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SOLEIL AUGUST 2ND ISSUE

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Things made with gears, ropes<br />

and wooden planks. A hand<br />

made feeling. My working<br />

methods also have an influence<br />

on the theatrical flavor of the<br />

pieces, in that I’m creating and<br />

working with various fabricated<br />

objects and handmade characters.<br />

As I’m working, it can feel<br />

as though I’m staging a tiny theater<br />

piece or perhaps curating<br />

a mysterious museum exhibit<br />

combined with a long ago forgotten<br />

sideshow of curiosities.<br />

William Basso’s work is available<br />

through LAST RITES GALLERY,<br />

New York City.<br />

www.basso-art.com<br />

www.lastritesgallery.com<br />

y purely sculptural work is<br />

created much like the<br />

working maquettes described<br />

above but taken to a more<br />

complete state. I think that my<br />

work is partially influenced by<br />

the past, from things like early<br />

cinema, art history, curiosity<br />

cabinets and early photography,<br />

for example. I’m interested in<br />

exploring my own subconscious,<br />

a dream world that exists<br />

somewhere between a childlike<br />

sense of fantasy and adult<br />

anxieties. I often draw inspiration<br />

from more primitive technologies.

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