Aziz art November 2018
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art
from Somerset, England, who immigrated to colonial North America, probably in 1635, aboard the ship Hopewell and became one of the first settlers of Windsor, Connecticut. He had one brother, Jarvis Waring Rockwell, Jr., older by a year and a half.Jarvis Waring, Sr., was the manager of the New York office of a Philadelphia textile firm, George Wood, Sons & Company, where he spent his entire career. Rockwell transferred from high school to the Chase Art School at the age of 14. He then went on to the National Academy of Design and finally to the Art Students League. There, he was taught by Thomas Fogarty, George Bridgman, and Frank Vincent DuMond; his early works were produced for St. Nicholas Magazine, the Boy Scouts of America (BSA) publication Boys' Life, and other youth publications. As a student, Rockwell was given small jobs of minor importance. His first major breakthrough came at age 18 with his first book illustration for Carl H. Claudy's Tell Me Why: Stories about Mother Nature. After that, Rockwell was hired as a staff artist for Boys' Life magazine. In this role, he received 50 dollars' compensation each month for one completed cover and a set of story illustrations. It is said to have been his first paying job as an artist. At 19, he became the art editor for Boys' Life, published by the Boy Scouts of America. He held the job for three years, during which he painted several covers, beginning with his first published magazine cover, Scout at Ship's Wheel, which appeared on the Boys' Life September edition. Painting years Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20).
He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14), and Man Playing Santa (December 9). Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song. The image was adopted by SPEBSQSA in its promotion of the art. Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably the Literary Digest, the Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life magazine. When Rockwell's tenure began with The Saturday Evening Post in 1916, he left his salaried position at Boys' Life, but continued to include scouts in Post cover images and the monthly magazine of the American Red Cross. He resumed work with the Boy Scouts of America in 1926 with production of his first of fiftyone original illustrations for the official Boy Scouts of America annual calendar, which still may be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, Texas. During World War I, he tried to enlist into the U.S. Navy but was refused entry because, at 140 pounds (64 kg), he was eight pounds underweight for someone 6 feet (1.8 m) tall. To compensate, he spent one night gorging himself on bananas, liquids and doughnuts, and weighed enough to enlist the next day. He was given the role of a military artist, however, and did not see any action during his tour of duty
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- Page 3: Norman Percevel Rockwell (February
- Page 8 and 9: Later career During the late 1940s,
- Page 10 and 11: Rockwell married his third wife, re
- Page 12: Golnaz Fathi born 1972 is an Irania
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- Page 17 and 18: Baladi draws from influences from b
- Page 20 and 21: Tahrir Cinema went live on July 14,
- Page 22: NASIR OL MOLK MOSQUE, SHIRAZ, IRAN
from Somerset, England, who<br />
immigrated to colonial North<br />
America, probably in 1635,<br />
aboard the ship Hopewell and<br />
became one of the first settlers of<br />
Windsor, Connecticut.<br />
He had one brother,<br />
Jarvis Waring Rockwell, Jr.,<br />
older by a year and a half.Jarvis<br />
Waring, Sr., was the manager<br />
of the New York office of a<br />
Philadelphia textile firm, George<br />
Wood, Sons & Company, where he<br />
spent his entire career.<br />
Rockwell transferred from high<br />
school to the Chase Art School at<br />
the age of 14. He then went on to<br />
the National Academy of Design<br />
and finally to the Art Students<br />
League. There, he was taught by<br />
Thomas Fog<strong>art</strong>y,<br />
George Bridgman, and Frank<br />
Vincent DuMond; his early works<br />
were produced for St. Nicholas<br />
Magazine, the Boy Scouts of<br />
America (BSA) publication Boys'<br />
Life, and other youth publications.<br />
As a student, Rockwell was given<br />
small jobs of minor importance.<br />
His first major breakthrough<br />
came at age 18 with his first book<br />
illustration for Carl H. Claudy's Tell<br />
Me Why:<br />
Stories about Mother Nature.<br />
After that, Rockwell was hired as a<br />
staff <strong>art</strong>ist for Boys' Life magazine.<br />
In this role, he received 50 dollars'<br />
compensation each month for one<br />
completed cover and a set of story<br />
illustrations. It is said to have been<br />
his first paying job as an <strong>art</strong>ist. At<br />
19, he became the <strong>art</strong> editor for<br />
Boys' Life, published by the Boy<br />
Scouts of America. He held the job<br />
for three years, during which he<br />
painted several covers, beginning<br />
with his first published magazine<br />
cover, Scout at Ship's Wheel, which<br />
appeared on the Boys' Life<br />
September edition.<br />
Painting years<br />
Rockwell's family moved to New<br />
Rochelle, New York, when Norman<br />
was 21 years old. They shared a<br />
studio with the c<strong>art</strong>oonist Clyde<br />
Forsythe, who worked for The<br />
Saturday Evening Post. With<br />
Forsythe's help, Rockwell submitted<br />
his first successful cover painting to<br />
the Post in 1916, Mother's Day Off<br />
(published on May 20).
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