Aziz Art September 2018
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AZIZ ARt<br />
<strong>September</strong><br />
<strong>2018</strong><br />
Mohammad Ali<br />
Taraghijah<br />
Competition<br />
Ahmed Mater
1-The Unknown Fallen<br />
7-Competition<br />
9-Mohammad Ali<br />
Taraghijah<br />
17-Ahmed Mater<br />
21-Competition<br />
Director: <strong>Aziz</strong> Anzabi<br />
Editor : Nafiseh Yaghoubi<br />
Translator : Asra Yaghoubi<br />
Research: Zohreh Nazari<br />
http://www.aziz_anzabi.com
Forgotten Heroes project<br />
“The Unknown Fallen” is a visual<br />
feast for readers of all ages, with<br />
lavishly drawn illustrations and<br />
striking authentic pictures. It<br />
features not only historical<br />
aspects of the First World War<br />
but also unveils forgotten stories<br />
and testimonies backed up with<br />
breath-taking photos from<br />
Muslim soldiers from all<br />
continents fighting with the<br />
Allied forces in battlefields far<br />
away from their homes. It<br />
highlights the mutual historical<br />
and cultural interest of all these<br />
brothers-in-arms and many more<br />
fascinating facts associated with<br />
every region of our planet.<br />
Discover six years of war,<br />
unrestricted by the constraints of<br />
physical space with more than<br />
200 unique pictures accompanied<br />
by lively, informative text, offering<br />
hours of jaw dropping moments –<br />
highlighting that Muslims from<br />
around the world contributed to<br />
the history of Europe, thus<br />
affirming that Muslim diaspora<br />
communities are stakeholders in<br />
Europe.<br />
See the world in a whole new way<br />
guided by images paired with<br />
thought-provoking quotes that<br />
encourage curiosity and hopefully<br />
inspire you to look more closely at<br />
an unknown world of interfaith in<br />
and behind the trenches of the<br />
cruel war that was World War 1.<br />
Through the coffee table book our<br />
project brings to attention the<br />
contribution of Muslims in World<br />
War 1, and the opportunities to use<br />
this part of history to build bridges<br />
of peace and understanding<br />
between people of all faith and<br />
none, to our audience of teenagers<br />
and adults.<br />
Coffee table books are fantastic<br />
windows into worlds that most<br />
people don’t have the ability to<br />
experience on their own. While<br />
picture books often present big,<br />
lush illustrated landscapes – coffee<br />
table books present a completely<br />
different experience. Coffee table<br />
books are all about curation.<br />
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They’re about collecting<br />
perspectives on the real world,<br />
gathering together that material,<br />
showing the connections<br />
between that material, and then<br />
presenting those collections in<br />
the most visually appealing way<br />
possible.<br />
If those curated collections are<br />
attractive to adult audiences,<br />
how powerful will they be for a<br />
younger audience? For a<br />
teenager whose experience with<br />
the<br />
outside world begins and ends<br />
with TV or maybe a trip to the<br />
battlefields in Europe, “The<br />
Unknown Fallen” is an annotated<br />
guidebook to the outside world.<br />
“The Unknown Fallen” is a big<br />
book and, as you might guess, it’s<br />
packed end-to-end with an<br />
incredible amount of information.<br />
It’s attractive to look at, as<br />
something from National<br />
Geographic. On your table, it will<br />
confirm that you are smart,<br />
interested in history, religion and<br />
peace building initiatives. But its<br />
real value lies in what it can do<br />
for our children to whom the<br />
future belongs.<br />
“The Unknown Fallen” is a big book<br />
and, as you might guess, it’s packed<br />
end-to-end with an incredible<br />
amount of information. It’s<br />
attractive to look at, as something<br />
from National Geographic. On your<br />
table, it will confirm that you are<br />
smart, interested in history, religion<br />
and peace building initiatives. But<br />
its real value lies in what it can do<br />
for our children to whom the future<br />
belongs.<br />
Teenagers have accumulated<br />
enough facts from school to allow<br />
them familiarity with the “The<br />
Unknown Fallen” timelines. But<br />
how those events and discoveries<br />
fit together will still be an entirely<br />
new world for them.<br />
This book could totally change a<br />
preteen’s life. Present “The<br />
Unknown Fallen” to a younger<br />
group and, suddenly, the ho-hum<br />
parts become shiny new, and the<br />
not-quite-deep-enough<br />
explanations become intriguing<br />
jumping-off points— offering just<br />
enough information that they can<br />
feel smarter than their teachers,<br />
and just enough
mystery that together you and your youngster feel the need to explore<br />
the subject further. A coffee table book on “The Unknown Fallen” is<br />
magic for sure.<br />
This project is being exhibited along with “the unknown falling “ book<br />
and works of young people about war and conflict
AWARDS: Between 7 and 10 artists exhibiting exemplary work in their<br />
respective fields will receive a cash awards ranging from $250 - $500 at<br />
CraftBoston Holiday. An independent juror will select the award<br />
recipients from varying media categories. Each award winner will be<br />
granted automatic entry into the following year’s shows. One artist will<br />
also be selected to join the Fuller Craft Museum’s permanent collection.<br />
There is only one application, deadline, and fee to apply to both<br />
CraftBoston Spring 2019 and CraftBoston Holiday 2019.<br />
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More info at www.craftboston.org
Mohammad Ali Taraghijah<br />
1943 – August 12, 2010 was an<br />
Iranian painter, his work often<br />
featured rural, Iranian, landscape<br />
imagery.<br />
Born 1943 in Tehran, Iran. He<br />
graduated from the College of<br />
Science & Technology with a<br />
degree in Mechanical Engineering,<br />
yet his heart was set on creating<br />
art. He participated in the Iran<br />
National <strong>Art</strong> Competition in 1968<br />
and he won the<br />
Golden Award that year.<br />
In 1970 he returned to<br />
Tehran and decided to take up<br />
painting professionally.<br />
In 1994, the Teheran Museum of<br />
Contemporary <strong>Art</strong>s selected some<br />
of his works for the museum<br />
collection and printed a collection<br />
of these works. In 1998, UNICEF<br />
selected two of his paintings for<br />
their Christmas cards.<br />
His beautiful works have been<br />
exhibited in Switzerland, Germany,<br />
Italy, France, United States and<br />
Japan. His paintings were selected<br />
by the International Museum of<br />
20th Century <strong>Art</strong>s (TIMOTCA) to<br />
present Iran’s art.<br />
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Exhibitions<br />
2010, 2009, 2008, 2007, 2006, 2005, 2004, 2003, 2002, 2001, 2000,<br />
1999, 1998,1996 Galerie Arcade Chausse-Coqs, Genève, Switzerland.<br />
2009 CHRISTIE'S Auction, Dubai, UEA (International Modern and<br />
Contemporary <strong>Art</strong>)<br />
2009 The First Fadjr International Visual <strong>Art</strong>s Festival (TMCA).<br />
2008 CHRISTIE'S Auction, Dubai, UEA (International Modern and<br />
Contemporary <strong>Art</strong>)<br />
2008 Bonhams auction Royal Mirage Hotel Dubai (Modern and<br />
Contemporary Arab, Iranian, Indian, and Pakistani <strong>Art</strong>).<br />
2008 The 7th National Biennial of Iranian Contemporary Painting Saba<br />
cultural Center.<br />
2007 CHRISTIE'S Auction, Dubai, UEA (International Modern and<br />
Contemporary <strong>Art</strong>)<br />
2007 The First Iranian Biennial of Printmaking, Tehran Museum of<br />
Contemporary <strong>Art</strong>.<br />
2007 Persian spring's exhibition Tehran Museum of Contemporary <strong>Art</strong><br />
(TMCA).<br />
2006-2004-2002-2000 the International Painting Biennial of the Islamic<br />
World (TMCA).<br />
2006 International visual <strong>Art</strong>s Festival of Resistance, Tehran Museum of<br />
Contemporary <strong>Art</strong>.<br />
2006 Gallery <strong>Art</strong>efiz, Zurich, Switzerland.<br />
2006 Beijing International <strong>Art</strong> Expo 2006, China.<br />
2005 Museu da Agua, Lisbon Portugal + Palácio da Bolsa Porto Portugal.<br />
2005 X-Cathédrale Sacré Coeur, Casablanca, Morocco.<br />
2005 Modern <strong>Art</strong> Movement, Tehran Museum of Contemporary <strong>Art</strong>.<br />
2004 Capua, Chiosto di San Domenico, Italy.<br />
2004 Villa Dutoite, Genève, Switzerland.<br />
2003 Museum of <strong>Art</strong> & Science, Daytona Beach, Florida, U.S.<br />
2003 Al Bidda Gallery, Doha, Qatar.<br />
2003 <strong>Art</strong> Museum of Southeast Texas, U.S.<br />
2003 Spiritual Vision Exhibition, Teheran Museum of Contemporary <strong>Art</strong>.
2003,2000,1997,1995,1993,1991 Iranian Painting Biennial, TMCA.<br />
2002 Los Angeles (Central) Public Library, U.S.<br />
2002 Christie's, London, UK.<br />
2001 Meredian International Center,Washington D.C., U.S.<br />
2001 Sharjeh <strong>Art</strong> Biennial, U.A.E.<br />
2001 Queens Library Gallery, New York, U.S.<br />
2001 United Nation, Genève, Switzerland.<br />
2001 Barbican <strong>Art</strong> Galleries, London, U.K.<br />
2001 Galerie Amber, Leiden, Netherlands.<br />
2000 Gallery Azteca, Madrid, Spain.<br />
2000 The International Contemporary <strong>Art</strong>s Center, Riyadh, Saudi Arabia.<br />
2000 Symbolic Expression in Iranian Modernist Painting, Teheran<br />
Museum of Contemporary <strong>Art</strong>.<br />
2000 <strong>Art</strong> Expo New York, New York, U.S.<br />
2000 International Trade Center, Washington DC.<br />
2000 1st. Drawing Biennial, Teheran Museum of Contemporary <strong>Art</strong><br />
(TMCA).<br />
1999 Islamic Cultural Centre, London, U.K.<br />
1998 <strong>Art</strong> Triennal of India, Dehli, India.<br />
1998 Expo 98 Lisbon, Portugal.<br />
1997 China <strong>Art</strong> Expo 97, Beijing, China.<br />
1997 Maison de l'Iran,Paris, France.<br />
1997,1993,1990 Rathaus Pavillon Pforzheim, Germany.<br />
1996 Feria Internacional de <strong>Art</strong>e, Mexico City, Mexico.<br />
1995 27e Festival International de Peinture, Canges-sur-Mer, France.<br />
1995 Galerie Reindle, Innsbruck, Austria.<br />
1994 Fortezza de Basso, Florance, Italy.<br />
1994,1988 Galerie Galeothek, Innsbruck, Austria.<br />
1993,1991 Gallery Seyhoon, Teheran, Iran.<br />
1992 Galerie <strong>Art</strong> & Decor, Wien, Austria.<br />
1992,1989,1988,1986, 1986 Teheran Museum of Contemporary <strong>Art</strong><br />
(TMCA), Iran.
1991,1989 Galerie im Ried, Zürich, Switzerland.<br />
1988 Galerie Modus-Vivendi, Zürich, Switzerland.<br />
1988 Gallery Taichi, Tokyo, Japan.<br />
1986 Galerie 8, Yverdon, Switzerland.<br />
1986 Galerie d'<strong>Art</strong> du vieux Montreux, Switzerland.<br />
1986, 1984 Galerie 8, Yverdon, Switzerland.<br />
1985 Corsh Gallery, Chicago, U.S.<br />
1985 Galerie Milton, Yverdon, Switzerland.<br />
1983 Solo show Tehran Museum of Contemporary <strong>Art</strong> (TMCA)<br />
1984 Galerie Shaller, Stuttgart, Germany.<br />
1983 2nd Asian <strong>Art</strong> Bienniale, Bangladesh.<br />
1983 Galerie Migros, St.-Croix, Switzerland.<br />
1978 <strong>Art</strong> 9'78, The International <strong>Art</strong> Fair Basel, Basel, Switzerland.<br />
1976 Tehran Gallery, Tehran, Iran.<br />
1974 First Tehran International <strong>Art</strong> Expo Iran.<br />
1967 Winner of the Gold medal in the <strong>Art</strong> Competition of the<br />
Universities in Iran.
<strong>Aziz</strong> Anzabi
Ahmed Mater<br />
Born 1979, Tabuk,<br />
Saudi Arabia is a Saudi artist and<br />
physician.<br />
His mediums are photography,<br />
calligraphy, painting, installation,<br />
performance and video. His work,<br />
which explores history, the<br />
narratives and aesthetics of<br />
Islamic culture, and addresses<br />
consumerism and transformation<br />
taking place in the region and its<br />
effects on geopolitics,<br />
has attracted an international<br />
audience. In 2003, he cofounded<br />
"Edge of Arabia", an independent<br />
arts initiative dedicated to<br />
promoting the appreciation of<br />
contemporary Arab art and<br />
culture, with a focus on Saudi<br />
Arabia.<br />
Life and career<br />
Ahmed Mater was born in 1979<br />
in Tabuk in the north west of<br />
Saudi Arabia on the Jordanian<br />
border. He is the first child of<br />
Mater Ahmed Al-Ziad, a<br />
sergeant in the Saudi Arabian<br />
Army, and<br />
Fatimah Hassan Abdullah Aseeri, a<br />
calligrapher and painter of<br />
traditional Aseeri houses. Ahmed<br />
has two brothers, Bandar<br />
and Mohamed, and four sisters,<br />
Aicha, Jawaher, Jamila and Reem.<br />
In the 1990s Mater was given a<br />
studio space in Abha at the al-<br />
Meftaha artists' village.<br />
He splits his time between the<br />
Saudi Arabian cities of Abha,<br />
Jeddah and Makkah.<br />
Mater's wife, Arwa Alneami, is also<br />
an artist. Together they run<br />
pharan.studio – a salon, artists'<br />
studios and "cultural mining<br />
project" in Jeddah.<br />
Work<br />
Mater's work has been exhibited<br />
internationally and acquired by<br />
major international museums.<br />
Illuminations, acquired by The<br />
British Museum, is a series that<br />
combines explicit notes from his<br />
medical education with images of<br />
the Kaaba and a mosque,<br />
distributed as a collage around blue<br />
and black x-ray images.<br />
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The work seems to ask the viewer if documenting the changes taking<br />
humanity is more than just the place in Islam's holiest city. Mater<br />
structure of the body.<br />
considers the unprecedented<br />
In 2006, Mater mounted an redevelopment of the Masjid Alinstallation<br />
titled<br />
Haram, including a multibilliondollar<br />
complex of luxury hotels,<br />
The Yellow Cow products,<br />
a work that address ecological malls and apartments.<br />
challenges of modern urbanized<br />
society. According to the artist,<br />
"The cow with the<br />
yellow color was used as an<br />
expression of religious heritage."<br />
His Desert of Pharan series<br />
features photographs and films<br />
gathered over five-years,<br />
Magnetism is a black cuboid<br />
magnet surrounded by iron filings<br />
to represent Hajj, Muslim's annual<br />
pilgrimage which includes the<br />
circumambulation of the Kaaba.
Exhibitions<br />
2001 Landing on the Earth's Surface, Al-Maseef Culture Club, Abha, KSA<br />
2003 X-Ray Project - 6th Saudi Malwan Contest Tour, Jeddah, Beirut,<br />
Sidon and Manama (Jun10 – Sept 25)<br />
2004 Standing in Front of You, King Khaled University, Abha, KSA.<br />
2004 Chewing (Mudgah), Almiftaha <strong>Art</strong>s Village, Abha, KSA.<br />
2004 The End - Al Meftaha <strong>Art</strong>s Village, Abha (Dec15 – Dec30)<br />
2006 Ahmed Mater Al Ziad Aseeri -Royal Embassy of Saudi Arabia,<br />
London (May 12)<br />
2006 Son of Aseer- Al Meftaha <strong>Art</strong>s Village, Abha (Oct10 – Oct30)<br />
2009 Illumination, <strong>Art</strong> Space, Dubai (Mar15-Apr 15)<br />
2010 Ahmed Mater, The Vinyl Factory Gallery, London (Oct 11 – Oct 31)<br />
2013 100 Found Objects, Sharjah <strong>Art</strong> Foundation, Sharjah, UAE<br />
2016 Symbolic Cities: The Work of Ahmed Mater, Smithsonian, <strong>Art</strong>hur<br />
M. Sackler Gallery Washington, USA<br />
2016 Evolution of Man at Standing Rock, North Dakota<br />
2017 Mitochondria: Powerhouses at GALLERIA CONTINUA San<br />
Gimignano, Italy (<strong>September</strong> 23, 2017 – January 7, <strong>2018</strong>)<br />
2017 Ahmed Mater: Mecca Journeys, Brooklyn Museum, New York,<br />
USA (December 1, 2017 – April 8, <strong>2018</strong>)
Publications and monographs<br />
2006 Word into <strong>Art</strong>: <strong>Art</strong>ists of the Modern Middle East, British Museum<br />
Press<br />
2009 ADACH Platform for Visual <strong>Art</strong>s in Venice, Catherine David<br />
2009 New Vision: Arab Contemporary <strong>Art</strong> in the 21st Century, Thames<br />
& Hudson<br />
2010 <strong>Art</strong> of the Middle East: Modern and Contemporary <strong>Art</strong> of the Arab<br />
World and Iran, Merrell Publishing<br />
2010 Ahmed Mater (Monograph), Booth Clibborn Editions<br />
2012 Edge of Arabia, Contemporary <strong>Art</strong> from the Kingdom of Saudi<br />
Arabia, Booth-Clibborn Editions<br />
2012 Hajj: Journey to the Heart of Islam, British Museum Press<br />
2016 Desert of Pharan: Unofficial Histories Behind the Mass Expansion<br />
of Mecca, Lars Müller Publishing
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http://www.aziz_anzabi.com