The First Berliner Art Book 2019 ©
This new edition of The First Berliner Art Book © it's considered a very special edition that is dedicated to the most meritorious artists that Art Management Berlin has selected for to work on the artists worldwide promotion campaign, by there's possibility also, to be promoted exclusively by Sony Center am Potsdamer Platz in Berlin. We've founded very interesting to include in this art book, also, a splendid sellection of South Korean Contemporary artists with the extraordinary participation of Eunman Huh, the Honorary co-curator Art Management Berlin of 2019-2020 publications, that has worked enthusiasthically at the absolutely new Korean art proposals for the European art market. This selection will lead to the South Korean Contemporan Retrospective - Berlin 2019, where the artists included in this art book will be able to show there's art during three weeks of the exhibitions in Berlin Mitte, as all another artists featured in our publications. The continue expanding of Asian art and another cultures and there's certain influences on the Europe art, creating an interesting mix of the cultures of Modern society where the Continents and there's Cultures becomes closer then ever, the Modern technology has a greatest role in the construction of a new artistic world and the traditional real life exhibition brings the reality to the nearest fact of the autenticity of the artworks. We are very honored to introduce to worldwide gallerists, curators, byers and art lovers the new volume of The First Berliner Art Book 2019 ©, of a brilliantly new and already experienced worldwide artists of all media of the Fine Arts that has so much to say by there's new art proposals. Create, enjoy and share the Art in all its colors, shapes and expressions, as an absolutely necessary Humanity Spiritual Treasure! Curated by AMB & Gabriela Caranfil (Berlin , Germany), Eunman Huh (Seoul, South Korea)
This new edition of The First Berliner Art Book © it's considered a very special edition that is dedicated to the most meritorious artists that Art Management Berlin has selected for to work on the artists worldwide promotion campaign, by there's possibility also, to be promoted exclusively by Sony Center am Potsdamer Platz in Berlin.
We've founded very interesting to include in this art book, also, a splendid sellection of South Korean Contemporary artists with the extraordinary participation of Eunman Huh, the Honorary co-curator Art Management Berlin of 2019-2020 publications, that has worked enthusiasthically at the absolutely new Korean art proposals for the European art market. This selection will lead to the South Korean Contemporan Retrospective - Berlin 2019, where the artists included in this art book will be able to show there's art during three weeks of the exhibitions in Berlin Mitte, as all another artists featured in our publications.
The continue expanding of Asian art and another cultures and there's certain influences on the Europe art, creating an interesting mix of the cultures of Modern society where the Continents and there's Cultures becomes closer then ever, the Modern technology has a greatest role in the construction of a new artistic world and the traditional real life exhibition brings the reality to the nearest fact of the autenticity of the artworks.
We are very honored to introduce to worldwide gallerists, curators, byers and art lovers the new volume of The First Berliner Art Book 2019 ©, of a brilliantly new and already experienced worldwide artists of all media of the Fine Arts that has so much to say by there's new art proposals.
Create, enjoy and share the Art in all its colors, shapes and expressions, as an absolutely necessary Humanity Spiritual Treasure!
Curated by AMB & Gabriela Caranfil (Berlin , Germany), Eunman Huh (Seoul, South Korea)
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Judith Stone<br />
For three decades, Judith Stone has addressed the gritty data of urban construction<br />
and its complement, demolition, through her graphite drawings. Initially focused<br />
on the built landscape in transition, in recent years she has trained the light on the<br />
earth moving equipment itself; shovels, backhoes, cranes, booms, hooks. While<br />
Stone’s renderings do suggest an inherently dynamic process, the photographs<br />
that inform the drawings are taken after-hours, when the workmen have left<br />
the site for the day, and the machines are at rest. Stone finds mesmerizing the<br />
atmosphere of temporarily stilled power, of latency, in those quiet moments. A second innovative shift in<br />
Stone’s recent oeuvre is the direct inclusion of photographs shot during her extensive global travels. <strong>The</strong><br />
strategic insertion of camera images, most commonly perceived through tinted, transparent Plexiglas<br />
“windows”, represents a commingling of Stone’s external and internal explorations, the former in photos<br />
of historically resonant sights in the American West, Great Britain, and Japan, the latter in photos of<br />
ancient stone structures in Jerusalem’s Old City. In Stone’s mind, the integration of these vigorous graphite<br />
renderings with partially veiled, but equally potent photographs alludes to the nature of memory itself, as<br />
one looks at once outward, at routine, daily experience, and inward, at one’s personal or communal past.<br />
With a B.A. from Vassar College, an M.F.A. from the University of Colorado, and an M.A.T. from Harvard<br />
University, Stone is an art historian, as well as an artist. “Easel to Edifice”, a book-length, comparative<br />
study of <strong>Art</strong> Nouveau masters Henry van de Velde and Charles Rennie Mackintosh, will be published by<br />
Common Ground Research Networks in autumn, <strong>2019</strong>.<br />
jelisestone@cs.com<br />
www.judithstoneworksonpaper.com<br />
Wide<br />
Load/<br />
Japanese Pine I & II,<br />
109,2 x 73,6 cm,<br />
graphite,<br />
conte,<br />
photographic shard,<br />
enamelled<br />
hardware,<br />
2017<br />
36
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