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Train Out of Cicero

This story takes you around the world, beginning in 1969 with my hopping a Train out of Cicero on the outskirts of Chicago, Illinois and an encounter with an angry hobo; to a tale about how to act in the face of aggression as told by Sri Ramakrishna, the great saint of Calcutta, India, telling of a snake and a sadhu and how to act in the face of aggression. Here are words, pictures and a recorded narration with music and sound effects. Every page holds a separate recording and at the end of the page, simply click to flip to the next one and the narration and music will continue. If you desire to listen to the story and wonderful music as a whole, without the breaks of the different pages, you will find on the very last page, the embed of the complete story and music: Train out of Cicero Music: Spann's Stomp, by Otis Spann, 1924-1970, the greatest Blues piano player of all time. The music on the final page music is from a live performance by: Anoushka Shankar, Bhairavi Raga

This story takes you around the world, beginning in 1969 with my hopping a Train out of Cicero on the outskirts of Chicago, Illinois and an encounter with an angry hobo; to a tale about how to act in the face of aggression as told by Sri Ramakrishna, the great saint of Calcutta, India, telling of a snake and a sadhu and how to act in the face of aggression. Here are words, pictures and a recorded narration with music and sound effects.

Every page holds a separate recording and at the end of the page, simply click to flip to the next one and the narration and music will continue. If you desire to listen to the story and wonderful music as a whole, without the breaks of the different pages, you will find on the very last page, the embed of the complete story and music: Train out of Cicero

Music: Spann's Stomp, by Otis Spann, 1924-1970, the greatest Blues piano player of all time.
The music on the final page music is from a live performance by:
Anoushka Shankar, Bhairavi Raga

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<strong>Train</strong> <strong>Out</strong> <strong>of</strong> <strong>Cicero</strong><br />

Tales <strong>of</strong> Freight <strong>Train</strong>s and Sri Ramakrishna<br />

(Written and Spoken Word: AUDIO)<br />

by: Peter Malak<strong>of</strong>f<br />

Cover Photograph by: Michael Ranta


<strong>Train</strong> <strong>Out</strong> <strong>of</strong> <strong>Cicero</strong><br />

It was a night train, westbound out <strong>of</strong> <strong>Cicero</strong>, a predominantly<br />

Black area on the west side <strong>of</strong> Chicago, known for its high crime<br />

rate and the westbound terminus for all freight trains out <strong>of</strong> the city.<br />

It was almost midnight, nearly freezin' and a big harvest moon was<br />

sailin' the sky. I had just walked across the city <strong>of</strong> <strong>Cicero</strong> carrying a<br />

heavy knapsack and lookin' for all the world like a traveling hippy.<br />

There were many <strong>of</strong> us on the road that year; young people, longhaired,<br />

well-educated some <strong>of</strong> em, but I don't think many had<br />

passed through this way.<br />

People had warned me not to walk through <strong>Cicero</strong>, to take a bus<br />

instead, but I went anyway.<br />

It was late fall,1969, I was 17 years old and headed for the<br />

Burlington Northern freight-yards, lookin' for a high-speed, straight<br />

through, Hot Shot train, out to Denver, Salt Lake City and on to the<br />

California sun and the unique and legendary company that would<br />

live along its coast.


The walk through town had been fairly eventful. I got to witness<br />

a robbery. The lookout man had waved to me as I approached.<br />

He was outside a store, shufflin' about, nervous, but smiling. As<br />

I walked by I looked in and saw a man with a gun on another<br />

guy. I walked faster and didn't turn around. A couple blocks<br />

away I heard the sirens.<br />

I walked into the yard just as my train was pullin' out. A yardman pointed<br />

it out to me as a hotshot to Denver, "Only 19 hrs and you'll be in the Mile<br />

high city.", he yelled . . . "You're gonna freeze your ass <strong>of</strong>f!"<br />

The train was already pickin' up a good bit <strong>of</strong> speed as I ran<br />

alongside the gravel embankment, looking behind me for an<br />

empty boxcar . . . it was far too cold to ride the outside<br />

underneath a piggyback. Finally, I saw it coming; still running, I<br />

slide the pack <strong>of</strong>f my back onto one arm, throw it up inside onto<br />

the floor and then changin’ to a steel handle on the door, I kick<br />

up my feet and haul myself on board. I made it, it looked clean;<br />

It should be a good ride ahead . . .


On an empty boxcar, pulling out <strong>of</strong> the freight-yards at night, I<br />

always liked to watch the bright flood <strong>of</strong> the yard lights sweep<br />

across the inside <strong>of</strong> the car. First they strike the back wall in a<br />

long, piercing look and then as the train pulls on they broaden,<br />

moving, plastering the side wall like a billboard and then<br />

sweeping quickly across the car, narrow again to the front and<br />

you leave them behind.<br />

Well, the light entered the car, swept across the back and side<br />

walls and then as it shone into the front <strong>of</strong> the car, I realized I was<br />

not alone. There was a dark figure squatting on the floor. I gave a<br />

start, but only inwardly. After walking through <strong>Cicero</strong>, I was<br />

already on full alert. I had heard many stories from the hobos,<br />

particularly the older ones about the 'bad people' ridin' these<br />

trains . . . the man was black and bearded and heavily dressed.<br />

He gave no welcome or sign <strong>of</strong> acknowledgement. I immediately<br />

felt this was not a good situation.


Usually, when you ride in a empty boxcar, you ride towards the<br />

front. You are out <strong>of</strong> the wind and it's generally the best place to<br />

be, particularly in the case <strong>of</strong> a sudden stop when you can be<br />

thrown quickly and violently forward; I once went from one end<br />

<strong>of</strong> a boxcar to the other, when they hit the brakes going across<br />

the desert outside <strong>of</strong> Kingman, Arizona.<br />

Because I had come onto the car after he did and because he<br />

<strong>of</strong>fered no greeting or sign <strong>of</strong> friendliness and because it<br />

seemed too late to jump <strong>of</strong>f, I thought it best to sit opposite the<br />

open door. It seemed better to me than the far other end <strong>of</strong> the<br />

boxcar, not only because it was less in the wind, but it also<br />

seemed to hold out some possibility <strong>of</strong> relationship with my dark<br />

partner on this all night ride.<br />

I spread out a blanket for a pad and leaning back against the<br />

wall and bending my knees, I slid my back down the wall until I<br />

was half sitting on my blanket, my knees drawn up to my chest;<br />

the best position for absorbing the shock and bouncing <strong>of</strong> a<br />

freight car. I looked at the dark figure alone in the far corner and<br />

I thought to myself, "This is going to be a long night. I don't dare<br />

go to sleep with this guy here.” I would have to stay awake and<br />

alert. I didn't have long to wait before things started to happen.<br />

I had been watching the city outskirts go by at an ever<br />

increasing rate, listening to the clackety rhythms <strong>of</strong> the wheels<br />

and bouncing steel, when all <strong>of</strong> a sudden he was standing in<br />

front <strong>of</strong> me and just to the left.<br />

“Got any food white boy?"<br />

It was his opening statement . . .


He was a large black man and obviously in an angry and<br />

antagonistic state <strong>of</strong> mind. I was taken by surprise and I didn't<br />

answer right away.<br />

He growled again,<br />

"I said, you got any food white boy?"<br />

"No, I don't have any food."<br />

I answered in my 'come on lets be rational and talk this all out'<br />

educated, jewish-liberal, white-boy voice.’<br />

"I know you got food in that knapsack white boy."<br />

His voice was getting louder and more insistent.<br />

"I don't have any food, man." I now replied in a more firm tone<br />

<strong>of</strong> 'although I was never brought up this way, this is how it is'<br />

voice.’<br />

I was telling the truth. I did have some brown rice and miso, but<br />

I knew that wouldn't count in this situation.<br />

"I know you got food in that knapsack white boy."<br />

He took a step towards me as he spoke.<br />

He had definitely approached within the critical range for a<br />

conversation <strong>of</strong> this sort. I had to do something.<br />

I knew the train was going too fast for either one <strong>of</strong> us to leave<br />

now. I envisioned a fight with someone being thrown out the<br />

door . . . it all wasn't pretty. The train was flying along and the<br />

whole boxcar had that rolling sway <strong>of</strong> a fast-moving ship on<br />

land.<br />

Our eyes were locked together and even though we couldn't<br />

see each other clearly, I made my move . . .


I was wearing two pairs <strong>of</strong> pants, two undershirts, three flannel<br />

shirts, a heavy sweater, a vest, a large, heavy dark-grey,<br />

oversize, ankle-length salvation army coat. I had on gloves and<br />

hiking boots. I had a three-day growth <strong>of</strong> beard and even<br />

though I wore glasses, I made the right impression as I stood up<br />

. . . slowly, taking all my time, drawing myself almost lazily to my<br />

full height <strong>of</strong> over six-foot-four inches and more in my heavy<br />

hiking boots and looking slightly down on him and straight into<br />

his face said, in a deep and forceful, 'ain't gonna take this shit<br />

no more,’<br />

"I don't have no food, Maaannn!!!”<br />

We stood there for a few seconds, swaying in unison as the<br />

boxcar bounced along on the rails. The silence in the midst <strong>of</strong><br />

all the noise around was crying out a million things. I didn't know<br />

what he was hearin'. I had played my cards and now it was up<br />

to him.<br />

He spat on the floor, not in my direction, (I knew it was gonna<br />

be all right at that point), he mumbled something about the<br />

white race and he walked away to his end <strong>of</strong> the boxcar. It had<br />

worked.<br />

I stayed up all that night, thinking plenty <strong>of</strong> thoughts with my<br />

man like a backup horn section, playin' some remember-some<br />

licks <strong>of</strong> apprehension, but the train was rockin' like a lullaby<br />

cradle and he was passed <strong>of</strong>f to sleep in his anger.


I watched a bunch <strong>of</strong> lovely moon-night country fly by, the fields<br />

all barren, white birds scattering in the fall moonlight, thinking<br />

the thoughts <strong>of</strong> an angel at war.<br />

<strong>Train</strong> Photos by: Michael Ranta<br />

The next morning before sunrise, while pulled <strong>of</strong>f on a siding<br />

to let a passenger train by, I left that boxcar and found<br />

another, for the rest <strong>of</strong> the ride to Denver.


Lookin' Back at Anger<br />

When the black man came at me in the boxcar, I felt a<br />

situation in which neither passivity nor aggression would work.<br />

To be mild in the face <strong>of</strong> a crazy, angry man seemed to invite<br />

disaster. To be aggressive and fight was an unnecessary and<br />

dangerous violence. It was a third consideration on which I<br />

acted . . . a consideration I first heard in the teachings <strong>of</strong> Sri<br />

Ramakrishna.<br />

Sri Ramakrishna


Ramakrishna was a great God- Realizer <strong>of</strong> the late 19th<br />

Century India. Often, when teaching, he would recount the<br />

many tales and stories he heard as a child growing up in rural<br />

India. By means <strong>of</strong> these stories, he would add spice to the<br />

transmission <strong>of</strong> his own Realization, and give new meaning to<br />

previously unexamined issues.<br />

Let me tell you a story <strong>of</strong> his, a story which gave me another<br />

way to act in the face <strong>of</strong> violence:<br />

“Some cowherd boys used to tend their herd in a meadow<br />

where a terrible poisonous snake lived. Everybody was always<br />

on alert for fear <strong>of</strong> it . One day a sadhu, a saint, was going<br />

along that way to the meadow. The boys ran to him and said:<br />

"Revered sir, please don't go that way. A terrible, venomous<br />

snake lives over there."<br />

"What <strong>of</strong> it, my good children?" said the saint. "I am not afraid <strong>of</strong><br />

the snake." And so saying, he continued on his way through the<br />

meadow. But the cowherd boys, being afraid, did not<br />

accompany him. In the meantime, the snake heard him and<br />

moved swiftly against him with upraised hood.<br />

As soon as it came near, the sadhu recited a mantra, and the<br />

snake lay at his feet like an earthworm.


The holy man said: "Look here. Why do you go about doing<br />

harm? Come, I will give you a holy mantra. By repeating it you<br />

will learn to love God. Ultimately you will realize him and also<br />

get rid <strong>of</strong> your violent nature." And saying this, he taught the<br />

snake the holy word and initiated him into spiritual life.<br />

The snake bowed before the teacher and said, "Revered sir,<br />

how shall I practice spiritual discipline?"<br />

"Repeat that sacred word", said his teacher and do no harm to<br />

anybody." As he was about to depart, the saint said, "I shall see<br />

you again for sure."<br />

Some days passed and the cowherd boys noticed that the<br />

snake seemed passive. They threw stones at it. Still it showed<br />

no anger; It behaved as if it were an earthworm.<br />

One day one <strong>of</strong> the boys came close to it, caught it by the tail,<br />

and whirling it round and round, dashed it against a tree and<br />

threw it away on the ground. The snake vomited and became<br />

unconscious. It was stunned. It could not move. Thinking it<br />

dead, the boys went their way.<br />

Late at night the snake regained consciousness. Slowly and<br />

with great difficulty it dragged itself into its hole; its bones were<br />

broken and it could scarcely move. Many days and weeks<br />

passed. The snake became a mere skeleton covered with skin.<br />

For fear <strong>of</strong> the boys it would not leave its hole during the daytime.<br />

Night and day it practiced its mantra and at night it would<br />

sometimes come out in search <strong>of</strong> food. Since receiving the<br />

sacred word from the teacher, it had given up doing harm to<br />

others. It maintained its life on dirt, leaves, or the fruit dropped<br />

from trees.


About a year later the saint came that way again and asked<br />

after the snake. The cowherd boys told him that it was dead.<br />

But he didn't believe them. He knew that the snake would not<br />

die before attaining the fruit <strong>of</strong> the holy word with which it had<br />

been initiated. He went out into the fields and searching here<br />

and there, called the snake by the name he had given it. And<br />

hearing his Guru's voice, the snake came out <strong>of</strong> its hole and<br />

bowed before him with great reverence. "How are you?" asked<br />

the saint.<br />

"I am well, sir", replied the snake.<br />

"But", the teacher asked, "Why are you so thin?"<br />

The snake replied,"Revered sir, you ordered me not to harm<br />

anybody. So I have been living on leaves and fruit. Perhaps that<br />

has made me thinner." The snake had developed the quality <strong>of</strong><br />

sattva or purity; it could not be angry with anyone and it had<br />

totally forgotten that the cowherd boys had almost killed it.<br />

The saint said, "It can't be mere want <strong>of</strong> food that has reduced<br />

you to this state. There must be some other reason. Think a<br />

little."<br />

And then the snake remembered that the boys had dashed it<br />

against the tree and it said, "Yes, now I remember. The boys<br />

held me by my tail and dashed me violently against the tree.<br />

They are ignorant after all. They didn't realize what a great<br />

change had come over my mind. How could they know I<br />

wouldn't bite or harm anyone?"<br />

And the saint exclaimed, "What a shame! You are such a fool!<br />

You don't know how to protect yourself.<br />

"But, Guruji" , the snake protested, "you told me not to harm<br />

anybody.”


"Yes, I asked you not to harm anybody, but I did not forbid you<br />

to hiss!<br />

You must scare them away by hissing!”


Ramakrishna said:<br />

“So you must hiss at wicked people. You must frighten them lest<br />

they should do you harm. But never inject your venom into<br />

them. One must not injure others. “In this creation <strong>of</strong> God there<br />

is a variety <strong>of</strong> things: men, animals, trees, plants. Among the<br />

animals some are good, some bad. There are ferocious animals<br />

like the tiger. Some trees bear fruit sweet as nectar, and others<br />

bear fruit that is poisonous. Likewise, among human beings,<br />

there are the good and the wicked, the holy and the unholy.<br />

There are some who are devoted to God, and others who are<br />

attached to the world.”<br />

I have followed the words <strong>of</strong> Ramakrishna since I first heard<br />

them.<br />

Peter Malak<strong>of</strong>f<br />

www.petermalak<strong>of</strong>f.com


Here is the recording <strong>of</strong> the whole story: <br />

<strong>Train</strong> out <strong>of</strong> <strong>Cicero</strong><br />

with narration, music and sound effects:<br />

Narration by: Peter Malak<strong>of</strong>f<br />

Music: Spann’s Stomp by: Otis Spann<br />

The “Colossus <strong>of</strong> Blues”<br />

1930-1970<br />

Anoushka Shankar: Bhairavi Raga

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