POP CULTURE! Issue
Happy birthday to us!! We are celebrating 4 years of KALTBLUT Magazine with our new print issue. 120 Pages featuring artists like Candy Ken, Years & Years, Mykki Blanco, Pip & Pop, Crystal, Patrick de Padua, Strawberry Bubblegums, Aminata, Maisie Cousins .. Plus fashion editorials, interviews, new rubrics, essay and more. Special THX to Negroni.
Happy birthday to us!! We are celebrating 4 years of KALTBLUT Magazine with our new print issue. 120 Pages featuring artists like Candy Ken, Years & Years, Mykki Blanco, Pip & Pop, Crystal, Patrick de Padua, Strawberry Bubblegums, Aminata, Maisie Cousins .. Plus fashion editorials, interviews, new rubrics, essay and more. Special THX to Negroni.
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Candy Ken<br />
Years & Years<br />
Mykki Blanco<br />
Pip & Pop<br />
Crystal<br />
1
www.farah.co.uk<br />
Earlham Street, Covent Garden
Team<br />
Editor-in-Chief<br />
Fashion Editor<br />
Marcel Schlutt<br />
mschlutt@kaltblut-magazine.de<br />
Art Director<br />
Art Editor<br />
Nicolas Simoneau<br />
nsimoneau@kaltblut-magazine.de<br />
Art Editors<br />
Amanda M. Jansson<br />
ajansson@kaltblut-magazine.de<br />
Emma E.K. Jones<br />
ejones@kaltblut-magazine.de<br />
Music Editor<br />
Nicola Phillips<br />
nphillips@kaltblut-magazine.de<br />
Movie Editor<br />
Friedericke Suckert<br />
fsuckert@kaltblut-magazine.de<br />
Fashion Woman Editor<br />
Fashion Assistant<br />
Fashion Uk Editor<br />
Anita Krizanovic<br />
akrizanovic@kaltblut-magazine.de<br />
Nico Sutor<br />
nsutor@kaltblut-magazine.de<br />
Karl Slater<br />
kslater@kaltblut-magazine.de<br />
“Do you ever wonder why this music gets you high?<br />
It takes you on a ride, feel it when your body starts to rock<br />
Baby, you can’t stop and the music’s all you got<br />
Baby c’mon, this must be pop, pop“<br />
Photo by Sebastian Pollin<br />
Editor Netherlands<br />
Michelle Hèlena Janssen<br />
mjanssen@kaltblut-magazine.de<br />
Proof reading and editing by Nicola Phillips and<br />
Amanda M.Jansson.<br />
Sebastien Pollin, Suzanna Holtgrave, Tom Wawnik<br />
Candy Ken, Photography by Tom Wawnik<br />
Welcome to our new issue with the theme: <strong>POP</strong><br />
Pop music and pop art are part of our culture. We see and hear it<br />
every day. Pop culture artists are the biggest influences nowadays. So<br />
it was about time that we did an issue around <strong>POP</strong>. I really hope you<br />
like our selection of young musicians, artists and fashion editorials.<br />
Let´s start with CANDY KEN. He is our cover model and I am<br />
a big fan of his music for a few years now. Because of that I am<br />
very happy that we had the chance to produce an editorial with<br />
him. Another outstanding artist in our new issue is Mykki Blanco<br />
who presents C-ORE. Our music editor Nicola Phillips had the<br />
chance to meet the gender-bending queer icon, along with C-ORE<br />
members Yves Tumor and V I O L E N C E, for an interview and<br />
some exclusive photos. Love it or die!<br />
But pop is not only a way to express music, it is also playing a big<br />
part in the fashion world. KALTBLUT´s very first fashion award<br />
winner Patrick de Pádua is using touches of pop colours in his<br />
designs. Read our interview with the upcoming fashion star from<br />
Portugal.<br />
I also wanna say thanks to our team. Without you guys there would<br />
be no KALTBLUT. You guys are my Pop-Stars.<br />
www.kaltblut-magazine.com<br />
KALTBLUT Magazine is published by KALTBLUT Media UG,<br />
Nicolas Simoneau & Marcel Schlutt<br />
“Sick and tired of hearin’ all these people talk about<br />
What’s the deal with this pop life and when is it gonna fade out?<br />
The thing you got to realize, what we doin’ is not a trend<br />
We got the gift of melody, we gonna bring it ‘til the end.“ NSync -<br />
<strong>POP</strong><br />
<br />
Marcel Schlutt<br />
KALTBLUT MAGAZINE I Linienstraße 13 I 10178 Berlin I Germany
C o n t e n t<br />
6.<br />
Mykki Blanco<br />
Music Interview<br />
10.<br />
Oh! You Pretty Things<br />
Fashion Interview<br />
16.<br />
Art Interview<br />
Pip &<br />
Pop<br />
38.<br />
Unexpected<br />
Fashion Editorial<br />
48.<br />
The Gods<br />
Editorial<br />
56.<br />
Film Interview<br />
59.<br />
Rubric<br />
Sympathy For The<br />
The Cocktail Of<br />
Strawberry<br />
Bubblegums<br />
Things that makes<br />
you go mmmmmmm<br />
60.<br />
Candy Ken<br />
78.<br />
A Song About A<br />
Chick Named Maria<br />
Fashion Editorial<br />
84.<br />
Art Interview<br />
92.<br />
Beauty Editorial<br />
98.<br />
Maisie<br />
Cousins<br />
Passport Pop<br />
Patrick de Pádua<br />
22.<br />
Meet me at the<br />
C a t w a l k<br />
Rubric<br />
24.<br />
Don’t Go Breaking<br />
My Heart<br />
Fashion Editorial<br />
34.<br />
Years & Years<br />
Music Interview<br />
Interview<br />
68.<br />
Unravel Unraval<br />
Fashion Editorial<br />
76.<br />
Introducing: Crystal<br />
Fashion Editorial<br />
Fashion Interview<br />
106.<br />
Bedtime Stories<br />
Rubric<br />
108.<br />
Denim For Life<br />
Fashion Editorial<br />
116.<br />
Rubric<br />
119.<br />
The End<br />
5<br />
Enditorial<br />
More Sneakers<br />
Than a Plumber‘s Got Pliers
Yves Tumor<br />
6<br />
Mykki
Finding the<br />
C-ORE with<br />
Mykki Blanco<br />
Interview by Nicola Phillips<br />
Photography by Oliver Blohm on Impossible instant film<br />
Uniting the two worlds of hypermale hip-hop and the gender-bending<br />
queer scene of NYC, Mykki Blanco has been creating swag since his debut<br />
in 2012 with “Mykki Blanco and the Mutant Angels EP”. The multi-talented<br />
art-activist declared in early 2015 that he would be stepping away from<br />
his solo project to focus on something new. After a short panic amongst<br />
his fans and as always, the media, it was announced that Blanco had<br />
teamed up with !K7 to launch Dogfood Music Group. In an era where “the<br />
next big thing” appears every time we hit refresh, Dogfood was finally the<br />
answer we were looking for. A label that gives a voice to underground<br />
artists and shares Blanco’s vision in transcending conventional cultural<br />
boundaries and constructs. A platform that doesn’t exist just to create<br />
zeroes and ones to fill up yet more space on the internet. A project that is<br />
anything but the norm. The very beginning, the C-ORE.<br />
V I O L E N C E<br />
The C-ORE compilation is the first of its<br />
kind to be released on the newly founded<br />
Dogfood Music Group label, could you<br />
tell us how you put all of your influences<br />
together and how the process worked<br />
out?<br />
Sean: The record was proposed by<br />
Mykki and !K7. They wanted to do some<br />
things with Mykki and kind of offered a<br />
platform. We’ve all been close with him<br />
for different amounts of time, but the<br />
album basically consists of older and<br />
newer music, like Yves Tumor which is<br />
one of my side projects, V I O L E N C<br />
E [Palmtrees] and PsychoEgyptian is a<br />
New York based artist. All the songs they<br />
just happened to fit really well together, it<br />
was kind of weird.<br />
So did you take pieces from different<br />
tracks?<br />
Sean: Not exactly, there’s different pieces<br />
of unreleased music from all of us. Some<br />
of it has already been out but we took<br />
it offline and then we went over a few<br />
songs, mastered it and everything.<br />
Palmtrees: I made all my songs pretty<br />
much that week, only one of them I’d<br />
started earlier.<br />
Sean: Yeah same actually, I made mine a<br />
week or two prior. When you made “This<br />
Is Unholy”, that was for the project?<br />
Palmtrees: That is the only one that<br />
started before.<br />
You were all working in different places<br />
at the time in your own individual ways<br />
and then put it together?<br />
Palmtrees: Well Sean organised it.<br />
It’s very fragmented in the sense that<br />
it has all these different energies and<br />
tracks, but still has one really fluid thing<br />
that ties it all together<br />
Mykki: I toured with each other them, but<br />
not at the same time. So in 2013 I toured<br />
with PsychoEgyptian. Sean and I had<br />
toured together the longest, basically<br />
almost a year from like the end of 2013<br />
until all of 2014 basically. Then V I O L<br />
E N C E and I did kind of a West coast<br />
tour in March and well, I thought of the<br />
project during that time because first of<br />
all I was going to do this Asia tour and<br />
then when I got the deal with !K7 Sean<br />
said one of the options they gave me<br />
was that I could start working on my<br />
own solo album or I could start my own<br />
label which would be a part of !K7. So I<br />
thought that was a cool idea and now<br />
we’re doing it!<br />
7<br />
Also you have more of a freedom to<br />
really curate something and build<br />
another movement, rather than just<br />
doing your own album where you focus<br />
solely on yourself<br />
Mykki: I personally thought that I needed<br />
a break from Mykki Blanco.<br />
But it’s great, because you get a lot more<br />
creative input from these guys and then<br />
when it’s out there it inspires a new<br />
thread of conversation amongst your<br />
fans, I mean how have they perceived<br />
this collective approach?
Mykki: I actually think it’s interesting, I feel like I have<br />
these two groups of fans. I have people who are hyped for<br />
Dogfood Music Group, who are hyped for the album and then<br />
I feel like I have Mykki Blanco fans who think it’s a really cool<br />
thing, but kind of like what dance songs and dance music.<br />
It’s a bit a darker, industrial and more inspired by the<br />
electronic. It’s not quite as accessible, maybe not to a<br />
certain listener<br />
Mykki: But it’s not like a pop-dance song. So like, I<br />
acknowledge that, but I have my own idea of what is a<br />
celebrity and what is important. I’ve seen what it’s like to be<br />
rich and not famous. [Laughs] And I feel like once you see<br />
that, once you realise what that is, you know you can do your<br />
own thing and not have to be part of this particular group.<br />
I mean, I would consider even the indie community to be<br />
similar. It’s okay to do your own thing and flex a little bit. I<br />
mean, I am still working on Mykki Blanco stuff but this is my<br />
focus right now.<br />
Your mission statement was to disrupt things a little bit in<br />
the music industry, do you have examples of how you’re<br />
planning to do that or is it all very organic?<br />
Sean: I’ve thought about it, I think it’s going to be very<br />
organic yeah. We’re not very like contrived. We do a lot of<br />
plotting and scheming creatively but nothing like contrived.<br />
Palmtrees: We’re more about being ourselves. The things<br />
that we stand for and the things we already believe in are<br />
put into whatever we make.<br />
Mykki: You know, when you make a press release you have<br />
to try to encapsulate in words what really is the feeling<br />
and I think that already what’s going to happen is that you<br />
know, the album comes out, you have this visual idea of<br />
something we’re trying to communicate but still that kind<br />
of moment that I’ve been waiting for is the tour. Seeing the<br />
show live is going to translate everything, you know what I<br />
mean? It’s going to be the link between what you’ve heard<br />
on SoundCloud, Spotify, iTunes, however you got the album,<br />
what you’ve seen on YouTube vs real life. I had to write a<br />
press release to describe my vision, but what it is that we<br />
embody I think people will really understand with this tour.<br />
Is that part of the reason why you decided to make that<br />
short film? To give people more of a feeling of what things<br />
were about, unlike the written text that just declares what<br />
you’re doing?<br />
Mykki: When you have three artists, the idea of picking and<br />
choosing who is single is going to go out okay, and who gets<br />
the video. That’s not how I wanted to approach the project.<br />
Let me put it like this, if I had $50K that I could have put<br />
behind the project I actually would’ve had separate videos<br />
for each individual artist, you know what I mean? But I don’t<br />
exist in that world, so I had to think of an idea that would<br />
incorporate everyone. To be honest, I think we might do<br />
a second part to the C-ORE video of some kind, which is<br />
shorter [laughs] but I think that 11 minute video is kind of<br />
sick!<br />
It’s so intense! No one really has the energy anymore to<br />
make those types of videos, especially due to people’s short<br />
attention spans<br />
Sean: We all knew that too! I can barely sit down for a 2<br />
minute video, I always skip. Our director was really good at<br />
what he does.<br />
Mykki: Yeah, Jude MC. He was able to string a narrative that<br />
worked. I mean, it’s an 11 minute video! But I also think at<br />
the same time the people that are going to latch onto it, will.<br />
8<br />
I think really it’s a bit of a statement that fits with your<br />
collective. If there’s 11 minutes of video that you should<br />
watch, you’ll sit the fuck down and watch it!<br />
Palmtrees: It’s also kind of like, because we’ve been in the<br />
mire of everything since May, actually April, the project feels<br />
like it’s existed longer for us because it technically has, but<br />
I always have to remind myself this tour is actually for most
people, the beginning of everything.<br />
People just see the tip of the iceberg really. So<br />
you’re playing at Prince Charles here in Berlin,<br />
have you played there before?<br />
Mykki: I’ve played Prince Charles, Berghain and<br />
Stadtbad.<br />
What did you think of playing at Berghain?<br />
Mykki: I opened for Tricky and that’s the reason<br />
why I’m now with !K7, so I liked it! [Laughs]<br />
Would you get anyone else involved in your<br />
project?<br />
Mykki: Well a lot of new artists that I’ve heard<br />
have kind of gone through Sean.<br />
So we should follow you on SoundCloud then?<br />
Sean: I actually purposely don’t like things on<br />
there…<br />
Mykki: It’s kind of like, I’m becoming more and<br />
more aware of people in a certain way but it’s<br />
interesting because it’s really hard to find good<br />
people. And I’ve tried to do that search through<br />
Facebook thing, SoundCloud, even following<br />
people randomly and it’s just not the right<br />
thing. Even all my friends, I think especially with<br />
C-ORE I think they’re all amazing musicians<br />
and they have this star quality. I don’t mean in a<br />
superficial way, I mean in a magnetism way, like<br />
you want to watch them. Finding that online is<br />
difficult, you have to see it. I really want to find a<br />
female producer or a female artist who has that<br />
quality and sound that hasn’t been latched onto<br />
yet. My hope is that through Dogfood people will<br />
realise, “Oh wait, who is that?”. I’d just be super<br />
happy with that. You know, because booking<br />
agents I really don’t get them. Some of the new<br />
acts that their booking don’t make sense. I don’t<br />
get it because they’re not special! [Laughs]<br />
That’s honest though. With so many similar<br />
acts being pushed onto you it’s rare you’ll find<br />
something different, something that really<br />
excites you. It’s a problem though. I don’t know<br />
if it’s something you agree on, maybe because<br />
you’ve mentioned this “punk” upbringing that<br />
you see this different energy or having different<br />
experiences<br />
Mykki: I think it’s more open than that. I guess<br />
when I say punk I refer to the way of handling<br />
business than an ideology. What do you think?<br />
What do you feel?<br />
Palmtrees: When you say you come from a punk<br />
background, I don’t think of like the actual punk<br />
scene, I think of the mindset, the attitude. You<br />
know, kind of exploring more. We all come from<br />
that type of background. I come from liking<br />
death metal but being in a gospel choir [laughs]<br />
so that’s what I carry into everything, this idea of<br />
just interacting with things and understanding<br />
them rather than limiting myself. I think we’re all<br />
like that.<br />
I think that’s refreshing especially since now<br />
the internet culture dominates so much. We’re<br />
always influenced by other people just because<br />
it’s forced down your throat every day, it’s<br />
actually quite narrowing. It’s good to think about<br />
what’s going on outside of your immediate<br />
screen, but how would you advise people to<br />
combat that?<br />
Sean: Delete your Instagram. [Laughs] Just like,<br />
delete all your friends online.<br />
Mykki: I’ve always wanted to unplug. I have the<br />
“We’re more about being<br />
ourselves. The things<br />
that we stand for and the<br />
things we already<br />
believe in are put into<br />
whatever we make.”<br />
chance soon to just be far away in these mountains. I’ve always wanted to do<br />
it and I never have the time to do it. Once the hussle starts, it never stops. With<br />
Dogfood I’ve been on the outskirts of Mykki Blanco world, but once this tour is<br />
over I have to brace myself to get back in. I don’t even know if I can deliver to the<br />
rate that the internet requires you to, you know?<br />
Palmtrees: I think the internet is just another library. There are just so many<br />
different kinds of archives. Like, he’s [points to Sean] super private, but I’m<br />
reclusive. I have like a real tendency to disappear and not talk to anyone. You can<br />
see that even on V I O L E N C E, you can’t find it on Google search immediately.<br />
I just think that the internet you can interact with one of many ideas. It’s just<br />
another library.<br />
It’s fine if you can just dip in and out of the internet, but not so much if you have<br />
an addictive personality<br />
Mykki: People are addicted to the Likes!<br />
Sean: We were just talking about a rapper who asks for Likes all of the 9time.<br />
[Laughs] It’s kind of funny though.<br />
Mykki: This is what I learned, it took me a little time to, rather than try to feel like<br />
you’re relevant, you literally have to keep that tunnel vision of working. Because if<br />
you start that second guessing that means you’re not being creative. What’s funny<br />
is that when you’re writing high on a creative wave, all of a sudden these people<br />
come out of nowhere because you forget that people can see you’re swagging.<br />
[Laughs] You can tell a desperate post, when you’re out travelling and making<br />
music. It took me a while to realise it’s okay to be quiet and if you don’t feel like<br />
answering emails. Once you know the mechanics, it’s okay. You’re entitled to be<br />
human.<br />
Dig deeper at www.soundcloud.com/dogfood-musicgroup
O h !<br />
You<br />
Pretty<br />
Things<br />
Photography & styling Suzana Holtgrave<br />
Hair Björn Hartung<br />
Make up Yvonne Wangler using M.A.C. Cosmetics<br />
Model Folke @Seedsmanagement<br />
All fashion Lena Quist
11
13
Candy Lab<br />
INTERVIEW<br />
PIP & <strong>POP</strong><br />
Interview by Nicolas Simoneau, Images copyright Pip & Pop<br />
Pip & Pop is the world vision Of Australian artist Tanya Schultz. With sugar as her primary material, she creates an original territory<br />
full of psychedelic colors. On a miniature size or at human scale, Pip & Pop’s installations make you want to to be in it, to be a part of<br />
it. It’s like a fairy tale, a hidden forgotten place somewhere in our childhood where everything is made of candy. Tanya’s creations are<br />
ephemeral just like a dream.<br />
Candy Lab<br />
16
Candy Lab<br />
17
Candy Lab<br />
Hi, I really think that the word<br />
<strong>POP</strong> has never been so accurate to<br />
describe an artist looking at your<br />
pieces!<br />
I guess you could say my work follows<br />
the legacy of the Pop artists - the vivid<br />
colours, drawing on the everyday<br />
and popular culture references. But<br />
perhaps more so in the sense of Pop<br />
as a verb..? I think the abundance of<br />
colours, sweetness of the materials and<br />
intensity of the details can sometimes<br />
have a physical effect on the viewer.<br />
Where do all of these colours came<br />
from?<br />
I love fluorescent and pastel colours,<br />
and glitter. These are the colours of<br />
the commercial world, of things that<br />
are created purely to entice us into<br />
consuming them. Candy, toys, useless<br />
plastic objects and advertising signs.<br />
And there is always a lot of pink in<br />
my work. For me, the kind of pink<br />
I use is the colour of sweets and<br />
childhood.<br />
I colour all of the sugar for each<br />
installation on site, with the help of<br />
assistants. We usually use 500 or 600<br />
kilograms of sugar and make about<br />
150 unique colours. Some of the<br />
installations become a bit psychedelic<br />
with this overload of highly saturated<br />
colours.<br />
You work with quite interesting<br />
materials, including candy and<br />
everyday objects. Why do you<br />
choose to work with such things?<br />
Sugar is the main ingredient of<br />
many of the works. I think it elicits<br />
a physical response in the audience,<br />
a desire to taste the sweetness. It’s<br />
connected to childhood memories of<br />
eating or wanting to eat candies. But<br />
it also holds an empty promise – the<br />
promise of something pleasurable<br />
but fleeting. Sugar isn’t good for you,<br />
but we still crave it. As for the found<br />
objects, I’m always scouring markets,<br />
flea markets, craft stores, and toy<br />
shops wherever I go. I love finding<br />
unexpected materials and objects.<br />
This is such a fun part of my work!<br />
Each work is unique and site specific.<br />
Including local objects adds to the<br />
conversation I’m having with that<br />
place.<br />
18<br />
Your work seems like some sort of<br />
paradise or fairy tale, would you<br />
consider your work to be a get-away<br />
from everyday life?<br />
I think that when people encounter<br />
my work they are often absorbed in<br />
the tiny details and feel as though<br />
they are transported to another time<br />
or place. Perhaps to a childhood<br />
memory, or a world they can only<br />
imagine. This is a kind of escape<br />
from the everyday, but perhaps it also<br />
provides the impetus to imagine a<br />
better world.
On your website you say that you<br />
are fascinated with mythologies<br />
and folk tales, do you take any<br />
particular ones as inspiration for<br />
your work?<br />
Yes, there are so many! I’m fascinated<br />
by stories about utopia, paradise,<br />
and wish-fulfilment, especially<br />
lands made entirely of food. Some<br />
of my favourites are the French<br />
mythological Land of Cockaigne,<br />
a place where sugar rains from the<br />
sky and the streets are paved with<br />
pastries; the Dutch Luilekkerland,<br />
a land of plenty that you enter by<br />
eating through a mountain made<br />
of rice pudding, or the American<br />
Big Rock Candy mountain, a hobos<br />
idea of paradise. Most of my works<br />
begin with research into local folk<br />
tales, mythologies and cosmogonies<br />
(creation stories). They are a rich<br />
source of inspiration, and endlessly<br />
fascinating.<br />
Candy Lab<br />
Seeing Forever<br />
How would you describe your work<br />
process?<br />
Before the installation begins it’s a<br />
mix of research, sourcing materials,<br />
experimenting and making thousands<br />
of tiny things in my studio.<br />
Creating the installation is quite a<br />
labour intensive process. I work with<br />
my husband and local assistants. We<br />
usually work 12 hour days for two or<br />
three weeks to create a work. I don’t<br />
start with a formal plan, the work just<br />
grows organically and in response to<br />
my research, the physical space, and<br />
the things I’ve encountered in the<br />
local environment and culture.<br />
One thing leads to another then<br />
another, until we have these crazy<br />
interwoven landscapes. This is the fun<br />
part for me, the bit I really love. The<br />
process is quite meditative, but there<br />
is always an underlying sense of time<br />
pressure.<br />
We love the “Romance Was Born”<br />
collaboration, what was it like to<br />
work on this piece?<br />
It was a joy to collaborate with the<br />
two designers (Luke & Anna) behind<br />
Romance Was Born. They took<br />
images of my work and transformed<br />
them into fabrics and an amazing<br />
collection of kooky outfits. I built a<br />
set for the runway show, and created<br />
objects for jewellery worn by the<br />
models. It was a fantastic opportunity<br />
to delve into another world and<br />
collaborate with inspiring people.<br />
Is there a particular piece of your<br />
work that you like the most?<br />
Each work is really connected to<br />
a place for me. So my favourite<br />
works are the ones that gave me the<br />
most memorable experiences and<br />
encounters, or stretched my work in<br />
new directions. I’m especially fond<br />
of the exhibitions that allowed me<br />
to work with, and become friends<br />
Seeing Forever<br />
19
with some amazing people. I have made some great friends all over the<br />
world, which I am truly grateful for.<br />
Seeing Forever<br />
For your piece “Love grows a flower” you came to create a whole<br />
new world with his own vegetation, colours, animals… Where is<br />
this place? How do we get there?<br />
Haha, you can’t get there. It’s gone now! All of the worlds I create<br />
are temporary, you have to see them before they disappear. The show<br />
was in Tokyo and the works were made on a series of round tables, of<br />
various heights. Each table held a different miniature landscape that<br />
drew on a specific Japanese folk tale.<br />
The atmosphere of your work, to me, is very happy and joyful, do<br />
you translate your feelings to your work?<br />
Thanks, I do try to create optimistic work. It’s great if the work brings<br />
a sense of joy or happiness to viewers. But I’m also interested in the<br />
idea of abundance. How much sweetness is too much? Where is the<br />
point that there is too many saturated colours, or too many pretty<br />
things?<br />
I hope that the work teeters on this edge sometimes. When people have<br />
reactions like ‘oh, it’s too much, it makes me feel a bit sick’, I love this<br />
too.<br />
You have exhibited your work throughout the whole world,<br />
Australia, Japan, Germany… Are there any differences in the<br />
reactions of the public?<br />
Yes, I think there are some differences in the reactions. It’s especially<br />
noticeable in the way people spend time with the work, and the<br />
questions they ask me about it. In Japan I’ve noticed that audiences<br />
have a quiet but intense response. They often spend a very long time<br />
looking closely at the work, leaning right in, sometimes even sitting on<br />
the ground as if meditating with it. In Mexico the audience were more<br />
vocal and expressive. They seemed to absorb the work more quickly,<br />
but wanted to ask me many questions, especially about my feelings<br />
when creating the work. In Germany I had many interesting and<br />
in-depth conversations about the ideas underpinning the work. But<br />
I’m constantly surprised at the lovely and positive responses I’ve had<br />
wherever I’ve been.<br />
Keep up with Pip & Pop’s world at<br />
www.pipandpop.com.au<br />
Romance Was Born<br />
Romance Was Born<br />
Love grows a flower<br />
20
Heritage edition<br />
2016<br />
8 th edition of<br />
the international<br />
and interdisciplinary<br />
fashion festival<br />
in Maastricht<br />
The Netherlands<br />
30.06 — 03.07<br />
Spectacular programme with<br />
more than 100 talents from all<br />
over the world. Fashion shows,<br />
exhibition, performances,<br />
designer market and more.<br />
web<br />
fashionclash.nl
22Celine<br />
alk<br />
Meet me at the<br />
We traveled<br />
to Poland,<br />
Portugal, Italy,<br />
France UK and<br />
Berlin for you<br />
to have a look<br />
what is hot in<br />
2016. Here are<br />
our favorite<br />
looks for the<br />
next Spring/<br />
Summer season<br />
in 2016.<br />
Selected<br />
by Anita<br />
Krizanovic and<br />
Marcel Schlutt<br />
Gucci<br />
ash<br />
Toga<br />
Bobby<br />
Kolade<br />
Carlos<br />
Gil<br />
Christina Real<br />
ca
Baby<br />
Nasir<br />
Mazhar<br />
Nuno Gama<br />
J.W.Anderson<br />
ion<br />
Moschino<br />
Duckie Brown<br />
Brachmann<br />
twalk<br />
23
Don’t go<br />
breaking<br />
MY HEART<br />
Photography : Ziv Sade All outfits and accessories by Russell Barslou of “SHOKRA”<br />
Models are Jason Wimberly and Greg Kelley
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30
31
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33
34Years
There is no real need to present Years & Years. They’ve been all over the world<br />
last year, and if by accident you’ve never heard their anthem “King”, I highly<br />
recommend you run over to your computer and listen to it right now. Their first<br />
album “Communion” is already a classic in pop history and even though it was<br />
out just a couple of months ago, I can’t wait to listen to new sounds from them.<br />
I always stress out before an interview, it’s just like that and I can’t do anything<br />
about it. Sometimes magic happens, like you get all of your questions ready and<br />
something totally different takes place. That’s exactly what occurred with the boys.<br />
I arrived and we ended up chatting about everything and anything for an hour.<br />
We crash a conversation about the best music<br />
videos…<br />
Gwen Stefani’s “What You Waiting For?”<br />
Olly: Oh my God, I love that video!<br />
Emre: “Toxic”<br />
Olly: Wait, is that the one on the plane?<br />
Emre: Yeah!<br />
Olly: Also, “I’m A Slave 4 U” is a great video.<br />
“Gimme More” was my favourite though. Even<br />
“Talk Dirty” was good.<br />
Emre: Oh come on, that was only good because she<br />
was wearing a thong!<br />
Insert a confused discussion about the differences<br />
between David LaChapelle and Jean Paul<br />
Gaultier…<br />
Olly: What’s the Madonna video where she’s<br />
looking kind of country?<br />
[Olly sings a clip from “Don’t Tell Me”]<br />
So let’s go back to the start, you all met in<br />
London through an advert, is that right?<br />
Emre: Yeah, it was like a band website.<br />
Olly: Grindr [Laughs]. Is Grindr called Grindr in<br />
France?<br />
Erm [Laughs]<br />
Emre: No, it’s called Le Grindr. Yeah so, Olly met<br />
Mikey in London at this house party. And that’s the<br />
story really. It’s not very glamourous. But he did<br />
hear him singing in the shower so, well, shouting.<br />
[Laughs]<br />
Why isn’t that very glamourous? I mean, Spice<br />
Girls did the something similar right?<br />
Emre: Pretty sure the Spice Girls didn’t meet like<br />
that, I think they were put together!<br />
Olly: Yeah, they all went to an audition.<br />
But isn’t that kind of similar?<br />
Emre: Yeah but, that’s not really an organic<br />
situation! [Laughs] I mean, we are the new Spice<br />
Girls I think.<br />
Who is who?<br />
Emre: I’ll be Posh, Olly can be Baby.<br />
Olly: Well, Yeah.<br />
I can be Mel B<br />
Emre: Actually, I used to fancy Mel B the most.<br />
Really?<br />
Emre: Yeah! She was the hottest.<br />
Olly: It’s a shame her career didn’t do so well… Mel<br />
C definitely did the best.<br />
Mikey: Did she?<br />
Olly: Yeah! She had a great album. Lisa Left Eye<br />
rapped on one of her songs.<br />
Emre: She did that great song, “Baby When You’re<br />
Gone”. That song is a fucking classic. I’m not<br />
joking.<br />
Emma’s first solo album was really good<br />
[Olly sings “What Took You So Long”]<br />
Yeah! Exactly! That was pretty good<br />
Emre: She’s a better radio DJ than a singer.<br />
Olly: Geri was not so good. Although I enjoyed her<br />
solo album. “Looooook at me”. Oh! And “Mi Chico<br />
Latino”.<br />
That was the worst. Remember the video for “It’s<br />
Raining Men”?<br />
Olly: Oh yeah, where she’s dancing in it.<br />
Emre: Oh dear, yeah. I forgot about the carnage<br />
post-Spice Girls.<br />
Olly: I know, it was a mess.<br />
Emre: What a disaster!<br />
& Years<br />
Interview by Nicolas Simoneau & Photography by Universal Music and Mike Massaro<br />
35
SPOT ON<br />
Well there is that comeback on the way<br />
Emre: Wait, they’re coming back?<br />
Olly: Yeah!<br />
Emre: I didn’t realise. I thought they already did<br />
that once.<br />
Olly: Yeaaah, but without Posh.<br />
Emre: Can it even be a comeback the second<br />
time round?<br />
Olly: Yeah, it’s the re-comeback.<br />
Emre: The comeback comeback.<br />
Olly: We should probably stop talking about the<br />
Spice Girls now.<br />
Well, has music always been your chosen path?<br />
Mikey: Errm, yeah. It’s just that we do it and<br />
don’t sort of have to do other jobs now which<br />
is great. Because before, music was the most<br />
important thing but it wasn’t paying the bills.<br />
And now you can<br />
Mikey: And now we can! We’ll see how long that<br />
goes.<br />
[Olly breaks out into Destiny’s Child’s “Bills Bills<br />
Bills”]<br />
What do you think about pop music currently,<br />
do you think..<br />
Emre: That it was better when the Spice Girls<br />
were around?<br />
Well, yeah!<br />
Olly: Everyone says yes.<br />
Emre: I think I’m falling into the trap of being<br />
nostalgic about it, but I do think that pop music<br />
was better then. I also understand that I<br />
don’t listen to the charts as much<br />
as I used to, but at the same<br />
time I think the charts<br />
have changed a lot<br />
since the 90s. There<br />
was a lot of different<br />
stuff happening. There<br />
wouldn’t just be pop,<br />
there was rock and<br />
things. Whereas now it’s<br />
all very similar, not to<br />
say it’s not great but..<br />
Olly: I don’t know,<br />
maybe. I definitely have<br />
my preferred era of music<br />
which is late 90s early 00s.<br />
People like Timbaland,<br />
Destiny’s Child, but<br />
actually I think pop music<br />
now, some of it, is just<br />
so genreless it’s actually<br />
kind of exciting and cool.<br />
But at the same time it<br />
only feels like five or<br />
six people are writing<br />
pop music, which<br />
is kind of cool too.<br />
Like Diplo, Calvin<br />
Harris, Skrillex,<br />
whatever you think<br />
of them they have<br />
pioneered a new<br />
trend of popular<br />
music. And that<br />
would have never been allowed to happen.<br />
Mikey: That’s not true I think there’s pop writers.<br />
Olly: Well I mean for someone like Diplo who<br />
came from the underground scene, for him to<br />
be making tracks for Beyoncé and Justin Bieber<br />
kind of showers how trends have moved forward.<br />
I remember this era with Timbaland where he<br />
was producing every track<br />
Olly: Yeah, like Missy, N.E.R.D and Neptunes.<br />
Emre: That’s true, you’re right.<br />
But still, it was better<br />
Olly: It’s the internet!<br />
Emre: I think it might not be the internet, this<br />
might be controversial, but I think it’s things like<br />
Pop Idol and X Factor that labels pop badly. Of<br />
course there are still writers out there, I mean<br />
even Madonna we love her, but she didn’t sit<br />
there and write her own music. she worked with<br />
Nile Rodgers and really cool producers. But I<br />
think that maybe the whole reality TV thing, it’s<br />
entertainment, but does it make good music?<br />
Olly: No, but they haven’t produced any<br />
influential artists apart from maybe One<br />
Direction.
“Thing is I don’t think you can fool<br />
people to make good pop music.”<br />
And Little Mix<br />
Olly: Yeah, like that’s it. That’s changed the way I<br />
think we treat celebrities and fame. I don’t know,<br />
I still that all the big pop acts don’t come from<br />
that machine.<br />
Mikey: Thing is I don’t think you can fool people<br />
to make good pop music.<br />
Olly: You know, when I was at school we listened<br />
to tribal, or people would be like indie, or be<br />
listening to punk and ska, which all defined who<br />
you were, but now the internet allows this to open<br />
up more. You can go online and listen to Drake,<br />
Taylor Swift, Katy Perry, Fleet Foxes, you know,<br />
whoever you want to because it doesn’t matter.<br />
Emre: Yeah I think it’s very recently this playlist<br />
stuff makes a huge difference, where now genres<br />
are obsolete. Olly’s right, people don’t have the<br />
same level of snobbery when it comes to music.<br />
Now there’s so much music available, almost<br />
like too much. You don’t have the time to<br />
appreciate every single track. There’s always<br />
a new album to listen to, and then it’s old<br />
news by the time you hear it. New tracks from<br />
an album get dropped every week, in my<br />
generation you had to wait months!<br />
Mikey: It is true, like I recently started limiting<br />
myself. I don’t just hoard albums, I don’t just<br />
buy them or download them and never listen<br />
to them. I tried to downsize it all. When I was<br />
a child I used to like listening to an album, but<br />
I wouldn’t listen to it all in one go. Like some<br />
songs you wouldn’t really notice at first but weeks<br />
later they would be your favourite ones. So if you<br />
don’t give yourself time, you don’t realise how<br />
good something can be. So I’ve told myself to<br />
start doing that again.<br />
Olly: I’ve been doing that again actually.<br />
How do you even do it? I go online and see new<br />
tracks so often and never have time to listen to<br />
them all<br />
Mikey: Well I guess it’s your job to be aware<br />
of that, but sometimes it helps to step back at<br />
your own free will. Slow life down a little bit.<br />
With touring so much do you have time<br />
to record new music on the road?<br />
Olly: Sometimes I write down ideas for<br />
songs and stuff, but other than that I<br />
can’t really do it. I can’t really use a<br />
computer so…<br />
Emre: I’ve started recently in hotel<br />
rooms been doing some stuff and<br />
like messing around. But it’s only<br />
very recently because we’ve been<br />
really busy. We haven’t had much<br />
time to live! So I don’t really<br />
know what you’d write about<br />
right now, but it would be<br />
really difficult.<br />
So it’s more kind of at<br />
the end of a tour you<br />
have a chance to get<br />
together and..<br />
Olly: Jam. [Laughs] I<br />
mean, the album came<br />
out in July so it’s not been<br />
so long.<br />
Mikey: See what I mean?<br />
It’s too quick!<br />
Yeah, I had the feeling<br />
it was a lot longer! Have<br />
you been keeping your<br />
eyes on any artists this<br />
year?<br />
Emre: Justin Bieber.<br />
And?<br />
Emre: That’s it. [Laughs]<br />
Olly: I like Grimes<br />
because of her new album<br />
and Le1f who just released<br />
his new album too that’s<br />
really good.<br />
Mikey: Kurt Vile.<br />
Do you all have the time to really look?<br />
(for new music)<br />
Mikey: Not really, I’ve been listening to a lot of<br />
old stuff. Like classic stuff, 90s rock.<br />
Do you have time to go to concerts?<br />
Olly: No. I can’t even remember the last one I<br />
went to!<br />
Emre: Sometimes we have time to watch other<br />
acts at festivals. Like Caribou was amazing.<br />
Olly: I saw Lauryn Hill.<br />
Emre: Flying Lotus.<br />
Mikey: I saw Limp Bizkit. [Laughs]<br />
Olly: I saw FKA twigs in the summer.<br />
Mikey: God, I can’t even remember. Who did<br />
you see last?<br />
I saw The Dø recently and next is Madonna<br />
Emre: I’ve never seen Madge.<br />
Olly: Now’s the time to see her!<br />
Emre: I saw her at the Brit awards where she fell.<br />
Olly: Ohh yeah! I still watch that clip.<br />
Emre: I was actually filming her when she was<br />
singing and I thought oh fuck, I couldn’t believe<br />
it! That was pretty terrible. So, that’s the only<br />
time I’ve seen her perform live.<br />
[Olly grabs the sheet of questions]<br />
Olly: Have you even asked any of these? I like<br />
this one asking about us being as big as the<br />
Backstreet Boys. Actually, did you know that one<br />
of the fastest selling albums of the decade, or<br />
maybe ever, in its first week was NSYNC’s “No<br />
Strings Attached”? They were insanely massive.<br />
Emre: But they were never that big in England!<br />
Olly: They were still pretty big. Like bigger than<br />
Adele. The Backstreet Boys were in an episode of<br />
Sabrina The Teenage Witch so, I don’t think we’re<br />
quite at that level.<br />
Mikey: Oh and one episode of The Simpsons,<br />
when it was good.<br />
Emre: Everyone’s been on The Simpsons. You<br />
know you’re famous when you’re on there.<br />
Do you have one city where you could imagine<br />
yourself relocating to?<br />
Emre: Berlin is one. San Fran maybe.<br />
Olly: Maybe New York for a bit.<br />
Mikey: London has lots of nice spaces, like<br />
suburbs where you can get away to. You can get<br />
37<br />
away from the masses of people.<br />
Emre: I was really taken by Australia.<br />
Olly: Berlin feels like it’s owned by the people.<br />
Whereas somewhere like London, the city really<br />
dominates lives. It’s crazy busy, expensive. But I<br />
still love it.<br />
Emre: Berliners are cool. I always feel a bit like a<br />
loser when I visit. [Laughs]<br />
Olly: Really?<br />
Emre: Yeah, like everyone’s really tall and dressed<br />
well and I’m not so much.<br />
Keep up with Years & Years at<br />
www.yearsandyearsofficial.com
38<br />
Dress: Antonia Goy // Jacket: Melampo<br />
Leggings + Gloves + Headpiece: Très Bonjour // Ring: By Malene Birger
39<br />
Photography: Dunja Antic // Production + Styling: Anita Krizanovic<br />
Model: Aminata Sanogo @ Mega Models Agency<br />
Hair & Make Up: Annika Jeck // Styling Assistant: Vivian Mönch
40<br />
Dress: By Malene Birger Leggins: Très Bonjour Tights: Falke<br />
Gloves: Dawid Tomaszewski Earrings: By Malene Birger Ring: H&M Shoes: United Nude
Dress: Melampo<br />
Jacket: H&M<br />
Braclet: Dawid Tomaszewski<br />
Hat: Henrik Vibskov<br />
Earrings +<br />
Ring: Sabrina Dehoff<br />
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Pullover: Chinti and Parker<br />
Top: Dawid Tomaszewski<br />
Jacket: Markus Lupfer<br />
Skirt: H&M<br />
Earrings + Ring: By Malene Birger<br />
Tights: Falke<br />
Shoes: United Nude<br />
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43<br />
Dress: Fonnesbech<br />
Top + Trousers: Minimum<br />
Feather Collar: Melampo<br />
Vest: Nobi Talai<br />
Sunglasses: Vava<br />
Braclets: Dawid Tomaszewski<br />
Earrings: Monki<br />
Tights: Falke<br />
Shoes: United Nude
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45<br />
Overall + Trousers: Reality Studio<br />
Blouse: Stills<br />
Headbander: Tata Christiane<br />
Tights: Falke<br />
Necklace + Ring: By Malene Birger<br />
Shoes: United Nude
46<br />
Blouse: Nobi Talai<br />
Top: Stills<br />
Trousers: H&M<br />
Jacket: Asos<br />
Tights: Falke<br />
Necklace + Earrings: H&M<br />
Braclets: Dawid Tomaszewski<br />
Shoes: United Nude
www.pavlinajauss.de<br />
...handcrafted in Germany
HOT SPOT<br />
Photographer & Post Production: Sebastian Pollin - Hair & Make-Up: Urnaa Uunii -<br />
Models: Ksenia Schneider and Michael Thiedemann at Modelfabrik Berlin - Styling: Marcel<br />
Schlutt and Nico Sutor - Assistant: Bengi - Special thanks to Campari<br />
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51
“ The bitters are excellent for your<br />
liver, the gin is bad for you. They<br />
balance each other” Orson Welles
Negroni<br />
Ingredients:<br />
1 shot of red vermouth<br />
1 shot of gin<br />
1 shot of Campari<br />
1 slice of orange<br />
Ice<br />
53<br />
Fill a glass full of ice cubes. Add a shot of each<br />
of the components. Add the orange slice. Stir<br />
thoroughly. Drink slowly! And be a god.
55
Strawberry<br />
Bubblegums:<br />
An Interview<br />
Interview & photography by Friederike Suckert<br />
We need to talk about<br />
German film again.<br />
There’s a bunch of youngsters who have a<br />
lot of stories to tell that don’t contain Nazis<br />
or Stasi-spies. For sure, that’s fascinating<br />
and important stuff, but the world goes on<br />
56<br />
and gets weird and so talented directors<br />
like Axel Ranisch (“Ich fühl mich Disco“)<br />
and Sebastian Schipper (“Victoria“) put<br />
their visions on screen.<br />
The Hamburg Media School has a new<br />
talent to show off: Benjamin Teske. He has<br />
created many award winning short movies<br />
and just released his first feature film<br />
this autumn, “Strawberry Bubblegums“.<br />
The story follows Lucy, a teenager who<br />
doesn’t know her father. Her mother Paula<br />
confesses that she was once a porn star and<br />
Lucy was fathered during a porn shoot,<br />
which prompts our main protagonist<br />
to find her roots. Lucy jumps headfirst<br />
into the porn scene where she meets Udo<br />
Ochsenschwanz, a former Porn superstar,<br />
who knows the scene by heart and is willing<br />
to help her. A unique road trip through the<br />
north of Germany starts where they meet<br />
a lot of droll people, resulting in the special<br />
bond between them growing stronger and<br />
stronger. It’s a classical coming-of-age<br />
story about losing and finding identity in<br />
a rough surrounding.<br />
For the cast Benjamin Teske found<br />
a bunch of extraordinary actors and<br />
actresses, most notably Gloria Endres de<br />
Oliveira and André M. Hennicke builds<br />
the comedic dream team, but there are a<br />
few well-known supporting actors: Jasmin<br />
Tabatabai, Lars Rudolph and Sabin<br />
Tambrea. It’s a lovely quality of Teske that<br />
he’s a loyal director who puts his actors and<br />
actresses of former movies into recent ones.<br />
Gloria and Sabin were main actors of his<br />
former shorts, but also Janna Horstmann.<br />
I was able to do a little shoot with<br />
Benjamin, Gloria and André and we<br />
chatted a bit about the work on such<br />
an ambitious project. We will be able to<br />
watch this great debut in February on the<br />
German channel NDR and we’re going to<br />
love it!
First I’m going to ask Gloria a few questions. Gloria, is this your first<br />
leading part in a movie?<br />
Gloria: No, it’s not my first leading part in a movie, but I never had a<br />
big part like this. I had to be there every single day of shooting, the most<br />
complex one with the longest journey I ever had.<br />
Needed Ben to persuade you?<br />
Gloria: No way! When I read the script, I immediately felt a connection<br />
to Lucy.<br />
You’ve known each other for a long time now because you’ve<br />
previously worked together, is that right?<br />
Gloria: Yes, we have. We worked on “Nachtbus“ together and since<br />
then we waited to work together again. When we did this short film<br />
we recognised that special bond between us. There’s not much talking<br />
needed, just one glimpse of him I know exactly what he wants me to do.<br />
It’s like telepathy.<br />
Ben: We had three days for the “Nachtbus“ shooting and on the first day<br />
I gave Gloria nearly no instructions and in the evening I thought, “I hope<br />
it doesn’t feel strange for her!“. So we had a chat about it and I told her<br />
that she’s doing fine if I don’t tell her what to do.<br />
Gloria: I trusted you from the beginning. I worked with directors where<br />
I cried in my hotel room at night, because I had no idea whether they<br />
liked my performance or not, but I always trusted you, Ben, because I<br />
saw how you worked with other actors and actresses. So I lay myself into<br />
your hands and knew that if you didn’t say anything then you were going<br />
to like it.<br />
But Gloria, you’re studying direction as well?<br />
Gloria: Yes, I just started it.<br />
Does this change your opinion about Ben’s work and the whole<br />
concept, because now you know way more about this stuff than “just<br />
acting“?<br />
Gloria: For sure, but I always loved movies as it’s own art form. It’s kind<br />
of the reason why I started acting, because movies always excited me. I<br />
also performed at the theater but movies always were my big love. On the<br />
side I always recognise if the director’s also a good actor or actress! Ben<br />
is a great actor, but no one knows it, it’s a well kept secret. And I always<br />
see it if a director is able to empathise. I guess it’s a big value being able<br />
to switch sides.<br />
Ben, where and when did you create the idea for this movie? Was it<br />
your script?<br />
Ben: Cherokee Agnew and I had the idea when we studied at the<br />
Hamburg Media School, Cherokee Scripting and I Directing. When we<br />
shot “Fliehkraft“ we created the idea of “Strawberry Bubblegums“, but<br />
we thought more about the character than the story. And the character<br />
we thought about was an male ex porn star and the second one was a<br />
young girl searching for her Dad. We thought about this theme another<br />
time so we threw both ideas into a pot and created this.<br />
Was it a hard movie to shoot?<br />
Ben: Just a short reminder that we needed a few more days of shooting<br />
as 22 days were not long enough and there could have been a little more<br />
budget, but anyone would tell you this about their movie. But this was a<br />
road trip, we had a lot more locations than in regular movies and we had<br />
a lots of actors. Changes to these factors would have altered the movie<br />
a lot.<br />
There are many incredible locations!<br />
Gloria: For me it’s important to mention that I’ve never had so much<br />
fun at making a movie! And it’s mainly due to all of the scenes simply<br />
working out. So many good actors and every single one enjoyed playing<br />
their parts that I always felt like I was living the actual scene at that<br />
moment in time. Although we had an overall lack of time during the<br />
making, I had such a great time. When Ben said “Action!“, actually he<br />
always just said “Bitte!“, everyone was<br />
57<br />
in his part. The whole crew was so<br />
excited about the decor and the costumes, Ben created a concrete world<br />
that I could walk through. Yes, it was stressful, but it worked out so well.<br />
Ben: Yeah, sometimes we were able to keep the stress away from the<br />
actors and actresses, sometimes not.<br />
Gloria: No, I recognised that, because I wanted to. We’re friends! But the<br />
scenes worked out that well that you shouldn’t think about it anymore.<br />
Ben: It just would have been way more relaxed if there would have been<br />
three more days. If you want to make a movie in Germany on a more<br />
international level, a bigger budget would help, but we all know that<br />
there are movies out there with a bigger budget and a lower level. If it’s a<br />
bad movie, it’s a bad movie!<br />
Gloria: I had parts in productions that had fourfold bigger budgets than<br />
this one and in the end I sat in my room feeling so desperate because I<br />
knew it’s simply shit what we’re doing there and I have to try to turn it
into gold as an actress - and I hated it. It would be great to combine good<br />
stuff with a big budget, but where in the world can you find it?<br />
India maybe?<br />
Gloria: Let’s go to Bollywood!<br />
That’s also a part of the problem, it’s your beginning as a director. It was<br />
your debut and you simply need to earn your acclaim. Did you like the<br />
investigating part of it?<br />
Ben: The reason I thought about porn in an investigative way was down to<br />
a book called “Porn in Germany - A journey through an unknown country“<br />
by Philip Siegel. Frauke (the Creative Producer) and I also visited a lecture<br />
about him and everything we learned was so interesting. I then found a lot<br />
of documentaries about it and read a lot of stuff, we visited the “Venus“ in<br />
Berlin and went to the Porn Film Festival.<br />
Gloria: I heard it’s pretty good?<br />
Ben: It is. Very interesting and cool people. And there we met Sadie Lune<br />
who also plays in our movie. Sadie is a dominatrix, sex worker and a porn<br />
actress. She attended us on two very exhausting days of the shoot.<br />
It got difficult with one of the supernumeraries, didn’t it?<br />
Gloria: Sadie protected me. It was important to have her, because porn’s not<br />
porn. I think mainstream porn is criticisable, but Sadie’s different. Her work<br />
is feministic art, that’s not inhuman.<br />
Ben: We were asked a lot about our attitude to porn. You need one if you’re<br />
shooting a movie about it, but I really didn’t understand why everyone asked<br />
about it! I always thought that anyone who wants to do porn should do porn<br />
and who doesn’t want to shouldn’t. And there are people who are forced to do<br />
it and that’s prostitution, it’s not okay. But on the other hand there are a lot<br />
of people forced to do other jobs they don’t like. My conclusion is if someone<br />
wants to do porn he or she should do porn and if not not, it’s like every job.<br />
I guess a world without porn wouldn’t be good<br />
Ben: Yes, but the porn is just the background for our story, in the end it’s<br />
still just a story about a girl searching her father. She finds out that she was<br />
fathered on a porn shooting and that her mother lied to her for 17 years.<br />
It’s more about her roots, about Lucy questioning, “Will I become like my<br />
parents? Am I like my parents? Am I like this because it was put into my<br />
cradle? Am I kind of dirty now?” And on the other hand there’s Udo, the old<br />
ex porn star, who completely lost his identity. They meet and that’s exciting,<br />
well, it wouldn’t be that interesting if the mother would’ve been a baker and<br />
Lucy needs to search numerous bakeries!<br />
Gloria: The porn story makes it higher stakes.<br />
Ben: It’s catchy for the people because it’s associated with anxiety for them.<br />
Yes, I guess in the end it doesn’t matter if she’s a porn actress. Maybe it<br />
would be worse if she’s just promiscuous<br />
Gloria: Yeah, that’s how Lucy sees it. She’s not judging about her mother that<br />
she did porn, except the day she’s at the gang bang shot and gets traumatised,<br />
she’s angry that her mother lied about her origin. Everyone wants to know<br />
where they come from. It’s a human need.<br />
Was it easy for you to do the gang bang shoot?<br />
Gloria: No, it was pretty hard for me. Ben called me if everything’s fine and<br />
I didn’t sleep that night. It was a moment where I was completely congruent<br />
with Lucy. There wasn’t any real sex or penetration, but the face with the<br />
smeary mascara and the sperm everywhere… it’s kind of a symbol that we<br />
know from porn that despises women! I felt so sick and hyperventilated. I<br />
will never forget this image.<br />
Ben: We have a lot of different porn and sex scenes in this movies, but this<br />
one was extreme.<br />
Gloria: It’s been the only one that shocked me. All the others were like “Hihi!<br />
We’re doing porn!“, but I really wanted to escape this one! It’s been too close<br />
to the industry. But it was good for my part.<br />
Was it a real porn set?<br />
Ben: No, but we imitated it really good. It’s no fake, it’s based on investigation.<br />
I saw a short documentary about this kind of porn and I was so surprised on<br />
set of how similar we were able to create the atmosphere of a real porn set. It’s<br />
a really intense atmosphere.<br />
Gloria: Yes, I saw that short documentary afterwards because Ben didn’t want<br />
me to watch it before. He had already sent all the documentaries and films<br />
to the other members of the team but I didn’t want to deal with it myself. I<br />
don’t have any reference to this world and I wanted to conquer it with Lucy.<br />
In the end it worked. I just thought, “Ooh my God, is this real with all the<br />
golden showers and fuckers?“ It really kind of traumatised me, because all<br />
those naked guys with these balaclavas… They’ve entered my comfort zone<br />
and I saw all those dicks! Yes, I was acting, but in the end I saw so many real<br />
dicks, more than I ever saw or will and that was wow…<br />
Ben: We had a special handling with it because we had a lot of nude extras<br />
and Lo Rivera, the actress that played Stella the porn star, also had never done<br />
something like this. So we treated everyone, no matter if extra, actor or porn<br />
star, the same, so that we could handle everything in a very respectful way.<br />
I heard stories about sets where all these people were treated different or as<br />
second class and I don’t want that in my work. It’s terrible!<br />
I guess it’s a steamy atmosphere with all those nude people and the mood<br />
would have been bad if you don’t respect everyone<br />
Ben: They’re all people and there’s no need in despising. An extra showing his<br />
blank ass shows as much as a porn actor.<br />
Gloria: It’s also been important for Lo and Jasmin Tabatabai to not see them<br />
as a pack of nudes. In the end they all were pretty nice guys.<br />
Ben: Let’s call it, we didn’t have that many fails especially if we talk about<br />
the extras.<br />
Gloria: Yeah, except the one. [Ben’s laughing out loud.] One was special.<br />
Ben: Yes, he was, but I want to keep this story for chatting at parties.<br />
Thank you, guys. It was a pleasure!<br />
Filmography Benjamin Teske<br />
2009: Try a little tenderness (script, director)<br />
2010: Rummel (script, director)<br />
2011: Nachtbus (director)<br />
2012: Stillstand (AT: Die goldene Stunde) (director)<br />
2012: Die Essenz des Guten (actor)<br />
2013: Fliehkraft (director)
Nike Flex Fury 2<br />
NICE STUFF<br />
Publish SS16 T-Shirt<br />
EOS Lip Balm<br />
Malone Soulless by Avenue 32<br />
Must have items and without them you will suck.<br />
Selected by Anita Krizanovic & Marcel Schlutt<br />
Roksanda Swimwear by Avenue 32<br />
Things<br />
that make<br />
you<br />
Italia Indepentend Sunglasses<br />
go<br />
mmmmm<br />
Samsaung Galaxy S7 Edge<br />
Airplay Messing Cream by KMS California<br />
Guess Jeans Pullover and Trouser<br />
Coccinelle B14 Bag<br />
Loewe TV Connect<br />
59
Visor Fleet Ilya<br />
Shorts Klaidas Vaitkus<br />
60
<strong>POP</strong> SUGAR<br />
CANDY<br />
KEN61<br />
Interview by Marcel Schlutt I Photography & Art Direction: Tom Wawnik I Fashion styling: Sarah Mughal I Grooming: Dominic Paul
Neck chain Culietta<br />
Pink underwear and socks Ken’s own<br />
Jakob Kasimir Hellrigl alias Candy Ken is THE IT-<br />
Boy of the European Pop and Fashion world. 2 years<br />
ago I saw the Austrian artist for the first time on<br />
Facebook and I ‘ve been a big fan ever since. If you<br />
follow us at our social media channels you know his<br />
videos and music. I had a chat with candy Ken about<br />
his life, his music and how he met Terry Richardson<br />
and Nicolas Formichetti. We spoke about Hello<br />
Kitty and Miley Cyrus. Lovers show some love to the<br />
hottest daddy on the planet: Candy Ken.<br />
Hey Candy Ken welcome to our <strong>POP</strong> ISSUE! Let´s start with a<br />
simple question: What is <strong>POP</strong> for you?<br />
A very successful type of music.<br />
You know, I am a big fan of your you and your work since the<br />
very beginning. And I follow all your activities in the social<br />
media world. But who is Candy Ken?<br />
A pink superhero who will save your grey and boring world. He is a<br />
product of todays society and icon to everyone thinking and being<br />
different.<br />
You are from Austria. A country not very well known for its pop<br />
culture. Can you tell us how you grown up in Austria?<br />
Raised as a basic bitch slaved to society’s rules. Had a difficult<br />
time in school and took me forever to get back to myself and be<br />
brave enough for Candy Ken. They make you feel like you cant do<br />
anything and that you are not good enough - But you are!!! And<br />
you can accomplish everything!!!<br />
As a young guy you did also photography. You also won a local<br />
photography contest. Are you still into photography? Or is<br />
music your main focus now? And can you tell us what happened<br />
that you transformed yourself into a pop star from being a<br />
photographer?<br />
I’m doing the same thing since day 1: creating art – I just got no<br />
appreciation what so ever as a photographer. I put myself in front of<br />
the lens to get everything next level - in the end I’m doing the same<br />
thing as before creating ideas, living out dreams and phantasies<br />
that I’m not allowed to in real life, reflecting society, playing with<br />
sexism, gender roles, stereotypes, etc …<br />
Balaclava Shara Hayz<br />
Having experience with photography, is it helping you to<br />
produce your music videos? They are very good produced and<br />
they look like if you have a big team. How many people are<br />
working with you on your career? Or is it all made by yourself?<br />
I got a very strong and daily growing CANDY CREW that help me<br />
out a lot which I’m very thankful for. My early works are sometimes<br />
only with a couple people but always very passionate and full of<br />
love.<br />
Talking about your videos and music. My favorite track of you<br />
is: Riff Raff Is Ma Daddy. Can you name your favorite track?<br />
And tell us how you start to make a new track? Who is writing<br />
the lyrics and who is making the sound?<br />
My favorite track is definitely CANDY CREW of my new album<br />
which is coming soon. I always got a million ideas in my head<br />
and try to get as much done as possible! The lyrics + concepts of<br />
my songs are all written by me and get finalized with different<br />
producers for different sounds like Lets Go Radio and Smokera.<br />
62<br />
I am a 90s Bitch. And your sound reminds me so much of the<br />
old good 1990s. How would you explain your kind of music? Is<br />
it HipHop or Rave?<br />
It’s a very new and yummy kind of music which can help you 2 be<br />
and love yourself. I rap about all my thoughts and dreams and want<br />
people to open up and think more. Stop being so judgmental and<br />
basic! I’m all about the love !!! If you are a fan of Candy Ken you<br />
are a fan of yourself!<br />
For some people - Basic Bitches - your sound and lyrics are just<br />
stupid stuff. I have been asked: Why do you support him that<br />
much? My answer is: „His music is so forward and if you listen<br />
to his lyrics there is always a critic against our human behavior<br />
in it. There is a message in his sound and he knows how to sell<br />
himself.“ Am I wrong when I say you have voice and message in<br />
your lyrics?<br />
I always work with very strong concepts and I think a lot about<br />
what I do and say threw my art. I am a role model and have very<br />
strong things I stand for.
Jacket Jane Bowler<br />
Visor Fleet Ilya<br />
Rings Maria Piana<br />
Necklaces Ken’s own<br />
Underwear Versace<br />
63
“If you are a fan<br />
of Candy Ken,<br />
you are a fan<br />
of yourself”<br />
Banana Coat Bobby Abley<br />
Banana Socks Stylist’s own<br />
64
At the end of 2015 you released your<br />
first EP. What are your plans for<br />
2016? Is there an album on the way?<br />
There is an album I’m working on right<br />
now and a bunch of new music videos<br />
already shot!!! Can´t wait to show you<br />
guys.<br />
Belt & neck chain Culietta<br />
Earrings Mawi<br />
Rings Mawi & Irregular Choice<br />
2015 was in general a very good year<br />
for you. Concerts in Berlin, New<br />
York, Milan, London and Tokyo.<br />
What was the best experience for you<br />
during your concerts?<br />
Tokyo 4 sure! Best time of my life – I<br />
got so so much love there !!!<br />
A gig with Candy Ken is not like an<br />
ordinary concert. Do you see yourself<br />
more as a performance artist?<br />
Definitely! It’s a real life music video<br />
and hopefully takes you away from<br />
your problems and all the basic bitches<br />
in your life!<br />
Can you explain: Why are you so<br />
obsessed with Hello Kitty? And do<br />
you get a sponsoring from them? If<br />
not you should get it! You are like the<br />
European ambassador of Hello Kitty.<br />
Me and Hello Kitty just go so well<br />
together and I love her more than<br />
anything TBH! They really should<br />
sponsor me!<br />
I only know one other pop music<br />
artist playing in your league ..<br />
Miley Cyrus. You both know how<br />
to use social media like Instagram,<br />
Facebook etc.. Is she an inspiration<br />
for you? She is like the female Candy<br />
Ken. You both should make a duet.<br />
I love her so so much! She also has a<br />
bigger picture and is here 2 make the<br />
world a better place! Her music and<br />
videos are art and very inspiring !!!<br />
How important is social media for<br />
an artist nowadays? And how much<br />
time a day you spend doing all the<br />
channels.<br />
For me – very important ! I need to<br />
check it daily 2 know whats going on<br />
and what is Zeitgeist!<br />
Talking about Instagram. The one<br />
and only Nicola Formichetti found<br />
you there, and you both worked<br />
together. Right? Tell us more about<br />
it.<br />
He was the first person ever who really<br />
supported me! Nicola understands me<br />
truly and pushes me to the next level! I<br />
love him so much!!!<br />
You also worked with Terry<br />
Richardson and you guys did one<br />
of his studio sessions. How was<br />
that working with one of the most<br />
famous pop culture artists of our<br />
time? Are you a proud man now?<br />
Life goals! As a photographer he was<br />
my biggest role model – and now I<br />
shot with him – this really was one of<br />
the biggest compliments ever for me!<br />
How important is fashion for Candy<br />
Ken? Moschino, Jeremy Scott,<br />
Versace .. all names connected to<br />
Candy Ken.<br />
Very important – self expression is<br />
everything for me and those designers<br />
help me with that.<br />
65
Ok, let´s do a silly <strong>POP</strong> Game.<br />
Can you name your 3 favorite pop stars?<br />
1. Miley Cyrus<br />
2. Grimes<br />
3. Drake<br />
Crown and palm pieces Maria Piana<br />
Fur Coat Stylists Own<br />
Shorts Klaidas Vaitkus<br />
Necklaces Ken’s own<br />
Your 3 favorite fashion brands<br />
1. VERSACE<br />
2. VERSACE<br />
3. VERSACE<br />
Medusa head on me like illuminati<br />
Is there any artist, from the music to the<br />
art to fashion world you would kill to work<br />
with? And what.. or how would be that<br />
collaboration would look like?<br />
Miley – would be the most controversial music<br />
video ever.<br />
Are you ready for some privat questions?<br />
Do you have a girl or boyfriend? Or are you<br />
single?<br />
Single daddy.<br />
How important is your hot trained body for<br />
your career? Do you work out that much for<br />
yourself or for the market?<br />
In the beginning very important for my career<br />
I guess – sex sells 69 I honestly really love<br />
working out and how my body feels all day<br />
after the gym - I’m addicted to it – but I also<br />
obviously use it all the time for photo shootings<br />
and videos ! If I wouldn’t be Candy Ken I<br />
would definitely bulk a lot more hahah but<br />
staying ripped all year is also fine with me as<br />
long as I can go to the gym everyday.<br />
Being full naked in front of Terry<br />
Richardson´s camera. Was it easy for you to<br />
show it all?<br />
Loved it! Wanted to do this for a long time – I<br />
hate cloth.<br />
What is your family saying about your<br />
music, your lifestyle? Are they proud and<br />
supportive?<br />
My family loves me and supports everything I<br />
do – I am very lucky<br />
Candy Ken.. thank you very much for your<br />
time. Good luck for 2016. We can not wait<br />
to see what the future will bring for you.<br />
Same
Happy Shop Berlin<br />
Torstraße 67, 10119 Berlin<br />
@happyshop_berlin<br />
fb.com/happyshopglobalalliance<br />
hello@happyshop–berlin.com<br />
happyshop-berlin.com<br />
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shop online @ makemehappy.happyshop-berlin.com
UNRAVEL<br />
UNRAVAL<br />
Photography: Alex Saint<br />
Creative direction and styling: Alex Francisco & Bob No (Hauterrorism)<br />
Hair & Make Up: Jordan Von Dage<br />
Model: Karina N (Berta Models)<br />
68<br />
Earrings & necklace SWAROVSKI<br />
Dress SERGIDEVCIA COUTURE<br />
Gloves COCOLATE LATEX
69
Sunglasses MADAMEGLAM<br />
Earrings & necklace VERSACE<br />
Bra, skirt & gloves COCOLATE LATEX<br />
Fur jacket SERGIDEVCIA COUTURE<br />
Clutch MOSCHINO<br />
Heels VERSACE
71
Dress SERGIDEVCIA COUTURE<br />
Jacket ALBERTO SINPATRON<br />
Handbag BURBERRRY PRORSUM<br />
Heels SAINT LAURENT<br />
72
73<br />
Sunglasses BURBERRRY PRORSUM<br />
Earrings, necklace & bracelet VERSACE<br />
Kimono SORELLE FONTANA<br />
Skirt & gloves COCOLATE LATEX<br />
Handbag MICHAEL KORS<br />
Platforms DOLCE&GABBANA
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Sunglasses BURBERRRY PRORSUM<br />
Earrings VINTAGE 80’s<br />
Necklace DIOR<br />
Bra & gloves COCOLATE LATEX<br />
Skirt SERGIDEVCIA COUTURE<br />
Stockings VALENTINO<br />
75
INTERVIEW<br />
Introducing feature - CRYSTAL<br />
Interview by Nicola Phillips Photography by Repeat Pattern and video stills from “Rendez-Vous”<br />
CRYSTAL are Tokyo’s answer<br />
to contemporary synth-pop.<br />
Having just released their debut<br />
full-length album Crystal<br />
Station 64 after their move<br />
over to Japanese label flau,<br />
the colourful threesome have<br />
been making a huge impact<br />
since being discovered by<br />
Justice and Surkin during the<br />
MySpace reign of the early<br />
00s. After debuting a stream<br />
of EPs on the legendary label<br />
Institubes, Ryota, Keita and<br />
Sunao were thrown head<br />
first into the French electro<br />
movement together with Ed<br />
Banger. Performing live with<br />
Boys Noize and Para One,<br />
just to name a few, CRYSTAL<br />
manage to create a uniquely<br />
twisted homage to old-school<br />
electro and techno pop, most<br />
impressively with a tonguein-cheek<br />
appearance from<br />
Teki Latex (honcho of Sound<br />
Pellegrino) of the French alternative<br />
hip-hop group TTC.<br />
Speaking to one third of the<br />
energetic trio, Ryota Miyake,<br />
we gain a greater insight in<br />
the Nippon naive pop and<br />
Kraftwerkian-influenced beats<br />
that are CRYSTAL.<br />
Tell us a little about yourself, who are you and how<br />
did you become CRYSTAL?<br />
Keita Onishi, Sunao Maruyama and Ryota Miyake<br />
(me) are Crystal. We are from the same art school<br />
in Tokyo. We have released 3 EPs on French labels,<br />
Institubes and Sound Pellegrino. And in October, we<br />
released our debut album “Crystal Station 64” via<br />
Japanese label, flau.<br />
Your music often sounds like an intense video<br />
game, is this where some of your ideas come from?<br />
Or maybe fast-paced gaming-hubs like Akihabara,<br />
Japan?<br />
I rarely go to Akihabara. It is way too exciting for me<br />
and is a bit too much. I prefer to go to more quiet<br />
places or stay home and play video games. I guess<br />
since we grew up with a lot of them, I can’t deny<br />
video games may have influenced the sounds on<br />
some tracks. For example “Jungli-la” is influenced<br />
by “Donkey Kong”, and the first half of “Away and<br />
Beyond” is the result of my effort to represent a<br />
melancholic feeling from the BGM of the first stage<br />
of “Transformer”. But further more, we are influenced<br />
by the music which influenced the videogame music.<br />
That is the main reason for why our music might recall<br />
the sounds of video games.<br />
Who are some of your main influences for your<br />
debut album, Crystal Station 64?<br />
In the case of this record, the main influences are the<br />
first two albums of Art Of Noise, and “Zoolook” by<br />
Jean-Michel Jarre.<br />
I saw that you guys were discovered on MySpace by<br />
Justice and Surkin, what was it like when you were<br />
contacted by them?<br />
One day we got a mail which wrote “Would you join<br />
us?” from the boss of Institubes. Then we answered<br />
“Yes” immediately. But to be honest that mail had<br />
been in our spam mail folder for one week since the<br />
mail had been sent (we learned that you should always<br />
check the spam mail folder too if you don’t want<br />
to miss the chance!). Later, he told us that Surkin<br />
found us from “Top Friends” area on MySpace page<br />
of Gaspard from Justice. There was an error on<br />
that feature so we were one of his Top Friends<br />
accidentally.<br />
Social media has helped to push many<br />
artists into the spotlight, how do you think<br />
you’ve benefited from it?<br />
Because of the existence of social media, we<br />
could release EPs and this album. So for us it is<br />
a nice thing, isn’t it?<br />
Where have you found your music to be best<br />
received?<br />
In France, according to the Facebook insight!<br />
You have this insane animated cat video for<br />
Rendez-Vous directed by Shinya Sato, have<br />
you worked with him before?<br />
That is my favorite video. Shinya is one<br />
of our best friends and also the original<br />
member of Crystal. He left the band<br />
because he wanted to concentrate<br />
on making videos as a job. All<br />
of our music
videos are by him. He has a great skill to turn<br />
the impression of sounds into unique moving<br />
visuals. And further more we all love his sense of<br />
humour. Now we are making a new music video<br />
for a track from the album and preparing visuals<br />
for our forthcoming live shows together.<br />
Looking at your last EP Get It, cats seem to<br />
be a reoccurring theme, is there reason behind<br />
this?<br />
Ah I think it was just a coincidence! I don’t<br />
know why it seems that they stand very well<br />
with our music, I love those cats very much<br />
though. If everyone associates cats with our<br />
tracks, I think it’s cool. Everyone is loving cats<br />
nowadays. Well the logo of flau is also a cat! I<br />
love it so much too… But I love small birds<br />
more!<br />
What’s it like being included in the flau<br />
records family? Do you have a chance to work<br />
with other artists on the label?<br />
I have released my album as Sparrows 2 years<br />
ago on flau, and my brother Ryuto is doing a<br />
lot of art works for flau. So for me it is a kind<br />
of the musical home in Japan. They have wide<br />
range of artists and they has different,<br />
unique styles each other. And<br />
the boss is a gentle guy<br />
and respectable artist.<br />
I am hoping some<br />
collaborations in<br />
near future.<br />
How did you<br />
approach<br />
making your<br />
first fulllength<br />
album<br />
at flau?<br />
Recently I have been making more floororiented<br />
tracks like our last EP from Sound<br />
Pellegrino and the ones in their compilation<br />
albums. But we wanted our first album to be<br />
a mix of the band’s first concept that appeared<br />
notably on our first 2 Eps, “Initiative!” and “Neo<br />
Age”. There were a lot of tracks left undone so<br />
we sorted out developing them. I tried to let the<br />
album have depth and many expressions more<br />
than the existing EPs.<br />
Your single Jungli-la takes samples from Siri<br />
and plays homage to Donkey Kong, do your<br />
other tracks follow a similar pattern?<br />
On “Get It”, you can hear the conversation of<br />
Teki and Siri!<br />
The bonus track Dream Incubation features<br />
electronic artist IKONIKA, how did you<br />
approach her for the collaboration?<br />
When you do tracks with the other people, the<br />
results are always beyond your imagination.<br />
So it is very exciting and interesting thing for<br />
me. But I am too shy to tell someone “let’s do<br />
it together!” ahah. In the case of this track,<br />
Sound Pellegrino introduced me Ikonika to<br />
do a collaboration for their compilation<br />
album. And the result was far amazing<br />
than I expect!<br />
Where are you excited to take your music<br />
next?<br />
Wherever.<br />
What is the ultimate games console?<br />
Retro Freak absolutely.<br />
“We learned that<br />
you should always<br />
check the spam<br />
mail folder too if<br />
you don’t want<br />
to miss the chance!”<br />
Enter the CRYSTAL universe here: www.crystal.jpn.org<br />
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Blue Leather Shirt Asos<br />
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Photography and styling Suzana Holtgrave<br />
Hair and make up Suzana Holtgrave<br />
Model Maria B. @Iconic Management<br />
Velvet Jacket Gucci<br />
Pants Balmain for H&M<br />
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Catsuit and Belt Vintage<br />
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Dress Alexander McQueen<br />
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Catsuit and Belt Vintage<br />
Glitter Shoes Tatoosh
Total Look D&G<br />
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M A I S I E<br />
You know Maisie Cousins because you surely have come across her work, and once you do you can’t<br />
get it out of your head. The London born photographer describes her approach to art as hedonistic<br />
and performative. In her work she explores themes of power, femininity, nature, technology, colour<br />
and indulgence. In her work she keeps reinventing herself always staying true to her original vision.<br />
What is behind her glistening close ups of girls body and glistening flowers or her mad collages? We<br />
talked to her about her inspiration, her larger models, pop culture, taboo themes and the future.<br />
Interview by Emma E K Jones & Amanda M Jansson
COUSINS<br />
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What made you choose<br />
photography over other forms<br />
of art?<br />
I started an interest in art young<br />
so it was what I had access to.<br />
I shared a bedroom in a small<br />
flat growing up so painting<br />
big things wasn’t an option.<br />
Photography gave me a way<br />
of creating but not taking up<br />
much space. It also helped with<br />
being a shy teenager, I got to<br />
make lots of friends through it<br />
and using the internet.<br />
Does pop culture influence<br />
your work? To which extent<br />
and how?<br />
If it does it must be a<br />
subconscious thing. I don’t have<br />
too much of an interest in pop<br />
culture but I also think it can<br />
be quite snobby to think you’re<br />
above it. I like that current art<br />
is very in tune with popular<br />
culture.<br />
You often look for bigger<br />
models, or models with<br />
stretch marks etc? What is<br />
your idea of female beauty?<br />
For me it’s more about the<br />
person and how we work<br />
together. What I find attractive<br />
in a model is someone who<br />
just gets it and is up for trying<br />
new things. To be honest I get<br />
tired of being expected to be a<br />
spokesperson for body positivity<br />
as if I have all the answers and<br />
good morals. For example I<br />
don’t like certain tattoo styles<br />
and I often avoid shooting<br />
people with them, I do let my<br />
aesthetic get in the way of body<br />
acceptance sometimes, so I’m<br />
not perfect. I just want people<br />
to be able to relate and feel<br />
something other than self hate<br />
when they look at my pictures<br />
of bodies. My teenage years<br />
were spent looking at fashion<br />
images that made me loathe my<br />
body, I want something more<br />
for my younger sister.<br />
How can art affect pop culture<br />
into changing their views of<br />
what should be considered<br />
beautiful?<br />
Pop culture takes from art<br />
constantly, so hopefully it’s<br />
just a matter of time before a<br />
more positive way of looking<br />
at bodies starts to happen on a<br />
wider scale. I hope.<br />
What is something you would<br />
like to talk about but never<br />
get the chance to?<br />
Currently I’ve been thinking<br />
a lot about the stigma of<br />
motherhood and how having<br />
children young is seen as<br />
basically selling out and not<br />
being career driven. If society<br />
has progressed it should be<br />
possible to have children, a<br />
career and your own life. It’s a<br />
problem for women, to always<br />
have the worry whether they’re<br />
doing the right thing - having<br />
children young or old or not<br />
at all.<br />
and first hand experiences<br />
rather than found imagery<br />
online. I like to have a personal<br />
connection with whatever<br />
inspires me I guess. I find the<br />
internet so overwhelmingly<br />
full of good visuals, it’s not fun<br />
finding treasures anymore.<br />
Women, colour and colour<br />
clash are important element<br />
in your work, at least visually<br />
speaking. What other<br />
elements do you think make a<br />
Maisie Cousins photograph?<br />
Something wet, some flowers,<br />
maybe something smelly.<br />
What is your biggest fear as<br />
an artist?<br />
Being uninspired.<br />
Where do you see yourself in<br />
30 years from now?<br />
The dream is to find a landlord<br />
who will let me paint my walls.<br />
What is your ultimate dream<br />
project you would like to<br />
work on?<br />
I would love to work with more<br />
powerful female musicians, like<br />
Bjork, Grimes and FKA Twigs.<br />
Stalk Maisie on<br />
www.maisiecousins.com<br />
Where do you get inspiration<br />
from?<br />
It’s hard to tell, I’m so spoiled<br />
for inspiration really so I try to<br />
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get it more from reading books
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Passport Pop<br />
Photography by Anna Peftieva<br />
Makeup : Violet Zeng using CameraReadyCosmetics.com<br />
Hair Styling : Wig by Tomoyo Sakai<br />
Model : Natasha Ramachandran @ Next Model Management<br />
Produced @ Moon Man Studios
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Patrick de Pádua<br />
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SS16 “Silêncio”<br />
INTERVIEW<br />
K A L T B L U T ´ S 1 s t F a s h i o n A w a r d W i n n e r<br />
Interview by Marcel Schlutt, Photography & Retouching: Trend me too, Makeup: Ani Toledo, João<br />
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Mendonça<br />
Models: Djedi (Karacter Models) Ézio Sá, Francisco Passarinho, João Ventosa (Just Models), Pedro Fernandes (BLAST), Pierre Pereira<br />
(Just Models), Marco Fernandes (Face Models), Rafael Cavaco (Face Models), Tiago Pereira (Just Models), Tomás Alves (Karacter Models)<br />
Special Thanks: Da Vinci Pincéis, Hari Amado, NOT YET Shoes, Pedro Alves, Roberto Coelho, Vera Moreira Rato
During the last edition of Fashionclash Festival Maastricht 2015, for the very first<br />
time, KALTBLUT hosted the KALTBLUT Magazine Fashion Award 2015. We are<br />
proud to introduce you to the winner: Patrick De Pádua. The Portugal based designer<br />
is one of the biggest talents in the fashion world at the moment. His designs are<br />
outstanding and incredibly well made. I had a little chat with Patrick about his work,<br />
Portugal and why he loves to design for boys. Special thanks to the team of Trend me<br />
too and the models for the amazing editorial.<br />
Hello Patrick. During the last Fashionclash in<br />
Maastricht you won the very first KALTBLUT<br />
fashion Award. Congratulations again. Do you still<br />
remember that day and how you felt when you won?<br />
Hello Marcel. Oh yes, I remember every second<br />
from that day. From 6am in the morning till 9pm we<br />
rehearsed the show, fittings and some sleep in between.<br />
It was a really long day. I was so nervous. It was my first<br />
time in Maastricht and first time I presented an AW<br />
Collection in the Netherlands. The award show was<br />
next day. And when the host called my name I could<br />
not believe it and my friends told me: Patrick, you are<br />
the winner. I was soo happy but all was over so quickly.<br />
Your collections are very modern and fresh. One of<br />
the reasons why you won in Maastricht is that we<br />
can take the collection straight from the runway and<br />
hang it in the shops. And the people will buy it. How<br />
would you describe your brand?<br />
Urban, young, athletic, fashionable fashion and finally<br />
brave, you have to be brave and self-assured. To wear<br />
my designs you need to be strong. I sell a lifestyle.<br />
Your fashion is more for the boys but I also see some<br />
strong girls into your collection. Why the focus on<br />
menswear?<br />
I cannot really explain why I am so focused on<br />
menswear. In general, it is easier to represent men. And<br />
here in Portugal 70% of the fashion labels are designing<br />
for the girls. During my time at fashion school I<br />
designed for girls first but during the years I felt my<br />
designs are stronger for men.<br />
Could you tell us a little about your background?<br />
I know you are not a native of Portugal. How did<br />
Patrick De Pádua grow up?<br />
I was born in Liechtenstein and lived there for 12 years<br />
before I returned to Portugal. The first couple of years<br />
were a bit difficult for me because I could not speak<br />
Portuguese but I would never go back now.<br />
Have you always wanted to do fashion? And can you<br />
100<br />
still remember your first self-designed piece? What<br />
was it, and for whom?<br />
No, I always wanted to be a cook. In fact, I studied<br />
for 2 years in Faro (Algarve) as a cook but I found it<br />
a bit boring and then I trained for 3 years as a fashion<br />
designer in Lisboa at school (MODATEX).<br />
In your designs I see London, New York and Berlin.<br />
I see guys in big cities wearing your collections.. But<br />
how much of Portugal´s history can I find in your<br />
work?<br />
I am not traditional. As you know I am not 100% from<br />
Portugal. We have so many designers here working with<br />
the history that we do not need another one.<br />
During the last ModaLisboa edition you unveiled<br />
the SS16 collection. I love this one. What was your<br />
inspiration for that one?<br />
The pursuit of peace and tranquility are the theme<br />
for this collection dominated by white and neon<br />
green. Silence is a reflection, born in a prison. There<br />
is a reference to a peaceful valley, a moment of<br />
introspection, to a retreat. As always, a sportswear<br />
/ streetwear collection inspired in the 90s baseball<br />
equipment is emphasizing on a sporty silhouette with a<br />
feeling of lightness, freedom and comfort.<br />
I love the color theme. It is just perfect for the<br />
upcoming spring/summer season. Tell us more about<br />
the materials you have used.<br />
It is my first spring/summer collection ever. In the<br />
beginning it was not easy for me to design it. So I<br />
thought .... let´s do it a little bit fresher with many<br />
layers and lightweight fabric and that was my starting<br />
point for my research for the materials. Polyester, cotton<br />
and light-colored leather, those are never missing in my<br />
collection. I wanted to do something I had never done<br />
before and not only a collection of “white”.<br />
Where do you find your materials in Portugal? Do<br />
you buy it in Lisbon or do you have to travel for it?<br />
Yes all my materials are from Portugal. Most of the time<br />
I buy it in the North of Portugal.<br />
The new SS16 collection got a lot of attention at<br />
ModaLisboa. I guess it was a successful event for<br />
you?<br />
Patrick: Oh yes! I just sold the entire collection. And I<br />
am very proud of being part of ModaLisboa.<br />
How important is an event like ModaLisboa or<br />
Fashionclash Maastricht for a young fashion brand?<br />
I think it is very very important to be part of it. For us<br />
here in Portugal ModaLisboa is THE event each fashion<br />
season. We can present our designs to the international<br />
press, bloggers and buyers. And without ModaLisboa I<br />
would not be invited to other fashion weeks or I would<br />
not teach fashion at two different fashion schools.<br />
How important is social media nowadays for a young<br />
label like yours?<br />
It is a big part of the fashion world but I think the most<br />
important part are the buyers. All the social media<br />
clicks are not paying the bills. For sure it is great to see<br />
my brand going around in the social media world. But<br />
it is not my main focus.
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Silence<br />
is a<br />
reflection,<br />
born in<br />
a prison.<br />
You are not only a gifted fashion<br />
designer. You know also how<br />
important branding is nowadays.<br />
Did you know from the beginning in<br />
which direction your brand should<br />
go?<br />
Nope. It is not easy to decide in the<br />
beginning where to go. To be honest it<br />
just happened. Today, for sure, I know<br />
where I want my brand to be. It is a<br />
long process.<br />
Let´s go back to Portugal as a fashion<br />
capital. How would you describe the<br />
typical look for men from Portugal?<br />
The typical Portuguese man is<br />
romantic, traditional and less risky. The<br />
Portuguese fashion man likes it classic,<br />
a relaxed and discreet style.<br />
In your fashion clips you use music<br />
from Portugal. Correct? Why these<br />
artists?<br />
Portugal is a creative country ! Why<br />
should I take artists from somewhere<br />
else? Why not show what we have in<br />
our own country? I think the little<br />
things make big things.<br />
How important is the right choice of<br />
songs in order to bear your message<br />
as an artist?<br />
All my creative processes start with the<br />
music, for me it is important, i must<br />
find the right music before I draw the<br />
whole collection. The music is for me<br />
simply the alpha and omega, it’s my<br />
starting point for work.<br />
While we sit here and talk, you’re<br />
probably already working on the new<br />
AW collection. Can you already tell<br />
us a little?<br />
The new collection .... Yeah I can say<br />
something. “On the hunt“ is the name.<br />
It is both: a reference to the world of<br />
hunting and the desire of people for<br />
something to complete them. The idea<br />
is that clothing serves as protective<br />
shield and it is also important that<br />
the trench coat is the centerpiece.<br />
The collection is actually streetwear,<br />
even though it references to hunting<br />
elements.<br />
Your biggest dream as a designer is?<br />
PATRICK DE PADUA .... my biggest<br />
biggest dream is to bring this name<br />
to such levels, make it that big that it<br />
actually exceeds my dream.
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Bedtime Stories<br />
By Michelle Hèlena Janssen<br />
KALTBLUT gets intimate! Introducing Bedroom Stories for the first time. KALTBLUT meets people on the street that captivate<br />
us and wants to get a little more personal, invading their personal space. We think your bedroom is your most vulnerable place,<br />
and that’s what makes it that much more interesting. Get to know young pioneers from different cities, starting in Amsterdam<br />
and Berlin. We’ll be documenting and exposing their secret bedroom stories for you.<br />
Name Alexandra Koutsaftis<br />
Age 20<br />
Zodiac sign Scorpio<br />
Lives in Berlin Prenzlauerberg<br />
Zodiac sign traits<br />
Passionate, observant, unyielding<br />
What inspires you?<br />
There’s not really just one thing that inspires me. There’re<br />
so many things happening around me, especially in Berlin,<br />
that almost every little thing can inspire me. I’m someone<br />
who captures a lot, sometimes to much.<br />
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What’s the strangest thing that happened in your bedroom?<br />
Eat. Sleep. Sex. Nothing strange I think.<br />
Who would like to be if you could choose anyone else?<br />
I think that would be Lianne la Havas. The voice of this woman is amazing, and I just can’t sing. So would be amazing to sing day in day out.<br />
What’s your favorite spot in Berlin?<br />
Admiralsbrucke in Kreuzberg. I love that spot and the Area around in, near the spree in the sun with a beer, yes baby.
NEW IN<br />
Name Naiko<br />
Age: 20<br />
Zodiac sign: Taurus<br />
Lives in: Rotterdam<br />
Zodiac sign traits<br />
I never actually looked at it but I can find myself in the following : Determined, practical, generous, kind, affectionate, sensual, artistic, patient, stubborn,<br />
creative, lazy, emotional, love life<br />
What inspires you?<br />
I can find inspiration in everything. It’s mostly happy colors, plants, sex, a lot of retro stuff and positive people.<br />
Who would you like to be if you could choose anyone else?<br />
Oi, I don’t have to be another person per se. Maybe myself with less drama. You can be another person because you’d think you would have a more fun<br />
life, but they also have their own misery and drama. Just be satisfied with yourself.<br />
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What’s the strangest thing that happened in your bedroom?<br />
Haha I don’t think it would be fair to talk about that, I also don’t know if it’s fair to my boyfriend, but in any case it’s enough to keep it exciting.<br />
What’s your favorite spot in Rotterdam?<br />
My favorite spot in the summer is Biergarten, the atmosphere is amazing and HELLO... BEER. Next there’s Café de Bel which is super nice. Tiki bar<br />
for the tasty cocktails and my house is really a top spot.
FASHION<br />
STORY<br />
Photography by<br />
Suzana Holtgrave<br />
Styling by Marcel Schlutt<br />
Hair and make up by<br />
Yvonne Wengler using<br />
MAC Cosmetics<br />
Models are Thomas Kochanek<br />
@Modelfabrik Berlin &<br />
Frida Mel @Iconic Talent<br />
Management Berlin<br />
All Fashion by<br />
Cross Jeans<br />
108 Denim
For Life -<br />
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Play With it
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More<br />
sneakers<br />
got<br />
than a<br />
plumber’s<br />
pliers<br />
ONITSUKA TIGER - MEXICO DELEGATION „THE STORY“<br />
IN 1966 DURING THE PRE-GAME TRIALS, ONITSUKA TIGER INTRODUCED A SHOE - FORMERLY KNOWN AS THE LIMBER - ADORNED<br />
WITH THE DISTINCTIVE CROSSED STRIPES THAT ARE NOW SYNONYMOUS WITH THE BRAND. TWO YEARS LATER THEY WOULD<br />
GARNER GLOBAL ATTENTION DURING THE MEXICO GAMES AND THE SHOE WOULD SOON BE RENAMED THE MEXICO 66. NEARLY 50<br />
YEARS LATER, THE MEXICO 66 REMAINS AS ICONIC AS IT DID WHEN IT FIRST DEBUTED. THE MEXICO 66 ICON PACK CELEBRATES<br />
THE MODEL’S ICONIC STATUS AND FEATURES A FEW NEW DESIGN DETAILS: FULL GRAIN LEATHER, GOLD FOIL SIDE LOGO AND THE<br />
MEXICO 66 LOGO PRINTED ON THE SOCKLINER. #MUSTHAVE<br />
Photography By Marcel Schlutt<br />
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from berlin for<br />
fashion. art. film.<br />
zipstrr.com<br />
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trendsettrr 2016<br />
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london or paris – connect your perspectives! create unique art in collaboration. opportunities are<br />
endless. be part of the zipstrr community. download the app now. your invitation code is: trendset
Available on the App Store
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KALTBLUT Magazine is published by<br />
KALTBLUT Media UG (haftungsbeschränkt)<br />
CEO: Nicolas Simoneau,<br />
Grünbergerstr. 3, 10243 Berlin, Germany<br />
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info@kaltblut-magazine.de<br />
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advertising@kaltblut-magazine.de<br />
E v e n t s<br />
events@kaltblut-magazine.de<br />
Photo by Suzanna Holtgrave<br />
<strong>POP</strong> GOES THE WORLD #Bignews<br />
Pop is everywhere; in TV, music, fashion,<br />
the news. #CallherCaitlyn. We are living in<br />
and building up pop culture on an every day<br />
level #Selfie. And like it or not, pop culture<br />
is influencing our lives a lot more than what<br />
we originally thought #Damn. We grow up<br />
with our favouriteTV shows, singers, artists,<br />
designers, you name it, which collectively<br />
become influential on who we will become in the<br />
long run #WhenIgrowUpIwanttobeBeyoncé.<br />
It’s constantly in our references, the way we<br />
dress, the quotes we say #DragRace<br />
We are currently living in the high moment of<br />
popular culture; where everyone wants to be a<br />
part of if and everyone wants to be the center<br />
of attention #Howmanyfollowersdoyouhave.<br />
Seeing your art being adopted and adapted by<br />
the popular culture will give you immortaliy<br />
#Jesusispop. Of course pop is not always about<br />
quality - and everyone has different tastes<br />
#JustinBieber<br />
From Kim Kadarshian to the selfie stick, we<br />
inhale pop as if our lives depended on it. The<br />
scary thing is, sometimes we don’t always have<br />
a choice. Sometimes it’s just thrown in your<br />
face and you can’t really do anything about it<br />
#Enoughisenough<br />
The bottom line is, we are pop and it’s gonna<br />
change so quickly #Thatisall.<br />
All Copyright at KALTBLUT Media UG<br />
All of KALTBLUT´s contributors are responsible and retain the reproduction<br />
rights of their own words and images. Reproductions of any kind are<br />
prohibited without the permission of the magazine, editor and each contributor.
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