Bednall Make we merry
for SSAA and organ, and optional brass ensemble and timpani Commissioned by Benenden School, Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A vast array of sentiments is depicted, from quiet expectance and gentle wonder to boisterous jubilation, and the different movements provide a wonderfully paced journey through these moods. The final movement brings back motifs from the opening and grows to a thrillingly climactic ending to this exciting Christmas concert work.
for SSAA and organ, and optional brass ensemble and timpani
Commissioned by Benenden School, Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A vast array of sentiments is depicted, from quiet expectance and gentle wonder to boisterous jubilation, and the different movements provide a wonderfully paced journey through these moods. The final movement brings back motifs from the opening and grows to a thrillingly climactic ending to this exciting Christmas concert work.
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
21<br />
18<br />
mf<br />
p<br />
° 3 œ 3<br />
& 4 œ J œ 4 œ œ œ œ bœ<br />
œ 4 ˙<br />
∑ ∑<br />
Past, the past, no more be seen!<br />
mf<br />
3<br />
3<br />
¢ & 4 œ œ bœ<br />
œ œ œ 4<br />
4<br />
∑ ∑<br />
œ œ œ œ œ œ ˙<br />
Past, the past, no more be seen!<br />
p<br />
&<br />
{<br />
3<br />
4<br />
˙ œ œ bœ<br />
œ œ œ 4 ˙ œ œ œ<br />
mf<br />
? 3<br />
3<br />
4 bœ<br />
œœ bœ<br />
˙ <br />
b ˙ 4<br />
4 b b<br />
<br />
˙<br />
œ<br />
œ<br />
b<br />
˙˙ œ b<br />
˙<br />
˙<br />
Ped.<br />
œ bœ<br />
œ n œ 3<br />
4<br />
˙œ<br />
˙ œ œ ˙ œ ˙˙œ œ œ ˙ nœ p<br />
œ<br />
œ<br />
˙<br />
œ œ œ œ œ œ<br />
mp<br />
n<br />
n<br />
œ œ<br />
bœ œ œ for online perusal only<br />
23<br />
°<br />
&<br />
¢ &<br />
mp<br />
Œ Œ œ œ<br />
But<br />
mp<br />
But<br />
œ œ J œ œ œ œ œ œ j œ œ J œ œ ˙ œ œ<br />
the Beth - le - hem - star<br />
may lead me To the<br />
Œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ # œ œ œ œ œ œ œ<br />
the Beth - le - hem - star<br />
may lead me To the<br />
&<br />
{<br />
b<br />
?<br />
˙ <br />
œ œ œ œ œ œ<br />
˙ <br />
œ œ œ œ œ œ<br />
˙ b œ œ œ œ œ œ<br />
œ œ bœ œ œ œ œ bœ œ œ œ œ bœ œ œ #œ nœ<br />
˙<br />
œ œ ˙<br />
œ œ œ # œ œ<br />
œb bœ<br />
œ<br />
nn<br />
œ<br />
œ œ ˙<br />
œ œ œ # œ œ<br />
# œ<br />
˙<br />
œ<br />
œbb<br />
œ<br />
œ œ n n<br />
28<br />
°<br />
&<br />
¢ &<br />
mf<br />
œ œ J<br />
œ œ œ œ œ œ œ œ œ œ ˙ ˙ bœ<br />
sight<br />
mf<br />
sight<br />
of him who freed me From the<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
of him, of him who freed me From the<br />
˙<br />
bœ<br />
bœ<br />
bœ<br />
&<br />
œ<br />
œ œ<br />
œ<br />
œ<br />
nœ<br />
œ<br />
œ œ œ œ<br />
œ œ œ ˙<br />
œ œ œ œ œ<br />
œ˙<br />
bœ<br />
œ œ<br />
œbœ<br />
œ<br />
{?<br />
mf<br />
nœ<br />
œ<br />
˙<br />
œ œ œ œ<br />
œ œ œ œœ œ<br />
˙<br />
œ<br />
œ<br />
œ<br />
bbœ<br />
b˙<br />
b œ œ<br />
œ<br />
œ<br />
œ<br />
bb œ<br />
˙<br />
œœ<br />
bœ
Change language