pursue a career as a jewellery designer? 

I had a burning desire to design and make accessories for a really, really long time, but had no idea how to go about it. That sounds 

a bit silly now, but 15 or so years ago it was a different landscape, there was no instagram of course and starting a label seemed 

huge, daunting, impossible! 

Eventually (in 2005) I heard about the Jewellery and Object Design Adv. Dip. course offered at the Enmore Design College. I signed 

up immediately and it literally changed my life, I ended up studying there for 5 years learning conceptual design and silver smithing. 

My materials and style have changed a lot since then and even though it’s pretty much always been a struggle working in this field, 

I love it so much and it’s a more natural fit for me than fashion design or other disciplines. I realised somewhere along the way that 

while I am obsessed with fashion, I don’t care to produce it or care too much about what other people wear. However I want to 

smother people in my accessories! 

You pay homage to the bakelite and celluloid costume jewellery of the 1930’s & 50’s with the boldness of your pieces tying 

all of your collections together with a common thread. Can you tell us how you keep your ideas and inspiration fresh without 

losing your signature style? 

After I graduated from jewellery school I got a part-time job at Harlequin Market, which was a boutique that specialised in vintage 

costume jewellery. I learnt so much about the different plastics that have been used in accessories over the last 100 years and it 

gave me a new respect for these materials as well as an appreciation for the fun you can have in this medium. School had made me 

a bit of a contemporary design snob, so it was eye opening and freeing to recognise the value and beauty in these ‘non-precious’ 

pieces. My very first Perspex designs were inspired by a retrospective I saw of Yayoi Kusama (2009 MCA, Sydney) and my love of 

vintage Bakelite designs. 

I take originality very seriously and try my hardest not to be too influenced by other people’s designs, though at the same time I am 

strongly influenced by pop art and I think everyone has a right to have a bash at anything, we all have our own versions of similar 

ideas in us! I try not to get too caught up worrying about other people copying me, and I try to be the best designer I can, always 

seeking to be original and unique and true to my voice. I don’t take my inspiration from other jewellery designers, but from fashion, 

art history and travel. 

Collaborating with other artists is a fantastic way to keep new ideas coming in, and at the end of the day I can’t help 

who I essentially am, a fashion addict, with a dash of tacky in me but with an unending obsession with adornment. 

What has been the biggest hurdle and greatest asset in getting your label up and running to the business that it is today? 

To be honest it can be a gruelling and an isolated life operating a small business on your own! I am constantly exhausted trying to 

do everything by myself. It has been a struggle every day but I am so grateful for the little successes I have had along the way that 

give me the motivation to keep going. I’ve never run a business before so I’m usually feeling along in the dark and often wonder if I 

am my own worst enemy with some of the decisions I’ve made ie. choosing to manufacture myself and not off shore. 

The biggest asset to my enterprise has undoubtedly been Instagram, when you don’t have money for PR social media is crucial, but 

my relationship with it is tenuous! Instagram are always changing things around and my business is so dependant on it now that 

the way they mess around with the algorithm can have a negative impact on everything. 

Undoubtedly a huge asset to my business are the people who seem to love what I do and not just buy my work but give me 

motivation with their nice comments on social media and IRL when I meet them. Without that I would fall apart from the worries 

and isolation. I know that’s dramatic, but working on your own is a particular type of pressure and I appreciate the positive feedback 

so much. 

D+F is stated to be a sustainable, eco-friendly label. Can you tell us a bit more about your stance on being a label that supports 

looking after the planet and the steps you take to ensure that your carbon footprint is minimal. 

I think the most significant step I have taken in my label to be low impact is to be self producing and made to order. This way I 

can control how the pieces are manufactured, how the waste is disposed, where all of the bits and pieces are sourced and who is 

making it all (me!). I don’t overproduce, I only make what people order and no one is getting exploited making it (oh, except me!). 

All of my acrylic waste is collected and sent for recycling, and as much as possible I try to buy my materials from local suppliers so 

I am supporting local businesses and most importantly I am always looking to make my pieces to a high quality so that they last. 

I encourage people to get in touch if anything breaks, I am SO HAPPY to repair their doodads and have never charged anyone to 

repair anything. I certainly have quite a bit of guilt seeing as how I do work in plastic, so to balance this out I treat these materials 

with the highest respect and use them in a way so that they last for a very long time, not just one silly season of fashion.

There is no denying that I love D+F and that I get excited with every new piece 

I see. Can you tell us what part of the design process gets you excited and 

motivated to keep on designing and making these wearable art marvels? 

I’m impatient and get easily bored but am powered by a never ending desire to 

create new designs. Sometimes I can despair thinking there is nothing left I can 

possibly turn into a doodad, and then I wake up, it’s a new day, and I have a 100 

new ideas tapping on my brain! I find that hours of sitting behind a computer 

designing are not that rewarding, I prefer being in the studio and using my hands 

to create and the final step of peeling off the protective paper on a new piece to 

see the bright colours and crisp designs is the best moment! 

I also love creating images and photo shoots to showcase my work, I often 

have an image in my head of the final shot, I can see who’s wearing the item 

and how it’s been styled before it’s even a sketch. When I was a teenager in the 

80’s I was o-b-s-e-s-s-e-d with fashion magazines so getting to work with other 

creatives to make beautiful images featuring my doodads is such a dream come true… I sometimes can’t believe it is really 

happening. To be a part of the visual global conversation is so exciting. 

What is the next step for D+F? Where would you like to see D+F head in the next year? 

I want to still be doing what I’m doing, and I’d love to be making enough money to employ more people in the manufacturing 

process. I’d love to see Doodads being sold in Japan where I know people would like my work, but it can be very hard to break into 

this market. 

I’d like to be making the accessories for Moschino, I find the accessories they use in their runway shows soooo blah 

and not nearly as amazing as their clothing. I know I could do a better job, come on Jeremy Scott, hit me up! 

Nikita and Sarah K Collaboration 

So what are you waiting for? 

To keep up to date on Doodad + Fandango news, links are below. 

WEBSITE www.doodadandfandango.com 

INSTAGRAM @doodad_and_fandango 

FACEBOOK doodad & fandango 

FÊN HÓNG SÈ MAGAZINE • 9

Images courtesy of Liz Ham

Images courtesy of Rachel Mia

PHILIPPA RIDDIFORD 

Melbourne based New Zealand artist, Philippa Riddiford comes from a very comprehensive background in design and 

fashion in New Zealand receiving considerable media attention from 1986 to 1996 for her input into the fashion and 

design scene there as a costume jewellery designer/stylist/buyer. 

Her well-known 'Philippa Riddiford Accessories' costume jewellery business in Auckland in the 90's was very popular 

and much loved. Continuing her creative ventures in Melbourne, Philippa began experimenting with acrylic and spray 

paints and textas, cut-outs, which led to her current printmaking practice. 

Space, colour and form play a significant role in her creations; she delights in the whimsical and her sense of humour 

is always apparent. 

Philippa Riddiford is at the cutting edge of contemporary digital art and printmaking where she creates limited edition 

giclee prints of her works. Allowing chance and spontaneity to play a significant role in her creations, Philippa’s 

individuality, spirit, innovation and technical accomplishment always shine through. 

WEBSITE www.signedandnumbered.com.au/collections/philippa-riddiford 

INSTAGRAM @philippariddiford 


To Be Party To

A Story To Tell

Figure 2

Far Far Away

Girlfriend 1

ADIDAS DANIELLE CATHARI Tracksuit • H&M Necklace 

Kickin' 

PHOTOGRAPHER Christina Lazar-Schuler 

HMUA & MODEL Karie Holst

SUPREME Ankh Jersey • SUPREME Booty Shorts • LULULEMON Shorts • NIKE Super High Tops • DOLLS KILL Checkered Top • H&M Necklace

DOLLS KILL Checkered Crop Top • BLACK MILK Chain Crop Top • KAPPA Shorts & Fanny Pack

ADIDAS DANIELLE CATHARI Tracksuit • BLACK MILK Bodysuit • KANGOL Hat

ADIDAS DANIELLE CATHARI Tracksuit • DOLLS KILL Shoes

KAPPA Tracksuit • BLACK MILK Money Crop Top • KANGOL Hat • H&M Chunky Necklace & Earrings


Candie Colours 

PHOTOGRAPHER Piyathath Patiparnprasert 

DESIGNER Xiangyu Xie 

HMUA Jiaqi Yu 

MODELS Cherry De Vere & Xiyun Hao


Over Saturation 

of the 

Creative Mind 

PHOTOGRAPHER Daniela Raiti 

STYLIST Megan Quigley 

HMUA Kelli Malseed & Chelsea Shay 

MODELS Curtis of FiveTwenty Model Management and Seymour Tancred 


SARAH HAWES Handmade Face Bag


YANNY YU Top and Skirt 

SARAH HAWES Coat & Woollen Dress

SARAH HAWES Top & Pant • YANNY YU Dress

FÊN HÓNG SÈ MAGAZINE • 38 

SARAH HAWES "I'm Sick" Suit

YANNY YU Top, Band Top & Pants 


Images courtesy 

of Ona Janzen

Lauren Azar 

Soulful pop Singer and Keyboardist Lauren Azar is one super talented woman. We first heard Lauren sing with the 

Reubens on the 2018 P!nk tour, and with the discovery of a mutual friend we were able to get the chance to chat 

with her to find out a little more about what makes her tick when it comes to making music. 

You have been writing songs since the age of 12 and you are also self taught in Piano, how did 

it all start? Can you remember that first moment or first thought you had when it all began? 

It all started with a little plastic Casio keyboard my parents bought me. I was completely disinterested with learning the “How 

to’s” from the beginners book they gifted along with it. It was all about emulating the music I was exposed to at the time. The 

poppy, rocky, souly chord progressions I was obsessed with. I wanted to recreate that magic but also come up with my own 

little ditties that, I thought were super deep back then but are complete popcorn in comparison to now haha! It felt completely 

euphoric when I’d belt out something that I had made and it hasn’t stopped from there. 

I’ve read that you have a love of 90’s alternative rock, (I know that I can never get enough of Jeff Buckley) who are your 

biggest influences from this time period and genre of music? 

Love and true obsession. (Jeff Buckley is one at the for-front for me too. ‘Vancouver’ is truly mind blowing!). The list is honestly 

endless! Smashing Pumpkins, Incubus, No Doubt, Alanis Morrisette, Garbage, Paula Cole, PJ Harvey, Filter, Alice in Chains, 

Soundgarden, The Cranberries, Hole, Sublime, Radiohead...I’m missing some too. These musicians were burned into my 

subconscious in my youth. Like most of my age group, our excitement would be waking up on a Saturday and Sunday morning to 

watch Rage and Video Hits and it was such an exciting time for music. I felt like there were no rules. They were all proud of their 

influences too and weren’t afraid to say “Fuck You!” and the world needed that. Also, sonically, everything was perfect. They can 

do no wrong in terms of song craft and production and that timelessness I want to achieve. All I ever want to do is get together 

with my friends, listen to these songs and analyse them. It’s the best. 

Up until this moment, can you describe your musical trials and tribulations in short? 

Wowzer. Well, it’s been wavy. I think as I’ve gotten older my eyes widen more and more to the fact that I was a kid when I started 

this music thing and I haven’t stopped since then. It’s been my identity forever. Sometimes it’s scary to think I have nothing else. 

I’ve won, I’ve lost, I’ve been told I’m shit, I’ve been told I’m the best thing since sliced bread. The biggest triumph is cutting 

my teeth in performance and persisting for this long. The biggest hurtles have been, coming to the point of walking away due 

to what people might think of me. 

I have to ask, how excited were you when you found out that you would be singing with The Rubens as part of the opening 

act for P!nk? What did you take from that experience that you’ll never forget? 

After being asked to perform at their LO LA RU album launch (which was in our hometown Camden), it was that electric, we 

all kinda knew we’d play together again. When they asked me about the P!nk shows I honestly was beside myself. I just wanted 

to soak up everything. I learnt how amazingly smart, kind and talented each and every one of those boys (and their team and 

family) are. Also, how rad P!nk is. Like, ridiculously down to earth and insanely motivated to sustain her career. We are all just 

people doing what we love. 

What is your all time favourite piece of music that you’ll never be tired of hearing? 

Well that’s super hard. I guess a song that I love to listen to pretty much everyday at the moment is Try, Try, Try by Smashing 

Pumpkins. That song is helping me through a lot at the moment. My favourite album of all time though is Return Of Saturn by 

No Doubt and that to me, in its entirety, is a masterpiece. 

You are currently in the studio recording new music with producer Ash Maklad, can you tell us what is the inspiration behind 

this latest venture and when it will be released for us to hear? 

Trying to not overthink what is the inspiration and objective is. I want to let things roll out. No blueprint. No predisposition. No 

agenda. Ash is super easy to bounce off. If I’m not feeling it, he’ll pull it. If I’m vibing, he’ll amp it up. I’m looking to have music 

out early next year. 

Ok, last question : What is your favourite song to belt out at the bar/in the car/for karaoke? 

Anything Alanis Morrisette is my go to. I also love to belt out “What’s Up” 4 Non Blondes. It’s a crowd pleaser (and a guilty 

pleasure of mine). Isn’t music just the best? 

WEBSITE www.laurenazarmusic.com 

INSTAGRAM @misslaurenazar 




"No thing 

No plan 

Just no 

Words drip and its' hard to swallow 

Some things are better left alone 

till you find out what is missing 

Passing fling was the go 

The feelings out the door 

Some things are better left alone 

till they find out what is missing, 

find out what is lost 

This can't be love" 

This Can't Be Love Lyrics 



PHOTOGRAPHER Leïla Joy 

STYLIST Emma Cotterill 

HMUA Steph Lai 

MODEL Nya Leth 

AGENCY KULT 

o

BOOHOO Top • KARL KANI X PRETTY LITTLE THING Pants • GSTAR Jacket • KRISTIN ASH Earrings

COS Top & Skirt • BOOHOO Jacket • GSTAR Boots • BOOHOO Earrings

KATE SYLVESTER Blouse &Tie • COS Skirt • PARED EYEWEAR Sunnies

WYN HAMBLIN Jumper • KARL KANI X PRETTY LITTLE THING Skirt • LEO & LIN Jacket • KATE SYLVESTER Oversized Bow Scarf • ASHLEY LIM Shoes • KRISTIN ASH Earrings

TRELISE COOPER Dress • PRETTY LITTLE THING Jacket • GSTAR Shoes & Bag • RELIQUIA Earrings

GSTAR Jumpsuit • KAPPA Jacket • VALET Earrings • BOOHOO Boots

BONDS Blue Bodysuit • COS Zip Top • GSTAR Boots • COTTON ON Pants • RELIQUIA Earrings

PRETTY LITTLE THING Jumper & Pants • COS Dress • BOLON Sunnies

Dissonance 

PHOTOGRAPHER Natasje Garbers 

HMUA Kat Nagy 

MODEL Matthew Eriksson 

AGENCY The Mgmt

ANX Rain Coat and Leggings 

MAELLE MOREAU Skort 

ETIKO ORGANIC FAIR TRADE Sneakers 

CRUELTY FREE SHOP Edgar’s Mission Beanie

MAELLE MOREAU Printed Shirt 

TO BARWYN AND BACK Weekend Shorts 

VANS Socks 

SECOND HAND Red Converse All Stars

Opposite Page: 

TO BARWYN AND BACK Adventure Top 

MAELLE MOREAU Denim 

THE CRUELTY FREE SHOP Dr Martens 1460 Black 8 Eye Boots 

This Page: 

ANX Stripe Jacket & White Assymetrical Shirt

ANX Stripe Jacket and White Assymetrical Shirt 

MAELLE MOREAU Denim 

THE CRUELTY FREE SHOP ETIKO Organic Fair-Trade Sneakers Low Cuts All Black

TO BARWYN AND BACK Adventure Top 

JRAA Denim 

SECOND HAND Converse All Stars

Pretty Little] LIAR 

LIAR 

PHOTOGRAPHER Christine Itel 

HMUA Kelly Lynch 

MODEL Amy Caldwell

Beauty Notes: 

Makeup studio non transfer fluid foundation 

Makeup studio neutraliser red 1 

Makeup studio concealer banana 

Makeup studio translucent powder 1 

BH brow pencil medium 

Makeup studio eyebrow fix 

NYX jumbo pencil milk 

Urban decay eyeshadow shades freelove , lost and sin 

Maybeline great lash mascara black 

Makeup studio bronzer 

Anastasia Beverly Hills highlighter forever lit 

Makeup studio durable fluid and gloss shade 4 

Opposite Page: BOOHOO Top • LIPSTICK Shoes • This Page: MOTEL Top • JEANS WEST Pants

Beauty Notes: 








Urban decay eyeshadow shades freelove , lost and sin 




Makeup studio lipstick shade 60 

AFENDS Top • TROUBLE MAKER Pants • NIKE Shoes

Beauty Notes: 








Urban decay eyeshadow in shades smog, 

baked cowboy and blackout 

Inglot gel eyeliner 




Lips NYX gloss baby pink 

CULTURE KINGS Cap • FACTORIE Jacket & Top 


HOT OPTIONS Top • DOLLSKILL Netted Bodysuit 

Beauty Notes: 








Urban decay eyeshadow in shades smog, 

baked cowboy and blackout 





Lipcolour makeup studio shade 23 


PAINT IT RED Top

Beauty Notes: 








Urban decay eyeshadow in shades smog and blackout 





Lipcolour makeup studio shade 23 

VALLEYGIRL Jacket • VINTAGE Cap 


POP IT! 

PHOTOGRAPHER Luke Foley Martin 

POP IT! 

STYLIST Jason Kapurubandara 

HAIR STYLIST Lenard Johnston 

MAKE UP ARTISTS Olga Gill and Abbie Ahmed 

MODELS Alex of Clyne Models and 

Tanya Garcial of 62 Models 

Beauty Notes: 

MAC Face and body 

MAC Strobe Cream 

Jeffree Star Androgyny Palette 

Smashbox Eyeliner - Black 

Xobeauty Lashes 

MAC Bronzer - Matte Bronze 

MAC Blush - Gingerly 

MAC Goldlite Fixplus 

MAC Liquid Lipstick - Tailored To Tease 

Mecca Chunky Glitter 

Pat McGrath Lipgloss 

MAC Eyeliner - Fascinating

Beauty Notes: 

MAC Face and Body 










Pat McGrath Lipgloss 

MAC Eyeliner - Fascinating 


MAC Eyeliner - Fascinating

Beauty Notes: 

MAC Foundation 

MAC Mineralize Hydration Mist 

MAC Sculpting Powders 

MAC Paint Stick Genuine Orange 

Pat Mcgrath Labs Eye Shadow 

MAC Eggplant Gel Eye Liner 

Matt Gloss Anastasia Beverly Hills Lip 

Sprinkle Confectionary

Beauty Notes: 




Pat McGrath Labs Eye Shadow 

MAC Paint Stick Genuine Orange 

MAC Blk Gel Liner 

Anastasia Beverly Hills Lip 

Skin Fetish 

Cover FX Illuminating Spray

Beauty Notes: 




Orange Paint Pots - Eye 

Green Paint Pots - Eye 

MAC Blue Paint Pots - Eye

Beauty Notes: 




Eye Shadow Urban Decay 

MAC Blue Paintbox Liner 

Gloss Shine Lip 

Anastasia Beverly Hills

Beauty Notes: 









Mehron Loose Pigment - Bronze 

Mehron Mixing Medium 

Smashbox Lipstick - Bing 

Pat McGrath Clear Gloss

Beauty Notes: 










MAC Eyeliner - Fascinating 

Smashbox Lipstick - Bing 

MAC Chrome Paint - White

TACKY TERROR Dress • PASIONARTE Hat • REBECA DE MIRANDA Boots

LUNCH BREAK 

PHOTOGRAPHER Constanza Martinez 

STYLIST & CREATIVE DIRECTOR Diego Ibañez 

HMUA Sean Derbees 

MODEL Danielle Van Randen 

AGENCY Paragon Model Management & IMG Worldwide 

MODEL Isabel Asprilla 

AGENCY New Icon Model Management 

SHOT ON LOCATION Taqueria Orinoco

CARLOS PINEDA Coat

BENITO SANTOS Coat • CECILIA DE RAFAEL Tights • REBECA DE MIRANDA Boots

ISABEL: ANDRES PAJON Dress • CECILIA DE RAFAEL Tights • REBECA DE MIRANDA Boots • DANIELLE: BENITO SANTOS Dress • CECILIA DE RAFAEL Tights • REBECA MIRANDA Boots

MICHAEL COSTELLO Dress • PASTIONARTE Hat

FERNANDO ALBERTO ATELIER Dresses • ARAMANDO TAKEDA Coats • PASIONARTE Hats

CARLOS PINEDA Dress • LUCIANA BALDERRAMA Top

ALFREDO MARTINEZ Dress • PASIONARTE Hat

ATOMIC 

SUSHI 

PHOTOGRAPHER Isaac Leung 

HMUA Katie Nagy 

MODEL Eclair Piya 

Ayanami Neoprene Origami Dress

"What we wear should not define what gender or race we are. Freedom is 

the philospohy here, free to be who we are, where we go and what we wear. 

Fashion is a form of self-expression". 

Tamie Anthas studied Fashion Design at Sydney's Fashion Design Studio in Ultimo up until this year and has been noticed by 

local stylist's and photographer's since her first year of study. Her label, DigitalKittn, is not provactive nor does it have shock 

value and although Tamie is aware of the current trends, both in Australia and internationally, she does not follow them. Her 

label has its own unique and distinctive voice that Tamie curates with style, ingenuity and with an environmental conscience. 

Tamie designs a kaleidoscope of unique pieces from contemporary denim street wear and luxurious kiminos, to elegant evening 

wear. With a strong focus on transforming old garments into new, unique re-threads, she believes up-cycling more economical 

and sustainble, and one of the many directions fashion should be taking. Most of the fabric for Tamie's first collection that will be 

shown in 2019, have come from sourcing off-cuts and end-of-roll materials from various local fashion companies, second hand 

stores, remnant stores and recycling centres. She wanted to have a minimal footprint in creating this collection but also show 

other designers what can be done with other people's trash. That discarded fabrics can be turned into modern, contemporary 

fashion: from trash to couture. 

Tamie's first collection ATOMIC SUSHI embodies modernism with curves and structure, heavily influenced with serious tailoring 

and technique and with the hand screen prints also injecting the playful tones of Japanese Anime. The collection is bold in 

colour, accented with black and white monochromes and hints of the 1990's throughout. Each piece of the collection has been 

created like a work of art with many points of interest in full 360 degrees. 

With Tamie's drive and dedication to her chosen art form, she is one designer to watch! 

INSTAGRAM: @digitalkittn_label 

FACEBOOK: Tamie.Anthas

Hawaito Kimono Jacket and Shinji Pushers

Bonded Evangelion Bra Top and Hot Pants and Neo Tokyo Kimono

Nanami Gown with Plastic Obi 

Sustainable and ethically made from discarded fabric due to it being faulty. 

Cut with zero waste by using “Subtraction Pattern Cutting” method.

WAITING FOR THE SUN 

PHOTOGRAPHER Chrissie Hall 

RETOUCHER Wassim Bazzi 

STYLIST Megan Quigley 

HMUA Melinda Wenig 

MODEL Elodie Russell 

AGENCY Chadwick Models 

EWOL Ruffle Body Suit

DIANA WEI Metallic Sequin Dress

EWOL Crop Top • HYPER-REAL Jumpsuit Pants • STYLIST'S OWN Jacket • KMART Holographic Sun Visor

HYPER-REAL Jacket and Skirt

EWOL Pants • HYPER-REAL Holographic Top • STYLIST'S OWN Sunglasses

EWOL Dress • HYPER-REAL Jacket & Skirt

Brooklyn 

Marok 

Brooklyn Marok is 25 years young, and is an artist from Ottawa, 

Ontario, Canada. 

These are her words: 

“Every day I feel the need to paint what I see and how I feel. 

I enjoy painting these faces because they take on my emotions. 

For any bad feelings I need to get off my chest, or good feelings 

that I want to capture, these babes are happy to embody them. 

Creating these colourful, emotional and surreal portraits (which 

in some sense are all self-portraits) helps me express myself; 

it allows me to process and understand my own feelings and 

thoughts. 

I never know where I am going when I start a painting; I like to let 

my intuition, subconscious, and my brush, guide me. Sometimes 

I even forget I am the one in control of making decisions. 

While painting a piece I simply keep adding paint and layering 

until the piece feels complete. 

I work with acrylic as my medium, and use wood as my canvas for 

those reasons; wood can hold multiple layers, and acrylic paint 

dries quickly. This way I can continue layering the paint all in one 

sitting, with one feeling. 

‘She’ has become a replica in which, when I paint her, the colours 

I will use, my brushworks, the elements included in the piece, will 

vary depending on my mood. 

I hope each piece speaks to a different individual, because they 

are all telling a different story.” 

INSTAGRAM @bk.marok

Kentish 

Baby 

PHOTOGRAPHER 

& STYLIST 

Alexandra Mantoura 

FEATURING JEWELLERY DESIGNER 

Julie Impens 




Claudia x 

PHOTOGRAPHER James Atkins 

RETOUCHER Helen_retoucher 

STYLIST Jessica Bishop 

HAIR Sacha Lorge 

MAKE UP ARTIST Monika Bunic 

MODEL Claudia Herro 

AGENCY Chadwick Models

PAGES 7 - 12 

DOODAD + FANDANGO ARTICLE 

Location: Sydney, Australia 

P: Liz Ham 

W: www.lizham.com 

I: lizhamdotcom 

P: Rachel Mia 

FB: Rachelmiaphotography 

I: rachel_mia_ 

DESIGNER FEATURED: 

@doodad_and_fandango 

PAGES 13 - 18 

ARTIST FEATURE: 

PHILIPPA RIDDIFORD 

Location: Melbourne, Australia 

W: www.signedandnumbered.com.au/collections/philippa-riddiford 

I: @philippariddiford 

PAGES 19-24 

KICKIN' 

Location: Vancouver, Canada 

P: Christine Lazar Schuler 

W: www.christinalazarschuler.com 

I: @clazarschuler 

HMU& M: Karie Holst 

W: www.numamodels.com 

I: @karieleighholst 

DESIGNERS FEATURED: 

I: @dollskill @adidas @blackmilkclothing @hm @lululemon 

@kappa_official @kangol_headwear @supremenewyork 

@nike 

PAGES 25 - 32 

CANDIE'S COLOURS 

Location: Melbourne, Australia 

P: Piyathath Patiparnprasert 

I: @gongtaitoop 

D: Xiangyu Xie 

I: @candice_xie_ 

HMU: Jiaqi Yu 

I: @watermelonsteph 

M: Cherry De Vere 

I: @x_xxcherry_bombxx_x 

M: Xiyun Hao 

I: @X.I.YUN 

PAGES 33 - 40 

OVER SATURATION OF THE 

CREATIVE MIND 


P: Daniela Raiti 

I: @danielearaiti 

S: Megan Quigley 

I: @meganquigleycreative 

HMU: Kelli Malseed 

I: @kellimalseedmakeup 

HMU: Chelsea Shay 

I: @chelseashaymua 

M: Seymour Tancred 

I: @tancred 

M: Curtis 

I: @eat_itup_loser @fivetwentymgt 


I: @s.hawess @_yannyyu_ 

PAGES 43 - 48 

LAUREN AZAR 


A: Lauren Azar 

W: www.laurenazarmusic.com 

I: @misslaurenazar 

P: Ona Jansen 

W: www.onajanzen.com.au 

I: @onajanzen 

CONTRIBUTORS OF ISSUE 5 (B) 

PAGES 49 - 60 

GIRL OVER BOARD (Cover Story) 


P: Leïla Joy 

W: www.leilajoyphotography.com 

I: @leilajoy_ 

S: Emma Cotterill 

W: www.reloadagency.com 

I: @emma_cotterill @Reload 

HMU: Steph Lai 

W: www.reloadagency.com 

I: @stephlai @Reload 

M: Nya Leth 

I: @nmmwlI @Kult 


I: @kate_sylvester @cosstores @paredeyewear @boohoo 

@gstarraw @kappa_official @valetstudio @bondsaus 

@cottonon @reliquiajewellery @kirstinash@wynnhamlyn 

@karlkani @prettylittlething @leoandlin@ashleylim.co 

@trelisecooper @boloneyewear 

PAGES 59 - 66 

DISSONANCE 


P: Natasje Garbers 

I: @_natasje 

HMU: Katie Nagy 

I: @katnagymakeup 

M: Mathew Eriksson 

I: @the.mgmt @matthewwriksson 


I: @anxdesigns @moreaumaelle @etiko_fairtrade @ 

edgarsmission @thecrueltyfreeshop @tobarwynandback 

@drmartensofficial @converse 

PAGES 67 - 76 

PRETTY LITTLE LIAR 

Location: Adelaide, Australia 

P: Christine Itel 

W: www.christineitel.com 

I: @c_itel 

HMU: Kelly Lynch 

I: @makeup_by_kelly_lynch 

M: Amy Caldwell 

I: @_amycaldwell_ 


I: @afends @nike @boohoo @motelrocks @dollskill 

@valleygirlau @jeanswest @culturekings @factorie 

PAGES 77 - 84 

POP IT! 

Location: Auckland, New Zealand 

P: Luke Foley Martin 

W: www.lukefmphotography.com 

I: @lukefmphotography 

S: Jason Kapurubandara 

I: @jasonkapuru 

H: Lenard Johnston 

I: @lenardjohnstonofficial 

MU: Olga Gill 

I: @olgagillmakeup 

MU: Abbie Ahmed 

I: @abbieahmed 

M: Alex 

I: @clynemodels 

M: Tanya Garcial 

I: @62models @tanyagarcial 

FÊN HÓNG SÈ MAGAZINE • 129 

PAGES 85 - 96 

LUNCH BREAK 

Location: Mexico City, Mexico 

P: Constanza Martinez 

W: www.constanzamartinez.com 

I: @constanzamartinezg 

S: Diego Ibáñez 

I: @diegoibanez2 

HMU: Sean Derbees 

I: @seanderbees 

M: Danielle Van Randen 

I: @danielle_v_randen @theface.models 

M: Isabel Asprilla 

I: @isacris1911 @newiconmodels 


I: @pasionartemx @armandotakeda @tackyterror 

@rm_rebecamiranda@roberto_cavalli @uterqueoffica 

@fernandoalberto_atelier @josesanchezleather 

@alfredomartinez_brand @michaelcostello @andrespajon 

@ceciliaderafael.turkiye @carlospinedamx 

@lucianabalderrama 

PAGES 97 - 102 

DIGITALKITTN 


P: Isaac Leung 

W: www.pireze.com 

I: @pireze 

D: Digitalkittn 

I: @digitalkittn_label 

HMU: Katie Nagy 

I: @katienagy_makeup 

M:Eclair Piya 

I: @ @eclairpiyaMUA 

PAGES 103 - 112 

WAITING FOR THE SUN 


P: Chrissie Hall 

W: www.www.chrissiehall.com 

I: @chrissiehall 

R: Wassim Bazzi 

W: www.studiobazzi.com.au 

I: @wazmania 

S: Megan Quigley 

I: @meganquigleycreative 

HMU: Melinda Wenig 

W: www.melindawenig.com.au 

I: @melindawmakeup 

M: Elodie Russell 

I: @chadwickmodels @elodierussell 


I: @ewol_lowe @_dianawei @_hyper_real_ @kmartaus 

PAGES 113 - 118 

ARTIST FEATURE: 

BROOKLYN MAROK 

Location: Ottawa, Canada 

I: @bk.marok 

PAGES 119 - 124 

KENTISH BABY 

Location: Kentish Town, UK 

P: Alexandra Mantoura 

W: www.alexandramantoura.photography 

I: @alexandramantouraphoto 

D & M: Julie Impens 

W: www.julieimpens.com/ 

I: @julieimpens 


I: @boohoo @julieimpens 

PAGES 125 - 128 

CLAUDIA 


P: James Atkinson 

I: @jamesatkinsphotography 

R: Helen 

I: helen_retoucher 

S: Jessica Bishop 

I: @jess_bishop 

MU: Monika Bunic 

I: @monikabunic 

H: Sacha Lorge 

I: @sachalorge 

M: Claudia Herro 

I: @claudia_herro @chadwickmodels

BACK COVER STORY BY 

LUKE FOLEY MARTIN 

W: www.fenhongsemagazine.com 

I: @fenhongsemag 

FB: fenhongsemag

Issue 5_B BRIGHT BOLD SHINY

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