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LOCAL GALLERIES AND EXHIBITION SPACES<br />
Huyghue House 15 Camp Street<br />
Alfred Deakin Place<br />
Camp Street, Ballarat CBD<br />
NATALIE ROSIN<br />
BOAA ART <strong>2018</strong><br />
Natalie is an architectural graduate and<br />
ceramicist living in Sydney, Australia. Her<br />
practice involves the intersection between<br />
these disciplines, forming both functional<br />
and sculptural handmade ceramic forms.<br />
She has worked in various architectural<br />
studios in addition to practicing as an<br />
independent artist/consultant for private<br />
commissions and architectural installations.<br />
Natalie has been included in various<br />
exhibitions over the past few years at the<br />
Australian Design Centre, Chinaclay, Depot<br />
Gallery, Dickerson Gallery, Gallery Klei, The<br />
Incinerator Gallery, M.Contemporary and<br />
Stanley Street Gallery among many others.<br />
In 2016 she received an Australian Council<br />
Development Grant for an overseas artist<br />
<strong>res</strong>idency position at the Baltic Gallery of<br />
Contemporary Art. www.natalie-rosin.com<br />
‘IT TAKES COURAGE’<br />
WOMEN’S GROUP<br />
BOAA ART <strong>2018</strong><br />
<strong>September</strong> <strong>2018</strong> ARTeFACT Newsletter<br />
MATTHEW VAN RODEN<br />
TARZAN JUNGLE QUEEN<br />
KOULLA ROUSSOS<br />
BOAA ART <strong>2018</strong><br />
“The Contiguity of Totalisation”<br />
Curated by Koulla Roussos<br />
Matthew van Roden, Tarzan JungleQueen<br />
and Koulla Roussos are three emerging<br />
queer artists from Darwin whose multimedia<br />
practice interrogates the rep<strong>res</strong>entation of<br />
“queerness” itself.<br />
Essentially non-essentialist, the body is<br />
treated as a text capable of a multiplicity<br />
of meanings shaped only by the fluidity of<br />
technology merging with archetypal desire.<br />
To overcome the corporeality of onsumption,<br />
the trio considers the exquisite contiguity<br />
animating the microcosm, to interrogate<br />
interrelationships and p<strong>res</strong>ent individual and<br />
collaborative digital and analogue works,<br />
that will take audiences on an adventure<br />
through lost time to dwell inside a space of<br />
endless possibilities.<br />
TAS WANSBROUGH<br />
BOAA ART <strong>2018</strong><br />
Tas Wansbrough is a Ballarat sculptor who<br />
is highly involved in the pursuit of form and<br />
shape to rep<strong>res</strong>ent human emotion and<br />
stance as an abstract exp<strong>res</strong>sion. Having<br />
completed a Bachelor of Fine Arts at<br />
Federation University, Tas works prolifically<br />
with varying materials and mediums to<br />
realize her sculptural installations.<br />
Recent career highlights include the 2016<br />
Lorne Sculpture Biennale and exhibiting at<br />
Parliament House of Victoria to celebrate<br />
the 125th Anniversary of the Women’s<br />
Suffragette Movement.<br />
Upon graduating university, Tas was<br />
awarded the National Association of Visual<br />
Artists Ignition Award for Professional<br />
Practice as well as The Federation<br />
University Travel Scholarship and travelled<br />
to the British School at Rome and pursue<br />
stone carving at the heart and soul of stone<br />
carving at the Carrara marble quarries.<br />
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