Aziz Art October 2018
History of art(west and Iranian)-contemporary art History of art(west and Iranian)-contemporary art
Guy Laramée BIBLIOGRAPHY In the course of his 30 years of practice, interdisciplinary artist Guy Laramée has created in such varied and numerous disciplines as theater writing and directing, contemporary music composition, musical instrument design and building, singing, video, scenography, sculpture, installation, painting, and literature. He has received more than 30 arts grants and was awarded the Canada Council’s Joseph S. Stauffer award for musical composition. His work has been presented in United States, Belgium, France, Germany, Switzerland, Japan, and Latin America. From 1984 to 1988 he composed music for contemporary dance: Daniel Soulière and Danse Cité, Carol Ip, Suzanne Lavoie, Andrew Harwood). After 1988 he composed and designed sound scenography for theater: (Larry Tremblay, 1987- 88; Robert Lepage, 1992-93; Jean- Frédérique Messier, 1993-95; Volker Hesse, Switzerland, 1993); Lou Simard, Germany, 1994; Claire Gignac and La Nef, 1995-2004; Rachel Rosenthal, USA, 1999-2000. His research in non-tempered tunings and multiple layer polyrhythms led him to found TUYO in 1987, an ensemble performing microtonal and gestural music on invented instruments. He directed this ensemble until 1991. Since 1986, he has authored several interdisciplinary works: Les Éléphants sont venus mourir ici, 1986; Théorie du Désert 1991; Marche de Nuit 1994-96, BIBLIOS 2005-6 and co-authored several multidisciplinary works (URNOS, 2004 ; Ici et là, 2004). He has written the scripts and directed the following short films: Marche de Nuit, with Henri-Louis Chalem, 1996; CrystalKey Bee, 1997). He was the artistic director of PluraMuses, a company devoted to producing multi-disciplinary works and was also involved in the Meduse cooperative in Quebec City. He initiated and coordinated « L’espace traversé », a pan-Canadian conference on interdisciplinary art practices (See the bilingual book published by Le Sabord: L’Espace traversé). 6
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Guy Laramée<br />
BIBLIOGRAPHY<br />
In the course of his 30 years of<br />
practice, interdisciplinary artist<br />
Guy Laramée has created in such<br />
varied and numerous disciplines as<br />
theater writing and directing,<br />
contemporary music composition,<br />
musical instrument design and<br />
building, singing, video,<br />
scenography, sculpture,<br />
installation, painting,<br />
and literature. He has received<br />
more than 30 arts grants and was<br />
awarded the Canada Council’s<br />
Joseph S. Stauffer award for<br />
musical composition. His work has<br />
been presented in United States,<br />
Belgium, France, Germany,<br />
Switzerland, Japan, and Latin<br />
America.<br />
From 1984 to 1988 he composed<br />
music for contemporary dance:<br />
Daniel Soulière and Danse Cité,<br />
Carol Ip, Suzanne Lavoie, Andrew<br />
Harwood). After 1988 he composed<br />
and designed sound scenography<br />
for theater: (Larry Tremblay, 1987-<br />
88; Robert Lepage, 1992-93; Jean-<br />
Frédérique Messier, 1993-95;<br />
Volker Hesse, Switzerland, 1993);<br />
Lou Simard, Germany, 1994; Claire<br />
Gignac and La Nef, 1995-2004;<br />
Rachel Rosenthal, USA, 1999-2000.<br />
His research in non-tempered<br />
tunings and multiple layer<br />
polyrhythms led him to found TUYO<br />
in 1987, an ensemble performing<br />
microtonal and gestural music on<br />
invented instruments. He directed<br />
this ensemble until 1991.<br />
Since 1986, he has authored<br />
several interdisciplinary works: Les<br />
Éléphants sont venus mourir ici,<br />
1986; Théorie du Désert 1991;<br />
Marche de Nuit 1994-96, BIBLIOS<br />
2005-6 and co-authored several<br />
multidisciplinary works (URNOS,<br />
2004 ; Ici et là, 2004). He has<br />
written the scripts and directed the<br />
following short films: Marche de<br />
Nuit, with Henri-Louis Chalem,<br />
1996; CrystalKey Bee, 1997). He<br />
was the artistic director of<br />
PluraMuses, a company devoted to<br />
producing multi-disciplinary works<br />
and was also involved in the<br />
Meduse cooperative in Quebec<br />
City. He initiated and coordinated «<br />
L’espace traversé », a pan-Canadian<br />
conference on interdisciplinary art<br />
practices (See the bilingual book<br />
published by Le Sabord: L’Espace<br />
traversé). 6