The Red Bulletin June 2019
Ultra Gobi “This is what running non-stop for that length of time in such hostile conditions does to you” The photographer’s perspective: James Carnegie “I struggled with a conflict of compassion over commitment during this assignment. I was here, several thousand miles from home, for the singular purpose of capturing James’ story. But when your good friend lurches in from the cold, dark desert, shivering uncontrollably and repeatedly muttering ‘I just need to sleep’ you’re torn between helping them into their sleeping bag and getting the shot. I kept telling myself that if I came away with just one good shot, it would all be worth it. “I knew that I needed to see James outside the checkpoints, the safety of medics and the race staff; I needed to see him in the darkness and loneliness of the race. I heard his shuffled, slowing and stumbling footsteps alongside me, and also his incoherent, nonsensical speech and hallucinations as we traversed riverbed and gorge. I could see – and briefly share – the deep, deep cold he was victim to as he drew the hood tight around his face, clenching his numb and useless fingers into a ball in his gloves. This is where he was. This is where the story was. I would have liked to have experienced more of that. Without actually running this thing in its entirety, that wasn’t possible. I probably pushed as far as I could in my capacity as a photographer on this kind of remote adventure, but I’m left with utter respect for James and all the runners who saw this through. “A face can tell a thousand words. I hope that in my images I captured some of what James was experiencing. The raw fatigue, the worn exterior and the rollercoaster of emotions were clear to see, but how does one capture that?” 86 THE RED BULLETIN
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Ultra Gobi<br />
“This is what running<br />
non-stop for that<br />
length of time in such<br />
hostile conditions<br />
does to you”<br />
<strong>The</strong> photographer’s<br />
perspective: James Carnegie<br />
“I struggled with a conflict of<br />
compassion over commitment<br />
during this assignment. I was<br />
here, several thousand miles<br />
from home, for the singular<br />
purpose of capturing James’<br />
story. But when your good friend<br />
lurches in from the cold, dark<br />
desert, shivering uncontrollably<br />
and repeatedly muttering ‘I just<br />
need to sleep’ you’re torn<br />
between helping them into their<br />
sleeping bag and getting the<br />
shot. I kept telling myself that if<br />
I came away with just one good<br />
shot, it would all be worth it.<br />
“I knew that I needed to see<br />
James outside the checkpoints,<br />
the safety of medics and the<br />
race staff; I needed to see him<br />
in the darkness and loneliness<br />
of the race. I heard his shuffled,<br />
slowing and stumbling footsteps<br />
alongside me, and also his<br />
incoherent, nonsensical speech<br />
and hallucinations as we<br />
traversed riverbed and gorge.<br />
I could see – and briefly share<br />
– the deep, deep cold he was<br />
victim to as he drew the hood<br />
tight around his face, clenching<br />
his numb and useless fingers<br />
into a ball in his gloves. This is<br />
where he was. This is where the<br />
story was. I would have liked to<br />
have experienced more of that.<br />
Without actually running this<br />
thing in its entirety, that wasn’t<br />
possible. I probably pushed as<br />
far as I could in my capacity as<br />
a photographer on this kind of<br />
remote adventure, but I’m left<br />
with utter respect for James<br />
and all the runners who saw<br />
this through.<br />
“A face can tell a thousand<br />
words. I hope that in my images<br />
I captured some of what James<br />
was experiencing. <strong>The</strong> raw<br />
fatigue, the worn exterior and<br />
the rollercoaster of emotions<br />
were clear to see, but how does<br />
one capture that?”<br />
86 THE RED BULLETIN