The Red Bulletin June 2019
Secret Cinema Blade Runner, Canning Town (2018) “We didn't want to break the spell, and playing the Vangelis soundtrack would do that,” says Bennett. “So we took the music from Taffey’s Bar, because it’s a place in the film. We stretched 18 seconds of Arabic-style dub into six hours of low-end exotica.” Broccoli. She listened, asked very astute questions, then said, ‘Yeah, you can do that.’ Next, I got hold of the film’s director, Martin Campbell, and said, ‘What were you thinking when you filmed Casino Royale?’ He said, ‘I looked down the camera lens and asked myself if it was real. And if it was, I filmed it.’” Jackson, shrewdly, won’t reveal the contents of the show. “We’ve got a casino – that’s not too much of a spoiler,” he laughs. However, fans of the 1959 Alfred Hitchcock thriller North by Northwest may find the prescreening narrative familiar. Jackson also name-drops Sébastien Foucan, the founder of freerunning, who played bomber Mollaka in Casino Royale’s opening chase in Madagascar. “Seb’s been in and out a few times,” he teases. What Jackson does promise is an opportunity for everyone to live out their 007 fantasy in a way that no one, except perhaps the Bond actors, has had the chance to do. “Spielberg said we go to films to watch people making the choices you wouldn’t make in real life,” he says. “We’re putting these choices in the hands of the audience. You get to a point where the audience are the performers. That’s what a Secret Cinema show is.” “When we bring films to life, that also means whatever message those films have,” says Riggall. “When we did One Flew Over the Cuckoo’s Nest, we worked with mental-health charity Mind and integrated fundraising awareness. This year, with Casino Royale, we’re working with Calm, a charity that raises awareness of mental health and male suicide. The film is very honest about what James Bond goes through, and it’s interesting to allow that to be part of the story. One gesture can change your life and sometimes that thing is cultural. For me, it was cinema. It’s important to create experiences that can be a conduit for change.” Casino Royale is the first Secret Cinema that Riggall has delegated control of, handing the reins to veteran theatre director Angus Jackson. “It’ll be the biggest indoor show we’ve done – twice the size of Blade Runner,” says Jackson. “It’s 1,500 people a night, 50 performers. This is closest to when I ran the entire Rome season at the RSC [in 2017], when we built a four-show Roman world for Julius Caesar, Antony and Cleopatra, Titus Andronicus and Coriolanus. That collapsed in on itself in the space of a year.” It also heralds a deeper partnership with the film creators. “I had to pitch to Barbara Riggall and Luhrmann on stage at 2017’s Moulin Rouge “There’s a desire to escape our looped existence” Fabien Riggall may be a master of secrecy, but he’s quite open about some of the plans he has for Secret Cinema. He wants to take it global. “We’ve done teasers in Berlin, New York, to see how can that works. Universally, I think people want experiences that are mysterious, to become part of a bigger thing. In the US, cinema has a cultural resonance, and bringing these experiences to a country where entire towns transform for Halloween is interesting. And when we start going to places that don’t speak English, how do we translate that?” As for which films he’d like to do next: “Titanic. The richness of that world could be huge. The question is, how are we going to build it, sink it and then get it back up every night? I’ve always wanted to do Secret Cinema on a train. And ET – to have everyone cycle to a forest on BMXs, strap them onto wires, then they fly over the screen and we never see them again.” Riggall may be joking about ET, but there’s one idea for the future that he’s serious about: “Once Upon a Time in America, set beneath Brooklyn Bridge. Transforming a district of Brooklyn into prohibition New York, with Morricone and a live orchestra. I’m definitely going to propose that to whichever mayor of Brooklyn we have to talk to. I think that’s possible.” Secret Cinema presents Casino Royale launches on June 5; tickets.secretcinema.org SECRET CINEMA/AL OVERDRIVE/MIKE MASSARO 52 THE RED BULLETIN
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- Page 36 and 37: Daniela Ryf Daniela Ryf is amazingl
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- Page 40 and 41: Daniela Ryf “YOUR POSITION AT THE
- Page 42: Daniela Ryf In 2018, Ryf won her fo
- Page 45 and 46: The Empire Strikes Back, Printworks
- Page 47 and 48: The first rule of Secret Cinema is:
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Secret Cinema<br />
Blade Runner, Canning Town (2018)<br />
“We didn't want to break the spell, and playing the Vangelis soundtrack would do that,”<br />
says Bennett. “So we took the music from Taffey’s Bar, because it’s a place in the film.<br />
We stretched 18 seconds of Arabic-style dub into six hours of low-end exotica.”<br />
Broccoli. She listened, asked very astute<br />
questions, then said, ‘Yeah, you can do that.’<br />
Next, I got hold of the film’s director, Martin<br />
Campbell, and said, ‘What were you thinking<br />
when you filmed Casino Royale?’ He said,<br />
‘I looked down the camera lens and asked<br />
myself if it was real. And if it was, I filmed it.’”<br />
Jackson, shrewdly, won’t reveal the<br />
contents of the show. “We’ve got a casino –<br />
that’s not too much of a spoiler,” he laughs.<br />
However, fans of the 1959 Alfred Hitchcock<br />
thriller North by Northwest may find the prescreening<br />
narrative familiar. Jackson also<br />
name-drops Sébastien Foucan, the founder of<br />
freerunning, who played bomber Mollaka in<br />
Casino Royale’s opening chase in Madagascar.<br />
“Seb’s been in and out a few times,” he teases.<br />
What Jackson does promise is an<br />
opportunity for everyone to live out their 007<br />
fantasy in a way that no one, except perhaps<br />
the Bond actors, has had the chance to do.<br />
“Spielberg said we go to films to watch people<br />
making the choices you wouldn’t make in real<br />
life,” he says. “We’re putting these choices in<br />
the hands of the audience. You get to a point<br />
where the audience are the performers. That’s<br />
what a Secret Cinema show is.”<br />
“When we bring films to life, that also means<br />
whatever message those films have,” says<br />
Riggall. “When we did One Flew Over the<br />
Cuckoo’s Nest, we worked with mental-health<br />
charity Mind and integrated fundraising<br />
awareness. This year, with Casino Royale,<br />
we’re working with Calm, a charity that raises<br />
awareness of mental health and male suicide.<br />
<strong>The</strong> film is very honest about what James<br />
Bond goes through, and it’s interesting to<br />
allow that to be part of the story. One gesture<br />
can change your life and sometimes that<br />
thing is cultural. For me, it was cinema. It’s<br />
important to create experiences that can be<br />
a conduit for change.”<br />
Casino Royale is the first Secret Cinema<br />
that Riggall has delegated control of, handing<br />
the reins to veteran theatre director Angus<br />
Jackson. “It’ll be the biggest indoor show<br />
we’ve done – twice the size of Blade Runner,”<br />
says Jackson. “It’s 1,500 people a night, 50<br />
performers. This is closest to when I ran the<br />
entire Rome season at the RSC [in 2017],<br />
when we built a four-show Roman world for<br />
Julius Caesar, Antony and Cleopatra, Titus<br />
Andronicus and Coriolanus. That collapsed<br />
in on itself in the space of a year.”<br />
It also heralds a deeper partnership with<br />
the film creators. “I had to pitch to Barbara<br />
Riggall and Luhrmann on stage<br />
at 2017’s Moulin Rouge<br />
“<strong>The</strong>re’s a desire<br />
to escape our<br />
looped existence”<br />
Fabien Riggall may be a master of<br />
secrecy, but he’s quite open about some<br />
of the plans he has for Secret Cinema.<br />
He wants to take it global. “We’ve done<br />
teasers in Berlin, New York, to see how can<br />
that works. Universally, I think people want<br />
experiences that are mysterious, to become<br />
part of a bigger thing. In the US, cinema has<br />
a cultural resonance, and bringing these<br />
experiences to a country where entire towns<br />
transform for Halloween is interesting. And<br />
when we start going to places that don’t speak<br />
English, how do we translate that?”<br />
As for which films he’d like to do next:<br />
“Titanic. <strong>The</strong> richness of that world could<br />
be huge. <strong>The</strong> question is, how are we going<br />
to build it, sink it and then get it back up<br />
every night? I’ve always wanted to do Secret<br />
Cinema on a train. And ET – to have everyone<br />
cycle to a forest on BMXs, strap them onto<br />
wires, then they fly over the screen and we<br />
never see them again.”<br />
Riggall may be joking about ET, but<br />
there’s one idea for the future that he’s<br />
serious about: “Once Upon a Time in America,<br />
set beneath Brooklyn Bridge. Transforming<br />
a district of Brooklyn into prohibition New<br />
York, with Morricone and a live orchestra.<br />
I’m definitely going to propose that to<br />
whichever mayor of Brooklyn we have<br />
to talk to. I think that’s possible.”<br />
Secret Cinema presents Casino Royale<br />
launches on <strong>June</strong> 5; tickets.secretcinema.org<br />
SECRET CINEMA/AL OVERDRIVE/MIKE MASSARO<br />
52 THE RED BULLETIN