supervarskvlavi safrangeTi 2012
supervarskvlavi safrangeTi 2012
supervarskvlavi safrangeTi 2012
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
2<br />
sarCevi<br />
saerTaSoriso konkursis Jiuri ...............................................................................................................6<br />
moklemetraJiani filmebis konkursis Jiuri .......................................................................11<br />
gaxsnis filmi ...............................................................................................................................................................14<br />
daxurvis filmi .........................................................................................................................................................16<br />
saerTaSoriso konkursi ..................................................................................................................................18<br />
moklemetraJiani mxatvruli filmebis konkursi ............................................................29<br />
evropuli kinos forumi ..................................................................................................................................45<br />
germanul-franguli megobroba kinoSi ........................................................................................72<br />
arte <strong>safrangeTi</strong> warmogidgenT ................................................................................................81<br />
arte germania warmogidgenT .........................................................................................................87<br />
maxmalbafis kinos saxli warmogidgenT .....................................................................................93<br />
msaxiobi fokusSi: jankarlo janini................................................................................................98<br />
filmebi sazRvrebs gareSe ........................................................................................................................104<br />
qarTuli panorama................................................................................................................................................112<br />
qarTuli kulturfilmi –<br />
saqarTvelos erovnuli arqivis saganZuridan .................................................................125<br />
saqarTvelos Teatrisa da kinos universiteti warmogidgenT ...................134<br />
festivali „Tofuzi“ warmogidgenT ..............................................................................................136<br />
specialuri Cveneba ............................................................................................................................................138<br />
PITCH.DOC ............................................................................................................................................... 151<br />
saZieblebi .....................................................................................................................................................................156<br />
CONTENT<br />
JURY OF INTERNATIONAL COMPETITION ............................................................................................. 6<br />
JURY OF SHORT FILM COMPETITION ....................................................................................................11<br />
OPENING FILM ................................................................................................................................................14<br />
CLOSING FILM .................................................................................................................................................16<br />
INTERNATIONAL COMPETITION ..............................................................................................................18<br />
SHORT FILM COMPETITION ......................................................................................................................29<br />
FORUM OF EUROPEAN CINEMA ..............................................................................................................45<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA ........................................................................................72<br />
ARTE FRANCE PRESENTS ..................................................................................................................81<br />
ARTE DEUTSCHLAND PRESENTS ...................................................................................................87<br />
MAKHMALBAF FILM HOUSE PRESENTS ...............................................................................................93<br />
ACTOR IN FOCUS: GIANCARLO GIANNINI ...........................................................................................98<br />
FILMS ACROSS BORDERS ........................................................................................................................ 104<br />
GEORGIAN PANORAMA .......................................................................................................................... 112<br />
GEORGIAN KULTURFILM –<br />
TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA ..................................................... 125<br />
GEORGIAN STATE UNIVERSITY OF THEATRE AND FILM PRESENTS ....................................... 134<br />
FESTIVAL TOFUZI PRESENTS .................................................................................................................. 136<br />
SPECIAL SCREENINGS ............................................................................................................................... 138<br />
PITCH.DOC .................................................................................................................................................... 151<br />
INDICES ........................................................................................................................................................... 156
Zvirfaso megobrebo, festivalis Zvirfaso stumrebo,<br />
Tbilisis saerTaSoriso kinofestivalis arseboba gansakuTrebiT<br />
mniSvnelovania kinos iseTi tradiciebis mqone<br />
qveyanaSi, rogoric saqarTveloa. am festivaliT saqarTvelos<br />
Tavisi wvlili Seaqvs saerTaSoriso kulturul<br />
procesSi. moxaruli var, rom festivali ukve tradiciul<br />
movlenad iqca da wels mecameted tardeba. mjera, rom festivali<br />
welsac saintereso da warmatebuli iqneba da xels<br />
Seuwyobs saerTaSoriso kavSirebis gaRrmavebas kinoindustriaSi,<br />
kinoxelovnebis popularizacias, axalgazrda qarTveli<br />
kinematografistebis warmoCenas msoflio asparezze, da<br />
rac kidev ufro mniSvnelovania, kinoxelovnebis saSualebiT<br />
zogadsakacobrio Rirebulebebis, humanizmis, demokratiisa<br />
da adamianis uflebebis gaazrebas da damkvidrebas. Tbilisis<br />
kinofestivali, rogorc saerTaSoriso forumi, evropuli<br />
integraciisken saqarTvelos swrafvis gamoxatulebacaa.<br />
darwmunebuli var, rom Cvens qveyanaSi mimdinare cvlilebebis<br />
Sedegad festivali kidev ufro gaZlieredeba da Rirseul<br />
adgils daimkvidrebs evropul da msoflio kinorukaze.<br />
maia fanjikiZe<br />
saqarTvelos sagareo saqmeTa ministri<br />
Dear Friends, dear Festival Guests,<br />
Existence of Tbilisi International Film Festival is of special importance<br />
in a country with such cinematic history as Georgia. This festival is the<br />
contribution of Georgia into the international cultural process.<br />
I am delighted the Festival has become a traditional event and is<br />
having its 13th edition this year. I do believe the new edition will<br />
be interesting and successful and will support establishing new<br />
connection in film industry, popularization of cinema, promotion<br />
of young Georgian filmmakers all around the world, and moreover,<br />
realization and establishing of humanism, democracy and human<br />
rights through cinema. Tbilisi Film Festival as the international forum<br />
is expressions of Georgain strive to integration into Europe.<br />
I am assured, on background of the changes in our Country; the<br />
Festival will grow stronger and mark its place in Europe and world<br />
cinematic map.<br />
MAIA PANJIKIDZE<br />
Minister of Foreign Affairs of Georgia<br />
Tbilisis saerTaSoriso kinofestivali 2000 wels<br />
daarsda da radgan mecameted imarTeba, niSnavs, rom es<br />
kinoforumi Sedga.<br />
minda es dResaswauli pirvel rigSi kinos moyvarulT<br />
mivuloco. kinofestivali Zalian mniSvnelovani movlenaa<br />
qveynis kulturul cxovrebaSi, amitom aucilebelia<br />
saxelmwifos mxardaWera.<br />
saqarTvelos kulturisa da ZeglTa dacvis saministro<br />
wlebia TanamSromlobs kinoxelovnebis centr „prome-<br />
TesTan“, romelic am kinofestivalis sulisCamdgmelia<br />
da udidesi wvlili Seaqvs Cveni qveynis kulturis, ker-<br />
Zod, kinoxelovnebis ganviTarebis saqmeSi.<br />
minda me-13 kinofestivals, organizatorebs, masSi<br />
monawile yovel adamians warmateba vusurvo, mayurebels<br />
ki _ sasiamovno STabeWdilebebi.<br />
guram odiSaria<br />
saqarTvelos kulturisa da ZeglTa dacvis ministri<br />
Tbilisi International Film Festival was launched in 2000 and since<br />
this is the 13th time it has been running, it means this cinema forum<br />
has been successful.<br />
First of all I would like to congratulate the cinema goers and fans.<br />
Film festival is a very important event in the country’s cultural life<br />
therefore, it needs support from the state.<br />
The Ministry of Culture and Monument Protection of Georgia has<br />
been working in close cooperation with the Cinema Art Centre<br />
Prometheus, a founder and inspirer of the Festival for years. The<br />
Centre has significantly contributed to development of art and<br />
cinematography in our country.<br />
I wish the organizers and participants of the 13th Festival good<br />
luck and success, and I hope the cinema fans will greatly enjoy it.<br />
GURAM ODISHARIA<br />
Minister of Culture and Monument Protection of Georgia<br />
3
Zvirfaso megobrebo,<br />
keTili iyos Tqveni mobrZaneba Tbilisis me-13 saerTaSoriso kinofestivalze. wlevandeli festivali<br />
gansakuTrebiT uxvfilmiani da saintereso programiT gamoirCeva. Tumca, mTavari principebi<br />
ucvleli rCeba _ vaCvenoT xarisxiani kino da Tanabrad warmovaCinoT Cvens programebSi<br />
rogorc axali saxeebi, ise ukve aRiarebuli ostatebis namuSevrebi.<br />
festivalis sapatio stumari legendaruli italieli msaxiobi, jankarlo janinia - lina vertmiulerisa<br />
da lukino viskontis filmebis mcire retrospeqtiviT.<br />
gaxsnis filmi, „kari“, msoflio kinos kidev erT legendas, iStvan sabos ekuTvnis - sabo festivalis<br />
stumaria da qarTveli axalgazrdebisTvis masterklasebsac Caatarebs. aseve gvewveva<br />
britaneli scenaristi da daramturgi, oskarosani kristofer hemptoni da Sexvedras moawyobs<br />
qarTvel scenaristebTan.<br />
saerTaSoriso konkursi evropeli reJisorebis 10 sadebiuto namuSevars SemogTavazebT. konkursis<br />
Jiuris Tavjmdomare ki aRiarebuli iraneli kinoreJisori, mohsen maxmalbafi iqneba. swored<br />
misi xelmZRvanelobiT gadawyvets Jiuri, vin gaxdeba ori mTavari prizis, oqrosa da vercxlis<br />
promeTes mflobeli (saukeTeso filmisa da reJisurisaTvis). amas garda, maxmalbafebis cnobili<br />
kinoojaxi wels 4 films warmoadgens specialur programaSi.<br />
pirvelad Catardeba moklemetraJiani filmebis konkursi. 15 moklemetraJiani filmis beds ki<br />
saerTaSoriso Jiuri gadawyvets, cnobili frangi msaxiobis, greguar kolenis xelmZRvanelobiT.<br />
goeTes instituti da franguli instituti elizes xelSekrulebisadmi miZRvnil specialur programaSi<br />
„germanul-franguli megobroba kinoSi“ - msoflio kinos klasikas gTavazobT - pabstis,<br />
ofulsis, triufos, Slendorfis da sxvaTa filmebs... aseve calke seqcia daeTmoba cnobili<br />
frangul-germanuli telearxis, „artes“ dokumenturi filmebis koleqcias.<br />
„evropuli kinos forumi“ - Cveni yvelaze didi da titulovani filmebiT daxunZluli seqciaa,<br />
romelic 26 namuSevars aerTianebs, maT Sorisaa Zmebi tavianebis, hanekes, moretis, kaurismekis,<br />
louCis, munjius, garones, zaidlis, petcoldis da mravali sxva reJisoris filmi. es seqcia,<br />
tradiciulad, wlis ganmavlobaSi saerTaSorisod aRiarebul filmebs warmogidgenT. aseve ixilavT<br />
qarTul panoramas.<br />
erTi sityviT, 3-dan 9 dekembramde 100-ze meti filmi gelodebaT Tbilisis kinoTeatrebSi. arCevani<br />
didia da vimedovnebT, wlevandeli festivalis mravalferovani programa yvelaze momTxovni<br />
mayureblis gemovnebasac daakmayofilebs.<br />
uRrmesi madloba yvela Cvens mxardamWers, sponsorsa da partniors, maT gareSe festivali<br />
saqarTveloSi yvelaze masStabur kinoRonisZiebad ver Sedgeboda.<br />
gansakuTrebuli madloba ki Cvens mayurebels. SevxvdebiT kinoTeatrSi.<br />
gaga CxeiZe<br />
nino anjafariZe<br />
4
Dear Friends,<br />
Welcome to the 13 th edition of Tbilisi International Film Festival. This year is special both with the number of films<br />
and variety of interesting programs as well. Though our main principles have remained the same: we are screening<br />
quality films and equally represent new faces and acclaimed masters of cinema.<br />
The honorary guest of the festival is the legendary Italian actor, Giancarlo Giannini - with the retrospective of Lina<br />
Wertmuller’s and Luchino Visconti’s films.<br />
Opening film THE DOOR is the latest work of world cinema legend, Istvan Szabo - he will be the guest of the festival<br />
and hold a workshop for young Georgian filmmakers. Famous British screenwriter and playwright, Oscar winner<br />
Christopher Hampton will also visit the festival and have a conversation with his Georgian colleagues.<br />
International Competition presents 10 first or second feature films of European directors, the head of the Jury will<br />
be famous Iranian film director Mohsen Makhmalbaf; together with the juries, he will award Golden and Silver<br />
Prometheus for the best film and the best directing. Besides, we are presenting 4 films in Makhmalbaf family retrospective.<br />
For the first time in its history, the festival presents the competition of shorts. 15 short films will be judged by the<br />
Jury headed by acclaimed French actor, Gergoire Colin.<br />
Goethe Institut and French Institute dedicate a special program to the anniversary of Élysée Treaty. “German-French<br />
Friendship in Cinema” - includes classical works of cinema by Pabst, Ophüls, Truffaut, Schlöndorff and others. Selection<br />
of documentaries of famous French-German channel ARTE will include 10 films.<br />
Forum of European Cinema - our largest section, with the most acclaimed films of the past year will include 26 films,<br />
among them Taviani Brothers, Haneke, Morreti, Kaurismäki, Loach, Mungiu, Garrone, Seidl, Petzold and many more.<br />
This section presents a collection of the award winning and most successful European films of the year.<br />
To sum it up - starting from 3rd of December , till 9th of December, over 100 films are awaiting you in Tbilisi cinemas;<br />
there is a vast choice and we do hope, even the most pretentious cinephiles will be happy with the variety of the<br />
program.<br />
We would like to express our deepest gratitude to all our supporters, sponsors and partners, without them we<br />
would never be able to organize TIFF as the largest cinema event of the year in Georgia.<br />
Special thanks to our audiences and see you in cinema.<br />
Gaga Chkheidze<br />
Nina Anjaparidze<br />
5
6<br />
saerTaSoriso<br />
konkursis Jiuri<br />
JURY OF INTERNATIONAL<br />
COMPETITION
mohsen maxmalbafi<br />
MOHSEN MAKHMALBAF<br />
daibada 1957 wels TeiranSi.<br />
kinoreJisori, mwerali, scenaristi, memontaJe, prodiuseri da adamianis<br />
uflebaTa damcveli.<br />
bolo aTi wlis ganmavlobaSi mohsen maxmalbafis filmebi farTodaa warmodgenili<br />
sxvadasxva saerTaSoriso kinofestivalebze. mravali jildos<br />
mflobeli reJisori iranuli kinos axali talRis wamomadgenelia. Jurnalma<br />
„Taimma“ maxmalbafis 2001 wels gadaRebuli filmi „yandaari“ (Kandahar)<br />
yvela drois 100 saukeTeso films Soris daasaxela.<br />
mohsen maxmalbafi iranuli kinos erT-erTi mniSvnelovani warmomadgenelia.<br />
misi filmebi, rogorc wesi, individisa da zogad socialur / politikur<br />
garemos urTierTdamokidebulebas asaxavs. Sesabamisad, misi namuSevrebi<br />
iranis da iraneli xalxis uaxlesi istoriis yvelaze kargi qronikaa. maxmalbafis<br />
filmebi erTi JanriT ar Semoifargleba. mis filmebSi gvxvdeba<br />
rogorc wminda realisturi, aseve siurealisturi xedva, minimalizmic da<br />
yoveldRiuri cxovrebis didi freskebic.<br />
pirveli filmi TOBEH NOSUH maxmalbafma 1983 wels gadaiRo. 1985 wels gadaRebuli<br />
misi meore filmis „boikotis“ moqmedeba revoluciamdel iranSi<br />
xdeba da axalgazrda qalis istorias mogviTxrobs, romelsac komunisturi<br />
Sexedulebebis gamo sikvdili aqvs misjili.<br />
1996 wels maxmalbafma sakuTari kinoskola _ Makhmalbaf Film House _ daaarsa<br />
axalgazrda kinematografistebisTvis, romelic maleve iqca ojaxur kinokompaniad<br />
sadac reJisoris mravalricxovani ojaxis wevrebi kinoxelovnebas<br />
daeuflnen. 1997 wels misma 17 wlis qaliSvilma samiram srulmetraJiani<br />
mxatvruli filmi „vaSli“ gadaiRo, romlis scenaris avtori da memontaJe<br />
mamamisi iyo.<br />
moxsen maxmalbafis meuRle marzie meSkini Tavdapirvelad Tavisi qaliSvilis<br />
asistentad muSaobda, mogvianebiT ki TviTonac daiwyo filmebis gadaReba.<br />
2006 wels mohsen maxmalbafi veneciis kinofestivalis Jiuris wevri iyo,<br />
2007 wlis ganmavlobaSi ki - aziis kinoakademiis prezidenti.<br />
2005 wels, ahmadinejadis xelisuflebaSi mosvlis Semdeg, mohsen maxmalbafma<br />
irani diqtaturis winaaRmdeg protestis niSnad datova. amJamad reJisori<br />
ojaxTan erTad parizSi cxovrobs.<br />
Born in 1957 in Tehran, Iran.<br />
Filmmaker, novelist, screenwriter, editor, producer, human right activist.<br />
Makhmalbaf’s films have been widely presented in international film festivals in the past<br />
ten years. The multi-award-winning director belongs to the new wave movement of Iranian<br />
cinema. Time magazine selected Makhmalbaf’s 2001 film, Kandahar, as one of top 100<br />
films of all time.<br />
Mohsen Makhmalbaf is a major figure in Iranian cinema. His films have explored the relationship<br />
between the individual and a larger social and political environment. As a result,<br />
his work serves as an extended commentary on the historical progression of the Iranian<br />
state and its people. Makhmalbaf focuses on several genres, from realist films to fantasy<br />
and surrealism, from minimalism to large frescos of everyday life, with a predilection for<br />
the themes of childhood and cinema.<br />
He made his first film TOBEH NOSUH in 1983. Boycott is a 1985 film by Mohsen Makhmalbaf,<br />
set in pre-revolutionary Iran. The movie tells the story of a young man named Valeh<br />
who has sentenced to death for his communist tendencies.<br />
Makhmalbaf took time off from directing in 1996 to form the Makhmalbaf Film House, a<br />
school for young filmmakers. It quickly became a private production house for the increasing<br />
number of filmmakers in his family. In 1997 his seventeen year old daughter, Samira<br />
directed THE APPLE, using him as a scriptwriter and editor. Mohsen Makhmalbaf’s wife,<br />
Marziyeh Meshkini, worked as assistant director to her daughter and then took up directing<br />
herself.<br />
In 2006, Mohsen Makhmalbaf was a member of the Jury at the Venice film festival and during<br />
2007 - the president of Asian Film Academy.<br />
In 2005 when Ahmadinejad came into power, Mohsen Makhmalbaf left Iran as a protest<br />
against the Iranian dictatorship and at present lives in exile with his family. He has been<br />
living in Afghanistan, Tajikistan, India and France in recent years.<br />
7
nikola vadimovi<br />
NICOLAS WADIMOFF<br />
kinosa da Teatris msaxiobi, daibada 1970 wels. 1991 wels daamTavra SoTa<br />
rusTavelis saxelobis Tbilisis Teatrisa da kinos saxelmwifo universiteti.<br />
1993 wlidan aris samefo ubnis Teatris erT-erTi damfuZnebeli da<br />
xelmZRvaneli. 1997 wlidan marjaniSvilis saxelobis saxelmwifo akademiuri<br />
Teatris msaxiobia.<br />
Sesrulebuli aqvs mTavari rolebi sofokles, Seqspiris, anuis, Cexovis,<br />
uaildis, mroJekis piesebSi.<br />
2008 wels daarsa axalgazrduli Teatraluri festivali „ardifesti“.<br />
Sesrulebuli aqvs 20-ze meti roli qarTul da rusul mxatvrul filmebsa<br />
da telefilmebSi.<br />
aleko cabaZis filmSi „rene midis holivudSi“ Sesrulebuli mTavari<br />
rolisTvis 2011 wels portugaliaSi, avankas saerTaSoriso kinofestivalze<br />
dajildovda priziT mamakacis rolis saukeTeso SesrulebisaTvis.<br />
Film and theatre actor, born in 1970. Graduated from Shota Rustaveli State Theatre and<br />
Film University in 1991. In 1993 established Royal District Theatre, being its manager up till<br />
present. Actor at Marjanishvili State Drama Theatre since 1997. Ha splayed leading roles in<br />
the plays of Sophocles, Shakespeare, Anouihl, Chekhov, Wilde, Mrozek etc.<br />
In 2008 established a youth theatre festival ARDIfest.<br />
Nika Tavadze has played over 20 roles in Georgian and Russian feature and TV films.<br />
In 2011 for the title role in Aleko Tsabadze’s Rene Goes to Hollywood received the best actor<br />
prize in Portugal, at AVANCA International Film Festival.<br />
8<br />
daibada 1964 wels JenevaSi. tele-kinoreJisori da rok-musikosi. 1987 wels<br />
monrealSi kvebekis universiteti daamTavra reJisoris specialobiT. 1991<br />
wels gadaiRo pirveli moklemetraJiani dokumenturi filmi Le Bol. 1992-96<br />
wlebSi Sveicaruli televiziisTvis (Télévision Suisse Romande) muSaobda reJisorad,<br />
iRebda dokumentur filmebs, maT Soris, libiaSi, alJirSi, palestinasa<br />
da ruandaSi. 1996-2001 wlebSi muSaobda reJisorad da prodiuserad<br />
Caravan Films-Si. 2003 wels daaarsa mxatvruli da dokumenturi filmebis saprodiusero<br />
kompania Akka Films. pirveli srulmetraJiani mxatvruli filmi<br />
„aralegalebi“ deni SuinarTan erTad gadaiRo 1997 wels. filmi ramdenime<br />
saerTaSoriso kinofestivalis priziT dajildovda.<br />
nikola vadimovis meore mxatvrulma filmma „mondialito“ Tbilisis me-2<br />
saerTaSoriso kinofestivalze „vercxlis promeTe“ moipova saukeTeso re-<br />
JisurisTvis 2001 wels.<br />
misi uaxlesi, rigiT mexuTe, srulmetraJiani mxatvruli filmis „operacia<br />
libertadis“ premiera wels kanis kinofestivalze Sedga programaSi „re-<br />
JisorTa orkvireuli“.<br />
Born in 1964 in Geneva. TV/ film director and rock musician. 1987 Degree in Communications<br />
at UQAM (University du Quebec à Montreal), field of studies: Cinema. He made his<br />
first documentary LE BOL in 1991. 1996-2001 Producer and director of films on behalf of<br />
the Caravan Films company. 2003 Creates Akka Films devoted to the development of fiction<br />
films and production of documentaries.<br />
In 1997 Nicolas Wadimoff made his first fiction feature CLANDESTINS (with Denis Chouinard)<br />
selected for numerous festivals. His second feature MONDIALITO won the 2th Tbilisi<br />
Film Festival award Silver Prometheus.<br />
OPERATION LIBERTAD, his fifth feature film, was premiered at the Directors’ Fortnight<br />
(Quinzaine des réalisateurs) in Cannes this year.<br />
nika TavaZe<br />
NIKA TAVADZE
dinara drukarova<br />
DINARA DRUKAROVA<br />
daibada 1976 wels sanqt-peterburgSi. rusi msaxiobi dinara drukarova<br />
ruseTsa da safrangeTSi cxovrobs, Tumca rolebis umetesoba swored safrangeTSi<br />
aqvs naTamaSebi. misi debiuti kinoSi 1989 wels Sedga filmSi „es<br />
iyo zRvasTan axlos“ (reJisori - aian Saxmalieva), magram warmateba imave<br />
wels gadaRebulma meore filmma, „ar gainZre, mokvdi da aRsdeqi!“, moutana:<br />
filmis reJisori, vitali kanevski kanis kinofestivalis „oqros kameriT“<br />
dajildovda. 1990-ian wlebSi TamaSobda rusul mcirebiujetian filmeb-<br />
Si. 1996 wels greguar kolenTan erTad Seasrula erT-erTi mTavari roli<br />
paskal obies filmSi „gaskonis Svili“. Semdeg musikaSi scada bedi da pirveli<br />
singli MADE IN LENINGRAD Cawera, romelsac warmateba ar mohyolia da<br />
aRarc drukarovas gaugrZelebia musikaluri kariera.<br />
drukarovas mcirericxovani rusuli rolebidan 90-ian wlebSi erT-erTi<br />
aleqsei balabanovis sakulto filmSi „maxinjebisa da adamianebis Sesaxeb“<br />
naTamaSebi lizas personaJia. am rolisTvis drukarova 1998 wels evropuli<br />
kinoakademiis jildoze waradgines „saukeTeso evropeli msaxiobi qalis“<br />
nominaciaSi. amave wels miiwvies strasburgis evropuli filmebis festivalis<br />
Jiuris wevrad.<br />
2003 wels dinara drukarovam qarTveli qalis, adas roli Seasrula Juli<br />
bertuCelis filmSi „mas Semdeg, rac oTari wavida“. films didi warmateba<br />
xvda wilad da kanis kinofestivalis kritikosTa kvireulis gran-priT dajildovda.<br />
bolo wlebSi dinara drukarovas Sesrulebul rolebs Soris aris valentina<br />
fernando meirelesis dramaSi „360“ (2011) da eqTnis personaJi mixael hanekes<br />
filmSi „siyvaruli“ (<strong>2012</strong>).<br />
Russian actress. Born in 1976 in St. Petersburg, Russia.<br />
Dinara Drukarova lives and works in Russia and France, where she tends to pursue most<br />
of her film roles. She made her debut in the 1989 film IT WAS NEAR THE SEA by Ayan<br />
Shakhmaliyeva, but it was her second film, DON’T MOVE, DIE AND RISE AGAIN! directed<br />
by Vitali Kanevsky, which first saw her receiving attention, when the film won the Golden<br />
Camera Award at the 1990 Cannes Film Festival. She starred in a number of minor Russian<br />
films in the early 1990s, but began to pursue European (and predominantly French) productions<br />
after making her first film there, THE SON OF GASCOGNE in 1996. She made a brief<br />
foray into music soon after, recording a not-widely-released single, MADE IN LENINGRAD.<br />
However, Drukarova has remained focused on acting, and has not recorded anything since.<br />
One of Drukarova’s few Russian films during the latter half of the 1990s was the controversial<br />
1998 cult film OF FREAKS AND MEN, in which she played the female lead role of<br />
Lisa. This performance saw her nominated in the category of “Best European Actress” at<br />
the 1998 European Film Awards. She was subsequently interviewed in a number of prominent<br />
French magazines, including Elle, Premiere, and Vogue. In addition, Drukarova was<br />
appointed as a member of one of the juries at the 1998 Strasbourg European Film Festival.<br />
In 2003 Dinara Drukarova took a key part of Ada, a Georgian woman, in Julie Bertuccelli’s<br />
film SINCE OTAR LEFT. The film received a wide arthouse release in several countries, winning<br />
the Critics Week Grand Prize at Cannes. Her recent roles were Valentina in Fernando<br />
Meirelles’s drama 360 (2011) and a nurse character in Michael Haneke’s AMOUR (<strong>2012</strong>).<br />
9
kristofer hemptoni<br />
CHRISTOPHER HAMPTON<br />
10<br />
daibada 1946 wels azoris kunZulebze. msoflioSi aRiarebuli britaneli<br />
dramaturgi, scenaristi da kinoreJisori. amerikuli kinoakademiis prizis,<br />
oskaris mflobeli saukeTeso scenarisTvis: `saxifaTo kavSirebi~ (1988, reJ.<br />
stiven frirzi)<br />
1966 wels hemptoni gaxda Tanamedrove epoqis yvelaze axalgazrda dramaturgi,<br />
romlis piesa londonis vest-endis TeatrebSi daidga. mas mere igi<br />
aqtiurad da warmatebiT moRvaweobs sxvadasxva sferoSi. misi Teatraluri<br />
Semoqmedeba, sakuTari piesebis garda, moicavs Cexovis, ibsenis, molieris,<br />
horvatis, rezas adaptaciebsa da Targmanebs.<br />
kinoscenaristi hemptoni ki saqveynod ganTqmulia Tavisi brwyinvale ekranizaciebiT<br />
iseTi avtorebisa, rogorebic arian jozef konradi, Soderlo de<br />
laklo, koleti, grem grini, ian makiueni, anita brukneri da mravali sxva.<br />
hemptonma reJisoris ampluaSi 3 mxatvruli filmi gadaiRo.<br />
Born in 1946 in Faial, Azores. The world-renowned British playwright, screen writer and film<br />
director. Academy Award winner for the Screenplay of Dangerous Liaisons (1988, directed<br />
by Stephen Frears).<br />
In 1966 Hampton became the youngest writer to have a play performed in the West End<br />
in the modern era. Since then he has been active and successful in many fields, his theatre<br />
work besides his own plays includes adaptations and translations of Chekhov, Ibsen, Moliere,<br />
Horvath, Reza etc.<br />
As a scriptwriter Hampton has gained the reputation with his brilliant adaptations of Joseph<br />
Conrad, Choderlos de Laclos, Colette, Graham Greene, Ian McEwen, Anita Brookner<br />
and many more.<br />
As a film director, Christopher Hampton produced 3 feature films.
moklemetraJiani mxatvruli<br />
filmebis konkursis Jiuri<br />
JURY OF SHORT FILM<br />
COMPETITION<br />
11
greguar koleni<br />
GRÉGOIRE COLIN<br />
daibada 1959 wels varSavaSi, poloneTSi. varSavis saerTaSoriso kinofestivalis<br />
direqtori 1991 wlidan. 1980-ian wlebSi iyo varSavis grand festivalis<br />
erT-erTi organizatori, rok jgufebis promouteri da menejeri. var-<br />
Savis kinofestivalze muSaoba 1986 wels daiwyo. 1987 wels miiRo magistris<br />
xarisxi sainJinro saqmeSi varSavis politeqnikur universitetSi. 1990 wels<br />
gaxda ITI-s Teatraluri distribuciis xelmZRvaneli da amerikuli studiebis<br />
(Warner Bros.) pirveli poloneli distributori. 1994 wels muSaobda kinoxelovnebis<br />
fondSi (Film Art Foundation) distribuciasa da ucxour kontaqtebze.<br />
1995 wels daaarsa varSavis kinofondi, romelic amave wlidan atarebs<br />
varSavis kinofestivals. 1996 wlidan aris poloneTis scenarebis saagentos<br />
eqsperti, 2000 wlidan ki – evropuli kinoakademiis wevri. laudini mudmivad<br />
wers kinoze statiebs sxvadasxva JurnalebSi („Gazeta Wyborcza”, “Film<br />
Pro”, “Rezyser”, “Machina”, “Isskustvo kino” (Russia), “Variety” (USA). stefan laudini<br />
erT-erTi maTgania, vinc polonuri kinos qveynis sazRvebs gareT gatanaze<br />
zrunavs, is mravali kinofestivalis konsultantia.<br />
Born in 1959 in Warsaw, Poland. Director of the Warsaw International Film Festival since<br />
1991. In the 1980s he was involved in Warsaw rock music scene as concert promoter &<br />
band manager and one of the organizers of Grand Festival. In 1986 he started working for<br />
the Warsaw Film Festival and does it ever since; in 1987 he got an M. Sc. degree in engineering<br />
at Warsaw Polytechnics. 1990 he became head of theatrical distribution at ITI, the first<br />
Polish distributor to represent US studios (Warner Bros.); until 1994 he worked with Film<br />
Art Foundation, where he was responsible for foreign contacts and distribution contracts.<br />
In 1995 he founded the Warsaw Film Foundation, which since then organizes the Warsaw<br />
Film Festival. Since 1996 he is an expert of Polish Script Agency, and in 2000 he became<br />
member of the European Film Academy. Laudyn writes about film for “Gazeta Wyborcza”,<br />
“Film Pro”, “Rezyser”, “Machina”, “Isskustvo kino” (Russia), “Variety” (USA) and translates dialogue<br />
lists. He is involved in the international promotion of Polish films and an advisor to<br />
numerous film festivals.<br />
12<br />
daibada 1975 wels parizSi. frangi msaxiobi, prodiuseri, scenaristi da<br />
reJisori.<br />
greguar koleni frangul scenaze 12 wlisa gamoCnda. pirvelad kinokritikosebis<br />
yuradReba 1992 wels miipyro, agneSka holandis fsiqologiur<br />
saojaxo dramaSi „olivie, olivie“ Sesrulebuli olivies roliT. 1993 wels<br />
am rolisTvis sezarze iyo wardgenili. 1994 wels daiwyo misi nayofieri<br />
TanamSromloba frang reJisor kler denisTan. filmisTvis „neneti da boni“<br />
1996 wels kler deni lokarnos kinofestivalze oqros leopardiT dajildovda<br />
saukeTeso reJisurisTvis, koleni ki - specialuri priziT.<br />
greguar kolenma pirvelad 20 wlisam daiwyo eqsperimentuli filmebis<br />
gadaReba da scenarebis wera, amave dros agrZelebda damoukidebeli re-<br />
Jisorebis (Jak riveti, erik zonka, benua Jako, katrin bria) filmebSi TamaSs.<br />
2008 wels sakuTari saprodiusero kompania Tsilaosa Films daaarsa, sadac ori<br />
moklemetraJiani filmi „meliis yure“ da „zRvarze“ gadaiRo.<br />
Born in 1975 in Paris. French actor, producer, screenwriter and director.<br />
Grégoire Colin started acting on the French stage at age 12. He first caught the eye of critics<br />
in the 1992 Agnieszka Holland’s psychological family drama OLIVIER, OLIVIER when he<br />
was just 17. He got a nomination for best newcoming actor at the 1993 Cesars. In 1994,<br />
he started a fructuous collaboration with Claire Denis. Colin won the Special Prize at the<br />
Locarno International Film Festival for his role in the film NÉNETTE ET BONI.<br />
In his twenties, he directed experimental films and wrote his first scenarios. He kept acting<br />
with independent auteurs (Jacques Rivette, Erick Zonca, Benoit Jacquot, Catherine Breillat…).<br />
In 2008, he created his production company Tsilaosa Films.<br />
stefan laudini<br />
STEFAN LAUDYN
maik dauni<br />
MIKE DOWNEY<br />
ganaTleba miRebuli aqvs varvikis da parizis (Sorbonne-Nouvelle, Nanterre) universitetebSi.<br />
80-ian wlebSi safrangeTSi, germaniaSi, didi britaneTsa da<br />
iugoslaviaSi muSaobda Teatris reJisorad da prodiuserad, 90-ian wlebSi<br />
ki gamoscemda yovelTviur Jurnals Moving Pictures International.<br />
2000 wels didi britaneTSi daaarsa damoukidebeli saprodiusero kompania<br />
Film and Music Entertainment. dReisTvis am kompanias ukve 40 filmi aqvs gadaRebuli.<br />
amJamad maik dauni Sefildis universitetis kinokursebis leqtori da<br />
ohaios Tomas evingis saxelobis universitetis miwveuli profesoria. is<br />
aris agreTve oklahomis universitetis kinoskolis mrCeveli da xorvatiaSi<br />
motovunis saerTaSoriso kinofestivalis mrCevelTa sabWos prezidenti.<br />
mas gamoqveynebuli aqvs ramdenime wigni prodiusingis Sesaxeb evropaSi,<br />
romelTagan gansakuTrebiT aRsaniSnavia Media Business School-is gamocemuli<br />
„filmis dafinansebis saxelmZRvanelos“ ortomeuli. dauni evrokavSiris<br />
regularuli eqspertia mediis sakiTxebSi.<br />
maik dauni aseve muSaobs Amnesty International-isTvis, romelic mTeli msoflios<br />
masStabiT awesebs prizebs sxvadasxva kinofestivalebze.<br />
2004 wels is evropuli kinoakademiis bordis wevri gaxda, sadac axla ukve<br />
meoTxe vadiTaa arCeuli.<br />
2006 wels maik dauni britaneTis kinosa da televiziis akademiis (BAFTA) sab-<br />
WoSi airCies, 2008 wels ki _ amave akademiis kinokomitetSi.<br />
Educated at the Universities of Warwick, Paris III (Sorbonne-Nouvelle), and Paris X (Nanterre),<br />
Mike Downey spent most of the eighties as a theatre director and producer in<br />
France, Germany, the former Yugoslavia and the U.K., and the nineties as the publisher of<br />
the Moving Pictures International group of media publications.<br />
In 2000, He founded the UK-based independent production house Film and Music Entertainment<br />
(F&ME) and to date has production credits on 40 films.<br />
Downey is a tutor on Sheffield University’s Creative Writing for Film course, is Thomas Ewing<br />
Visiting Professor of Film at Ohio University, a member of the Board of Advisors in the<br />
film school of Oklahoma University and the President of the Board of Advisors of the Motovun<br />
International Film Festival in Croatia. He has published several lengthy tomes about<br />
producing in Europe, notably The Film Finance Handbook published by the Media Business<br />
School in two volumes. Downey acts regularly as an expert for the European Union<br />
on MEDIA affairs.<br />
Downey currently also works in an advisory capacity with Amnesty International establishing<br />
humanitarian film prizes at festivals around the world. He joined the board of the<br />
European Film Academy in 2004 and is currently serving his fourth term of office.<br />
In 2006 he was voted on to the Council of the British Academy of Film and Television Arts<br />
(BAFTA) and in 2008 he was elected to the BAFTA Film Committee.<br />
13
gaxsnis<br />
filmi<br />
kari<br />
THE DOOR<br />
OPENING<br />
FILM
gaxsnis filmi<br />
OPENING FILM<br />
AZ AJTÓ<br />
kari ungreTi / germania <strong>2012</strong><br />
warmatebuli mwerali magda Tavisi koxta saxlis mned moxuc mezobels, emerenc<br />
seredaSs qiraobs. Tavisi qmrisgan gasxvavebiT, magdas moxuci qalis ucnaurobebze<br />
dakvirveba moswons. magaliTad, ratom eSinia emerencs Weqa-quxilis? ratom<br />
aris ase maniakalurad mowesrigebuli? ratom cxovrobs sul marto? ratom malavs<br />
Tavis warsuls?<br />
Filmography (selected):<br />
<strong>2012</strong> The Door<br />
2006 Rokonok<br />
2004 Being Julia<br />
2001 Taking Sides<br />
1999 Sunshine<br />
1992 Édes Emma, drága Böbe - vázlatok, aktok<br />
1991 Meeting Venus<br />
1988 Hanussen<br />
1985 Colonel Redl<br />
1981 Mephisto<br />
1980 Der grüne Vogel<br />
1980 Bizalom<br />
1977 Várostérkép (short)<br />
Director:<br />
István Szabó<br />
Screenplay:<br />
István Szabó, Andrea Vészits<br />
Cinematography:<br />
Elemér Ragályi<br />
Production Design:<br />
Lóránt Jávor<br />
Costumes:<br />
Györgyi Szakács<br />
Editing:<br />
Réka Lemhényi<br />
Sound:<br />
Christian Conrad<br />
Producer:<br />
Jenő Hábermann, Sándor Sőth<br />
Cast:<br />
Helen Mirren, Martina Gedeck, Károly<br />
Eperjes, Gábor Koncz, Enikő Börcsök,<br />
Ági Szirtes<br />
1977 Budapesti mesék<br />
1973 Tüzoltó utca 25.<br />
1972 Dream About a House (short)<br />
1971 Budapest, Why I Love It<br />
1970 Lovefilm<br />
1967 Piety (short)<br />
1966 Father<br />
1965 The Age of Illusions / Álmodozások kora<br />
1965 Traffic-Rule Tale for Children (short)<br />
1963 You (short)<br />
1963 I Koncert (short)<br />
1961 Variációk egy témára (short)<br />
1960 Bill Poster (short)<br />
1959 A Hetedik napon (short)<br />
THE DOOR HUNGARY / GERMANY <strong>2012</strong><br />
reJisori:<br />
iStvan sabo<br />
scenari:<br />
iStvan sabo, andrea visiCi<br />
operatori:<br />
elemir rogai<br />
mxatvari:<br />
loran iavori<br />
kostiumebi:<br />
georgi sakaCi<br />
montaJi:<br />
rika lemhini<br />
xma:<br />
qristian konradi<br />
prodiuseri:<br />
ienu habermani, Sandor Suti<br />
monawileoben:<br />
helen mireni, martina<br />
gedeki, karoli epereSi,<br />
gabor konci, eniku borCuki,<br />
agi sirteSi<br />
Production:<br />
Film Art KFT<br />
Coproduction:<br />
Intuit Pictures<br />
International sales:<br />
Bankside Films<br />
Successful writer Magda hires a housekeeper, elderly neighbor Emerenc Sherdás, to clean her<br />
elegant home. Unlike her husband, Magda is willing to overlook the woman’s odd behavior:<br />
Why, for example, is she afraid of storms? Why is she so anxiously obsessive about order? Why<br />
does she lead such a lonely life? What is she hiding about her past?<br />
iStvan sabo<br />
ISTVÁN SZABÓ<br />
97 wT, feradi<br />
97 min, colour<br />
daibada 1938 wels budapeStSi. ungreli kinoreJisori, scenaristi<br />
da operis reJisori. iStvan sabom msoflios masStabiT<br />
kinokritikosebisa da publikis aRiareba moipova ara mxolod<br />
Tavisi filmebis uCveulo vizualuri silamazis, aramed maTSi<br />
asaxuli mniSvnelovani politikuri da socialuri Temebis<br />
gamoc. 1965 wels gadaRebuli pirveli srulmetraJiani filmis<br />
(Álmodozások kora / ocnebis dro) warmatebis Semdeg sabo ungreli<br />
kinematografistebis 60-iani wlebis Taobis liderad iqca<br />
da ukve TiTqmis 50 welia am statuss inarCunebs.<br />
Born in 1938 in Budapest. Hungarian film director, screenwriter, and opera director.<br />
István Szabó has won worldwide acclaim from both critics and audiences,<br />
not only for the extraordinary beauty of his impressive slate of films, but also for<br />
the historic and contemporary importance of the messages that they carry within<br />
their social and political themes. His first feature film, THE AGE OF ILLUSIONS<br />
(1965), which won Szabó several international prizes, made him a leading figure<br />
in a new generation of Hungarian filmmakers in the ‘60’s and 50 years on he retains<br />
his position as one of the principal forces within the country’s film industry.<br />
15
16<br />
daxurvis<br />
filmi<br />
SemoWra<br />
INVASION<br />
CLOSING<br />
FILM
daxurvis filmi<br />
CLOSING FILM<br />
INVASION<br />
SemoWra germania / avstria <strong>2012</strong><br />
ormocdaaTs gadacilebuli iozefi colis sikvdilis Semdeg ganmartoebiT cxovrobs<br />
Tavis Zvel vilaSi, sadac yvelaferi warsuls agonebs. erT dRes mas moulodnelad<br />
stumrebi ecxadebian, romlebic misi gardacvlili colis naTesavebad<br />
acnoben Tavs. Tavdapirvelad stumrebi iozefs zrunvasa da siyvaruls ar akleben,<br />
magram nel-nela viTareba icvleba _ mosiyvarule stumrebi agresiul dampyroblebad<br />
iqcevian. isini cdiloben, Tavidan moiSoron iozefi da mis saxls, mis<br />
samyaros, mis fiqrebs daepatronon. iqneb es mxolod xnieri kacis paranoiaa, Tu<br />
is rac xdeba, marTlac daundobeli Tavdasxmaa?<br />
Filmography / filmografia<br />
<strong>2012</strong> Invasion<br />
2008 Mediator<br />
2006 Reverse (TV)<br />
2006 The Man from the Embassy / Der Mann von der<br />
Botschaft<br />
2003 Gun-shy / Schussangst<br />
2002 An Erotic Tale / Eine erotische Geschichte (short)<br />
Director:<br />
Dito Tsintsadze<br />
Screenplay:<br />
Dito Tsintsadze<br />
Cinematography:<br />
Ralf M. Mendle<br />
Music:<br />
Gio Tsintsadze<br />
Production Design:<br />
Jutta Freyer<br />
Costumes:<br />
Nadine Kremeier<br />
Editing:<br />
Karina Ressler<br />
Sound:<br />
Johannes Doberenz<br />
Producer:<br />
Thanassis Karathanos, Karl Baumgartner,<br />
Ebba Sinzinger, Vincent<br />
Lucassen<br />
Cast:<br />
Burghart Klaußner, Anna F, Merab<br />
Ninidze, Heike Trinker, David Imper,<br />
Jasper Barwasser<br />
2000 Lost Killers<br />
1993 On The Border / Zgvarze<br />
1991 Home / Sakhli (TV)<br />
1990 Guests / Stumrebi (short)<br />
1988 Drawn Circle / Dakhatuli Tsre (TV)<br />
1984 White Nights / Tetri ghame (short)<br />
INVASION GERMANY / AUSTRIA <strong>2012</strong><br />
reJisori:<br />
dito cincaZe<br />
scenari:<br />
dito cincaZe<br />
operatori:<br />
ralf m. mendle<br />
musika:<br />
gio cincaZe<br />
mxatvari:<br />
iuta fraieri<br />
kostiumebi:<br />
nadin kremaieri<br />
montaJi:<br />
karina resleri<br />
xma:<br />
iohanes doberenci<br />
prodiuseri:<br />
Tanasias karaTanosi,<br />
karl baumgartneri,<br />
eba zincingeri, vinsent<br />
lukaseni<br />
monawileoben:<br />
burghart klausneri, ana<br />
f., merab niniZe, haike<br />
trinkeri, david imperi,<br />
iasper barvaseri<br />
Production:<br />
Pallas Film GmbH<br />
Twenty Twenty Vision<br />
WILDart Film<br />
World Sales:<br />
Neue Visionen Filmverleih GmbH<br />
www.neuevisionen.de<br />
Joseph is an elderly man in his mid-fifties and just lost his beloved wife. He remains lonely and<br />
isolated in his old Villa, where everything painfully reminds him of the past. One day some visitors<br />
turn up unexpectedly, who appear to be relatives of his deceased wife. At the beginning,<br />
the uninvited guests support Joseph with loving care, but bit by bit the situations starts to<br />
change. The friendly visitors are slowly becoming hostile, aggressive invaders. They try to get<br />
rid of Joseph and occupy his house, his world, his thoughts. Is this just the paranoia of an old<br />
man or really a brutal invasion?<br />
dito cincaZe<br />
DITO TSINTSADZE<br />
102 wT, feradi<br />
102 min, colour<br />
daibada 1957 wels TbilisSi. 1981 wels daamTavra saqarTvelos<br />
Teatrisa da kinos saxelmwifo instituti. misi pirveli srulmetraJiani<br />
mxatvruli filmi „zRvarze“ lokarnos kinofestivalis<br />
„vercxlis leopardiT“ aRiniSna 1993 wels. filmma „SemoWra“<br />
wels monrealis msoflio kinos festivalis Jiuris specialuri<br />
granpri moipova, xolo sanqt-peterburgis pirvel saerTaSoriso<br />
kinofestivalze am filmSi Sesrulebuli rolisTvis merab niniZe<br />
dajildovda priziT saukeTeso mamakaci msaxiobisTvis, burghart<br />
klausnerma ki Jiuris specialuri aRniSvna daimsaxura.<br />
Writer, director. Born in 1957 in Tbilisi, Georgia. From 1975 to 1981 he attended<br />
the Tbilisi Theater and Film Institute. His first feature film ON THE BORDER won<br />
the Silver Leopard in Locarno. His latest film INVASION was awarded special<br />
Grand Prix of the jury at the World Film Festival in Montreal in <strong>2012</strong>. Since 1996<br />
Dito Tsintsadze lives and works in Berlin.<br />
17
18<br />
saerTaSoriso<br />
konkursi<br />
Tolia<br />
dRis brwyinvaleba<br />
saraevos Svilebi<br />
istalgia<br />
gaiRimeT<br />
katinkas wveuleba<br />
siyvaruli<br />
espaneTi<br />
vakuumi<br />
yvela wavida<br />
CHAIKA<br />
THE SHINE OF A DAY<br />
CHILDREN OF SARAJEVO<br />
EASTALGIA<br />
KEEP SMILING<br />
CERTAIN PEOPLE<br />
LOVE<br />
SPAIN<br />
VACUUM<br />
EVERYBODY’S GONE<br />
INTERNATIONAL<br />
COMPETITION
saerTaSoriso konkursi<br />
INTERNATIONAL COMPETITION<br />
CHAIKA<br />
Tolia espaneTi / ruseTi / saqarTvelo / <strong>safrangeTi</strong> <strong>2012</strong><br />
meZavi qalisa da uiRblo mezRvauris siyvarulis ambavi, romelSic cimbiris maradiul<br />
zamTars yazaxeTis ukacrieli tramalebis xvati enacvleba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Chaika<br />
2009 The Two / Ori<br />
2007 Días de El Abanico (doc.)<br />
2001 Las Huellas (short)<br />
Director:<br />
Miguel Angel Jiménez<br />
Screenplay:<br />
Luis Moya, Miguel Angel Jiménez<br />
Cinematography: Gorka Gómez<br />
Andreu<br />
Music:<br />
Pascal Gaigne<br />
Production Design:<br />
Diego Rodríguez, Irakli Bagaturia<br />
Costumes:<br />
Nikoloz Gurapashvili, Teo Berianidze<br />
Editing:<br />
Imanol Gómez De Segura<br />
Sound:<br />
Benoit Gargonne<br />
Producer:<br />
Miguel Angel Jiménez, Imanol Gómez<br />
De Segura, Gorka Gómez Andreu,<br />
Luis Moya<br />
Co-Producer:<br />
Zurab Magalashvili, Rustam<br />
Ibrahimbekov<br />
Cast:<br />
Salome Demuria, Giorgi Gabunia,<br />
Aytuar Issayev, Bolatbek Raimkulov<br />
CHAIKA SPAIN / RUSSIA / GEORGIA / FRANCE <strong>2012</strong><br />
reJisori:<br />
migel anxel ximenesi<br />
scenari:<br />
luis moia, migel anxel<br />
ximenesi<br />
operatori:<br />
gorka gomes andreu<br />
musika:<br />
paskal gainie<br />
mxatvari:<br />
diego rodrigesi, irakli<br />
baRaTuria<br />
kostiumebi:<br />
nikoloz gurapaSvili, Teo<br />
berianiZe<br />
montaJi:<br />
imanol gomes de segura<br />
xma:<br />
benua gargoni<br />
prodiuseri:<br />
migel anxel ximenesi,<br />
imanol gomes de segura,<br />
gorka gomes andreu, luis<br />
moia<br />
Tanaprodiuseri:<br />
zurab maRalaSvili,<br />
rustam ibragimbekovi<br />
monawileoben:<br />
salome demuria, giorgi<br />
gabunia, aituar isaevi,<br />
bolatbek raimkulovi<br />
Production:<br />
Kinoskopik Film Produktion<br />
15, Albert Einstein St, Of. 124.<br />
01510 Miñano- Álava- Spain<br />
Miguel Angel: 685 459 713<br />
miguelangel@kinoskopik.com<br />
CHAIKA is a love story between a prostitute and a loser sailor, rebuilt between two seasons: the<br />
eternal winter of Siberia and the summer in the dusty steppes of Kazakhstan.<br />
migel anxel ximenesi<br />
MIGUEL ÁNGEL JIMÉNEZ<br />
100 wT, feradi<br />
100 min, colour<br />
daibada 1979 wels madridSi. 1999 wels datova iuridiuli<br />
fakulteti da saoperatoro saqmis Seswavla daiwyo. 2001 wels<br />
gadaiRo pirveli moklemetraJiani filmi LAS HUELLAS, romlis<br />
prodiuseric aki kaurismeki iyo. muSaobda industriuli videosa<br />
da reklamis sferoSi. 2007 wels partniorebTan erTad<br />
daaarsa saprodiusero kompania Kinoskopik. 2009 wels misi sadebiuto<br />
mxatvruli filmi „ori“ san sebastianis kinofestivalze<br />
kritikosTa priziT aRiniSna (seqcia „axali reJisorebi“).<br />
„Tolia“ misi meore srulmetraJiani mxatvruli filmia.<br />
Born in 1979 in Madrid. In 1999 he dropped out of his Law degree to study<br />
Camera and Film Photography. In 2001 he shot LAS HUELLAS, his first<br />
short, produced by Aki Kaurismäki. Having worked in industrial video and<br />
corporate advertising, in 2007 he and three partners founded Kinoskopik<br />
Film Produktion. In 2009, his first feature, ORI (The two), received prize<br />
from the critics during its premiere in San Sebastian International Film Festival<br />
(New Directors section). CHAIKA is his second feature film.<br />
19
saerTaSoriso konkursi<br />
INTERNATIONAL COMPETITION<br />
DER GLANZ DES TAGES<br />
dRis brwyinvaleba avstria <strong>2012</strong><br />
filip hoxmairi axalgazrda warmatebuli msaxiobia, romelic venisa da hamburgis<br />
mniSvnelovan TeatrebSia dakavebuli. teqstebis swavla, repeticiebi da speqtaklebi<br />
mTel mis dros moiTxovs, amitom is TandaTan kargavs kavSirs yoveldRiur<br />
realur cxovrebasTan. rodesac is valters Sexvdeba, romelTanac ambivalentur<br />
megobrobas gaabams da Tavisi mezoblis, viqtoris ambavs gaigebs, filips imis<br />
gaxseneba mouwevs, rom cxovreba scena ar aris.<br />
Filmography / filmografia<br />
<strong>2012</strong> The Shine of a Day / Der Glanz des Tages<br />
2009 La Pivellina<br />
2005 Babooska (doc.)<br />
2001 That’s all / Das ist alles (doc.)<br />
Director:<br />
Tizza Covi, Rainer Frimmel<br />
Screenplay:<br />
Tizza Covi, Rainer Frimmel, Xaver<br />
Bayer<br />
Cinematography:<br />
Rainer Frimmel<br />
Editing:<br />
Tizza Covi, Emily Artman<br />
Sound:<br />
Manuel Grandpierre<br />
Producer:<br />
Rainer Frimmel<br />
Cast:<br />
Philipp Hochmair, Walter Saabel<br />
20<br />
THE SHINE OF A DAY AUSTRIA <strong>2012</strong><br />
reJisori:<br />
tica kovi, rainer frimeli<br />
scenari:<br />
tica kovi, rainer frimeli,<br />
qsaver baieri<br />
operatori:<br />
rainer frimeli<br />
montaJi:<br />
tica kovi, emili artmani<br />
xma:<br />
manuel granpieri<br />
prodiuseri:<br />
rainer frimeli<br />
monawileoben:<br />
filip hoxmairi, valter<br />
zaabeli<br />
Production<br />
Vento Film, Leitermayergasse 33/20<br />
A-1180 Vienna<br />
Tel: +43 1 406 03 92, Fax: +43 1 25 33 033 7999<br />
contact@ventofilm.com<br />
www.ventofilm.com<br />
World Sales<br />
AFC - Salesdesk, Stiftgasse 6<br />
A-1070 Vienna, Austria<br />
Tel: +43 1 526 33 23 ext 202, Fax: +43 1 526<br />
68 01<br />
salesdesk@afc.at<br />
www.AustrianFilm.Com<br />
Philipp Hochmair is a young and successful actor working for the most important theatres in<br />
Vienna and Hamburg. He spends his time learning new texts, rehearsing and performing, gradually<br />
losing touch with everyday reality. But when Philipp meets Walter, with whom he starts an<br />
ambiguous friendship, and has to face his neighbor Victor’s destiny, he is reminded that life is<br />
more than a stage.<br />
tica kovi<br />
rainer frimeli<br />
TIZZA COVI<br />
RAINER FRIMMEL<br />
90 wT, feradi<br />
90 min, colour<br />
tica kovi 1971 wels daibada bolcanoSi, italiaSi. cxovrobda<br />
parizsa da berlinSi, Semdeg venis grafikuli xelovnebis<br />
akademiaSi swavlobda fotografias. swavlis damTavrebis Semdeg<br />
romSi gaemgzavra, sadac fotografad muSaobda.<br />
rainer frimeli 1971 wels daibada venaSi, avstriaSi. daamTavra<br />
venis grafikuli xelovnebis akademia fotografis specialobiT.<br />
1996 wlidan tica kovi da rainer frimeli erTad muSaoben<br />
fotografiaSi, Teatrsa da kinoSi. 2002 wels maT sakuTari<br />
kinosaprodiusero kompania Vento Film daaarses. erToblivi dokumenturi<br />
filmebisTvis miRebuli aqvT araerTi jildo.<br />
Tizza Covi was born in Bolzano, Italy, in 1971. She lived in Paris and Berlin before<br />
studying photography at the Vienna Higher College for Graphic Art. After<br />
finishing her studies she went to Rome where she worked as a photographer.<br />
Rainer Frimmel was born in Vienna, Austria, in 1971. He graduated as a<br />
photographer from the Vienna Higher College for Graphic Art. Since 1996<br />
Tizza Covi and Rainer Frimmel are working together in photography, theatre,<br />
movie projects. In 2002 they founded their own film production company<br />
Vento Film to produce their films independently. They won several awards<br />
for their documentaries.
saerTaSoriso konkursi<br />
INTERNATIONAL COMPETITION<br />
DJECA<br />
saraevos Svilebi bosnia-hercogovina / germania / <strong>safrangeTi</strong> / TurqeTi <strong>2012</strong><br />
omianobis Semdeg saraevoSi, sadac cxovreba jer kidev ar Camdgara kalapotSi,<br />
korufcia da Zaladoba mefobs. qalaqs jer kidev Tavs dastrialebs warsulis<br />
aCrdilebi. am movlenebis fonze 23 wlis rahima dilidan saRamomde muSaobs<br />
restoranSi sakuTari Tavis da patara Zmis sarCenad. isini omis Semdeg daobldnen.<br />
gardatexis asakis Semdeg, rodesac kriminalur saqmeebSi iyo gaxveuli, rahimam<br />
Zala da nugeSi muslimur rwmenaSi hpova da imedi aqvs, rom misi Zmac igives<br />
izams. magram biWi metismetad CaiTria kriminalurma samyarom.<br />
Filmography / filmografia<br />
<strong>2012</strong> Children of Sarajevo<br />
2011 Do Not Forget Me Istanbul<br />
2008 Snow<br />
2003 North Went Mad (short)<br />
2001 Prvo smrtno iskustvo (short)<br />
Director:<br />
Aida Begic<br />
Screenplay:<br />
Aida Begic<br />
Cinematography:<br />
Erol Zubcevic<br />
Production Design:<br />
Sanda Popovac<br />
Costumes:<br />
Sanja Dzeba<br />
Editing:<br />
Miralem Zubcevic<br />
Sound:<br />
Igor Camo<br />
Producer:<br />
Aida Begic<br />
Cast:<br />
Marija Pikic, Ismir Gagula, Bojan<br />
Navojec<br />
reJisori:<br />
aida begici<br />
scenari:<br />
aida begici<br />
operatori:<br />
erol zubcevici<br />
mxatvari:<br />
sandra popovaci<br />
kostiumebi:<br />
sania Zeba<br />
montaJi:<br />
miralem zubcevici<br />
xma:<br />
igor camo<br />
prodiuseri:<br />
aida begici<br />
monawileoben:<br />
maria pikici, izmir gagula,<br />
boian navoieci<br />
Production:<br />
Filmhouse Sarajevo<br />
Rohfilm<br />
Les Films De L’Apres-midi<br />
Kaplan Film<br />
World sales:<br />
Pyramide International<br />
CHILDREN OF SARAJEVO BOSNIA-HERZEGOVINA / GERMANY / FRANCE / TURKEY <strong>2012</strong><br />
Ghosts of the past loom large in Sarajevo, where the transition from wartime to reconstruction<br />
remains incomplete, and corruption and violence thrive. Against this backdrop, 23-year-old<br />
Rahima works long hours in a restaurant to support herself and her 14-year-old brother, both<br />
orphans of the war. After a crime-prone adolescence, Rahima has found strength and solace<br />
in the Muslim faith, and only hopes her brother will do the same. Instead, she discovers his<br />
dangerously close link to criminal activities.<br />
aida begici<br />
AIDA BEGIC<br />
90 wT, feradi<br />
90 min, colour<br />
daibada 1976 wels saraevoSi. aqve swavlobda saraevos saSemsruleblo<br />
xelovnebis akademiaSi. misi pirveli srulmetraJiani<br />
filmi „Tovli“ kanis kinofestivalis (2008) „kritikosTa kvireulis“<br />
granpriT dajildovda, nominirebuli iyo agreTve evropuli<br />
kinoakademiis jildoze kategoriaSi „wlis aRmoCena“. „saraevos<br />
Svilebis“ premierac kanSi Sedga seqciaSi „gansakuTrebuli mzera“<br />
(<strong>2012</strong>), sadac Jiuris specialuri aRniSvna daimsaxura.<br />
Born in 1976 in Sarajevo, where she attended the Sarajevo Academy of<br />
Performing Arts. Her debut feature film SNOW (2008) won the Grand Prix<br />
at the Cannes film festival’s Critics Week and numerous awards at festivals<br />
worldwide. SNOW was nominated for a European Academy Award – Discovery<br />
Section. CHILDREN OF SARAJEVO (<strong>2012</strong>) was awarded Un Certain<br />
Regard Special Distinction in Cannes in <strong>2012</strong>.<br />
21
saerTaSoriso konkursi<br />
INTERNATIONAL COMPETITION<br />
EASTALGIA<br />
istalgia germania / ukraina / serbeTi <strong>2012</strong><br />
sami qalaqi. sami siyvarulis ambavi. erTi Rame evropaSi.<br />
germaniaSi emigrirebuli Suaxnis ukraineli qali da yofili mokrive serbeTidan<br />
enis barieris gamo izolirebulebi arian germanuli sazogadoebisgan. maT<br />
slavuri kulturis garda kidev erTi ram akavSirebs: maTi Svilebi samSobloSi _<br />
erTi ukrainaSi, meore ki serbeTSi _ arCeven cxovrebas. ra akavebs iq maT?<br />
Filmography / filmografia<br />
<strong>2012</strong> Eastalgia<br />
2010 Dogs of Ukrainka / Sobaki mista Ukrayinka (short)<br />
Director: Daria Onyshchenko<br />
Screenplay: Daria Onyshchenko,<br />
Miroslav Mandic<br />
Cinematography: Erol Zubcevic<br />
Music: Superstrings<br />
Production Design: Markus<br />
Dicklhuber<br />
Costumes: Gloria Ambros<br />
Editing: Wolfgang Weigl<br />
Sound: Andre Bendocchi-Alves,<br />
Claudia Enzmann<br />
Producer: Simon Amberger,<br />
Korbinian Dufter, Rafael Parente,<br />
Anna Palenchuk, Maria Govorukha<br />
Co-Producer: Nenad Dukic<br />
Cast: Nina Nizheradze, Karl<br />
Markovics, Vuk Kostic, Lea Mornar,<br />
Ivan Dobronravov<br />
22<br />
93 wT, feradi<br />
93 min, colour<br />
EASTALGIA GERMANY / UKRAINE / SERBIA <strong>2012</strong><br />
reJisori:<br />
daria oniSCenko<br />
scenari:<br />
daria oniSCenko, miroslav<br />
mandiCi<br />
operatori: erol zubCeviCi<br />
musika: Superstrings<br />
mxatvari: markus diklhuberi<br />
kostiumebi: gloria ambrosi<br />
montaJi: volfgang vaigli<br />
xma: andre bendoki-alvesi,<br />
klaudia encmani<br />
prodiuseri: zimon ambergeri,<br />
korbinian dufteri, rafael<br />
parente, ana palenCuki, maria<br />
govoruxa<br />
Tanaprodiuseri: nenad dukiCi<br />
monawileoben: nina niJeraZe,<br />
karl markoviCi, vuk<br />
kostiCi, lea momari, ivan<br />
dobronravovi<br />
Production:<br />
NEUESUPER GmbH & Co. KG<br />
Einsteinstr. 28<br />
81675 Munich, Germany<br />
www.neuesuper.de<br />
435 Films<br />
Filatova Str. 10-A, office 2/14<br />
01042, Kyiv, Ukraine<br />
SEE FILM PRO d.o.o.<br />
Omladinskih brigada 224<br />
11070 Novi Beograd-Belgrade, Serbia<br />
Three cities. Three love stories. One night in Europe.<br />
A middle-aged woman, Ukrainian emigrant, and a former Serbian boxer are separated from German<br />
society by a language barrier. They have a common ground - Slavic culture and their own<br />
children who are still living in Ukraine and Serbia – what makes them stay there?<br />
daria oniSCenko<br />
DARIA ONYSHCHENKO<br />
daibada 1983 wels kievSi, yofil sabWoTa ukrainaSi. daamTavra<br />
kievis taras SevCenkos saxelobis universitetis bakalavriati<br />
saerTaSoriso kvlevebis mimarTulebiT. swavlis paralelurad<br />
muSaobda msaxiobad TeatrSi „Savi kvadrati“ da Tavisufal<br />
Jurnalistad _ adgilobriv gazeTebSi. 2004 wels dariam<br />
internatura gaiara bremenis Seqspiris TeatrSi, Semdeg swavla<br />
ganagrZo miunxenis televiziisa da kinos umaRles skolaSi,<br />
romelic 2011 wels daamTavra. „istalgia“ misi pirveli srulmetraJiani<br />
mxatvruli filmia.<br />
Born 1983 in Kiev, in the former Soviet Union. She acquired her Bachelor<br />
degree at the Taras Schevchenko University in Kiev (international analytics).<br />
During university studies she was an actress at the theater „Black Square“<br />
and worked as a freelance journalist for different newspapers. In 2004 Daria<br />
was doing an internship at the Shakespear Theater in Bremen. In 2005 she<br />
started her studies at the University of Television and Film in Munich which<br />
she completed in 2011. EASTLAGIA is her debut film.
saerTaSoriso konkursi<br />
INTERNATIONAL COMPETITION<br />
GAIGHIMET<br />
gaiRimeT saqarTvelo / <strong>safrangeTi</strong> / luqsemburgi <strong>2012</strong><br />
filmi dedebis konkursis dramatul movlenebzea, romlis aTi monawilidan xuTi<br />
mosaxleobis uRaribesi fenis warmomadgenelia. sasowarkveTili dedebi nebismier<br />
fasad cdiloben mogebas, radgan mTavari prizi bina da 25.000 dolaria. magram<br />
maTi ocnebebi maleve icvleba damamcirebeli realobiT, radgan konkursis<br />
organizatorebi maTi warsuliT da piradi problemebiT manipulirebas iwyeben,<br />
rom Sous „skandalis“ elementebi SesZinon, Sous, romelic sabolood tragediiT<br />
mTavrdeba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Keep Smiling<br />
2007 C’est la vie (short)<br />
Director:<br />
Rusudan Chkonia<br />
Screenplay:<br />
Rusudan Chkonia<br />
Cinematography:<br />
Konstantine Mindia Esadze<br />
Production Design:<br />
Sopo Bazghadze<br />
Costumes:<br />
Giorgi Nadiradze<br />
Editing:<br />
Rusudan Chkonia, Jean-Pierre Bloc,<br />
Levan Kukhashvili<br />
Sound:<br />
Paata Godziashvili<br />
Producer:<br />
Rusudan Chkonia, M. Nicolas Blanc<br />
Cast:<br />
Ia Sukhitashvili, Gia Roinishvili, Olga<br />
Babluani, Tamuna Bukhnikashvili,<br />
Nana Shonia, Shorena Begashvili,<br />
Maka Chichua<br />
Photo: Eric Catarina<br />
91 wT, feradi<br />
91 min, colour<br />
KEEP SMILING GEORGIA / FRANCE / LUXEMBURG <strong>2012</strong><br />
reJisori:<br />
rusudan Wyonia<br />
scenari:<br />
rusudan Wyonia<br />
operatori:<br />
konstantine mindia esaZe<br />
mxatvari:<br />
sofo bazRaZe<br />
kostiumebi:<br />
giorgi nadiraZe<br />
montaJi:<br />
rusudan Wyonia, Jan-pier<br />
bloki, levan kuxaSvili<br />
prodiuseri:<br />
rusudan Wyonia, m. nikola<br />
blani<br />
monawileoben:<br />
ia suxitaSvili, gia<br />
roiniSvili, olga babluani,<br />
Tamuna buxnikaSvili, nana<br />
Sonia, Sorena begaSvili,<br />
maka CiCua<br />
Production:<br />
Nikê Studio<br />
Ex Nihilo<br />
in co-production with:<br />
Samsa Films<br />
Alvy Production<br />
World Sales:<br />
Doc & Film International<br />
13, rue Portefoin, 75003 Paris, France<br />
Phone: +33 (0)1 42775687<br />
Fax: +33 (0)1 42773656<br />
www.docandfilm.com<br />
The film recounts the dramatic events that take place at a beauty contest involving ten mothers,<br />
five of whom belong to the poorest sections of society, and their many children. The<br />
mothers are desperately trying to win a beauty contest which main prize is an apartment and<br />
$25,000. Dreams are quick to vanish as realization dawns that the competition is a complete<br />
farce. The media and organizers of the show are exploiting the misfortunes of the participants:<br />
Georgian women, the Abkhazian war and patriotism are all themes constituting a ploy to create<br />
entertainment for the audience, ending up causing a massive fight among participants.<br />
rusudan Wyonia<br />
RUSUDAN CHKONIA<br />
daibada 1978 wels TbilisSi. 2001 wels daamTavra Tbilisis<br />
Teatrisa da kinos saxelmwifo universitetis kinosareJisoro<br />
fakulteti. amave wels gadaiRo sadiplomo filmi „usaxelo bavSvebi“,<br />
romelic mravali priziT dajildovda. ramdenime proeqt-<br />
Si monawileobis da grantis miRebis Semdeg <strong>2012</strong> wels sadebiuto<br />
filmi „gaiRimeT“ gadaiRo, romlis scenaris avtori da prodiuseric<br />
Tavadvea. filmis premiera wels veneciis kinofestivalze<br />
Sedga paralelur seqciaSi „veneciis dReebi“, antaliis kinofestivalze<br />
ki „gaiRimeT“ Jiuris specialuri priziT aRiniSna.<br />
Born in 1978 in Tbilisi, Georgia. Graduated from film directing studies in 2001. That<br />
same year, she directed CHILDREN WITHOUT A NAME - her diploma film, which<br />
earned her numerous prizes. The following year, she followed with SPRING AND<br />
LAND OF PROMISE. After receiving a number of scholarships and taking on several<br />
projects, in <strong>2012</strong>, she produced, wrote and directed KEEP SMILING. The film was<br />
premiered at the Venice Film Festival, in parallel section Venice Days, and won Jury<br />
Special Prize at the Antalya IFF.<br />
23
saerTaSoriso konkursi<br />
INTERNATIONAL COMPETITION<br />
KATINKAS KALAS<br />
katinkas wveuleba SvedeTi <strong>2012</strong><br />
erTgvari kulturuli elitis warmomadgeneli hipsterebis jgufi erT-erTi<br />
megobris, katinkas dabadebis dRes aRniSnavs. yvelaferi SesaniSnavad midis, vidre<br />
wveulebas daupatiJebeli stumari ar Seemateba. satelevizio viqtorinis wamyvani<br />
qeraTmiani linda laRi da mxiaruli adamiania, mas Tavdapirvelad Tbilad<br />
xvdebian. magram male linda jgufis uxilav socialur kanonebs arRvevs, rasac<br />
konfliqti moyveba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Äkta människor (TV series, 4 episodes)<br />
2011 Anno 1790 (TV series, 4 episodes)<br />
2011 Certain People / Katinkas kalas<br />
2009 Livet i Fagervik (TV series, 3 episodes)<br />
2008 De sista sakerna (short)<br />
2007 Labyrint mobisodes (TV mini-series)<br />
Director:<br />
Levan Akin<br />
Screenplay:<br />
Levan Akin, Lisa Östberg<br />
Cinematography:<br />
Linus Rosenqvist<br />
Music:<br />
Fredrik Emilson<br />
Production Design:<br />
Erika Stark<br />
Costumes:<br />
Linn Eklund, Josefine Olsson, Hanna<br />
Olsson<br />
Editing:<br />
Gustav Wachtmeister, Johanna<br />
Perhult<br />
Sound:<br />
Anders Niva<br />
Producer:<br />
Erika Stark<br />
Cast:<br />
Mia Mountain, Ludde Hagberg,<br />
Fredrik Lundqvist<br />
24<br />
CERTAIN PEOPLE SWEDEN <strong>2012</strong><br />
97 wT, feradi<br />
97 min, colour<br />
reJisori:<br />
levan akini<br />
scenari:<br />
levan akini, lisa ostbergi<br />
operatori:<br />
linus rozenkvisti<br />
musika:<br />
fredrik emilsoni<br />
mxatvari:<br />
erika starki<br />
kostiumebi:<br />
lin eklundi, Josefin<br />
olsoni, hana olsoni<br />
montaJi:<br />
gustav vaxtmaisteri,<br />
iohana perhulti<br />
xma:<br />
anders niva<br />
prodiuseri:<br />
erika starki<br />
monawileoben:<br />
mia mounteni, lude<br />
hagbergi, fredrik<br />
lundkvisti<br />
Production:<br />
Filmlance International AB<br />
Box 27156<br />
102 52 Stockholm, Sweden<br />
filmlance@filmlance.se<br />
A group of hipsters who belong to a sort of cultural elite are gathered to celebrate their friend<br />
Katinka’s birthday party. Things are all going swimmingly well until an uninvited guest turns up.<br />
With her free and easy personality, blonde game show hostess Linda gets a warm welcome at<br />
first. But she soon begins to stretch their hospitality and a culture clash ensues.<br />
levan akini<br />
LEVAN AKIN<br />
daibada 1979 wels stokholmSi, SvedeTSi. misi mSoblebi 1970iani<br />
wlebis dasawyisSi gadasaxldnen SvedeTSi saqarTvelodan.<br />
pirveli warmatebuli moklemetraJiani filmis „ukanaskneli<br />
saqmis“ (2008) Semdeg levan akinma ramdenime seriali gadaiRo<br />
Sveduri televiziisTvis (SVT). „katinkas wveuleba“ misi pirveli<br />
srulmetraJiani mxatvruli filmia.<br />
Born in 1979 in Stockholm, Sweden. His parents came to Sweden as immigrants<br />
from Georgia in the early 1970s. He often works with co-creator<br />
Erika Stark with whom he made the award-winning short THE LAST THINGS<br />
(2008). Levan Akin has directed several drama series for pubcaster SVT.<br />
CERTAIN PEOPLE is his debut as a feature film director.
saerTaSoriso konkursi<br />
INTERNATIONAL COMPETITION<br />
MILOSC<br />
siyvaruli poloneTi <strong>2012</strong><br />
maria da tomeki aTi wlis col-qmaria. orivem gadaabija ocdaaTs. isini patara<br />
qalaqSi cxovroben. qmari sadizainero kompaniaSi muSaobs, coli _ qalaqis<br />
meriaSi. momavali pataras molodinSi isini erTad awyoben TavianT binas. erTi<br />
SexedviT, TiTqos arafers SeuZlia maTi mSvidi cxovrebis amRvreva. magram erT<br />
dResac qalaqis meri, romelmac didi xania Tvali daadga marias, gaaupatiurebs<br />
mas. qali policiaSi ar ganacxadebs da arc qmars eubneba. magram am dRidan maT<br />
siyvaruls gamocda elis.<br />
Filmography / filmografia<br />
<strong>2012</strong> Love / Miłość<br />
2005 Retrieval / Z odzysku<br />
2001 The Man Thing / Męska Sprawa (short)<br />
1999 Bratobójstwo / Fratricide (short)<br />
1999 Kate, Poteen and Motorbike / Kaśka, bimber i<br />
motocykl (short)<br />
Director:<br />
Sławomir Fabicki<br />
Screenplay:<br />
Marek Pruchniewski, Sławomir Fabicki<br />
Cinematography:<br />
Piotr Szczepański<br />
Production Design:<br />
Dorota Łacek-Gorczyca<br />
Editing:<br />
Maciej Pawliński<br />
Sound:<br />
Tomasz Sikora<br />
Producer:<br />
Leszek Rybarczyk, Marek Rudnicki<br />
Cast:<br />
Marcin Dorociński, Julia Kijowska,<br />
Adam Woronowicz, Agata Kulesza,<br />
Dorota Kolak, Marian Dziędziel,<br />
Wojciech Mecwaldowski<br />
LOVE POLAND <strong>2012</strong><br />
105 wT, feradi<br />
105 min, colour<br />
1998 On the Other Side of the Forest / Po drugiej<br />
stronie lasu (short)<br />
1998 Extension Number 55 / Wewnętrzny 55 (short)<br />
1996 By night / Nocą (short)<br />
reJisori:<br />
slavomir fabicki<br />
scenari:<br />
marek pruxnevski,<br />
slavomir fabicki<br />
operatori:<br />
piotr SCepanski<br />
mxatvari:<br />
dorota lacek-gorCica<br />
montaJi:<br />
macei pavlinski<br />
prodiuseri:<br />
leSek ribarCiki,<br />
marek rudnicki<br />
monawileoben:<br />
marCin doroCinski, iulia<br />
kiovska, adam voronoviCi,<br />
agata kuleSa, dorota<br />
kolaki, marian Zeli, voicex<br />
mecvaldovski<br />
Production:<br />
Odeon Rybarczyk Productions<br />
Address: ul.Rakowiecka 4<br />
02-519 Warsaw, Poland<br />
Phone: +48 22 646 69 00, +48 22 646 66 43<br />
e-mail: odeon@odeon.com.pl<br />
Maria and Tomek are in their thirties and have been married ten years. They live in a small<br />
town. Both find professional fulfilment in their jobs – he in a design company, she at the town<br />
hall. They are working together on the decoration of their apartment and are expecting a baby.<br />
It seems that nothing is capable of disturbing their peaceful lives. But one day the mayor, who<br />
has long lusted after Maria, rapes her. She decides not to report this to the police. Nor does she<br />
tell her husband. From that day forth, their love is put to the test.<br />
slavomir fabicki<br />
SŁAWOMIR FABICKI<br />
daibada 1970 wels varSavaSi, poloneTSi. daamTavra sascenaro<br />
studia da loZis kinoskolis kinosareJisoro fakulteti. aris<br />
loZis da gdinias kinoskolebis sascenaro studiebis leqtori.<br />
misi sadiplomo filmi „kacis saqme“ 2002 wels „oskarze“ iyo<br />
wardgenili saukeTeso moklemetraJiani mxatvruli filmis nominaciaSi<br />
da araerTi jildo miiRo saerTaSoriso kinofestivalebze.<br />
aseve warmatebuli aRmoCnda fabickis 2006 wels gadaRebuli<br />
pirveli srulmetraJiani filmi „gamosworeba“, romelmac kanis<br />
kinofestivalis ekumenuri Jiuris prizi miiRo. „siyvaruli“ re-<br />
Jisoris meore srulmetraJiani mxatvruli filmia.<br />
Born in 1970 in Warsaw, Poland. He is a graduate of the Screenplay Studio<br />
and Film Direction Faculty at the Lodz Film School. He is a Screenplay Studio<br />
lecturer at the Lodz and Gdynia film schools. His diploma film MĘSKA<br />
SPRAWA (THE MAN THING) was nominated for an Oscar in 2002 for best<br />
short feature film. It has also won awards at many prestigious international<br />
film festivals. Fabicki’s debut full-length feature film was Z ODZYSKU (RE-<br />
TRIEVAL, 2006), which won the independent Ecumenical Jury feature film<br />
award at the Cannes Film Festival. LOVE is the director’s second full-length<br />
feature film.<br />
25
saerTaSoriso konkursi<br />
INTERNATIONAL COMPETITION<br />
SPANIEN<br />
espaneTi avstria / bulgareTi <strong>2012</strong><br />
avstriaSi iZulebiT moxvedrili ucxoeli cdilobs, samarTali ipovos da rogorme<br />
mainc moxvdes espaneTSi. is idumalebiT mocul qals gadaeyreba, romlis<br />
yofili qmari, agresiuli policieli, tkbili sityviT cdilobs colis dabrunebas.<br />
am dros ki amwes memanqane, romelic azartuli moTamaSea, beds eTamaSeba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Spanien / Spain<br />
2006 Kurz davor ist es passiert (doc.)<br />
2003 Das wirst du nie verstehen (doc.)<br />
2002 Projektionen eines Filmvorführers in einem Pornokino (short)<br />
2000 Carmen (short)<br />
Director:<br />
Anja Salomonowitz<br />
Screenplay:<br />
Dimitre Dinev, Anja Salomonowitz<br />
Cinematography:<br />
Sebastian Pfaffenbichler<br />
Music:<br />
Max Richter<br />
Production Design:<br />
Maria Gruber<br />
Costumes:<br />
Tanja Hausner<br />
Editing:<br />
Frederic Fichefet<br />
Sound:<br />
Nikolay Urumov<br />
Producer:<br />
Danny Krausz, Kurt Stocker<br />
Co-Producer:<br />
Dimitar Gochev<br />
Cast:<br />
Tatjana Alexander, Grégoire Colin,<br />
Cornelius Obonya, Lukas Miko<br />
26<br />
SPAIN AUSTRIA / BULGARIA <strong>2012</strong><br />
102 wT, feradi<br />
102 min, colour<br />
reJisori:<br />
ania salomonoviCi<br />
scenari:<br />
dimitre dinevi,<br />
ania salomonoviCi<br />
operatori:<br />
sebastian pfafenbixleri<br />
musika:<br />
maqs rixteri<br />
mxatvari:<br />
maria gruberi<br />
kostiumebi:<br />
tania hausneri<br />
montaJi:<br />
frederik fixefeti<br />
xma:<br />
nikolai urumovi<br />
prodiuseri:<br />
dani krausci, kurt<br />
Stokeri<br />
Tanaprodiuseri:<br />
dimitar goCevi<br />
monawileoben:<br />
tatiana aleqsanderi,<br />
greguar koleni, kornelius<br />
obonia, lukas miko<br />
Production:<br />
Dor Film (Vienna)<br />
office@dor-film.at<br />
www.dor-film.at<br />
in co-production with:<br />
Camera Film OON (Sofia)<br />
World Sales:<br />
doc&film international<br />
13, rue Portefoin<br />
F-75003 Paris<br />
Tel: +33 1 42 77 89 65<br />
Fax: +33 1 42 77 36 56<br />
d.elstner@docandfilm.com<br />
www.docandfilm.com<br />
A stranded stranger ends up in the wrong place and embarks upon a search for justice. Instead<br />
he finds a mysterious woman, whose desperately aggressive ex-husband is searching for words<br />
that might bring her back to him, while a crane operator with a gambling addiction is tempting<br />
fate.<br />
ania salomonoviCi<br />
ANJA SALOMONOWITZ<br />
daibada 1976 wels venaSi. swavlobda venis kinoakademiaSi da<br />
konrad volfis kinosa da televiziis umaRles skolaSi (potsdam-babelsbergi).<br />
is dRes venaSi cxovrobs da muSaobs, rogorc<br />
scenaristi da kinoreJisori. „espaneTi“ ania salomonoviCis<br />
pirveli srulmetraJiani mxatvruli filmia.<br />
Born in 1976 in Vienna. She studied at the Vienna Film Academy and at<br />
the Film and Television University Konrad Wolf in Potsdam-Babelsberg. She<br />
lives and works in Vienna as a scriptwriter and film director. SPANIEN is her<br />
fiction debut.
saerTaSoriso konkursi<br />
INTERNATIONAL COMPETITION<br />
VACUUM<br />
vakuumi italia <strong>2012</strong><br />
axali sicocxlis dasawyisi ararsebobis istoriad iqceva. axalgazrda qalis,<br />
arianas brZolas mSobiarobis Semdgom depresiasTan klaustrofobiuli Segr-<br />
Znebebic erTvis Tan. misi cxovreba vakuumSi eqceva. am dros arianaSi faruli<br />
Tavdacvis instinqti iRviZebs.<br />
Filmography / filmografia<br />
<strong>2012</strong> Vacuum<br />
2011 Elisa #1 (short)<br />
2011 Come prima #3 (short)<br />
2010 Autunno (short)<br />
2009 Walls and borders (collective film)<br />
2009 New record (short)<br />
2006 Unexhausted (short)<br />
2006 Lingue di canarini (short doc.)<br />
2006 Che fine fanno gli italiani? (doc.)<br />
2004 Esopo #1 (short)<br />
Director:<br />
Giorgio Cugno<br />
Screenplay:<br />
Giorgio Cugno<br />
Cinematography:<br />
Davide Dusnasco<br />
Music:<br />
Luca Vicini<br />
Production Design:<br />
Claudia Rolando<br />
Editing:<br />
Carlo Cagnasso<br />
Producer:<br />
Marta Giordanino<br />
Cast:<br />
Simonetta Ainardi, Loris Morcolongo,<br />
Giorgio Cugno, Stefano Gorno,<br />
Marianna Musacchio<br />
2003 Harmony (short)<br />
2002 Serata a casa di Paolo (short)<br />
2002 Pokerdog (short)<br />
2002 Il posto delle fragole (short)<br />
2002 Antonio il processo (short)<br />
2001 Pippo e i suoi amici (short)<br />
2000 Parcheggiatore (short)<br />
2000 Onde elettromagnetiche (short doc.)<br />
2000 MC Mucchen (short)<br />
2000 Loverman (short)<br />
VACUUM ITALY <strong>2012</strong><br />
94 wT, feradi<br />
94 min, colour<br />
reJisori:<br />
jorjo kunio<br />
scenari:<br />
jorjo kunio<br />
operatori:<br />
davide dusnasko<br />
musika:<br />
luka viCini<br />
mxatvari:<br />
klaudia ronaldo<br />
montaJi:<br />
karlo kaniaso<br />
prodiuseri:<br />
marta jordanino<br />
monawileoben:<br />
simoneta ainardi, loris<br />
morkolonio, jorjo kunio,<br />
stefano gorno, mariana<br />
musaCo<br />
Production:<br />
Ganglio Film<br />
World Sales:<br />
Ganglio Film<br />
The story of a birth turns into being the story of an absence. A young woman’s battle against<br />
postpartum depression viewed with her claustrophobic feelings. At the same time her existence<br />
is being sucked into a large vacuum.<br />
jorjo kunio<br />
GIORGIO CUGNO<br />
daibada 1979 wels turinSi, italiaSi. reJisori, scenaristi<br />
da msaxiobi. turinis samxatvro akademiaSi swavlobda qandakebas<br />
da reJisuras. gadaRebuli aqvs mravali moklemetraJiani<br />
mxatvruli da dokumenturi filmi. „vakuumi“ misi pirveli<br />
srulmetraJiani mxatvruli namuSevaria.<br />
Born in Turin in 1979. Giorgio Cugno has studied directing and sculpture at<br />
the Academy of Fine Arts in Turin. He has produced several short films and<br />
documentaries. VACUUM is his first feature film.<br />
27
saerTaSoriso konkursi<br />
INTERNATIONAL COMPETITION<br />
VSE USHLI<br />
yvela wavida ruseTi / saqarTvelo / CexeTi <strong>2012</strong><br />
mravali wlis ganSorebis Semdeg gari mSobliur qalaqSi brundeba, magram iq ve-<br />
Rarafers cnobs. is aq Tavisi bavSvobisdroindeli mogonebebis _ kargi Tu cudi,<br />
sasiamovno Tu mtkivneuli mogonebebis gasacocxleblad dabrunda. iqneb moxucma<br />
ninam, qalaqSi cnobilma mkiTxavma da sizmrebis Semgrovebelma SeZlos warsulis<br />
mZime tvirTisgan misi gaTavisufleba? an iqneb ninam moisvenos, rodesac gari<br />
Tavisuflebas moipovebs...<br />
Filmography / filmografia<br />
<strong>2012</strong> Everybody’s Gone / Vse ushli<br />
2010 Prima (doc.)<br />
2010 Valerik (short, in: Moscow Stories)<br />
2007 Adam’s Children / Deti adama (doc.)<br />
2004 I Died in Childhood / Ya umer v detstve (doc.)<br />
2000 I’m a Seagull / Ya – Chaika! (doc.)<br />
1993 Dzhado (short)<br />
Director:<br />
Georgiy Paradzhanov<br />
Screenplay:<br />
Georgiy Paradzhanov<br />
Cinematography:<br />
Sergei Machilski<br />
Production Design:<br />
Yuri Grigorovich<br />
Costumes:<br />
Polina Rudchik<br />
Editing:<br />
Sergey Ivanov<br />
Producer:<br />
Ekaterina Filippova, Petr Tikhi<br />
Cast:<br />
Avtandil Makharadze, Zurab<br />
Kipshidze, Natalia Kalyakanova<br />
28<br />
120 wT, feradi<br />
120 min, colour<br />
reJisori:<br />
giorgi farajanovi<br />
scenari:<br />
giorgi farajanovi<br />
operatori:<br />
sergei maCilski<br />
mxatvari:<br />
iuri grigoroviCi<br />
kostiumebi:<br />
polina rudCiki<br />
montaJi:<br />
sergei ivanovi<br />
prodiuseri:<br />
ekaterina filipova, petr<br />
tixi<br />
monawileoben:<br />
avTandil maxaraZe,<br />
zurab yifSiZe, natalia<br />
kaliakanova<br />
Production:<br />
Atlantic Film Company<br />
World Sales:<br />
Atlantic Film Company<br />
studio_atlantic@mail.ru<br />
EVERYBODY’S GONE RUSSIA / GEORGIA / CZECH REPUBLIC <strong>2012</strong><br />
Childhood memories play on the mind of the central character, Garry. Many years on, he returns<br />
to his native town. Everything feels alien and strange. Our hero comes back to recover his<br />
memories, the good ones and the bad ones, the pleasant ones and the painful ones. Will the old<br />
fortune-teller Nina, a well-known dream gatherer in the city, be able to set an already grownup<br />
man free of the chains of the past which had become unbearable by that time? Or will our hero,<br />
Garry alleviate her life by discovering his freedom?<br />
giorgi farajanovi<br />
GEORGIY PARADZHANOV<br />
daibada 1963 wels TbilisSi. daamTavra saqarTvelos Teatrisa<br />
da kinos instituti (1983) da moskovis kinoinstituti „vgiki“<br />
(1994). misi dokumenturi filmi „me Tolia var!“ naCvenebi<br />
iyo veneciis 57-e saerTaSoriso kinofestivalze 2000 wels,<br />
aRiniSna „Zmebi lumierebis oqros medliT“ da dasaxelda 2000<br />
wlis 20 saukeTeso dokumentur films Soris. 2004 wels filmma<br />
„me movkvdi bavSvobaSi“ azia-wynari okeanis kinofestivalze<br />
Jiuris specialuri prizi da erevnis saerTaSoriso kinofestivalze<br />
Jiuris specialuri aRniSvna daimsaxura kategoriaSi<br />
„saukeTeso dokumenturi filmi“. „yvela wavida“ giorgi farajanovis<br />
pirveli srulmetraJiani mxatvruli filmia.<br />
Born in 1963 in Tbilisi, Georgia. He was graduated from Georgian Institute of<br />
Theatre and Film (1983) and Moscow film institute VGIK (1994). In 2000 his documentary<br />
film I’M A SEAGULL participated in the 57th Venice Film Festival. It was<br />
awarded the “Golden Medal of the Lumiere brothers” and got into the list of 20<br />
best European documentaries in 2000. His film I DIED IN CHILDHOOD recieved<br />
the Special Jury Award at the Asia-Pacific Film Festival and Special mention in<br />
the category Best Documenary Film at the Yerevan International Film Festival in<br />
2004. EVERYBODY’S GONE is Paradzhanov’s first full-length feature film.
moklemetraJiani mxatvruli<br />
filmebis konkursi<br />
TeTri sisxli<br />
saavtoro meTodi<br />
saxli<br />
puri<br />
19 Tebervali<br />
gamomgonebeli kaci<br />
gasali<br />
GQ<br />
werili<br />
pepela<br />
Savi TuTa<br />
vika venera sabnis piri<br />
saxlidan Sors<br />
sazamTro<br />
bude<br />
SHORT FILM<br />
COMPETITION<br />
WHITE BLOOD<br />
THE AUTHOR’S METHOD<br />
HOME<br />
BREAD<br />
FEBRUARY 19<br />
INVENTOR MAN<br />
GASSAL<br />
GQ<br />
THE LETTER<br />
THE BUTTERFLY<br />
BLACK MULBERRY<br />
VIKA VENUS DUVET COVER<br />
AWAY<br />
WATERMELON<br />
THE NEST<br />
29
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
AG GAN<br />
TeTri sisxli azerbaijani <strong>2012</strong><br />
momTabare ojaxis cxovrebis wesi dairRva. coli cdilobs qmris ukanaskneli<br />
survili aasrulos. imedi bolos kvdeba _ es aris filmis mTavari saTqmeli.<br />
Filmography / filmografia<br />
<strong>2012</strong> White Blood / Ag Qan (short)<br />
Director:<br />
Khayyam Abdoullayev,<br />
Elmaddin Aliyev<br />
Screenplay:<br />
Khayyam Abdoullayev,<br />
Elmaddin Aliyev<br />
Cinematography:<br />
Elman Aliyev<br />
Music:<br />
Khayal Mamadov<br />
Production Design:<br />
Ibrakhim Kerimov<br />
Costumes:<br />
Narmina Novruzova<br />
Editing:<br />
Ilkham Yasharoglu<br />
Sound:<br />
Rasim Mekhtizade<br />
Producer:<br />
Zovgu Guliyev, Jeyran Bayramova<br />
Cast:<br />
Svetlana Khakimova, Vagif Kerimov<br />
30<br />
WHITE BLOOD AZERBAIJAN <strong>2012</strong><br />
reJisori:<br />
xaiam abdulaevi,<br />
elmadin alievi<br />
scenari:<br />
xaiam abdulaevi,<br />
elmadin alievi<br />
operatori:<br />
elman alievi<br />
musika:<br />
xaial mamadovi<br />
mxatvari:<br />
ibraxim kerimovi<br />
kostiumebi:<br />
narmina novruzova<br />
montaJi:<br />
ilxam iaSaroRlu<br />
xma:<br />
rasim mextizade<br />
prodiuseri:<br />
zovRu gulievi,<br />
jeiran bairamova<br />
monawileoben:<br />
svetlana xakimova,<br />
vagif kerimovi<br />
Production:<br />
EXA production<br />
Contact:<br />
Elmaddin Aliyev<br />
Phone: +994 050 3800312<br />
Address: Huseyn Javid Avenue.<br />
558 discrict, home 4, apartment 38.<br />
Email: exaproduction@gmail.com<br />
A nomadic family whose way of life has been destroyed and a wife’s resourcefulness in seeking<br />
to realise her husband’s dying wish. The message is that there is always hope.<br />
xaiam abdulaevi<br />
KHAYYAM ABDOULLAYEV<br />
elmadin alievi<br />
ELMADDIN ALIYEV<br />
14 wT, feradi<br />
14 min, colour<br />
daibada 1979 wels azerbaijanSi. azerbaijanis kulturisa<br />
da xelovnebis saxelmwifo universitetis kinosareJisoro<br />
fakultetis damTavrebis Semdeg reJisorad muSaobda sxvadasxva<br />
telearxebze. 2007-2010 wlebSi swavlobda rustam<br />
ibrahimbekovis kinoskolaSi. 2007 wlidan muSaobs elmadin<br />
alievTan erTad. „TeTri sisxli“ maTi bolo erToblivi namuSevaria.<br />
Born in1979 in Azerbaijan. After graduating from Azerbaijan State University<br />
of Culture & Arts / Faculty of Filmmaking, he was working for different TV<br />
channels as a director. During 2007-2010 periods Khayyam was studying<br />
at the Film School of Rustam Ibrahimbayov. Since 2007 with cooperation<br />
to Elmaddin Aliyev he has produced a number of short films. The last film<br />
worked out by both of them is WHITE BLOOD.<br />
daibada 1984 wels azerbaijanSi. 2001 wlidan swavlobda azerbaijanis<br />
kulturisa da xelovnebis saxelmwifo universitet-<br />
Si, kinoreJisuris fakultetze. amave periodSi reJisorad<br />
muSaobda sxvadasxva telearxebze. 2007-2010 wlebSi swavlobda<br />
rustam ibrahimbekovis kinoskolaSi.<br />
Born in Azerbaijan in 1984. In 2001, he entered Azerbaijan State University<br />
of Culture & Arts / Faculty of Filmmaking. That period Elmaddin was working<br />
for different TV channels as director. During 2007-2010 periods he was<br />
studying at the Film School of Rustam Ibrahimbayov.
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
AVTORSKIY METOD<br />
saavtoro meTodi ruseTi <strong>2012</strong><br />
mwerlis Sesaxeb, romelic Tamamad da laRad qmnis sxvebis beds, radgan gulubryvilod<br />
sjera, rom sakuTari bedi mis xelTaa.<br />
Filmography / filmografia<br />
<strong>2012</strong> The Author’s Method / Avtorskiy metod (short)<br />
2011 Without Words / Bez slov (short)<br />
Director:<br />
Ivan Shakhnazarov<br />
Screenplay:<br />
Ivan Shakhnazarov, with participation<br />
from Ivan Zavaruev<br />
Cinematography:<br />
Yevgeni Musin<br />
Music:<br />
Vasiliy Buylov<br />
Production Design:<br />
Maria Pasichnik<br />
Sound:<br />
Oleg Suvorov, Yulia Bazhenova<br />
Producer:<br />
Anastasia Akopian<br />
Cast:<br />
Timur Khabitsov, Nikolai Zakharov,<br />
Vladimir Ananiev, Petr Rykov<br />
THE AUTHOR’S METHOD RUSSIA <strong>2012</strong><br />
reJisori:<br />
ivan Saxnazarovi<br />
scenari:<br />
ivan Saxnazarovi,<br />
ivan zavaruevis monawileobiT<br />
operatori:<br />
evgeni muzini<br />
musika:<br />
vasili builovi<br />
mxatvari:<br />
maria pasiCniki<br />
xma:<br />
oleg suvorovi,<br />
iulia baJenova<br />
prodiuseri:<br />
anastasia akopiani<br />
monawileoben:<br />
timur xabicovi, nikolai<br />
zaxarovi, vladimir ananievi,<br />
piotr rikovi<br />
A writer safely and easily handles the destiny of his character, as he naively believes that his<br />
own destiny lies in his hands.<br />
ivan Saxnazarovi<br />
IVAN SHAKHNAZAROV<br />
14 wT, feradi<br />
14 min, colour<br />
Production:<br />
VGIK<br />
daibada 1993 wels moskovSi, ruseTSi. ruseTis saxelmwifo<br />
kinoinstitutis (VGIK) sareJisoro fakultetis mesame kursis<br />
studenti (vladimir xotinenkos saxelosno).<br />
Born in 1993 in Moscow. Third-year student of the director’s faculty at the<br />
Film Institute VGIK (workshop of Vladimir Khotinenko).<br />
31
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
DOM TSIA<br />
saxli ruseTi <strong>2012</strong><br />
realur movlenebze dafuZnebuli es filmi erTi adamianis istorias mogviTxrobs,<br />
romelic omis Semdgom groznoSi cxovrobs. is martoxelaa da wasasvleli arsad<br />
aqvs. saxlia erTaderTi, rac mas darCa.<br />
Filmography / filmografia<br />
<strong>2012</strong> Home / Dom TSIA<br />
Director:<br />
Ruslan Magomadov<br />
Screenplay:<br />
Ruslan Magomadov<br />
Cinematography:<br />
Evgenyi Savenkov,<br />
Ruslan Magomadov<br />
Editing:<br />
Ruslan Magomadov<br />
Producer:<br />
Ruslan Magomadov<br />
Cast:<br />
Evgenyi Martinov<br />
32<br />
HOME RUSSIA <strong>2012</strong><br />
26 wT, feradi<br />
26 min, colour<br />
reJisori:<br />
ruslan magomadovi<br />
scenari:<br />
ruslan magomadovi<br />
operatori:<br />
evgeni savenkovi,<br />
ruslan magomadovi<br />
montaJi:<br />
sinan serteli<br />
xma:<br />
demir baran kutlu<br />
prodiuseri:<br />
melmet iSleri<br />
monawileoben:<br />
osman doRani, muaz ete<br />
Contact:<br />
Ruslan Magomadov<br />
ruslan_magomadov@mail.ru<br />
This film, based on real-life events, tells the story of a man who stays behind in the devastated<br />
city of Grozny during the Chechen war. He is lonely and he has nowhere to go; his house is all<br />
that he has left to him.<br />
ruslan magomadovi<br />
RUSLAN MAGOMADOV<br />
daibada 1983 wels sverdlovskSi (dRevandeli ekaterinburgi),<br />
CrdiloeT kavkasiaSi (ruseTi). 2002-2006 wlebSi swavlobda<br />
ekaterinburgis demidovebis saxelobis xelovnebisa da mxatvruli<br />
rewvis akademiaSi. 2010 wlidan swavlobs moskovis re-<br />
JisorTa da scenaristTa umaRles kursebze. filmma „saxli“<br />
specialuri prizi moipova kotbusis 22-e kinofestivalze da<br />
gaimarjva yazanis musulmanuri kinos festivalze nominaciaSi<br />
„saukeTeso moklemetraJiani filmi“.<br />
Born in 1983 in Sverdlovsk (now Yekaterinburg), North Caucasus, Russia.<br />
In 2002-2006 studied at the Demidov Academy of Arts in Yekaterinburg.<br />
Since 2010 Ruslan Magomadov studies at the Moscow Higher Courses for<br />
Directors and Scriptwriters. His short HOME won the Special Prize at the<br />
22. Cottbus Film Festival and the main prize for the Best Short Film at the<br />
Eighth Kazan International Muslim Film Festival.
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
EKMEK<br />
puri TurqeTi <strong>2012</strong><br />
bavSvTa dacvis sazogadoebis meTvalyure aRmoaCens, rom sakuWnaodan yovel<br />
diliT TiTo puri qreba. Tavdapirvelad hgonia, rom sacxobSi akleben purs,<br />
Tumca mere xvdeba, rom romeliRac bavSvi iparavs. meTvalyure gadawyvets, Tvali<br />
daiWiros qurdze.<br />
Filmography / filmografia<br />
<strong>2012</strong> Bread / Ekmek<br />
Director:<br />
Koray Sevindi<br />
Screenplay:<br />
Koray Sevindi, Muhammet<br />
Abdülgafur Şahin<br />
Cinematography:<br />
Sedat Şahin<br />
Music:<br />
Nazım Çınar<br />
Production Design:<br />
Hakan Sevindi, Fatih Özdemir<br />
Editing:<br />
Sinan Sertel<br />
Sound:<br />
Demir Baran Kutlu<br />
Producer:<br />
Meltem İşler<br />
Cast:<br />
Osman Doğan, Muaz Ete<br />
BREAD TURKEY <strong>2012</strong><br />
reJisori:<br />
korai sevindi<br />
scenari:<br />
korai sevindi, muhamet<br />
abdulgafur Sahini<br />
operatori:<br />
sedat Sahini<br />
musika:<br />
nazim Cinari<br />
mxatvari:<br />
hakan sevindi,<br />
fatih ozdemiri<br />
montaJi:<br />
sinan serteli<br />
prodiuseri:<br />
demir baran kutlu<br />
monawileoben:<br />
osman doani, muaz ete<br />
Contact:<br />
Koray Sevindi<br />
Address: Aksu Osmaniye Yolu Ozyasar Apt.<br />
No:9 D:14<br />
Bakirkoy Istanbul Turkey<br />
Tel: +90 554 280 37 06<br />
E-mail: koraysevindi@gmail.com, info@<br />
koraysevindi.com<br />
Website: www.koraysevindi.com<br />
The attendant in the Society for the Protection of Children realizes that every morning one loaf<br />
of bread is missing in the storeroom. First, he thinks it’s the bakery’s fault but later finds out<br />
that a child is filching the bread. So, he decides to keep an eye on him.<br />
korai sevindi<br />
KORAY SEVINDI<br />
9 wT, feradi<br />
9 min, colour<br />
stambolis teqnikuri universitetis sainJinro meqanikis specialobiT<br />
damTavrebis Semdeg muSaobda sareklamo rgolebze,<br />
sxvadasxva moklemetraJian da dokumentur filmebze reJisoris<br />
asistentad. swavlobda kinoreJisuras niu-iorkis kinoakademiaSi.<br />
misi pirveli moklemetraJiani filmi „puri“ (<strong>2012</strong>)<br />
bevr Turqul Tu saerTaSoriso kinofestivalze iyo naCvenebi<br />
da ramdenime jildoc moipova.<br />
After studying Mechanical Engineering at Istanbul Technical University, he<br />
worked as assistant director in various short films, documentaries and advertisements.<br />
He studied film directing at New York Film Academy. His first<br />
short film Ekmek (Bread) was officially screened and won various awards in<br />
many international and national film festivals.<br />
33
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
FEBRUARY 19<br />
19 Tebervali somxeTi / libani / <strong>safrangeTi</strong> 2011<br />
matarebeli Tbilisi-erevnis gzaze. ana da aleqsi da TeTri kedeli. yru, civi,<br />
TeTri kedeli.<br />
Filmography / filmografia<br />
<strong>2012</strong> Embers (doc.)<br />
2011 February 19 (short)<br />
2010 Little Stones (doc. short)<br />
Director:<br />
Tamara Stepanyan<br />
Screenplay:<br />
Tamara Stepanyan<br />
Cinematography:<br />
Tammam Hamza<br />
Music:<br />
Cynthia Zaven<br />
Production Design:<br />
Ivana Krcadinac<br />
Editing:<br />
Farah Fayed<br />
Sound:<br />
Raed Younnan<br />
Producer:<br />
Ashkal Alwan<br />
Cast:<br />
Ofelia Zakaryan, Vakhtang<br />
Harutyunyan<br />
34<br />
22 wT, feradi<br />
22 min, colour<br />
FEBRUARY 19 ARMENIA / LEBANON / FRANCE 2011<br />
reJisori:<br />
Tamara stepaniani<br />
scenari:<br />
Tamara stepaniani<br />
operatori:<br />
Tamam hamza<br />
musika:<br />
sintia zaveni<br />
mxatvari:<br />
ivana krcadinaci<br />
montaJi:<br />
farah faiedi<br />
xma:<br />
raed iunani<br />
prodiuseri:<br />
aSkal alvani<br />
monawileoben:<br />
ofelia zaqariani,<br />
vaxtang hariutuniani<br />
Contact:<br />
Tamara Stepanyan<br />
131 Rue de la Roquette<br />
75011 Paris, France<br />
Phone: +33762702829<br />
E-mail: tamarastepanyan@gmail.com<br />
A train between Yerevan and Tbilisi. Anna and Alex. And a white wall. A dull, cold, white wall.<br />
Tamara stepaniani<br />
TAMARA STEPANYAN<br />
daibada somxeTSi. 1994 wels, sabWoTa kavSiris daSlis Semdeg<br />
misi ojaxi sacxovreblad libanSi gadavida. 2005 wels<br />
daamTavra libanis amerikuli universiteti. 2011 wels misma<br />
moklemetraJianma filmma „19 Tebervali“ libanis kinofestivalze<br />
saukeTeso mxatvruli filmis nominaciaSi gaimarjva. am-<br />
Jamad Tamara stepaniani safrangeTSi cxovrobs, sadac pirveli<br />
srulmetraJiani filmis scenarze muSaobs.<br />
Born in Armenia. During the breakdown of the Soviet Union, she moved to<br />
Lebanon with her parents in 1994. In 2005 she graduated from the Lebanese<br />
American University (LAU) having studied in Communication Arts<br />
with an emphasis in Radio/TV/Film. FEBRUARY 19 a short narrative fiction<br />
that won the Best Fiction Film Award at Lebanese Film Festival. After studying<br />
and working in Lebanon she moved recently to France where she is<br />
starting to write her first feature fiction script.
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
GAMOMGONEBELI KATSI<br />
gamomgonebeli kaci saqarTvelo <strong>2012</strong><br />
filmi gamomgoneblis Sesaxeb, romelic droisa da sivrcis miRma cxovrobs da<br />
mTels dros adamianisTvis aucilebeli, sxvadasxva yofiTi nivTebis gamogonebaSi<br />
atarebs. filmi alegoriulia da personaJis TiTqmis yvela gamogonebas simboluri<br />
datvirTva aqvs.<br />
Filmography / filmografia<br />
<strong>2012</strong> Inventor Man / Gamomgonebeli katsi<br />
Director:<br />
Zura Menteshashvili<br />
Screenplay:<br />
Khatia Khosroshvili<br />
Cinematography:<br />
Goglik Khaindrava<br />
Music:<br />
Shete<br />
Production Design:<br />
Tamta Gligvashvili<br />
Editing:<br />
Zura Menteshashvili<br />
Sound:<br />
Zura Menteshashvili, Zaza<br />
Chincharauli<br />
Producer:<br />
Avtandil Gasviani, Goglik Khaindrava,<br />
Khatia Khosroshvili<br />
Cast:<br />
Kakha Bakuradze, Levan Khaindrava,<br />
Khvtiso Melashvili, Zaza Chincharauli<br />
INVENTOR MAN GEORGIA <strong>2012</strong><br />
reJisori:<br />
zura menTeSaSvili<br />
scenari:<br />
xatia xosroSvili<br />
operatori:<br />
goglika xaindrava<br />
musika:<br />
SeTe<br />
mxatvari:<br />
TamTa RliRvaSvili<br />
montaJi:<br />
zura menTeSaSvili<br />
xma:<br />
zura menTeSaSvili, zaza<br />
WinWarauli<br />
prodiuseri:<br />
avTandil gasviani,<br />
goglika xaindrava, xatia<br />
xosroSvili<br />
monawileoben:<br />
kaxa bakuraZe, levan<br />
xaindrava, xvTiso<br />
melaSvili, zaza WinWarauli<br />
Production:<br />
Mentesh Production<br />
The inventor is a short feature film telling the story in a groundbreaking way of the inventor who<br />
exists beyond the time and space, without the limits of relocation. The inventor devotes all his<br />
time to inventing different existential things important for the development of human being.<br />
The inventor invents everything the others need. In the end the inventor invents the mountain,<br />
the shack on its bottom and peaceful life in it. As the people discover the existence of the inventor,<br />
they ask for being invented as well. Thus, the inventor invents all of us. Then he invents the<br />
long, endless way and follows it.<br />
zura menTeSaSvili<br />
ZURA MENTESHASHVILI<br />
15 wT, feradi<br />
15 min, colour<br />
daibada 1981 wels. 2000 wels daamTavra saqarTvelos Teatrisa<br />
da kinos institutis kinosareJisoro fakulteti. 2000-dan<br />
2004 wlamde muSaobda musikalur arxze „Music Box“ programul<br />
reJisorad, 2004 wlidan dRemde aris Mentesh Production-is re-<br />
Jisori.<br />
Georgian film director, producer and writer. Born in 1981. In 2000-2004<br />
studied film directing at Shota Rustaveli Theatre and Film Georgian State<br />
University. He was tech director at entartament TV “Music Box” in 2000-<br />
2004, also director in Mentesh Production till now.<br />
35
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
GASSAL<br />
gasali TurqeTi <strong>2012</strong><br />
gaupatiurebis Sedegad demets (gasals) qaliSvili uCndeba. gadatanili Zaladobis<br />
Semdeg is materialuri samyarosgan gaucxovdeba da sakuTar samyaros qmnis,<br />
romelic misi qaliSviliT da RmerTis winaSe valdebulebebiT Semoifargleba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Gassal (short)<br />
Director:<br />
Merve Ince<br />
Screenplay:<br />
Merve Ince<br />
Cinematography:<br />
Tayman Tekin<br />
Music:<br />
Gursel Celik<br />
Production Design:<br />
Tuncay Ozcan, Kubra Kaptan<br />
Editing:<br />
Serdar Borcan<br />
Sound:<br />
Korhan Oraydın<br />
Producer:<br />
Melis Berkman<br />
Cast:<br />
Nursel Kose, Ebru Ojen Sahin, Tolga<br />
Cıklacıftcı, Beste Biçer, Seyhan Arman,<br />
Kısmet Tekinbas<br />
36<br />
GASSAL TURKEY <strong>2012</strong><br />
10 wT, feradi<br />
10 min, colour<br />
reJisori:<br />
merve inje<br />
scenari:<br />
merve inje<br />
operatori:<br />
taiman tekini<br />
musika:<br />
gursel jeliki<br />
mxatvari:<br />
tunjai ozjani,<br />
kubra kuptani<br />
montaJi:<br />
serdar borjani<br />
xma:<br />
korhan oraidini<br />
prodiuseri:<br />
melis berkmani<br />
monawileoben:<br />
nursel kose, ebru<br />
oen sahini, tolga<br />
jiklajiftji, beste<br />
biCeri, seihan armani, kismet<br />
tekinbasi<br />
Contact:<br />
Melis Berkman<br />
Phone:+905333309898<br />
berkmanmelis@gmail.com<br />
Consequent to her rape, Demet (Gassal) gives birth to a baby girl. After all she has been through,<br />
she is alienated from everything on the material world. She builds herself a world between her<br />
child and her duties against God.<br />
merve inje<br />
MERVE INCE<br />
daibada 1987 wels stambolSi, TurqeTSi. sareklamo saqmesa da<br />
kinematografias swavlobda stambolis bilgi universitetSi.<br />
Born in 1987 in Istanbul,Turkey. Studied advertising and film at the İstanbul<br />
Bilgi University.
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
GQ<br />
GQ ruseTi <strong>2012</strong><br />
Cveuli cxovreba SeiZleba nebismier wuTs dasruldes, Tu Cvevebi ufro mniSvnelovania<br />
SenTvis, vidre cxovreba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Inventor Man / Gamomgonebeli katsi<br />
Director:<br />
Andrey Merzlikin<br />
Screenplay:<br />
Mikhail Segal<br />
Cinematography:<br />
Denis Madyshev<br />
Production Design:<br />
Vitali Trukhanenko<br />
Editing:<br />
Diana Petrenko<br />
Sound:<br />
Konstantin Stetkevich<br />
Producer:<br />
Anastasia Kavunovskaya,<br />
Andrey Kretov<br />
Cast:<br />
Konstantin Yushkevich, Alena<br />
Konstantinova, Yuri Vaksman<br />
GQ RUSSIA <strong>2012</strong><br />
reJisori:<br />
andrei merzlikini<br />
scenari:<br />
mixail segali<br />
operatori:<br />
denis madiSevi<br />
mxatvari:<br />
vitali truxanenko<br />
montaJi:<br />
diana petrenko<br />
xma:<br />
konstantin stetkeviCi<br />
prodiuseri:<br />
anastasia kavunovskaia,<br />
andrei kretovi<br />
monawileoben:<br />
konstantin iuSkeviCi,<br />
aliona konstantinova, iuri<br />
vaksmani<br />
Production:<br />
RUmedia<br />
Life as usual can end at any moment if habit is more important for you than life.<br />
andrei merzlikini<br />
ANDREY MERZLIKIN<br />
13 wT, feradi<br />
13 min, colour<br />
Teatrisa da kinos msaxiobi. daibada 1973 wels koroliovSi,<br />
ruseTSi. kosmosuri manqanaTmSeneblobis dargSi radioinJinris<br />
kvalifikaciis miRebis Semdeg daamTavra moskovis kinoinstitutis<br />
(VGIK) samsaxiobo fakulteti. 2001-2011 wlebSi iyo<br />
armen jigarxanianis Teatris msaxiobi. gadaRebulia ocamde<br />
kinofilmSi da teleserialSi. GQ misi sareJisoro debiutia.<br />
Actor of theatre and cinema. Born in Korolev in 1973. First education as<br />
radio engineer of space communications; graduated from the acting faculty<br />
of the Film Institute VGIK. In 2001-11 – actor at the Theatre of Armen<br />
Dzhigarkhanian. He has appeared in about twenty fi lms and serials. GQ is<br />
his directorial debut.<br />
37
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
NAMEH<br />
werili irani 2011<br />
ori italieli patimari erT sakanSi zis. erTs, ufro axalgazrdas, moyvaruli<br />
coli hyavs da misgan yovel Tves iRebs werilebs, meore ki gakotrebuli yalbi<br />
fulis mWrelia, romelsac Tavisi axalgazrda mezobeli sjuls. erT dRes is<br />
erT-erT werils moiparavs da TviTon Seudgeba pasuxis weras: „mapatie, aq axal<br />
adamians Sevxvdi da damiviwye.“<br />
Filmography / filmografia<br />
2011 The Letter / Nameh<br />
2010 Didar<br />
Director:<br />
Majid Movasseghi<br />
Screenplay:<br />
Majid Movasseghi<br />
Cinematography:<br />
Ivan Finogeev<br />
Production Design:<br />
Sergei Jakulin<br />
Editing:<br />
Mehdi Hossenivand<br />
Sound:<br />
Mahmoud Mousavi nejad<br />
Producer:<br />
Majid Movasseghi<br />
Cast:<br />
Andre Stergaard , Sampo Mansnerus ,<br />
Georgy Shahed , Artur Vedenmier<br />
38<br />
THE LETTER IRAN 2011<br />
20 wT, S-T<br />
20 min, B-W<br />
reJisori:<br />
majid movaseRi<br />
scenari:<br />
majid movaseRi<br />
operatori:<br />
ivan finogievi<br />
mxatvari:<br />
sergei iakulini<br />
montaJi:<br />
mehdi hosenivandi<br />
xma:<br />
mahmud musavi nejadi<br />
prodiuseri:<br />
majid movaseRi<br />
monawileoben:<br />
andre Stergaardi, sampo<br />
mansnerusi, georgi Sahedi,<br />
artur vedenmiri<br />
Contact:<br />
Majid Movasseghi<br />
majmov@yahoo.com<br />
Two Italian prisoners live together. One of them who is younger, has a loving wife and every<br />
month receives a new letter from her. Another prisoner is a banknote counterfeiter and he hates<br />
the new young prisoner, finally he stool one of the letter and he started to write a fake latter,<br />
with this topic “forgive me I met a new person and forget me” but ...<br />
majid movaseRi<br />
MAJID MOVASSEGHI<br />
daibada 1977 wels iranSi. swavlobda iranis Tavisufali universitetis<br />
xelovnebisa da arqiteqturis institutis dramis<br />
fakultetze. 2003 wels Caabara ruseTis saxelmwifo kinoinstitutSi<br />
(VGIK), sadac swavlobda vadim abdraSitovis saxelosnoSi.<br />
majid movaseRis filmebi sxvadasxva saerTaSoriso<br />
festivalze iyo naCvenebi, rogorc iranSi, ise sxva qveynebSi.<br />
Born in 1977 in Iran. He studied at the drama department of the Arts and<br />
Architecture Institute at Azad University Tehran and worked both as a theatre<br />
director and assistant of directors in Iranian cinema and television. In<br />
2003 he enrolled in the All-Russian State Film Academy (VGIK) in Moscow<br />
where studied directing in the workshop of Vadim Abdrashitov. Majid Movasseghi’s<br />
films was shown in the different festival in Iran and abroad.
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
PEPELA<br />
pepela saqarTvelo <strong>2012</strong><br />
axalgazrda kacs avadmyofi coli hyavs. materialuri mdgomareoba maT saSualebas<br />
ar aZlevs, rom qalma imkurnalos. erT dResac qmars moTmineba amoewureba<br />
da gadawyvets, rogorRac Tavi daaRwios gaWirvebas. is Cumad iRebs saxlidan iaraRs<br />
da fulis saSovnelad midis. ganvlil gzaze mas gangebis mxridan movlenili<br />
gansacdelis gadalaxva da sakuTar TavSi maradiuli Rirebulebebis aRmoCena da<br />
danaxva mouwevs.<br />
Filmography / filmografia<br />
<strong>2012</strong> The Butterfly / Pepela<br />
Director:<br />
Tengiz Asitashvili, Giorgi Okriashvili<br />
Screenplay:<br />
Tengiz Asitashvili<br />
Cinematography:<br />
Irakli Akhalkatsi<br />
Music:<br />
Joni Asitashvil<br />
Production Design:<br />
Shota Begalishvili<br />
Editing:<br />
Irakli Akhalkatsi<br />
Sound:<br />
Giorgi Zedginidze<br />
Producer:<br />
Giorgi Okriashvili<br />
Cast:<br />
Gia Urushadze, Keta Shatirishvili,<br />
Anka Chochia, Nika Kvantaliani,<br />
Temur Amoevi<br />
THE BUTTERFLY GEORGIA <strong>2012</strong><br />
reJisori:<br />
Tengiz asitaSvili,<br />
giorgi oqriaSvili<br />
scenari:<br />
Tengiz asitaSvili<br />
operatori:<br />
irakli axalkaci<br />
musika:<br />
joni asitaSvili<br />
mxatvari:<br />
SoTa begaliSvili<br />
montaJi:<br />
irakli axalkaci<br />
xma:<br />
giorgi zedginiZe<br />
prodiuseri:<br />
giorgi oqriaSvili<br />
monawileoben:<br />
gia uruSaZe, qeTa<br />
SaTiriSvili, anka CoCia,<br />
nika kvantaliani, Temur<br />
amoevi<br />
A young man has a sick wife. Their financial situation does not allow her to undergo a thorough<br />
treatment. One day a young man could not tolerate the situation and decided to somehow<br />
escape from the dead-end road and change their lives for the better.<br />
He secretly took a gun from the house and went away torise funds. He had to overcome the<br />
danger, correctly pass all tests sent by Lord on his life way in order to get self-revelation of<br />
eternal values, sight and perception of them, what is the basis of getting closer to the God.<br />
Tengiz asitaSvili<br />
TENGIZ ASITASHVILI<br />
giorgi oqriaSvili<br />
GIORGI OKRIASHVILI<br />
26 wT, feradi<br />
26 min, colour<br />
Tengiz asitaSvili daibada 1987 wels. 2008 wels daamTavra<br />
saqarTvelos Teatrisa da kinos universitetis tele-kinosareJisoro<br />
fakulteti. „pepela“ misi sadebiuto moklemetra-<br />
Jiani filmia.<br />
Tengiz Asitashvili was born in 1987. In 2008 graduated from the department<br />
of Film Directing of Georgian State University of Film and Theatre.<br />
BUTTERFLY is his debute short.<br />
giorgi oqriaSvili daibada 1989 wels. swavlobs stirlingis<br />
universitetSi kinosa da mediis kvlevis fakultetze. „pepela“<br />
misi sadebiuto moklemetraJiani filmia.<br />
Giorgi Okriashvili was born in 1989. Student of department of Film and<br />
Media Research at the University of Stirling , UK. BUTTERFLY is his debute<br />
work.<br />
39
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
SHAVI TUTA<br />
Savi TuTa saqarTvelo / <strong>safrangeTi</strong> <strong>2012</strong><br />
industriul qalaq WiaTuraSi ori mozardi xvdeba erTmaneTs. isini mxolod erT<br />
dRes atareben erTad, Tumca did kvals toveben erTmaneTis cxovrebaSi. Wia-<br />
Tureli nikasTvis Tbiliseli anis gamoCena mniSvnelovan movlenad iqceva. maTi<br />
istoria dacarielebuli qalaqis, mZlavri imperiis nangrevebis fonze viTardeba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Black Mulberry / Shavi tuta<br />
Director:<br />
Gabriel Razmadze<br />
Screenplay:<br />
Tinatin Kajrishvili, Gabriel Razmadze<br />
Cinematography:<br />
Goga Devdariani<br />
Music:<br />
Ream Lawrence<br />
Production Design:<br />
Konstantine Japaridze<br />
Producer:<br />
Tinatin Kajrishvili, Sebastian Aubert<br />
Cast:<br />
Maxime Machaidze, Nata Beradze,<br />
Zura Begalishvili<br />
40<br />
22 wT, feradi<br />
22 min, colour<br />
BLACK MULBERRY GEORGIA / FRANCE <strong>2012</strong><br />
reJisori:<br />
gabriel razmaZe<br />
scenari:<br />
TinaTin yajriSvili,<br />
gabriel razmaZe<br />
operatori:<br />
goga devdariani<br />
musika:<br />
rim lourensi<br />
mxatvari:<br />
konstantine jafariZe<br />
prodiuseri:<br />
TinaTin yajriSvili,<br />
sebastian oberi<br />
monawileoben:<br />
maqsime maCaiZe, nata beraZe,<br />
zura begaliSvili<br />
Production:<br />
LTD Gemini<br />
Ad Astra Films<br />
Two teenagers meet in an industrial town Chiatura. The only day they spend together leaves a<br />
huge trace on their lives. For Nika who lives in Chiatura arrival of Tbilisian girl Ani turns into an<br />
important event. Their story unfolds against the background of an emptied town, among the<br />
ruins of the powerful empire.<br />
gabriel razmaZe<br />
GABRIEL RAZMADZE<br />
daibada 1977 wels. 1999 wels daamTavra saqarTvelos Teatrisa<br />
da kinos institutis telesareJisoro fakulteti. 2011<br />
wlidan saqarTvelos Teatrisa da kinos universitetis kinosareJisoro<br />
fakultetis magistrantia. „Savi TuTa“ reJisoris<br />
sadebiuto namuSevaria.<br />
Born in 1977. Graduated from Tbilisi Institute of Theatre and Film TV department<br />
in 1999. Since 2011 Razmadze continues his studies, MA in Film<br />
Directing. BLACK MULBERRY in his debut short film.
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
VIKA VENERA PODODEAL’NIK<br />
vika venera sabnis piri ruseTi <strong>2012</strong><br />
msubuqi da sasacilo ambavi ori gogonasa da maTi mamakacebTan da sabnis pirebTan<br />
urTierTobis Sesaxeb.<br />
Filmography / filmografia<br />
<strong>2012</strong> Vika Venus Duvet Cover (short)<br />
<strong>2012</strong> Meine kleine Zeitmaschine namens Pentacon (short)<br />
2010 Intersections (short)<br />
2007 In the Clouds (short)<br />
2006 Another Moscow (doc.)<br />
Director:<br />
Omari Zverkov<br />
Screenplay:<br />
Omari Zverkov<br />
Cinematography:<br />
Omari Zverkov<br />
Music:<br />
Omari Zverkov<br />
Sound:<br />
Omari Zverkov<br />
Producer:<br />
Omari Zverkov<br />
Cast:<br />
Vika Trunova, Venera Bikchentaeva,<br />
Danila Shironin, Dmitri Musanev,<br />
Anton Tsakul, Alexei Zhadan<br />
VIKA VENUS DUVET COVER RUSSIA <strong>2012</strong><br />
reJisori:<br />
omari zverkovi<br />
scenari:<br />
omari zverkovi<br />
operatori:<br />
omari zverkovi<br />
musika:<br />
omari zverkovi<br />
xma:<br />
omari zverkovi<br />
prodiuseri:<br />
omari zverkovi<br />
monawileoben:<br />
vika trunova, venera<br />
bikCentaeva, danila<br />
Sironini, dmitri musanevi,<br />
anton cakuli, aleqsei<br />
Jadani<br />
Light and humorous story of two young girls and their mutual relations with men and quilt covers.<br />
omari zverkovi<br />
OMARI ZVERKOV<br />
15 wT, feradi<br />
15 min, colour<br />
2007 wels daamTavra moskovis reJisorTa da scenaristTa<br />
umaRlesi kursebi (irakli kvirikaZisa da andrei dobrovolskis<br />
saxelosno). Tavisi mikrobiujetiani moklemetraJiani<br />
filmebisTvis saxsrebis mosapoveblad muSaobs profesional<br />
fotografad.<br />
Graduated from the Higher Courses for Directors and Scriptwriters (2007,<br />
class of Irakli Kvirikadze and Andrey Dobrovolsky). Now he is earning for<br />
independent production of his mini-budget shorts as professional photographer.<br />
41
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
V PUT’<br />
saxlidan Sors ruseTi <strong>2012</strong><br />
axalgazrda kacs sazRvargareT samuSaos sTavazoben da isic gadawyvets, ramdenime<br />
wliT gadaixvewos mSobliuri qalaqidan. mas rTuli arCevanis gakeTeba<br />
uwevs: „aq“ Cveuli garemo, megobrebis wre da Seyvarebuli rCeba, „iq“ ki bundovani<br />
da gaurkveveli momavali elodeba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Away / V Put’<br />
Director:<br />
Anna Sarukhanova<br />
Screenplay:<br />
Anna Sarukhanova<br />
Cinematography:<br />
Danila Goryunkov<br />
Music:<br />
Vasiliy Filatov<br />
Production Design:<br />
Nino Surguladze, Mariya Slavina<br />
Editing:<br />
Roman Perepelkin<br />
Sound:<br />
Vasiliy Filatov<br />
Producer:<br />
Ivan Lopatin<br />
Cast:<br />
Nika Ksnelashvili, Keti Surguladze,<br />
Vakhtang Kirkvalidze, Marisha Osipov<br />
42<br />
AWAY RUSSIA <strong>2012</strong><br />
17 wT, feradi<br />
17 min, colour<br />
reJisori:<br />
ana saruxanova<br />
scenari:<br />
ana saruxanova<br />
operatori:<br />
danila goriunkovi<br />
musika:<br />
vasili filatovi<br />
mxatvari:<br />
nino surgulaZe,<br />
maria slavina<br />
montaJi:<br />
roman perepelkini<br />
prodiuseri:<br />
ivan lopatini<br />
monawileoben:<br />
nika qsnelaSvili, qeTi<br />
surgulaZe, vaxtang<br />
kirkvaliZe, mariSa osipovi<br />
Production Company:<br />
Leevandia Entertainment<br />
info@leevandia.ru<br />
www.leevandia.ru<br />
The young man has got invitation for some job abroad and have to leave his native town for<br />
several years. A choice is to be done - whether to leave habitual environment and connencted<br />
with some plans for the uncertainty or to stay and continue living at the place so well known<br />
from childhood not interrupting started relations with girlfriend and not leving grandparents for<br />
forever. The controversy of situation brings him to inner conflict and makes him feel lonely and<br />
alien both in native and in the unknown abroad.<br />
ana saruxanova<br />
ANNA SARUKHANOVA<br />
daibada 1988 wels TbilisSi. 2005 wels Caabara moskovis universitetis<br />
Jurnalistikis fakultetze. 2010 wels swavla ganagrZo<br />
scenaristebisa da kinoreJisoebis umaRles kursebze<br />
(vladimir xotinenkos, pavel finisa da vladimir fenCenkos<br />
saxelosno).<br />
Born in 1988 in Tbilisi, Georgia. In 2005 graduated from high school in<br />
Moscow and entered Moscow State University, journalism faculty. In 2010<br />
entered Postgraduate School of Scriptwriters and Film Directors, Vladimir<br />
Khotinenko, Pavel Finn and Vladimir Fenchenko’s workshop.
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
SAZAMTRO<br />
sazamTro saqarTvelo / poloneTi <strong>2012</strong><br />
udabnos SuagulSi, zafxulis mcxunvare mzis gulze, sazamTros ori gamyidveli<br />
gadaeyreba erTmaneTs da paeqrobas iwyeben.<br />
Filmography / filmografia<br />
<strong>2012</strong> Watermelon / Sazamtro<br />
Director:<br />
Tato Kotetishvili<br />
Screenplay:<br />
Nikoloz Mdivani, Tato Kotetishvili<br />
Cinematography:<br />
Tato Kotetishvili<br />
Production Design:<br />
Guga Kotetishvili<br />
Costumes:<br />
Guga Kotetishvili<br />
Editing:<br />
Wojciech Janas,Tato Kotetishvili<br />
Sound:<br />
Kasia Szczerba<br />
WATERMELON GEORGIA / POLAND <strong>2012</strong><br />
reJisori:<br />
tato kotetiSvili<br />
scenari:<br />
nikoloz mdivani,<br />
tato kotetiSvili<br />
operatori:<br />
tato kotetiSvili<br />
mxatvari:<br />
guga kotetiSvili<br />
kostiumebi:<br />
guga kotetiSvili<br />
montaJi:<br />
voiCex ianasi,<br />
tato kotetiSvili<br />
xma:<br />
kasia SCerba<br />
Production:<br />
PWSFTviT<br />
ZANGO DESIGN<br />
In the middle of a Georgian desert, on the hottest day of summer two watermelon sellers cross<br />
paths and their competition begins.<br />
tato kotetiSvili<br />
TATO KOTETISHVILI<br />
10 wT, feradi<br />
10 min, colour<br />
daibada 1987 wels saqarTveloSi. kinoreJisuras swavlobda<br />
loZis kinoskolaSi.<br />
Born in 1987 in Georgia. Studied filmmaking at Łódź Film School.<br />
43
moklemetraJiani mxatvruli filmebis konkursi<br />
SHORT FILM COMPETITION<br />
YUVA’<br />
bude azerbaijani <strong>2012</strong><br />
usaxlkaro mawanwalis gamoCenis Semdeg metyevis ojaxis saqme sul ufro ukeT<br />
midis, magram veravin xvdeba, vin imaleba „usaxlkaros“ niRbis miRma.<br />
Filmography / filmografia<br />
<strong>2012</strong> The Nest<br />
2009 Absheron Monument<br />
2008 Only Blood<br />
2007 0:1<br />
Director:<br />
Emin Efendiyev<br />
Screenplay:<br />
Emin Efendiyev<br />
Cinematography:<br />
Adil Abbasov<br />
Music:<br />
Firuddin Allahverdi<br />
Production Design:<br />
Chingiz Rasulzadeh<br />
Editing:<br />
Asif Rustamov<br />
Sound:<br />
Parviz Ramizoglu, Huseyn Monk<br />
Producer:<br />
Ilgar Najaf<br />
Cast:<br />
Namig Aghayev, Abbas Gahramanov,<br />
Munavvar Aliyeva, Shebnem Nasirova<br />
44<br />
THE NEST AZERBAIJAN <strong>2012</strong><br />
22 wT, feradi<br />
22 min, colour<br />
reJisori:<br />
emin efendievi<br />
scenari:<br />
emin efendievi<br />
operatori:<br />
adil abasovi<br />
musika:<br />
firudin alahverdi<br />
mxatvari:<br />
Cingiz rasulzade<br />
montaJi:<br />
farviz ramizoRlu,<br />
husein monki<br />
prodiuseri:<br />
ilgar najafi<br />
monawileoben:<br />
namig aRaievi, abas<br />
gahramanovi, munavar alieva,<br />
Sebnem nasirova<br />
Production:<br />
Buta Film<br />
World Sales:<br />
Buta Film<br />
Asif Rustamov<br />
asif_rustamov@yahoo.com<br />
Phone: +994124372337<br />
Fax: +994124921856<br />
Cell Phone: +994502058817<br />
butafilm.info@gmail.com<br />
There are positive changes with the advent of homeless beggar in forester’s family. Nobody<br />
guesses about who is behind the appearance of “homeless.”<br />
emin efendievi<br />
EMIN EFENDIYEV<br />
daibada 1987 wels azerbaijanSi. 2009 wels daamTavra azerbaijanis<br />
xelovnebisa da kulturis universitetis kinoreJisuris<br />
fakulteti.<br />
Born in 1987 in Azerbaijan. In 2009 graduated from Azerbaijan State University<br />
of Art & Culture, film direction department.
evropuli kinos<br />
forumi<br />
siyvaruli<br />
Wama Zili sikvdili<br />
sunTqva<br />
barbara<br />
keisari unda mokvdes<br />
usircxvilod<br />
gorakebs miRma<br />
mkvdari kaci da bednierad yofna<br />
Cven gvyavs papi<br />
moulodneli gaCereba<br />
havri<br />
simaRlis SiSi<br />
Seyvarebulebi<br />
operacia libertadi<br />
aRlumi<br />
samoTxe: siyvaruli<br />
sanam Rame gagvyrides<br />
pulsari<br />
realoba<br />
roza<br />
xarisTava<br />
sebe<br />
sircxvili<br />
angelozTa wili<br />
maisis 4 dRe<br />
jurRmuli<br />
LOVE<br />
EAT SLEEP DIE<br />
BREATHING<br />
BARBARA<br />
CAESAR MUST DIE<br />
SHAMELESS<br />
BEYOND THE HILLS<br />
THE DEAD MAN AND BEING HAPPY<br />
WE HAVE THE POPE<br />
STOPPED ON TRACK<br />
LE HAVRE<br />
FEAR OF FALLING<br />
BELOVED<br />
OPÉRATION LIBERTAD<br />
THE PARADE<br />
PARADISE: LOVE<br />
TILL NIGHT DO US PART<br />
PULSAR<br />
REALITY<br />
ROSE<br />
BULLHEAD<br />
SEBBE<br />
SHAME<br />
THE ANGELS’ SHARE<br />
4 DAYS IN MAY<br />
INSIDE<br />
FORUM OF EUROPEAN<br />
CINEMA<br />
45
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
AMOUR<br />
siyvaruli <strong>safrangeTi</strong> / germania / avstria <strong>2012</strong><br />
jorji da ana oTxmoc wels mitanebuli wyvilia. warsulSi musikis maswavleblebi,<br />
axla pensiaze arian da bednierad cxovroben. maTi qaliSvili _ isic musikosi<br />
_ Tavis ojaxTan erTad sazRvargareT cxovrobs. erT dRes anas janmrTelobis<br />
mdgomareoba mkveTrad uaresdeba. wyvilis siyvaruli mZime gamocdis winaSe dgeba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Amour<br />
2009 The White Ribbon<br />
2007 Funny Games U.S.<br />
2005 Hidden<br />
2003 Le temps du loup<br />
2001 The Piano Teacher<br />
2000 Code Unknown: Incomplete Tales of Several<br />
Journeys<br />
1997 Funny Games<br />
1997 Das Schloß<br />
1995 Lumière and Company (doc.)<br />
1994 71 Fragments of a Chronology of Chance<br />
Director:<br />
Michael Haneke<br />
Screenplay:<br />
Michael Haneke<br />
Cinematography:<br />
Darius Khondji<br />
Production Design:<br />
Jean-Vincent Puzos<br />
Costumes:<br />
Karen Serreau, Catherine Leterrier<br />
Editing:<br />
Nadine Muse, Monika Willi<br />
Sound:<br />
Guillaume Sciama, Jean-Pierre Laforce<br />
Producer:<br />
Margaret Ménégoz<br />
Co-Producer:<br />
Veit Heiduschka, Michael Katz, Stefan<br />
Arndt<br />
Cast:<br />
Jean-Louis Trintignant, Emmanuelle<br />
Riva, Isabelle Huppert<br />
46<br />
LOVE FRANCE / GERMANY / AUSTRIA <strong>2012</strong><br />
127 wT, feradi<br />
127 min, colour<br />
1993 Die Rebellion (TV movie)<br />
1992 Benny’s Video<br />
1991 Nachruf für einen Mörder (TV movie)<br />
1989 The Seventh Continent<br />
1986 Fräulein (TV movie)<br />
1985 Wer war Edgar Allan? (TV movie)<br />
1983 Variation (TV movie)<br />
1979 Lemminge, Teil 2 Verletzungen (TV movie)<br />
1979 Lemminge, Teil 1 Arkadien (TV movie)<br />
1976 Three Paths to the Lake (TV movie)<br />
1976 Sperrmüll (TV movie)<br />
1974 After Liverpool (TV movie)<br />
reJisori:<br />
mixael haneke<br />
scenari:<br />
mixael haneke<br />
operatori:<br />
darius xonji<br />
mxatvari:<br />
Jan-vensan puzo<br />
kostiumebi:<br />
karen sero, keTrin leterie<br />
montaJi:<br />
nadin muze, monika vili<br />
xma:<br />
giiom skiama, Jan-pier<br />
laforsi<br />
prodiuseri:<br />
margaret menegosi<br />
Tanaprodiuseri:<br />
fait haiduSka, mixael<br />
katci, Stefan arndti<br />
monawileoben:<br />
Jan-lui trentiniani,<br />
emanuel riva, izabel<br />
iuperi<br />
Production:<br />
Les Films du Losange (Paris)<br />
X Filme Creative Pool GmbH (Berlin)<br />
Wega Filmproduktionsgesellschaft mbH<br />
(Wien)<br />
in co-production with:<br />
France 3 Cinéma S.A.<br />
ARD Degeto Film<br />
Westdeutscher Rundfunk<br />
Bayerischer Rundfunk<br />
World Sales:<br />
Les Films du Losange<br />
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter,<br />
who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple’s<br />
bond of love is severely tested.<br />
mixael haneke<br />
MICHAEL HANEKE<br />
daibada 1942 wels miunxenSi. 1967-1970 wlebSi redaqtorad da<br />
dramaturgad muSaobda televiziaSi (Südwestfunk / ARD). 1970 wlidan<br />
Tavisufali reJisori da scenaristia. germaniasa da avstriaSi<br />
ganxorcielebuli aqvs Teatraluri da saopero dadgmebi.<br />
dajildoebulia araerTi kinopriziT, romelTa Soris aris evropuli<br />
kinoakademiis jildo filmisTvis „benis video“ (1993), kanis<br />
kinofestivalis Jiuris gran-pri filmisTvis „musikis maswavlebeli“<br />
(2001), kanis kinofestivalis prizi saukeTeso reJisurisTvis<br />
da evropuli kinoakademiis jildo filmisTvis „dafaruli“ (2005),<br />
kanis kinofestivalis oqros palmis rto da evropuli kinoakademiis<br />
jildo filmisTvis „TeTri lenti“ (2009), kanis kinofestivalis<br />
oqros palmis rto filmisTvis „siyvaruli“ (<strong>2012</strong>).<br />
Born in Munich in 1942. 1967-1970 producer and TV movie dramaturge at<br />
Südwestfunk (ARD). Since 1970 freelance director and screenwriter. Theatre<br />
productions in Germany and Austria. Numerous awards, including European<br />
Film Prize 1993 for BENNY’S VIDEO, Grand Prize of the Jury 2001 in<br />
Cannes for THE PIANO TEACHER, Best Director 2005 in Cannes and European<br />
Film Prize for HIDDEN, Palme d’Or in Cannes and European Film Prize<br />
2009 for THE WHITE RIBBON, Palme d’Or <strong>2012</strong> in Cannes for AMOUR.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
ÄTA SOVA DÖ<br />
Wama Zili sikvdili SvedeTi <strong>2012</strong><br />
odesme dafiqrebulxarT, vin fuTavs axalmomzadebul salaTs, romelsac sadilad<br />
miirTmevT? vin arian patara qalaqebis mcxovreblebi, romlebic gamudmebiT<br />
kargaven samsaxurs? mzad xarT sxvanairi SvedeTis gasacnobad? Svedur-balkanuri<br />
fabrikis muSa, mtkice xasiaTis da cxovrebaze optimisturi Sexedulebebis mqone<br />
axalgazrda muslimi raSa samuSaos kargavs. diplomis gareSe samsaxurs veRar<br />
Soulobs, magram mSobliur qalaqSi fesvebi metismetad myarad aqvs gadgmuli.<br />
aqedan iwyeba raSas konfliqti sazogadoebasTan da biurokratiisa da pirobiTobebis<br />
komikur samyarosTan.<br />
Filmography / filmografia<br />
<strong>2012</strong> Eat Sleep Die<br />
2009 Scratches (short)<br />
Director:<br />
Gabriela Pichler<br />
Screenplay:<br />
Gabriela Pichler<br />
Cinematography:<br />
Johan Lundborg<br />
Music:<br />
Andreas Svensson, Jonas Isaksson<br />
Editing:<br />
Gabriela Pichler, Johan Lundborg<br />
Sound:<br />
Martin Hennel<br />
Producer:<br />
China Ahlander<br />
Cast:<br />
Nermina Lukac, Milan Dragisic,<br />
Jonathan Lampinen, Peter Falt, Ruzica<br />
Pichler<br />
EAT SLEEP DIE SWEDEN <strong>2012</strong><br />
reJisori:<br />
gabriela pixleri<br />
scenari:<br />
gabriela pixleri<br />
operatori:<br />
iuan lundborgi<br />
musika:<br />
andreas svensoni,<br />
iunas isaksoni<br />
montaJi:<br />
gabriela pixleri,<br />
iuan lundborgi<br />
xma:<br />
martin heneli<br />
prodiuseri:<br />
hina olanderi<br />
monawileoben:<br />
nermina lukaCi, milan<br />
dragiSiCi, iunaTan<br />
lampineni, peter falti,<br />
ruJica pixleri<br />
Production:<br />
Anagram Film<br />
www.anagramproduktion.se/<br />
World Sales:<br />
The Yellow Affair<br />
www.yellowaffair.com<br />
Ever wondered who packs the fresh plastic-sealed salad you are having for lunch? Who are<br />
the people getting laid off from their factory jobs in the small rural towns? Ready for a visit to<br />
another kind of Sweden? When the forceful young Muslim Swedish / Balkan factory worker<br />
Raša who has no-shit, never-say-die attitude to life, loses her job, she faces unemployment.<br />
With no high school diploma, no job – but her boots deeply stained with the mud of the small<br />
town she grew up in – Rasa finds herself on collision course with society and comical world of<br />
bureaucracy and contradicting values and expectations.<br />
gabriela pixleri<br />
GABRIELA PICHLER<br />
104 wT, feradi<br />
104 min, colour<br />
gabriela stokholmis emigrantebiT dasaxlebul gareubanSi daibada.<br />
mogvianebiT misi warmoSobiT avstrieli da bosnieli mSoblebi<br />
provinciaSi gadavidnen sacxovreblad da gogonac iq gaizarda.<br />
daamTavra geteborgis universiteti kinoreJisuris specialobiT.<br />
2009 wels mis sadiplomo namuSevars „nakawrebi“ SvedeTis erovnuli<br />
kinojildo guldbageni gadaeca, prizebiT aRiniSna saerTaSoriso<br />
kinofestivalebzec, maT Soris, karlovi varis studenturi filmebis<br />
festivalze (Fresh Film Fest) saukeTeso filmisTvis. „Wama Zili<br />
sikvdili“ gabriela pixleris pirveli srulmetraJiani mxatvruli<br />
filmia, romelmac wels veneciis kinofestivalze „kritikosTa<br />
kvireulis“ mayurebelTa prizi daimsaxura.<br />
Gabriela was born to working class parents in segregated suburb of Stockholm.<br />
Her Bosnian and Austrian born parents later moved the family out<br />
of the provincial countryside where she grew up. She studied film directing<br />
at the Göteborg University. In 2009, her graduation project, the short film<br />
SCRATCHES was awarded the Swedish national film award Guldbaggen. Internationally,<br />
the film won several awards, among them Best Film at Fresh<br />
Film Fest in Karlovy Vary. EAT SLEEP DIE, her debut feature film, won Audience<br />
Award of Critics’ Week at the <strong>2012</strong> Venice Film Festival.<br />
47
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
ATMEN<br />
sunTqva avstria 2011<br />
19 wlis roman kogleri SeiZleba vadaze adre gaaTavisuflon sasjelaRsrulebis<br />
dawesebulebidan. magram mas arc ise kargi Sansebi aqvs _ Caketilia da martosuli,<br />
arc ojaxi hyavs, rac mis resocializacias arTulebs. mravali uSedego cdis<br />
Semdeg romani gamosacdeli vadiT venis municipalur morgSi iwyebs muSaobas.<br />
swored es samsaxuri da sikvdilTan Sexeba apovninebs mas gzas ukan, cxovrebaSi<br />
dasabruneblad.<br />
Filmography / filmografia<br />
2011 Breathing / Atmen<br />
Director:<br />
Karl Markovics<br />
Screenplay:<br />
Karl Markovics<br />
Cinematography:<br />
Martin Gschlacht<br />
Music:<br />
Herbert Tucmandl<br />
Production Design:<br />
Isidor Wimmer<br />
Costumes:<br />
Caterina Czepek<br />
Editing:<br />
Alarich Lenz<br />
Sound:<br />
William Edouard Franck<br />
Producer:<br />
Dieter Pochlatko, Nikolaus Wisiak<br />
Cast:<br />
Thomas Schubert, Karin Lischka,<br />
Gerhard Liebmann, Georg Friedrich<br />
48<br />
BREATHING AUSTRIA 2011<br />
94 wT, feradi<br />
94 min, colour<br />
reJisori:<br />
karl markoviCi<br />
scenari:<br />
karl markoviCi<br />
operatori:<br />
martin gSlaxti<br />
musika:<br />
herbert tukmandli<br />
mxatvari:<br />
izidor vimeri<br />
kostiumebi:<br />
katerina Cepeki<br />
montaJi:<br />
alarix lenci<br />
xma:<br />
uiliam edvard franki<br />
prodiuseri:<br />
diter poxlatko,<br />
nikolaus viziaki<br />
monawileoben:<br />
Tomas Suberti, karin liSka,<br />
gerhard libmani, georg<br />
fridrixi<br />
Production:<br />
Epo- Film Produktiongesellschaft<br />
Phone: +43 1 812 37 18<br />
office@epofilm.com<br />
World Sales:<br />
Films Distribution<br />
Phone +33 1 53 10 33 99<br />
info@filmsdistribution.com<br />
www.filmsdistribution.com<br />
19-year-old Roman Kogler has a chance to be released early from his young offenders’ institution.<br />
The odds are against him, however: he is an uncommunicative and solitary character without a<br />
family and doesn’t seem to be fit for re-socialization. As a day-release prisoner he has a job at a<br />
funeral home. Of all things, it is this job dealing with death that shows him the path back to life.<br />
karl markoviCi<br />
KARL MARKOVICS<br />
Teatrisa da kinos msaxiobi karl markoviCi 1963 wels daibada venaSi.<br />
misi bolo wlebSi gansaxierebuli kinorolebidan aRsaniSnavia<br />
salomon soroviCis saxe Stefan ruzovickis filmSi „gamyalbeblebi“,<br />
romelic „oskariT“ dajildovda kategoriaSi „saukeTeso<br />
ucxoenovani filmi“ (2008). karl markoviCis sareJisoro debiutis,<br />
„sunTqvis“ premiera kanSi, „reJisorTa orkvireulis“ farglebSi<br />
Sedga, sadac is evropis kinoqselis priziT (Label Europa Cinemas)<br />
aRiniSna. amis Semdeg filmi kidev 50-mde kinofestivalze aCvenes,<br />
sadac man araerTi jildo daimsaxura. filmma <strong>2012</strong> wels 6 kategoriaSi<br />
moipova avstriis kinoakademiis prizi, maT Soris „saukeTeso<br />
mxatvruli filmisTvis“, „saukeTeso reJisurisTvis“ da „sauke-<br />
Teso scenarisTvis“; nominirebuli iyo „oskarze“ kategoriaSi<br />
„saukeTeso ucxoenovani filmi“.<br />
Born in 1963 in Vienna (Austria), he is a respected stage actor, appearing in<br />
many theater plays and musicals. He starred as Salomon Sorowitsch in Stefan<br />
Ruzowitzky’s 2007 film THE COUNTERFEITERS (Die Fälscher), which was<br />
awarded the Academy Award for Best Foreign Language Film. BREATHING<br />
is his first feature film as a writer and director.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
BARBARA<br />
barbara germania <strong>2012</strong><br />
1980 wlis zafxuli. barbaras ganacxadi Seaqvs germaniis demokratiuli respublikidan<br />
gasasvleli vizis misaRebad. amas sasjeli moyveba _ barbara berlinidan<br />
patara provinciul saavadmyofoSi gadayavT samuSaod. misi Seyvarebuli iorgi,<br />
romelic dasavleTSi cxovrobs, barbaras gaqcevis gegmas adgens. barbara icdis.<br />
magram mas axali Sefi, andre aforiaqebs _ misi ndoba, misi yuradReba, misi Rimili.<br />
barbaras TvalTvali aqvs davalebuli? Tu Seyvarebulia? barbara TandaTan<br />
kontrols kargavs _ Tavis Tavze, gegmebze, siyvarulze. misi gaqcevis dRe ki<br />
axlovdeba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Barbara<br />
2010 Dreileben - Beats Being Dead / Etwas besseres<br />
als den Tod<br />
2008 Jerichow<br />
2007 Yella<br />
Director:<br />
Christian Petzold<br />
Screenplay:<br />
Christian Petzold<br />
Cinematography:<br />
Hans Fromm<br />
Music:<br />
Stefan Will<br />
Production Design:<br />
Kade Gruber<br />
Costumes:<br />
Anette Guther<br />
Editing:<br />
Bettina Böhler<br />
Sound:<br />
Andreas Mücke-Niesytka<br />
Producer:<br />
Florian Koerner von Gustorf,<br />
Michael Weber<br />
Cast:<br />
Nina Hoss, Ronald Zehrfeld, Jasna<br />
Fritzi Bauer, Mark Waschke, Rainer<br />
Bock<br />
BARBARA GERMANY <strong>2012</strong><br />
105 wT, feradi<br />
105 min. colour<br />
2005 Ghosts / Gespenster<br />
2003 Wolfsburg<br />
2002 Something To Remind Me / Toter Mann<br />
2001 The State I Am In / Die innere Sicherheit<br />
1995 Cuba Libre<br />
reJisori:<br />
kristian petcoldi<br />
scenari:<br />
kristian petcoldi<br />
operatori:<br />
hans fromi<br />
musika:<br />
Stefan vili<br />
mxatvari:<br />
kade gruberi<br />
kostiumebi:<br />
anete guTeri<br />
montaJi:<br />
betina boeleri<br />
xma:<br />
andreas miuke-nizitka<br />
prodiuseri:<br />
florian koerner von<br />
gustorfi, mixael veberi<br />
monawileoben:<br />
nina hosi, ronald<br />
cerfeldi, iasna fritci<br />
baueri, mark vaSke, rainer<br />
boki<br />
Production:<br />
Schramm Film Koerner & Weber (Berlin)<br />
In coproduction with:<br />
ZDF (Mainz)<br />
World Sales:<br />
The Match Factory<br />
Summer, 1980. Barbara, a doctor, has applied for an exit visa from the GDR (East Germany).<br />
Now, as punishment, she has been transferred from Berlin to a small hospital out in the country,<br />
far from everything. Jörg, her lover from the West, is already planning her escape. Barbara<br />
waits, keeping to herself. But Andre confuses her. His confidence, his caring attitude, his smile.<br />
Does he have an assignment to keep track of her? Is he in love? But as the day of her planned<br />
escape quickly approaches, Barbara starts to lose control. Over herself, her plans, over love.<br />
kristian petcoldi<br />
CHRISTIAN PETZOLD<br />
daibada 1960 wels hildenSi. berlinis Tavisufal universitet-<br />
Si swavlobda germanistikasa da Teatris istorias, Semdeg<br />
swavla ganagrZo berlinis germanuli kinosa da televiziis akademiaSi,<br />
romelic 1994 wels daamTavra pirveli srulmetraJiani<br />
mxatvruli filmiT „piloti qalebi“. misi filmebi mravali<br />
jildoTia aRniSnuli, maT Soris germanuli kinoakademiisa da<br />
germanel kinokritikosTa asociaciis prizebiT. <strong>2012</strong> wels filmiT<br />
„barbara“ kristian petcoldi berlinis kinofestivalis<br />
„vercxlis daTvis“ mflobeli gaxda saukeTeso reJisurisTvis.<br />
filmma miiRo agreTve germanuli kinoakademiis „vercxlis<br />
lola“ saukeTeso mxatvruli filmis kategoriaSi.<br />
Born in Hilden in 1960, he moved to Berlin in 1981. He studied German<br />
language and literature, then worked as a film critic and had several different<br />
jobs in television. From 1988-94 he studied at the German Film and<br />
Television Academy in Berlin (dffb). In 1995 he directed his first feature film.<br />
He received the Silver Berlin Bear for Best Direction and the German Film<br />
Award in Silver for the Best Feature Film for “Barbara” in <strong>2012</strong>.<br />
49
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
CESARE DEVE MORIRE<br />
keisari unda mokvdes italia <strong>2012</strong><br />
mTavrdeba Seqspiris „iulius keisari“ da msaxiobebs aRtacebuli ovaciiT ajildoeben.<br />
sinaTle qreba, msaxiobebi scenidan gadian da TavianT saknebSi brundebian:<br />
isini romis mkacri reJimis cixis „rebibias“ patimrebi arian. erTi maTgani<br />
ambobs: „mas Semdeg, rac xelovneba aRmovaCine, es sakani marTla cixed meqca“.<br />
Filmography / filmografia<br />
<strong>2012</strong> Caesar Must die / Cesare deve morire<br />
2007 The Lark Farm / La masseria delle allodole<br />
1998 You Lough / Tu ridi<br />
1996 Efective Affinities / Le affinita elettive<br />
1993 Fiorile / Fiorile<br />
1990 Night Sun / Il sole anche di note<br />
1987 Good Morning, Babylon<br />
1984 Kaos<br />
Director:<br />
Paolo Taviani, Vittorio Taviani<br />
Screenplay:<br />
Paolo Taviani, Vittorio Taviani<br />
Cinematography:<br />
Simone Zampagni<br />
Original Music By:<br />
Giuliano Taviani, Carmelo Travia<br />
Editing:<br />
Roberto Perpignani<br />
Producer:<br />
Donatella Palermo<br />
Cast:<br />
Cosmio Rega, Salvatore Striano,<br />
Ciovanni Arcuri, Antonio Frasca, Juan<br />
Dario Bonetti, Vincenzo Gallo<br />
50<br />
CAESAR MUST DIE ITALY <strong>2012</strong><br />
76 wT, S-T / feradi<br />
76 min, b-w / colour<br />
1982 The Night of the Shooting Stars / La note di<br />
San Lorenzo<br />
1979 Il Prato<br />
1977 Padre Padrone<br />
1974 Allonsanfan<br />
1972 St. Michael Had a Rooster/San Michele aveva<br />
un gallo<br />
1969 Sotto il segno dello scorpione<br />
1967 The Subversives / I sovversivi<br />
reJisorebi:<br />
paolo taviani,<br />
vitorio taviani<br />
scenari:<br />
paolo taviani,<br />
vitorio taviani<br />
operatori:<br />
simone Zampani<br />
musika:<br />
juliano taviani,<br />
karmelo travia<br />
montaJi:<br />
roberto perinani<br />
prodiuseri:<br />
donatela palermo<br />
monawileoben:<br />
kosmio rega, salvatore<br />
striano, jovani arkuri,<br />
antonio fraska, xuan dario<br />
boneti, vinCenco galo<br />
Production<br />
Kaos Cinematografica<br />
00192 Rome, Italy<br />
tel: + 39 6 5884003<br />
kaoscinematografica@alice.it<br />
World Sales<br />
RAI Trade<br />
Rom, Italien<br />
+39 6 374981<br />
info@raitrade.it<br />
The performance of Shakespeare’s Julius Caesar comes to an end and the performers are rewarded<br />
with rapturous applause. The lights go out; the actors leave the stage and return to their cells.<br />
They are all inmates of the Roman maximum security prison Rebibbia. One of them comments:<br />
‘Ever since I discovered art this cell has truly become a prison’.<br />
paolo da vitorio<br />
tavianebi<br />
PAOLO AND VITTORIO<br />
TAVIANI<br />
Zmebi paolo (1931) da vitorio (1929) tavianebi italiis qalaq<br />
san miniatoSi daibadnen. kariera orivem JurnalistikaSi daiwyo,<br />
1960 wlidan ki kinoSi gadainacvles da sxvadasxva reJisorebTan<br />
TanamSromlobdnen. pirveli damoukidebeli filmi „meamboxeebi“<br />
Zmebma 1967 wels gadaiRes. 1977 wels gadaRebulma filmma „mama batoni“<br />
paolo da vitorio tavianebs kanis kinofestivalis „oqros<br />
palmis rto“ da saerTaSoriso aRiareba moutana. filmi „keisari<br />
unda mokvdes“ berlinis <strong>2012</strong> wlis kinofestivalis „oqros daTvis“<br />
mflobelia.<br />
Brothers – Paolo and Vittorio Taviani (born November 8, 1931 and September<br />
20, 1929, respectively) were born in San Miniato, Italy. Both of them<br />
began their careers as Journalists. But from 1960 they continued working<br />
to direct films collaborating with several directors. Their first autonomous<br />
film was I SOVVERSIVI (THE SUBVERSIVES) in 1976. Taviani brothers won<br />
Palme d’Or for the film PADRE PADRONE in 1967 in Cannes. CAESAR MUST<br />
DIE won the Golden Bear at the Berlin International Film Festival <strong>2012</strong>.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
BEZ WSTYDU<br />
usircxvilod poloneTi <strong>2012</strong><br />
Tvrameti wlis taZiki ardadegebze Tavis ufros naxevardasTan, ankasTan Cadis<br />
stumrad. male irkveva, rom dis mimarT taZikis grZnobebi socialurad miRebul<br />
normebs scdeba. anka, Tavis mxriv, emociurad meryevia, mas usixarulo urTier-<br />
Toba aqvs adgilobrivi neonacistebis meTaurTan da ukeTes momavalze ocnebobs.<br />
Filmography / filmografia<br />
<strong>2012</strong> Shameless / Bez wstydu<br />
2008 Just Like Heaven / Jak w niebie (doc. short)<br />
2005 Melodrama / Melodramat (short)<br />
2004 Cyrano (short)<br />
2004 Poor-Land (doc. short)<br />
Director:<br />
Filip Marczewski<br />
Screenplay:<br />
Grzegorz Łoszewski<br />
Cinematography:<br />
Szymon Lenkowski<br />
Music:<br />
Paweł Mykietyn<br />
Production Design:<br />
Anna Wunderlich<br />
Costumes:<br />
Agata Culak<br />
Editing:<br />
Rafał Listopad<br />
Sound:<br />
Tomasz Wieczorek<br />
Producer:<br />
Michał Kwieciński<br />
Co-Producer:<br />
Andrzej Białas, Dominique Lesage<br />
Cast:<br />
Mateusz Kościukiewicz, Agnieszka<br />
Grochowska, Maciej Marczewski,<br />
Anna Próchniak<br />
SHAMELESS POLAND <strong>2012</strong><br />
reJisori:<br />
filip marCevski<br />
scenari:<br />
gJegoJ voSevski<br />
operatori:<br />
Simon lenkovski<br />
musika:<br />
pavel mikitini<br />
mxatvari:<br />
ana vunderlixi<br />
kostiumebi:<br />
agata culaki<br />
montaJi:<br />
rafav listopadi<br />
xma:<br />
tomaS viCoreki<br />
prodiuseri:<br />
mixav kviCinski<br />
Tanaprodiuseri:<br />
anjei biavasi,<br />
dominik lasaJi<br />
monawileoben:<br />
mateuS koSCukeviCi, agneSka<br />
groxovska, maCei marCevski,<br />
ana proxniaki<br />
Production:<br />
Akson Studio Sp. z o.o.<br />
in co-production with:<br />
Telewizja Polska - Agencja Filmowa<br />
Odra Film<br />
Telekomunikacja Polska<br />
World Sales:<br />
TVP SA<br />
Eighteen-year-old Tadzik arrives at the home of his elder half-sister Anka for vacation. It soon<br />
comes to light that the feelings the young man entertains for his sister overreach socially accepted<br />
norms. Anka herself is somewhat emotionally unstable, floundering as she is in a less<br />
than joyous relationship with the leader of a local neo-Nazi group; she dreams of a better<br />
future.<br />
filip marCevski<br />
FILIP MARCZEWSKI<br />
80 wT, feradi<br />
80 min, colour<br />
daibada 1974 wels loZSi, poloneTSi. varSavis universitetis<br />
damTavrebis Semdeg 2002 wels swavla ganagrZo loZis kinoskolaSi.<br />
muSaobda reJisoris asistentad lex maevskisTan, leSek<br />
davidTan da mamasTan, voicex marCevskisTan. aris ramdenime<br />
saerTaSoriso prizis mflobeli, misi moklemetraJiani filmi<br />
„melodrama“ studentur „oskarze“ iyo nominirebuli 2006<br />
wels.<br />
Born in 1974 in Łódź, Poland. He graduated from university in Warsaw and<br />
began studying at PWSFTViT in Łódź in 2002. He has worked as assistant<br />
to directors Lech Majewski, Leszek Dawid, and his father Wojciech Marczewski.<br />
His movies have received a number of international awards, and his<br />
short film MELODRAMA was nominated for a 2006 student Oscar. SHAME-<br />
LESS is his feature debut.<br />
51
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
DUPA DEALURI<br />
gorakebs miRma rumineTi / <strong>safrangeTi</strong> / belgia <strong>2012</strong><br />
alina, romelic germaniaSi mosawyen, erTferovan samsaxurSi muSaobda, samSobloSi,<br />
rumineTSi dabrunda. aq is Tavisi bavSvobis megobris, voiCitas monastridan daxsnas<br />
cdilobs. Tvrameti wlis asakSi orive gamoricxes obolTa TavSesafridan da voiCita<br />
monasterSi gagzavnes. Seupovari xasiaTis mqone alinas ver warmoudgenia, rom misma<br />
morCilma da Tavmdabalma megobarma marTlac moipova simSvide primitiuli rwmeniT da<br />
daiviwya is xanmokle lesbosuri urTierToba, romelic maT akavSirebdaT da erTi suli<br />
aqvs, vidre warsuls gaaxsenebdes. maT Soris ki Seupovari „sulieri mama“, monastris<br />
winamZRvari dgas, romelic alinas agresias xisti dogmatizmiT pasuxobs. winamZRvari<br />
maleve midis im daskvnamde, rom alina demonebiTaa Sepyrobili da misi sulis xsnaze<br />
unda izrunos. erTaderTi, rac winamZRvars mxedvelobidan gamorCeba, alinas sxeulia.<br />
Filmography / filmografia<br />
<strong>2012</strong> Beyond the Hills<br />
2009 Tales from the Golden Age<br />
2007 4 Months, 3 Weeks and 2 Days<br />
Director:<br />
Cristian Mungiu<br />
Screenplay:<br />
Cristian Mungiu<br />
Cinematography:<br />
Oleg Mutu<br />
Production Design:<br />
Calin Papura, Mihaela<br />
Poenaru<br />
Costumes:<br />
Dana Paparuz<br />
Editing:<br />
Mircea Olteanu<br />
Sound:<br />
Dana Bunescu<br />
Producer:<br />
Cristian Mungiu<br />
Cast:<br />
Cosmina Stratan, Cristina Flutur,<br />
Valeriu Andriuta, Dana Tapalaga,<br />
Catalina Harabagiu<br />
52<br />
2002 Occident<br />
2000 Corul pompierilor (short)<br />
2000 Nici o întâmplare (short)<br />
2000 Zapping (short)<br />
150 wT, feradi<br />
150 min, colour<br />
reJisori:<br />
kristian munjiu<br />
scenari:<br />
kristian munjiu<br />
operatori:<br />
oleg mutu<br />
mxatvari:<br />
kalin papura, mihaela<br />
poenaru<br />
kostiumebi:<br />
dana paparuzi<br />
montaJi:<br />
mirCea olteanu<br />
xma:<br />
dana bunesku<br />
prodiuseri:<br />
kristian munjiu<br />
monawileoben:<br />
kosmina stratani, kristina<br />
fluturi, valeriu<br />
andriuta, dana tapalaga,<br />
katalina harabajiu<br />
Production:<br />
Mobra Films<br />
Why Not Productions<br />
World sales:<br />
Wild Bunch<br />
BEYOND THE HILLS ROMANIA / FRANCE / BELGIUM <strong>2012</strong><br />
In an isolated Orthodox convent in Romania, Alina has just been reunited with Voichita after spending<br />
several years in Germany. The two young women have supported and loved each other since<br />
meeting as children in an orphanage. Alina wants Voichita to leave and return with her to Germany,<br />
but Voichita has found refuge in faith and a family in the nuns and their priest, and refuses. Alina cannot<br />
understand her friend’s choice. In her attempt to win back Voichita’s affection, she challenges the<br />
priest. She is taken to hospital and the people of the monastery start to suspect that she is possessed.<br />
kristian munjiu<br />
CRISTIAN MUNGIU<br />
daibada 1968 wels rumineTis qalaq iasSi. iasis universitetis<br />
inglisuri literaturis kursis damTavrebis Semdeg ramdenime<br />
weli maswavleblad da Jurnalistad muSaobda. mogvianebiT<br />
buqarestis universitetSi ganagrZo swavla kinoreJisuris<br />
fakultetze. misi pirveli srulmetraJiani namuSevari „dasavleTi“<br />
(2002) kanis kinofestivalze „reJisorTa orkvireulSi“<br />
aCvenes, momdevno filmma ki „4 Tve, 3 kvira da 2 dRe“ aseve kanis<br />
festivalze „oqros palmis rto“ moipova 2007 wels saukeTeso<br />
filmisTvis. films „gorakebs miRma“ kanis wlevandel kinofestivalze<br />
sami „oqros palmis rto“ ergo: kristian munjius _<br />
saukeTeso scenarisTvis da kosmina stratansa da qristina<br />
fluturs _ qalis rolis saukeTeso SesrulebisTvis.<br />
Born in 1968 in Iaşi, Romania. After studying English literature at the University<br />
of Iaşi, he worked for a few years as a teacher and as a journalist.<br />
After that, he enrolled at the University of Film in Bucharest to study film directing.<br />
After graduating in 1998, Mungiu made several short films. In 2002,<br />
his first feature film, OCCIDENT, was featured in Director’s Fortnight at the<br />
2002 Cannes Film Festival. In 2007 Mungiu’s second feature, 4 MONTHS, 3<br />
WEEKS AND 2 DAYS, was being selected in the official competition at the<br />
2007 Cannes Film Festival, where it won the Palme d’Or for feature film.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
EL MUERTO Y SER FELIZ<br />
mkvdari kaci da bednierad yofna<br />
espaneTi / <strong>safrangeTi</strong> / argentina <strong>2012</strong><br />
mkvleli, romelic buenos airesis saavadmyofoSi wevs, xvdeba, rom misi aRsasruli<br />
moaxlovda. is saavadmyofodan garbis da CrdiloeTisken mimaval TviTmfrinavSi<br />
jdeba. sikvdilis gamudmebul siaxloves SeCveuli mogzaurobs migdebul<br />
gzebze da Tavs uamravi Tavgadasavali gadaxdeba.<br />
Filmography / filmografia<br />
<strong>2012</strong> The Dead Man and Being Happy<br />
2009 Woman Without Piano<br />
2006 What I Know about Lola / Lo que sé de Lola<br />
2003 En camas separadas (short)<br />
Director:<br />
Javier Rebollo<br />
Screenplay:<br />
Lola Mayo, Javier Rebollo, Salvador<br />
Roselli<br />
Cinematography:<br />
Santiago Racaj<br />
Production Design:<br />
Miguel Ángel Rebollo<br />
Costumes:<br />
Marisa Urruti<br />
Editing:<br />
Ángel Hernández Zoido<br />
Producer:<br />
José Nolla, Luis Miñarro, Damián París<br />
Cast:<br />
Valeria Alonso, Roxana Blanco, Lisa<br />
Caligaris, José Sacristán<br />
94 wT, feradi<br />
94 min, colour<br />
2001 Diminutos del calvario (short) (segment “El<br />
preciso orden de las cosas”)<br />
1999 El equipaje abierto (short)<br />
1998 Hello, Stranger (short)<br />
1997 En medio de ninguna parte (short)<br />
reJisori:<br />
xavier rebolo<br />
scenari:<br />
lola maio, xavier rebolo,<br />
salvador roseli<br />
operatori:<br />
santiago rakaxi<br />
mxatvari:<br />
migel anxel rebolo<br />
kostiumebi:<br />
marisa uruti<br />
montaJi:<br />
anxel ernandes soido<br />
prodiuseri:<br />
xose nola, luis minaro,<br />
damian pari<br />
monawileoben:<br />
valeria alonso, roqsana<br />
blanko, lisa kaligarisi,<br />
xose sakristani<br />
Production:<br />
Lolita Films<br />
Eddie Saeta<br />
Icónica<br />
Noodles Production<br />
Utópica Cine<br />
World Sales:<br />
Urban Distribution International<br />
14, rue du 18 Août<br />
93100 Montreuil<br />
Phone: +33 1 48 70 46 55<br />
Fax: +33 1 49 72 04 21<br />
THE DEAD MAN AND BEING HAPPY SPAIN / FRANCE / ARGENTINA <strong>2012</strong><br />
A murderer who is dying in a hospital in Buenos Aires, to realize that your time is up, escapes<br />
and embarks on a flight to the north through Argentina. Accustomed to the constant presence<br />
of death and next, moving quietly towards it, while traveling the back roads in a long wandering<br />
with a lot of romances, as the film director.<br />
xavier rebolo<br />
JAVIER REBOLLO<br />
daibada 1969 wels madridSi. espanelma kinoreJisorma, mweralma<br />
da prodiuserma xavier rebolom kariera 1996 wels<br />
moklemetraJiani filmebis gadaRebiT daiwyo, romelTagan<br />
erT-erTma - En camas separadas (2002) - goias ori nominacia da<br />
asamde prizi miiRo. 2006 wels rebolom pirveli srulmetra-<br />
Jiani mxatvruli filmi „rac vici lolas Sesaxeb“ gadaiRo.<br />
reJisoris momdevno filmi „qali pianinos gareSe“ (2009) sansebastianis<br />
kinofestivalis „vercxlis niJariT“ dajildovda,<br />
gavlenianma kinoJurnalma „kaie du sinemam“ ki wlis saukeTeso<br />
espanur filmad aRiara. „mkvdari kaci da bednierad yofna“<br />
rebolos <strong>2012</strong> wlis namuSevaria, romlis premierac san-sebastianis<br />
kinofestivalze Sedga.<br />
Spanish director, writer and producer. Born in 1969 in Madrid. He started his<br />
career in 1996 directing a series of shorts with Lola Duenas. With his short<br />
EN CAMAS SEPARADAS (2002), he garnered around a hundred awards and<br />
two Goya nominations. His first feature film WHAT I KNOW ABOUT LOLA<br />
from 2006 won several awards. In 2009 his second film WOMAN WITHOUT<br />
PIANO won the Silver Shell for Best Director at the San Sebastian festival<br />
and the award for best film at the Los Angeles festival; it was elected Best<br />
Spanish Film by ‘Cahiers du Cinéma’. THE DEAD MAN AND BEING HAPPY is<br />
his latest film and premiered at the San Sebastian Film Festival.<br />
53
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
HABEMUS PAPAM<br />
Cven gvyavs papi italia / <strong>safrangeTi</strong> 2010<br />
axalarCeuli papi panikaSia. es maSin, rodesac konklavis gadawyvetilebas da wminda<br />
petres aivanze mis gamosvlas uamravi morwmune elodeba. mrCevlebi profesionali<br />
fsiqoanalitikosis (da aTeistis) daxmarebiT cdiloben mis darwmunebas, rom Tavisi<br />
axali mdgomareobisTvis savsebiT Sesaferisi adamiania. magram moulodneli SiSi pasuxismgeblobis<br />
winaSe axalma papma Tavad, martom unda daZlios.<br />
Filmography / filmografia<br />
2011 We Have a Pope<br />
2007 To Each His Own Cinema (segment “Diaro di<br />
uno Spettatore”)<br />
2006 Cinema16: European Short Films (video short)<br />
(segment: Opening Day of Close-Up)<br />
2006 The Caiman<br />
2003 The Last Customer (documentary short)<br />
2001 The Son’s Room / La stanza del figlio<br />
2001 Il grido d’angoscia dell’uccello predatore (20<br />
tagli d’Aprile) (documentary short)<br />
1998 Aprile<br />
1996 Il giorno della prima di Close Up (short)<br />
Director:<br />
Nanni Moretti<br />
Screenplay:<br />
Nanni Moretti, Francesco Piccolo,<br />
Federica Pontremoli<br />
Cinematography:<br />
Alessandro Pesci<br />
Music:<br />
Franco Piersanti<br />
Production Design:<br />
Paola Bizzarri<br />
Costumes:<br />
Lina Nerli Taviani<br />
Editing:<br />
Esmeralda Calabria<br />
Sound:<br />
Alessandro Zanon<br />
Producer:<br />
Nanni Moretti, Domenico Procacci<br />
Cast:<br />
Michel Piccoli, Nanni Moretti, Jerzy<br />
Stuhr, Renato Scarpa, Franco Graziosi,<br />
Margherita Buy, Dario Cantarelli<br />
54<br />
1994 L’unico paese al mondo (short)<br />
1993 Dear Diary / Caro diario<br />
1990 The Thing (documentary)<br />
1989 Red Lob<br />
1985 La messa è finita<br />
1984 Bianca<br />
1981 Sogni d’oro<br />
1978 Ecce bombo<br />
1976 I Am Self Sufficient<br />
1974 Come parli, frate?<br />
1973 La sconfitta (short)<br />
1973 Paté de bourgeois (short)<br />
104 wT, feradi<br />
104 min, colour<br />
WE HAVE THE POPE TALY / FRANCE 2010<br />
reJisori:<br />
nani moreti<br />
scenari:<br />
nani moreti, franCesko<br />
pikolo, federika<br />
pontremoli<br />
operatori:<br />
alesandro peSi<br />
musika:<br />
franko piersanti<br />
mxatvari:<br />
paola bicarri<br />
kostiumebi:<br />
lina nerli taviani<br />
montaJi:<br />
esmeralda kalabria<br />
xma:<br />
alesandro Zanoni<br />
prodiuseri:<br />
nani moreti, domeniko<br />
prokaCi<br />
monawileoben:<br />
miSel pikoli, nani moreti,<br />
ierJi sturi, renato<br />
skarpa, franko graciozi,<br />
margerita bui, dario<br />
kantareli<br />
Production:<br />
Fandango Portobello<br />
Sacher Films<br />
Le Pacte<br />
in co-production with:<br />
RAI<br />
France 3 Cinema<br />
World Sales:<br />
Fandango portobello<br />
The newly elected Pope suffers a panic attack just as he is due to appear on St Peter’s balcony to<br />
greet the faithful, who have been patiently awaiting the conclave’s decision. His advisors, unable to<br />
convince him he is the right man for the job, seek help from a renowned psychoanalyst (and atheist).<br />
But his fear of the responsibility suddenly thrust upon him is one that he must face on his own.<br />
nani moreti<br />
NANNI MORETTI<br />
daibada 1953 wels brunekSi (samxreTi tiroli, CrdiloeTi italia).<br />
italieli reJisori, prodiuseri, scenaristi da msaxiobi.<br />
misi yvelaze cnobili filmebia: „Zvirfaso dRiuro“ (Caro diario,<br />
1993) da „Svilis oTaxi“ (La stanza del figlio, 2001), romelic kanis<br />
festivalis oqros palmis rtoTi dajildovda. samSobloSi<br />
moreti Tavisi eqscentruli da optimisturi iumoriT gamsWvaluli<br />
filmebiTaa cnobili, romlebSic, rogorc wesi, Tavadve<br />
TamaSobs. <strong>2012</strong> wels nani moreti kanis kinofestivalis<br />
Jiuris Tavmjdomared airCies.<br />
Born in 1953 in Bruneck (South Tyrol, northern Italy). Italian film director,<br />
producer, screenwriter and actor. He is best known for his films CARO DIA-<br />
RIO (Dear Diary, 1993) and La stanza del figlio (The Son’s Room, 2001), the<br />
latter of which won the Palme d’Or at the 2001 Cannes Film Festival. Within<br />
his country Moretti is known as a maker of wryly humorous and eccentric<br />
films, usually starring himself. In <strong>2012</strong>, he was announced as the President<br />
of the Jury at the <strong>2012</strong> Cannes Film Festival.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
HALT AUF FREIER STRECKE<br />
moulodneli gaCereba germania 2011<br />
eqimma simarTle Tqva. dReebi daTvlilia. ratom me da ratom axla? kaci tovebs<br />
colsa da Svilebs, mSoblebs, megobrebs, mezoblebsa da guSindel sayvarels _<br />
yvelas, vinc misi cxovrebis nawili iyo. yoveli dRe damSvidobebaa. sityvebi<br />
iklebs, ufro didxans grZeldeba dumili. fanjris win weliwadis ferebi icvleba.<br />
mxolod erTi saqme darCa gasakeTebeli - sikvdili. iqneb kargia, roca Sens<br />
martoobaSi marto ar xar.<br />
Filmography / filmografia<br />
2011 Stopped on Track / Halt auf freier Strecke<br />
2009 Whiskey with Vodka / Whisky mit Wodka<br />
2008 Cloud 9 / Wolke 9<br />
2005 Summer in Berlin / Sommer vorm Balkon<br />
2004 Willenbrock<br />
Director:<br />
Andreas Dresen<br />
Screenplay:<br />
Andreas Dresen, Cooky Ziesche<br />
Cinematography:<br />
Michael Hammon<br />
Music:<br />
Jens Quandt<br />
Production Design:<br />
Susanne Hopf<br />
Costumes:<br />
Sabine Greunig<br />
Editing:<br />
Jörg Hauschild<br />
Sound:<br />
Peter Schmidt<br />
Producer:<br />
Peter Rommel<br />
Cast:<br />
Steffi Kühnert, Milan Peschel, Talisa<br />
Lilli Lemke, Mika Nilson Seidel, Ursula<br />
Werner, Marie Rosa Tietjen, Otto<br />
Mellies, Christine Schorn<br />
110 wT, feradi<br />
110 min, colour<br />
2002 Herr Wichmann von der CDU (doc.)<br />
2001 Grill Point / Halbe Treppe<br />
2000 The Police Woman / Die Polizistin (TV)<br />
1998 Night Shapes / Nachtgestalten<br />
1997 Changing Skins / Raus aus der Haut (TV)<br />
1992 Silent country / Stilles Land<br />
STOPPED ON TRACK GERMANY 2011<br />
reJisori:<br />
andreas drezeni<br />
scenari:<br />
andreas drezeni, kuki ciSe<br />
operatori:<br />
mixael hamoni<br />
musika:<br />
iens kvandti<br />
mxatvari:<br />
zuzane hopfi<br />
kostiumebi:<br />
zabine groinigi<br />
montaJi:<br />
iorg hauSildi<br />
xma:<br />
peter Smidti<br />
prodiuseri:<br />
peter romeli<br />
monawileoben:<br />
Stefi kiunerti, milan<br />
peSeli, Talisa lili lemke,<br />
mika nilson zaideli,<br />
ursula verneri, mari roza<br />
titieni, oto meliesi,<br />
kristine Sorni<br />
Production:<br />
Rommel Film<br />
in co-production with:<br />
Rundfunk Berlin-Brandenburg<br />
World Sales:<br />
The Match Factory<br />
The doctor told the truth. The days are numbered. Why me and why now? A man leaves wife and<br />
children behind, parents, friends, neighbours and yesterday’s lover, the people in his life. Day by<br />
day a little farewell. Words are getting rare, longer the silence. In front of the window the year<br />
changes its colors. Dying is a final work to do. Not being alone while you are left behind alone,<br />
maybe that’s a good thing.<br />
andreas drezeni<br />
ANDREAS DRESEN<br />
daibada 1963 wels geraSi, yofili gdr. 1979 wlidan iRebda samoyvarulo<br />
filmebs. xmis inJinrad muSaobda Sverinis TeatrSi, kinostudia<br />
DEFA-Si gaiara treningis kursi reJisuraSi. 1986-1991<br />
wlebSi kinoreJisuras swavlobda potsdam-babelsbergis kinosa<br />
da televiziis akademia “konrad volfSi”. 1992 wlidan muSaobs<br />
scenaristad da reJisorad rogorc kinoSi, ise televiziasa da<br />
TeatrSi. drezenis filmebs araerTi nacionaluri da saerTaSoriso<br />
jildo aqvs miRebuli. gaCereba swor gzaze 2011 wels kanis<br />
kinofestivalis seqciaSi „moulodneli gaCereba“ mTavari priziT<br />
aRiniSna, <strong>2012</strong> wels Svidgzis iyo nominirebuli germanuli kinoakademiis<br />
„oqros lolas“ mosapoveblad da gaimarjva oTx kategoriaSi,<br />
maT Soris, saukeTeso reJisurisTvis.<br />
Born in 1968 in Gera, German Democratic Republic. He started shooting his own<br />
amateur movies since the late ‘70s. He worked as a sound engineer at the theater in<br />
Schwerin and completed a traineeship at the DEFA Studio for Feature Films. From<br />
1986 until 1991 Dresen studied directing at the “Konrad Wolf” Academy of Film and<br />
Television in Potsdam-Babelsberg. Since 1992, he has been working as a writer and<br />
director for film, TV and theater. Andreas Dresen’s features for TV and cinema have<br />
won him several awards. At the Cannes film festival 2011 Dresen showcased his<br />
drama STOPPED ON TRACK in the section “Un Certain Regard” and was awarded<br />
the section’s top prize. More prizes and a huge box office success followed. The film<br />
was nominated seven times in the German Film Awards competition in <strong>2012</strong> and<br />
won in 4 categories including the category “Best Director”.<br />
55
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
LE HAVRE<br />
havri fineTi / <strong>safrangeTi</strong> / germania 2011<br />
keTili zRapari keTili boloTi. xnieri mwerlis marselisa da patara afrikeli<br />
biWis idrisas ambavi, romelic emigraciis samsaxurs gamoeqca. marseli samudamod<br />
gamoeTxova literaturas, saporto qalaq havrSi gadmosaxlda da fexsacmlis mwmendavis<br />
profesiiT Soulobs puris fuls. idrisa ki havris sanapiroze konteineridan<br />
moxvda, romelsac ukanono emigrantebi afrikidan londonSi gadayavda.<br />
marseli da misi megobrebi _ mefunTuSe iveti, bostneulis gamyidveli Jan-pieri,<br />
baris mepatrone kleri, marselis kolega Cangi da TviT komisari monec _ biWs<br />
exmarebian, rom londonSi, dedasTan Cavides.<br />
Filmography / filmografia<br />
2011 Le Havre<br />
2006 Lights in the Dusk<br />
2002 The Man Without a Past<br />
1999 Juha<br />
1996 Drifting Clouds<br />
1994 Leningrad Cowboys Meet Moses<br />
1994 Take Care of Your Scarf, Tatiana<br />
1992 La vie de bohème<br />
Director:<br />
Aki Kaurismäki<br />
Screenplay:<br />
Aki Kaurismäki<br />
Cinematography:<br />
Timo Salminen<br />
Production Design:<br />
Wouter Zoon<br />
Editing:<br />
Timo Linnasalo<br />
Sound:<br />
Tero Malmberg<br />
Producer:<br />
Aki Kaurismäki<br />
Cast:<br />
Andre Wilms, Kati Outinen, Jean-<br />
Pierre Darroussin, Blondin Miguel,<br />
Elina Salo, Evelyne Didi, Quoc Dung<br />
Nguyen, Laika<br />
56<br />
1990 I Hired a Contract Killer<br />
1990 The Match Factory Girl<br />
1989 Leningrad Cowboys Go America<br />
1988 Ariel<br />
1987 Hamlet Goes Business<br />
1986 Shadows in Paradise<br />
1985 Calamari Union<br />
1983 Rikos ja rangaistus<br />
1981 The Saimaa Gesture (documentary)<br />
93 wT, feradi<br />
93 min, colour<br />
LE HAVRE FINLAND / FRANCE / GERMANY 2011<br />
reJisori:<br />
aki kaurismeki<br />
scenari:<br />
aki kaurismeki<br />
operatori:<br />
timo salmineni<br />
mxatvari:<br />
voter zoni<br />
montaJi:<br />
timo linasalo<br />
xma:<br />
tero malmbergi<br />
prodiuseri:<br />
aki kaurismeki<br />
monawileoben:<br />
andre vilmsi, kati otineni,<br />
Jan-pier darusini, blondin<br />
migeli, elina salo, ivlin<br />
didi, quok dang ngueni, laika<br />
Production:<br />
Sputnik OY<br />
Pyramide Productions<br />
Pandora Film<br />
Arte France Cinema<br />
ZDF ARTE<br />
World Sales:<br />
The Match Factory<br />
Marcel Marx, a former author and a well-known Bohemian, has retreated into a voluntary exile<br />
in the port city of Le Havre, where he feels he has reached a closer rapport with the people<br />
serving them in the occupation of the honourable, but not too profitable, of a shoe-shiner. He<br />
has buried his dreams of a literary breakthrough and lives happily within the triangle of his favourite<br />
bar, his work, and his wife Arletty, when fate suddenly throws in his path an underage<br />
immigrant refugee from the darkest Africa.<br />
aki kaurismeki<br />
AKI KAURISMÄKI<br />
daibada 1957 wels orimatilaSi, fineTSi. kinoSi mosvlamde aki<br />
kaurismekim uamravi profesia gamoicvala, maT Soris fostalionis,<br />
WurWlis mrecxavisa da kinokritikosis. Tavis ZmasTan,<br />
kinoreJisor mika kaurismekisTan erTad daaarsa saprodiusero<br />
da sadistribucio kompania Villealfa, sadac 80-iani wlebidan moyolebuli<br />
mTeli fineTis kinoproduqciis erTi mexuTedi iwarmoeba.<br />
rogorc wesi, aki kaurismekis filmebi _ sxvadasxva Janris<br />
eqscentruli parodiebi _ sakmaod moklea da 90 wuTs ar scdeba.<br />
Born in 1957 in Orimattila, Finland. Aki Kaurismäki did a wide variety of<br />
jobs including postman, dish-washer and film critic, before forming a production<br />
and distribution company, Villealfa (in homage to Jean-Luc Godard’s<br />
Alphaville (1965) with his older brother Mika Kaurismäki, also a filmmaker.<br />
Both Aki and Mika are prolific film-makers, and together have been<br />
responsible for one-fifth of the total output of the Finnish film industry<br />
since the early 1980s, though Aki’s work has found more favour abroad. His<br />
films are very short, he says a film should never run longer than 90 minutes,<br />
and many of his films are nearer 70, eccentric parodies of various genres.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
LEK WYSOKOSCI<br />
simaRlis SiSi poloneTi 2011<br />
tomekis cxovrebaSi TiTqos yvelaferi SesaniSnavad midis, is warmatebuli<br />
tele-wamyvania da cota xnis win misi pirmSoc moevlina qveyanas. magram erT<br />
dRes mas mSobliuri qalaqidan SemaSfoTebel ambavs atyobineben: fsiqiatriul<br />
hospitalSi moaTavses misi mama, romelic tomeks ukve wlebia, aRar unaxavs.<br />
megobrebisa da ojaxis rCevebis miuxedavad, tomeki Sin brundeba, rom Sexvdes<br />
kacs, romelsac TiTqmis ar icnobs.<br />
Filmography / filmografia<br />
2011 Fear of Fallng / Lek wysokosci<br />
2009 Królik po berlinsku (doc,)<br />
2006 Trójka do wziecia (short)<br />
2004 Ballada o kozie (doc.)<br />
Director:<br />
Bartosz Konopka<br />
Screenplay:<br />
Bartosz Konopka, Piotr Borowski<br />
Cinematography:<br />
Piotr Niemyjski<br />
Production Design:<br />
Elwira Pluta<br />
Costumes:<br />
Katarzyna Lewiñska<br />
Editing:<br />
Jaroslaw Barzan<br />
Producer:<br />
Dariusz Gajewski, Ewa Jastrzêbska,<br />
Jacek Bromski<br />
Co-Producer:<br />
Pawel Mossakowski, Beata<br />
Ryczkowska<br />
Cast:<br />
Marcin Dorociński, Krzysztof Stroiński,<br />
Magdalena Popławska, Dorota Kolak<br />
FEAR OF FALLING POLAND 2011<br />
reJisori:<br />
bartoS konopka<br />
scenari:<br />
bartoS konopka, piotr<br />
borovski<br />
operatori:<br />
piotr nimiiski<br />
mxatvari:<br />
elvira pluta<br />
kostiumebi:<br />
kataJina levinska<br />
montaJi:<br />
iaroslav baJani<br />
prodiuseri:<br />
dariuS gaevski, eva<br />
iastJebska, iacek romski<br />
Tanaprodiuseri:<br />
pavel mosakovski, beata<br />
riCkovska<br />
monawileoben:<br />
marCin doroCinski, kJiStof<br />
stroinski, magdalena<br />
poplavska, dorota kolaki<br />
Production:<br />
Munk Studio<br />
World Sales:<br />
Wide Management Enterprise<br />
Everything seems perfect in Tomek’s life: he is a successful TV anchor and his first child is just<br />
born. That’s when he receives a troubling message from the psychiatric hospital in his hometown:<br />
his father, whom he has not seen in years, has just been admitted. Against the advice of<br />
friends and family, Tomek returns home to face the man he hardly knows.<br />
bartoS konopka<br />
BARTOSZ KONOPKA<br />
87 wT, feradi<br />
87 min, colour<br />
daibada 1872 wels misleniceSi, poloneTSi. kinoreJisuras<br />
swavlobda krakovis iagelonis universitetSi, kislovskis<br />
radiosa da televiziis skolaSi katoviceSi da anjei vaidas<br />
kinoreJisuris skolaSi. ramdenime warmatebuli dokumenturi<br />
da moklemetraJiani mxatvruli filmis Semdeg 2011 wels gadaiRo<br />
pirveli srulmetraJiani mxatvruli filmi „simaRlis<br />
SiSi“.<br />
Born in 1972 in Myslenice, Poland. He holds a Master’s degree in film studies<br />
from Jagiellonian University and has graduated from the directing department<br />
in the Kieœlowski Radio and Television School in Katowice and<br />
the Andrzej Wajda Master School of Film Directing. He received several<br />
awards for his documentary and short films. FEAR OF FALLING is his first<br />
full-length feature film.<br />
57
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
LES BIEN-AIMES<br />
Seyvarebulebi <strong>safrangeTi</strong> / didi britaneTi / CexeTi 2011<br />
60-iani wlebis parizidan 21-e saukunis londonamde. madleni da vera drodadro<br />
ikargebian sayvareli mamakacebis cxovrebidan, mere isev Cndebian... magram dgeba<br />
dro, rodesac msubuqad da udardelad siyvaruli aRar gamodis. rogor unda<br />
gaumklavde drois dinebas, romelic yvelaze Rrma grZnobebzec moqmedebs?<br />
Filmography / filmografia<br />
2011 Beloved / Les Bien-aimes<br />
2010 Man at Bath / Homme au bain<br />
2009 Making Plans for Lena / Non ma fille, tu n’iras<br />
pas danser<br />
2008 The Beautiful Person / La Belle personne<br />
Director:<br />
Christophe Honoré<br />
Screenplay:<br />
Christophe Honoré<br />
Cinematography:<br />
Rémy Chevrin<br />
Music:<br />
Alex Beaupain<br />
Production Design:<br />
Samuel Deshors<br />
Costumes:<br />
Pascaline Chavane<br />
Editing:<br />
Chantal Hymans<br />
Sound:<br />
Guillaume Le Braz<br />
Producer:<br />
Pascal Caucheteux<br />
Cast:<br />
Catherine Deneuve, Chiara<br />
Mastroianni, Ludivine Sagnier, Louis<br />
Garrel, Paul Schneider, Milos Forman<br />
58<br />
135 wT, feradi<br />
135 min, colour<br />
2007 Love Songs / Les Chansons d’amour<br />
2006 In Paris / Dans Paris<br />
2004 My Mother / Ma mère<br />
2002 Seventeen Times Cecile Cassard / Dix-sept fois<br />
Cecile Cassard<br />
BELOVED FRANCE / UK / CZECH REPUBLIC 2011<br />
reJisori:<br />
kristof onore<br />
scenari:<br />
kristof onore<br />
operatori:<br />
remi Sevreni<br />
musika:<br />
aleqs bopeni<br />
mxatvari:<br />
samuel deSori<br />
kostiumebi:<br />
paskalin Savani<br />
montaJi:<br />
Santal imani<br />
xma:<br />
giom le brazi<br />
prodiuseri:<br />
paskal koSeto<br />
monawileoben:<br />
katrin denevi, kiara<br />
mastroiani, ludivan sanie,<br />
lui gareli, paul Snaideri,<br />
miloS formani<br />
Production:<br />
Why Not Productions (France)<br />
France 2 Cinéma (France)<br />
Sixteen Films (UK)<br />
Negativ (Czech Republic)<br />
World Sales:<br />
Celluloid Dreams<br />
sales-assistant@celluloid-dreams.com<br />
www.celluloid-dreams.com<br />
From Paris in the sixties to 21st-century London, Madeleine and her daughter Vera waltz in and<br />
out of the lives of the men they love. But not every era allows us to love blithely and lightheartedly.<br />
How are we to resist the sands of time that attack our most heartfelt sentiments?<br />
kristof onore<br />
CHRISTOPHE HONORÉ<br />
mwerali, scenaristi da reJisori kristof onore 1970 wels<br />
bretanSi daibada. misi pirveli srulmetraJiani mxatvruli filmi<br />
„17-jer sesil kasari“ (2002) naCvenebi iyo kanis kinofestivalze<br />
seqciaSi „gansakuTrebuli mzera“. kanSi Sedga misi kidev ori<br />
filmis premiera: filmi „parizSi“ SerCeuli iyo programisTvis<br />
„reJisorTa orkvireuli“ 2006 wels, xolo „simRerebi siyvarulze“<br />
oficialur konkursSi monawileobda 2007 wels. filmiT „Seyvarebulebi“<br />
kanis 64-e kinofestivali daixura 2011 wels.<br />
Born in Brittany in 1970, Christophe Honoré has written children’s books, novels<br />
and plays. He wrote screenplays before directing DIX-SEPT FOIS CÉCILE CASSARD<br />
in 2002, which was selected for the Cannes Film Festival in the Un Certain Regard<br />
section. At Cannes, he presented DANS PARIS in the Directors’ Fortnight in 2006<br />
and LES CHANSONS D’AMOUR in the Official Selection in 2007. The film LES BIEN-<br />
AIMES closed the 2011 Cannes Film Festival.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
OPÉRATION LIBERTAD<br />
operacia libertadi Sveicaria / <strong>safrangeTi</strong> <strong>2012</strong><br />
1978 wlis aprili. „revolucionerTa avtonomiuri jgufis“ wevrebi Tavs esxmian<br />
ciurixis mTavar banks. maTi mizani Sveicariis sabanko sistemis samxreTamerikul<br />
diqtaturebTan faruli kavSirebis gamoaSkaravebaa. konkretuli mtkicebulebis uzrunvelsayofad<br />
mTels aqcias kameriT iReben. bankis direqtori faqtebs aRiarebs,<br />
magram paragvaeli Suamavali TanamSromlobaze uars ambobs, rac Tavdamsxmelebs<br />
mZime arCevanis winaSe ayenebs. da isev dgeba kiTxva: amarTlebs Tu ara mizani saSualebas?<br />
ocdaaTi wlis Semdeg aRmoCenili videokaseta, romelzec es operaciaa aRbe-<br />
Wdili, axal kiTxvas badebs: riT damTavrda Tavis droze mTeli es ambavi?<br />
Filmography / filmografia<br />
<strong>2012</strong> Operation Libertad<br />
2010 Aisheen (Still Alive In Gaza) (doc.)<br />
2005 L’accord (doc.)<br />
2003 Alinghi, the Inside Story (doc.)<br />
2002 Kadogo, L’enfant Soldat (TV feature film)<br />
2000 15, Rue Des Bains (TV feature film)<br />
Director:<br />
Nicolas Wadimoff<br />
Screenplay:<br />
Nicolas Wadimoff, Jacob Berger<br />
Cinematography:<br />
Franck Rabel<br />
Music:<br />
Christof Steinmann<br />
Production Design:<br />
Georg Bringolf<br />
Costumes:<br />
Cidalia Da Costa<br />
Editing:<br />
Pauline Dairou, Karine Sudan<br />
Sound:<br />
Christophe Giovannoni<br />
Producer:<br />
Samir, Nicolas Wadimoff<br />
Co-Producer:<br />
Alberto Chollet, Serge Lalou,<br />
Charlotte Uzu, Michel Merkt<br />
Cast:<br />
Laurent Capelluto, Stipe Erceg, Karine<br />
Guignard, Natacha Koutchoumov,<br />
Nuno Lopes, Antonio Buil<br />
2000 Mondialito<br />
1998 Nuit Et Jour La Tele (doc.)<br />
1997 Clandestins<br />
1992 Les Gants D’or D’akka (doc.)<br />
1990 Armenie-Jerusalem (doc.)<br />
1989 Yehudi, Arabi, Yemeni (doc.)<br />
OPÉRATION LIBERTAD SWITZERLAND / FRANCE <strong>2012</strong><br />
reJisori:<br />
nikola vadimovi<br />
scenari:<br />
nikola vadimovi,<br />
iakob bergeri<br />
operatori:<br />
frank rabeli<br />
musika:<br />
kristof Stainmani<br />
mxatvari:<br />
georg bringolfi<br />
kostiumebi:<br />
sidalia da kosta<br />
montaJi:<br />
polin deru, karin sudani<br />
xma:<br />
kristof jovanoni<br />
prodiuseri:<br />
zamiri, nikola vadimovi<br />
Tanaprodiuseri:<br />
alberto Sole, serJ sasu,<br />
Sarlot uzu, miSel merkti<br />
monawileoben:<br />
loran kapeluto, staip<br />
erkegi, karin gignari, nataSa<br />
kutCumovi, nuno lopesi,<br />
antonio buili<br />
Production:<br />
Dschoint Ventschr Filmproduktion AG<br />
Phone: +41 44 456 30 20<br />
office@dschointventschr.ch<br />
www.dschointventschr.ch<br />
AKKA FILMS<br />
info@akkafilms.ch<br />
In Co-production with:<br />
Les Films d’Ici (France)<br />
www.lesfilmsdici.fr/en/<br />
World Sales:<br />
Doc & Film International (Paris)<br />
Phone ++33/1/42 77 56 87<br />
Fax ++33/1/42 77 36 56<br />
Email doc@docandfilm.com<br />
www.docandfilm.com<br />
In April 1978, members of “Groupe Autonome Révolutionnaire” (GAR) rob a major bank in<br />
Zurich with the aim of bringing to light the covert ties between the Swiss financial system<br />
and dictatorships in Latin American. Wanting to secure concrete evidence, they film the entire<br />
operation. Although the bank director confesses to GAR, the Paraguayan mediator refuses to<br />
cooperate, confronting the members of GAR with difficult issues. And the agonizing, recurring<br />
question: Does the end really justify the means? Thirty years later, the videotapes of this<br />
operation resurface, thus raising a new question: How did the affair actually end at that time?<br />
nikola vadimovi<br />
NICOLAS WADIMOFF<br />
90 wT, feradi<br />
90 min, colour<br />
daibada 1964 wels JenevaSi. 1987 wels daamTavra monrealis kvebekis<br />
universitetis komunikaciebis fakulteti kinematografiis<br />
mimarTulebiT. 1992-96 wlebSi Sveicaruli televiziisTvis<br />
(Télévision Suisse Romande) muSaobda reJisorad, iRebda dokumentur<br />
filmebs, maT Soris, libiaSi, alJirSi, palestinasa da ruandaSi.<br />
1996 wels daaarsa saprodiusero kompania Caravan Films,<br />
2003 wels _ kompania Akka Films. „operacia libertadi“ nikola<br />
vadimovis mexuTe mxatvruli filmia. misi premiera wels kanis<br />
kinofestivalze Sedga programaSi „reJisorTa orkvireuli“.<br />
Born in 1964 in Geneva. 1987 Degree in Communications at UQAM (University<br />
du Quebec à Montreal), field of studies: Cinema. 1992-96 Director at the<br />
Télévision Suisse Romande. 1996-2001 Producer and director of films on behalf<br />
of his own company Caravan Films. 2003 Creates Akka Films devoted to<br />
the development of fiction films and production of documentaries. In 1997<br />
he made his first fiction feature, CLANDESTINS. His subsequent films were<br />
selected for numerous festivals. OPÉRATION LIBERTAD is his fifth feature film.<br />
59
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
PARADA<br />
aRlumi serbeTi / slovenia / xorvatia / montenegro / makedonia 2011<br />
radomilo da mirko axalgazrda gei-wyvilia, romelsac mudmivad uwevs homofobebis<br />
mxridan Zaladobis atana. garda amisa, mirko lgbt-moZraobis aqtivistia<br />
da belgradSi pirveli warmatebuli gei praidis mowyobaze ocnebobs. 2001 wels<br />
msgavsi cda sisxlisRvriT damTavrda da viTareba didad arc aTi wlis Semdeg<br />
Secvlila _ nacionalisturi da neo-nacisturi organizaciebi gei aRlumis darbeviT<br />
imuqrebian, policia ki uars ambobs aRlumis monawileebis dacvaze.<br />
Filmography / filmografia<br />
2011 The Parade / Parada<br />
2009 Sveti Georgije ubiva azdahu / Saint George<br />
Shoots The Dragon<br />
Director:<br />
Srđan Dragojević<br />
Screenplay:<br />
Srđan Dragojević<br />
Cinematography:<br />
Dušan Joksimović<br />
Music:<br />
Igor Perović<br />
Production Design:<br />
Kiril Spaseski<br />
Costumes:<br />
Stefan Savković, Jelena Đorđević<br />
Editing:<br />
Petar Marković<br />
Sound:<br />
Zoran Maksimović, Ognjen Popić<br />
Producer:<br />
Biljana Prvanović, Srđjan Dragojević<br />
Co-Producer:<br />
Dejan Jocić, Igor Nola, Vladimir<br />
Anastasov, Eva Rohrman, Nikola Kojo,<br />
Mike Downey<br />
Cast:<br />
Nikola Kojo, Miloš Samolov, Hristina<br />
Popović, Goran Jevtić, Goran Navojec<br />
60<br />
115 wT, feradi<br />
115 min, colour<br />
2005 We Are Not Angels 2 / Mi Nismo Andjeli 2<br />
1998 The wounds / Rane<br />
1996 Pretty Village, Pretty Flame / Lepa Sela Lepo Gore<br />
1992 We Are Not Angels / Mi Nismo Andjeli<br />
reJisori:<br />
srjan dragoeviCi<br />
scenari:<br />
srjan dragoeviCi<br />
operatori:<br />
duSan ioksimoviCi<br />
musika:<br />
igor peroviCi<br />
mxatvari:<br />
kiril spaseski<br />
kostiumebi:<br />
stefan savkoviCi,<br />
elena jorjeviCi<br />
montaJi:<br />
petar markoviCi<br />
xma:<br />
zoran maksimoviCi,<br />
ognien popiCi<br />
prodiuseri:<br />
srjan dragoeviCi<br />
Tanaprodiuseri:<br />
deJan iosiCi, igor nola,<br />
vladimir anastasovi, eva<br />
rormani, nikola koio, maik<br />
dauni<br />
monawileoben:<br />
nikola koio, miloS<br />
samolovi, hristina popoviCi,<br />
goran ievliCi, goran navoeci<br />
Production:<br />
Mainframe (Zagreb)<br />
igor@mainframeproduction.com<br />
Sektor Film (Skopje)<br />
office@sektor.co.mk<br />
Forum Film Ljubljana (Ljubljana)<br />
eva.rohrman@mail.ljudmila.org<br />
Film & Music Entertainment (London,)<br />
office@fame.co.uk<br />
World Sales:<br />
Wide Management<br />
Paris, Frankreich<br />
+33 1 53950464<br />
festivals@widemanagement.com<br />
THE PARADE SERBIA / SLOVENIA / CROATIA / MONTENEGRO / REPUBLIC OF MACEDONIA 2011<br />
Radomilo and Mirko are young and successful gay couple. They would be happy anywhere else<br />
except in Serbia. They try to live discreetly but still, every day they are abused by the homophobic<br />
majority. Plus, Mirko is a gay rights activist, and his dream is to organize the first successful<br />
Pride event in Belgrade. In 2001 this is almost a “mission impossible”; an attempt to hold such<br />
march ends up in bloodshed. One decade later, the situation is not much better – nationalist and<br />
neo-Nazi organizations threaten with another massacre in case of holding the gay parade, while<br />
the police refuse to provide protection for the participants.<br />
srjan dragoeviCi<br />
SRĐAN DRAGOJEVIĆ<br />
daibada 1963 wels iugoslaviaSi. daamTavra belgradis universitetis<br />
filosofiis fakulteti klinikuri fsiqologiis specialobiT,<br />
Semdeg _ amave universitetis dramatuli xelovnebis<br />
fakulteti kinoreJisuris specialobiT. 1992 wels gadaiRo sadebiuto<br />
filmi, komedia „Cven angelozebi ara varT“. werda leqsebs,<br />
gamoqveynebuli aqvs ori poeturi krebuli. filmi „aRlumi“ berlinis<br />
kinofestivalze (seqcia „panorama“) sami priziT aRiniSna<br />
<strong>2012</strong> wels.<br />
Born in Yugoslavia in 1963. He first trained as a clinical psychologist before taking<br />
up film studies at Belgrade University. He made his debut in 1992 with a comedy<br />
“We Are Not Angels” and was a published poet before deciding to devote his energies<br />
to film in 1996. His film PARADA won 3 prizes at the <strong>2012</strong> Berlin International<br />
Film Festival including the Panorama Audience Award.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
PARADIES: LIEBE<br />
samoTxe: siyvaruli avstria / germania / <strong>safrangeTi</strong> <strong>2012</strong><br />
keniis sanapiroebze maT „tkbili dedikoebis“ saxeliT icnoben: es evropeli qalebi<br />
afrikel biWebs eZeben, romlebic siyvarulis gayidviT Souloben puris fuls.<br />
tereza, 50 wlis avstrieli qali, Svebulebas am samoTxeSi atarebs. „samoTxe:<br />
siyvaruli“ mogiTxrobT xnier qalebsa da axalgazrda kacebze, evropasa da afrikaze,<br />
da eqsploatirebul adamianebze, vinc Tavis mxriv sxvebis eqploatacias<br />
eweva.<br />
Filmography / filmografia<br />
<strong>2012</strong> Paradise: Faith<br />
<strong>2012</strong> Paradise: Love<br />
2007 Import/Export<br />
2006 Brothers, Let Us Be Merry (doc.)<br />
2003 Jesus, You Know (doc.)<br />
2002 State of the Nation: Austria in Six Chapters (doc.)<br />
2001 Dog Days<br />
1999 Models<br />
1998 Fun Without Limits (doc.)<br />
Director:<br />
Ulrich Seidl<br />
Screenplay:<br />
Ulrich Seidl, Veronika Franz<br />
Cinematography:<br />
Edward Lachman, Wolfgang Thaler<br />
Production Design:<br />
Andreas Donhauser, Maribel Martin<br />
Costumes:<br />
Tanja Hausner<br />
Editing:<br />
Christof Schertenleib<br />
Sound:<br />
Ekkehart Baumung<br />
Producer:<br />
Ulrich Seidl, Philippe Bober,<br />
Christine Ruppert<br />
Cast:<br />
Margarethe Tiesel, Peter Kazungu,<br />
Inge Maux, Dunja Sowinetz<br />
120 wT, feradi<br />
120 min, colour<br />
1997 The Bosom Friend (TV doc.)<br />
1996 Tierische Liebe (doc.)<br />
1996 Pictures at an Exhibition (TV doc.)<br />
1994 The Last Real Men (doc.)<br />
1992 Loss Is to Be Expected (doc.)<br />
1990 Good News: Newspaper Salesmen, Dead<br />
Dogs and Other People from Wienna (doc.)<br />
1984 Look 84<br />
1982 The Prom<br />
1980 One Fourty (doc.)<br />
PARADISE: LOVE AUSTRIA / GERMANY / FRANCE <strong>2012</strong><br />
reJisori:<br />
ulrix zaidli<br />
scenari:<br />
ulrix zaidli,<br />
veronika franci<br />
operatori:<br />
edvard laxmani,<br />
volfgang Taleri<br />
mxatvari:<br />
andreas donhauzeri,<br />
maribel martini<br />
kostiumebi:<br />
tania hausneri<br />
montaJi:<br />
kristof Sertenlaibi<br />
xma:<br />
ekehart baumungi<br />
prodiuseri:<br />
ulrix zaidli, filip<br />
boberi, kristine ruperti<br />
monawileoben:<br />
margarete tiseli, peter<br />
kacungu, inge mauqsi, dunia<br />
zovinetci<br />
Production:<br />
Ulrich Seidl Film Produktion GmbH<br />
Tatfilm<br />
Société Parisienne de Production<br />
World Sales:<br />
Coproduction Office<br />
On Kenya’s beaches they are known as “sugar mamas”: European women who seek out African<br />
boys selling love to earn a living. Teresa, a 50-year-old Austrian woman, travels to this vacation<br />
paradise. “Paradise: Love” tells of older women and young men, of Europe and Africa, and of the<br />
exploited, who end up exploiting others.<br />
ulrix zaidli<br />
ULRICH SEIDL<br />
daibada 1952 wels venaSi. cnobili gaxda dokumenturi filmebiT,<br />
romlebsac araerTi kinofestivalis prizi aqvs miRebuli. verner<br />
hercogma zaidli Tavis aT sayvarel reJisors Soris daasaxela,<br />
mis filmze „cxoveluri siyvaruli“ ki Tqva: „aqamde kinoSi yofnisas<br />
arasodes minaxavs jojoxeTi ase cxadad“. zaidlis pirveli<br />
srulmetraJiani mxatvruli filmi „ZaRluri sicxe“ (2001) veneciis<br />
kinofestivalis Jiuris didi priziT aRiniSna. kanis kinofestivalis<br />
oficialur konkursSi monawileobda misi ori momdevno<br />
mxatvruli filmi, „importi/eqsporti“ (2007) da „samoTxe: siyvaruli“<br />
(<strong>2012</strong>), xolo filmma „samoTxe: rwmena“ veneciaSi wels Jiuris<br />
specialuri prizi moipova.<br />
Born in 1952 in Vienna. Director of numerous award-winning documentaries such<br />
as JESUS, YOU KNOW, MODELS and ANIMAL LOVE. Werner Herzog named Ulrich<br />
Seidl one of his ten favorite filmmakers and said about his film ANIMAL LOVE: “Never<br />
before in cinema have I been able to look straight into hell.” His first fiction feature<br />
DOG DAYS won the Grand Jury Prize at the 2001 Venice Film Festival.<br />
61
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
POKA NOCH NE RAZLUCHIT<br />
sanam Rame gagvyrides ruseTi <strong>2012</strong><br />
mainc, raze laparakoben kacebi da qalebi? filmi moskovis erT Zalian Zvir<br />
restoranSi Jurnalistis mier nanax da gagonil realur ambebs efuZneba.<br />
gamocdili qalebi saqorwino strategiebs irCeven _ fuli Tu siyvaruli? kinoprodiuserebma<br />
ar ician, ra gadaiRon; sakuTar dabadebis dReze ki SeiZleba yvelafers<br />
miafurTxo _ asi grami gadakra da angariSis gadaxda sidedrs Seatovo.<br />
Tumca, mTavari ambebi ara mooqrovil darbazebSi, aramed xmaurian samzareuloSi<br />
viTardeba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Poka noch ne razluchit / Till Night Do Us Part<br />
2009 Help Gone Mad / Sumashedshaya Pomoshch<br />
2009 Korotkoe zamykanie (segment “Pozor”)<br />
2006 Free Floating / Svobodnoe Plavanie<br />
Director:<br />
Boris Khlebnikov<br />
Screenplay:<br />
Alexander Rodionov<br />
Cinematography:<br />
Pavel Kostomarov<br />
Music:<br />
Sergei Shnurov<br />
Production Design:<br />
Olga Khlebnikova<br />
Costumes:<br />
Sveta Mikhailova, Marusia<br />
Sevastianova<br />
Editing:<br />
Yulia Batalova<br />
Sound:<br />
Maria Ushenina<br />
Producer:<br />
Yelena Stepanishcheva, Yevgeni<br />
Semin, Alexander Plotnikov, Zaur<br />
Bolotaev, Petr Gudkov, Vlad Ogai<br />
Cast:<br />
Alexander Yatsenko, Yevgeni Syty,<br />
Alena Doletskaya, Agniya Kuznetsova,<br />
Anna Mikhalkova, Avdotya Smirnova,<br />
Alexandra Rebenok, Sergei Shnurov<br />
62<br />
65 wT, feradi<br />
65 min, colour<br />
2003 Roads to Koktebel / Koktebel (with Alexei<br />
Popogrebsky)<br />
2000 The Sly Frog / Khitraya lyagushka (short)<br />
1997 By the Way / Mimokhod (doc., with Alexei<br />
Popogrebsky)<br />
TILL NIGHT DO US PART RUSSIA <strong>2012</strong><br />
reJisori:<br />
boris xlebnikovi<br />
scenari:<br />
aleqsandr rodionovi<br />
operatori:<br />
pavel kostomarovi<br />
musika:<br />
sergei Snurovi<br />
mxatvari:<br />
olga xnebnikova<br />
kostiumebi:<br />
sveta mixailova, marusia<br />
sevastianova<br />
montaJi:<br />
iulia batalova<br />
xma:<br />
maria uSenina<br />
prodiuseri:<br />
elena stepaniSCeva, zaur<br />
bolotaevi, aleqsandr<br />
plotnikovi, evgeni siomini,<br />
piotr gudkovi, vlad ogai<br />
monawileoben:<br />
aleqsandr iacenko, evgeni<br />
siti, aliona doleckaia,<br />
agnia kuznecova, sergei<br />
Snurovi, aleqsandra<br />
rebenoki, ana mixalkova,<br />
avdotia smirnova<br />
Production:<br />
First Creative Union<br />
Look Film<br />
World Sales:<br />
Utopia Pictures<br />
A genuine satiric comedy, based on real conversations - both amusing and sad - overheard by<br />
a journalist in one of the most expensive Moscow restaurants. Hilarious and revealing, this is a<br />
film about women who choose between affection and money, film producers that don’t really<br />
know what they’re filming, and weary businessmen who sometimes say screw it, down a shot<br />
and leave their mother-in-laws to pay the bill. But most of all, it’s about true love that favors<br />
noisy kitchen floor over gilded fine-dining halls.<br />
boris xlebnikovi<br />
BORIS KHLEBNIKOV<br />
daibada 1972 wels moskovSi. 1997 wels daamTavra ruseTis kinematografiis<br />
saxelmwifo institutis (ВГИК) kinomcodneobis<br />
fakulteti. 2003 wels aleqsei popogrebskisTan erTad gadaiRo<br />
pirveli srulmetraJiani mxatvruli filmi „koktebeli“, romelic<br />
im wlis mTavari kinomovlena gaxda ruseTSi (“vercxlis wminda<br />
giorgi” moskovis saerTaSoriso kinofestivalze; karlovi varis<br />
saerTaSoriso kinofestivalis specialuri prizi; evropuli kinos<br />
festivalis Jiuris specialuri prizi briuselSi). 2006 wels<br />
soWis rusuli filmebis festivalze „kinotavri“ da varSavis 22-e<br />
saerTaSoriso kinofestivalze xlebnikovis momdevno filmi _<br />
„Tavisufali curva“ saukeTeso reJisurisTvis dajildovda.<br />
Director, scriptwriter. Prize-winner of national and international film festivals.<br />
Born in 1972 in Moscow. Graduated as film scholar from the Film Institute<br />
VGIK (1997). In 2003, together with Alexei Popogrebsky, made his<br />
first full-length fiction film KOKTEBEL (Silver St. George at Moscow IFF and<br />
FIPRESCI prize for Best Debut; special jury prize at Karlovy Vary and Festival<br />
of European Cinema in Brussels, etc.). FREE FLOATING was his first independent<br />
film as director, which has been awarded a prize for Best Direction<br />
at Kinotavr 2006, as well as other professional awards.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
PULSAR<br />
pulsari belgia 2010<br />
semueli medikamentebis mimwodeblad muSaobs briuselSi. misi momxiblavi megobari<br />
miraeli ki niu-iorkSi miemgzavreba, sadac cnobil arqiteqturul biuroSi<br />
iwyebs internad muSaobas. isini skaipis saSualebiT agrZeleben urTierTobas,<br />
magram sul male semuelis kompiuteri hakeruli Tavdasxmis msxverpli xdeba.<br />
TiTqos idumal hakers semuelis cxovrebis da misi miraelTan urTierTobis dangreva<br />
unda. da iwyeba paranoia...<br />
Filmography / filmografia<br />
2010 Pulsar<br />
2006 Eva reste au placard les nuits de pleine lune<br />
(short)<br />
2000 I Know I’ll See Your Face Again / Verboden te<br />
zuchten<br />
Director:<br />
Alex Stockman<br />
Screenplay:<br />
Alex Stockman<br />
Cinematography:<br />
Sebastien Koeppel<br />
Music:<br />
Guy Van Nueten<br />
Production Design:<br />
Jeff Otte<br />
Editing:<br />
Nico Leunen<br />
Sound:<br />
Senjan Jansen<br />
Producer:<br />
Kaat Camerlynck<br />
Cast:<br />
Matthias Schoenaerts, Tine Van den<br />
Wyngaert, Nico Sturm, Sien Eggers,<br />
Vincent Lecuyer<br />
PULSAR BELGIUM 2010<br />
91 wT, feradi<br />
91 min, colour<br />
1996 Story of a Hurried Young Man / In de vlucht<br />
(short)<br />
1994 Violette (short)<br />
reJisori:<br />
aleqs stokmani<br />
scenari:<br />
aleqs stokmani<br />
operatori:<br />
sebastien kupeli<br />
musika:<br />
gai van nueteni<br />
mxatvari:<br />
jef ote<br />
montaJi:<br />
niko luuneni<br />
xma:<br />
senian ianseni<br />
prodiuseri:<br />
kaat kamerlinki<br />
monawileoben:<br />
maTias sxunertsi, tine van<br />
den vingerti, niko sturmi,<br />
sien egersi, matias Sonerci,<br />
vinsent lekuieri<br />
Production:<br />
Corridor (Brussels)<br />
World Sales:<br />
Corridor<br />
kaat@corridor-films.be<br />
www.corridor-films.be<br />
Samuel works in Brussels as a pharmaceutical delivery man. His gorgeous girlfriend Mireille<br />
heads off to New York to intern at a prestigious architecture firm. Shortly after her departure,<br />
Sam’s computer is hacked. The mysterious hacker seems intent on screwing up Samuel’s life and<br />
his relationship with Mireille. Paranoia kicks in...<br />
aleqs stokmani<br />
ALEX STOCKMAN<br />
daibada 1962 wels belgiaSi. flamandiuri JurnalisTvis Humo<br />
werda statiebs rokze da kinoze. ramdenime moklemetraJiani<br />
filmis Semdeg 2000 wels gadaiRo pirveli srulmetraJiani mxatvruli<br />
filmi „wuxili akrZalulia“, romelmac 2001 wels Tbilisis<br />
saerTaSoriso kinofestivalis mTavari prizi „oqros promeTe“ miiRo.<br />
kaat kamerlinkTan erTad briuselSi daaarsa saprodiusero<br />
kompania Corridor. „pulsari“ aleqs stokmanis meore srulmetraJiani<br />
mxatvruli filmia.<br />
Born in 1962 in Belgium. He started out as rock and film critic for the Flemish magazine<br />
HUMO. His first feature film I KNOW I’LL SEE YOUR FACE AGAIN (2000), shot in<br />
black and white, won the Golden Prometheus at the Tbilisi International Film Festival<br />
in 2001. Together with Kaat Camerlynck, he founded the production company<br />
Corridor. PULSAR is his second feature film.<br />
63
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
REALITY<br />
realoba italia / <strong>safrangeTi</strong> <strong>2012</strong><br />
gulRia, mxiarul luCanos neapolSi Tevzis maRazia aqvs, romelsac warmatebiT<br />
uZRveba. erT dRes luCano Svilebis TxovniT satelevizio realiti-SouSi<br />
monawileobaze Tanxmdeba. amis Semdeg misi cxovreba yiraze dgeba _ teleocnebas<br />
gamokidebuli luCano TandaTan kargavs realobis SegrZnebas.<br />
Filmography / filmografia<br />
<strong>2012</strong> Reality<br />
2008 Gomorrha<br />
2004 First Love / Primo amore<br />
2002 The Embalmer / L’imbalsamatore<br />
2000 Roman Summer / Estate romana<br />
Director:<br />
Matteo Garrone<br />
Screenplay:<br />
Maurizio Braucci, Ugo Chiti, Matteo<br />
Garrone, Massimo Gaudioso<br />
Cinematography:<br />
Marco Onorato<br />
Music:<br />
Alexandre Desplat<br />
Production Design:<br />
Paolo Bonfini<br />
Costumes:<br />
Maurizio Millenotti<br />
Editing:<br />
Marco Spoletini<br />
Sound:<br />
Maricetta Lombardo<br />
Producer:<br />
Domenico Procacci, Matteo Garrone<br />
Co-Producer:<br />
Jean Labadie<br />
Cast:<br />
Aniello Arena, Loredana Simioli,<br />
Nando Paone, Graziella Marina, Nello<br />
Iorio, Nunzia Schiano<br />
64<br />
REALITY ITALY / FRANCE <strong>2012</strong><br />
115 wT, feradi<br />
115 min, colour<br />
1998 Oreste Pipolo, fotografo di matrimoni (doc.)<br />
1998 Guests / Ospiti<br />
1998 Il caso di forza maggiore (short)<br />
1997 Bienvenido espirito santo (doc.)<br />
1996 Land in the Middle / Terra di mezzo<br />
1996 Silhouette (short)<br />
reJisori:<br />
mateo garone<br />
scenari:<br />
mauricio brauCi, ugo<br />
kiti, mateo garone, masimo<br />
gaudiozo<br />
operatori:<br />
marko onorato<br />
musika:<br />
aleqsandre despla<br />
mxatvari:<br />
paolo bonfini<br />
kostiumebi:<br />
mauricio milenoti<br />
montaJi:<br />
marko spoletini<br />
xma:<br />
mariCeta lombardo<br />
prodiuseri:<br />
domeniko prokaCi,<br />
mateo garone<br />
Tanaprodiuseri:<br />
Jan labadie<br />
monawileoben:<br />
anielo arena, loredana<br />
simioli, nando paone,<br />
graciela marina, nelo<br />
iorio, nuncia skiano<br />
Production:<br />
Fandango (Italy)<br />
Archimede (Italy)<br />
Le Pacte (France)<br />
Garance Capital (France)<br />
Rai Cinema (Italy)<br />
World Sales:<br />
Fandango Portobello<br />
fandango@fandango.it<br />
www.fandango.it<br />
Luciano is a Neapolitan fishmonger who supplements his modest income by pulling off little<br />
scams together with his wife Maria. A likeable, entertaining guy, Luciano never misses an opportunity<br />
to perform for his customers and countless relatives. One day his family urge him to<br />
try out for Big Brother. In chasing this dream his perception of reality begins to change.<br />
mateo garone<br />
MATTEO GARRONE<br />
daibada 1968 wels romSi. swavlobda romis xelovnebis liceumSi,<br />
erTxans muSaobda operatoris asistentad, Semdeg ramdenime weli<br />
mxatvrobas dauTmo. misma sadebiuto filmma „Sua xmeleTi“ (1996)<br />
turinis kinofestivalze Jiuris specialuri prizi da Ciputis<br />
prizi moipova. misi bolo ori filmi „gomori“ da „realoba“ kanis<br />
kinofestivalis Jiuris gran-pris mflobeli gaxda.<br />
Matteo Garrone was Born in Rome in 1968, where he attended art school,<br />
worked as an assistant cameraman and dedicated several years to painting.<br />
His debut feature, LAND IN THE MIDDLE, won the Special Jury Award<br />
and the Cipputi Award at the Turin Film Festival. His films GOMORRHA and<br />
REALITY both won the Grand Prix at the Cannes Film Festival.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
ROZA<br />
roza poloneTi 2011<br />
1945 wlis zafxuli. tadeuSi, poloneTis winaaRmdegobis armiis jariskaci,<br />
romelmac yvelaferi dakarga omSi, mazuriaSi Cadis rozas mosaZebnad, rom mas<br />
qmris, germaneli jariskacis daRupvis ambavi Seatyobinos. roza, romelic did<br />
fermaSi marto cxovrobs, tadeuSs civad xvdeba, magram TavSesafars aZlevs. am<br />
sikeTis sanacvlod tadeuSi mas meurneobaSi exmareba. TandaTan tadeuSi rozas<br />
martoobis mizezebs xvdeba. omiT gaveranebuli peizaJis fonze or adamians Soris,<br />
romlebic sxvadasxva samyaros ekuTvnian, SeuZlebeli siyvaruli ibadeba.<br />
Filmography / filmografia<br />
2011 Rose / Róża<br />
2009 The Dark House / Dom zly<br />
2004 The Wedding / Wesele<br />
1998 The Auricle / Malzowina (TV movie)<br />
Director:<br />
Wojciech Smarzowski<br />
Screenplay:<br />
Michal Szczerbic<br />
Cinematography:<br />
Piotr Sobocinski Jr<br />
Music:<br />
Mikolaj Trzaska<br />
Production Design:<br />
Marek Zawierucha<br />
Costumes:<br />
Ewa Helman-Szczerbic,<br />
Magdalena Rutkiewicz<br />
Editing:<br />
Pawel Laskowski<br />
Sound:<br />
Katarzyna Dzida-Hamela, Jacek<br />
Hamela<br />
Producer:<br />
Wlodzimierz Niderhaus<br />
Cast:<br />
Agata Kulesza, Marcin Dorocinski, Kinga<br />
Preis, Jacek Braciak, Malwina Buss<br />
ROSE POLAND 2011<br />
94 wT, feradi<br />
94 min, colour<br />
reJisori:<br />
voicex smaJovski<br />
scenari:<br />
mixal SCerbici<br />
operatori:<br />
piotr soboCinski umcr.<br />
musika:<br />
mikolai tJaska<br />
mxatvari:<br />
marek zaveruxa<br />
kostiumebi:<br />
eva helman-SCerbici,<br />
magdalena rutkeviCi<br />
montaJi:<br />
pavel laskovski<br />
xma:<br />
kataJina Zida-hamela,<br />
iacek hamela<br />
prodiuseri:<br />
vloZimeJ niderhausi<br />
monawileoben:<br />
agata kuleSa, marCin<br />
doroCinski, kinga praisi,<br />
iacek braCakim malvina busi<br />
Production:<br />
WFDiF - Wytwórnia Filmów Dokumentalnych<br />
i Fabularnych<br />
Studio Filmowe Perspektywa<br />
Studio Filmowe OKO<br />
Studio Filmowe TOR<br />
World Sales<br />
Monolith Films<br />
The summer of 1945. Tadeusz, a former Home Army (AK) soldier who lost everything in the<br />
war, is journeying across Masuria. He arrives at the home of a German soldier’s widow. Rose,<br />
who lives alone on a large farm, gives him a cool welcome but lets him stay the night. Tadeusz<br />
repays her by helping around the farm. Gradually Tadeusz discovers the reasons for her<br />
solitude. Amidst a landscape ravaged by war, an impossible love is born between two people<br />
from distant worlds.<br />
daibada 1963 wels korCinSi, poloneTSi. kinoreJisuras<br />
swavlobda krakovis iagelonis universitetSi da loZis kinoskolaSi.<br />
1998 wels gadaiRo pirveli srulmetraJiani mxatvruli<br />
filmi „yuris niJara“. misma mesame filmma „cudi<br />
saxli“ polonuri kinoakademiis ori jildo miiRo 2010 wels<br />
_ saukeTeso reJisurisa da saukeTeso montaJisTvis, xolo<br />
filmma „roza“ polonuri kinoakademiis jildo eqvs kategoriaSi<br />
moipova, maT Soris, saukeTeso filmisTvis da saukeTeso<br />
reJisurisTvis.<br />
Born in 1963 in Korczyn, Poland. He studied filmmaking at Jagiellonian University<br />
in Kraków, and at Łódź Film School. He made his first feature THE<br />
AURICLE in 1998. His feature THE DARK HOUSE won the Polish Film Award<br />
for the Best Director and the Best Editing in 2010, and his latest film RÓŻA<br />
voicex smaJovski gained the Polish Film Award in six categories in <strong>2012</strong>, among them the<br />
WOJCIECH SMARZOWSKI Best Film Award and the Best Director Award.<br />
65
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
RUNDSKOP<br />
xarisTava belgia 2011<br />
policielis mkvleloba da gamoZiebis dawyeba belgiis egreT wodebul „hormonebis<br />
fermis mafiaSi“ panikas iwvevs. am fonze, savaWro garigebis dros, erTmaneTs<br />
xvdebian bavSvobis megobrebi _ zrdis hormonebis aralegaluri dileri<br />
da policiis informatori.<br />
Filmography / filmografia<br />
2011 Bullhead<br />
2005 The One Thing to Do (short)<br />
2005 Selected Shorts (video short)<br />
2004 Carlo (short)<br />
Director:<br />
Michaël R. Roskam<br />
Screenplay:<br />
Michaël R. Roskam<br />
Cinematography:<br />
Nicolas Karakatsanis<br />
Music:<br />
Raf Keunen<br />
Production Design:<br />
Walter Brugmans<br />
Costumes:<br />
Margriet Procee<br />
Editing:<br />
Alain Dessauvage<br />
Sound:<br />
Benoit de Clerck<br />
Producer:<br />
Bart Van Langendonck, Peter<br />
Bouckaert<br />
Cast:<br />
Matthias Schoenaerts, Jeroen<br />
Perceval, Barbara Sarafian, Jeanne<br />
Dandoy, Tibo Vandenborre, Sam<br />
Louwyck<br />
66<br />
BULLHEAD BELGIUM 2011<br />
reJisori:<br />
mixael r. roskami<br />
scenari:<br />
mixael r. roskami<br />
operatori:<br />
nikola karakacanisi<br />
musika:<br />
raf koineni<br />
mxatvari:<br />
valter brugmansi<br />
kostiumebi:<br />
margrit prose<br />
montaJi:<br />
alen desavaJi<br />
xma:<br />
benua de klerki<br />
prodiuseri:<br />
bert van langendonki,<br />
peter bukerti<br />
monawileoben:<br />
matias Sonerci, Jeroen<br />
persivali, barbara<br />
sarafiani, Jan dandoi,<br />
tibo vandenbori, sem<br />
luviki<br />
Production:<br />
Savage Film<br />
in co-production with:<br />
Eyeworks Film & TV Drama NV<br />
Artémis Productions<br />
Waterland Film & TV<br />
World Sales:<br />
Celluloid Dreams<br />
A police murder and the following investigation create panic in the so-called Belgian “cattle hormone<br />
mafia.” During a transaction, an illegal growth hormone dealer and a police informer face<br />
each other in a crime investigation. But then a dark and unsettling story about loyalty and friendship<br />
unfolds through their tormented past as childhood friends.<br />
mixael r. roskami<br />
MICHAËL R. ROSKAM<br />
124 wT, feradi<br />
124 min, colour<br />
daibada 1972 wels sent-trioidenSi, belgiaSi. briuselis<br />
wminda lukasis saxelobis samxatvro akademiaSi swavlobda<br />
Tanamedrove xelovnebas da ferweras. 2005 wels daamTavra<br />
amsterdamis bingeris kinoinstitutis kinodramaturgiisa da<br />
scenaris ganviTarebis fakultetis magistratura. 2011 wels<br />
roskamma pirveli srulmetraJiani mxatvruli filmi „xaris<br />
Tavi“ gadaiRo, romelic amerikuli kinoakademiis jildoze<br />
waradgines saukeTeso ucxoenovani filmis nominaciaSi, re-<br />
Jisori ki „varietes“ mier im aT reJisors Soris dasaxelda,<br />
„romlis filmic aucileblad unda naxo“.<br />
Born in 1972 in Sint-Truiden, Belgium. Roskam attended St. Lucas Academy<br />
of Fine Arts in Brussels, where he studied painting and contemporary art,<br />
and the Binger Film Institute in Amsterdam where he graduated in 2005<br />
with a master degree in script writing and development. Roskam made his<br />
feature film debut with BULLHEAD (2011). The film was nominated for the<br />
Academy Award for Best Foreign Language Film. The director was named<br />
by Variety as one of the “10 directors to watch”.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
SEBBE<br />
sebe SvedeTi <strong>2012</strong><br />
15 wlis biWi, sebe, martoxela dedasTan, evasTan erTad cxovrobs patara binaSi.<br />
bina Zalian pataraa ori adamianisTvis, amitom sebe da dedamisi xSirad Cxuboben.<br />
biWs mama bundovnad axsovs, samagierod evam icis, rom Svili mamis namdvili<br />
aslia da misi saxiT mudam TvalSi eCxireba yofili partniori. magram sebes mama<br />
ukvalod mainc ar dakargula: xandaxan is biWs sizmarSi ecxadeba xolme.<br />
Filmography / filmografia<br />
2010 Sebbe<br />
2008 Jag Förstår Inte (short doc.)<br />
2004 Elixir (short)<br />
2002 Skolan (short)<br />
2002 Gösta Och Lennart (short doc.)<br />
1999 Aprikosgatan (short doc.)<br />
Director:<br />
Babak Najafi<br />
Screenplay:<br />
Babak Najafi<br />
Cinematography:<br />
Simon Pramsten<br />
Production Design:<br />
Gilles Balabaud<br />
Costumes:<br />
Marie Flyckt<br />
Editing:<br />
Andreas Nilsson<br />
Sound:<br />
Per Nyström<br />
Producer:<br />
Mimmi Spång, Rebecka Lafrenz<br />
Cast:<br />
Sebastian Hiort af Ornäs, Eva<br />
Melander, Kenny Wåhlbrink<br />
SEBBE SWEDEN 2010<br />
reJisori:<br />
babak najafi<br />
scenari:<br />
babak najafi<br />
operatori:<br />
simon pramsteni<br />
mxatvari:<br />
Jil balabo<br />
kostiumebi:<br />
mari fliqti<br />
montaJi:<br />
andreas nilsoni<br />
xma:<br />
per nustromi<br />
prodiuseri:<br />
mimi spongi,<br />
rebeka lafrenci<br />
monawileoben:<br />
sebastian hiort af<br />
ornesi, eva melanderi, keni<br />
volbrinki<br />
Production:<br />
Garagefilm International<br />
Kvarngatan 4<br />
118 47 Stockholm<br />
Sweden<br />
Phone: +46 8 545 133 65<br />
info@garagefilm.se<br />
World Sales:<br />
Garagefilm International AB<br />
Sebbe is fifteen and a bit of an inventor. He and his single mother live in an apartment that<br />
is really too small for the pair of them and so it’s inevitable that there’s friction from time to<br />
time. Sebbe only has the vaguest memories of his father, but his mother Eva has a clear picture<br />
of him – for Sebbe looks exactly like his father and so her son is a constant reminder of her<br />
former boyfriend. But Sebbe’s father is not completely lost: sometimes he appears to the boy<br />
in dreams.<br />
babak najafi<br />
BABAK NAJAFI<br />
79 wT, feradi<br />
79 min, colour<br />
daibada 1975 wels karamiSi, iranSi. 1998-2002 wlebSi swavlobda<br />
stokholmis kinos, radios, televiziisa da dramis kolejSi, sadac<br />
gadaRebuli aqvs ramdenime moklemetraJiani dokumenturi<br />
da mxatvruli filmi. „sebe“ misi pirveli srulmetraJiani mxatvruli<br />
filmia.<br />
Born in Karami, Iran in 1975, he studied at the Drama Institute of the College<br />
of Film, Radio, Television and Drama in Stockholm from 1998-2002,<br />
since which time he has made several short feature films and documentaries.<br />
SEBBE is his first feature-length drama.<br />
67
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
SHAME<br />
sircxvili didi britaneTi 2011<br />
sareklamo kompaniis niu-iorkeli menejeri brendoni qalebTan xangrZliv urTierTobas<br />
gaurbis, samagierod misTvis seqsi narkotikiviTaa, romliTac Tavis fantazias<br />
kvebavs. Tavneba umcrosi dis, sisis Camosvlis Semdeg ki brendoni sakuTar<br />
cxovrebaze kontrols kargavs.<br />
Filmography / filmografia<br />
2011 Shame<br />
2008 Hunger<br />
1997 Exodus (short)<br />
Director:<br />
Steve McQueen<br />
Screenplay:<br />
Steve McQueen, Abi Morgan<br />
Cinematography:<br />
Sean Bobbitt<br />
Music:<br />
Harry Escott<br />
Production Design:<br />
Judy Becker<br />
Editing:<br />
Joe Walker<br />
Producer:<br />
Iain Canning, Emile Sherman<br />
Cast:<br />
Michael Fassbender, Carey Mulligan,<br />
James Badge Dale<br />
68<br />
SHAME UK 2011<br />
99 wT, feradi<br />
99 min, colour<br />
reJisori:<br />
stiv maqquini<br />
scenari:<br />
stiv maqquini, ebi morgani<br />
operatori:<br />
Son bobiti<br />
musika:<br />
hari eskoti<br />
mxatvari:<br />
judi bekeri<br />
montaJi:<br />
jo uokeri<br />
prodiuseri:<br />
iein kaningi, emil Sermani<br />
monawileoben:<br />
maikl fasbenderi, keri<br />
maligani, jeims baj deili<br />
Production:<br />
See-Saw Films<br />
Film4<br />
UK Film Council<br />
World Sales:<br />
Momentum Pictures<br />
Brandon is a New Yorker who shuns intimacy with women but feeds his desires with a compulsive<br />
addiction to sex. When his wayward younger sister moves into his apartment stirring memories<br />
of their shared painful past, Brandon’s insular life spirals out of control.<br />
stiv maqquini<br />
STEVE MCQUEEN<br />
daibada 1969 wels londonSi. britaneli artisti da kinore-<br />
Jisori. misi pirveli srulmetraJiani namuSevari „SimSili“ kanis<br />
kinofestivalis „oqros kameriT“ da sxva uamravi saerTaSoriso<br />
kinofestivalis priziT dajildovda. 2002 wels maqquins britane-<br />
Tis imperiis ordeni da oficris wodeba, 2011 wels ki _ sapatio<br />
kavaleris wodeba mieniWa.<br />
Born in 1969 in London. British artist and filmmaker. McQueen’s first feature HUN-<br />
GER won Camera D’Or at the Cannes Film Festival and countless other international<br />
prizes. In 2002 he was awarded the OBE and the CBE in 2011. Steve McQueen<br />
lives and works in Amsterdam and in London
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
THE ANGELS’ SHARE<br />
angelozTa wili didi britaneTi / belgia / <strong>safrangeTi</strong> / italia <strong>2012</strong><br />
axalgamomcxvari mama, robi, Cumad ipareba samSobiaroSi Tavisi megobari gogos<br />
sanaxavad da rodesac is axalSobil luks pirvelad aiyvans xelSi, daificebs,<br />
rom mis Svils masaviT areuli cxovreba ar eqneba. robis axali cxovrebis dawyeba<br />
ase uceb ar gamosdis _ morigi saqmis dros is, marTalia, cixes gadaurCeba,<br />
magram iZulebiT samuSaoebze gagzavnian. mas da mis axal megobrebs rinos, mos<br />
da alberts zedamxedvelad garis dauniSnaven, romelic maT malulad viskis degustacias<br />
aswavlis. robis degustaciis unikaluri niWi aRmoaCndeba. magram raSi<br />
gamoiyeneben is da misi megobrebi am niWs _ TaRliTobisTvis Tu axali momavlis<br />
Sesaqmnelad? es mxolod angelozebma uwyian...<br />
Filmography / filmografia<br />
<strong>2012</strong> Angels’ Share<br />
2009 Looking For Eric<br />
2007 It’s A Free World<br />
2007 Happy Ending (Short film)<br />
2006 The Wind That Shakes The Barley<br />
2004 Tickets (Short film)<br />
2003 Ae Fond Kiss<br />
2002 Sweet Sixteen<br />
2002 11’09’01 (Short film)<br />
2001 The Navigators<br />
2000 Bread and Roses<br />
1998 My Name is Joe<br />
Director:<br />
Ken Loach<br />
Screenplay:<br />
Paul Laverty<br />
Cinematography:<br />
Robbie Ryan<br />
Music:<br />
George Fenton<br />
Production Design:<br />
Fergus Clegg<br />
Editing:<br />
Jonathan Morris<br />
Sound:<br />
Ray Beckett<br />
Producer:<br />
Rebecca O’Brien<br />
Cast:<br />
Paul Brannigan, John Henshaw, Gary<br />
Maitland, Jasmin Riggins, William<br />
Ruane, Roger Allam, Siobhan Reilly<br />
1996 Carla’s Song<br />
1995 Land and Freedom<br />
1994 Ladybird Ladybird<br />
1993 Raining Stones<br />
1991 Riff-Raff<br />
1990 Hidden Agenda<br />
1986 Fatherland<br />
1979 Black Jack<br />
1977 Looks and Smiles<br />
1972 Family Life<br />
1969 Kes<br />
1967 Poor Cow<br />
106 wT, feradi<br />
106 min, colour<br />
reJisori:<br />
ken louCi<br />
scenari:<br />
pol laverti<br />
operatori:<br />
robi raiani<br />
musika:<br />
jorj fentoni<br />
mxatvari:<br />
fergus klegi<br />
montaJi:<br />
jonaTan morisi<br />
xma:<br />
rei beketi<br />
prodiuseri:<br />
rebeka o’braiani<br />
monawileoben:<br />
pol brenigani, jon henSou,<br />
geri meitlandi, jasmin<br />
riginsi, rojer alemi,<br />
sobhan raili<br />
Production:<br />
Sixteen Films<br />
Why Not Productions<br />
Les Films Du Fleuve<br />
Urania Pictures<br />
France 2 Cinema<br />
World Sales:<br />
Wild Bunch<br />
THE ANGELS’ SHARE UK / BELGIUM / FRANCE / ITALY <strong>2012</strong><br />
A bittersweet comedy about a Glasgow boy locked in a family feud who just wants a way out.<br />
When Robbie sneaks into the maternity hospital to visit his young girlfriend Leonie and hold<br />
his newborn son Luke for the first time, he is overwhelmed. He swears that Luke will not lead<br />
the same stricken life he has led. On community service Robbie meets Rhino, Albert and Mo<br />
for whom, like him, work is little more than a distant dream. Little did Robbie imagine that<br />
turning to drink might change their lives - not cheap fortified wine, but the best malt whiskies<br />
in the world. What will it be for Robbie? More violence and vendettas or a new future with<br />
‘Uisge Beatha,’ the ‘Water of Life’? Only the angels know...<br />
ken louCi<br />
KEN LOACH<br />
daibada 1936 wels nanitonSi, varvikSirSi. swavlobda samarTals<br />
oqsfordis universitetis wminda petres kolejSi. TeatrSi msaxiobad<br />
xanmokle muSaobis Semdeg, 1963 wels louCi BBC-Si iwyebs<br />
muSaobas telereJisorad. aqedan iwyeba misi, rogorc reJisoris<br />
xangrZlivi kariera kinosa da televiziaSi.<br />
Ken Loach was born in 1936 in Nuneaton, UK. He read law at St Peter’s College,<br />
Oxford. After a brief spell in the theatre, Loach was recruited by the<br />
BBC in 1963 as a television director. This launched a long career directing<br />
films for television and the cinema.<br />
69
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
VIER TAGE IM MAI<br />
maisis 4 dRe germania / ruseTi / ukraina 2011<br />
germania, meore msoflio omis dasrulebamde oTxi dRiT adre. sabWoTa armiis kapitani<br />
sadazvervo jgufTan erTad zRvis piras ganlagebul obol bavSvTa TavSesafars<br />
ikavebs; iqve, sanapiroze, germanuli armiis danayofia dabanakebuli. miuxedavad<br />
imisa, rom germanelebi ricxviT bevrad aRematebian rusebs, saqme Setakebamde ar<br />
midis. brZola aRaravis unda, 13 wlis oboli biWis, peteris garda, romelsac gmiroba<br />
swyuria da mTeli Tavisi eSmakobis da Zalebis gamoyenebiT mowinaaRmdegeebis<br />
wakidebas cdilobs. Tumca male aRmoaCens, rom savaraudo mteri masze mamasaviT<br />
zrunavs, namdvili mowinaaRmdege ki sadRac sul sxvagan imaleba.<br />
Filmography / filmografia<br />
2011 Four Days in May<br />
2010 Wie einst Lilly (TV series: Tatort)<br />
2010 Der Schmale Grat (TV series: Unter Verdacht)<br />
2008 Das Geld anderer Leute (TV series: Unter<br />
Verdacht)<br />
2006 Epsteins Erbe (TV series: Blond: Eva Blond!)<br />
Director:<br />
Achim von Borries<br />
Screenplay:<br />
Achim von Borries<br />
Cinematography:<br />
Bernd Fischer<br />
Music:<br />
Thomas Feiner<br />
Production Design:<br />
Ariunsaikhan Davaakhuu<br />
Costumes:<br />
Nicole Fischnaller<br />
Editing:<br />
Antje Zynga<br />
Sound:<br />
Martin Müller<br />
Producer: Stefan Arndt<br />
Co-Producer: Aleksei Guskov, Evgeni<br />
Chanin, Oleg Stepanenko, Achim von<br />
Borries<br />
Cast: Pavel Wenzel , Aleksei Guskov,<br />
Grigory Dobrygin, Angelina Häntsch,<br />
Gertrud Roll, Merab Ninidze, Veit<br />
Stübner, Sylke Langenbeck<br />
70<br />
97 wT, feradi<br />
97 min, colour<br />
2006 Hundsheim (TV series: Der Elefant - Mord<br />
verjährt nie)<br />
2006 Der lange Weg zurück (TV series: Der Elefant -<br />
Mord verjährt nie)<br />
2004 Love in toughts / Was nützt die Liebe in Gedanken<br />
2000 England!<br />
1998 Halberstadt (short)<br />
4 DAYS IN MAY GERMANY / RUSSIA / UKRAINE 2011<br />
reJisori:<br />
axim fon borisi<br />
scenari: axim fon borisi<br />
operatori: bernd fiSeri<br />
musika: Tomas faineri<br />
mxatvari: ariusaixan<br />
davaaxuu<br />
kostiumebi: nikol<br />
fiSnaleri<br />
montaJi: antie cinga<br />
xma: martin miuleri<br />
prodiuseri: Stefan arndti<br />
Tanaprodiuseri: aleqsei<br />
guskovi, evgeni Sanini, oleg<br />
stepanenko, axim fon borisi<br />
monawileoben: pavel<br />
venceli, aleqsei guskovi,<br />
grigori dobrigini,<br />
angelina hentSi, gertrud<br />
roli, merab niniZe,<br />
fait Stiubneri, zilke<br />
langenbeki<br />
Production:<br />
X Filme Creative Pool<br />
in co-production with:<br />
ZAO Studio F.A.F. (Moscow)<br />
LLC Aurora Production (Kiev)<br />
NDR (Hamburg)<br />
HR (Frankfurt am Main)<br />
World Sales:<br />
The Match Factory<br />
Four days before the end of the Second World War in Germany. The world is holding its breath.<br />
A Soviet Captain and his patrol have occupied an orphanage by the sea; a German army unit is<br />
camped on the beach; a secret love affair blooms against all odds. Everyone is weary of fighting,<br />
except for the thirteen-year-old orphan Peter, who wants to prove that he is a hero and tries with all<br />
his cunning and power to instigate trouble between the opposing troops until he finds a fatherly<br />
friend in the supposed enemy and has to learn that the real opponent is lurking elsewhere. This<br />
time the boundary lines don’t run between friend and foe, but between good and evil.<br />
axim fon borisi<br />
ACHIM VON BORRIES<br />
daibada 1968 wels miunhenSi. 1989-1993 wlebSi berlinis Tavisufal<br />
universitetSi swavlobda istorias, politikur mecnierebebsa<br />
da filosofias, 1992 wlidan swavla ganagrZo berlinis<br />
germanuli televiziisa da kinos akademiaSi. mis sadebiuto srulmetraJian<br />
films „inglisi!“ didi warmateba da saerTaSoriso aRiareba<br />
xvda wilad. es filmi, romelSic erT-erT mTavar rols<br />
merab niniZe asrulebs, 2000 wels Tbilisis pirveli saerTaSoriso<br />
kinofestivalis sakonkurso programaSi iyo warmodgenili. meore<br />
srulmetraJiani filmis „ras gargebs siyvaruli fiqrebSi“ (2004)<br />
gadaRebis Semdeg borisi didxans muSaobda televiziaSi, iRebda<br />
epizodebs germanuli televiziis popularuli serialebisTvis.<br />
Born 1968 in Munich, studied History, Political Science and Philosophy from<br />
1989 to 1993 at the Freie Universität Berlin. In 1992 he continued his studies<br />
at the German Film and Television Academy (dffb). Borries was highly praised<br />
for his impressive screen debut ENGLAND!, which was also his graduating film<br />
at the dffb. After his second directorial feature film LOVE IN THOUGHTS Achim<br />
von Borries has directed episodes of well-known German television series.
evropuli kinos forumi<br />
FORUM OF EUROPEAN CINEMA<br />
YERALTI<br />
jurRmuli TurqeTi <strong>2012</strong><br />
dostoevskis nawarmoebis „Canawerebi iatakqveSeTidan“ mixedviT. dostoevskis<br />
gmiris msgavsad, muharemic gariyulia, siZulvilisa da damcirebis samyaroSi<br />
gamoketili. Zvel megobrebTan Sexvedra muharems sakuTari cxovrebis ubadrukobas<br />
cxadad agrZnobinebs.<br />
Filmography / filmografia<br />
<strong>2012</strong> Inside / Yeraltı<br />
2009 Envy / Kıskanmak<br />
2006 Destiny / Kader<br />
2003 The Waiting Room / Bekleme Odası<br />
Director:<br />
Zeki Demirkubuz<br />
Screenplay:<br />
Zeki Demirkubuz<br />
Cinematography:<br />
Türksoy Gölebeyi<br />
Production Design:<br />
Başak Emre<br />
Costumes:<br />
Nihan Güneş<br />
Editing:<br />
Zeki Demirkubuz<br />
Sound:<br />
Furkan Atlı<br />
Producer:<br />
Zeki Demirkubuz<br />
Cast:<br />
Engin Günaydın, Nergis Öztürk, Nihal<br />
Yalçın<br />
2001 Fate / Yazgı<br />
2001 Confession / Itiraf<br />
1999 The Third Page / Üçüncü Sayfa<br />
1997 Innocence / Masumiyet<br />
1994 Block C /C Blok<br />
INSIDE TURKEY <strong>2012</strong><br />
107 wT, feradi<br />
107 min, colour<br />
reJisori:<br />
zeki demirkubuzi<br />
scenari:<br />
zeki demirkubuzi<br />
operatori:<br />
Turqsoi golebei<br />
mxatvari:<br />
baSak emre<br />
kostiumebi:<br />
nihan giuneSi<br />
montaJi:<br />
zeki demirkubuzi<br />
xma:<br />
furkan atli<br />
prodiuseri:<br />
zeki demirkubuzi<br />
monawileoben:<br />
engin giunaidini, nergis<br />
ozTiurqi, nihal ialCini<br />
Production:<br />
Mavi Film<br />
Tel.: +90 212 244 90 84<br />
info@zekidemirkubuz.com<br />
World Sales:<br />
Festival on Wheels<br />
Basak Emre<br />
Tel.: +90 312 466 34 84<br />
info@festivalonwheels.org<br />
In “Notes from Underground”, Dostoevsky portrayed one of literature’s most famous anti-heroes.<br />
Like Dostoevsky’s hero, Muharrem is an outsider, locked into a world of hate and contempt.<br />
At dinner with old friends, the squalor of his life is brought home to Muharrem.<br />
zeki demirkubuzi<br />
ZEKI DEMIRKUBUZ<br />
daibada 1964 wels ispartaSi, TurqeTSi. 1980 wlis samxedro<br />
gadatrialebis Semdeg politikuri saqmianobisTvis sami wliT<br />
patimroba miesaja. cixidan gaTavisuflebis Semdeg swavla ganagrZo<br />
da stambolis universitetis komunikaciebis fakulteti<br />
daamTavra. kinoSi muSaoba reJisoris asistentad daiwyo 1986<br />
wels. 1994 wels gadaiRo pirveli damoukidebeli filmi „bloki<br />
C“, momdevno orma filmma ki ukve saerTaSoriso aRiareba moutana.<br />
zeki demirkubuzis filmi „mesame gverdi“ Tbilisis pirveli<br />
saerTaSoriso kinofestivalis sakonkurso programaSi monawileobda<br />
2000 wels, sadac priziT aRiniSna saukeTeso scenarisTvis.<br />
Born in 1964 in Isparta, Turkey. He spent several years after the 1980 military<br />
coup in Turkey in prison. He has been making films since 1986. His<br />
international breakthrough came with the films INNOCENCE (1997) and<br />
THE THIRD PAGE (1999).<br />
71
72<br />
germanul-franguli<br />
megobroba kinoSi<br />
Sobas gilocavT<br />
Juli da jimi<br />
zRva ganTiadisas<br />
siamovneba<br />
madam de...<br />
dasavleTis fronti, 1918<br />
HAPPY CHRISTMAS<br />
JULES AND JIM<br />
CALM AT SEA<br />
LE PLAISIR<br />
THE EARRINGS OF MADAME DE...<br />
THE WESTERN FRONT 1918<br />
GERMAN-FRENCH<br />
FRIENDSHIP IN CINEMA
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
JOYEUX NOËL<br />
Sobas gilocavT<br />
<strong>safrangeTi</strong> / germania / didi britaneTi / belgia / rumineTi / norvegia 2005<br />
msoflio omis dros, erT Soba saRamos germanelebi, frangebi da Sotlandielebi<br />
Serigdebian da im xalxis mosanaxuleblad gaeSurebian, visac araferi aqvs saerTo<br />
sisxlian omTan. es saRamo maTTvis humanurobis gakveTilad iqceva.<br />
Filmography / filmografia<br />
2009 Farewell<br />
2005 Joyeux Noel<br />
2001 The Girl from Paris<br />
1999 Monsieur le député (short)<br />
Director:<br />
Christian Carion<br />
Screenplay:<br />
Christian Carion<br />
Cinematography:<br />
Walther van den Ende<br />
Music:<br />
Philippe Rombi<br />
Production Design:<br />
Jean-Michel Simonet<br />
Costumes:<br />
Alison Forbes-Meyler<br />
Editing:<br />
Judith Rivière Kawa, Andrea<br />
Sedlácková<br />
Producer:<br />
Christophe Rossignon<br />
Cast:<br />
Diane Kruger, Benno Fürmann,<br />
Guillaume Canet<br />
74<br />
116 wT, feradi<br />
116 min, colour<br />
reJisori:<br />
kristian karioni<br />
scenari:<br />
kristian karioni<br />
operatori:<br />
valter van den ende<br />
musika:<br />
filip rombi<br />
mxatvari:<br />
Jan-miSel simone<br />
kostiumebi:<br />
elison forbs-meileri<br />
montaJi:<br />
iudit riviere kava,<br />
andrea sedlakova<br />
prodiuseri:<br />
kristof rosinioni<br />
monawileoben:<br />
daian krugeri, beno<br />
fiurmani, giiom kane<br />
Production:<br />
Nord-Ouest Productions<br />
HAPPY CHRISTMAS FRANCE / GERMANY / UK / BELGIUM / ROMANIA / NORWAY 2005<br />
On Christmas Eve during world War I, the Germans, French, and Scottish fraternize and get to know<br />
the men who live on the opposite side of a brutal war, in what became a true lesson of humanity.<br />
kristian karioni<br />
CHRISTIAN CARION<br />
daibada 1963 wels kambreSi, safrangeTSi. frangi kinoreJisori da<br />
scenaristi. fermerebis ojaxSi dabadebulma karionma uCveulo<br />
gza ganvlo kinosken. 1991 wlamde qalaq arasSi, soflis meurneobis<br />
saministroSi muSaobda. kinoSi Seyvarebuli karioni im periodSi<br />
kameras qiraobda da ase iRebda filmebs. mogvianebiT is<br />
Tavis prodiusers, kristof rosinions Sexvda, romelmac misi,<br />
rogorc reJisoris bedi gansazRvra. karionis pirveli srulmetraJiani<br />
filmis, „parizeli gogonas“ (2001) warmatebam Sesa-<br />
Zebloba misca reJisors, didi xnis Canafiqri aesrulebina da<br />
„Sobas gilocavT“ gadaeRo.<br />
Born in 1963 in Cambrai, Christian Carion lived an original journey before becoming<br />
a filmmaker. Coming from a family of farmers, he pursued his parents’<br />
wishes in studying a sciences secondary education and attending a ministry<br />
of agriculture engineering school at the age of 20, practicing his profession<br />
in Arras until 1991. As a person passionate of the 7th art, he decided to devote<br />
himself to cinema by renting a camera and filming on his own. In this<br />
endeavor he meets and becomes the friend of producer Christophe Rossignon<br />
who definitely guides him towards a career as a director. His debut, THE GIRL<br />
FROM PARIS, launch Christian Carion’s cinematic destiny towards the film that<br />
he carried at heart during a dozen years: MERRY CHRISTMAS.
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
JULES ET JIM<br />
Juli da jimi <strong>safrangeTi</strong> 1962<br />
parizSi, meore msoflio omis dawyebamde, or megobars _ avstriels Juls da<br />
frang jims _ erTi da igive qali, katrini Seuyvardeba. magram katrini Juls<br />
irCevs da coladac mas gayveba. omis Semdeg, roca germaniaSi kvlav Sexvdebian<br />
erTmaneTs, katrins jimi Seuyvardeba... es sami adamianis siyvarulis istoriaa,<br />
siyvarulis, romelic maT megobrobas xels ar uSlis.<br />
Filmography / filmografia<br />
1983 Confidentially Yours<br />
1981 The Woman Next Door<br />
1980 The Last Metro<br />
1979 Love on the Run<br />
1978 The Green Room<br />
1977 The Man Who Loved Women<br />
1976 Small Change<br />
1975 The Story of Adele H<br />
1973 Day for Night<br />
1972 A Gorgeous Girl Like Me<br />
Director:<br />
François Truffaut<br />
Screenplay:<br />
François Truffaut, Jean Gruault<br />
Cinematography:<br />
Raoul Coutard<br />
Music:<br />
Georges Delerue<br />
Production Design:<br />
Fred Capel<br />
Editing:<br />
Claudine Bouché<br />
Producer:<br />
François Truffaut, Marcel Berbert<br />
Cast:<br />
Jeanne Moreau, Oskar Werner, Henri<br />
Serre<br />
1971 Two English Girls<br />
1970 Bed & Board<br />
1970 The Wild Child<br />
1969 Mississippi Mermaid<br />
1968 Stolen Kisses<br />
1968 The Bride Wore Black<br />
1966 Fahrenheit 451<br />
1964 The Soft Skin<br />
1962 Jules and Jim<br />
1959 The 400 Blows<br />
JULES AND JIM FRANCE 1962<br />
105 wT, S-T<br />
105 min, B-W<br />
reJisori:<br />
fransua triufo<br />
scenari:<br />
fransua triufo, Jan gruo<br />
operatori:<br />
raul kutari<br />
musika:<br />
JorJ deleriu<br />
mxatvari:<br />
fred kapeli<br />
montaJi:<br />
klodin buSe<br />
prodiuseri:<br />
fransua triufo,<br />
marsel berberi<br />
monawileoben:<br />
Jan moro, oskar verneri,<br />
anri sere<br />
Production:<br />
Les Films du Carrosse<br />
Sédif Productions<br />
In Paris, before WWI, two friends, Jules (Austrian) and Jim (French) fall in love with the same<br />
woman, Catherine. But Catherine loves and marries Jules. After the war, when they meet again<br />
in Germany, Catherine starts to love Jim... This is the story of three people in love, a love which<br />
does not affect their friendship, and about how their relationship evolves with the years.<br />
fransua triufo<br />
FRANÇOIS TRUFFAUT<br />
(1932 – 1984)<br />
cnobili frangi kinoreJisori da kinokritikosi, franguli axali<br />
talRis erT-erTi damaarsebeli. ocdaxuTwliani kinokarieris<br />
ganmavlobaSi is franguli kinoindustriis simbolod iqca. fransua<br />
triufo iyo agreTve scenaristi, prodiuseri da msaxiobi.<br />
François Truffaut was an influential filmmaker and film critic, one of the<br />
founders of the French New Wave. In a film career lasting over a quarter<br />
of a century, he remains an icon of the French film industry. He was also a<br />
screenwriter, producer and actor, working on over twenty-five films.<br />
75
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
LA MER À L’AUBE<br />
zRva ganTiadisas <strong>safrangeTi</strong> / germania 2011<br />
1941 wlis oqtomberi. weliwadnaxevaria, rac <strong>safrangeTi</strong> germanuli armiis mier<br />
aris okupirebuli. winaaRmdegobis moZraobis axalgazrda komunisti mebrZolebi<br />
vermaxtis armiis oficers klaven. „samagierod“ hitleri 150 frangis daxvretas<br />
iTxovs. eseni umetesad axalgazrda mamakacebi unda iyvnen, romlebic Tavdamsxmelebs<br />
politikurad TanaugrZnoben. msxverpli adgilobrivma frangma administratorma<br />
unda SearCios _ is jer mxolod 35 wlis aris.<br />
Fimlography (selected)<br />
2011 Das Meer am Morgen<br />
2007 Ulzhan - Das vergessene<br />
Licht<br />
2006 Strajk - Die Heldin von<br />
Danzig<br />
2006 Billy Wilder Speaks (TV<br />
doc.)<br />
2004 Der neunte Tag<br />
2000 Die Stille nach dem Schuß<br />
1998 Palmetto<br />
Director:<br />
Volker Schlöndorff<br />
Screenplay:<br />
Volker Schlöndorff<br />
Cinematography:<br />
Lubomir Bakchev<br />
Music:<br />
Bruno Coulais<br />
Production Design:<br />
Stéphane Makedonsky<br />
Costumes:<br />
Agnès Noden<br />
Editing:<br />
Susanne Hartmann<br />
Sound:<br />
Philippe Garnier<br />
Producer:<br />
Bruno Petit<br />
Co-Producer:<br />
Thomas Teubner, Martin Choroba<br />
Cast:<br />
Léo Paul Salmain, Marc Barbé, Martin<br />
Loizillon, Philippe Résimont, Charlie<br />
Nelson, Gilles Arbona<br />
76<br />
1996 Le parfait soldat<br />
1996 Der Unhold<br />
1991 Homo Faber<br />
1990 The Handmaid’s Tale<br />
1984 Un amour de Swann<br />
1981 Die Fälschung<br />
1980 Der Kandidat (doc.)<br />
1979 Die Blechtrommel<br />
1976 Der Fangschuß<br />
1975 Die verlorene Ehre der<br />
Katharina Blum<br />
89 wT, feradi<br />
89 min, colour<br />
CALM AT SEA FRANCE / GERMANY 2011<br />
reJisori:<br />
folker Slendorfi<br />
scenari:<br />
folker Slendorfi<br />
operatori:<br />
lubomir bakCevi<br />
musika:<br />
bruno kule<br />
mxatvari:<br />
stefan makedonski<br />
kostiumebi:<br />
anies nodeni<br />
montaJi:<br />
zuzane hartmani<br />
xma:<br />
filip garnie<br />
prodiuseri:<br />
bruno peti<br />
Tanaprodiuseri:<br />
Tomas toibneri,<br />
martin Coroba<br />
monawileoben:<br />
leo pol salmeni, mark<br />
barbe, martin luazioni,<br />
filip resimoni, Carli<br />
nelsoni, Jil arbona<br />
Production:<br />
Provobis Gesellschaft für Film und Fernsehen<br />
Berlin, Deutschland<br />
+49 30 3069760<br />
office@provobis.de<br />
in co-production with:<br />
Les Canards Sauvages<br />
Arte France<br />
Bayerischer Rundfunk<br />
Norddeutscher Rundfunk<br />
Südwestrundfunk<br />
World Sales:<br />
Provobis Gesellschaft für Film und Fernsehen<br />
October 1941. Eighteen months into France’s occupation by German troops, young Communist<br />
members of the Resistance shoot dead an officer of the German Army. In retaliation, Hitler<br />
demands the deaths of 150 Frenchmen, as ‘retribution’. The targets are to be mostly young<br />
men believed to share the assassins’ political convictions. A 35-year-old French rural administrator<br />
is ordered to select the victims.<br />
folker Slendorfi<br />
VOLKER SCHLÖNDORFF<br />
1975 Les raisons de Georgina<br />
1974 Übernachtung in Tirol (TV<br />
movie)<br />
1972 Strohfeuer<br />
1972 Die Moral der Ruth Halbfass<br />
1970 Baal (TV movie)<br />
1969 Michael Kohlhaas - Der<br />
Rebell<br />
1967 Mord und Totschlag<br />
1966 Der junge Törless<br />
1960 Wen kümmert’s? (short)<br />
daibada 1939 wels visbadenSi, germaniaSi. 1956 wels safrangeTSi<br />
gaemgzavra, parizSi swavlobda ekonomikas, politikur mecnierebebsa<br />
da kinematografias. reJisoris asistentad muSaobda lui mal-<br />
Tan, Jan-pier melvilTan da alen renesTan. „axalgazrda toerlesi“<br />
(1965) axali germanuli kinos pirveli saerTaSoriso warmateba iyo.<br />
margaret fon trotasTan erTad gadaRebulma filmma „kaTarina<br />
blumis dakarguli Rirseba“ (1975) Slendorfs sayovelTao aRiareba<br />
moutana. filmma „Tunuqis doli“ kanis kinofestivalis „oqros<br />
palmis rto“ miiRo 1979 wels da amerikuli kinoakademiis „oskariTac“<br />
aRiniSna. filmebs iRebda safrangeTSi da aSS-Si, 1992-97<br />
wlebSi babelsbergis studias (yofili UFA-DEFA) xelmZRvanelobda.<br />
Born 31.3.1939 in Wiesbaden. He moved to France in 1956, studied politics in Paris<br />
and was assistant to Louis Malle, Jean-Pierre Melville and Alain Renais. YOUNG<br />
TORLESS (1965) was the first international hit of New German Cinema. THE LOST<br />
HONOUR OF KATHARINA BLUM, filmed with Margarethe von Trotta was a huge<br />
international success. THE TIN DRUM received a Golden Palm in Cannes 1979 as<br />
well as an Academy Award. He made several films in France and the USA and ran<br />
the former UFA/DEFA Studios in Babelsberg from 1992-97.
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
LE PLAISIR<br />
siamovneba <strong>safrangeTi</strong> 1952<br />
gi de mopasanis moTxrobebis mixedviT gadaRebuli kinematografiuli triptiqi _<br />
sami ambavi siamovnebis Sesaxeb: „niRabi“, „telies saxli“ da „modeli“.<br />
Filmography / filmografia<br />
1956 Lola Montès<br />
1953 Madame de...<br />
1952 Le plaisir<br />
1950 Vendetta<br />
1950 La ronde<br />
1949 The Reckless Moment<br />
1949 Caught<br />
1948 Brief einer Unbekannten<br />
1947 The Exile<br />
1940 Von Mayerling bis Sarajewo<br />
1940 Ohne ein Morgen<br />
1940 L’école des femmes<br />
1938 Le roman de Werther<br />
Director:<br />
Max Ophüls<br />
Screenplay:<br />
Jacques Natanson, Max Ophüls<br />
Cinematography:<br />
Christian Matras,Philippe Agostini<br />
Music:<br />
Joe Hajos, Maurice Yvain<br />
Production Design:<br />
Jean d’Eaubonne<br />
Costumes:<br />
Georges Annenkov<br />
Editing:<br />
Léonide Azar<br />
Sound:<br />
Pierre Calvet, Jean Rieul<br />
Producer:<br />
Max Ophüls, M. Kieffer,<br />
Édouard Harispuru<br />
Cast:<br />
Jean Gabin, Danielle Darrieux,<br />
Simone Simon, Claude Dauphin,<br />
Madeleine Renaud<br />
1937 Yoshiwara<br />
1936 Komödie ums Geld<br />
1936 Zärtliche Feindin<br />
1936 Valse brillante de Chopin<br />
1936 Ave Maria<br />
1935 Divine<br />
1934 Eine Diva für alle<br />
1934 On a volé un homme<br />
1933 Une histoire d’amour<br />
1933 Lachende Erben<br />
1933 Liebelei<br />
1932 Die verkaufte Braut<br />
1932 Die verliebte Firma<br />
1931 Dann schon lieber Lebertran (short)<br />
LE PLAISIR FRANCE 1952<br />
97 wT, S/T<br />
97 min, b/w<br />
reJisori:<br />
maqs ofulsi<br />
scenari:<br />
Jak naTansoni, maqs ofulsi<br />
operatori:<br />
kristian matrasi,<br />
filip agostini<br />
musika:<br />
jo haiosi, moris iveni<br />
mxatvari:<br />
Jan d’oboni<br />
kostiumebi:<br />
JorJ anenkovi<br />
montaJi:<br />
leonid azari<br />
xma:<br />
pier kalve, Jan rioli<br />
prodiuseri:<br />
maqs ofulsi, m. kiferi,<br />
eduard arispuru<br />
monawileoben:<br />
Jan gabeni, daniel darie,<br />
simon simoni, klod dofeni,<br />
madlen reno<br />
Production:<br />
Compagnie Commerciale Française Cinématographique<br />
S.A. (C.C.F.C.) (Paris)<br />
This cinematic triptych, based on stories of Guy de Maupassant, is subdivided into three shrot stories<br />
all concerning pleasue - Le Masque, La Maison Tellier and Le Modèle.<br />
maqs ofulsi<br />
MAX OPHÜLS<br />
(1902 – 1957)<br />
maqs ofulsis (maqs openhaimeri) kariera 1920-ian wlebSi TeatrSi<br />
msaxiobad da reJisorad muSaobiT iwyeba. 30-iani wlebis dasawyis-<br />
Si is kinematografiiT interesdeba da anatol litvakTan iwyebs<br />
reJisoris asistentad muSaobas. sul male pirvel damoukidebel<br />
filmebs iRebs. 1933 wels emigraciaSi midis safrangeTSi da<br />
momdevno rva wlis ganmavlobaSi safrangeTSi, niderlandebsa da<br />
italiaSi muSaobs. 1941 wels <strong>safrangeTi</strong>danac uwevs emigrireba,<br />
amjerad _ aSS-Si. holivudis TiTqmis aTwliani periodis Semdeg<br />
is 1950 wels isev safrangeTSi brundeba, sadac Tavis ukanasknel<br />
filmebs iRebs.<br />
„siamovneba“1955 wels „oskarze“ iyo nominirebuli saukeTeso mxatvrobisTvis.<br />
Max Ophüls (Max Oppenheimer) began his career as a stage actor and director<br />
in the golden twenties. In the early 1930s Ophüls discovered the movie world<br />
and began to work as an assistant director for Anatole Litvak. He directed his first<br />
movies (Dann schon lieber Lebertran (1931), Die verliebte Firma (1932)) in that<br />
time too. Around 1933 he emigrated to France and also worked in the Netherlands<br />
and Italy for a period of eight years. In 1941 he emigrated again, this time to<br />
the USA where he worked for a period of 10 years before he went back to France<br />
in 1950. Beginning in 1954 he also worked in Germany again, mainly for German<br />
radio in Baden-Baden. Max Ophüls died in March 1957 in Hamburg, Germany<br />
and is buried on the famous cemetery Père-Lachaise in Paris, France.<br />
77
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
MADAME DE...<br />
madam de... <strong>safrangeTi</strong> / italia 1953<br />
parizi me-19 saukunis bolos. generlis coli luiza qmris saqorwino saCuqars,<br />
sayureebs yidis, radgan valebis dasafarad fuli sWirdeba. generali saidumlod<br />
gamoisyidis sayureebs da maT Tavis sayvarels, lolas aCuqebs, romelic konstantinopolSi<br />
miemgzavreba. lola sayureebs kazinoSi waagebs da maT italieli diplomati,<br />
baroni donati iyidis. konstantinopolidan parizSi dabrunebuli donati<br />
luizas gaicnobs... da siyvarulis niSnad gulis formis oqros sayureebs aCuqebs...<br />
Filmography / filmografia<br />
1956 Lola Montès<br />
1953 Madame de...<br />
1952 Le plaisir<br />
1950 Vendetta<br />
1950 La ronde<br />
1949 The Reckless Moment<br />
1949 Caught<br />
1948 Brief einer Unbekannten<br />
1947 The Exile<br />
Director:<br />
Max Ophüls<br />
Screenplay:<br />
Marcel Achard, Max Ophüls,<br />
Annette Wademant<br />
Cinematography:<br />
Christian Matras, Ernest Bourreaud<br />
Music:<br />
Oscar Straus<br />
Production Design:<br />
Jean d’Eaubonne<br />
Costumes:<br />
Georges Annenkov, Rosine Delamare<br />
Editing:<br />
Boris Lewin<br />
Sound:<br />
Antoine Petitjean<br />
Producer:<br />
Henri Deutschmeister<br />
Cast:<br />
Danielle Darrieux, Charles Boyer,<br />
Vittorio De Sica<br />
78<br />
1940 Von Mayerling bis Sarajewo<br />
1940 Ohne ein Morgen<br />
1940 L’école des femmes<br />
1938 Le roman de Werther<br />
1937 Yoshiwara<br />
1936 Komödie ums Geld<br />
1936 Zärtliche Feindin<br />
1936 Valse brillante de Chopin<br />
1936 Ave Maria<br />
1935 Divine<br />
99 wT, S/T<br />
99 min, b/w<br />
reJisori:<br />
maqs ofulsi<br />
scenari:<br />
marsel aSari, maqs ofulsi,<br />
anet vademoni<br />
operatori:<br />
kristian matrasi,<br />
ernest buro<br />
musika:<br />
oskar Strausi<br />
mxatvari:<br />
Jan d’oboni<br />
kostiumebi:<br />
JorJ anenkovi,<br />
rozin delamari<br />
montaJi:<br />
boris levini<br />
xma:<br />
antuan petitJani<br />
prodiuseri:<br />
anri doiCmaisteri<br />
monawileoben:<br />
daniel darie, Sarl boie,<br />
vitorio de sika<br />
Production<br />
Franco-London-Films S.A. (Paris)<br />
Indusfilms (FR)<br />
in co-production with:<br />
Rizzoli Film S.p.A. (Rom)<br />
THE EARRINGS OF MADAME DE... FRANCE / ITALY 1953<br />
In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband<br />
gave her as a wedding gift: she needs money to cover her debts. The general secretly buys the<br />
earrings again and gives them to his mistress, Lola, leaving to go to Constantinople where an<br />
Italian diplomat, Baron Donati, buys them. Back to Paris, Donati meets Louise... So now Louise<br />
discovers love and becomes much less frivolous.<br />
maqs ofulsi<br />
MAX OPHÜLS<br />
(1902 – 1957)<br />
1934 Eine Diva für alle<br />
1934 On a volé un homme<br />
1933 Une histoire d’amour<br />
1933 Lachende Erben<br />
1933 Liebelei<br />
1932 Die verkaufte Braut<br />
1932 Die verliebte Firma<br />
1931 Dann schon lieber Lebertran<br />
(short)<br />
maqs ofulsis (maqs openhaimeri) kariera 1920-ian wlebSi TeatrSi<br />
msaxiobad da reJisorad muSaobiT iwyeba. 30-iani wlebis dasawyis-<br />
Si is kinematografiiT interesdeba da anatol litvakTan iwyebs<br />
reJisoris asistentad muSaobas. sul male pirvel damoukidebel<br />
filmebs iRebs. 1933 wels emigraciaSi midis safrangeTSi da<br />
momdevno rva wlis ganmavlobaSi safrangeTSi, niderlandebsa da<br />
italiaSi muSaobs. 1941 wels <strong>safrangeTi</strong>danac uwevs emigrireba,<br />
amjerad _ aSS-Si. holivudis TiTqmis aTwliani periodis Semdeg<br />
is 1950 wels isev safrangeTSi brundeba, sadac Tavis ukanasknel<br />
filmebs iRebs. „madam de...“1955 wels „oskarze“ iyo nominirebuli<br />
saukeTeso kostiumebisTvis.<br />
Max Ophüls (Max Oppenheimer) began his career as a stage actor and<br />
director in the golden twenties. In the early 1930s Ophüls discovered the<br />
movie world and began to work as an assistant director for Anatole Litvak.<br />
He directed his first movies (Dann schon lieber Lebertran (1931), Die verliebte<br />
Firma (1932)) in that time too. Around 1933 he emigrated to France<br />
and also worked in the Netherlands and Italy for a period of eight years.<br />
In 1941 he emigrated again, this time to the USA where he worked for a<br />
period of 10 years before he went back to France in 1950. Beginning in<br />
1954 he also worked in Germany again, mainly for German radio in Baden-<br />
Baden. Max Ophüls died in March 1957 in Hamburg, Germany and is buried<br />
on the famous cemetery Père-Lachaise in Paris, France.
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
WESTFRONT 1918<br />
dasavleTis fronti, 1918 germania 1930<br />
oTxi germaneli jariskacis ambavi, romlebic pirveli msoflio omis ukanasknel<br />
wels erTad ibrZvian <strong>safrangeTi</strong>s frontze. mxiaruli bavarielisTvis omi, pirvel<br />
rigSi, Tavgadasavalia. berlinel karls frontze dabruneba uxaria, radgan<br />
xanmokle SvebulebiT Sin Casuls colis loginSi sxva kaci daxvda. leitenants, maT<br />
meTaurs, araferi ainteresebs valdebulebis Sesrulebis garda. jgufis meoTxe<br />
wevria studenti, romelsac frangi gogona, iveti Seuyvardeba. omi oTxives saSinel<br />
dasasruls moutans. omi oTxivesTvis cudad sruldeba.<br />
Filmography (selection)<br />
1956 Durch die Wälder, durch<br />
die Auen<br />
1956 Rosen für Bettina<br />
1955 Der letzte Akt<br />
1953 Cose da pazzi<br />
1949 Geheimnisvolle Tiefe<br />
1948 Der Prozeß<br />
1945 Der Fall Molander<br />
Director:<br />
Georg Wilhelm Pabst<br />
Screenplay:<br />
Ladislaus Vajda, Peter Martin Lampel<br />
Cinematography:<br />
Fritz Arno Wagner, Charles Métain<br />
Music:<br />
Alexander Laszlo<br />
Production Design:<br />
Ernö Metzner, Willy Reiber<br />
Editing:<br />
Wolfgang Loë-Bagier, Hans Oser<br />
Sound:<br />
Karl Brodmerkel, Guido Bagier,<br />
Joseph Massolle<br />
Producer:<br />
Seymour Nebenzahl<br />
Cast:<br />
Fritz Kampers, Gustav Diessl, Hans<br />
Joachim Moebis, Claus Clausen,<br />
Gustav Püttjer, Jackie Monnier<br />
1943 Paracelsus<br />
1941 Komödianten<br />
1938 Le drame de Shanghai<br />
1936 Mademoiselle Docteur<br />
1934 A Modern Hero<br />
1933 Don Quixote<br />
1932 Die Herrin von Atlantis<br />
1931 Die Dreigroschenoper<br />
1930 Westfront 1918<br />
97 wT, S-T<br />
97 min, b/w<br />
THE WESTERN FRONT 1918 GERMANY 1930<br />
reJisori:<br />
georg vilhelm pabsti<br />
scenari:<br />
ladislaus vaida, peter<br />
martin lampeli<br />
operatori:<br />
fric arno vagneri, Sarl<br />
meteni<br />
musika:<br />
aleqsander laslo<br />
mxatvari:<br />
erno metcneri, wili<br />
raiberi<br />
montaJi:<br />
volfgang loe-baJie, hans<br />
ozeri<br />
xma:<br />
karl brodmerkeli, gvido<br />
baJie, Jozef masoli<br />
prodiuseri: seimur<br />
nebencali<br />
monawileoben:<br />
fric kampersi, gustav<br />
disli, hans ioaxim moebisi,<br />
klaus clauseni, gustav<br />
pitie, Jaki monie<br />
Production:<br />
Nero-Film AG (Berlin)<br />
The story of four German soldiers of very different personalities and social backgrounds who serve<br />
together on the French front during the last year of World War I. The happy Bavarian is unshakeable<br />
and optimistic. Karl from Berlin has been home on leave, but finds another man in his wife’s<br />
bed and is glad to return to his comrades. The lieutenant only knows his duty and seems not to be<br />
interested in anything but his duty. The fourth man is a student who has fallen in love with a young<br />
French woman named Yvette. The war brings a gruesome end for all four men.<br />
georg vilhelm pabsti<br />
GEORG WILHELM PABST<br />
(1885 – 1967)<br />
1930 Skandal um Eva<br />
1929 Tagebuch einer Verlorenen<br />
1929 Die Büchse der Pandora<br />
1927 Die Liebe der Jeanne Ney<br />
1925 Die freudlose Gasse<br />
1924 Gräfin Donelli<br />
1923 Der Schatz<br />
TeatrSi msaxiobad da reJisorad muSaobis Semdeg 1921 wels pabsti<br />
kinoSi inacvlebs da 1923 wels iRebs Tavis pirvel films<br />
„ganZi“, romlis scenaris Tanaavtoric aris. misTvis pirveli<br />
didi warmateba moaqvs films „usixarulo quCa“ (1925), romelic<br />
dRemde socialkritikuli realizmis Sedevrad iTvleba. „dasavleTis<br />
fronti, 1918“ pabstis pirveli xmovani filmia. filmis<br />
pacifisturi suliskveTeba da germanul-franguli Serigebisken<br />
mowodeba avtors „wiTeli pabstis“ reputacias umkvidrebs. pabstis<br />
nacistebTan TanamSromlobis Tema dRemde sadavod rCeba<br />
im periodSi gadaRebuli ori filmis gamo (“komediantebi”, 1941;<br />
“paracelsusi”, 1943). omis damTavrebis Semdeg pabsti nacisturi<br />
reJimis mimarT kritikul ramdenime films iRebs.<br />
After working as a theatre actor and director Pabst moved to cinema in 1921<br />
and made his first film “Der Schatz” (“The Treasure”) in 1923. He also coauthored<br />
a script for the film. His first successful film “Die freudlose Gasse” (“The<br />
Street of Sorrow”, 1925), starring Asta Nielsen, Greta Garbo and Werner Krauß,<br />
has been considered to be unquestioned masterpiece of socially critical realism<br />
so far. “Westfront 1918” (“The Western Front 1918”, 1930), his first sound<br />
film, established his reputation as “red Pabst” because of its pacifist tendencies<br />
and appeal for for the friendship between the Germans and the French.<br />
79
arte <strong>safrangeTi</strong><br />
warmogidgenT<br />
nakvalevi<br />
los anJelesis qalTa bandebi<br />
samyaro aniS kapuris TvaliT<br />
sastumro mekongi<br />
mocarti - <strong>supervarskvlavi</strong><br />
THE TRACE<br />
FAR FROM HEAVEN<br />
THE WORLD ACCORDING TO KAPOOR<br />
MEKONG HOTEL<br />
MOZART SUPERSTAR<br />
ARTE FRANCE<br />
PRESENTS<br />
81
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
CHIRI<br />
nakvalevi iaponia / <strong>safrangeTi</strong> <strong>2012</strong><br />
naomi kavases amqveynad movlinebisas misi mSoblebi ukve daSorebulebi iyvnen da<br />
gogonas aRzrda dedis uSvilo deidam da biZam TiTqmis dabadebisTanave iTaves _ im<br />
dros orive 65 wlis iyo. „nakvalevi“ dawvrilebiT asaxavs naomi kavases dedobilis<br />
cxovrebis ukanasknel wlebs, romelic 95 wlis asakSi gardaicvala.<br />
Filmography / filmografia<br />
<strong>2012</strong> Chiri<br />
2011 60 Seconds of Solitude in Year Zero (short)<br />
2011 3.11 Sense of Home (segment “Home”)<br />
2011 Hanezu<br />
2010 Genpin (doc.)<br />
2009 Visitors (segment “Koma”)<br />
2009 In Between Days (doc. short)<br />
2008 Nanayo<br />
2007 Mogari no mori<br />
2006 Tarachime (doc. short)<br />
2004 Shadow (doc. short)<br />
Director:<br />
Naomi Kawase<br />
Cinematography:<br />
Naomi Kawase<br />
Music:<br />
Hasiken Hasiken<br />
Editing:<br />
Naomi Kawase<br />
Sound:<br />
Osamu Takizawa<br />
82<br />
THE TRACE JAPAN / FRANCE <strong>2012</strong><br />
45 wT, feradi<br />
45 min, colour<br />
2003 Letter from a Yellow Cherry Blossom (doc.)<br />
2003 Shara<br />
2001 Sky, Wind, Fire, Water, Earth (doc.)<br />
2000 Firefly<br />
1999 Manguekyo (doc.)<br />
1997 The Weald (doc.)<br />
1997 Moe no suzaku<br />
1996 Hi wa katabuki (doc.)<br />
1995 See Heaven (doc. short)<br />
1994 Katatsumori (doc. short)<br />
1992 Embracing (doc. short)<br />
reJisori:<br />
naomi kavase<br />
operatori:<br />
naomi kavase<br />
musika:<br />
hasiken hasikeni<br />
montaJi:<br />
naomi kavase<br />
xma:<br />
osamu takiZava<br />
Production:<br />
Kumie Inc.<br />
Takama-cho<br />
6308241 Nara<br />
www.kawasenaomi.com<br />
in association with<br />
ARTE France<br />
World Sales:<br />
Kumie Inc.<br />
Naomi Kawase was born into a world where her parents were absent. Her mother’s aunt and uncle<br />
had no children, and soon after her birth she was placed in their care when they were already 65<br />
years old. Chiri is the close observation of the end of the life of her foster mother, after she had<br />
turned 95.<br />
naomi kavase<br />
NAOMI KAWASE<br />
iaponeli kinoreJisori. daibada 1969 wels naraSi, iaponiaSi.<br />
1989 wels daamTavra osakas fotografiis skola da oTxi<br />
wlis ganmavlobaSi iqve muSaobda leqtorad. naomi kavase kanis<br />
kinofestivalis „oqros kameris“ yvelaze axalgazrda priziori<br />
gaxda 1997 wels sadebiuto srulmetraJiani filmisTvis<br />
„suzaku“.<br />
Born in 1969 in Nara, Japan. Japanese film director. After graduating in<br />
1989 from the Osaka School of Photography, she spent an additional four<br />
years there as a lecturer. Naomi Kawase became the youngest winner of<br />
the Caméra d’Or award (best new director) at the 1997 Cannes Film Festival<br />
for her first 35mm film, SUZAKU.
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
L.A. GANGS DE FEMMES<br />
los anJelesis qalTa bandebi <strong>safrangeTi</strong> <strong>2012</strong><br />
dokumenturi filmi qalebis Sesaxeb, romlebic Tavis gadasarCenad ibrZvian im<br />
samyaroSi, sadac mxolod tyuilisa da Zaladobis meSveobiT aris SesaZlebeli<br />
arseboba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Far from Heaven (TV documentary)<br />
<strong>2012</strong> Bahrain, the Forbidden Country (documentary)<br />
2011 Un si long voyage (documentary)<br />
Director:<br />
Stephanie Lamorré<br />
Cinematography:<br />
Stephanie Lamorré<br />
Music:<br />
Nicolas Baby<br />
Editing:<br />
Sébastien Touta<br />
Sound:<br />
Stephanie Lamorré<br />
FAR FROM HEAVEN FRANCE <strong>2012</strong><br />
reJisori:<br />
stefani lamore<br />
operatori:<br />
stefani lamore<br />
musika:<br />
nikola bebi<br />
montaJi:<br />
sebastian tuta<br />
xma:<br />
stefani lamore<br />
Production:<br />
Mai Juin Productions<br />
Arte France<br />
Documentary about women who fight to survive in a world where they exist only through lies<br />
and violence.<br />
stefani lamore<br />
STEPHANIE LAMORRÉ<br />
82 wT, feradi<br />
82 min, colour<br />
frangi kinodokumentalisti, romelic mTels msoflioSi<br />
iRebs filmebs <strong>safrangeTi</strong>s televiziisTvis.<br />
French documentary filmmaker working as an international independent<br />
writer/director having produced a diverse array of films for French television.<br />
83
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
LE MONDE SELON ANISH KAPOOR<br />
samyaro aniS kapuris TvaliT <strong>safrangeTi</strong> 2010<br />
filmi Trilers ufro hgavs, vidre dokumenturs da londonSi mcxovrebi monumentalisti<br />
moqandakis aniS kapuris samyaros ikvlevs, romelic abstraqtul<br />
xelovnebas moZrav gamosaxulebebad aqcevs.<br />
Filmography / filmografia<br />
2011 Empreintes - Annette Messager, pudique et<br />
publique (TV series doc.)<br />
2010 Les vies possibles de Christian Boltanski (TV<br />
doc.)<br />
2008 Berlin - Arm aber sexy (TV doc.)<br />
2008 Barroco (doc.)<br />
2008 What About Style? Alex Katz: A Painter’s<br />
Painter (video doc.)<br />
2005 Henri Matisse - Eine filmische Reise (TV doc.)<br />
2005 Die F.C. Flick Collection - Acht Bilder zum<br />
Nachdenken, ob’s so weiter geht (TV doc.)<br />
2004 Baselitz (TV doc.)<br />
Director:<br />
Heinz Peter Schwerfel<br />
Cinematography:<br />
Marcel Neumann<br />
Music:<br />
Ulrich Lask<br />
Editing:<br />
Philippe La Bruyère<br />
Producer:<br />
Anne Schuchman<br />
84<br />
52 wT, feradi<br />
52 min, colour<br />
2004 Hotel Nooteboom - Eine Bilderreise ins Land<br />
der Worte (doc.)<br />
2001 Rasender Stillstand - Das Theater des Christoph<br />
Marthaler (TV doc.)<br />
2000 Utopia - Die Kunst vom Überleben (TV doc.)<br />
1998 Virealitäten - Gibt es ein Leben nach der<br />
Wirklichkeit (TV doc.)<br />
1997 Kunst-Kritik (TV doc.)<br />
1997 Bruce Nauman - Make Me Think<br />
1993 Artcore oder Der Neger<br />
1993 Die Inschrift des Gottes (short)<br />
1991 Die Endlichkeit der Freiheit (doc.)<br />
1988 Ich, Georg Baselitz (TV doc.)<br />
reJisori:<br />
hainc peter Sverfeli<br />
operatori:<br />
marsel noimani<br />
musika:<br />
ulrix laski<br />
montaJi:<br />
filip la bruie<br />
prodiuseri:<br />
an Suxmani<br />
Production:<br />
Arte France<br />
Schuch Conseils et Production<br />
World sales:<br />
Arte France<br />
THE WORLD ACCORDING TO KAPOOR FRANCE 2010<br />
More thriller than documentary, the film explores the universe of Anish Kapoor, London based<br />
master of monumental sculpture and adventurer in unknown territories, transforming abstract<br />
art into moving images.<br />
hainc peter<br />
Sverfeli<br />
HEINZ PETER<br />
SCHWERFEL<br />
daibada 1954 wels kiolnSi. xelovnebaTmcodne, reJisori da<br />
mwerali. swavlobda filosofias da xelovnebis istorias aaxensa<br />
da parizSi, sorbonis universitetSi. 1979 wels muSaobda<br />
politikuri ganyofilebis redaqtorad saagento frans<br />
presSi. 80-ian wlebSi muSaobda Jurnal The Transatlantik-Si, werda<br />
kulturis sakiTxebze. 2002 wels kiolnSi daaarsa „kunstfilmbienale“,<br />
romlis mxatvruli xelmZRvanelic TviTonve<br />
iyo 2010 wlamde. 2007 wlidan dRemde aris Jurnal ART-is korespondenti<br />
safrangeTSi.<br />
Born in 1954 in Köln. Art critic, filmmaker and author. He studied philosophy<br />
and art history at Aachen and Paris (Sorbonne IV). In 1979 he was political<br />
editor at the AFP. In the eighties he worked as a freelance cultural<br />
journalist for The Transatlantik – art magazine. 1998-1999 he was deputy<br />
editor of the art magazine ART. In 2002 he founded the KunstFilmBiennale<br />
in Cologne, he was artistic director until 2010. Since 2007 he has been a<br />
correspondent in France, the art magazine ART.
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
MEKONG HOTEL<br />
sastumro mekongi tailandi / didi britaneTi <strong>2012</strong><br />
„sastumro mekongi“ aris filmi mogonebebze, romelic gadaRebulia amave saxelwodebis<br />
sastumros oTaxebidan da terasidan, saidanac didebuli xedi iSleba am-<br />
Rvreul mdinareze. reJisori apiCatpong virasetakuli egzotikurobis kliSeebs<br />
upirispirdeba da SegrZnebebiT savse, iSviaT mogzaurobas gvTavazobs Caketil<br />
sivrceSi.<br />
Filmography / filmografia<br />
<strong>2012</strong> Mekong Hotel (doc.)<br />
2011 Quattro Hongkong 2 (segment “M Hotel”)<br />
2011 M Hotel (short)<br />
2010 Empire (short)<br />
2010 Uncle Boonmee Who Can Recall His Past Lives<br />
2009 Phantoms of Nabua (short)<br />
2009 A Letter to Uncle Boonmee (short)<br />
2009/II Haiku (short)<br />
2008 Stories on Human Rights (segment “Mobile Men”)<br />
2007 State of the World (segment “Luminous<br />
People”)<br />
2006 Syndromes and a Century<br />
2005 Ghost of Asia (short)<br />
Director:<br />
Apichatpong Weerasethakul<br />
Screenplay:<br />
Apichatpong Weerasethakul<br />
Cinematography:<br />
Apichatpong Weerasethakul<br />
Music:<br />
Chai Bhatana<br />
Editing:<br />
Apichatpong Weerasethakul<br />
Sound:<br />
Chalermrat Kaweewattana<br />
Producer:<br />
Apichatpong Weerasethakul<br />
Cast:<br />
Jenjira Pongpas, Maiyatan Techaparn,<br />
Sakda Kaewbuadee, Chai Bhatana,<br />
Chatchai Suban, Apichatpong<br />
Weerasethakul<br />
57 wT, feradi<br />
57 min, colour<br />
2005 Worldly Desires (short)<br />
2004 Tropical Malady<br />
2003 The Adventures of Iron Pussy<br />
2002 Blissfully Yours<br />
2001 Masumi Is a PC Operator (short)<br />
2000 Mysterious Object at Noon<br />
2000 Boys at Noon (short)<br />
1999 Malee and the Boy (doc. short)<br />
1998 Thirdworld (short)<br />
1996 Like the Relentless Fury of the Pounding<br />
Waves (doc. short)<br />
1994 0016643225059 (short)<br />
1994 Kitchen and Bedroom (short)<br />
1993 Bullet (short)<br />
MEKONG HOTEL THAILAND / UK <strong>2012</strong><br />
reJisori:<br />
apiCatpong virasetakuli<br />
scenari:<br />
apiCatpong virasetakuli<br />
operatori:<br />
apiCatpong virasetakuli<br />
musika:<br />
Cai bhatana<br />
montaJi:<br />
apiCatpong virasetakuli<br />
xma:<br />
Calermrat kaveevatana<br />
prodiuseri:<br />
apiCatpong virasetakuli<br />
monawileoben:<br />
ienjira pongpasi, maiatan<br />
teCapami, sakda kaeubuade,<br />
Cai bhatana, CatCai subani,<br />
apiCatpong virasetakuli<br />
Production:<br />
Illuminations Films<br />
World Sales:<br />
The Match Factory<br />
Shifting between fact and fiction in a hotel situated along the Mekong River, a filmmaker rehearses<br />
“Ecstasy Garden“, a movie expressing the bonds between a vampire-like mother and daughter...<br />
apiCatpong<br />
virasetakuli<br />
APICHATPONG WEERA-<br />
SETHAKUL<br />
daibada 1970 wels bangkokSi. daamTavra xon kaenis universitetis<br />
arqiteqturis fakulteti da Cikagos institutis<br />
xelovnebis skolis magistratura kinoreJisoris profesiiT.<br />
kino- da videofilmebs adreuli 90-ianebidan moyolebuli<br />
iRebda. is erT-erTia im mcirericxovan reJisorTagan, vinc<br />
tailandis mkacri studiuri sistemis gareSe muSaobs.<br />
Born in1970 in Bangkok. He has a degree in Architecture from Khon Kaen<br />
University and a Master of Fine Arts in Filmmaking from The School of the<br />
Art Institute of Chicago. He has been making films and videos since the<br />
early 90s. He is one of the few filmmakers in Thailand who have worked<br />
outside the strict Thai studio system.<br />
85
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
MOZART SUPERSTAR<br />
mocarti - <strong>supervarskvlavi</strong> <strong>safrangeTi</strong> <strong>2012</strong><br />
626 nawarmoebi, 200 saaTze meti xangrZlivobis musika, 12 000-mde biografia, misi<br />
nawarmoebebis sruli krebulis mTels msoflioSi gayiduli 100 milioni asli:<br />
gardacvalebidan 200 wlis Semdeg mocarti kvlav Cartebis saTaveSia. aqedan<br />
gamomdinare, SeiZleba iTqvas, rom is istoriaSi pirveli pop-varskvlavia.<br />
Filmography / filmografia<br />
<strong>2012</strong> Mozart Superstar<br />
Director:<br />
Mathias Goudeau<br />
Screenplay:<br />
Mathias Goudeau, David Sanson<br />
Cinematography:<br />
Laurent Ciron, Arthur Cemin<br />
Editing:<br />
Audrey Simoneau<br />
Sound:<br />
Hervé Dichampt, Jean Luc Cesco<br />
86<br />
52 wT, feradi<br />
52 min, colour<br />
MOZART SUPERSTAR FRANCE <strong>2012</strong><br />
reJisori:<br />
matie godo<br />
scenari:<br />
matie godo, devis sansoni<br />
operatori:<br />
loran sironi,<br />
artiur semani<br />
montaJi:<br />
odri simono<br />
xma:<br />
erve diSampti,<br />
Jan luk sesko<br />
Production:<br />
ARTE France,<br />
Morgane<br />
626 works, more than 200 hours of music, some 12 000 biographies, 100 million copies of his<br />
complete works have sold around the world: two centuries after his death, Mozart still tops<br />
the charts. From there to raising him to the rank of the first pop star in history is a short step!<br />
matie godo<br />
MATHIAS GOUDEAU<br />
frangi Jurnalisti. wers musikis sakiTxebze. aris ocamde<br />
wignis avtori, maT Soris, xelovanTa biografiebis.<br />
French journalist. Writes about music issues. Mathias Goudeau is an author<br />
of more then 20 books, Artists’ biographies amongst them.
arte germania<br />
warmogidgenT<br />
bina<br />
sami sicocxle: aqsel Springeri<br />
gerhard rixteri xatvisas<br />
deda afrika _ miriam makeba<br />
pina<br />
THE FLAT<br />
DREI LEBEN: AXEL SPRINGER<br />
GERHARD RICHTER PAINTING<br />
MAMA AFRICA – MIRIAM MAKEBA<br />
PINA<br />
ARTE DEUTSCHLAND<br />
PRESENTS<br />
87
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
DIE WOHNUNG<br />
bina israeli / germania 2011<br />
reJisor arnon goldfingeris bebia gerda tuxleri 98 wlis asakSi gardaicvala<br />
Tel-avivSi. misi gardacvalebis Semdeg naTesavebma gerda tuxlerisa da misi qmris,<br />
kurtis cxovrebis sruliad ucnobi mxare aRmoaCines: miuxedavad imisa, rom<br />
TviTon ebraelebi iyvnen, gerdasa da kurts Zalian axlo megobroba akavSirebdaT<br />
ss-is oficris, baron leopold fon mildenStainis ojaxTan. dedasTan erTad<br />
arnoni am ucnauri istoriis kvlevas iwyebs.<br />
Filmography / filmografia<br />
2011 Die Wohnung (doc.)<br />
2000 The Komediant (doc.)<br />
1996 Anna’s Way (TV doc.)<br />
1995 Antonella In The Holy Land (TV doc.)<br />
1993 The Benny Zinger Show (TV feature)<br />
Director:<br />
Arnon Goldfinger<br />
Screenplay:<br />
Arnon Goldfinger<br />
Cinematography:<br />
Philippe Bellaiche, Talia Galon<br />
Music:<br />
Yoni Rechter<br />
Editing:<br />
Tali Halter Shenkar<br />
Sound:<br />
Amos Zipori<br />
Producer:<br />
Thomas Kufus, Arnon Goldfinger<br />
Cast:<br />
Arnon Goldfinger, Hannah Goldfinger,<br />
Gertrude Kino<br />
88<br />
THE FLAT ISRAEL / GERMANY 2011<br />
97 wT, feradi<br />
97 min, colour<br />
reJisori:<br />
arnon goldfingeri<br />
scenari:<br />
arnon goldfingeri<br />
operatori:<br />
filip beleSi,<br />
talia galoni<br />
musika:<br />
ioni rexteri<br />
montaJi:<br />
tali halter Senkari<br />
xma:<br />
amos zipori<br />
prodiuseri:<br />
Tomas kufusi,<br />
arnon goldfingeri<br />
monawileoben:<br />
arnon goldfingeri, hana<br />
goldfingeri, gertrude<br />
kino<br />
Production:<br />
zero one film (Berlin)<br />
in co-production with<br />
Noga Communications – Channel 8 (Israel)<br />
ZDF (Mainz)<br />
SWR (Stuttgart)<br />
in association with<br />
Arte Deutschland<br />
World Sales:<br />
Edition Salzgeber<br />
After the grandmother of documentary filmmaker Arnon Goldfinger passed away at the age<br />
of 98, her relatives discover traces of an hitherto unknown aspect of her life in her belongings:<br />
Though they were Jews themselves, Gerda and her husband Kurt were close friends with the<br />
family of SS officer Baron Leopold von Mildenstein. Together with his mother, Arnon Goldfinger<br />
starts researching this unique story.<br />
arnon goldfingeri<br />
ARNON GOLDFINGER<br />
daibada 1963 wels ramat ganSi, israelSi. filosofias da<br />
kinoxelovnebas swavlobda Tel-avivis universitetSi. universitetis<br />
damTavrebis Semdeg israelis ramdenime kinoskolaSi<br />
da Tel-avivis universitetSi kiTxulobda sareJisoro da sascenaro<br />
kurss. „bina“ Zalian piraduli filmia, romelic re-<br />
Jisoris bebiis cxovrebis manamde ucnob mxares exeba. filmi<br />
araerT kinofestivalze aCvenes, mas mieniWa israelis kinoakademiis<br />
jildo (2011) da bavariis kinoprizi (<strong>2012</strong>) saukeTeso<br />
dokumenturi filmisTvis.<br />
Born in Ramat Gan, Israel in 1963. He studied film and philosophy at Tel<br />
Aviv University. After graduation, Goldfinger taught directing and screenwriting<br />
classes at several film schools in Israel and at Tel Aviv University.<br />
“Die Wohnung” is a very personal documentary dealing with an hitherto<br />
unknown aspect of Goldfinger’s late grandmother’s life. The film was<br />
screened at numerous international festivals and went on to win the Israeli<br />
Film Award and the Bavarian Film Award.
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
DREI LEBEN: AXEL SPRINGER<br />
sami sicocxle: aqsel Springeri germania <strong>2012</strong><br />
filmi didi germaneli gamomcemlis, aqsel Springeris dabadebidan 100 wlisTavTan<br />
dakavSirebiT Seiqmna. filmis avtorebi federaciuli respublikis axali istoriis<br />
erT-erTi yvelaze sadavo, magram, amave dros, erT-erTi yvelaze gavleniani<br />
figuris rTul da ambivalentur bunebas sxvadasxva perspeqtividan ikvleven, rom<br />
gvaCvenon, rogori adamiani iyo sinamdvileSi aqsel Springeri.<br />
Directors:<br />
Sebastian Dehnhardt, Jobst Knigge,<br />
Manfred Oldenburg<br />
Producers:<br />
Leopold Hoesch, Sebastian<br />
Dehnhardt<br />
DREI LEBEN: AXEL SPRINGER GERMANY <strong>2012</strong><br />
reJisorebi:<br />
sebastian denhardti, iobst<br />
knige, manfred oldenburgi<br />
prodiuserebi:<br />
leopold hoeSi, sebastian<br />
denhardti<br />
The film was made to commemorate centennial anniversary of a great German publisher Axel<br />
Springer, the founder of Axel Springer Verlag AG. The authors of the film provide a comprehensive<br />
description of the ambivalent character of one of the controversial and influential person in a<br />
modern history of the German Federal Republic to show what kind of person he was in real life.<br />
sebastian denhardti<br />
SEBASTIAN DEHNHARDT<br />
iobst knige<br />
JOBST KNIGGE<br />
manfred oldenburgi<br />
MANFRED OLDENBURG<br />
90 wT, feradi - S/T<br />
90 min, colour – b/w<br />
Production:<br />
BROADVIEW TV<br />
in co-opeation with<br />
ARTE<br />
ZDF<br />
daibada 1968 wels. 1992 wlidan muSaobs sxvadasxva telekompanebisTvis,<br />
rogorc reJisori da avtori. aris saprodiusero<br />
kompaniebisTvis BROADVIEW TV-is TanadamfuZnebeli.<br />
Sebastian Dehnhardt was born in 1968. Since 1992 he has worked for various<br />
TV companies both as a director and author. He is a cofounder of a<br />
production company BROADVIEW TV.<br />
Jurnalisti, istorikosi, dokumentalisti. berlinis Tavisufal<br />
universitetSi swavlobda soflis meurneobas da politikur<br />
mecnierebebs. 1997 wlidan muSaobs redaqtorad da avtorad<br />
sxvadasxva televiziisTvis, aris mravali dokumenturi<br />
filmisa da telereportaJis avtori.<br />
Journalist, historian and documentarian. Jobst Knigge studied agriculture<br />
and political sciences at the Free University of Berlin. Since 1997 he has<br />
worked as an editor and author for various TV companies. He has authored<br />
numerous documentaries and TV reportages.<br />
daibada 1967 wels. swavlobda istoriul da politikur mecnierebebs<br />
triris, sienis, miunsterisa da hamburgis universitetebSi.<br />
1997 wlidan muSaobs sxvadasxva telearxebze redaqtorad da avtorad.<br />
2002 wlidan BROADVIEW TV-is avtoria.<br />
Manfred Oldenburg was born in 1967. He studied history and political sciences<br />
at the Universities of Trier, Siena , Munster and Hamburg . Since 1997<br />
he has worked at various TV channels as an editor and author. In 2002 he<br />
became an author ofBROADVIEW TV.<br />
89
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
GERHARD RICHTER PAINTING<br />
gerhard rixteri xatvisas germania 2011<br />
Tanamedroveobis erT-erTi umniSvnelovanesi artistis, gerhard rixteris dokumenturi<br />
portreti. filmi rixteris Semoqmedebazea koncentrirebuli da saSualebas<br />
gvaZlevs, Tvali gavadevnoT artistis muSaobis process _ mosamzadebeli<br />
etapidan dawyebuli vidre dasrulebul tilomde.<br />
Filmography / filmografia<br />
<strong>2012</strong> Ema auf der Treppe - Gerhard Richter 1966 (TV doc.)<br />
2011 Gerhard Richter Painting (doc.)<br />
2009 24 h Berlin - Ein Tag im Leben (TV doc., segment director)<br />
2009 Porifera - Die wunderbare Welt der Schwämme (TV doc.)<br />
2007 Das Richter Fenster (TV doc.)<br />
2005 Drei Wünsche, drei Frauen, ein Jahr (TV doc.)<br />
2001 Leben nach Microsoft (doc.)<br />
Director:<br />
Corinna Belz<br />
Screenplay:<br />
Corinna Belz<br />
Cinematography:<br />
Johann Feindt, Frank Kranstedt,<br />
Dieter Stürmer<br />
Editing:<br />
Stephan Krumbiegel<br />
Sound:<br />
Gerrit Lucas, Sven Phil Lentzen,<br />
Andreas Hildebrandt<br />
Producer:<br />
Thomas Kufus<br />
Co-Producer:<br />
Christoph Friedel, Claudia Steffen<br />
Cast:<br />
Gerhard Richter, Norbert Arns,<br />
Hubert Becker, Sabine Moritz-Richter,<br />
Konstanze Ell, Marian Goodman,<br />
Benjamin Buchloh, Kasper König,<br />
Ulrich Wilmes, Sandy Nairne, Paul<br />
Moorhouse<br />
90<br />
97 wT, feradi<br />
97 min, colour<br />
reJisori:<br />
korina belci<br />
scenari:<br />
korina belci<br />
operatori:<br />
iohan faindti, frank<br />
kranStedti, diter<br />
Stiurmeri<br />
montaJi:<br />
Stefan krumbigeli<br />
xma:<br />
gerit lukasi, sven<br />
fil lentceni, andreas<br />
hildebrandti<br />
prodiuseri:<br />
Tomas kufusi<br />
Tanaprodiuseri:<br />
kristof frideli,<br />
klaudia Stefeni<br />
monawileoben:<br />
gerhard rixteri, norbert<br />
arnsi, hubert bekeri,<br />
zabine moritc-rixteri,<br />
konstance eli, marian<br />
gudmani, benJamin buxlo,<br />
kasper kionigi, ulrix<br />
uilmsi, sendi nerne, pol<br />
murhausi<br />
Production:<br />
ZERO ONE FILM<br />
in co-production with<br />
TERZ FILM<br />
WDR<br />
MDR<br />
in cooperation with<br />
ARTE<br />
World Sales:<br />
The Match Factory<br />
GERHARD RICHTER PAINTING GERMANY 2011<br />
Documentary on painter Gerhard Richter, one of the most influential artists living today. The<br />
film focuses on Richter’s body of work and offers detailed insight into his creative process.<br />
From preparations through the pondering of ideas up to the actual painting, the camera follows<br />
him till the completion of a new piece.<br />
korina belci<br />
CORINNA BELZ<br />
daibada 1955 wels marburgSi, germaniaSi. swavlobda filosofias,<br />
xelovnebis istoriasa da media-mecnierebebs kiolnSi,<br />
ciurixSi da berlinis Tavisufal universitetSi. muSaobs<br />
dokumentur kinoSi. mis pirvel moklemetraJian filmSi gerhard<br />
rixterze, „rixteris fanjara“ (2007) kiolnis taZrisTvis<br />
vitraJis Seqmnis procesia asaxuli. filmma „gerhard rixteri<br />
xatvisas“ germanuli kinoakademiis prizi „oqros lola“ miiRo<br />
<strong>2012</strong> wels.<br />
Born in 1955 in Marburg, Germany. She studied philosophy, art history, and<br />
media sciences in Cologne, Zurich, and at the Freie Universität Berlin. Her<br />
first film about Richter, a 2007 short called GERHARD RICHTER’S WINDOW<br />
(Das Richter Fenster), documented the creation of his pixelated stained<br />
glass window in the Cologne Cathedral.
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
MAMA AFRICA – MIRIAM MAKEBA<br />
deda afrika - miriam makeba germania / samxreTi afrika / fineTi 2011<br />
mika kaurismekis dokumenturi filmi _ cnobili afrikeli momRerlis, miriam makebas<br />
Sesaxeb, romelic naxevari saukunis ganmavlobaSi mTels msoflioSi mogzaurobda<br />
da politikur mowodebebs avrcelebda rasizmisa da siRatakis winaaRmdeg,<br />
samarTlianobisa da mSvidobis dasacavad. filmi pativs miagebs qals, romelic afrikis<br />
imedsa da saTqmels ganasaxierebda.<br />
Filmography / filmografia<br />
<strong>2012</strong> Road North<br />
2011 Mama Africa (doc.)<br />
2011 Brother<br />
2010 Vesku from Finland (doc.)<br />
2009 The House Of Branching Love<br />
2008 Three Wise Men<br />
2006 Sonic Mirror (doc.)<br />
2005 Brasileirinho (doc.)<br />
2004 Bem-Vindo A São Paulo (Segment “Manha De<br />
Domingo”, doc.)<br />
2003 Honey Baby<br />
2002 Moro No Brasil (music doc.)<br />
1999 Highway Society<br />
1998 Los Angeles Without A Map<br />
1996 Sambólico (shor)<br />
Director: Mika Kaurismäki<br />
Screenplay: Mika Kaurismäki, Don<br />
Edkins<br />
Cinematography: Jacques Cheuiche,<br />
Wolfgang Held, Frank P. Lehmann,<br />
Martina Radwan, Eran Tahor<br />
Music: Miriam Makeba<br />
Editing: Karen Harle, Uwe Dresch,<br />
André Bendocchi-Alves<br />
Sound: Uwe Dresch<br />
Producer: Rainer Kölmel<br />
Co-Producer: Don Edkins, Hans<br />
Robert Eisenhauer, Mika Kaurismäki<br />
Cast: Harry Belafonte, Kathleen<br />
Cleaver, Leopoldo Fleming<br />
91 wT, feradi – S/T<br />
91 min, colour – b/w<br />
1995 Condition Red / Jatkuva Hälytystila<br />
1994 Tigrero -A Film That Was Never Made (doc.)<br />
1993 The Last Border / Viimeisellä Rajalla<br />
1991 Zombie And The Ghost Train / Zombie Ja<br />
Kummitusjuna<br />
1990 Amazon<br />
1989 Paper Star / Paperitähti<br />
1988 Night Work / Yötyö (TV Film)<br />
1987 Helsinki Napoli - All Night Long<br />
1985 Rosso<br />
1984 The Clan - Tale Of The Frogs / Klaani: Tarina<br />
Sammakoitten suvusta<br />
1982 The Worthless / Arvottomat<br />
1981 The Saimaa Gesture / Saimaa-Ilmiö (co-dir.<br />
with Aki Kaurismäki)<br />
reJisori: mika kaurismeki<br />
scenari: mika kaurismeki<br />
operatori: Jak SeuSi,<br />
volfgang heldi, frank<br />
lemani, martina radvani,<br />
eran tahori<br />
musika: miriam makeba<br />
montaJi: karen harle, uve<br />
dreSi, andre bendokialvesi<br />
xma: uve dreSi<br />
prodiuseri: rainer<br />
koelmeli<br />
Tanaprodiuseri: don<br />
edkinsi, hans robert<br />
aizenhaueri, mika kaurismeki<br />
monawileoben:<br />
hari belafonte, qeTlin<br />
kliveri, leopoldo<br />
flemingi<br />
Production:<br />
Starhaus Filmproduktion GmbH<br />
Siegesstr. 15<br />
D-80802 München<br />
Tel.: +49 89 5505740<br />
film@starhaus.de<br />
in co-production with:<br />
Millennium Film, ZDF, ARTE<br />
World Sales:<br />
Fortissimo Films<br />
Van Diemenstraat 100<br />
NL-1013 CN Amsterdam<br />
Tel.: +31 20 6273215<br />
courtney@fortissimo.nl<br />
MAMA AFRICA – MIRIAM MAKEBA GERMANY / SOUTH AFRICA / FINLAND 2011<br />
Mika Kaurismäki’s documentary about world-famous South African singer Miriam Makeba, who<br />
spent half a century travelling the world spreading her political message to fight racism, poverty<br />
and promote justice and peace, is a tribute to a woman who embodied the hopes and the voice<br />
of Africa as no other.<br />
mika kaurismeki<br />
MIKA KAURISMÄKI<br />
daibada 1955 wels orimatilaSi, fineTSi. 1977-81 wlebSi swavlobda<br />
miunxenis televiziisa da kinos akademiaSi. cnobili<br />
gaxda Tavisi ironiuli gangsteruli filmebiT. Tavis ZmasTan,<br />
aki kaurismekisTan da ramdenime megobarTan erTad 1981 wels<br />
daaarsa saprodiusero kompania Villealfa Filmproductions, romelic<br />
sul male dabalbiujetiani da ubiujeto filmebis warmoebis<br />
saxlad iqca da ukve 80-iani wlebis bolos sididiT mesame umsxvilesi<br />
kinokompania iyo fineTSi.<br />
Born in 1955 in Orimattila, Finland. He studied at the Munich College of Television<br />
and Film (1977-81) and made a name for himself with ironic gangster<br />
films. Together with his brother, Aki Kaurismäki, and some friends Mika<br />
founded the production company Villealfa Filmproductions, that soon became<br />
a home of vital low- or no-budget film making. By the end of the 80’s<br />
it was the third biggest film production company in Finland.<br />
91
germanul-franguli megobroba kinoSi<br />
GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />
PINA<br />
pina germania / <strong>safrangeTi</strong> 2011<br />
filmi didi germaneli qoreografis pina bauSis amaRelvebeli da ganumeorebeli<br />
xelovnebis Sesaxeb, gadaRebuli pina bauSis Teatris ansamblis monawileobiT 3D<br />
formatSi.<br />
„es ar iyo Teatri, ar iyo pantomima, ar iyo baleti da, cxadia, arc opera. pinam,<br />
rogorc iciT, xelovnebis axali saxeoba Seqmna. cekvis Teatri.“ _ vim vendersi<br />
Filmography (selected)<br />
2011 Pina (doc.)<br />
2008 Palermo Shooting<br />
2005 Don’t Come Knocking<br />
2004 Land of Plenty<br />
2003 The Soul of a Man (doc.)<br />
2000 The Million Dollar Hotel<br />
1999 Buena Vista Social Club (doc.)<br />
1998 Willie Nelson at the Teatro<br />
1997 Am.Ende.der.Gew@lt.<br />
1995 Lumière et compagnie (doc.)<br />
1995 Die Gebrüder Skladanowsky<br />
1995 Jenseits der Wolken<br />
1994 Lisbon Story<br />
1993 In weiter Ferne, so nah!<br />
Director: Wim Wenders<br />
Screenplay: Wim Wenders<br />
Cinematography: Hélène Louvart,<br />
Jörg Widmer<br />
Choreography: Pina Bausch<br />
Music: Thom Hanreich<br />
Production Design: Peter Pabst<br />
Costumes: Marion Cito, Rolf Borzik<br />
Stereography: Alain Derobe<br />
3D Supervisor: François Garnier<br />
3D Producer: Erwin M. Schmidt<br />
Editing: Wolfgang Bergmann, Dieter<br />
Schneider, Gabriele Heuser<br />
Sound: André Rigaut<br />
Producer: Gian-Piero Ringel, Wim<br />
Wenders<br />
Co-producer: Claudie Ossard, Chris<br />
Bolzli<br />
92<br />
PINA GERMANY / FRANCE 2011<br />
100 wT, 3D, feradi<br />
100 min, Digital 3D, colour<br />
1991 Bis ans Ende der Welt<br />
1987 Der Himmel über Berlin<br />
1984 Paris, Texas<br />
1982 Der Stand der Dinge<br />
1982 Hammett<br />
1980 Lightning Over Water (doc.)<br />
1977 Der amerikanische Freund<br />
1976 Im Lauf der Zeit<br />
1975 Falsche Bewegung<br />
1974 Alice in den Städten<br />
1973 Der scharlachrote Buchstabe<br />
1972 Die Angst des Tormanns beim Elfmeter<br />
1970 Summer in the City<br />
1968 Klappenfilm<br />
1967 Schauplätze (short)<br />
reJisori: vim vendersi<br />
scenari: vim vendersi<br />
qoreografia: pina bauSi<br />
operatori: elen luvari,<br />
iorg vidmeri<br />
musika: Tom hanraixi<br />
mxatvari: peter pabsti<br />
kostiumebi: marion Cito,<br />
rolf borciki<br />
stereografia: alen derobi<br />
3D supervizori: fransua<br />
garnie<br />
3D prodiuseri: ervin<br />
Smidti<br />
montaJi: volfgang bergmani,<br />
diter Sneideri, gabriele<br />
hoizeri<br />
xma: andre rigo<br />
prodiuseri: jan-piero<br />
ringeli, vim vendersi<br />
Tanaprodiuseri: klod<br />
osari, kris bolcli<br />
Production<br />
Neue Road Movies (Berlin)<br />
in co-production with<br />
Eurowide (Paris)<br />
In collaboration with<br />
Tanztheater Wuppertal Pina Bausch<br />
ZDF<br />
ARTE<br />
World Sales<br />
Hanway Films<br />
24 Hanway St.<br />
GB-London W1T 1UH<br />
Tel.: +44 20 72900750<br />
info@hanwayfilms.com<br />
PINA is a film for Pina Bausch. Shot in 3D with the ensemble of the Tanztheater Wuppertal Pina<br />
Bausch, this feature-length dance film portrays the exhilarating and inimitable art of this great<br />
German choreographer who died in the summer of 2009.<br />
„This was not theatre, nor pantomime, nor ballet and not at all opera. Pina is, as you know, the<br />
creator of a new art. Dance theatre.“ – Wim Wenders<br />
vim vendersi<br />
WIM WENDERS<br />
daibada 1945 wels diuseldorfSi, germaniaSi. 1967-70 wlebSi<br />
swavlobda miunxenis televiziisa da kinos akademiaSi. 1971<br />
wlidan mTels msoflioSi iRebs filmebs, rogorc reJisori<br />
da prodiuseri. 1996 wlidan arCeulia evropuli kinoakademiis<br />
prezidentad, aris hamburgis xelovnebis universitetis profesori.<br />
cxovrobs da muSaobs berlinsa da amerikaSi.<br />
Born in Düsseldorf in 1945. Discovering his passion for cinema in Paris, he<br />
studied at the HFF in Munich from 1967-70, and has been directing and<br />
producing films all over the world since 1971. He was made president of<br />
the European Film Academy in 1996 and is also professor of Hamburg Art<br />
College. Wenders lives and works in Berlin and America.
maxmalbafis kinos saxli<br />
warmogidgenT<br />
dRe, rodesac qali gavxdi<br />
salami kinos<br />
rogor iRebda samira `saklaso dafebs~<br />
mebaRe<br />
THE DAY I BECAME A WOMAN<br />
HELLO CINEMA<br />
HOW SAMIRA MADE THE BLACKBOARDS<br />
THE GARDENER<br />
MAKHMALBAF FILM HOUSE<br />
PRESENTS<br />
93
maxmalbafis kinos saxli warmogidgenT<br />
MAKHMALBAF FILM HOUSE PRESENTS<br />
ROOZI KE ZAN SHODAM<br />
dRe, rodesac qali gavxdi irani 2000<br />
filmi sami epizodisgan Sedgeba. pirvel epizodSi patara gogo saxelad hava dilas<br />
iRviZebs da igebs, rom is ukve qali gaxda, radgan 9 weli Seusrulda da amieridan<br />
biWebTan erTad quCaSi veRar iTamaSebs. meore epizodis gmiri axalgazrada qalia,<br />
romelic qmris nebis sawinaaRmdegod velosipedistTa SejibrSi monawileobs. da<br />
bolos, mesame epizodi xnier qals gvacnobs, romelsac cotaodeni fuli gauCnda<br />
da axla SeuZlia is akeTos, rac unda...<br />
Filmography / filmografia<br />
2009 The Man Who Came with the Snow (with Mohsen Makhmalbaf)<br />
2004 Stray Dogs / Sag-haye velgard<br />
2000 The Day I Became a Woman / Roozi ke zan shodam<br />
Director:<br />
Marziyeh Meshkini<br />
Screenplay:<br />
Mohsen Makhmalbaf,<br />
Marziyeh Meshkini<br />
Cinematography:<br />
Mohamad Ahmadi, Ebrahim Ghafori<br />
Music:<br />
Mohammad Reza Darvishi<br />
Production Design:<br />
Akbar Meshkini<br />
Editing:<br />
Maysam Makhmalbaf,<br />
Shahrzad Pouya<br />
Sound:<br />
Abbas Rastegarpour,<br />
Behroz Shahamat<br />
Producer:<br />
Mohsen Makhmalbaf<br />
Cast:<br />
Fatemeh Cherag Akhar, Hassan<br />
Nebhan, Shahr Banou Sisizadeh,<br />
Shabnam Toloui, Sirous<br />
Kahvarinegad, Azizeh Sedighi<br />
94<br />
78 wT, feradi<br />
78 min, colour<br />
THE DAY I BECAME A WOMAN IRAN 2000<br />
reJisori:<br />
marzie meSkini<br />
scenari:<br />
mohsen maxmalbafi,<br />
marzie meSkini<br />
operatori:<br />
mohamad ahmadi,<br />
ebrahim Rafori<br />
musika:<br />
mohamad reza darviSi<br />
mxatvari:<br />
akbar meSkini<br />
montaJi:<br />
maisam maxmalbafi,<br />
Sahrzad puia<br />
xma:<br />
abas rastegarpuri,<br />
behroz Sahamati<br />
prodiuseri:<br />
mohsen maxmalbafi<br />
monawileoben:<br />
fatemeh Cerag axari, hasan<br />
nebhani, Sahr banu sisizade,<br />
Sabnam tolui, sirus<br />
kahvarinegadi, azize sediRi<br />
Production:<br />
Makhmalbaf Productions<br />
A film comprised of three interconnected vignettes that depict women at three stages of life in<br />
Iran. The first part centers on a young girl on her ninth birthday who is told that she can no longer<br />
play with the boys she had been playing with only the day before because she is now a woman.<br />
The second part is about a young woman who decides to enter a bicycle race against her husband’s<br />
wishes. Finally, the third part shows us an old woman who has come into some money and<br />
is now free to do what she wants...<br />
marzie meSkini<br />
MARZIYEH MESHKINI<br />
daibada 1969 wels TeiranSi. 1996-dan 2001 wlamde kinoxelovnebas<br />
swavlobda meuRlis, mohsen maxmalbafis kinoskolaSi.<br />
misi sadebiuto filmi „dRe, rodesac qali gavxdi“<br />
veneciis kinofestivalze „kritikosTa kvireulis“ farglebSi<br />
iyo naCvenebi 2000 wels, sadac sami prizi miiRo. misi meore<br />
filmi „moxetiale ZaRlebi“ veneciis kinofestivalis mTavar<br />
konkursSi iyo SerCeuli 2004 wels. marzie xSirad muSaobs<br />
mohsen maxmalbafTan reJisoris asistentad, is Tavisi qaliSvilebis,<br />
samiras da hanas filmebSic monawileobs, rogorc<br />
scenaristi, operatori da memontaJe.<br />
Born in 1969 in Tehran. She is the wife of celebrated Iranian director Mohsen<br />
Makhmalbaf. She studied film at the Makhmalbaf Film School from 1996<br />
to 2001. Her first film, THE DAY I BECAME A WOMAN, attended the Critics<br />
Week category in Venice International Film Festival in 2000 and won 3<br />
awards. Her second film STRAY DOGS competed in the best film category at<br />
Venice Film Festival in 2004. Marzieh Meshkini has worked as assistant director,<br />
scriptwriter, cinematographer and editor on several films of Mohsen<br />
Makhmalbaf and on films of her daughters, Samira and Hana Makhmalbaf.
maxmalbafis kinos saxli warmogidgenT<br />
MAKHMALBAF FILM HOUSE PRESENTS<br />
SALAAM CINEMA<br />
salami kinos irani 1995<br />
mohsen mahmalbafma momdevno filmisTvis msaxiobebis SerCevis Taobaze gazeTeb-<br />
Si gancxadeba gamoaqveyna. rodesac gancxadebas asobiT adamiani gamoexmaura, re-<br />
Jisorma gadawyvita, gadaeRo filmi kastingisa da SesaZlo monawileebis sasinji<br />
gadaRebebis Sesaxeb.<br />
filmi kinos arsebobis me-100 wlisTavs mieZRvna.<br />
Filmography / filmografia<br />
2009 The Man Who Came with the Snow<br />
2006 Faryad moorcheha<br />
2005 Sex and Philosophy / Sex o phalsapheh<br />
2005 The Chair (short)<br />
2002 Alefbay-e afghan (doc.)<br />
2001 Kandahar / Safar e Ghandehar<br />
2000 Tales of an Island (segment “Testing Democracy”)<br />
1999 Ghessé hayé kish (segment “Door, The”)<br />
1998 The Silence / Sokout<br />
1998 Madresei keh baad bord (short)<br />
1996 A Matter of Innocence / Nun va Goldoon<br />
1996 Gabbeh<br />
Director:<br />
Mohsen Makhmalbaf<br />
Screenplay:<br />
Mohsen Makhmalbaf<br />
Cinematography:<br />
Mahmoud Kalari<br />
Music:<br />
Shahdad Rohani<br />
Editing:<br />
Mohsen Makhmalbaf<br />
Sound:<br />
Nizan Kiyai<br />
Producer:<br />
Abbas Randjbar<br />
Cast:<br />
Shaghayeh Djodat, Behzad Dorani,<br />
Feizola Gashghai, Maryam Keyhan,<br />
Mohsen Makhmalbaf<br />
HELLO CINEMA IRAN 1995<br />
89 wT, feradi<br />
89 min, colour<br />
1995 Salaam Cinema (doc.)<br />
1993 The Actor / Honarpisheh<br />
1993 Images from the Ghajar Dynasty (short)<br />
1992 Nassereddin Shah, Actor-e Cinema<br />
1991 The Nights of Zayandeh-Rood / Shabhaye<br />
Zayendeh-Rood<br />
1990 A Time for Love / Nobat e Asheghi<br />
1989 The Peddler / Dastforoush<br />
1989 Marriage of the Blessed / Arousi-ye Khouban<br />
1987 Bicycleran<br />
1985 Boycott / Baykot<br />
1984 Two Blind Eyes / Do Cheshman Beesu<br />
1984 Fleeing from Evil to God / Este’aze<br />
1983 Tobeh Nosuh<br />
reJisori:<br />
mohsen mahmalbafi<br />
scenari:<br />
mohsen mahmalbafi<br />
operatori:<br />
mahmud kalari<br />
musika:<br />
Sahdad rohani<br />
montaJi:<br />
mohsen mahmalbafi<br />
xma:<br />
nizan kiai<br />
prodiuseri:<br />
abas ranjbari<br />
monawileoben:<br />
SaRaie jodati, behzad<br />
dorani, feizola gaSRai,<br />
mariam keihani, mohsen<br />
mahmalbafi<br />
World Sales:<br />
Makhmalbaf Film House<br />
Mohsen Makhmalbaf has put an advertisement in the papers calling for an open casting for<br />
his next movie. However when hundreds of people show up, he decides to make a movie<br />
about the casting and the screen tests of the would-be actors.<br />
This film was made explicitly for the celebration of the 100th anniversary of cinema.<br />
mohsen maxmalbafi<br />
MOHSEN MAKHMALBAF<br />
Documentary / dokumenturi<br />
iraneli kinoreJisori, mwerali, scenaristi, prodiuseri da<br />
adamianis uflebebis damcveli mohsen maxmalbafi 1957 wels<br />
TeiranSi daibada. misi filmebi uamravi saerTaSoriso priziT<br />
aris aRniSnuli. 1996 wels daaarsa kinoskola Makhmalbaf Film<br />
House, sadac sxvebTan erTad misma colma da Svilebmac iswavles<br />
kinos gadaReba. gamocemuli aqvs 30-mde wigni, romelic<br />
msoflios aTze met enaze iTargmna. 2005 wels, iranis saTaveSi<br />
ahmadinejadis mosvlis Semdeg, mohsen maxmalbafma irani datova<br />
da dRes ojaxTan erTad parizSi cxovrobs.<br />
Iranian film director, novelist, screenwriter, producer and human right activist<br />
Mohsen Makhmalbaf was born in 1957 in Teheran. He has published<br />
around 30 books, which have been translated into over 10 languages, and<br />
has made numerous critically-acclaimed films that have been presented at<br />
international film festivals. The multi-award-winning director formed the<br />
Makhmalbaf Film House to teach film in 1996. Makhmalbaf left Iran in 2005<br />
shortly after the election of Mahmoud Ahmadinejad and now lives in Paris.<br />
95
maxmalbafis kinos saxli warmogidgenT<br />
MAKHMALBAF FILM HOUSE PRESENTS<br />
SAMIRA CHEGHONEH ‘TAKHTÉ SIAH’ ROL SAKHT<br />
rogor iRebda samira „saklaso dafebs“ irani 2000<br />
maisam maxmalbafi videokameriT aRbeWdavs Tavisi ufrosi dis, samiras muSaobas<br />
filmze „saklaso dafebi“, romelic mas 20 wlis asakSi didi warmatebas _ kanis<br />
kinofestivalis Jiuris prizs moutans.<br />
„Cven erT saxlSi vizrdebodiT, bavSvobaSi erTad vTamaSobdiT, erTad vswavlobdiT<br />
kinoskolaSi... es filmi video-dRiuria imis Sesaxeb, Tu rogor gaxda Cvili,<br />
romelic mamis filmSi gamoCnda ekranze, saerTaSorisod aRiarebuli kinoreJisori.“<br />
_ maisam maxmalbafi<br />
Filmography / filmografia<br />
2000 How Samira Made the Blackboards / Samira<br />
cheghoneh ‘Takhté siah’ rol sakht<br />
Director:<br />
Maysam Makhmalbaf<br />
Cinematography:<br />
Maysam Makhmalbaf<br />
Editing:<br />
Maysam Makhmalbaf<br />
Sound:<br />
Mojtaba Mirtahmasb<br />
Cast:<br />
Samira Makhmalbaf, Mohsen<br />
Makhmalbaf<br />
96<br />
76 wT, feradi<br />
76 min, colour<br />
reJisori:<br />
maisam maxmalbafi<br />
operatori:<br />
maisam maxmalbafi<br />
montaJi:<br />
maisam maxmalbafi<br />
xma:<br />
mojtaba mirtahmasbi<br />
monawileoben:<br />
samira maxmalbafi,<br />
mohsen maxmalbafi<br />
Production:<br />
Makhmalbaf Film House<br />
World Sales:<br />
Wild Bunch (France)<br />
HOW SAMIRA MADE THE BLACKBOARDS IRAN 2000<br />
The film and camera of Maysam Mkhamlbaf, Samira’s brother follows her like an invisible eye.<br />
„With this film, I share with my audience, Samira’s life and work during the making of the Blackboard<br />
and follow her to Cannes 2000 where she presented the film and received an award for<br />
it... I grew up with Samira in the same house, I was her childhood playmate, her classmate in the<br />
Makhmalbaf Film House... This is a video diary of how Samira as an infant in her mother’s arms<br />
appearing in her father’s film, went on to become an international filmmaker admired by many.“ –<br />
Maysam Makhmalbaf<br />
maisam maxmalbafi<br />
MAYSAM MAKHMALBAF<br />
Documentary / dokumenturi<br />
mohsen maxmalbafisa da marzie meSkinis vaJi, maisami, 1981 wels<br />
TeiranSi daibada. rva wlis ganmavlobaSi swavlobda kinoxelovnebas<br />
maxmalbafis kinoskolaSi. „rogor iRebda samira<br />
`saklaso dafebs“ misi, rogorc reJisoris, pirveli dokumenturi<br />
filmia, romelic araerT saerTaSoriso kinofestivalze<br />
aCvenes. kinoindustriaSi maisam maxmalbafi muSaobs rogorc<br />
fotografi, operatori, memontaJe, dokumentalisti da prodiuseri.<br />
gamocemuli aqvs erTi fotoalbomi, misi fotoebi gamofenili<br />
iyo TeiranSi, pusanSi, bulgareTSi, bostonSi. maisami<br />
monawileobs mohsen maxmalbafis uaxles filmSi „mebaRe“.<br />
Born in 1981 in Tehran. He is born to a family of filmmakers. He is the brother<br />
of Samira and Hana Makhmalbaf and his father is the celebrated Mohsen<br />
Makhmalbaf. He studied film for 8 years in Makhmalbaf Film school. He directed<br />
his first documentary titled “How Samira Made The Blackboard” in<br />
2000. Maysam has been active in film industry as still photographer, cinematographer,<br />
editor, documentary maker and producer.
maxmalbafis kinos saxli warmogidgenT<br />
MAKHMALBAF FILM HOUSE PRESENTS<br />
THE GARDENER<br />
mebaRe irani <strong>2012</strong><br />
mohsen maxmalbafi da misi vaJi israelSi Cadian msoflios yvelaze axalgazrda<br />
religiis, bahaizmis Sesaswavlad, romelic daaxloebiT 170 wlis win iranSi Caisaxa<br />
da dRes 7 milioni mimdevari hyavs. axalgazrdebi mTeli msofliodan bahaizmis<br />
centrSi, haifaSi Cadian, rom am religias emsaxuron.<br />
filmi religiis Sesaxeb or sruliad gansxvavebul Sexedulebas gvacnobs.<br />
Filmography / filmografia<br />
2009 The Man Who Came with the Snow<br />
2006 Faryad moorcheha<br />
2005 Sex and Philosophy / Sex o phalsapheh<br />
2005 The Chair (short)<br />
2002 Alefbay-e afghan (doc.)<br />
2001 Kandahar / Safar e Ghandehar<br />
2000 Tales of an Island (segment “Testing Democracy”)<br />
1999 Ghessé hayé kish (segment “Door, The”)<br />
1998 The Silence / Sokout<br />
1998 Madresei keh baad bord (short)<br />
1996 A Matter of Innocence / Nun va Goldoon<br />
1996 Gabbeh<br />
Director:<br />
Mohsen Makhmalbaf<br />
Screenplay:<br />
Mohsen Makhmalbaf<br />
Cinematography:<br />
Maysam Makhmalbaf<br />
Music:<br />
Paul Collier, Salar Samadi<br />
Editing:<br />
Maysam Makhmalbaf<br />
Sound:<br />
Asad Rezai<br />
Cast:<br />
Maysam Makhmalbaf, Mohsen<br />
Makhmalbaf, Ririva Eona Mabi, Paula<br />
Asadi, Guillaume Nyagatare, Tjireya<br />
Tjitendero Juzgado, Ian David Huang,<br />
Bal Kumari Gurung<br />
THE GARDENER IRAN <strong>2012</strong><br />
87 wT, feradi<br />
87 min, colour<br />
1995 Salaam Cinema (doc.)<br />
1993 The Actor / Honarpisheh<br />
1993 Images from the Ghajar Dynasty (short)<br />
1992 Nassereddin Shah, Actor-e Cinema<br />
1991 The Nights of Zayandeh-Rood / Shabhaye<br />
Zayendeh-Rood<br />
1990 A Time for Love / Nobat e Asheghi<br />
1989 The Peddler / Dastforoush<br />
1989 Marriage of the Blessed / Arousi-ye Khouban<br />
1987 Bicycleran<br />
1985 Boycott / Baykot<br />
1984 Two Blind Eyes / Do Cheshman Beesu<br />
1984 Fleeing from Evil to God / Este’aze<br />
1983 Tobeh Nosuh<br />
reJisori:<br />
mohsen maxmalbafi<br />
scenari:<br />
mohsen maxmalbafi<br />
operatori:<br />
maisam maxmalbafi<br />
musika:<br />
pol kolie, salar samadi<br />
montaJi:<br />
maisam maxmalbafi<br />
xma:<br />
asad rezai<br />
monawileoben:<br />
mohsen maxmalbafi, maisam<br />
maxmalbafi, ririva<br />
eona mabi, paula asadi,<br />
giom niagatare, tireia<br />
titendero iuzgado, ian<br />
devid huani, bal kumari<br />
guruni<br />
Documentary / dokumenturi<br />
Production:<br />
Makhmalbaf Film House<br />
World Sales:<br />
M-Line Distribution<br />
An Iranian film maker and his son travel to Israel to investigate a world religion with around 7<br />
million followers, which originated in Iran about a hundred and seventy years ago. Youth from<br />
all over the world come to Haifa, the center of this religion, to serve.<br />
This film shows two completely different views on Religion.<br />
mohsen maxmalbafi<br />
MOHSEN MAKHMALBAF<br />
iraneli kinoreJisori, mwerali, scenaristi, prodiuseri da<br />
adamianis uflebebis damcveli mohsen maxmalbafi 1957 wels<br />
TeiranSi daibada. misi filmebi uamravi saerTaSoriso priziT<br />
aris aRniSnuli. 1996 wels daaarsa kinoskola Makhmalbaf Film<br />
House, sadac sxvebTan erTad misma colma da Svilebmac iswavles<br />
kinos gadaReba. gamocemuli aqvs 30-mde wigni, romelic<br />
msoflios aTze met enaze iTargmna. 2005 wels, iranis saTaveSi<br />
ahmadinejadis mosvlis Semdeg, mohsen maxmalbafma irani datova<br />
da dRes ojaxTan erTad parizSi cxovrobs.<br />
Iranian film director, novelist, screenwriter, producer and human right activist<br />
Mohsen Makhmalbaf was born in 1957 in Teheran. He has published<br />
around 30 books, which have been translated into over 10 languages, and<br />
has made numerous critically-acclaimed films that have been presented at<br />
international film festivals. The multi-award-winning director formed the<br />
Makhmalbaf Film House to teach film in 1996. Makhmalbaf left Iran in 2005<br />
shortly after the election of Mahmoud Ahmadinejad and now lives in Paris.<br />
97
98<br />
msaxiobi fokusSi:<br />
jankarlo janini<br />
siyvaruli da anarqia<br />
udanaSaulo<br />
Svidi lamazmani<br />
ucnauri bedisweriT agvistos<br />
laJvardovan<br />
zRvaSi gariyulebi<br />
LOVE AND ANARCHY<br />
THE INNOCENT<br />
SEVEN BEAUTIES<br />
SWEPT AWAY<br />
ACTOR IN FOCUS:<br />
GIANCARLO GIANNINI
jankarlo janini, msoflio kinos italieli varskvlavi, romelmac<br />
TiTqmis yvela mTavari roli iTamaSa gamoCenili reJisoris, lina<br />
vertmiuleris filmebSi (maT Sorisaa oskarze nominirebuli „Svidi<br />
lamazmani“ da kanis festivalze saukeTeso mamakaci msaxiobis prizis<br />
mflobeli „siyvaruli da anarqia“).<br />
janinis ramdenime aTwleuliani kariera moicavs TanamSromlobas iseT<br />
legendarul reJisorebTan, rogorebic arian lukino viskonti („udanaSaulo“),<br />
rainer verner fasbinderi („lili marleni“), etore skola,<br />
valerio Zurlini, stenli krameri da a.S..<br />
janini erT-erTi iSviaTi gamonaklisia Tavis evropel kolegebs Soris,<br />
romelmac 1980-iani wlebis dasawyisidanve moaxerxa gascdenoda<br />
evropul farglebs da emuSava amerikul mxatvrul da satelevizio<br />
kinoSi. misi holivuduri kariera moicavs, magaliTad, ridli skotis<br />
„hanibals“ da toni skotis films „adamiani cecxlSi“.<br />
bolo periodis mniSvnelovani holivuduri rolebi jankarlo janinim<br />
ganasaxiera bondianas seriis or filmSi: „kazino roiali“ da „nugeSis<br />
kvantumi“, romelSic igi frangi agentis, jeims bondis damxmaris, rene<br />
maTisis rols asrulebs.<br />
jankarlo janinis kariera STambeWdavi saerTaSoriso warmatebis nimu-<br />
Sia, igi moicavs farTo speqtrs evropuli art-hausidan holivudur<br />
blokbasterebamde, sadac msaxiobi sxvadasxva enebze da sxvadasxva ampluaSi<br />
Tanabari warmatebiT axerxebs TamaSs.<br />
Giancarlo Giannini, Italian star of the world-cinema, featuring nearly in every major film of Lina Wertmüller (including Academy Awards nominated<br />
Seven Beauties, and Love and Anarchy, winner of the Cannes Film Festival best actor award).<br />
His decades-long career includes collaboration with such great directors as Luchino Visconti (L’innocente), Rainer Werner Fassbinder (Lili Marleen),<br />
Ettore Scola, Valerio Zurlini, Stanley Kramer and many others.<br />
Giannini is one of the rare exceptions among his European colleagues who managed to expanded his work far beyond European cinema since<br />
early 1980-ies, including American features and even TV -movies. Hollywood productions include Hannibal by Ridley Scott , Man on Fire by<br />
Tony Scott etc.<br />
His latest most notable apperances in Hollywood include two of Bond series Casino Royale and Quantum of Solace where he portrays Rene<br />
Mathis, a French agent who appears to aid Bond throughout his adventure.<br />
Giancarlo Giannini serves as a perfect example of trully international cinema artist, appearing in wide range of genres from European art-house<br />
to Hollywood block-busters, equally successful in different languages and roles.<br />
99
msaxiobi fokusSi: jankarlo janini<br />
ACTOR IN FOCUS: GIANCARLO GIANNINI<br />
FILM D’AMORE E D’ANARCHIA,<br />
OVVERO ‘STAMATTINA ALLE 10 IN VIA DEI FIORI<br />
NELLA NOTA CASA DI TOLLERANZA...’<br />
siyvaruli da anarqia italia 1973<br />
filmis moqmedeba 30-ian wlebis italiaSi xdeba. tonino, Worfliani glexi naRvliani<br />
gamometyvelebiT, musolinis mosaklavad romSi Cadis. iq misi sakontaqto piri salomea,<br />
sicocxliT savse mozardi gogona, romelic bordelSi muSaobs da cxovrobs. salome<br />
toninos Tavis biZaSvilad asaRebs da mas mkvlelobis momzadebaSi exmareba. Zalian male<br />
toninos erT-erTi axalgazrda meZavi tripolina Seuyvardeba. tonino saroskipodan<br />
tripolinas ganTavisuflebas SeZlebs da or dRes masTan erTad gaatarebs. riT dasruldeba<br />
es siyvaruli, salomes politikuri survilebi da Tavdasxmis gegma?<br />
Filmography (selected)<br />
1963 The Lizards<br />
1965 Let’s Talk About Men<br />
1967 Don’t Sting the Mosquito<br />
1968 The Belle Starr Story<br />
1972 The Seduction of Mimi<br />
1973 Love and Anarchy<br />
1974 Everything Ready, Nothing<br />
Works<br />
Director:<br />
Lina Wertmüller<br />
Screenplay:<br />
Lina Wertmüller<br />
Cinematography:<br />
Giuseppe Rottuno<br />
Production Design:<br />
Gianni Giovagnoni<br />
Costumes:<br />
Enrico Job<br />
Editing:<br />
Franco Fraticelli<br />
Producer:<br />
Billy Baxter, Romano Cardarelli<br />
Cast:<br />
Giancarlo Giannini, Mariangela<br />
Melato<br />
100<br />
1974 Swept Away<br />
1975 Seven Beauties<br />
1978 A Night Full of Rain<br />
1978 Blood Feud<br />
1983 A Joke of Destiny<br />
1984 Softly, Softly<br />
1986 Camorra<br />
1989 As Long as It’s Love<br />
1989 The Tenth One in Hiding<br />
LOVE AND ANARCHY ITALY 1973<br />
124 wT, feradi<br />
124 min, colour<br />
reJisori:<br />
lina vertmiuleri<br />
scenari:<br />
lina vertmiuleri<br />
operatori:<br />
juzepe rotuno<br />
mxatvari:<br />
jani jovanioni<br />
kostiumebi:<br />
enriko jobi<br />
montaJi:<br />
franko fratiCeli<br />
prodiuseri:<br />
bili baqsteri,<br />
romano kardareli<br />
monawileoben:<br />
jankarlo janini,<br />
marianjela melato,<br />
Production:<br />
Euro International Film (EIA)<br />
Italy in the 30s. Tonino, a sad faced, freckled peasant, comes to Rome to kill Mussolini. He has anarchist<br />
connections, and his contact in Rome is Salome, a lively flapper and popular professional at<br />
the bordello where she lives. She introduces him as her cousin, giving him access to the brothel,<br />
and she helps him prepare for the assassination, scheduled a few days after his arrival. Within a day,<br />
he has fallen in love with Tripolina, one of the younger prostitutes. Tonino does the madam a favor,<br />
and, in exchange, Tripolina gets two days off to spend with him. How will this love affair, Salome’s<br />
political will, and the assassination plans play out?<br />
lina vertmiuleri<br />
LINA WERTMÜLLER<br />
1990 Saturday, Sunday and Monday<br />
1992 Ciao, Professore!<br />
1996 The Nymph<br />
1999 Ferdinando and Carolina<br />
Sveicaruli warmomavlobis italieli scenaristi da reJisori<br />
lina vertmiuleri 1926 wels romSi daibada. man romis Teatraluri<br />
akademia daamTavra. vertmiuleri iyo pirveli qali<br />
reJisori, romelic oskarze iyo wardgenili filmisTvis „Svidi<br />
lamazmani“. vertmiuleris filmebi kargad asaxavs mis politikur<br />
Sexedulebebs _ mTavari gmirebi xSirad gulmxurvale<br />
anarqistebi, komunistebi da feministebi arian, ZiriTadi moqmedeba<br />
ki politikuri an socialur-ekonomikuri xasiaTis konfliqtis<br />
garSemo viTardeba.<br />
Lina Wertmüller, an Italian film writer and director of aristocratic Swiss descent<br />
was born in 1926 in Rome. She graduated from Rome Theatre Academy. She<br />
became the first woman ever to be nominated for an Academy Award for Directing<br />
with the film SEVEN BEAUTIES. In general, Wertmüller’s films are highly<br />
reflective of her own political commitments, with the main characters either<br />
dedicated anarchists, communists, feminists, and the main action centered on<br />
conflicts which are political or socioeconomic in nature.
msaxiobi fokusSi: jankarlo janini<br />
ACTOR IN FOCUS: GIANCARLO GIANNINI<br />
L’INNOCENTE<br />
udanaSaulo italia / <strong>safrangeTi</strong> 1976<br />
Director:<br />
Luchino Visconti<br />
Screenplay:<br />
Suso Cecchi D’Amico, Enrico Medioli,<br />
Luchino Visconti<br />
Cinematography:<br />
Pasqualino De Santis<br />
Costumes:<br />
Piero Tosi<br />
Editing:<br />
Ruggero Mastroianni<br />
Producer:<br />
Giovanni Bertolucci, Lucio Trentini<br />
Cast:<br />
Giancarlo Giannini, Laura Antonelli,<br />
Jennifer O’Neill<br />
THE INNOCENT ITALY / FRANCE 1976<br />
125 124 wT, feradi<br />
125 124 min, colour<br />
viskontis ukanaskneli filmi „udanaSaulo“ aristokratuli Sovinizmisa da ormagi<br />
stardartebis istoriaa. mdidari tulio ermili arafers akeTebs sazogadoebisa<br />
da megobrebis Tvalwin sayvarelTan arSiyobis garda. magram rodesac misi gariyuli<br />
meuRle sasiyvarulo urTierTobas gaabams axalgazrda mweralTan, es moarSiye<br />
aristokratisTvis autaneli gaxdeba.<br />
Filmography (selected)<br />
1976 The Innocent<br />
1971 Death in Venice<br />
1969 The Damned<br />
1967 The Stranger<br />
1965 Sandra<br />
1963 The Leopard<br />
1960 Rocco and his Brothers<br />
1957 Le notti bianche<br />
1954 Senso<br />
1951 Bellissima<br />
1948 La terra trema<br />
1943 Obsession<br />
reJisori:<br />
lukino viskonti<br />
scenari:<br />
suso Ceki damiko, enriko<br />
medioli, lukino viskonti<br />
operatori:<br />
paskualino de santisi<br />
kostiumebi:<br />
piero tosi<br />
montaJi:<br />
rujero mastroiani<br />
prodiuseri:<br />
jovani bertoluCi,<br />
luCo trentini<br />
monawileoben:<br />
jankarlo janini, laura<br />
antoneli, jenifer onili<br />
Production:<br />
Rizzoli Film, Les Films Jacques Leitienne,<br />
Imp.Ex.Ci.<br />
Visconti’s final film “Innocent” is a haunting account of aristocratic chauvinism and sexual double<br />
standards in turn of the century Italy. Wealthy Tullio Hermili thinks nothing of squiring his mistress<br />
in full view of his friends and the public. But when his cast-off wife begins an affair with a young<br />
novelist, it is too much for the philandering aristocrat.<br />
lukino viskonti<br />
LUCHINO VISCONTI<br />
(1906 –1976)<br />
italiuri Teatris, operisa da kinos reJisori. daibada<br />
modronis hercogis, CrdiloeTi italiis erT-erT umdidres<br />
ojaxSi. 1940-50-ian wlebSi sxva kinoreJisorebTan erTad Camoayaliba<br />
moZraoba „italiuri neorealizmi“. „cduneba“ (1943) misi<br />
pirveli neorealisturi filmi iyo, romelic araoficialurad<br />
dafuZnebuli iyo jeims keinis romanze „fostalioni yovelTvis<br />
orjer rekavs“, ris gamoc is amerikaSi akrZales. „udanaSaulo“<br />
viskontis ukanaskneli filmia. misi gardacvalebis Semdeg kun-<br />
Zul iskiaze lukino viskontis saxelobis muzeumi daarsda.<br />
Italian theatre, opera and cinema director. He was born into one of Northern<br />
Italy’s richest families as one of the Duke of Modrone’s seven children.<br />
Visconti developed the movement of “Italian neo-realism” together with<br />
other directors such as Vittorio De Sica or Roberto Rossellini in the 1940s<br />
and 1950s. OSSESSION (1943), the first neorealist movie was banned in the<br />
United States, an unofficial adaptation of the novel “The Postman Always<br />
Rings Twice”. THE INNOCENT is his last film.<br />
101
msaxiobi fokusSi: jankarlo janini<br />
ACTOR IN FOCUS: GIANCARLO GIANNINI<br />
PASQUALINO SETTEBELLEZZE<br />
Svidi lamazmani italia 1975<br />
Director:<br />
Lina Wertmüller<br />
Screenplay:<br />
Lina Wertmüller<br />
Cinematography:<br />
Tonnino Delli Colli<br />
Art Direction:<br />
Veljko Despotovic<br />
Costumes:<br />
Enrico Job<br />
Editing:<br />
Franco Fraticelli<br />
Producer:<br />
Arrigo Colombo, Lina Wertmüller<br />
Cast:<br />
Giancarlo Giannini, Fernando Rey,<br />
Shirley Stoler<br />
102<br />
SEVEN BEAUTIES ITALY 1975<br />
115 wT, feradi<br />
115 min, colour<br />
paskualino meore msoflio omis dros armias miatovebs. mas germanelebi Seipyroben<br />
da sakoncentracio banakSi waiyvanen, sadac is yvela Rones xmarobs, rom<br />
gadarCes. xangrZliv fleSbeqebSi vxedavT mas da mis Svid das (Svidi lamazmani),<br />
mis mier erT-erTi dis sayvarlis SemTxveviT mokvlas, mkvlelobis aRiarebasa da<br />
dapatimrebas, mis gaTvlil gadasvlas suliT avadmyofTa TavSesafarSi, pacientis<br />
gaupatiurebas. Tavisi silaCris wyalobiT paskualino oms gadaurCeba da neapolSi<br />
brundeba.<br />
Filmography (selected)<br />
1963 The Lizards<br />
1965 Let’s Talk About Men<br />
1967 Don’t Sting the Mosquito<br />
1968 The Belle Starr Story<br />
1972 The Seduction of Mimi<br />
1973 Love and Anarchy<br />
1974 Everything Ready, Nothing<br />
Works<br />
1974 Swept Away<br />
1975 Seven Beauties<br />
1978 A Night Full of Rain<br />
1978 Blood Feud<br />
1983 A Joke of Destiny<br />
1984 Softly, Softly<br />
1986 Camorra<br />
1989 As Long as It’s Love<br />
1989 The Tenth One in Hiding<br />
reJisori:<br />
lina vertmiuleri<br />
scenari:<br />
lina vertmiuleri<br />
operatori:<br />
tonino deli koli<br />
mxatvari:<br />
velko despotoviCi<br />
kostiumebi:<br />
enriko jobi<br />
montaJi:<br />
franko fratiCeli<br />
prodiuseri:<br />
arigo kolombo,<br />
lina vertmiuleri<br />
monawileoben:<br />
jankarlo janini, fernando<br />
rei, Sirli stoleri<br />
Production:<br />
Medusa Produzione<br />
Jadran Film<br />
Pasqualino, an Italian everyman, deserts the army during World War II. Germans capture him and<br />
send him to a prison camp, where he does just about anything to survive. In lengthy flashbacks, we<br />
see him and his family of seven unattractive sisters (the seven beauties), his accidental murder of<br />
one sister’s lover, his confession and imprisonment, his calculated switch to an insane asylum, his<br />
rape of a patient, and his volunteering to be a soldier to escape confinement. To the chagrin of his<br />
obese German captor, his weak and cowardly character enables him to survive the war and return<br />
to Naples.<br />
lina vertmiuleri<br />
LINA WERTMÜLLER<br />
1990 Saturday, Sunday and Monday<br />
1992 Ciao, Professore!<br />
1996 The Nymph<br />
1999 Ferdinando and Carolina<br />
Sveicaruli warmomavlobis italieli scenaristi da reJisori<br />
lina vertmiuleri 1926 wels romSi daibada. man romis Teatraluri<br />
akademia daamTavra. vertmiuleri iyo pirveli qali<br />
reJisori, romelic oskarze iyo wardgenili filmisTvis „Svidi<br />
lamazmani“. vertmiuleris filmebi kargad asaxavs mis politikur<br />
Sexedulebebs _ mTavari gmirebi xSirad gulmxurvale<br />
anarqistebi, komunistebi da feministebi arian, ZiriTadi moqmedeba<br />
ki politikuri an socialur-ekonomikuri xasiaTis konfliqtis<br />
garSemo viTardeba.<br />
Lina Wertmüller, an Italian film writer and director of aristocratic Swiss descent<br />
was born in 1926 in Rome. She graduated from Rome Theatre Academy. She<br />
became the first woman ever to be nominated for an Academy Award for Directing<br />
with the film SEVEN BEAUTIES. In general, Wertmüller’s films are highly<br />
reflective of her own political commitments, with the main characters either<br />
dedicated anarchists, communists, feminists, and the main action centered on<br />
conflicts which are political or socioeconomic in nature.
msaxiobi fokusSi: jankarlo janini<br />
ACTOR IN FOCUS: GIANCARLO GIANNINI<br />
TRAVOLTI DA UN INSOLITO DESTINO<br />
NELL’AZZURRO MARE D’AGOSTO<br />
ucnauri bedisweriT agvistos laJvardovan<br />
zRvaSi gariyulebi italia 1974<br />
mdidari qali rafaela da misi megobrebi zafxulSi xmelTaSua zRvaSi kruizis<br />
mosawyobad iaxtas iqiraveben. komunist mezRvaurs jenarinos ar moswons rafaela,<br />
Tumca misi gamoxdomebis atana uwevs. erT dResac rafaela iRviZebs da mis megobrebTan<br />
xmeleTze gayvanas moiTxovs. jenarino navs aawyobs, romelic wyalSi gasvlisas<br />
CaZirvas iwyebs. rafaela da jenarino martodmarto aRmoCndebian ukacriel<br />
kunZulze, sadac maT rolebis gacvla mouwevT. qali gadarCenisTvis brZolaSi<br />
mxolod am kacze xdeba damokidebuli.<br />
Filmography (selected)<br />
1963 The Lizards<br />
1965 Let’s Talk About Men<br />
1967 Don’t Sting the Mosquito<br />
1968 The Belle Starr Story<br />
1972 The Seduction of Mimi<br />
1973 Love and Anarchy<br />
1974 Everything Ready, Nothing<br />
Works<br />
Director:<br />
Lina Wertmüller<br />
Screenplay:<br />
Lina Wertmüller<br />
Cinematography:<br />
Giulio Battiferri<br />
Costumes:<br />
Enrico Job<br />
Editing:<br />
Franco Fraticelli<br />
Producer:<br />
Romano Cardarelli<br />
Cast:<br />
Giancarlo Giannini, Mariangela<br />
Melato, Riccardo Salvino<br />
1974 Swept Away<br />
1975 Seven Beauties<br />
1978 A Night Full of Rain<br />
1978 Blood Feud<br />
1983 A Joke of Destiny<br />
1984 Softly, Softly<br />
1986 Camorra<br />
1989 As Long as It’s Love<br />
1989 The Tenth One in Hiding<br />
SWEPT AWAY ITALY 1974<br />
116 wT, feradi<br />
116 min, colour<br />
reJisori:<br />
lina vertmiuleri<br />
scenari:<br />
lina vertmiuleri<br />
operatori:<br />
julio batiferi<br />
kostiumebi:<br />
enriko jobi<br />
montaJi:<br />
franko fratiCeli<br />
prodiuseri:<br />
romano kardareli<br />
monawileoben:<br />
jankarlo janini,<br />
marianjela melato,<br />
rikardo salvino<br />
Production:<br />
Medusa Produzione<br />
A rich woman, Raffaella, and some friends rent a yacht to sail the Mediterranean Sea during summer.<br />
The sailor, Gennarino, who is a communist, does not like this woman but has to bear with her<br />
bad mood. One day she wakes up late in the afternoon and asks to be taken to land where everyone<br />
had gone earlier. Gennarino sets up a boat but during the trip, the boat breaks down. They<br />
spend the night in the middle of the sea. They become stranded on a deserted island where their<br />
roles become reversed. She becomes dependent upon him for survival.<br />
lina vertmiuleri<br />
LINA WERTMÜLLER<br />
1990 Saturday, Sunday and Monday<br />
1992 Ciao, Professore!<br />
1996 The Nymph<br />
1999 Ferdinando and Carolina<br />
Sveicaruli warmomavlobis italieli scenaristi da reJisori<br />
lina vertmiuleri 1926 wels romSi daibada. man romis Teatraluri<br />
akademia daamTavra. vertmiuleri iyo pirveli qali<br />
reJisori, romelic oskarze iyo wardgenili filmisTvis „Svidi<br />
lamazmani“. vertmiuleris filmebi kargad asaxavs mis politikur<br />
Sexedulebebs _ mTavari gmirebi xSirad gulmxurvale<br />
anarqistebi, komunistebi da feministebi arian, ZiriTadi moqmedeba<br />
ki politikuri an socialur-ekonomikuri xasiaTis konfliqtis<br />
garSemo viTardeba.<br />
Lina Wertmüller, an Italian film writer and director of aristocratic Swiss descent<br />
was born in 1926 in Rome. She graduated from Rome Theatre Academy. She<br />
became the first woman ever to be nominated for an Academy Award for Directing<br />
with the film SEVEN BEAUTIES. In general, Wertmüller’s films are highly<br />
reflective of her own political commitments, with the main characters either<br />
dedicated anarchists, communists, feminists, and the main action centered on<br />
conflicts which are political or socioeconomic in nature.<br />
103
104<br />
filmebi sazRvrebs<br />
gareSe<br />
saiubileo klienti<br />
bolo gaseirneba<br />
tramalis kaci<br />
istalgia<br />
moTamaSe<br />
ukeTes Zmas ver inatrebdi<br />
Jana da xmebi<br />
FILMS ACROSS<br />
BORDERS<br />
ANNIVERSARY CLIENT<br />
THE GUARDIAN<br />
THE STEPPE MAN<br />
EASTALGIA<br />
GAMER<br />
THERE WAS NEVER A BETTER BROTHER<br />
JOAN AND THE VOICES
filmebi sazRvrebs gareSe<br />
FILMS ACROSS BORDERS<br />
ANNIVERSARY CLIENT<br />
saiubileo klienti somxeTi <strong>2012</strong><br />
qalma, romelic mxurvale flirtis STabeWdilebiT iRviZebs, araferi icis mamakacis<br />
zraxvebis Sesaxeb da isev yuradRebiT da Tavazianad epyroba ucnob adamians,<br />
romelic ukve sxvas uyvars. da emociebis, moulodnelobebis, Seuracxyofis<br />
niaRvari iwyeba... magram Tavdacvis instinqti qals aiZulebs, Tavisi wesebiT<br />
iTamaSos...<br />
Filmography / filmografia<br />
<strong>2012</strong> Anniversary Client<br />
1999 Armenicum UPSA<br />
1991 Deadline - Seven Days<br />
Director:<br />
Ara Yernjakyan<br />
Screenplay:<br />
Ara Yernjakyan<br />
Cinematography:<br />
Suren Tadevosyan<br />
Music:<br />
Hayk Hakobyan (Hayko)<br />
Production Design:<br />
Rafael Khachaturyan<br />
Editing:<br />
Karen Melkumyan<br />
Sound:<br />
Levon Navasardyan<br />
Producer:<br />
Ara Yernjakyan, Arshaluys<br />
Harutyunyan<br />
Cast:<br />
Luiza Nersisyan, David Katsarava<br />
ANNIVERSARY CLIENT ARMENIA <strong>2012</strong><br />
reJisori:<br />
ara iernjakiani<br />
scenari:<br />
ara iernjakiani<br />
operatori:<br />
suren tadevosiani<br />
musika:<br />
haik hakobiani (haiko)<br />
mxatvari:<br />
rafael xacaturiani<br />
montaJi:<br />
karen melkumiani<br />
xma:<br />
levon navasardiani<br />
prodiuseri:<br />
ara iernjakiani,<br />
arSaluis harutiuniani<br />
monawileoben:<br />
luiza nersisiani,<br />
daviT qacarava<br />
Production<br />
Erkat Production<br />
58 Mashtots ave., Yerevan, Armenia, 0009<br />
Tel. 56-21-66; (091) 43-14-13; (091) 32-60-72<br />
Fax. 56-63-78<br />
erkat@erkat.am<br />
info@erkat.am<br />
The woman, who wakes up under the impression of the passionate flirt, does not know anything<br />
about the intentions of the man and continues her courteous and caring attitude to the stranger<br />
who is already a beloved person. There comes a flow of emotions, unexpectedness, insult... But<br />
the woman’s instinct of self-protection makes her play a game...<br />
ara iernjakiani<br />
ARA YERNJAKYAN<br />
78 wT, feradi<br />
78 min, colour<br />
daibada 1951 wels erevanSi, somxeTSi. daamTavra erevnis politeqnikuri<br />
institutis teqnikuri kibernetikis fakulteti<br />
(1974) da erevnis xelovnebisa da Teatris saxelmwifo institutis<br />
sareJisoro fakulteti (1983). 1982 wels erevanSi<br />
daaarsa saxelmwifo kameruli Teatri. dadgmuli aqvs 50-ze<br />
meti speqtakli, aris 30 piesis, 5 kinoscenaris da samecniero<br />
naSromebis avtori.<br />
Born in 1951 in Yerevan, Armenia. He gratuated from the Technical Cybernetics<br />
Department of the Yerevan Politechnic Institute (1974) and the Directing<br />
Department of the Yerevan State Institute of Art and Theatre (1983).<br />
In 1982, he founded the Yerevan State Chamber Theatre. He has carried out<br />
more then 50 stagings in different theatres. Yernjakyan is the author of<br />
more then 30 plays, 5 movie scripts and scientific works.<br />
105
filmebi sazRvrebs gareSe<br />
FILMS ACROSS BORDERS<br />
BOLO GASEIRNEBA<br />
bolo gaseirneba saqarTvelo <strong>2012</strong><br />
Filmography / filmografia<br />
<strong>2012</strong> The Guardian / Bolo gaseirneba<br />
2011 Stay With Me / Darchi chemtan<br />
2008 Three Houses / Sami sakhli<br />
2002-2006 Hot Dog / Tskheli dzaghli (TV film , in 42<br />
series)<br />
1998 Here Comes the Dawn / Ak tendeba<br />
Director:<br />
Zaza Urushadze<br />
Screenplay:<br />
Uta Beria, Irakli Solomanashvili,<br />
Levan Korinteli<br />
Cinematography:<br />
Konstantine Esadze<br />
Music:<br />
Niaz Diasamidze<br />
Production Design:<br />
Tea Telia<br />
Producer:<br />
Levan Korinteli, Guka Rcheulishvili<br />
Cast:<br />
Mikheil Meskhi, Kakha Abuashvili,<br />
Tazo Tskhakaia, Nutsa Kukhianidze,<br />
Tina Dalakishvili<br />
106<br />
THE GUARDIAN GEORGIA <strong>2012</strong><br />
reJisori:<br />
zaza uruSaZe<br />
scenari:<br />
uta beria, irakli<br />
solomanaSvili, levan<br />
korinTeli<br />
operatori:<br />
konstantine esaZe<br />
musika:<br />
niaz diasamiZe<br />
mxatvari:<br />
Tea Telia<br />
prodiuseri:<br />
levan korinTeli,<br />
guka rCeuliSvili<br />
monawileoben:<br />
mixeil mesxi, kaxa<br />
abuaSvili, Tazo cxakaia,<br />
nuca kuxianiZe, Tina<br />
dalaqiSvili<br />
Production:<br />
Sanguko Films<br />
Millimeter Films<br />
Independent Film Project<br />
After 16 years of imprisonment, 40-years-old Gogliko is released from jail. He doesn’t exactly know<br />
what he did that deserved 16 years of jail time. A free man, a changed country awaits him. His personal<br />
life has drastically altered. His parents have passed and most of his friends have died during<br />
the Civil War period. Gogliko realizes that he will not be able to find his place in this “new” Georgia,<br />
only thing he has to do is to care about his passed friend’s 16-years-old son.<br />
zaza uruSaZe<br />
ZAZA URUSHADZE<br />
88 wT, feradi<br />
88 min, colour<br />
16 wlis Semdeg gogliko cixidan gamodis. is egreT wodebuli „oTxmocdaaTiani<br />
wlebis dakarguli Taobis“ warmomadgenelia. misi cixeSi yofnis dros cxovrebis<br />
stili da urTierTobebi mkveTrad Seicvala. goglikos uWirs awmyosTan Segueba,<br />
am samyaroSi is Tavs zedmetad da usargeblod grZnobs. misi erTaderTii saqme<br />
daRupuli megobris 16 wlis Svilze zrunva xdeba.<br />
1990 To those, Abandoned By Fathers / Mattvis,<br />
vints mamam miatova (short)<br />
1988 Two Rainy Days (short)<br />
1987 Cataplexy (short)<br />
daibada 1966 wels. 1988 wels daamTavra saqarTvelos Teatrisa<br />
da kinos institutis kinosareJisoro fakulteti. 1999 wlamde<br />
muSaobda kinostudia „qarTul filmSi“ reJisorad, 2002-2004<br />
wlebSi iyo saqarTvelos kinematografiis erovnuli centris<br />
direqtori.<br />
Georgian film director, producer and writer. Born in 1966. In 1982-1988<br />
studied film directing at Shota Rustaveli Theatre and Film Georgian State<br />
University. He was a chairman of The Experts Commission of the Georgian<br />
National Film Center in 2001, later on – head of the Georgian National Film<br />
Center (2002-2004).
filmebi sazRvrebs gareSe<br />
FILMS ACROSS BORDERS<br />
ÇÖLÇÜ<br />
tramalis kaci azerbaijani <strong>2012</strong><br />
axalgazrda kaci qalaqebidan Sors, ukacriel tramalebSi cxovrobs da tramalebis<br />
cxovrebis sibrZnes mamisgan swavlobs. mamis sikvdilis Semdeg filmis<br />
gmiri soflidan Camosul axalgazrda qals gaicnobs. am SexvedriT misTvis axali<br />
cxovreba iwyeba.<br />
Filmography / filmografia<br />
<strong>2012</strong> Steppe Man / Çölçü<br />
2011 Free Ghosts (doc.)<br />
2010 Mugam, Spirituals And Others (doc.)<br />
2010 Trace of Gala / Iz Gala (doc.)<br />
2009 Azerbaijan carpets / Azerbaycan Khalchasi<br />
(doc.)<br />
Director:<br />
Shamil Aliyev<br />
Screenplay:<br />
Vidadi Hasanov<br />
Cinematography:<br />
Rafi g Guliyev<br />
Music:<br />
Rauf Aliyev<br />
Production Design:<br />
Rafig Nasirov, Ibrahim Aminov<br />
Editing:<br />
Rafig Guliyev<br />
Sound:<br />
Mehman Nadirov<br />
Producer:<br />
Mushfig Hatamov<br />
Cast:<br />
Bahruz Vagifoghlu, Salome Demuria,<br />
Vidadi Hasanov, Cavidan Mammadli<br />
80 wT, feradi<br />
80 min, colour<br />
2005 Baku- European Lyceum – Planet of Talents /<br />
Bal – Istedadlar Planeti (doc.)<br />
2004 Motherland Starts from the Border / Veten<br />
Serhedden Bashlayir (doc.)<br />
1999 Occasional Meeting / Tesadufi Gorush (short)<br />
1992 Confession / Etiraf<br />
THE STEPPE MAN AZERBAIJAN <strong>2012</strong><br />
reJisori:<br />
Samil alievi<br />
scenari:<br />
vidadi hasanovi<br />
operatori:<br />
rafig gulievi<br />
musika:<br />
rauf alievi<br />
mxatvari:<br />
rafig nazirovi,<br />
ibrahim aminovi<br />
montaJi:<br />
rafig gulievi<br />
xma:<br />
mehman nadirovi<br />
prodiuseri:<br />
muSfig hatamovi<br />
monawileoben:<br />
bahruz vagifoRlu, salome<br />
demuria, vidadi hasanovi,<br />
kavidan mamadli<br />
Production:<br />
Azerbaijanfilm Film Studio<br />
World Sales:<br />
Nurfilm Producer Centre<br />
One steppe man is living far from the cities closely communicating with the nature. His farther<br />
teaches him all wisdom of the steppe life. After his farther death he met with the young woman<br />
who came from the village. Meeting with her is a new page in his life and a huge step into the<br />
big and unfamiliar life ahead...<br />
Samil alievi<br />
SHAMIL ALIYEV<br />
scenaristi, prodiuseri da reJsori Samil alievi 1960 wels<br />
daibada baqoSi, azerbaijanSi. azerbaijanis kulturis saxelmwifo<br />
institutis damTavrebis Semdeg (1989) kinoreJisorad<br />
muSaobda saxelmwifo kinostudia „azerbaijanfilmSi“.<br />
pirveli srulmetraJiani mxtvruli filmi „aRsareba“ (1992)<br />
damoukideblad gadaiRo. amis Semdeg reJisorad muSaobda nacionalur<br />
satelevizio arxebze. aris saprodiusero centris<br />
„nurfilmis“ damaarsebeli da reJisori.<br />
Screenwriter, producer and director Shamil Aliyev was born in 1960 in Baku,<br />
Azerbaijan. After graduating from Azerbaijan State Institute of Culture in<br />
1989, he had worked as a film director at the “Azerbaijanfilm” state-owned<br />
movie studio. His first feature film CONFESSION was shot independently. As<br />
director he further worked on various national TV channels. He is a founder<br />
and director of NURFILM Producer Center.<br />
107
filmebi sazRvrebs gareSe<br />
FILMS ACROSS BORDERS<br />
EASTALGIA<br />
istalgia germania / ukraina / serbeTi <strong>2012</strong><br />
sami qalaqi. sami siyvarulis ambavi. erTi Rame evropaSi.<br />
germaniaSi emigrirebuli Suaxnis ukraineli qali da yofili mokrive serbeTidan<br />
enis barieris gamo izolirebulebi arian germanuli sazogadoebisgan. maT<br />
slavuri kulturis garda kidev erTi ram akavSirebs: maTi Svilebi samSobloSi _<br />
erTi ukrainaSi, meore ki serbeTSi _ arCeven cxovrebas. ra akavebs iq maT?<br />
Filmography / filmografia<br />
<strong>2012</strong> Eastalgia<br />
2010 Dogs of Ukrainka / Sobaki mista Ukrayinka (short)<br />
Director: Daria Onyshchenko<br />
Screenplay: Daria Onyshchenko,<br />
Miroslav Mandic<br />
Cinematography: Erol Zubcevic<br />
Music: Superstrings<br />
Production Design: Markus<br />
Dicklhuber<br />
Costumes: Gloria Ambros<br />
Editing: Wolfgang Weigl<br />
Sound: Andre Bendocchi-Alves,<br />
Claudia Enzmann<br />
Producer: Simon Amberger,<br />
Korbinian Dufter, Rafael Parente,<br />
Anna Palenchuk, Maria Govorukha<br />
Co-Producer: Nenad Dukic<br />
Cast: Nina Nizheradze, Karl<br />
Markovics, Vuk Kostic, Lea Mornar,<br />
Ivan Dobronravov<br />
108<br />
EASTALGIA GERMANY / UKRAINE / SERBIA <strong>2012</strong><br />
reJisori:<br />
daria oniSCenko<br />
scenari:<br />
daria oniSCenko, miroslav<br />
mandiCi<br />
operatori: erol zubCeviCi<br />
musika: Superstrings<br />
mxatvari: markus diklhuberi<br />
kostiumebi: gloria ambrosi<br />
montaJi: volfgang vaigli<br />
xma: andre bendoki-alvesi,<br />
klaudia encmani<br />
prodiuseri: zimon ambergeri,<br />
korbinian dufteri, rafael<br />
parente, ana palenCuki, maria<br />
govoruxa<br />
Tanaprodiuseri: nenad dukiCi<br />
monawileoben: nina niJeraZe,<br />
karl markoviCi, vuk<br />
kostiCi, lea momari, ivan<br />
dobronravovi<br />
Production:<br />
NEUESUPER GmbH & Co. KG<br />
Einsteinstr. 28<br />
81675 Munich, Germany<br />
www.neuesuper.de<br />
435 Films<br />
Filatova Str. 10-A, office 2/14<br />
01042, Kyiv, Ukraine<br />
SEE FILM PRO d.o.o.<br />
Omladinskih brigada 224<br />
11070 Novi Beograd-Belgrade, Serbia<br />
Three cities. Three love stories. One night in Europe.<br />
A middle-aged woman, Ukrainian emigrant, and a former Serbian boxer are separated from German<br />
society by a language barrier. They have a common ground - Slavic culture and their own<br />
children who are still living in Ukraine and Serbia – what makes them stay there?<br />
daria oniSCenko<br />
DARIA ONYSHCHENKO<br />
93 wT, feradi<br />
93 min, colour<br />
daibada 1983 wels kievSi, yofil sabWoTa ukrainaSi. daamTavra<br />
kievis taras SevCenkos saxelobis universitetis bakalavriati<br />
saerTaSoriso kvlevebis mimarTulebiT. swavlis paralelurad<br />
muSaobda msaxiobad TeatrSi „Savi kvadrati“ da Tavisufal<br />
Jurnalistad _ adgilobriv gazeTebSi. 2004 wels dariam<br />
internatura gaiara bremenis Seqspiris TeatrSi, Semdeg swavla<br />
ganagrZo miunxenis televiziisa da kinos umaRles skolaSi,<br />
romelic 2011 wels daamTavra. „istalgia“ misi pirveli srulmetraJiani<br />
mxatvruli filmia.<br />
Born 1983 in Kiev, in the former Soviet Union. She acquired her Bachelor<br />
degree at the Taras Schevchenko University in Kiev (international analytics).<br />
During university studies she was an actress at the theater „Black Square“<br />
and worked as a freelance journalist for different newspapers. In 2004 Daria<br />
was doing an internship at the Shakespear Theater in Bremen. In 2005 she<br />
started her studies at the University of Television and Film in Munich which<br />
she completed in 2011. EASTLAGIA is her debut film.
filmebi sazRvrebs gareSe<br />
FILMS ACROSS BORDERS<br />
GAMER<br />
moTamaSe ukraina 2011<br />
Director:<br />
Oleg Sentsov<br />
Screenplay:<br />
Oleg Sentsov<br />
Cinematography:<br />
Egor Petrik, Gennadiy Veselkov<br />
Production Design:<br />
Evgeniya Vradiy<br />
Editing:<br />
Dmitriy Kundrutskiy<br />
Sound:<br />
Vladimir Kozlov<br />
Producer:<br />
Oleg Sentsov, Olga Zhurzhenko<br />
Cast:<br />
Vladislav Zhuk, Alexander Fedotov,<br />
Janna Buruk<br />
92 wT, feradi<br />
92 min, colour<br />
biWs aleqsi hqvia, magram moTamaSeebis samyaroSi, sadac drois umetes nawils<br />
atarebs, koss eZaxian. kompiuterTan gatarebulma drom Sedegi gamoiRo: patara<br />
ukrainuli soflis saTamaSo klubebSi is sabrZolo TamaSis „qveikis“ upirobo mefe<br />
gaxda masze umcrosi da gamoucdeli moTamaSeebis TvalSi, visac cifrul brZolaSi<br />
amarcxebs. aleqss didi gegmebi aqvs. is saukeTeso moTamaSe gaxdeba da nel-nela<br />
miaRwevs Tavis mizans: msoflio Cempionobas.<br />
Filmography / filmografia<br />
2011 Gaamer<br />
2009 The Horn of a Bull (short)<br />
2008 A Perfect Day for Bananafish (short)<br />
GAMER UKRAINE 2011<br />
reJisori:<br />
oleg sencovi<br />
scenari:<br />
oleg sencovi<br />
operatori:<br />
egor petriki,<br />
genadi veselkovi<br />
mxatvari:<br />
evgenia vradi<br />
montaJi:<br />
dmitri kundrucki<br />
xma:<br />
vladimir kozlovi<br />
prodiuseri:<br />
oleg sencovi,<br />
olga JurJenko<br />
monawileoben:<br />
vladislav Juki, aleqsandr<br />
fedotovi, iana buruki<br />
The boy’s name is Alex, but in the world of gamers where he spends most of his time, he is known<br />
as Koss. The enormous amount of time he spends at the computer screen starts to pay off: in the<br />
games’ clubs in his small Ukrainian village, he is the undisputed king of the shooting game Quake,<br />
admired by the ‘noobs’ - the younger and less experienced players he defeats digitally. But there is<br />
also a different side. The endless games are getting in the way of his study at technical college, to<br />
the great dismay of his single mother. Alex has big plans: he’s going to be the greatest and that will<br />
solve everything. Step-by-step, he approaches his goal: to be world champion.<br />
oleg sencovi<br />
OLEG SENTSOV<br />
Production:<br />
Cry Cinema<br />
1-th Konnoy Armii 37, p.18.<br />
95000 Simferopol, Ukraine<br />
daibada 1976 wels simferopolSi, ukrainaSi. 1993-98 wleb-<br />
Si swavlobda kievis ekonomikis saxelmwifo universitetSi,<br />
Semdeg moskovis umaRlesi sascenaro da sareJisoro kursebi<br />
daamTavra. „moTamaSe“ misi pirveli srulmetraJiani mxatvruli<br />
filmia.<br />
Born in 1976 in Simferopol, Ukraine. Studeid at the Kiev National Economic<br />
University (1993-98) and followed courses for script writing and directing<br />
in Moscow. GAMER is his first feature film.<br />
109
filmebi sazRvrebs gareSe<br />
FILMS ACROSS BORDERS<br />
Director:<br />
Murad Ibragimbekov<br />
Screenplay:<br />
Murad Ibragimbekov, Pavel Finn<br />
Cinematography:<br />
Ivan Gudkov<br />
Music:<br />
Alexei Aigi<br />
Production Design:<br />
Anna Lazareva<br />
Editing:<br />
Tatyana Egorycheva,<br />
Svetlana Guralskaya<br />
Sound:<br />
Aleksandr Kopeykin<br />
Producer:<br />
Murad Ibragimbekov, Alexandr<br />
Shvidkoy, David Shufutinsky<br />
Cast:<br />
Nino Ninidze, Sergey Puskepalis,<br />
Evgeny Tsyganov<br />
110<br />
90 wT, feradi<br />
90 min, colour<br />
I NE BYLO LUCHSHE BRATA<br />
ukeTes Zmas ver inatrebdi ruseTi / azerbaijani / bulgareTi 2011<br />
filmis moqmedeba 1970-iani wlebis baqoSi viTardeba. Zmebi, jalili da simurgi,<br />
erTmaneTisgan Zalian gansxvavdebian. ufrosi Zma jalili daojaxebulia, fostaSi<br />
muSaobs da futkrebs uvlis. is zomieria da mSvidi, gansxvavebiT umcrosi Zmisgan,<br />
romelic miznis misaRwevad ki ar ocnebobs, aramed moqmedebs.<br />
Filmography / filmografia<br />
2011 There Was Never a Better Brother / I ne bylo<br />
luchshe brata<br />
2007 3 Girls / Tri devushki<br />
2003 Oil / Neft (short)<br />
2002 Istinnye proishestviya<br />
1996 Muzhchina dlya molodoy zhenshchiny<br />
1992 Vals zolotykh teltsov<br />
reJisori:<br />
murad ibragimbekovi<br />
scenari:<br />
murad ibragimbekovi,<br />
pavel fini<br />
operatori:<br />
ivan gudkovi<br />
musika:<br />
aleqsei aigi<br />
mxatvari:<br />
ana lazareva<br />
montaJi:<br />
tatiana egoriCeva,<br />
svetlana guralskaia<br />
xma:<br />
aleqsandr kopeikini<br />
prodiuseri:<br />
murad ibragimbekovi,<br />
aleqsandr Svidkoi,<br />
david Sufutinski<br />
monawileoben:<br />
nino niniZe, sergei<br />
puskepalisi, evgeni<br />
ciganovi<br />
Production:<br />
IBRUS<br />
15 Druzhinnikovskaya, bld.1<br />
Moscow, 123242, Russia<br />
Phone: +7 (499) 255-94-98<br />
World Sales:<br />
IBRUS<br />
THERE WAS NEVER A BETTER BROTHER RUSSIA / AZERBAIJAN / BULGARIA 2011<br />
This story of two, temperamentally different brothers takes place in the Azerbaijani capital of Baku<br />
in the 1970s. The elder brother, Jalil, is a married postal worker who keeps bees as a hobby. Like<br />
those creatures, he approaches life with measured care. Younger brother Simurg is by nature more<br />
adventurous and, in contrast to his sibling, is capable of going after his goals, not just dreaming<br />
about them.<br />
murad ibragimbekovi<br />
MURAD IBRAGIMBEKOV<br />
daibada 1965 wels baqoSi, azerbaijanSi. 1989 wels daamTavra<br />
moskovis kinematografiis institutis sareJisoro fakulteti.<br />
pirveli filmebi mamis, mweral maqsud ibragimbekovis nawarmoebebis<br />
mixedviT gadaiRo, maT Soris „oqros verZebis valsi“<br />
(1992). kidev erTi, amjerad mixail zoSCenkos mixedviT<br />
gakeTebuli ekranizaciis, „namdvili ambebis“ (2002) Semdeg sakuTari<br />
scenariT gadaiRo filmi „sami qaliSvili“ (2007). murad<br />
ibragimbekovis moklemetraJiani filmi „navTobi“ veneciis<br />
kinofestivalis „vercxlis lomiT“ dajildovda 2003 wels.<br />
films „ukeTes Zmas ver inatrebdi“ isev maqsud ibragimbekovis<br />
romani udevs safuZvlad.<br />
Born in 1965 in Baku, Azerbaijan. He graduated in film direction from Moscow’s<br />
VGIK (1989). He shot his first features based on the literary work of his<br />
father, writer Maksud Ibragimbekov, including THE WALTZ OF THE GOLDEN<br />
CALVES (Vals zolotykh teltsov, 1992). After another literary adaptation, this<br />
time True Stories (Istinnye proishestviya, 2000) by Mikhail Zoschenko, he<br />
came out with the comedy Three Girls (Tri devushki, 2007) shot according<br />
to his own script. His short film Oil (Neft) was awarded a Silver Lion in<br />
Venice in 2003.
filmebi sazRvrebs gareSe<br />
FILMS ACROSS BORDERS<br />
ZHANNAN EV DZAJNER<br />
Jana da xmebi somxeTi 2011<br />
Filmography / filmografia<br />
2011 Joan and the Voices<br />
2007 Bojo (animation)<br />
Director:<br />
Mikayel Vatinyan<br />
Screenplay:<br />
Mikayel Vatinyan, Armine Anda<br />
Cinematography:<br />
Tammam Hamza<br />
Music:<br />
Arthur Manukyan<br />
Editing:<br />
Tammam Hamza, Arthur Petrosyan<br />
Sound:<br />
Paruir Baghyan<br />
Producer:<br />
Armine Anda<br />
Cast:<br />
Armine Anda, Mikayel Vatinyan<br />
67 wT, feradi<br />
67 min, colour<br />
omis Semdgomi somxeTi. Jana qveynis sxvadasxva kuTxeSi iwyebs mogzaurobas. avTenturi<br />
bunebis wiaRSi mis gzas kveTs xalxi, xmebi da bgerebi, romlis mosmenac Janas<br />
omis Semdeg sicocxlis gagrZelebis survils uRviZebs. is eZebs adamians, romelmac<br />
uxmo.<br />
JOAN AND THE VOICES ARMENIA 2011<br />
reJisori:<br />
miqael vaTiniani<br />
scenari:<br />
miqael vaTiniani,<br />
armine anda<br />
operatori:<br />
Tamam hamza<br />
musika:<br />
artur manukiani<br />
montaJi:<br />
Tamam hamza,<br />
artur petrosiani<br />
xma:<br />
paruir baRiani<br />
prodiuseri:<br />
armine anda<br />
monawileoben:<br />
armine anda,<br />
miqael vaTiniani<br />
Post-war Armenia. Joan starts a journey traveling all over the country. Through the authentic nature,<br />
the people she meets on her way, the voices and sounds she listens to, Joan finds herself<br />
longing to perceive the world anew after the war. While she is looking for the person whose voice<br />
had called her to him.<br />
miqael vaTiniani<br />
MIKAYEL VATINYAN<br />
Production:<br />
Hoshkee Film<br />
Address: 6-24 Orbeli str.<br />
Tel.: 374-10-27-39-35<br />
e-mail: armineaa@yahoo.com<br />
www.facebook.com/joanandthevoices<br />
daibada 1972 wels erevanSi, somxeTSi. daamTavra erevnis Teatrisa<br />
da kinos saxelmwifo instituti. misi pirveli animacia<br />
Bojo ramdenime priziT dajildovda. miqael vaTinianis sadebiuto<br />
filmis „Jana da xmebis“ proeqtma goteborgis saerTaSoriso<br />
kinofestivalis aziuri proeqtebis marketis granti moipova.<br />
mogvianebiT filmis ganviTarebisaTvis da post-produqciisTvis<br />
reJisorma agreTve goteborgis kinofestivalis fondis<br />
dafinanseba miiRo. filmis premiera busanis saerTaSoriso<br />
kinofestivalis msoflios kinos sakonkurso seqciaSi Sedga.<br />
Born in 1972 in Yerevan, Armenia.. Studied directing at the Yerevan State<br />
Institute of Theatre and Cinema. His animated short film Bojo received several<br />
awards. Joan and the Voices, his first feature film project received Goteborg<br />
IFF Fund Award in Asian Project Market (former PPP). Later it received<br />
development and postproduction grants from GIFFF. The film had its world<br />
premiere in World cinema competition of Busan IFF.<br />
111
112<br />
qarTuli<br />
panorama<br />
daviwyebuli mefe<br />
demokratiis Suqura<br />
gogona goridan<br />
inglisuris maswavlebeli<br />
laitmotivi<br />
manqana, romelic yvelafers<br />
gaaqrobs<br />
monotonuri uferoba<br />
omis nakvalevi<br />
ori kviriT adre<br />
focxoeweri<br />
vixsenebT balanCins<br />
GEORGIAN<br />
PANORAMA<br />
FORGOTTEN KING<br />
BEACON OF DEMOCRACY<br />
THE GIRL FROM GORI<br />
ENGLISH TEACHER<br />
LEITMOTIF<br />
THE MACHINE WHICH MAKES<br />
EVERYTHING DISAPPEAR<br />
MONOTONOUS<br />
THE TRACES OF THE WAR<br />
TWO WEEKS BEFORE<br />
ALL DAY STROLLING<br />
REMEMBERING BALLANCHINE
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
DAVITSKEBULI MEPE<br />
daviwyebuli mefe saqarTvelo <strong>2012</strong><br />
Filmography / filmografia<br />
<strong>2012</strong> Forgotten King<br />
2011 My Dad’s Girlfriend<br />
2011 I`m Just a Message (Short)<br />
2009 e-Turnity (Short)<br />
2009 Didgori: Land of Sacrificed Knights (Short)<br />
Director:<br />
Nikoloz Khomasuridze<br />
Screenplay:<br />
Nikoloz Khomasuridze<br />
Cinematography:<br />
Igor Tochilnikov, Jon Edwards<br />
Music:<br />
Chabuka Amiranashvili<br />
Production Design:<br />
Alessandro Marvelli<br />
Costumes:<br />
Tamara Barnoff<br />
Editing:<br />
Pasha Maisuradze<br />
Sound:<br />
Jeffrey Alan Jones<br />
Producer: George Kavtaradze,<br />
Nikoloz Khomasuridze a<br />
Cast: David Katsarava, Salome<br />
Paghava, Badri Kakabadze, George<br />
Megrelishvili, Paata Mkheidze,<br />
Salome Gasviani, Kakha Mikiashvili,<br />
Elgudja Burduli, Givi Chuguashvili,<br />
Ani Imnadze, Givi Japaridze, Kartlos<br />
Maradishvili, Gogi Turqiashvili, Nodar<br />
Mamulashvili, David Chalatashvili<br />
FORGOTTEN KING GEORGIA <strong>2012</strong><br />
reJisori:<br />
nikoloz xomasuriZe<br />
scenari:<br />
nikoloz xomasuriZe<br />
operatori:<br />
igor toCilnikovi,<br />
jon edvardsi<br />
musika:<br />
Wabuka amiranaSvili<br />
mxatvari: alesandro marveli<br />
kostiumebi:<br />
Tamar barnovi<br />
montaJi:<br />
paSa maisuraZe<br />
xma:<br />
jefri alan jonsi<br />
prodiuseri:<br />
giorgi qavTaraZe, nikoloz<br />
xomasuriZe<br />
monawileoben:<br />
daviT qacarava, salome<br />
faRava, badri kakabaZe,<br />
giorgi megreliSvili, paata<br />
mxeiZe, salome gasviani,<br />
kaxa miqiaSvili, elguja<br />
burduli, givi CuguaSvili,<br />
ani imnaZe, givi jafariZe,<br />
qarTlos maradiSvili,<br />
gogi TurqiaSvili, nodar<br />
mamulaSvili, daviT<br />
CalaTaSvili<br />
Production:<br />
Nikoloz Films<br />
nikoloz@nikolozfilms.com<br />
www.nikolozfilms.com<br />
Well known film producer Demetre Orbeli and his wife Elene visited his homeland Tbilisi, Georgia<br />
in 11.11.11 which is the best day for time traveling in the past. In the hotel they were attacked by<br />
nazi killers but were saved by Monk Warriors who bring them to unbossomed Giorgi’s Castle. Giogri<br />
and Demetre travel in the past through centuries to find out the truth about the real descendant<br />
of the Royal family of The Kingdom of Georgia and the mystic facts which were hidden in history<br />
during the centuries . . .<br />
nikoloz xomasuriZe<br />
NIKOLOZ KHOMASURIDZE<br />
110 wT, feradi<br />
110 min, colour<br />
cnobili prodiuseri demetre orbeli Tavis colTan, elenesTan erTad samSoblos,<br />
saqarTvelos stumrobs 2011 wlis 11 noembers. 11.11.11 sakraluri ricxvia<br />
da saukeTeso droa warsulSi samogzaurod. sastumroSi maT nacisti mkvlelebi<br />
daesxmian Tavs, magram col-qmars meomari berebi gadaarCenen da giorgis cixe-simagreSi<br />
waiyvanen. giorgi da demetre warsulSi mogzaurobas iwyeben samefo ojaxis<br />
namdvili memkvidris vinaobis dasadgenad. maTTvis cnobili xdeba mistikuri<br />
faqtebi, romlebic saukuneebis ganmavlobaSi dafaruli iyo...<br />
daibada 1977 wels TbilisSi. rva wlis ganmavlobaSi saqarTveloSi<br />
iuristad muSaobis Semdeg holivudSi gadavida, sadac<br />
los-anjelesis kinoskola daamTavra 2008 wels.<br />
Born in 1977 in Tbilisi, Georgia. After eight years as a lawyer in Georgia, he<br />
moved to the Hollywood, where he attended the Los Angeles Film School,<br />
graduating in 2008.<br />
113
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
DEMOKRATIIS SHUKURA<br />
demokratiis Suqura saqarTvelo <strong>2012</strong><br />
Director:<br />
Goga Khaindrava<br />
Editing:<br />
Shalva Phirtskhalava<br />
Sound:<br />
Nikoloz Phaniashvili<br />
Producer:<br />
Levan Khaindrava,<br />
Gorgaslan Khaindrava<br />
Voice over:<br />
Zurab Karumidze<br />
114<br />
55 wT, feradi - S/T<br />
55 min, colour – b/w<br />
1987 wlis 21 marts gaeros generalurma asambleam JenevaSi miiRo deklaracia terorizmis<br />
Sesaxeb, sadac ganmarta saxelmwifo terorizmis mniSvneloba da gansaz-<br />
Rvra misi damaxasiaTebeli niSnebi, esenia: TvalTvali, SekrebaTa darbeva, mediaze<br />
kontroli, cema, wameba, falsificirebuli braldebebi, saCvenebeli sasamarTloebi,<br />
SekveTili mkvlelobebi, ukanono dapatimrebebi, masobrivi dapatimrebebi, samoqalaqo<br />
uflebebisa da Tavisuflebebis ugulebelyofa, kanonebis da konstituciis<br />
SeCereba terorizmTan brZolis sababiT.<br />
rogor iCina Tavi saxelmwifo terorizmis niSnebma qveyanaSi, romelsac sul cota<br />
xnis win demokratiis Suquras uwodebdnen?<br />
Filmography / filmografia<br />
<strong>2012</strong> Beacon of Democracy<br />
2006 Confessions<br />
1997 Graveyard of Dreams<br />
1990 Georgia – awakening of the nation (III channel<br />
of French TV)<br />
BEACON OF DEMOCRACY GEORGIA <strong>2012</strong><br />
reJisori:<br />
goga xaindrava<br />
montaJi:<br />
Salva fircxalava<br />
xma:<br />
nikoloz faniaSvili<br />
prodiuseri:<br />
levan xaindrava,<br />
gorgaslan xaindrava<br />
mTxrobeli:<br />
zurab qarumiZe<br />
On March 1987 United Nation Geneva Assembly pass resolution on terrorism. One of the preambles<br />
defined state terrorism.<br />
George W. Bush called Mikhail Saakashvili “beacon of Democracy”, while Saakashvili regime’s governing<br />
style has established way of life where human oppression, everyday repression, repossession<br />
of real and personal property, brutal crackdown on peaceful demonstrations, control of news<br />
media, show trails and murder became casual things.<br />
goga xaindrava<br />
GOGA KHAINDRAVA<br />
Documentary / dokumenturi<br />
daibada 1956 wels TbilisSi. 1979 wels daamTavra saqarTvelos<br />
teqnikuri universitetis geologiis fakulteti, 1986 wels ki<br />
_ saqarTvelos Teatrisa da kinos saxelmwifo instituti.<br />
Born in 1956 in Tbilisi, Georgia. In 1979 graduated from Georgian Technical<br />
University, department of Geology, in 1986 - Georgian State Institute of<br />
Theatre and Film, cinema department.
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
GOGONA GORIDAN<br />
gogona goridan saqarTvelo / germania <strong>2012</strong><br />
Director:<br />
Eka Papiashvili<br />
Screenplay:<br />
Eka Papiashvili, Carsten Böhnke<br />
Cinematography:<br />
Carsten Böhnke<br />
Editing:<br />
Andy Preisner<br />
Sound:<br />
Urs Hauck<br />
Producer:<br />
Carsten Böhnke<br />
Cast:<br />
Nanuka Moseshvili, Ilia Sabiashvili,<br />
Lia Beriashvili<br />
14 wT, feradi<br />
14 min, colour<br />
maRaroelebis sofeli 2008 wlis omis Semdeg. patara daTos bavSvebi misi rusuli<br />
warmomavlobis gamo emijnebian. mis klasSi oseTidan ltolvili gogona, Tamari<br />
gadmodis da mas swored daTos gverdiT svamen merxze. Tamari daTos uambobs, rom<br />
rusebis Tavdasxmis dros misi ZaRli mokvda. pasuxad gabrazebuli biWi mTels mis<br />
ferad fanqrebs amtvrevs. mogvianebiT, roca Serigebis yvela cda uSedego aRmoCndeba<br />
da biWs imis fulic ar aqvs, rom axali fanqrebi uyidos Tamars, daTos sxva<br />
raRacis mofiqreba uwevs...<br />
Filmography / filmografia<br />
<strong>2012</strong> The Girl from Gori / Gogona Goridan<br />
THE GIRL FROM GORI GEORGIA / GERMANY <strong>2012</strong><br />
reJisori:<br />
eka papiaSvili<br />
scenari:<br />
eka papiaSvili,<br />
karsten bionke<br />
operatori:<br />
karsten bionke<br />
montaJi:<br />
endi praisneri<br />
xma:<br />
urs hauki<br />
prodiuseri:<br />
karsten bionke<br />
monawileoben:<br />
nanuka moseSvili, ilia<br />
sabiaSvili, lia beriaSvili<br />
Production:<br />
Greenstonefilms<br />
Lugostrasse 1<br />
79100 Freiburg, Germany<br />
Shortly after the war of 2008 in a Georgian mining village: Little Dato is an outsider and ignores<br />
the other children of the village as they tend to confront him with his Russian background.<br />
On top of that, when the girl Tamar, a South Ossetian war refugee, arrives in her new<br />
class, she is told to take a seat right beside the Russian boy. Dato’s antipathy towards Tamar<br />
knows no limits once she tells the class that her dog was killed during a Russian attack. However,<br />
after having destroyed Tamar´s color markers, the boy´s attempts to reconcile with her<br />
are rejected, which prompts him to realize that he has indeed gone too far. Seeing that he<br />
does not have enough money to buy Tamar a new packet of markers, Dato is urged to come<br />
up with something better….<br />
eka papiaSvili<br />
EKA PAPIASHVILI<br />
daibada 1976 wels. fraiburgSi swavlobda germanul da evropul<br />
eTnologias. mogvianebiT moxalised muSaobda fraiburgis<br />
Stadtteater-Si. sxvadasxva TeatrebSi da filmebze reJisoris<br />
asistentad muSaobis Semdeg, eswreboda dani levisa da kristian<br />
vagneris leqciebs. „gogona goridan“ misi sadebiuto filmia,<br />
romelmac oberhauzenis moklemetraJiani filmebis 58-e festivalis<br />
sapatio jildo miiRo.<br />
Born in 1976. Studied in Freiburg German and European Ethnology before<br />
making a Directed internship at Stadtteater Freiburg completed. After<br />
assistant director at different stages and at film productions underwent<br />
training as a screenwriter and director took lessons from Dani Levy and<br />
Chriastian Wagner. For her debut film THE GIRL FROM GORI she received an<br />
honorable mention at the 58th Oberhausen Short Film festival.<br />
115
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
INGLISURIS MASTSAVLEBELI<br />
inglisuris maswavlebeli saqarTvelo <strong>2012</strong><br />
Filmography / filmografia<br />
/Joint documentaries/<br />
<strong>2012</strong> English Teacher / Inglisuris mastsavlebeli<br />
2008 Altznei<br />
2005 How Maya Nadiradze Has Become a Mother<br />
of Many Children / Rogor gakhda maia nadiradze<br />
mravalshviliani deda<br />
2005 Bridge / Khidi<br />
Director:<br />
Nino Orjonikidze, Vano Arsenishvili<br />
Cinematography:<br />
Vano Arsenishvili<br />
Music:<br />
Gia Yancheli<br />
Producer:<br />
Nino Orjonikidze, Vano Arsenishvili<br />
116<br />
ENGLISH TEACHER GEORGIA <strong>2012</strong><br />
reJisori:<br />
nino orjonikiZe,<br />
vano arseniSvili<br />
operatori:<br />
vano arseniSvili<br />
kompozitori:<br />
gia yanCeli<br />
prodiuseri:<br />
nino orjonikiZe,<br />
vano arseniSvili<br />
Production:<br />
Artefact Production<br />
www. artefact.ge<br />
Bradley Nelson from South Africa is one of those thousand teachers who have been invited<br />
in Georgia for the “Linguistic revolution”. He found out about Presidential program through<br />
the web. To in big participate in big changes, Bradley comes to the small village in Samegrelo<br />
but… There is no even sign or will of any changes. Villagers are occupied solving completely<br />
different problems then proofing their English skills.<br />
nino orjonikiZe<br />
NINO ORJONIKIDZE<br />
vano arseniSvili<br />
VANO ARSENISHVILI<br />
56 wT, feradi<br />
56 min, colour<br />
samxreTafrikeli bredli nelsoni erT-erTia im aTasi maswavleblidan, romlebic<br />
saqarTveloSi “lingvisturi revoluciis” mosaxdenad moiwvies. saprezidento programis<br />
Sesaxeb man internetiT Seityo. “did cvlilebebSi” monawileobis misaRebad<br />
bredli samegrelos patara sofelSi Cadis, Tumca iq cvlilebebis arc niSnebi Cans<br />
da arc survili… soflis mcxovreblebi sul sxva gamowvevebis winaSe dganan.<br />
2004 Azilants / Azilantebi<br />
2003 Message to the Government / Gzavnili mtavrobis<br />
sakhelze<br />
2003 X Days in a Guardroom / X dghe hauptvakhtshi<br />
2003 Post-Soviet Georgia / Post-sabchota sakartvelo<br />
2002 Police Academy / Politsiis akademia<br />
2002 Verge / Zghvari<br />
2002 Trace / Kvali<br />
Documentary / dokumenturi<br />
londonis goldsmitis universitetis damTavrebis Semdeg muSaobda<br />
televiziaSi dokumenturi filmebis reJisorad da prodiuserad.<br />
2008 wels vano arseniSvilTan erTad daafuZna dokumenturi<br />
kinos saprodiusero kompania „artefaqt prodaqSeni“.<br />
After graduating from Goldsmiths, University of London, she worked as a producer<br />
and director of documentary Films for TV. Since 2008 she’s running the<br />
producing company ARTEFACT PRODUCTIONS with Vano Arsenishvili.<br />
daamTavra Tbilisis Teatraluri instituti animaciis reJisoris<br />
specialobiT da venis kinoakademia kinoreJisoris specialobiT<br />
(mixael hanekes jgufi). 2008 wels nino orjonikiZesTan<br />
erTad daafuZna dokumenturi kinos saprodiusero kompania<br />
„artefaqt prodaqSeni“.<br />
After graduating from animation faculty of Tbilisi Theatrical Institute Vano Arsenishvili<br />
carried on his studies in the group of Michael Haneke at Vienna Film<br />
Academy (majoring in film direction). He is a co-founder of producing company<br />
ARTEFACT PRODUCTIONS.
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
LEITMOTIF<br />
laitmotivi saqarTvelo / aSS <strong>2012</strong><br />
Director:<br />
Rati Oneli, David Seva<br />
Screenplay:<br />
David Seva, Rati Oneli<br />
Cinematography:<br />
Vicente Pouso<br />
Production Design:<br />
Mari Avali<br />
Producer:<br />
Jacob Gali, Alexander Zurich<br />
Cast:<br />
Maureen Van Trease<br />
118<br />
LEITMOTIF GEORGIA / USA <strong>2012</strong><br />
18 wT, S/T<br />
18 min, b/w<br />
saSualo skolis musikis introvert maswavlebels, izabels, Tavisi kolega marki<br />
moswons. qals vneba da uaryofis SiSi stanjavs, magram marks grZnobebs ver umxels<br />
da mxolod Cumad uTvalTvalebs.<br />
Filmography / filmografia<br />
<strong>2012</strong> Leitmotif (short)<br />
reJisori:<br />
rati oneli, daviT seva<br />
scenari:<br />
daviT seva, rati oneli<br />
operatori:<br />
visente pauzo<br />
mxatvari:<br />
mari avali<br />
prodiuseri:<br />
iakob gali,<br />
aleqsandre zuriCi<br />
monawileoben:<br />
maurin van trizi<br />
With support from:<br />
New York Foundation for the Arts<br />
Isabelle, an introverted high-school music teacher, is infatuated with her colleague, Mark. Unable<br />
to openly share her feelings she stalks Mark, she is tormented by her desire and fear of rejection.<br />
daviT seva<br />
DAVID SEVA<br />
rati oneli<br />
RATI ONELI<br />
daibada TbilisSi. daamTavra moskovis saxelmwifo kinoinstituti<br />
(VGIK) kinoreJisoris specialobiT. gadaRebuli aqvs ramdenime moklemetraJiani<br />
filmi. aqvs agreTve TeatrSi muSaobis gamocdileba.<br />
2001 wels sacxovreblad SeerTebul StatebSi gadavida. amJamad<br />
muSaobs Tbilissa da SeerTebul StatebSi, vest-portSi.<br />
Born in Tbilisi, Georgia. He graduated from VGIK – Russian State Institute<br />
of Cinema, with specialty in directing. He directed several short films and<br />
theater productions. In 2000, he moved to the United States, where he lives<br />
and works in Tbilisi and Westport, CT.<br />
daibada 1977 wels saqarTveloSi. 14 wlidan cxovrobs amerikis<br />
SeerTebul StatebSi. SeerTebuli Statebisa da evropis universitetebSi<br />
swavlobda literaturas, istoriasa da aRmosavleTmcodneobas<br />
arabulis specialobiT. amJamad cxovrobs da<br />
muSaobs niu-iorkSi.<br />
Born in 1977 in Georgia and first came to the US when he was fourteen. He<br />
studied literature, history, Asian Studies, specializing in Arabic, at various<br />
universities both in the US and Europe. Since 2000, he lives and works in<br />
New York City.
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
MANKANA, ROMELITS KVELAPERS GAAKROBS<br />
manqana, romelic yvelafers gaaqrobs<br />
saqarTvelo / germania <strong>2012</strong><br />
Filmography / filmografia<br />
<strong>2012</strong> Machine, That Makes Everything Dissapear<br />
Director:<br />
Tinatin Gurchiani<br />
Cinematography:<br />
Andreas Bergmann<br />
Editing:<br />
Nari Kim, Doreen Ignaszewski<br />
Sound:<br />
Michael Krajczok<br />
Producer:<br />
Tamar Gurchiani<br />
97 wT, feradi _ ST<br />
97 min, colour - B/W<br />
saqarTvelo, 2011 weli. filmis reJisori kastings acxadebs 15-23 wlis axalgazrdebisTvis.<br />
gancxadebas bevri xalxi exmaureba: zogs Tavisi sentimentaluri istoriebis<br />
gaziareba unda, zogi ki miznebis misaRwevad ikrebs Zalas. filmi imis<br />
Sesaxeb, Tu ra mSvenieri (da rTuli) SeiZleba iyos cxovreba, roca gmirad gaxdomaze<br />
ocnebob. am filmis protagonistebi cxovroben da gmirobaze ocneboben,<br />
realobas gaurbian an Tavaweulebi xvdebian mas. isini arian moxucebi da Zalian<br />
axalgazrdebi, vinc axla iwyebs cxovrebas. magram maT Ziebis poezia aerTianebs.<br />
reJisori:<br />
TinaTin gurCiani<br />
operatori:<br />
andreas bergmani<br />
montaJi:<br />
nari kimi, dorin ignaSevski<br />
xma:<br />
mixael kraiCoki<br />
prodiuseri:<br />
Tamar gurCiani<br />
THE MACHINE WHICH MAKES EVERYTHING DISAPPEAR<br />
GEORGIA / GERMANY <strong>2012</strong><br />
Georgia 2011. A film director announces a casting for 15-23 year old youth. Here are many people<br />
who answer the call: some are ready to share their sentimental stories or seek the strength to carry<br />
out their major resolutions... A film about how beautiful life can be - and how difficult - when you<br />
dream of being a hero. The protagonists of this film live and dream this heroism, whether they run<br />
from reality or face it head-on. They are old and they are very young, just beginning their lives. But<br />
they are all united in the poetry of searching.<br />
TinaTin gurCiani<br />
TINATIN GURCHIANI<br />
Documentary / dokumenturi<br />
Production:<br />
Alethea<br />
TTFilm<br />
daibada TbilisSi. swavlobda xatvas, fsiqologias da cekvas.<br />
Tbilisis ivane javaxiSvilis saxelmwifo universitetis bakalavriatis<br />
da fraiburgisa da gracis universitetebSi magistraturis<br />
dasrulebis Semdeg, kinoreJisuras swavlobda konrad<br />
volfis kinosa da televiziis universitetSi, babelsbergSi.<br />
Born in Tbilisi, Georgia. Studied painting, dance and psychology. After diploma<br />
at the Ivane Javakhishvili Tbilisi State University and a postgraduate<br />
study at the Faculty of Psychology at Albert-Ludwigs University Freiburg/<br />
Germany and the University of Graz, Austria, study of Film and TV Director<br />
at the Film and Television University Konrad Wolf (HFF), Babelsberg, Germany.<br />
119
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
MONOTONURI UPEROBA<br />
monotonuri uferoba saqarTvelo <strong>2012</strong><br />
Director:<br />
Mamuka Akhalaia<br />
Screenplay:<br />
Mamuka Akhalaia<br />
Cinematography:<br />
Irakli Akhalkatsi<br />
Editing:<br />
Irakli Akhalkatsi<br />
Sound:<br />
Irakli Akhalkatsi<br />
Music:<br />
Mikheil Mdinaradze<br />
Producer:<br />
Mamuka Akhalaia<br />
Cast:<br />
Gigi Samsonadze, Mamuka Akhalaia<br />
120<br />
MONOTONOUS GEORGIA <strong>2012</strong><br />
11 wT, S/T<br />
11 min, B/W<br />
filmi gadaRebulia dRiuris saxiT. kadrebiT iqmneba aura, romelic mogviTxrobs,<br />
Tu rogor daikarga mTavari gmiri droSi. naCvenebia misi azrs moklebuli, erTferovani<br />
cxovreba, sadac araferi icvleba, yvela(feri) monotonuria.<br />
Filmography / filmografia<br />
<strong>2012</strong> I’m making a film (short)<br />
<strong>2012</strong> Monotonous (short)<br />
2009 Alone under the Sky (short)<br />
2009 Grandma (short)<br />
2008 Disorder (short)<br />
reJisori:<br />
mamuka axalaia<br />
scenari:<br />
mamuka axalaia<br />
operatori:<br />
irakli axalkaci<br />
montaJi:<br />
irakli axalkaci<br />
xma:<br />
irakli axalkaci<br />
prodiuseri:<br />
mamuka axalaia<br />
monawileoben:<br />
gigi samsonaZe,<br />
mamuka axalaia<br />
Contact:<br />
Mamuka Akhalaia<br />
Phone: +995 593 448930<br />
The film is a diary. The frames re-create an aura that tell us about a man lost-in-time. Parallel is<br />
drawn between pointless living of character and a society that becomes rubbish. Paradox is that<br />
nothing changes and everything is monotonous.<br />
mamuka axalaia<br />
MAMUKA AKHALAIA<br />
daibada 1983 wels galSi. aris ramdenime moklemetraJiani mxatvruli<br />
filmis avtori.<br />
Born in 1983 in Gali, Georgia. Directed several short and experimental films.
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
OMIS NAKLVALEVI<br />
omis nakvalevi saqarTvelo <strong>2012</strong><br />
Filmography / filmografia<br />
<strong>2012</strong> The Traces of the War / Omis naklvalevi<br />
Director:<br />
Toma Chagelishvili<br />
Screenplay:<br />
Toma Chagelishvili<br />
Cinematography:<br />
Bakar Sharashenidze<br />
Producer:<br />
Zurab Bendianishvili, Vika<br />
Kavzharadze, Marina Memshvildishvili<br />
26 wT, feradi<br />
26 min, colour<br />
2008 wels ruseT-saqarTvelos omma ori megobari erTmaneTs daaSora. isini sxvadasxva<br />
mxares ibrZodnen. axla miSa devnilia da TbilisSi cxovrobs, Temo _ cxinvalSi,<br />
sakuTar saxlSi. ramdenime wlis Semdeg isini sxva TanamebrZolebTan erTad<br />
stambolSi xvdebian erTmaneTs... filmi im adamianebis Sesaxeb mogviTxrobs, romlebic<br />
gadatanili omis miuxedavad cdiloben, erTmaneTisaken gzebi isev moZebnon.<br />
THE TRACES OF THE WAR GEORGIA <strong>2012</strong><br />
reJisori:<br />
Toma CageliSvili<br />
scenari:<br />
Toma CageliSvili<br />
operatori:<br />
baqar SaraSeniZe<br />
musika:<br />
mixeil mdinaraZe<br />
prodiuseri:<br />
zurab bendianiSvili,<br />
vika qavJaraZe, marina<br />
meSvildiSvili<br />
In 2008 Russian-Georgian war separated two friends. They were fighting on different sides of barricades.<br />
Nowadays Misha is a refugee and lives in Tbilisi; Temo stayed in Tskhinvali, in his own house.<br />
Years later, they meet in Istanbul, alongside with other battle buddies… The film tells the story of<br />
the people who try to find a way to each other despite the war they survived.<br />
Toma CageliSvili<br />
TOMA CHAGELISHVILI<br />
Documentary / dokumenturi<br />
daibada 1972 wels. daamTavra Tbilisis ivane javaxiSvilis<br />
saxelobis saxelmwifo universiteti. 2000 wlidan muSaobs samauwyeblo<br />
kompaniaSi ”rusTavi2”. gadaRebuli aqvs 30-ze meti<br />
satelevizio dokumenturi filmi saqarTvelos me-20 saukunis<br />
istoriis Sesaxeb. 2010 wels fond ”interniusTan” TanamSromlobiT<br />
gadaiRo dokumenturi seriali ”evropis mezoblebi”.<br />
2010 wlidan aris dokumenturi filmebis studiis ”Ti-studia”<br />
damfuZnebeli.<br />
Born in 1972. Graduated from Tbilisi Ivane Javakhishvili State University.<br />
Since 2000 works for broadcasting company RUSTAVI 2. Chagelishvili is an<br />
author and director of more than 30 TV documentaries about XX century’s<br />
history of Georgia. In 2010 in collaboration with INTERNEWS foundation,<br />
he directed documentary series NEIGHBOURS OF EUROPE. In 2010 he<br />
founded documentary production company T-STUDIO.<br />
121
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
ORI KVIRIT ADRE<br />
ori kviriT adre saqarTvelo 2011<br />
Director:<br />
Papuna Mosidze<br />
Screenplay:<br />
Papuna Mosidze<br />
Cinematography:<br />
Gela Chinchaladze<br />
Production design:<br />
Giorgi Karalashvili<br />
Editing:<br />
Temo Ezugbaia, Papuna Mosidze<br />
Sound:<br />
Irakli Katsarava<br />
Producer:<br />
Papuna Mosidze<br />
Cast:<br />
David Brocky, Levan Sturua<br />
122<br />
28 wT, feradi<br />
28 min, colour<br />
25 wlis gio TbilisSi moxuc bebiasTan erTad cxovrobs. uperspeqtivobisa da yoveldRiuri<br />
erTferovnebisgan Tavis dasaRwevad mas germaniaSi wasvla aqvs gadawyvetili.<br />
7000 evro is Tanxaa, romelic man vizis misaRebad ramdenime dReSi unda<br />
iSovos.<br />
Filmography / filmografia<br />
2011 Before 2 weeks (short)<br />
2009 Dance, dance (short)<br />
2003 In the illuminator (short)<br />
2002 All right (short)<br />
TWO WEEKS BEFORE GEORGIA 2011<br />
reJisori:<br />
papuna mosiZe<br />
scenari:<br />
papuna mosiZe<br />
operatori:<br />
gela CinCalaZe<br />
mxatvari:<br />
giorgi yaralaSvili<br />
xma:<br />
irakli qacarava<br />
montaJi:<br />
Temo ezugbaia,<br />
papuna mosiZe<br />
prodiuseri:<br />
papuna mosiZe<br />
monawileoben:<br />
daviT brocki,<br />
levan sturua<br />
25-years-old Tbilisian young man Gio lives with his grandma. He is fed-up with routine of everyday<br />
life and decides to leave for another country – Germany. But he should have amount of 7000 Euros<br />
on his bank account for to apply for the German visa.<br />
papuna mosiZe<br />
PAPUNA MOSIDZE<br />
daibada 1983 wels TbilisSi. 2005 wels daamTavra Tbilisis<br />
Teatrisa da kinos saxelmwifo universitetis kinosareJisoro<br />
fakulteti.<br />
Born in 1983 in Tbilisi. In 2005 Graduated from Tbilisi State university of<br />
Theatre and Film, film directing department.
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
POTSKHOETSERI<br />
focxoeweri saqarTvelo <strong>2012</strong><br />
Filmography / filmografia<br />
<strong>2012</strong> All Day Strolling / Potskhoetseri<br />
Director:<br />
Aleksandre Kakabadze<br />
Cinematography:<br />
Aleksandre Kakabadze<br />
Producer:<br />
Aleksandre Kakabadze<br />
29 wT, feradi<br />
29 min, colour<br />
filmi saqarTvelos mTebSi erT miyruebul dasaxlebaze mogviTxrobs. adre daba<br />
focxoewerSi muSebi cxovrobdnen, romlebic msoflioSi yvelaze maRal TaRovan<br />
kaSxals aSenebdnen _ sabWoTa kavSiris erT-erT yvelaze ambiciur proeqts. sab-<br />
WoTa kavSiris daSlis Semdeg dasaxleba TiTqmis gaukacurda. ase iyo bolo dromde,<br />
vidre naxevrad dangreul saxlebSi mudmivi sacxovreblis saZebnelad Casuli<br />
devnilebi ar Sesaxldnen.<br />
ALL DAY STROLLING GEORGIA <strong>2012</strong><br />
reJisori:<br />
aleqsandre kakabaZe<br />
operatori:<br />
aleqsandre kakabaZe<br />
prodiuseri:<br />
aleqsandre kakabaZe<br />
ALL DAY STROLLING is a film about an isolated community in the mountains in Georgia. The Potskho<br />
settlement was built to accommodate the construction workers on one of the most ambitious<br />
Soviet projects; the highest arch dam in the world. After the collapse of the USSR the settlement<br />
was almost abandoned, until recently when, against a background of ruins a motley of buildings<br />
have begun to appear along with refugees sent there to find permanent homes. The film takes<br />
audience on a meander through this lost place in the remote area of a post-Soviet state.<br />
aleqsandre kakabaZe<br />
ALEKSANDRE KAKABADZE<br />
Documentary / dokumenturi<br />
daibada 1981 wels TbilisSi. swavlobda moskovis lomonosovis<br />
saxelobis saxelmwifo universitetSi Jurnalistikis<br />
fakultetze, mogvianebiT ki swavla ganagrZo londonis<br />
goldsmitis universitetSi. bolo aTi wlis ganmavlobaSi re-<br />
Jisori sxvadasxva qarTul telekompaniebSi memontaJed, operatorad<br />
da reportiorad muSaobda. “focxoeweri” aleqsandre<br />
kakabaZis pirveli filmia.<br />
Born in 1981 in Tbilisi, Georgia. Before applying for a MA at Goldsmiths University<br />
of London, he completed BA in Journalism at Lomonosov Moscow<br />
State University. For the last ten years he worked as a video editor, cameraman<br />
and reporter at various Georgian TV companies. ALL DAY STROLLING<br />
is Aleksandre Kakabadze’s debute film.<br />
123
qarTuli panorama<br />
GEORGIAN PANORAMA<br />
VIKHSENEBT BALANCHINS<br />
vixsenebT balanCins saqarTvelo <strong>2012</strong><br />
Director:<br />
Olga Zhgenti<br />
Screenplay:<br />
Olga Zhgenti<br />
Cinematography:<br />
Temur Surmanidze<br />
Sound:<br />
Irakli Putkaradze<br />
Producer:<br />
George A. Santulli<br />
Cast:<br />
Peter Martins, Francia Russel, Kent<br />
Stowell, Peter Boal, Vida Brown<br />
Olinick , Barbara Milberg Fisher,<br />
Karin von Aroldingen, Kay Mazzo,<br />
Susan Pilarre, Suki Shorer, Nancy R.<br />
Reynolds, Barbara Horgan<br />
124<br />
58 wT, feradi / S-T<br />
58 min, colour / b-w<br />
dokumenturi filmi gamoCenil qoreograf jorj balanCinze, romlis saxeli XX<br />
saukunis amerikuli sabaleto xelovnebis simbolod iqca. filmSi monawileoben<br />
balanCinis yofili mowafeebi, mocekvaveebi da kolegebi _ dRes ukve cnobili<br />
amerikeli baletmaisterebi da pedagogebi. isini balanCinis cxovrebisa da Semoqmedebis<br />
sxvadasxva aspeqtze saubroben: ratom aRiareben balanCins qalebis qoreografad,<br />
roca man mamakacebisTvis brwyinvale dadgmebi Seqmna? ratom iyo msoflioSi<br />
aRiarebuli xelovani pirad cxovrebaSi warumatebeli? rogor aisaxa sabaleto<br />
dadgmebSi Semoqmedis piradi drama? rogor damkvidrda xelovani ucxo samyaros<br />
eTno-kulturul sivrceSi? filmi ori nawilisgan Sedgeba. mayurebels vTavazobT<br />
pirvel films: „balanCinis da baletis Sesaxeb“.<br />
Filmography / filmografia<br />
<strong>2012</strong> I remember – Baadur Tzuladze (doc.)<br />
<strong>2012</strong> Remembering Ballanchine (doc.)<br />
2011 The Fate of the Soldier and Scriptwriter Suliko<br />
Zhgenti (doc.)<br />
2011 Zourab Nijaradze (doc.)<br />
2011 Dmitri Eristavi (I’am from Tbilisi) (doc.)<br />
2008 John Steinbeck and “A Russian journal” (doc.)<br />
2005 Knut Hamsun’s Caucasian Mysteries (doc.)<br />
REMEMBERING BALLANCHINE GEORGIA <strong>2012</strong><br />
reJisori:<br />
oliko JRenti<br />
scenari:<br />
oliko JRenti<br />
operatori:<br />
Temur surmaniZe<br />
montaJi:<br />
oliko JRenti<br />
xma:<br />
irakli futkaraZe<br />
prodiuseri:<br />
jorj santuli<br />
monawileoben:<br />
piter martinsi, fransia<br />
raseli, kent stouveli,piter<br />
boali, vida braun oliniki,<br />
barbara milberg fiSeri,<br />
karin von aroldingeni, qei<br />
mazo, suzan pilari, suki<br />
Soreri, nensi reinoldsi,<br />
barbara horgani<br />
Documentary about renowned choreographer George Ballanchine whose name became a symbol<br />
of the XX century’s American Ballet. The film contains interviews of Ballanchine’s former students,<br />
dancers and colleagues, now well known American Balletmeisters and choreographers. They talk<br />
about different aspects of Ballanchine’s life and art; Why he was mostly known as a women’s choreographer<br />
while he made brilliant performances for men? Why the well-known choreographer<br />
in the whole world had a very unsuccessful personal life? What influence his unpleasant life had<br />
over his art? How he established himself in the ethno-cultural industry that is a completely different<br />
world from his comfort zone ? Film is separated in two parts. Here we will present first part of<br />
it – ABOUT BALLANCHINE AND BALLET.<br />
oliko JRenti<br />
OLGA ZHGENTI<br />
Documentary / dokumenturi<br />
dokumenturi filmebis avtori da reJisori. 1990 wels<br />
daamTavra Tbilisis ivane javaxiSvilis saxelobis saxelmwifo<br />
universitetis xelovnebaTmcodneobis fakulteti. muSaobda<br />
saqarTvelos televiziaSi kinogadacemebis avtorad, Tbilisis<br />
SoTa rusTavelis Teatrisa da kinos universitetis wamyvan<br />
mecnier-TanamSromlad; aris xelovnebaTmcodneobis doqtori,<br />
gamoqveynebuli aqvs 30-mde statia kinos istoriisa<br />
da xelovnebis sakiTxebze. leqciebs kiTxulobs Tbilisis ivane<br />
javaxiSvilis saxelobis saxelmwifo universitetsa da baTumis<br />
xelovnebis universitetSi.<br />
Author and Director of several documentaries. Graduated from the Department<br />
of History and Theory of Art at Tbilisi Ivane Javakhishvili State<br />
University. Worked as the author of the film programs in Georgian Tele-<br />
Radio Corporation, the leading Research Fellow of Rustaveli University of<br />
Theatre and Film of Georgia; PhD in Art History; Olga wrote over 30 articles<br />
about Film history and Art.
qarTuli kulturfilmi<br />
saqarTvelos erovnuli arqivis saganZuridan<br />
dilis aTi wuTi<br />
kolmeurnis higiena<br />
miwis Zaxili<br />
rasac dasTes, imas moimki<br />
(agrominimumi)<br />
GEORGIAN KULTURFILM<br />
TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA<br />
LIVE PERFORMANCE: ENSEMBLE CONSILIA<br />
musikaluri Tanxleba: ansambli CONSILIA<br />
TEN MINUTES OF MORNING<br />
COLLECTIVE FARMER’S HYGIENE<br />
THE EARTH IS CALLING<br />
WHAT GOES AROUND COMES<br />
AROUND (AGRO MINIMUM)<br />
125
qarTuli kulturfilmi:<br />
sxeuli / manqana<br />
nino ZanZava<br />
kinos uxmo periodSi gadaRebuli oTxi moklemetraJiani<br />
filmi, romelsac festivalis programis farglebSi ixilavT,<br />
gaerTianebulia koncefciiT „sxeuli / manqana“.<br />
maTgan ori, kote miqaberiZisa da vasil dolenkos „rasac<br />
dasTes, imas moimki“ (1930) da siko doliZis „miwis Zaxili“<br />
(1928) axalgazrda socialisturi respublikisTvis Zalian<br />
aqtualur Temas, koleqtiur meurneobebSi samuSao procesis<br />
meqanizacias da Sromis axlebur ganawilebas exeba.<br />
oric, vaxtang SveliZis „kolmeurnis higiena“ (1934) da<br />
aleqsandre jaliaSvilis „dilis aTi wuTi“ (1932) sxeulis<br />
gajansaRebis sakiTxebSi saxelmwifo politikas asaxavs.<br />
filmebis sawyisi masalebi daculia saqarTvelos erovnuli<br />
arqivis kinofotofonodokumentebis centralur arqivSi.<br />
es filmebi arqivs sxvadasxva dros dokumenturi<br />
da samecniero-qronikaluri filmebis studiidan gadaeca,<br />
rogorc mudmivad Sesanaxi dokumentebi. oTxive filmi<br />
saWiroebs sakonservacio samuSaoebis Catarebas.<br />
kulturfilmi: Janri da ideologia<br />
meoce saukunis meti wili saqarTvelom totalitaruli<br />
reJimis arsebobis pirobebSi ganvlo. cnobilia, rom komunisturi<br />
mmarTveloba informaciis SezRudvisa da korufciis<br />
safuZvelze idga, xalxis marTvis principis erTerTi<br />
umniSvnelovanesi komponenti xalxisTvis istoriuli<br />
simarTlis damalva da faqtebis miCumaTeba iyo. mmarTvelobis<br />
stabilurad SenarCunebis garanti da masebiT manipulaciis<br />
saukeTeso iaraRi ara mxolod terori, aramed<br />
axali istoriis Seqmna iyo. saamisod reJimi sxvadasxva<br />
xerxs mimarTavda, maT Soris erT-erT yvelaze mZlavr da<br />
STamagonebel wyaros _ informaciis gavrcelebis masobriv<br />
saSualebebs (radio, presa, televizia) da xelovnebas.<br />
1922 wels ganaTlebis saxalxo komisarTan, anatoli lunaCarskisTan<br />
saubarSi vladimer ilias Ze lenini ityvis, rom<br />
kino yvelaze mniSvnelovani xelovnebaa. Semdeg am citatas<br />
yvela aitacebs: gamomcemloba „iskustvo“ am saTauriT<br />
dabeWdavs wigns, sabWoTa da arasabWoTa kinomcodneebi<br />
leninis sityvebs yvela SesaZlo konteqstSi gamoiyeneben,<br />
magram, rac mTavaria, sabWoTa kultura aTwleulebis ganmavlobaSi<br />
swored am lozungiT ivlis kinoindustriis ga-<br />
Zlierebisa da gamarjvebis gzaze.<br />
mainc ras niSnavda leninis cnobili fraza da ratom ani-<br />
Webda sabWoTa beladi kinematografias aseT did mniSvnelobas?<br />
1920-iani wlebis dasawyisSi kino ukve warmoadgenda<br />
ideologiis gatarebis erT-erT yvelaze mZlavr<br />
iaraRs, romelsac evropuli saxelmwifoebi am saxiT<br />
pirveli msoflio omis dawyebidan iyenebdnen. leninis<br />
davalebiT, komunisturi ideebiT gamsWvalul axal filmebs<br />
axali sabWoTa realoba unda aesaxa. Tumca, anatoli<br />
126<br />
lunaCarski aseve werda, rom kinoze saubrisas lenini, pirvel<br />
rigSi, dokumentur kinoJanrebs gulisxmobda: „Tuki<br />
geqnebaT kargi qronika, seriozuli da saganmanaTleblo<br />
suraTebi, arauSavs, mayureblis mosazidad raime usargeblo<br />
filmic rom aCvenoT... ra Tqma unda, cenzura mainc<br />
saWiroa. kontrrevoluciuri da uzneo filmebi ar unda<br />
dauSvaT.“ dokumentur kinos imTaviTve propagandistuli<br />
miznebis samsaxuri miaweres. garda amisa, mas saganmanaTleblo<br />
xasiaTic unda hqonoda. amaSi ki rusebma, pirvel rig-<br />
Si, germaniis magaliTs mibaZes.<br />
aTian wlebSi germaniaSi Cndeba axali kinoJanri, romelic<br />
dokumenturi kinos nairsaxeobas warmoadgens da romelsac<br />
germaniis garda yvelgan, sadac am Janris filmebs<br />
iRebdnen, kulturfilmi erqva (Kulturfilm). kulturfilmebis<br />
aRzevebis periodi nacistebis xelisuflebaSi yofnis xanas<br />
emTxveva. dasawyisSi kulturfilmebis daxmarebiT moxerxda<br />
kinos, rogorc konstruqciuli kulturuli Zalis<br />
legitimacia. amaSi yvelaze didi wvlili saganmanaTleblo<br />
seqtorma Seitana, romelic cdilobda mozardebze<br />
kinos mavnebluri zegavlena Seesustebina da sxva tipis<br />
kinematografi SeeTavazebina axalgazrda mayureblisTvis.<br />
Tumca male Janris SesaZleblobebiT politikuri Zalebic<br />
dainteresdnen. kulturfilmebis warmoebaSi nacionalistur-militaristuli<br />
da saganmanaTleblo miznebi erTmaneTs<br />
gadaejaWva.<br />
1920-iani wlebis bolos germaniaSi ramdenime sabWoTa re-<br />
Jisors mieca mogzaurobis da iqaur kinoindustriasTan<br />
gacnobis saSualeba. berlinSi ramdenime weli gaatares<br />
nikolai lebedevma da vladimir erofeevma. saganmanaTleblo<br />
da kulturuli xasiaTis filmebidan maT ufro eTnografiuli,<br />
saeqspedicio da geografiuli filmebi moewonaT<br />
da sabWoTa kavSirSi dabrunebis Semdeg maTi aqtiuri<br />
propagandirebac daiwyes.<br />
im droisTvis sabWoTa kavSiri kulturfilmebis warmoebiT<br />
germanias ver Seedreboda, Tumca, iseve rogorc<br />
nacisturma, sabWoTa reJimmac kargad gaacnobiera kulturfilmebis<br />
potenciali sakuTari Zalauflebis gamyarebis<br />
procesSi.<br />
mdgomareoba saqarTveloSi<br />
1926 wels saqarTvelos sabWoTa centraluri aRmasrulebeli<br />
komitetisa da saqarTvelos sabWoTa respublikis<br />
saxalxo komisarTa sabWos dadgenilebis mixedviT, kinosuraTebisa<br />
da kinoqronikebis gadaRebis ufleba mxolod<br />
saqarTvelos saxelmwifo kinomrewvelobis saaqcio sazogadoeba<br />
saxkinmrewvs gadaeca. xolo yvela sxva arsebul<br />
saxelmwifo da sazogadoebriv organizacias, iseve rogorc<br />
kerZo pirebs, saxkinmrewvis unebarTvod gadaRebis
ufleba aekrZala. ufro metic, dadgenileba savaldebulo<br />
iyo da „damnaSave“ pasuxs administraciuli wesiT agebda.<br />
am dadgenilebis miRebamde erTi wliT adre, saqarTvelos<br />
ssr farglebSi kinosuraTebis gaqiravebis ufleba eqskluziurad<br />
mieniWa ganaTlebis saxalxo komisariats. yvela<br />
sxva organizacia ki, romelic kinosuraTebis gaqiravebas<br />
awarmoebda, daixura.<br />
saxkinmrewvis sruli monopoliis pirobebSi, saxelmwifo<br />
sakuTar Tavs aniWebda uflebamosilebas totalurad<br />
gaekontrolebina kinoindustriis procesebi, mTlianad<br />
ganesazRvra erovnuli kinematografis politika da ideologia.<br />
damoukidebeli reJisorebis, miT ufro dokumentalistebis<br />
da kerZo firmebis muSaoba imTaviTve gamoiricxa.<br />
mTeli sabWoTa kinowarmoebisTvis mniSvnelovan movlenad<br />
iqca 1928 wlis 15-21 martis sruliad sakavSiro partiuli<br />
kreba, romelic kinematografiis sakiTxebs mimoixilavda.<br />
am krebaze miRebul direqtivebze aages lokalurma kinoindustriebma<br />
TavianTi xuTwledis gegmebi. partiam<br />
mkafiod dasaxa kinematografiis ganviTarebis kursi. mTavar<br />
miznebs Soris iyo: kinos masebTan daaxloeba; misi<br />
maqsimaluri gamoyeneba kulturul revoluciaSi. partia<br />
kinos uyurebda, rogorc masebis politikuri aRzrdis,<br />
propagandis, partiis lozungebisa da amocanebis miRwevis<br />
meqanizms. mas unda aRebeWda sabWoTa yofis da sab-<br />
WoTa mSeneblobis aqtualuri sakiTxebi. am yvelafridan<br />
gamomdinare, unda momxdariyo kinoproduqciis Sinaarsis<br />
Zireuli Secvla. daiwyo muSaoba „repertuaris gajansaRebaze“.<br />
mxatvrul filmebTan erTad, yvela CamoTvlili miznis<br />
misaRwevad, saWiro gaxda dokumenturi kinos, kinoqronikisa<br />
da kulturfilmebis wina planze wamoweva. maT gansakuTrebuli<br />
roli mieniWa partiis mier dasaxuli amocanebis<br />
miRwevis saqmeSi.<br />
1928 wlamde gamoSvebuli produqciis mixedviT, saqarTvelos<br />
saxkinmrewvi meoTxe adgils ikavebda sakavSiro<br />
kinowarmoebaSi. procentulad misi produqcia yvela<br />
sakavSiro kinoorganizaciis mier warmoebuli produqtis<br />
daaxloebiT 12%-s Seadgenda.<br />
mas Semdeg, rac socialisturi respublikebis adgilobriv<br />
kinomrewvelobebs da, maT Soris, qarTul saxkinmrewvs<br />
dokumentur-qronikaluri seqciis Seqmna/gaZliereba daevala,<br />
nel-nela daiwyo kulturfilmebis bumi mTeli kavSiris<br />
maStabiT, sadac ase uwodebdnen TiTqmis yvelafers,<br />
rac mxatvruli kinos sazRvrebs scildeboda. 20-iani<br />
wlebis bolos da 30-iani wlebis dasawyisSi axalgazrda kinoenTuziastebma<br />
saqarTvelos kinostudiis bazaze bevri<br />
kulturfilmi Seqmnes, romlebic dRes Janris SesaniSnav<br />
magaliTebad SeiZleba miviCnioT.<br />
sxeuli / manqana<br />
meqanizaciisadmi sabWoTa midgoma oficialurad deklarirebuli<br />
iyo, rogorc „Sromis Semsubuqeba“, „muSaTa klasis<br />
materialuri da kulturuli donis amaRleba“, „Sromis<br />
pirobebis gaumjobeseba da ganviTarebis tempis daCqareba“.<br />
sabWoTa ideologebi amtkicebdnen, rom gansxvavebiT<br />
kapitalisturi meqanizaciisgan, socialisturi midgoma<br />
sakiTxisadmi ar gulisxmobda kapitalis Zalauflebis<br />
Sromaze gabatonebas, aramed piriqiT, muSaTa klasis<br />
keTildReobisken da adamianTa eqsploataciis gamoricxvisken<br />
iyo mimarTuli.<br />
koleqtivizaciis safuZvelze Seqmnil meurneobebSi 1920ian<br />
wlebSi manqanuri sistemis gamoyenebis propaganda<br />
iwyeba, romelSic aqtiurad erTveba dokumenturi da mxatvruli<br />
kino. am Temis ganzogadebul da, albaT, yvelaze<br />
popularul saxes sergei eizenSteinis separatori warmoadgens,<br />
romelsac misi filmis, „generaluri xazis“ Semdeg<br />
bevri daesesxeba, maT Soris Cveni programis erT-erTi<br />
suraTis, „miwis Zaxilis“ reJisori, siko doliZe. separatoris<br />
imijs is Tavis ufro gviandel filmSi „ukanasknel<br />
jvarosnebSi“ gamoiyenebs.<br />
sxva reJisorebTan erTad, kote miqaberiZisa da siko<br />
doliZis programaSi warmodgenili ori adreuli namuSevari<br />
traqtorebis, kombainebis da sxva teqnikis danergvis<br />
meTodebs da am meTodebis saWiroebas aRwers. aseTi filmebis<br />
mTavari paTosi, pirvel rigSi, glexisa da mSromeli<br />
adamianisTvis mZime samuSaoebze energiisa da drois xarjvis<br />
dazogvaa. teqnikis gafetiSeba dasavleTevropul<br />
kinoavangardSi, modernistul mxatvrobaSi da literaturaSic<br />
xdeboda, Tumca, gansxvavebiT dasavluri xedvisgan,<br />
sabWoTa kinoSi manqaniT aRfrTovaneba ideologiur datvirTvas<br />
atarebs.<br />
manqanuri sistemebis agitaciis paralelurad, sabWoTa<br />
kinematografSi jansaRi da kargad movlili sxeulis<br />
propaganda mimdinareobs. „WuWyTan brZola“ da janmrTelobaze<br />
gaaskecebuli zrunva kulturuli revoluciis<br />
nawili xdeba. fizkultura yoveli samagaliTo sab-<br />
WoTa moqalaqis cxovrebis wesad unda qceuliyo da ase<br />
ganemtkicebina saxelmwifos winaSe TiToeuli moqalaqis<br />
pasuxismgeblobis da qveynis samsaxuris SegrZneba. axali,<br />
Zlieri adamianis Seqmnis mcdelobaSi sabWoTa reJimi germanuli<br />
nacisturi ideologiis politikasac ki emsgavseba.<br />
swored fizkulturis da sanitarul-higienuri normebis<br />
dacvis mniSvnelobas exmianeba erovnuli arqivis<br />
mier warmodgenili programis meore nawili (aleqsandre<br />
jaliaSvilis „dilis aTi wuTi“, vaxtang SveliZis „kolmeurnis<br />
higiena“).<br />
sistemas aTasobiT manqana-kombaini sWirdeboda, iseve, rogorc<br />
kargad funqcionirebadi, gamarTuli manqana-sxeuli.<br />
imas, rom sxeuli manqanaa, Sromis samecniero organizaciis<br />
fuZemdebeli, frederik teilori da amerikeli inJineri<br />
henri fordic werdnen, Tumca ruseTSi ufro Sors midian.<br />
sabWoTa kavSirSi Sromis samecniero organizaciis mTavari<br />
Teoretikosis da Sromis centraluri institutis fuZemdeblisTvis,<br />
aleqsei gastevisTvis adamianis organizmi ara<br />
ubralod manqana, aramed „cocxali manqanaa“. warmoebis interesebidan<br />
gamomdinare, mas kargad unda movuaroT.<br />
madlobas vuxdiT dimitri jaliaSvils aleqsandre<br />
jaliaSvilis fotos mowodebisTvis da gia gersamias vaxtang<br />
SveliZis fotos mowodebisTvis<br />
127
GEORGIAN KULTURFILM:<br />
BODY /MACHINE<br />
NINO DZANDZAVA<br />
Four Georgian short films which were shot in the silent era will<br />
be screened in the frameworks of the Festival are united under<br />
the concept Body/Machine. Two of the films made by Kote<br />
Mikaberidze and Vasil Dolenko, WHAT GOES AROUND COMES<br />
AROUND (1930) and Siko Dolidze’s THE EARTH IS CALLING (1928)<br />
are dedicated to the urgent problems of a young socialist republic,<br />
namely mechanization of labor in collective farms (kolkhozy)<br />
and modern distribution of labor force. The two other films,<br />
Vakhtang Shvelidze’s COLLECTIVE FARMER’S HYGIENE and Alexandre<br />
Jaliashvili’s TEN MINUTES OF MORNING reflect the physical<br />
health care state policy in those years.<br />
Original physical materials and film copies are kept in Central<br />
Archive of Audiovisual Documents of The National Archives of<br />
Georgia. The films were moved to the Archives from documentary<br />
and science and newsreel film studio for the permanent storage.<br />
All four films need to be preserved.<br />
KULTURFILM: GENRE AND IDEOLOGY<br />
Most of the 20th century, Georgia as a country, went through<br />
a period of totalitarian regime. It is a well-known fact that the<br />
communist government stood on the foundation of corruption<br />
and restriction of information. The government was hiding historical<br />
truth and hushing up valued facts. Not only terror but also<br />
creation of a new history was a guarantee for manipulating the<br />
masses and preserving power by stably the communists. To that<br />
end the communist regime used a variety of methods including<br />
the most powerful and inspiring one – mass media (radio, press,<br />
TV) and art.<br />
In 1922 Vladimir Lenin said in a conversation with the first commissar<br />
of culture & popular education in the Soviet Government,<br />
Anatoly Lunacharsky that, “of all the arts, for us the cinema is the<br />
most important”. The coined phrase which became hugely popular<br />
overnight was then used by publishing house, ISSKUSTVO as a<br />
title of its book; numerous Soviet and non-Soviet cinema experts<br />
used these words in all contexts, but what’ s more important, Soviet<br />
culture guided itself with this slogan for dozens of years on<br />
the way to development and success of Soviet cinema industry.<br />
What did a Soviet leader Lenin’s famous expression about cinema<br />
mean and why he emphasized the importance of cinema? As early<br />
as the 1920’ies cinema was used as the biggest and most powerful<br />
propaganda instrument to advance the ideology. European<br />
states have used the cinema for the very same reasons since the<br />
beginning of WWI. By orders of Lenin’s new films inspired by the<br />
communist ideas were to reflect a new Soviet reality. Although<br />
Anatoly Lunacharsky wrote that while talking about films, Lenin<br />
primarily meant documentary newsreels: […] If you have a good<br />
newsreel, serious and educational pictures, then it does not matter<br />
if, for public attraction purposes, you have some kind of use-<br />
128<br />
less picture of the more or less usual type. Of course, censorship<br />
is necessary in any case. Counter revolutionary and immoral films<br />
should have no place”. So, from the outset a documentary film<br />
had been given instructions to serve for propaganda purposes.<br />
In addition, it must have been also educational. In this respect,<br />
the Russians followed the example of Germans in the first place.<br />
New documentary film genre emerged in Germany in early teens<br />
of the 20th century. It had common German term in every country:<br />
KULTURFILM. The rise of Kulturfilm coincides with a period of<br />
Nazi regime in Germany. In the beginning kulturfilms helped cinema<br />
to be legalized as a constructive cultural force. Educational<br />
section contributed greatly to the process. Attempting to ease<br />
harmful impact of cinema on the youth, educators made every<br />
effort to offer them different types of films. However, soon after, a<br />
vast majority of the genre attracted a lot of attention from political<br />
powers and thus nationalistic-militarist and educational aims<br />
came together in kulturfilms’ production.<br />
Several Soviet filmmakers, including Nikolai Lebedev and<br />
Vladimir Erofeev, were given the opportunity to visit Germany in<br />
the end of 1920-ies and learn about Germans’ cinema industry<br />
there. They lived in Berlin for a couple of years and developed<br />
a particular liking for ethnographic, geographic films and films<br />
about expeditions among the documentaries of educational and<br />
cultural character. After coming back to the Soviet Union they<br />
started promoting the films with great enthusiasm.<br />
During those times the Soviet Union could not be matched with<br />
Germany when it comes to kulturfilms production but like the Nazis<br />
it soon became well aware of the great potential and influence of<br />
this film genre in the transition of strengthening Soviet power.<br />
SITUATION IN GEORGIA<br />
Upon a resolution issued by the Soviet Central Executive Committee<br />
and Council of Peoples’ Commissars of Georgia, rights<br />
to shoot feature films and newsreels were granted only to the<br />
joint company of the Georgian State Film Production Company,<br />
“Sakhkinmretsvi”. All other state and private organizations as well<br />
as all independent film producers were forbidden to make films<br />
without consent of the Sahkinmretsvi studio. Moreover, the mentioned<br />
resolution was obligatory and in case of a violation, the<br />
offender could be subjected to administrative penalty.<br />
The year before the adoption of the resolution, a right to film distribution<br />
was exclusively granted to the People’s Commissariat<br />
for Education. All other organizations engaged in renting films<br />
were closed down.<br />
In this monopolistic environment created by the resolution the<br />
State was authorized to impose total control over cinema pro-
duction processes and define national policy and ideology of<br />
cinematography. Thus, it was clear that all independent filmmakers,<br />
private film companies and documentary filmmakers were<br />
completely excluded from this area.<br />
The Communist Party meeting on 15-21 March in 1928, among<br />
other agendas it also discussed cinema industry issues which<br />
turned out to be a significant event for the cinema industry. Local<br />
industries developed their five year plan according to the directives<br />
of party. The Communist Party clearly outlined a course for<br />
development of the Soviet cinema. Among the major aims were:<br />
to bring cinema closer to masses and increase its function maximally<br />
in cultural revolution. The party perceived cinema as a tool<br />
for rising political awareness of masses and for achieving the Party’s<br />
objectives and making it its real motto. Therefore, contents of<br />
film production should have undergone fundamental changes.<br />
Industry took a task of “revitalizing a repertoire”.<br />
To achieve the aims listed above it was necessary to promote<br />
documentary cinema and kulturfilms along with feature films.<br />
The latter were recognized as significant in fulfilling the Party’s<br />
aims.<br />
According to a number of films produced before 1928 Sakhkinmretsvi<br />
occupied the fourth place in overall Soviet cinema industry,<br />
amounting to almost 12% of all production in Soviet cinema<br />
organizations.<br />
Instructions given to the local film companies of all Soviet republics<br />
including Sakhkinmretsvi, to create and develop documentary-newsreel<br />
section, resulted in kulturfilms boom across<br />
the Soviet Union, where almost everything that went beyond<br />
feature films was called kulturfilm. Between the late 20-ies and<br />
beginning of 30-ies young cinema enthusiasts created numerous<br />
kulturfilms at the Georgian State film studio. Today they can be<br />
considered the excellent examples of this genre.<br />
BODY/MACHINE<br />
Soviet approach to mechanization was officially declared as<br />
something that “eases labor”, “raises material and cultural levels of<br />
a working class” and “improves labor conditions and accelerates<br />
development”. Soviet ideologists claimed that unlike capitalist<br />
mechanization the Soviet approach did not imply domination by<br />
capital over labor; rather on the contrary, it aimed at social wellbeing<br />
of a working class and attempted to completely exclude<br />
exploitation of peoples. Along with other Soviet filmmakers two<br />
early films by Kote Mikaberidze and Siko Dolidze describe need<br />
for new tractors, combines and other modern equipment and introduction<br />
of new techniques. Main idea of these films is in the<br />
first place, saving human energy and time. Treating technique as<br />
fetish was familiar theme in western European avant-garde cine-<br />
ma, modern art and literature. However, unlike western approach<br />
Soviet cinematography’s enthusiasm and excitement about machinery<br />
and automation has ideological connotations.<br />
The 1920-ies witnessed huge propaganda about use of mechanized<br />
procedures in collective farms created in the course of collectivization.<br />
Documentary and feature films actively joined the<br />
campaign. A generalized and perhaps the most popular image<br />
of this new theme in Soviet cinema history is Sergei Eisenstein’s<br />
milk separator that would be borrowed by many cinematographers<br />
after his GENERAL LINE. One of them is a filmmaker Siko<br />
Dolidze whose film THE EARTH’S IS CALLING will be screened<br />
within the frameworks of our programme. He used separator’s<br />
image in his later film, LAST CRUSADERS.<br />
Healthy, clean and well-kept body is being promoted in early Soviet<br />
movies along with agitation about mechanized work. “Fighting<br />
dirt” and hundredfold increase of health care becomes a part<br />
of cultural revolution. Physical exercises should have become a<br />
lifestyle for every ideal citizen and in this way reinforce a sense of<br />
homeland service and responsibility in each of them. In their efforts<br />
to create a new and strong human being the Soviet regime<br />
became analogous to that of Nazi Germany. The second part of<br />
the program offered by the National Archive (TEN MINUTES IN<br />
THE MORNING by Aleksandre Jaliashvili and COLLECTIVE FARM-<br />
ER’S HYGIENE by Vakhtang Shvelidze) covers the importance of<br />
physical exercises and bodily activities and following hygienic<br />
rules.<br />
The new system needed thousands of machines and combines<br />
just like it needed a well-functioning and organized body/machine.<br />
Even a founder of scientific management of labour, Frederick<br />
Taylor and American engineer Henry Ford observed that a human<br />
body was a machine, although Russians went much further.<br />
For a lead Soviet theoretician of scientific organization of labor<br />
and founder of Central Institute for Labour, Aleksei Gastev, human<br />
body was not a mere machine, but living machine deserving<br />
good care for the benefit of production.<br />
We thank Dimitri Jaliashvili for providing a photo of Alexandre<br />
Jaliashvilli and Gia Gersamia for providing a photo of Vakhtang Shvelidze<br />
129
qarTuli kulturfilmi _ saqarTvelos erovnuli arqivis saganZuridan<br />
GEORGIAN KULTURFILM – TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA<br />
DILIS ATI TSUTI<br />
dilis aTi wuTi saqarTvelos ssr 1931<br />
Director:<br />
Alexandre Jaliashvili<br />
130<br />
28 wT 21 wm, S/T, uxmo<br />
28 min 21 sec, b/w, silent<br />
tanvarjiSTan gaerTianebuli nayofieri Sroma produqtiulobis amaRlebis ZiriTadi<br />
gzaa, iseve rogorc – „axali adamianis“ Seqmnis saukeTeso saSualeba. ufro metic,<br />
fizikuri Zliereba qveyanas socialisturi respublikebis mtrebTan brZolaSi daexmareba.<br />
filmis Tematika exmianeba komunisturi partiis survils, gaefarTovebina<br />
fizikuri kulturis datvirTva mTeli qveynis masStabiT. aleqsandre jaliaSvilma<br />
amave sakiTxs miuZRvna momdevno filmi, „fizkultura skolaSi“ (1931).<br />
Filmography / filmografia<br />
Documentary films:<br />
1966 Alice’s Birthday<br />
1965 One Day with the Bennets<br />
1953 Basketball Union Competition<br />
1953 Sukhumi<br />
1952 Rhythmic Gymnastics<br />
1952 In Georgia’s Subtropics<br />
1951 Football<br />
1951 Soviet Georgia<br />
1950 21 December in Gori<br />
1949 Transformers of Nature<br />
1949 Lake Ritza<br />
1949 Pushkin in Georgia<br />
1948 Followers of Michurin<br />
1947 Hero of Socialist Labor<br />
1947 White Fox<br />
1947 Soviet Georgia<br />
reJisori:<br />
aleqsandre jaliaSvili<br />
kinostudia:<br />
saxkinmrewvi<br />
Production:<br />
Sakhkinmretsvi<br />
TEN MINUTES OF MORNING GEORGIAN SSR 1931<br />
Prolific labour combined with gymnastics represents the basic means of increasing public productiveness<br />
and one of the major forms of creation of New Man. Moreover, physical strength will assist the<br />
young Socialist Republics in fighting against their enemies. The subject was dictated by the Central<br />
Committee of Communist Party wishing to broaden the scale and representation of physical culture<br />
throughout the country. Encouraging people into more intensive gymnastics training is also shown in<br />
Alexandre Jaliashvili’s next film “Physical Culture in Schools” (1931).<br />
aleqsandre (sandro)<br />
jaliaSvili<br />
ALEXANDRE (SANDRO)<br />
JALIASHVILI<br />
(1905-1981)<br />
1946 Khram Hydro Electro Station<br />
1932 Way to Labor<br />
1931 Physical Culture at School<br />
1931 Ten Minutes of Morning<br />
Feature Films:<br />
1941 The Watchman Cabin<br />
1925 wels aleqsandre jaliaSvili saxkinmrewvis laboratoriaSi<br />
iwyebs muSaobas muSa-fiqsaJistad. mogvianebiT, kinomsaxiobTa<br />
skolis kursdamTavrebuli, kinostudiaSi msaxiobad<br />
ayavT. mTavari rolebi iTamaSa mixeil kalatoziSvilis or akr-<br />
Zalul filmSi: „usinaTlo“(1930) da „lursmani CeqmaSi“ (1931).<br />
paralelurad, jaliaSvili reJisoris asistentad muSaobs da<br />
1930-iani wlebis dasawyisSi iRebs instruqciuli xasiaTis dokumentur<br />
filmebsa da kulturfilmebs. 1943 wels samuSaod<br />
sverdlovskis kinostudiaSi gadayavT, sadac aleqsandre medvedkinis<br />
filmis, „ganTavisuflebuli miwis“ reJisorad imuSava.<br />
1946 wels Tbilisis kinostudiaSi brundeba.<br />
In 1925 Alexandre Jaliashvili joined a laboratory of “Sakhkinmretsvi” (Georgian<br />
State Film Production Company) as a fixer. After graduating from Cinema<br />
Actors’ School, he gets actor’s position at the film studio Sakhkinmretsvi.<br />
He was a leading actor in Mikheil Kalatozishvili’s two forbidden films: BLIND<br />
WOMAN (1930) and NAIL IN THE BOOT (1931). Simultaneously he worked as<br />
a director’s assistant and made several instructive documentaries and kulturlfilms<br />
in the beginning of 1930-ies. In 1943 he was moved to Sverdlovsk<br />
Film Studio where he made Alexandr Medvedkins’s LIBERATED LAND. In<br />
1946 he returned to the Tbilisi Film Studio.
qarTuli kulturfilmi _ saqarTvelos erovnuli arqivis saganZuridan<br />
GEORGIAN KULTURFILM – TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA<br />
KOLMEURNIS HIGIENA<br />
kolmeurnis higiena saqarTvelos ssr 1934<br />
Director:<br />
Vakhtang Shvelidze<br />
Cinematography:<br />
Boris Pumpjanski<br />
Art Director:<br />
Shalva Mamaladze<br />
17 wT 13 wm, S/T, uxmo<br />
17 min 13 sec, b/w, silent<br />
saqarTvelos jansaxkomis (janmrTelobis saxalxo komisariati) SekveTiT gadaRebuli<br />
filmi „kolmeurnis higiena“ samagaliTo sabWoTa adamianis ideologiur saxes<br />
warmoaCens da mayurebels _ pirvel rigSi, soflad mcxovreb glexs _ axali,<br />
kulturuli cxovrebis dawyebisken mouwodebs. „kulturuli cxovrebis umTavresi<br />
piroba higienis dacvaa“, ambobs axalgazrda aqtivisti qali da am miTiTebas glexebisgan<br />
Semdgar auditorias ganumartavs. higienis normebis damkvidrebis ukeT<br />
Cvenebis mizniT reJisori arc SiSveli sxeulis gadaRebas erideba. iseve, rogorc<br />
am periodis sxva dokumentur filmebSi („dilis aTi wuTi“), jansaRi sxeulis ideis<br />
kultivacia vizualuri reprezentaciis TanxlebiT xdeba.<br />
Filmography / filmografia<br />
Documentary films<br />
1934 Hygiene of Kolkhoznik<br />
1931 Zoo-minimum<br />
1930 Forests of Abkhazia<br />
1930 Sheep Breeding in Georgia<br />
1930 Poultry Rising in Georgia<br />
reJisori:<br />
vaxtang SveliZe<br />
operatori:<br />
boris pumpianski<br />
mxatvari:<br />
Salva mamalaZe<br />
qronikis seqtoris<br />
nawarmoebi<br />
COLLECTIVE FARMER’S HYGIENE GEORGIAN SSR 1934<br />
The film was commissioned by Georgia’s Health Commissariat. It shows an ideological image of<br />
an exemplary soviet citizen. in the beginning the film addresses rural peasantrs to live a cultural<br />
life. “Cultural life’s core principle is to follow hygiene rules”, – these are the words of a young<br />
activist woman, the film’s heroine, who explains the meaning of cultural life and hygiene to her<br />
rural audience. There is various shots of the naked human body that the director uses as an emphasis<br />
to the film’s main idea. Like in many other documentaries of this period (for instance, “Ten<br />
Minutes of Morning”) film authors develop the idea of healthy bodies together with it’s visual<br />
representation.<br />
vaxtang SveliZe<br />
VAKHTANG SHVELIDZE<br />
Production:<br />
of Chronicle Section<br />
reJisor vaxtang SveliZeze Zalian cota ram aris cnobili. ar<br />
viciT misi dabadebisa da gardacvalebis TariRebi, kinoSi moRvaweobis<br />
zusti wlebi, sruli filmografia... 1928 wlisTvis vaxtang<br />
SveliZes saxkinmrewvSi reJisoris TanaSemwed muSaobis xuTwliani<br />
staJi hqonda. am periodSi man imuSava filmebze: „qariSxlis<br />
win“, „amoki“, „bora“, „komunaris Cibuxi“. 50-ian wlebSi misi gvari<br />
Semdegi filmebis filmografiul monacemebSi figurirebs: siko<br />
doliZis „eTeris simRera“ (1956), nikoloz saniSvilis „abezara“<br />
(1956) da mixeil Wiaurelis „oTaraanT qvrivi“ (1957).<br />
There’s too little to know about filmmaker Vakhtang Shvelidze, the date of his<br />
birth or death, the exact years of his filmmaking career and full filmography…<br />
By 1928 he had five years worth of working experience as a film director’s assistant.<br />
During these years he worked on the following films: BEFORE TEMPEST,<br />
AMOK, BORA, and COMMUNARD’S PIPE. In the 50-ies his name surfaces in filmography<br />
data of the following films: ETHERI’S SONG by Siko Dolidze (1956),<br />
THORN IN FLESH by Nikoloz Sanishvili (1956) and OTAR’S WIDOW by Mikheil<br />
Chiaureli (1957).<br />
131
qarTuli kulturfilmi _ saqarTvelos erovnuli arqivis saganZuridan<br />
GEORGIAN KULTURFILM – TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA<br />
MITSIS DZAKHILI<br />
miwis Zaxili saqarTvelos ssr 1928<br />
Director:<br />
Siko Dolidze<br />
Cinematography:<br />
Shalva Gegelashvili<br />
132<br />
20 wT 16 wm, S/T, uxmo<br />
20 min 16 sec, b/w, silent<br />
filmi sabWoTa qveynis industrializaciis adreul periods asaxavs. is unda daxmareboda<br />
sabWoTa xelisuflebas Sromis nayofierebis amaRlebasa da socialisturi reformis<br />
ganxorcielebaSi soflis meurneobis xaziT. filmi gadaRebulia saxkinmrewvis<br />
1928-1929 wlebis proeqtis farglebSi, romlis mixedviTac kinostudia specialurad<br />
soflis mayureblebisTvis uSvebda kinosuraTebs. filmis siuJeti viTardeba ori soflis<br />
kolmeurneobis socialisturi Sejibris fonze, romelmac ufro Sromismoyvare,<br />
ufro didi mosavlis momyvani mSromelebis jgufi unda gamoavlinos.<br />
Filmography / filmografia<br />
Documentary films<br />
1957 When Georgia Blossomed<br />
1951 Soviet Georgia<br />
1950 Georgian Horsemen<br />
1946 25 Anniversary of Soviet<br />
Georgia<br />
1931 For Pshavi<br />
1929 Strengthen the Soviet<br />
Councils<br />
1929 Break through Miursal<br />
1929 Soviet Ceylon<br />
1929 XII Year of October<br />
1929 A Day in Karachai<br />
1928 The Earth Is Calling<br />
Feature films<br />
1982 Kukaracha<br />
1979 Is a Human a Man?!<br />
1975 Escape at Dawn<br />
1970 Gardens of Semiramide<br />
1967 City Awakes Early<br />
1966 Meeting Past<br />
1963 Lake Paliastomi<br />
THE EARTH IS CALLING GEORGIAN SSR 1928<br />
reJisori:<br />
siko doliZe<br />
operatori:<br />
Salva gegelaSvili<br />
kinostudia:<br />
saxkinmrewvi<br />
Production:<br />
Sakhkinmretsvi<br />
The film describes early period of the soviet industrialization. It aims to assist soviet government in<br />
raising labor productivity and implementing socialist reforms in agriculture. The film is made within<br />
the frameworks of 1928-1929 Sakhkinmretsvi program, the objective of which was to shoot films<br />
mainly for rural audience. The story of the film tells about the socialist competition between two<br />
communes. The competition reveals the most industrious and successful harvester of all group of<br />
workers.<br />
memarcxene poetTa da mweralTa jgufis wevri, ibeWdeboda JurnalSi<br />
„memarcxeneoba“. 22 wlis asakSi muSaoba daiwyo kinostudia<br />
„saxkinmrewvSi“. 1928 wels daevala dokumentur-qronikaluri kinos<br />
ganyofilebis xelmZRvaneloba. ganyofileba saqarTveloSi<br />
momxdar mniSvnelovan ambebs ekranze asaxavda. 1929 wels kinostudiam<br />
daamtkica siko doliZis scenari mxatvruli filmisTvis<br />
„zvavTa mxareSi“ da reJisori dokumenturi seqciidan mxatvruli<br />
filmebis ganyofilebaSi gadavida. am etapidan moyolebuli siko<br />
doliZem 50 welze met xans imuSava qarTul kinoSi.<br />
siko doliZe<br />
SIKO DOLIDZE<br />
(1903-1983)<br />
1959 Last Day, First Day<br />
1958 Fatima<br />
1956 Song of Eteri<br />
1954 The Dragonfly<br />
1944 Shield of Jurghai<br />
1940 Friendship<br />
1936 Dariko<br />
1933 Last Crusaders<br />
1931 In the Country of Avalanches<br />
A member of the leftist poets and writers group, Siko Dolidze published his texts in<br />
a magazine called MEMARTSKHENEOBA. He joined the Studio Sakhkinmretsvi at<br />
the age of 22. In 1928 he became Head of Documentary-Newsreel Films Department.<br />
The department was responsible for producing and reflecting important<br />
current events in Georgia on screen. In 1929 the Studio approved his screenplay<br />
for a feature film, ZVAVTA MKHARESHI (In the Land of Avalanches). That same year<br />
he was moved to the Studio Sakhkinmretsvi’s Feature Films Department. Siko<br />
Dolidze worked in the Georgian cinema industry for more than 50 years.
qarTuli kulturfilmi _ saqarTvelos erovnuli arqivis saganZuridan<br />
GEORGIAN KULTURFILM – TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA<br />
RASATS DASTES, IMAS MOIMKI<br />
rasac dasTes, imas moimki (agrominimumi)<br />
saqarTvelos ssr 1930<br />
Director:<br />
Kote Mikaberidze<br />
Editing:<br />
Vasil Dolenko<br />
Conematpgraphy:<br />
N. Agdgomelashvili<br />
25 wT, S/T. uxmo<br />
25 min, b/w, silent<br />
kote miqaberiZis filmografia mxatvruli suraTebis garda dokumentur da animaciur<br />
filmebsac moicavs. maT Soris aris montaJis reJisori vasil dolenkos TanaavtorobiT<br />
Seqmnili ornawiliani narkvevi soflis meurneobis socialisturi gardaqmnis<br />
Temaze „rasac dasTes, imas moimki“. imas, rac bevri sxva dokumentalistis SemTxvevaSi<br />
sabWoTa ideologiuri narativis tradiciul CarCoebs ar scdeba, miqaberiZe poeziad<br />
aqcevs, ufro metic, Zaladobriv poeziad, romelmac mayurebeli unda monusxos, aRafrTovanos,<br />
romelmac teqnikuri progresis monapovris gamoyenebis survili unda<br />
gaaRvivos masSi _ meti mosavali axali manqanebiTa da kombainebiT.<br />
Filmography / filmografia<br />
Documentary films<br />
1952 Delegation of Albania in Georgia<br />
1930 What Goes Around Comes Around<br />
Feature films<br />
1941 Outpost<br />
1939 To Be Son-in-Law is Late<br />
1936 Kajeti<br />
1932 Hassan<br />
1929 My Grandmother<br />
reJisori:<br />
kote miqaberiZe<br />
montaJi:<br />
vasil dolenko<br />
operatori:<br />
n. aRdgomelaSvili<br />
qronikis seqtoris<br />
nawarmoebi<br />
WHAT GOES AROUND COMES AROUND (AGRO MINIMUM)<br />
GEORGIAN SSR 1930<br />
Kote Mikaberidze’s filmography includes not only feature films but also documentaries and<br />
animated movies. The following film made in cooperation with an editor Vasil Dolenko, WHAT<br />
GOES AROUND COMES AROUND, is a short about socialist transformations in agriculture. What<br />
does not go beyond a mere soviet ideological narrative in many documentary filmmakers’<br />
production of those years, Kote Mikaberidze turns into poetry, more than that into aggressive<br />
poetry, which must captivate and fascinate the audience. It must rouse the desire and use of<br />
technical achievements in it – more products with new technique and combined machines.<br />
kote (konstantine)<br />
miqaberiZe<br />
KOTE (KONSTANTINE)<br />
MIKABERIDZE<br />
(1896-1973)<br />
Production:<br />
of Chronicle Section<br />
iseve, rogorc am periodis bevr sxva kinematografists, miqaberiZesac<br />
Teatraluri warsuli hqonda. Tumca, aman xeli ar SeuSala,<br />
Semoqmedebis dasawyisSive gaekritikebina „Teatri kinoSi“. miqaberiZis<br />
kinokariera 1921 wels iwyeba. Tavdapirvelad is kinostudia<br />
saxkinmrewvis msaxiobia, mogvianebiT ki Tavad iwyebs filmebis<br />
gadaRebas. miqaberiZes ekuTvnis ramdenime ararealizebuli<br />
filmis scenari („rTveli“, „nacarqeqia“, „kako-yaCaRi“) da akr-<br />
Zaluli filmi „Cemi bebia“ (1929). samwliani patimrobis (1957-1960)<br />
Semdeg kinostudiaSi dubliaJis reJisorad muSaobda.<br />
Like many film directors of that period Kote Mikaberidze came from the theatrical<br />
scene. Though, it did not prevent him from criticizing an idea of “theatre<br />
in a film”. His career in cinema started in 1921. First he worked as an actor at<br />
Sakhkinmretsvi Studio and later became a director. Several of his screenplays<br />
that were never shot include, - HARVEST, IDLER (NATSARKEKIA), KAKO THE<br />
ROBBER, and forbidden film, MY GRANDMOTHER (1929) belong to Kote Mikaberidze.<br />
After he served a three year sentence imprisonment (1957-1960) he<br />
went back to film studio as a dubbing editor.<br />
133
134<br />
saqarTvelos SoTa rusTavelis<br />
Teatrisa da kinos saxelmwifo universiteti<br />
warmogidgenT<br />
<strong>2012</strong> wlis saukeTeso<br />
studentur moklemetraJian mxatvrul filmebs<br />
GEORGIAN STATE SHOTA RUSTAVELI UNIVERSITY<br />
OF THEATRE AND FILM<br />
PRESENTS<br />
THE BEST STUDENT SHORT FILMS <strong>2012</strong>
yvelaze Zvirfasi<br />
soso bliaZe<br />
The Most Precious<br />
Soso Bliadze<br />
28’25’’<br />
1.1.1.5<br />
maria siCanini<br />
1.1.1.5<br />
Maria Sichanini<br />
5’21’’<br />
erTxel parkSi<br />
vaxtang jajaniZe<br />
Once Upon a Time in the Park<br />
Vakhtang Jajanidze<br />
2’43’’<br />
gardacvalebis cnoba<br />
levan sixaruliZe<br />
Cause of Death<br />
Levan Sikharulidze<br />
6’24’’<br />
saxli<br />
giorgi muxaZe<br />
Home<br />
Giorgi Mukhadze<br />
9’<br />
Piscium Cyprinus<br />
giorgi qavTaraZe<br />
Piscium Cyprinus<br />
Giorgi Kavtaradze<br />
6’56’’<br />
instinqti<br />
salome vefxvaZe<br />
Instinct<br />
Salome Vepkhvadze<br />
3’47’’<br />
miwa xar<br />
guram baqraZe<br />
From Dust Were You Made<br />
Guram Bakradze<br />
10’43’’<br />
Jangis kaci<br />
giorgi TavarTqilaZe<br />
Rustman<br />
Giorgi Tavartkiladze<br />
34’43’’<br />
135
136<br />
animaciuri filmebis saerTaSoriso<br />
festivali `Tofuzi <strong>2012</strong>"<br />
warmogidgenT<br />
premirebul filmebs<br />
THE INTERNATIONAL FESTIVAL OF<br />
ANIMATED FILMS “TOFUZI <strong>2012</strong>”<br />
PRESENTS<br />
THE AWARDED FILMS
granpri / GRAND PRIX<br />
FLY MILL<br />
Anu-Laura Tuttelberg, Estonia<br />
mfrinavi wisqvili<br />
anu-laura tutelbergi, estoneTi<br />
7’17’’, <strong>2012</strong>, Animated Objects<br />
Production: Estonian academy of Arts<br />
saukeTeso eqsperimentuli filmi / THE BEST<br />
EXPERIMENTAL FILM<br />
SHIFT<br />
Max Hattler, Germany / UK<br />
monacvleoba<br />
maqs hatleri, germania / didi britaneTi<br />
3’, <strong>2012</strong>, Animated Objects<br />
Production: www.maxhattler.com<br />
bavSvebis mier Seqmnili saukeTeso filmi / THE<br />
BEST FILM CREATED BY CHILDREN<br />
SANTA CLAUS<br />
Borjomi ART school, Georgia<br />
Tovlis babu<br />
borjomis xelovnebis skola, saqarTvelo<br />
1’48’’, 2011, 2D, Production: Mifasi Film<br />
saukeTeso debiuti / THE BEST DEBUT<br />
TRIP<br />
Radostina Neykova, Vladislav Budinov, Bulgaria<br />
mogzauroba<br />
radostina neikova, vladislav budinovi, bulgareTi<br />
8’, 2011, Live Action, Photocopies<br />
Production: Audiovisual Orpheys<br />
saukeTeso teqnika / THE BEST TECHNIQUE<br />
PETIT BATEAU, FROM COTTON THREAD TO T-SHIRT<br />
Pierre-Emmanuel Lyet, France<br />
patara navi, bambis damzadebidan – maisuramde<br />
pier-emanuel lie, <strong>safrangeTi</strong><br />
2’10’’, <strong>2012</strong><br />
Production: Doncvoilà Productions<br />
saukeTeso filmi ufrosebisTvis / THE BEST<br />
FILM FOR ADULTS<br />
TRAM<br />
Michaela Pavlatova, France<br />
tramvai<br />
mixaela pavlatova, <strong>safrangeTi</strong><br />
7’, <strong>2012</strong><br />
Production: Sacrebleu Productions<br />
saukeTeso studenturi filmi / THE BEST STU-<br />
DENT FILM<br />
MEAT<br />
Ivan Mirko Senjanovic, Croatia<br />
xorci<br />
ivan mirko senianoviCi, xorvatia<br />
7’15’’, <strong>2012</strong>, Animated Objects<br />
Production: Academy of Fine Arts, Zagreb<br />
saukeTeso internet-filmi / THE BEST INTER-<br />
NET FILM<br />
Mr. BOBA<br />
Giorgi Gabunia, Georgia<br />
boba<br />
giorgi gabunia, saqarTvelo<br />
3’30’’, 2011<br />
saukeTeso musika / THE BEST MUSIC<br />
CHORD-STRING<br />
Mansour el Sherif, Egypt<br />
simi-Zafi<br />
mansur el Serifi, egvipte<br />
3’20’’, 2010, Clay,Animated Objects<br />
Production: kaet water<br />
saukeTeso filmi bavSvebisTvis / THE BEST<br />
FILM FOR CHILDREN<br />
JINGLE ALL THE WAY<br />
Chel White, USA<br />
Sobis saCuqari<br />
Cel uaiti, aSS<br />
22’19’’, 2011, Animated Objects<br />
Production: Bent Image Lab<br />
saukeTeso satelevizio seriali / THE BEST<br />
TV SERIES<br />
CLOUD BREAD<br />
Jang Jae-Woon, South Korea<br />
Rrublis puri<br />
ian iae-voni, samxreTi korea<br />
78x7’, 2011, Animated Objects<br />
Production: GIMC Animation, DPS, Carloon<br />
saukeTeso reJisori / THE BEST DIRECTOR<br />
OH WILLY…<br />
Emma De Swaef, Marc James Roels, Belgium<br />
oh vili...<br />
ema de svefi, mark jeims roelsi, belgia<br />
16’35’’, <strong>2012</strong>, Animated Objects<br />
Production: Beast Animation<br />
saukeTeso scenari / THE BEST SCRIPT<br />
DOMESTIC FITLESS<br />
Hardi Volmer, Estonia<br />
Sinauri uZlureba<br />
hardi volmeri, estoneTi<br />
13’, 2011<br />
Production: OÜ Nukufilm<br />
137
138<br />
specialuri<br />
Cveneba<br />
35 ylupi romi<br />
saSiSi meTodi<br />
buba<br />
haiuta da berli - epilogi<br />
warmoidgino argentina<br />
rRveva: cxovreba Cemi<br />
dazianebuli tviniT<br />
bagirze mosiarule<br />
samSoblos tkbili kvamli<br />
SPECIAL<br />
SCREENINGS<br />
35 SHOTS OF RUM<br />
A DANGEROUS METHOD<br />
BUBA<br />
HAYUTA AND BERL – EPILOGUE<br />
IMAGINING ARGENTINA<br />
RUPTURE: LIVING WITH MY BROKEN<br />
BRAIN<br />
THE TIGHTROPE<br />
SWEET SMOKE OF THE FATHERLAND
specialuri Cveneba<br />
SPECIAL SCREENINGS<br />
35 RHUMS<br />
35 ylupi romi <strong>safrangeTi</strong> / germania 2008<br />
Director:<br />
Claire Denis<br />
Screenplay:<br />
Claire Denis, Jean-Pol Fargeau<br />
Cinematography:<br />
Agnès Godard<br />
Music:<br />
Tindersticks<br />
Production Design:<br />
Arnaud de Moleron<br />
Costumes:<br />
Judy Shrewsbury<br />
Editing:<br />
Guy Lecorne<br />
Sound:<br />
Martin Boissau<br />
Producer:<br />
Karl Baumgartner, Bruno Pésery<br />
Co-Producer:<br />
Christoph Friedel,<br />
Claudia Steffen<br />
Cast:<br />
Alex Descas, Mati Diop, Nicole Dogue,<br />
Grégoire Colin<br />
100 wT, feradi<br />
100 min, colour<br />
mamasa da qaliSvils Soris urTierTobas momxiblavi axalgazrda kacis gamoCena<br />
arTulebs.<br />
Filmography / filmografia<br />
2011 To the Devil (short)<br />
2009 White Material<br />
2008 35 Shots of Rum<br />
2005 Vers Mathilde (doc.)<br />
2004 The Intruder<br />
2002 Ten Minutes Older: The Cello (segment “Vers<br />
Nancy”)<br />
2002 Friday Night<br />
2001 Trouble Every Day<br />
1999 Beau travail<br />
1996 Nénette et Boni<br />
1995 À propos de Nice, la suite (segment “Nice, Very<br />
Nice”)<br />
1994 J’ai pas sommeil<br />
1994 Boom-Boom<br />
1991 Contre l’oubli (segment “Pour Ushari Ahmed<br />
Mahmoud, Soudan”)<br />
1991 Keep It for Yourself (short)<br />
1990 S’en fout la mort<br />
1989 Man No Run (doc.)<br />
1988 Chocolate<br />
35 SHOTS OF RUM FRANCE / GERMANY 2008<br />
reJisori:<br />
kler deni<br />
scenari:<br />
kler deni, Jan-pol fargo<br />
operatori:<br />
anies godari<br />
musika:<br />
Tindersticks<br />
mxatvari:<br />
arno de moleroni<br />
kostiumebi:<br />
judi Srusberi<br />
montaJi:<br />
gi lekorni<br />
xma:<br />
marten buaso<br />
prodiuseri:<br />
karl baumgartneri,<br />
bruno peseri<br />
Tanaprodiuseri:<br />
kristof frideli,<br />
klaudia Stefeni<br />
monawileoben:<br />
aleqs deska, mati diopi,<br />
nikol dogu, greguar<br />
koleni<br />
The relationship between a father and daughter is complicated by the arrival of a handsome young<br />
man.<br />
kler deni<br />
CLAIRE DENIS<br />
Production:<br />
Soudaine Compagnie<br />
in co-production with:<br />
Pandora Filmproduktion<br />
Arte France Cinéma<br />
World Sales:<br />
Wild Bunch<br />
daibada 1949 wels parizSi. ekonomikis swavlaze gulacruebulma<br />
denim kinos Seswavla daiwyo da 1971 wels cnobili franguli<br />
kinoskola La Femis daamTavra. karieris dasawyisSi is du-<br />
San makavievis, kosta gavrasis, Jak rivetis, jim jarmuSisa da<br />
vim vendersis asistentad muSaobda. 1988 wels pirveli filmi<br />
`Sokoladi~ gadaiRo. aris mravali nacionaluri da saerTaSoriso<br />
premiis nominanti da laureati.<br />
Born in1948 in Paris, France. After a disappointing experience of studying<br />
economics, Claire Denis enrolled in the Institut des Hautes Études Cinématographiques<br />
(now École Nationale Supérieure des Métiers de l’Image<br />
et du Son) where she graduated in 1971. At the beginning of her film career,<br />
she worked as an assistant director to Dušan Makavejev, Costa Gavras,<br />
Jacques Rivette, Jim Jarmusch and Wim Wenders. Claire Denis made her<br />
debut feature film CHOCOLATE in 1988.<br />
139
specialuri Cveneba<br />
SPECIAL SCREENINGS<br />
A DANGEROUS METHOD<br />
saSiSi meTodi didi britaneTi / germania / kanada / Sveicaria 2011<br />
Filmography / filmografia<br />
<strong>2012</strong> Cosmopolis<br />
2011 A Dangerous Method<br />
2007 Eastern Promises<br />
2005 A History of Violence<br />
2002 Spider<br />
1999 eXistenZ<br />
1996 Crash<br />
1993 M. Butterfly<br />
1991 Naked Lunch<br />
1988 Dead Ringers<br />
Director:<br />
David Cronenberg<br />
Screenplay:<br />
Christopher Hampton<br />
Cinematography:<br />
Peter Suschitzky<br />
Music:<br />
Howard Shore<br />
Production Design:<br />
James McAteer<br />
Costumes:<br />
Denise Cronenberg<br />
Editing:<br />
Ronald Sanders<br />
Sound:<br />
Wayne Griffin, Michael O’Farrell<br />
Producer:<br />
Jeremy Thomas<br />
Co-Producer:<br />
Marco Mehlitz, Martin Katz<br />
Cast:<br />
Keira Knightley, Viggo Mortensen,<br />
Michael Fassbender<br />
140<br />
1986 The Fly<br />
1983 The Dead Zone<br />
1983 Videodrome<br />
1981 Scanners<br />
1979 The Brood<br />
1979 Fast Company<br />
1977 Rabid<br />
1975 Shivers<br />
1970 Crimes of the Future<br />
1969 Stereo<br />
99 wT, feradi<br />
99 min, colour<br />
filmis moqmedeba pirveli msoflio omis wina periodSi viTardeba da analizuri<br />
fsiqologiis damaarseblis, karl iungis, misi maswavleblis, fsiqoanalizis Semoqmedis<br />
zigmund froidisa da sabina Spilrainis, Tavdapirvelad iungis pacientis,<br />
SemdgomSi ki eqimisa da pirveli qali-fsiqoanalitikosis rTul urTierTobebs aRwers.<br />
reJisori:<br />
devid kronenbergi<br />
scenari:<br />
kristofer hemptoni<br />
operatori:<br />
peter suSicki<br />
musika:<br />
hovard Sori<br />
mxatvari:<br />
jeims makatiri<br />
kostiumebi:<br />
deniz kronenbergi<br />
montaJi:<br />
ronald sandersi<br />
xma:<br />
vein grifini, maikl<br />
o’fareli<br />
prodiuseri:<br />
jeremi Tomasi<br />
Tanaprodiuseri:<br />
marko melitci,<br />
martin katci<br />
monawileoben:<br />
kira naiTli, maikl<br />
fasbenderi, vigo<br />
mortenseni<br />
A DANGEROUS METHOD UK / GERMANY / CANADA / SWITZERLAND 2011<br />
Set on the eve of World War I, A DANGEROUS METHOD describes the turbulent relationships between<br />
Carl Jung, founder of analytical psychology, Sigmund Freud, founder of the discipline of<br />
psychoanalysis, and Sabina Spielrein, initially a patient of Jung and later a physician and one of the<br />
first female psychoanalysts.<br />
devid kronenbergi<br />
DAVID CRONENBERG<br />
Production:<br />
Recorded Picture Company Ltd. (London)<br />
in co-production with:<br />
Lago Film (Berlin)<br />
Prospero Pictures (Toronto)<br />
Millbrook Pictures (Zürich)<br />
World Sales:<br />
Hanway Films<br />
kanadeli reJisori, scenaristi da msaxiobi. daibada 1943 wels<br />
torontoSi. kronenbergi kinoSi „bodi-hororis“ saxeliT<br />
cnobili Janris erT-erT Semqmnelad iTvleba. mis filmebSi<br />
fsiqologiuri, rogorc wesi, fizikurs ukavSirdeba da aRwers<br />
adamianis SiSebs, romelic sxeulis transformacias, infeqciebs<br />
da daavadebas ukavSirdeba. mxatvruli filmebis garda kronenbergi<br />
satelevizio serialebs, reklamebsa da moklemetraJian<br />
filmebsac iRebs. 2006 wels kanis kinofestivalze mas „re-<br />
JisorTa orkvireulis“ jildo „oqros etli“ gadaeca.<br />
Canadian filmmaker, screenwriter and actor. Born in 1943 in Toronto, Canada.<br />
He is one of the principal originators of what is commonly known as<br />
the body horror genre. David Conenberg’s unique cinematic vision often<br />
incorporate themes of flesh, parasites and horror caused by mutation or a<br />
medical affliction. Cronenberg directed several television spots, commercials,<br />
and short films. In 2006 he was awarded the Carrosse d’Or of Quinzaine<br />
des realisateurs in Cannes.
gio cincaZe<br />
nana janeliZe<br />
oTaxSi nel-nela binddeboda.<br />
gio instrumentTan ijda, me naxevrad damtvreul taxtze.<br />
binis siRrmeSi gios deda xmaurobda yofiT sagnebTan.<br />
Cumad visxediT da velodiT, rom gamoCndeba. ar unda dagvefrTxo.<br />
bindi nel-nela SemoiRvara da mTeli oTaxi Seavso. sul<br />
rom Camobnelda da siCume melaniviT dagubda, gamoCnda da<br />
fexakrefiT Caiara.<br />
mSvidi da sevdiani iyo. Soridan mosuli, odnav miRlili,<br />
mSvenieri.<br />
Cven isev gaunZrevlad visxediT. jer xels ver Seavlebdi.<br />
mere kvlav Semobrunda da giom frTxilad fleita da kontrabasi<br />
daadevna.<br />
TandaTan gansxeulda da Seimosa, nazi sxividan dedoflad<br />
iqca.<br />
mere dabrZanda da mSvidad moyva Tavis ambavs...<br />
antigones Tema iyo. aseTi nazi da sevdiani Tema me aRar<br />
Semxvedria. is gio cincaZem gamoiZaxa Soreuli sivrceebidan.<br />
antigone...<br />
giosTan erT filmze da or speqtaklze vimuSave.<br />
filmSi kompozitori uyurebs gamosaxulebas da gamosaxuleba<br />
karnaxobs yvelafers. speqtaklSi ki ufro rTulad<br />
aris saqme. speqtakli-menipea ”antigone... minda gamosvla<br />
wamidan” musikalurad yvelaze mravalferovani da didtaniani<br />
iyo. Tan amocanac sxvagvari iyo. gvindoda dramaturgia,<br />
msaxiobis ostatoba, sityva, musika da plastika<br />
GIO TSINTSADZE<br />
IN MEMORIAM<br />
Nana Janelidze<br />
gaxseneba<br />
It was getting dark in the room.<br />
Gio was sitting at the instrument, I occupied the place on a half broken<br />
sofa. In the depth of the apartment Gio’s mother was busy doing something.<br />
We kept silent waiting. We needed not to scare it away.<br />
Gradually dusk poured into the room and filled it. When it got completely<br />
dark and heavy there it appeared and passed noiselessly across the room.<br />
It was calm and sad, having come from the far, a bit tired and beautiful.<br />
We kept motionless. We did not dare to touch it yet. It turned around<br />
again. Gio smoothly matched a flute and contra-bass. It slowly got embodied<br />
and dressed up, turning into a queen from a gentle ray.<br />
Then it sat down and told her story..<br />
It was a theme of Antigone. It was so gentle and sad. I have never heard<br />
that sadness ever since. Gio Tsintsadze called it from far-off spaces.<br />
Antigone...<br />
I worked with Gio on a film and two stage plays.<br />
While making a film a composer looks at images which dictate everything<br />
to him. However, it gets more complicated with stage plays.<br />
Dramatic piece „Antigone...I want to escape from the second“was the<br />
most diverse and voluminous in respect of musical themes. The aims too<br />
were different. We tried to give equal significance to dramaturgy, artist’s<br />
mastery, words, music and plastics in the same piece. Hence I needed<br />
speqtaklSi Tanabari datvirTvis yofiliyo. amitom musika<br />
bevri mWirdeboda da sul mWirdeboda. yoveldRe davdiodi<br />
giosTan saxlSi erTaderTi “mizniT” _ yvela bgera da noti<br />
Camomebertya, rac masSi ireoda.<br />
kars aRebda stumarTmoyvare, xmauriani, mudam aRSfoTebuli<br />
(ramiT, an sxva ramiT), flostebiani.<br />
da iwyeboda.<br />
me vuyvebodi epizodebs, vukiTxavdi monologebs, gavdiodi<br />
qoreografiul nawyvetebs, vaCvenebdi mizanscenebs...<br />
da giosTan, rogorc mediumTan, mofrinavdnen uzustesi<br />
musikaluri arsebebi. dRemde gamoucnobia, ra SelocvebiT<br />
iwvevda gio Temebs, melodiebs, haers, siCumes. es iyo jadosnoba.<br />
axlac CemTvis es speqtakli sayvarelia Tundac<br />
musikaluri qsovilis gamo.<br />
Semdeg gios kidev erTi da didi siyvaruli ewvia. mas saocari<br />
niWi hqonda Seyvarebis. siyvaruli da Semoqmedeba ki<br />
ucnaur kavSirSia erTmaneTTan – orive eWviania da arafers<br />
ar patiobs. mxolod is unda mefobdes.<br />
siyvarulma gio aavso da cota xans moaduna. filmma, romelzedac<br />
Cven erTad vmuSaobdiT ar apatia “Ralati” da Cven<br />
erTad aRar gvimuSavia.<br />
rasakvirvelia, giom araferi icoda amis Sesaxeb da Cven sul<br />
vmegobrobdiT.<br />
* * *<br />
albaT, axlac antigonesTan saubrobs mTvaris siTeTreSi da<br />
xandaxan fletas da simebianis picikatos daiswrebs.<br />
more music and I needed it continuously. I used to visit Gio everyday in<br />
those times trying to shake down every sound and every note mingling<br />
in his head.<br />
He used to open the door in his slippers, hospitably, noisily and always<br />
worried about something.<br />
And there it started...<br />
I would tell him episodes, read monologues, show choreography and<br />
scenes... And to him, as a medium, would fly over the exact musical creatures.<br />
It has been mystery for me so far how and with what prayers he<br />
invited themes, melodies, air, silence... It was a real sorcery. That play still<br />
remains my favourite even because of its musical fabric.<br />
Then Gio fell in love again. He had extraordinary talent of falling in love.<br />
Love and creative work are strangely interconnected: both are jealous<br />
and unforgiving. One of them must reign.<br />
Love filled Gio and made him a bit careless for a little while. But the film<br />
we were making together did not forgive him „betrayal“. We had not<br />
worked ever since.<br />
Surely Gio did not know anything. We remained great friends.<br />
* * *<br />
Probably he enjoys long talks with Antigone in the moon’s whiteness<br />
with the help of flute and string pizzicato now.<br />
141
specialuri Cveneba<br />
SPECIAL SCREENINGS<br />
BUBA<br />
buba saqarTvelos ssr 1930<br />
Filmography / filmografia<br />
1934 Cheerless / Uzhmuri<br />
1930 Buba (documentary)<br />
Director:<br />
Nutsa Ghoghoberidze<br />
Screenplay:<br />
Nutsa Ghoghoberidze<br />
Cinematography:<br />
Sergey Zabozlaev<br />
Production Design:<br />
Davit Kakabadze<br />
142<br />
39 wT, S/T<br />
39 min, B-W<br />
dokumenturi filmi raWaze. filmis saxelwodeba raWis erT-erTi maRalmTiani<br />
soflis saxelidanaa aRebuli. masSi mTaSi mcxovrebi mosaxleobis gaWirvebuli<br />
cxovreba da sabWoTa kavSiris aRmSeneblobaa naCvenebi.<br />
Jurnal „cxeli Sokoladis“ mier gamocemuli filmis<br />
cifruli versiis musikis avtoria gio cincaZe<br />
Composer for the magazine “Tskheli Shokoladi” digital version of the<br />
film: Gio Tsintsadze<br />
BUBA GEORGIAN SSR 1930<br />
reJisori:<br />
nuca RoRoberiZe<br />
scenari:<br />
nuca RoRoberiZe<br />
operatori:<br />
sergei zabozlaevi<br />
mxatvari:<br />
daviT kakabaZe<br />
Production:<br />
Norma Productions<br />
info@norma.co.il<br />
972-3-5609311<br />
www.norma.co.il/<br />
World Sales:<br />
Urban Distribution International<br />
Tel.: +49 157 74749724<br />
hello@wolf-con.com<br />
A Documentary film about one of the regions in Georgia – the Racha region. The title of the film is<br />
similar to the name of one of the villages in the high mountains in Racha. BUBA is a documentary<br />
film about the poorest society living in the mountains and about the rising of the SSSR.<br />
nuca<br />
(nino) RoRoberiZe<br />
NUTSA (NINO)<br />
GHOGHOBERIDZE<br />
daibada 1902 wels sofel kaxSi (saingilo), misi qaliSvilobis<br />
gvaria xuciSvili. 1917 wels reJisoris ojaxi kaxeTSi, codniskarSi<br />
gadasaxlda. nuca RoRoberiZe swavlobda Tbilisis gimnaziaSi,<br />
Semdeg Tbilisis saxelmwifo universitetis filologiis<br />
fakultetze, xolo 1923-1925 wlebSi swavla gaagrZela germaniaSi,<br />
ienis universitetSi. 1926-1937 wlebSi moRvaweobda saxkinmrewvSi<br />
jer TanareJisorad, xolo Semdeg _ reJisorad.<br />
Born in Kakhi (Saingilo) village in 1902. Nutsa Ghoghoberidze’s family<br />
moved to Kakheti, village Tsodniskari in 1917. She studied philology in<br />
Tbilisi State University. In 1923-1925 Nutsa Ghoghoberidze continued her<br />
studies in Germany, Jena University. In 1926-1937, she worked at the Soviet<br />
film producing company SAKHKINMRETSVI as Assistant Director and later<br />
served as Director.
specialuri Cveneba<br />
SPECIAL SCREENINGS<br />
HAYUTA VE BERL – EPILOGUE<br />
haiuta da berli - epilogi israeli <strong>2012</strong><br />
Director:<br />
Amir Manor<br />
Screenplay:<br />
Amir Manor<br />
Cinematography:<br />
Guy Raz<br />
Music:<br />
Ruth Dolores Weiss<br />
Production Design:<br />
Rotem Cohen, Barak Vazan<br />
Costumes:<br />
Yaron Arye<br />
Editing:<br />
Iris Ozer<br />
Sound:<br />
Nimrod Eldar<br />
Producer:<br />
Assaf Amir<br />
Cast:<br />
Yosef Carmon, Rivka Gur<br />
96 wT, feradi<br />
96 min, colour<br />
xandazmul wyvils _ haiutas da berls _ Tanamedrove israelTan da socialur<br />
cvlilebebTan Segueba uWirs. mravalwliani brZolis Semdeg maT ar eTmobaT Zveli<br />
ocnebebi da revoluciuri gegmebi israelSi socialuri saxelmwifos Seqmnis<br />
Sesaxeb. mtkivneuli imedgacrueba wyvils gadaawyvetinebs, erT Rames TavianTi bina<br />
datovon da ukanasknel mogzaurobas Seudgnen.<br />
Filmography / filmografia<br />
<strong>2012</strong> Hayuta and Berl – Epilogue<br />
2007 Reds (short)<br />
HAYUTA AND BERL – EPILOGUE ISRAEL <strong>2012</strong><br />
reJisori:<br />
amir manori<br />
scenari:<br />
amir manori<br />
operatori:<br />
gai razi<br />
musika:<br />
ruT dolores vaisi<br />
mxatvari:<br />
rotem koeni, barak vazani<br />
kostiumebi:<br />
iaron arie<br />
montaJi:<br />
iris ozeri<br />
xma:<br />
nimrod eldari<br />
prodiuseri:<br />
asaf amiri<br />
monawileoben:<br />
iozef kamroni, rivka guri<br />
Hayuta and Berl, an elderly couple, find it hard to adjust to today’s Israel and to the social changes<br />
surrounding them. After years of struggle, the two refuse to let go of their dreams and their revolutionary<br />
plans to build a welfare state in Israel. Over the course of a painful night of disillusionment,<br />
the two decide to leave their apartment for one last journey.<br />
amir manori<br />
AMIR MANOR<br />
Production:<br />
Norma Productions<br />
info@norma.co.il<br />
972-3-5609311<br />
www.norma.co.il/<br />
World Sales:<br />
Urban Distribution International<br />
Tel.: +49 157 74749724<br />
hello@wolf-con.com<br />
gaizarda riSon lezionSi, israelSi. Jurnalistad muSaobda<br />
ierusalimSi, socialur da ekonomikur sakiTxebze werda Jurnal<br />
Kol Ha’ir-isTvis. Semdeg muSaobda satelevizio programa<br />
Ovda-Si, paralelurad werda yoveldRiuri gazeTisTvis Ma’ariv.<br />
amir manorma daamTavra Tel-avivis universitetis kinosa da<br />
televiziis fakulteti. misi saSualometraJiani filmi „wiTlebi“<br />
ierusalimis kinofestivalze pirveli priziT aRiniSna 2007<br />
wels. „haiuta da berli _ epilogi“ misi pirveli srulmetraJiani<br />
mxatvruli filmia. filmis premiera wels veneciis kinofestivalze<br />
Sedga programaSi „veneciis dReebi“.<br />
Amir Manor grew up in Rishon Lezion. He worked in Jerusalem as a journalist<br />
for a magazine called Kol Ha’ir covering socio-economic issues. After<br />
leaving the magazine, he went on to work on television programme Ovda,<br />
also reporting for renowned Israeli daily Ma’ariv. Amir is a graduate of the<br />
Film and Television Department at Tel Aviv University. His medium-length<br />
film, Reds, earned him first prize for the Best Drama at the Jerusalem Film<br />
Festival in 2007. HAYUTA AND BERL – EPILOGUE is his first feature film.<br />
143
specialuri Cveneba<br />
SPECIAL SCREENINGS<br />
IMAGINING ARGENTINA<br />
warmoidgino argentina espaneTi / didi britaneTi / aSS 2003<br />
Filmography / filmografia<br />
2003 Imagining Argentina<br />
1996 Joseph Conrad’s The Secret Agent<br />
1995 Carrington<br />
Director:<br />
Christopher Hampton<br />
Screenplay:<br />
Christopher Hampton<br />
Cinematography:<br />
Guillermo Navarro<br />
Music:<br />
George Fenton<br />
Production Design:<br />
Bárbara Pérez-Solero<br />
Costumes:<br />
Sabina Daigeler<br />
Editing:<br />
George Akers<br />
Sound:<br />
Dennis McTaggart<br />
Producer:<br />
Diane Isaacs, Geoffrey C. Lands,<br />
Michael Peyser, Santiago Pozo<br />
Co-Producer:<br />
José María Cunillés, Isabel Mulá<br />
Cast:<br />
Antonio Banderas, Emma Thompson,<br />
Leticia Dolera, María Canals, Rubén<br />
Blades<br />
144<br />
107 wT, feradi<br />
107 min, colour<br />
lourens Torntonis romanis mixedviT. filmis moqmedeba argentinaSi, 1970-iani<br />
wlebis buenos-airesSi viTardeba. qveynis saTaveSi sisxliani samxedro diqtaturaa,<br />
romelic opozicionerebs itacebs da aqrobs. ase ikargeba erT dRes sesiliac,<br />
disidenti Jurnalisti. rodesac misi qmari, Teatris reJisori rubeni sesilias<br />
Zebnas iwyebs, is moulodnelad aRmoaCens, rom momavlis ganWvretis unari gauCnda<br />
da SeuZlia dainaxos, ra bedi elis dapatimrebulebs.<br />
IMAGINING ARGENTINA SPAIN / UK / USA 2003<br />
reJisori:<br />
kristofer hemptoni<br />
scenari:<br />
kristofer hemptoni<br />
operatori:<br />
giermo navaro<br />
musika:<br />
jorj fentoni<br />
mxatvari:<br />
barbara peres-solero<br />
kostiumebi:<br />
sabina daigeleri<br />
montaJi:<br />
jorj akersi<br />
xma:<br />
denis maktagarti<br />
prodiuseri:<br />
daian isaaksi, jefri<br />
landsi, maikl peiseri,<br />
santiago poco<br />
Tanaprodiuseri:<br />
xose maria kunilesi,<br />
izabel mula<br />
monawileoben:<br />
antonio banderasi, ema<br />
Tompsoni, letisia dolera,<br />
maria kanalsi, ruben<br />
bleidsi<br />
The movie is set during the Dirty War in 1970s Buenos Aires, Argentina, where the military government<br />
is abducting those opposed to its rule. Cecilia, a dissident journalist, is kidnapped by the secret<br />
police to join the ranks of the ‘disappeared’. As her husband Carlos, a theatre director, begins to<br />
search frantically for her, he realizes that he has acquired psychic power that enables him to predict<br />
the future. This not only puts him in high demand by those who have also lost a loved one, it helps<br />
Carlos to foresee what happens to his wife and other detainees.<br />
kristofer hemptoni<br />
CHRISTOPHER HAMPTON<br />
Production:<br />
Multivideo<br />
Arenas Entertainment<br />
Myriad Pictures<br />
Green Moon Productions<br />
Imagining Argentina Productions Ltd.<br />
Mike’s Movies<br />
Tide Rock Entertainment<br />
World Sales:<br />
Arenas Entertainment (USA)<br />
britaneli dramaturgi, scenaristi da kinoreJisori. amerikuli<br />
kinoakademiis “oskaris” mflobeli saukeTeso scenarisTvis<br />
(„saxifaTo kavSirebi“, 1988, reJisori stiven frirzi). 1966<br />
wels hemptoni gaxda Tanamedrove epoqis yvelaze axalgazrda<br />
dramaturgi, romlis piesa londonis vest-endis TeatrebSi<br />
daidga. mas mere is aqtiurad da warmatebiT moRvaweobs sxvadasxva<br />
sferoSi. aris 30-ze meti filmis scenaris avtori. rogorc<br />
kinoreJisors gadaRebuli aqvs sami mxatvruli filmi.<br />
British playwright, screen writer and film director. Born in 1946 in Portugal.<br />
Academy Award winner for the Screenplay of DANGEROUS LIAISONS<br />
(1988, directed by Stephen Frears). In 1966 Hampton became the youngest<br />
writer to have a play performed in the West End in the modern era. Since<br />
then he has been active and successful in many fields. As a scriptwriter<br />
Hampton has gained the reputation with his brilliant adaptations of Joseph<br />
Conrad, Choderlos de Laclos, Colette, Graham Greene, Ian McEwen,<br />
Anita Brookner and many more. He has directed three feature films.
specialuri Cveneba<br />
SPECIAL SCREENINGS<br />
RUPTURE: LIVING WITH MY BROKEN BRAIN<br />
rRveva: cxovreba Cemi dazianebuli tviniT didi britaneTi 2011<br />
2007 wels mariam d’abom mwvave insulti da mZime operacia gadaitana. sabednierod,<br />
is gadaurCa urTules avadmyofobas. sakuTarma gamocdilebam STaagona msaxiobs<br />
dokumenturi filmis gadaReba, romelic mayurebels gamojanmrTelebis saku-<br />
Tar „recepts“ sTavazobs. usaxavs imeds maT, vinc izolirebulia adamianebisgan,<br />
romelTac ar esmiT es rTuli mdgomareoba. pirvel pirSi moTxrobili piradi<br />
istoria adamianebs Zalas aZlevs da gadarCenis survils uRviZebs. filmSi mariam<br />
d’abo xvdeba da saubrobs sxva cnobil adamianebTan, vinc Tavis droze gadaitana<br />
insulti. maT Soris arian The Observer-is yofili redaqtori robert makkrumi da<br />
jaz-gitaristi da qvinsi jonsis musikaluri prodiuseri pet martinsi.<br />
Filmography / filmografia<br />
2011 Rupture: A Matter of Life or Death (doc.)<br />
2008 Revolution Revisited<br />
2000 I Dreamed of Africa<br />
1999 My Life So Far<br />
1995 Lumiere and Company (one if 41 directors)<br />
Director:<br />
Hugh Hudson<br />
Screenplay:<br />
Hugh Hudson<br />
Music:<br />
Vangelis<br />
Editing:<br />
Gigi Cone Welch, Francesco Dafano<br />
Sound:<br />
Richard Pryke, Timothy Siddall<br />
Producer:<br />
Maryam d’Abo, Hugh Hudson<br />
Cast:<br />
Maryam d’Abo,<br />
Nigel Havers (narrator, voice)<br />
146<br />
70 wT, feradi<br />
70 min, colour<br />
1989 Lost Angels<br />
1985 Revolution<br />
1984 Greystoke: The Legend of Tarzan, Lord of the Apes<br />
1981 Chariots of Fire<br />
1975 Fangio<br />
1967 The Tortoise and te Hare (short)<br />
reJisori:<br />
hiu hadsoni<br />
scenari:<br />
hiu hadsoni<br />
musika:<br />
vangelisi<br />
montaJi:<br />
jiji kon velCi,<br />
fransisko dafano<br />
xma:<br />
timoTi sidali,<br />
riCard praiki<br />
prodiuseri: mariam d’abo,<br />
hiu hadsoni<br />
monawileoben: mariam<br />
d’abo, naijel haversi<br />
(mTxrobeli)<br />
Production:<br />
HUDSON FILM LTD<br />
24 St Leonard’s Terrace<br />
London SW3 4QG<br />
Tel: +44 207 7300002<br />
http://www.hudsonfilmltd.co.uk/<br />
info@hudsonfilmltd.co.uk<br />
RUPTURE: LIVING WITH MY BROKEN BRAIN UNITED KINGDOM 2011<br />
Maryam d’Abo suffered a subarachnoid hemorrhage in 2007 and is lucky to be alive. Her experience<br />
inspired this film and leads the viewer on a personal journey of recovery, giving a sense of<br />
hope to those who are isolated by their condition that is not seen therefore often misunderstood.<br />
Many first hand stories celebrate man’s life force and his will to survive. The film concerns all human<br />
beings, dealing with the fragility of the extraordinary brain of which we know surprisingly little.<br />
Maryam d’Abo talks to others who have suffered brain injury, including Robert McCrum, former<br />
literary editor of The Observer; Pat Martino, jazz guitarist and music producer Quincy Jones.<br />
hiu hadsoni<br />
HUGH HUDSON<br />
daibada 1936 wels londonSi. kinokariera hadsonma memonta-<br />
Jed muSaobiT daiwyo parizSi. londonSi dabrunebis Semdeg<br />
dokumenturi filmebis sakuTari kompania daaarsa. hadsonis<br />
1981 wels gadaRebulma istoriulma dramam „cecxlovani<br />
etlebi“ oskaris oTx, maT Soris, saukeTeso filmis nominaciaSi<br />
gaimarjva. imave wels moipova kanis kinofestivalis ori<br />
da baftas sami prizi. „cecxlovani etlebis“ musika berZen<br />
kompozitor vangeliss ekuTvnis, iseve rogorc musika filmisTvis<br />
„rRveva: cxovreba Cemi dazianebuli tviniT“. 2003 wels<br />
britaneli reJisori mariam d’aboze daqorwinda.<br />
Born in 1936 in London. Hudson started his cinematography career in Paris<br />
as an editor. After moving in London, he headed a documentary film company.<br />
Hudsons first filmmaking job was as a second unit director on Alan<br />
Parker’s MIDNIGHT EXPRESS. In 1981 hudson directed historical drama<br />
CHARIOTS OF FIRE. The film won 4 Oscar, including best picture; two prizes<br />
at the Cannes Film Festival and three prizes at BAFTA. Music for the film was<br />
written by Greek composer Vangelis, who is also a composer for RUPTURE:<br />
LIVING WITH MY BROKEN BRAIN. In 2003 Hudson married Maryam d’Abo.
specialuri Cveneba<br />
SPECIAL SCREENINGS<br />
THE TIGHTROPE<br />
bagirze mosiarule <strong>safrangeTi</strong> / italia <strong>2012</strong><br />
„rogor gavxadoT Teatri xelSesaxebi, realuri? komediis an tragediis dadgma<br />
advilia, magram yvelaze mniSvnelovani am ors Soris danis piriviT viwro bagirze<br />
gavlaa...“ Teatris didi reJisori piter bruki sakuTar Svils saimon bruks 40 wlis<br />
ganmavlobaSi pirvelad daTanxmda gadaeRo, rac fardis miRma xdeboda da eCvenebina<br />
msaxiobebTan muSaobis meTodi. es unikaluri da piraduli filmi uorqSopis intimur<br />
garemoSi miRebul filosofiur gamocdilebas, bagirze siarulis xelovnebas<br />
gvaziarebs.<br />
Filmography / filmografia<br />
<strong>2012</strong> Indian Summer (doc.)<br />
<strong>2012</strong> The Tightrope (doc.)<br />
2011 Annie Nightingale: Bird on the Wireless (TV<br />
doc.)<br />
2008 Generation 68 (doc.)<br />
2005 La légende vraie de la tour Eiffel (TV movie)<br />
2005 Jungle Magic (doc.)<br />
Director:<br />
Simon Brook<br />
Screenplay:<br />
Peter Brook, Simon Brook<br />
Cinematography:<br />
Alexis Kavyrchine<br />
Music:<br />
Franck Krawczyk, Toshi Tsuchitori<br />
Editing:<br />
Josie Milievic, Barbara Bossuet<br />
Producer:<br />
Peter Brook, Simon Brook, Jean-Pierre<br />
Eklou Attisso<br />
Cast:<br />
Peter Brook, Franck Krawczyk, Toshi<br />
Tsuchitori, Marie-Hélène Estienne,<br />
Hayley Carmichael, Jos Houben,<br />
Micha Lescot, Marcello Magni,<br />
Khalifa Natour, Yoshi Oida, Abdou<br />
Ouologuem, Cesar Sarachu, Shantala<br />
Shivalingappa, Emily Wilson, Lydia<br />
Wilson<br />
148<br />
THE TIGHTROPE FRANCE / ITALY <strong>2012</strong><br />
86 wT, feradi<br />
86 min, colour<br />
2003 Cleopatra’s Lost City (TV doc.)<br />
2002 Brook by Brook (TV doc.)<br />
2001 Karos d’Éthiopie, les amoureux du fleuve (TV<br />
movie)<br />
1998 L’amazone (doc.)<br />
1995 Alice (short)<br />
1991 Minus One (short)<br />
reJisori: saimon bruki<br />
scenari: piter bruki,<br />
saimon bruki<br />
operatori: aleqsis<br />
kavirSini<br />
musika: frenk kravCiki, toSi<br />
cuCitori<br />
montaJi: iosi mileviCi,<br />
barbara bosue<br />
prodiuseri: piter bruki,<br />
saimon bruki, Jan-pier eklu<br />
atiso<br />
monawileoben: piter<br />
bruki, frenk kravCiki,<br />
toSi cuCitori, meri-elen<br />
estieni, heili karlmaikli,<br />
ios ubeni, miSa lesko,<br />
marCelo mani, xalifa<br />
naturi, ioSi oida, abdu<br />
ulogemi, sezar saraCu,<br />
Santala Sinalingapa, emili<br />
uilsoni, lidia uilsoni<br />
Production:<br />
Brook Productions<br />
Cinemaundici<br />
World Sales:<br />
Film Distribution<br />
www.filmsdistribution.com<br />
“How does one make theater real? It is so easy to fall into tragedy or comedy. What is important<br />
above all is to be on this strict razor edge of the tightrope...” For the very first time in 40 years, Peter<br />
Brook, one of the major directors of contemporary theater, has agreed to raise the curtain and allow<br />
his son Simon Brook to film behind the scenes and to reveal the secrets of his approach. This<br />
unique and personal film takes us beyond the intimacy of a workshop, into a philosophical experience,<br />
on a tightrope.<br />
saimon bruki<br />
SIMON BROOK<br />
ingliseli reJisori, scenaristi, msaxiobi da prodiuseri. daibada<br />
londonSi. ganaTleba miiRo parizsa da londonSi. dramis<br />
centrSi samsaxiobo xelovnebis erTwliani kursis Semdeg, pariz-<br />
Si gadavida sacxovreblad, sadac muSaobda kompaniis menejerad,<br />
deiv brubekis, miurei luisis ansamblis da pina bauSis evropuli<br />
turebis organizebaze. 1991 wlidan iRebs dokumentur da mxatvrul<br />
filmebs. misi filmebi mraval festivalze iyo naCvenebi da<br />
nominirebuli. saimon bruki britanuli tele- da kinoakademiis<br />
da didi britaneTis reJisorTa gildiis wevria.<br />
Born in London and was educated in Paris and London. After training for a<br />
year as an actor at the Drama Center, he moved to Paris where he worked<br />
as Company Manager for the European tours of the Dave Brubeck Quartet,<br />
Murray Luis Dance Company and Pina Bausch. Since 1991 he has been directing<br />
documentaries and fiction. His films have been selected at numerous<br />
festivals worldwide. Simon Brook is a member of the British Academy<br />
of Film and Television Arts and the Director’s Guild of Great Britain.
specialuri Cveneba<br />
SPECIAL SCREENINGS<br />
ZOETE ROOK VAN HET VADERLAND<br />
samSoblos tkbili kvamli niderlandebi <strong>2012</strong><br />
filmi sam adamians gvacnobs evropis sami gansxvavebuli regionidan: kataloniis<br />
mTian sofelSi mcxovrebi viqtorino espaneTis samoqalaqo oms da frankos<br />
diqtaturas ixsenebs; litvis erT-erTi soflis mkvidri agota, romelic oTxi<br />
okupaciis momswrea, Tavisi mamis, metyevis Sesaxeb yveba, romelic cimbirSi<br />
gadaasaxles imisTvis, rom partizanebi ar gasca; afxazeTSi mcxovrebi aivazi,<br />
somxuri warmomavlobis mwyemsi, ltolvilobaze, stalinis represiebze da qar-<br />
Tul-afxazur omze gviambobs.<br />
Filmography / filmografia<br />
<strong>2012</strong> Sweet Smoke of the Fatherland / Zoete rook<br />
van het vaderland<br />
2008 In the Holy Fire of Revolution 2004 The Road<br />
to Kremlin (co-directed with Jos de Putter)<br />
2008 Anna, seven years in the frontline<br />
Director:<br />
Masha Novikova<br />
Screenplay:<br />
Masha Novikova<br />
Cinematography:<br />
Vladas Naudzius<br />
Editing:<br />
Patrick Minks<br />
Sound:<br />
Rik Meier, Tom Bijnen<br />
Producer:<br />
Frank van den Engel<br />
Executive producer:<br />
Willemijn Cerutti<br />
150<br />
80 wT, feradi<br />
80 min, colour<br />
2007 In Memoriam Alexander Litvinenko<br />
2007 Between Heaven and Earth / Tussen hemel<br />
en aarde<br />
2005 Three Comrades / Drie kameraden<br />
2005 Fallen Angel<br />
2004 Greca Crossed the River<br />
reJisori:<br />
maSa novikova<br />
scenari:<br />
maSa novikova<br />
operatori:<br />
vladas nauZiusi<br />
montaJi:<br />
patrik minski<br />
xma:<br />
rik maieri, tom biineni<br />
prodiuseri:<br />
vilemin Ceruti<br />
Production:<br />
Zeppers Film & TV<br />
Joh. Verhulststraat 174<br />
Amsterdam<br />
1075 HC Netherlands<br />
tel: +31 206 758 594<br />
willemijn@zeppers.nl<br />
SWEET SMOKE OF THE FATHERLAND NETHERLANDS <strong>2012</strong><br />
Three old people from very different European locales – Catalonia, Lithuania and Abkhazia –<br />
saw wars come and go. They chose to keep aloof, cultivate the soil and clean up the mess. Archive<br />
footage of war and resistance, from Franco’s Spain to partisans in the Lithuanian woods,<br />
interlace the portraits of the protagonists. They are poor and live isolated in the places where<br />
they, and often their parents, were born, while their children and all fellow villagers have migrated<br />
to the city years ago. This makes the film not only a story about war, but also about old<br />
age and loneliness.<br />
maSa novikova<br />
MASHA NOVIKOVA<br />
daibada 1956 wels moskovSi. moskovis universitetSi swavlobda<br />
rusul enasa da literturas. 1988 wlidan amsterdamSi<br />
cxovrobs da muSaobs. maSa novikovas Jurnalisturi dokumenturi<br />
filmebi araerTi saerTaSoriso kinofestivalis priziT<br />
aris aRniSnuli. maT Soris aris filmebi gari kasparovis<br />
politikuri brZolisa da ruseTSi mokluli Jurnalistis, ana<br />
politkovskaias Sesaxeb.<br />
Born in 1956 in Moscow. She studied Russian language and literature at<br />
the Moscow University. Since 1988 Masha Novikova is living and working<br />
as publicist and translator in Amsterdam (the Netherlands). She became<br />
known with and received prizes at a number of international festivals for<br />
journalistic documentaries, among them, about the battle Gary Kasparov<br />
fought for a new Russia and about journalist Anna Politkovskaya that was<br />
killed in 2006.
specialuri Cveneba<br />
SPECIAL SCREENINGS<br />
LA BAIE DU RENARD<br />
meliis yure <strong>safrangeTi</strong> 2009<br />
kldiani zRvis napiri. kldeebs Soris moCvenebasaviT moCans mozardis silueti.<br />
is yureSi mdidruli iaxtis Semosvlas akvirdeba. gembanze bednieri wyvilia. iaxta<br />
Ruzas uSvebs yureSi. axalgazrda qali Zalian lamazia. mozardi daRamebamde<br />
uTvalTvalebs wyvils. masSi TvalnaTeli gardatexa xdeba. ras izams biWi RamiT?<br />
is xom aseTi umweo Cans.<br />
Filmography / filmografia<br />
<strong>2012</strong> Lisieres / On the Edge<br />
2009 La Baie du Renard / Fox Bay<br />
Director:<br />
Grégoire Colin<br />
Screenplay:<br />
Grégoire Colin<br />
Cinematography:<br />
Léo Hinstin<br />
Production Design:<br />
Cyril Vincent<br />
Editing:<br />
Thomas Marchand<br />
Sound:<br />
Pierre Carrasco<br />
Producer:<br />
Antonin Dedet, Ardavan Safaee<br />
Cast:<br />
Michel Goma, Elisa Sednaoui, Pierre<br />
Torreton<br />
FOX BAY FRANCE 2009<br />
reJisori:<br />
greguar koleni<br />
scenari:<br />
greguar koleni<br />
operatori:<br />
leo instini<br />
mxatvari:<br />
kiril vensani<br />
montaJi:<br />
toma marSani<br />
xma:<br />
pier karaso<br />
prodiuseri:<br />
antonin dede, ardavan safai<br />
monawileoben:<br />
miSel goma, elisa sednavi,<br />
pier toretoni<br />
Production:<br />
Tsilaosa films<br />
Grégoire Colin – Ardavan Safaee<br />
Tsilaosafilms@gmail.com<br />
NEON PRODUCTION<br />
Antonin Dedet<br />
contact@neon.fr<br />
LES FILMS DE PIERRE<br />
Pierre Torreton<br />
Hughes.charbonneau@lesfilmsdepierre.com<br />
A cliff overhanging the sea. A teenager’s silouhette between the rocks. He is watching the entrance<br />
of a luxurious yatch in the bay. On board, a couple, they seem happy. They are dropping<br />
the anchor in the cove. The young woman is very beautiful. The teenager is spying on her as<br />
night is falling. An obvious emotion has grown in him. What will he do at night? He looks so<br />
powerless and envious.<br />
greguar koleni<br />
GRÉGOIRE COLIN<br />
12 wT, feradi<br />
12 min, colour<br />
daibada 1975 wels safrangeTSi. msaxiobi, prodiuseri, scenaristi<br />
da reJisori.<br />
greguar kolenma pirvelad 20 wlisam daiwyo eqsperimentuli<br />
filmebis gadaReba da scenarebis wera, amave dros TamaSobda<br />
damoukidebeli reJisorebis (Jak riveti, erik zonka, benua<br />
Jako, katrin bria) filmebSi. 2008 wels sakuTari saprodiusero<br />
kompania Tsilaosa Films daaarsa, sadac ori moklemetraJiani<br />
filmi „meliis yure“ da „zRvarze“ gadaiRo.<br />
Born in 1975 in Paris. French actor, producer, screenwriter and director.<br />
In his twenties, he directed experimental films and wrote his first scenarios.<br />
At the same time, he was acting with independent auteurs (Jacques Rivette,<br />
Erick Zonca, Benoit Jacquot, Catherine Breillat…). In 2008, he created<br />
his production company Tsilaosa Films.<br />
151
152<br />
PITCH.DOC<br />
saqarTvelo, <strong>2012</strong><br />
PITCH.DOC<br />
GEORGIA, <strong>2012</strong>
Pitch.Doc 6-7 dekemberi<br />
goeTes instituti, zandukelis 16, Tbilisi.<br />
4-5 dekemberi, mosamzadebeli kursi monawile proeqtebisaTvis (literaturis muzeumi, Warnturias 8)<br />
industriuli saxis RonisZieba Pitch.Doc Tbilisis saerTaSoriso kinofestivalis farglebSi yovelwliurad tardeba. proeqtis<br />
farglebSi xorcieldeba dokumenturi kinoproeqtebis daxvewa da wardgena saerTaSoriso komiisiis winaSe. monawile qveynebia:<br />
saqarTvelo, somxeTi da azerbaijani. wels, dokumenturi filmebis proeqtebs aseve waradgenen proeqtis ganviTarebis kursis<br />
CAUCADOC-is monawileebi. saukeTeso proeqts gadaecema saqarTvelos kinematografiis erovnuli centris mier dawesebuli fuladi<br />
jildo.<br />
proeqtebis oficialur wardgenas afasebs saerTaSoriso komisia, romelic dokumentalistebis, saerTaSoriso fondebis warmomadgenlebisa<br />
da teleredaqtorebisgan kompleqtdeba. proeqtebis oficialur wardgenas win uZRvis 2-dRiani mosamzadebeli<br />
kursi.<br />
proeqti dafinansebulia saqarTvelos kinematografiis erovnuli centris, evrokavSirisa da CexeTis ganviTarebis saagentos mier.<br />
proeqtis partniorebi arian literaturis muzeumi da goeTes instituti.<br />
proeqtis organizatoria saqdok filmi.<br />
monawile proeqtebi:<br />
abreSumis rkinigza (samuSao saTauri) _ reJisori: martin diCiko, aSS<br />
kavkasiuri nagazi mglis winaaRmdeg _ reJisori Toma CageliSvili, prodiuseri viqtoria qavJaraZe, saqarTvelo<br />
madona _ reJisori nino gogua, prodiuseri naTia guliaSvili, saqarTvelo<br />
me var… _ reJisori/prodiuseri nini WaWia, saqarTvelo<br />
Cveni atlantida _ reJisori/prodiuseri, arTur suqisiani, somxeTi<br />
F5 _ reJisori/prodiuseri aleqsandre qoriZe, saqarTvelo<br />
CAUCADOC-is saxelosnos monawileebi<br />
www.sakdoc.ge<br />
Pitch.Doc December 6-7<br />
GOETHE INSTITUTE, 16 ZANDUKELI STREET<br />
December 4-5 training for participant projects (Literature Museum, 8 Chanturia str.)<br />
Pitch.Doc is an annual event held in frames of Tbilisi International Film Festival. Event is orginised by Sakdoc Film. Pitching is open for documentary film<br />
projects from: Georgia, Azerbaijan, Armenia. Participant projects are prepared for the pitch on special training held prior to the presentation. 4th edition of<br />
the Pitch.Doc is also open for the CAUCADOC participants. Money prize from Georgian National Film Center will be awarded for the Best Pitch.<br />
International and local commissioning editors, documentary filmmakers and film fund representatives attend pitching session.<br />
Project is financed by: Georgian National Film Center, EU Eastern Partnership Culture programme and Czech Development Agency. Project Partners: Goethe<br />
Institute, Literature Museum.<br />
Orginised by SAKDOC FILM.<br />
Participant projects:<br />
I am … - Director/producer Nini Chachia, Georgia<br />
Our Atlantis - Director/producer Arthur Sukiasyan, Armenia<br />
The Silk Railroad [working title] - Director/producer Martin Dicicco, USA<br />
Madona - Director Nino Gogua, Producer Natia Guliashvili, Georgia<br />
Caucasian shepherd dog vs wolf - Director Toma Chagelishvili, Producer Viktoria Kavzharadze, Georgia<br />
F5 – Director/producer Alexander Koridze, Georgia<br />
CAUCADOC workshop participants<br />
www.sakdoc.ge<br />
153
dokumenturi kinoproeqtis ganviTarebis kursi<br />
2-8 dekemberi<br />
CAUCADOC-is kursi gankuTvnilia kinoreJisorebisa da prodiuserebisTvis somxeTidan, azerbaijanidan da saqarTvelodan, romlebic<br />
sakuTari dokumenturi filmebis proeqtebis ganviTarebisa da warmoebis etapze imyofebian. kursi moicavs orkvirian saxelosnos<br />
da uwyvet onlain konsultacias. mowveuli da adgilobrivi trenerebis daxmarebiT kursis ganmavlobaSi gundebi saku-<br />
Tari filmebis ideebis daxvewaze imuSaveben. kursis mizania monawileebma imuSaon ara marto filmis Sinaarssa da formaze, aramed<br />
SeimuSaon dafinansebis da warmoebis strategia. kursis bolos gundebs SesaZlebloba miecemaT Tbilisis saerTaSoriso kinofestivalis<br />
farglebSi Pitch.Doc-ze (6-7 dekemberi, goeTes instituti) filmis proeqti warudginon mowveul teleredaqtorebsa da<br />
kinofondebis warmomadgenlebs. warmatebuli proeqtis avtorebi miiReben stipendias evropuli dokumenturi kinos mniSvnelovan<br />
RonisZiebebze dasaswrebad 2013 wels.<br />
<strong>2012</strong> wlis CAUCADOC-is kursSi monawile proeqtebi da maTi avtorebi:<br />
rCeulebi _ reJ. arman iericiani, prod. iulia grigorianci, somxeTi<br />
wminda Zroxa _ reJ. imamadin hasanovi, prod. andra popesku, azerbaijani<br />
miwa _ reJ. alakbar alievi, prod. liina paakspuu, azerbaijani/estoneTi<br />
biblioTeka _ reJ. ana cimintia, prod. mixeil svaniZe, saqarTvelo/litva.<br />
saxli ori CrdiliT _ reJ. xane poRosiani, prod. aSot gareginiani, somxeTi<br />
pirimze, Cemi siyvaruli _ reJ. sofo tabataZe, prod. levan asabaSvili, saqarTvelo/germania<br />
cocxlebi da micvalebulebi _ reJ. eldar albertsoni, prod. gurban buniaTovi, azerbaijani<br />
lokokinis kvali _ reJ. nika Seki da sarik hovsepiani, prod. SuSan qoCariani, somxeTi<br />
roca aRar xar axalgazrda _ reJ. cira gvasalia, saqarTvelo<br />
trenerebi: pavel kostomarovi, rada SeSiCi, hana rezkova, helena zaicova, salome jaSi<br />
CAUCADOC miznad isaxavs samxreT kavkasiaSi dokumenturi kinos ganviTarebas Seuwyos xeli. mas erToblivad axorcielebs Cexuri<br />
arasamTavrobo organizacia “adamiani gaWirvebaSi”, “saqdok filmi” da “internius somxeTi” proeqti dafinansebulia evrokavSiris<br />
aRmosavleT partniorobis programisa da CexeTis ganviTarebis saagentos mier.<br />
sakontaqto piri anna ZiapSipa 577 443272 anna@sakdoc.ge<br />
www.caucadoc.com / www.sakdoc.ge<br />
CAUCADOC PROJECT DEVELOPMENT WORKSHOP<br />
DEC 2-8<br />
CAUCADOC project development course is designed for directors and producers from Armenia, Azerbaijan and Georgia who are in the development or<br />
production stage of their documentaries. The course consists of two week-long workshops and continuous online support. During the course, the teams<br />
will develop their film ideas with the support of international and local tutors, focusing on the content and form of their projects as well as on the production<br />
strategy. In conclusion of the course, the teams will have the opportunity to present their projects to commissioning editors and film funders at Pitch.<br />
Doc (Dec 6-7 at Goethe Institute, Zandukeli 16) held during Tbilisi International Film Festival. The most promising teams will also be provided with scholarship<br />
to attend important European documentary film festivals.<br />
Projects of CAUCADOC <strong>2012</strong><br />
THE CHOSEN ONES – dir. Arman Yeritsyan, prod. Yulia Grigoryants, Armenia<br />
HOLY COW – dir. Imammaddin Hasanov, prod. Andra Popesku, Azerbaijan<br />
LAND – dir. Alakbar Aliyev, prod. Liina Paakspuu, Azerbaijan/Estonia<br />
BIBLIOTEKA – dir. Ana Tsimintia, prod. Mikhein Svanidze, Georgia/Lithuania<br />
HOUSE WITH TWO SHADDOWS – dir. Khane Poghosyan, prod. Ashot Gareginyan, Armenia<br />
PIRIMZE MY LOVE – dir. Sophia Tabatadze, prod. Levan Asabashvili, Georgia/Germany<br />
THE LIVING AND THE DEAD – dir. Eldar Albertsson, prod. Gurban Bunyatov, Azerbaijan<br />
SNAIL TRACE – dir. Nika Shek, Sarik Hovsepyan, prod. Sushan Kocharyan, Armenia<br />
WHEN YOU ARE NO LONGER YOUNG – dir. Tsira Gvasalia, Georgia<br />
Tutors: Pavel Kostomarov, Rada Šešić, Hana Rezková, Helena Zajícová, Salomé Jashi<br />
CAUCADOC is a project run by Czech NGO People in Need, Sakdoc Film and Internews Armenia. It aims to support documentary filmmaking in South<br />
Caucasus. The project is funded by the EU Eastern Partnership Culture programme and Czech Development Agency. It uses the 14-year experience of the<br />
People in Need’s international human rights documentary film festival One World.<br />
contact person Anna Dziapshipa +995 577 443272 anna@sakdoc.ge<br />
www.caucadoc.com / www,sakdoc.ge<br />
154
7 dekemberi, <strong>2012</strong><br />
16:30-18:30<br />
saqarTvelos erovnuli kinocentri. z. gamsaxurdias sanapiro #4<br />
CAUCADOC, saqarTvelos kinematografiis erovnul centrTan erTad, atarebs mrgval magidas Temaze:<br />
damoukidebeli dokumenturi kino tele-ekranebze<br />
dokumenturi kinos dakveTa da Sesyidva<br />
mrgvali magida aerTianebs kerZo da sazogadoebrivi mauwyeblebis warmomadgenlebs.<br />
mrgvali magidis farglebSi, HBO rumineTis warmoebis menejeri, aurelian nika monawileebs<br />
sakuTari telekompaniis gamocdilebas gauziarebs.<br />
December 7, <strong>2012</strong><br />
16:30-18:30<br />
Georgian National Film Center, 4 Z. Gamsakhurdias Sanapiro, 4th floor<br />
CAUCADOC in partnership with Georgian National Film Center presents a ROUND TABLE discussion:<br />
BRINGING INDEPENDENT DOCUMENTARIES TO TV SCREENS<br />
Introducing commissioning, pre-sales and licensing of documentaries<br />
The round table gathers representatives of private and public broadcasters and includes a case study of HBO Romania presented<br />
by the company’s original production manager Aurelian Nica.<br />
155
156<br />
saZieblebi<br />
INDICES
filmebis<br />
saZiebeli<br />
1. 1.1.1.5 ...........................................................135<br />
2. 19 Tebervali .............................................. 34<br />
3. 35 ylupi romi .............................................139<br />
4. GQ ................................................................ 37<br />
5. Piscium Cyprinus ...........................................135<br />
6. angelozTa wili ......................................... 69<br />
7. aRlumi ........................................................ 60<br />
8. bagirze mosiarule ...................................148<br />
9. barbara ........................................................ 49<br />
10. bina ............................................................. 88<br />
11. boba ...........................................................137<br />
12. bolo gaseirneba ......................................106<br />
13. buba ...........................................................142<br />
14. bude ........................................................... 44<br />
15. gaiRimeT .................................................... 23<br />
16. gamomgonebeli kaci .................................. 35<br />
17. gardacvalebis cnoba ..............................135<br />
18. gasali ........................................................ 36<br />
19. gerhard rixteri xatvisas ...................... 90<br />
20. gogona goridan .......................................115<br />
21. gorakebs miRma .......................................... 52<br />
22. daviwyebuli mefe ....................................113<br />
23. dasavleTis fronti, 1918 ........................ 79<br />
24. deda afrika _ miriam makeba .................... 91<br />
25. demokratiis Suqura ................................114<br />
26. dilis aTi wuTi .......................................130<br />
27. dRe, rodesac qali gavxdi ...................... 94<br />
28. dRis brwyinvaleba .................................... 20<br />
29. erTxel parkSi .........................................135<br />
30. espaneTi ...................................................... 26<br />
31. vakuumi ........................................................ 27<br />
32. vika venera sabnis piri ............................. 41<br />
33. vixsenebT balanCins .................................124<br />
34. zRva ganTiadisas ...................................... 76<br />
35. TeTri sisxli ............................................ 30<br />
36. Tovlis babu .............................................137<br />
37. Tolia ........................................................ 19<br />
38. inglisuris maswavlebeli .......................116<br />
39. instinqti ..................................................135<br />
40. istalgia ...............................................22,108<br />
41. kari ............................................................. 15<br />
42. katinkas wveuleba ..................................... 24<br />
43. keisari unda mokvdes ............................... 50<br />
44. kolmeurnis higiena .................................131<br />
45. laitmotivi ..............................................118<br />
46. los anjelesis qalTa bandebi ................ 83<br />
47. madam de... .................................................. 78<br />
48. maisis oTxi dRe ........................................ 70<br />
49. manqana, romelic yvelafers gaaqrobs ..119<br />
50. mebaRe ........................................................ 97<br />
51. meliis yure ..............................................151<br />
52. miwa xar .....................................................135<br />
53. miwis Zaxili .............................................132<br />
54. mkvdari kaci da bednierad yofna ........... 53<br />
55. mogzauroba ..............................................137<br />
56. moTamaSe ...................................................109<br />
57. monacvleoba .............................................137<br />
58. monotonuri uferoba .............................120<br />
59. moulodneli gaCereba .............................. 55<br />
60. mocarti _ <strong>supervarskvlavi</strong> .................... 86<br />
61. mfrinavi wisqvili ....................................137<br />
62. nakvalevi ................................................... 82<br />
63. omis nakvalevi .........................................121<br />
64. operacia libertadi ................................. 59<br />
65. ori kviriT adre .......................................122<br />
66. oh vili... ...................................................137<br />
67. patara navi, bambis damzadebidan _<br />
maisuramde ......................................................137<br />
68. pepela ........................................................ 39<br />
69. pina ............................................................. 92<br />
70. pulsari ..................................................... 63<br />
71. puri ........................................................... 33<br />
72. Jana da xmebi .............................................111<br />
73. Jangis kaci ...............................................135<br />
74. Juli d jimi .............................................. 75<br />
75. rasac dasTes, imas moimki<br />
(agrominimumi) .................................................133<br />
76. realoba ...................................................... 64<br />
77. rogor iRebda samira „saklaso<br />
dafebs“ ............................................................. 96<br />
78. roza ........................................................... 65<br />
79. rRveva: cxovreba Cemi dazianebuli<br />
tviniT ..............................................................146<br />
80. saavtoro meTodi ..................................... 31<br />
81. sazamTro ................................................... 43<br />
82. saiubileo klienti ..................................105<br />
83. salami kinos .............................................. 95<br />
84. sami sicocxle: aqsel Springeri ............. 89<br />
85. samoTxe: siyvaruli .................................. 61<br />
86. samyaro aniS kapuris TvaliT ................ 84<br />
87. samSoblos tkbili kvamli ......................150<br />
88. sanam Rame gagvyrides .............................. 62<br />
89. saraevos Svilebi ...................................... 21<br />
90. sastumro mekongi ..................................... 85<br />
91. saSiSi meTodi ...........................................140<br />
92. saxli (ruslan magomadovi) ....................... 32<br />
93. saxli (giorgi muxaZe) ...............................135<br />
94. saxlidan Sors .......................................... 42<br />
95. sebe ............................................................ 67<br />
96. siamovneba ................................................... 77<br />
97. simaRlis SiSi ............................................ 57<br />
98. simi-Zafi ...................................................137<br />
99. sircxvili .................................................. 68<br />
100. siyvaruli (slavomir fabicki) ............... 25<br />
101. siyvaruli (mixael haneke) ....................... 46<br />
102. siyvaruli da anarqia ............................100<br />
103. sunTqva .................................................... 48<br />
104. tramalis kaci ........................................107<br />
105. tramvai ...................................................137<br />
106. udanaSaulo ............................................101<br />
107. ukeTes Zmas ver inatrebdi ...................110<br />
108. usircxvilod .......................................... 51<br />
109. ucnauri bedisweriT agvistos<br />
laJvardovan zRvaSi gariyulebi .................103<br />
110. focxoeweri ............................................123<br />
111. Rrublis puri ........................................137<br />
112. yvela wavida ............................................ 28<br />
113. yvelaze Zvirfasi ...................................135<br />
114. Savi TuTa ................................................. 40<br />
115. SemoWra .................................................... 17<br />
116. Seyvarebebi .............................................. 58<br />
117. Svidi lamazmani ......................................102<br />
118. Sinauri uZlureba ..................................137<br />
119. Sobas gilocavT ...................................... 74<br />
120. Sobis saCuqari .......................................137<br />
121. Cven gvyavs papi ....................................... 54<br />
122. warmoidgino argentina .........................144<br />
123. werili ..................................................... 38<br />
124. Wama Zili sikvdili ................................. 47<br />
125. xarisTava ................................................. 66<br />
126. xorci ......................................................137<br />
127. jurRmuli ............................................... 71<br />
128. havri ........................................................ 56<br />
129. haiuta da berli _ epilogi ..................143<br />
157
158<br />
INDEX OF FILMS<br />
ENGLISH TITLES<br />
1. 1.1.1.5 ............................................................................... 135<br />
2. 35 Rum .............................................................................. 139<br />
3. 4 Days in May ....................................................................70<br />
4. A Dangeroiuos Method ............................................. 140<br />
5. All Day Strolling ............................................................ 123<br />
6. Anniversary Client ....................................................... 105<br />
7. Away ....................................................................................42<br />
8. Barbara ................................................................................49<br />
9. Beacon of Democracy ................................................ 114<br />
10. Beloved ............................................................................58<br />
11. Beyond The Hills ...........................................................52<br />
12. Black Mulberry ...............................................................40<br />
13. Bread ..................................................................................33<br />
14. Breathing .........................................................................48<br />
15. Buba ............................................................................... 142<br />
16. Bullhead ...........................................................................66<br />
17. Caesar Must die .............................................................50<br />
18. Calm at Sea .....................................................................76<br />
19. Cause of Death ........................................................... 135<br />
20. Certain People ................................................................24<br />
21. Chaika ...............................................................................19<br />
22. Children of Sarajevo ....................................................21<br />
23. Chord-String ................................................................ 137<br />
24. Cloud Bread ................................................................. 137<br />
25. Collective Farmer’s Hygiene ................................... 131<br />
26. Domestic Fitless ......................................................... 137<br />
27. Drei Leben: Axel Springer ..........................................89<br />
28. Eastalgia .................................................................. 22,108<br />
29. Eat Sleep Die ..................................................................47<br />
30. English Teacher .......................................................... 116<br />
31. Everybody’s Gone .........................................................28<br />
32. Far from Heaven ............................................................83<br />
33. Fear of Falling .................................................................57<br />
34. February 19 ......................................................................34<br />
35. Fly Mill............................................................................. 137<br />
36. Forgotten King ........................................................... 113<br />
37. Fox Bay .......................................................................... 151<br />
38. From Dust Were You Made ..................................... 135<br />
39. Gamer ............................................................................ 109<br />
40. Gassal .................................................................................36<br />
41. Gerhard Richter Painting ...........................................90<br />
42. GQ ......................................................................................37<br />
43. Happy Christmas ..........................................................74<br />
44. Hayuta and Berl – Epilogue ................................... 143<br />
45. Hello Cinema ..................................................................95<br />
46. Home (Ruslan Magomadov) .....................................32<br />
47. Home (Giorgi Mukhadze) ........................................ 135<br />
48. How Samira Made the Blackboards .......................96<br />
49. Imagining Argentina ................................................ 144<br />
50. Inside..................................................................................71<br />
51. Instinct ........................................................................... 135<br />
52. Invasion .............................................................................17<br />
53. Inventor Man ..................................................................35<br />
54. Jingle All the Way ....................................................... 137<br />
55. Joan and the Voices .................................................. 111<br />
56. Jules and Jim .................................................................75<br />
57. Keep Smiling ..................................................................23<br />
58. Le Havre ...........................................................................56<br />
59. Le Plaisir ...........................................................................77<br />
60. Leitmotif ....................................................................... 118<br />
61. Love (Michael Haneke) ...............................................46<br />
62. Love (Slawomir Fabicki) ...............................................25<br />
63. Love and Anarchy ....................................................... 100<br />
64. Mama Africa – Miriam Makeba ................................91<br />
65. Meat ............................................................................... 137<br />
66. Mekong Hotel ................................................................85<br />
67. Monotonous ................................................................ 120<br />
68. Mozart Superstar ..........................................................86<br />
69. Mr. Boba ....................................................................... 137<br />
70. Oh Willy… .................................................................... 137<br />
71. Once Upon a Time in the Park .............................. 135<br />
72. Opération Libertad .......................................................59<br />
73. Paradise: Love ................................................................61<br />
74. Petit Bateau, From Cotton Thread To T-Shirt .... 137<br />
75. Pina ....................................................................................92<br />
76. Piscium Cyprinus ....................................................... 135<br />
77. Pulsar ................................................................................63<br />
78. Reality ...............................................................................64<br />
79. Remembering Ballanchine .................................... 124<br />
80. Rose ...................................................................................65<br />
81. Rupture: Living With My Broken Brain .............. 146<br />
82. Rustman ........................................................................ 135<br />
83. Santa Claus .................................................................. 137<br />
84. Sebbe .................................................................................67<br />
85. Seven Beauties ........................................................... 102<br />
86. Shame ...............................................................................68<br />
87. Shameless .......................................................................51<br />
88. Shift ................................................................................ 137<br />
89. Spain ..................................................................................26<br />
90. Stopped on Track ..........................................................55<br />
91. Sweet Smoke of the Fatherland ........................... 150<br />
92. Swept Away ................................................................. 103<br />
93. Ten Minutes of Morning .......................................... 130<br />
94. The Angels’ Share ..........................................................69<br />
95. The Author’s Method ..................................................31<br />
96. The Butterfly ...................................................................39<br />
97. The Day I Became a Woman .....................................94<br />
98. The Dead Man and Being Happy ............................53<br />
99. The Door ..........................................................................15<br />
100. The Earrings of Madame de... ................................78<br />
101. The Earth Is Calling ................................................. 132<br />
102. The Flat ..........................................................................88<br />
103. The Gardener ...............................................................97<br />
104. The Girl from Gori .................................................... 115<br />
105. The Guardian ............................................................ 106<br />
106. The Innocent ............................................................. 101<br />
107. The Letter ......................................................................38<br />
108. The Machine Which Makes Everything<br />
Disappear ............................................................................. 119<br />
109. The Most Precious ................................................... 135<br />
110. The Nest .........................................................................44<br />
111. The Parade ....................................................................60<br />
112. The Shine of a Day .....................................................20<br />
113. The Steppe Man ....................................................... 107<br />
114. The Tightrope ........................................................... 148<br />
115. The Trace .......................................................................82<br />
116. The Traces of the War ............................................. 121<br />
117. The Western Front 1918 ...........................................79<br />
118. The World According to Kapoor ...........................84<br />
119. There Was Never a Better Brother ..................... 110<br />
120. Till Night Do Us Part ..................................................62<br />
121. Tram ............................................................................. 137<br />
122. Trip ................................................................................. 137<br />
123. Two Weeks Before ................................................... 122<br />
124. Vacuum ..........................................................................27<br />
125. Vika Venus Duvel Cover ...........................................41<br />
126. Watermelon .................................................................43<br />
127. We Have the Pope ......................................................54<br />
128. What Goes Around Comes Around<br />
(Agro minimum) ................................................................ 133<br />
129. White Blood ..................................................................30
INDEX OF FILMS<br />
ORIGINAL TITLES<br />
1. 1.1.1.5 .............................................................................. 135<br />
2. 35 Rhums ......................................................................... 139<br />
3. A Dangeroiuos Method ............................................. 140<br />
4. Ag Gan ................................................................................30<br />
5. Amour .................................................................................46<br />
6. Anniversary Client ....................................................... 105<br />
7. Äta Sova Dö ......................................................................47<br />
8. Atmen .................................................................................48<br />
9. Avtorskiy metod ..............................................................31<br />
10. Az ajtó ...............................................................................15<br />
11. Barbara .............................................................................49<br />
12. Bez wstydu ......................................................................51<br />
13. Bolo gaseirneba ......................................................... 106<br />
14. Buba ............................................................................... 142<br />
15. Cesare deve morire ......................................................50<br />
16. Chaika ...............................................................................19<br />
17. Chiri ...................................................................................82<br />
18. Chord-String ................................................................ 137<br />
19. Cloud Bread ................................................................. 137<br />
20. Çölçü ............................................................................... 107<br />
21. Davitskebuli Mepe ..................................................... 113<br />
22. Demokratiis shukura ................................................ 114<br />
23. Der Glanz des Tages .....................................................20<br />
24. Die Wohnung .................................................................88<br />
25. Dilis ati tsuti ................................................................. 130<br />
26. Djeca .................................................................................21<br />
27. Dom tsia ...........................................................................32<br />
28. Domestic Fitless ......................................................... 137<br />
29. Drei Leben: Axel Springer ..........................................89<br />
30. Dupa Dealuri ..................................................................52<br />
31. Eastalgia .................................................................. 22,108<br />
32. Ekmek ...............................................................................33<br />
33. El Muerto y Ser Feliz ....................................................53<br />
34. Ertkhel parkshi ............................................................ 135<br />
35. February 19 .....................................................................34<br />
36. Film d’amore e d’anarchia,<br />
ovvero ‘stamattina alle 10 in via dei Fiori<br />
nella nota casa di tolleranza...’ ...................................... 100<br />
37. Fly Mill ........................................................................... 137<br />
38. Gaighimet .......................................................................23<br />
39. Gamer ............................................................................ 109<br />
40. Gamomgonebeli katsi .................................................35<br />
41. Gardatsvalebis tsnoba ............................................. 135<br />
42. Gassal ................................................................................36<br />
43. Gerhard Richter Painting ...........................................90<br />
44. Gogona goridan ......................................................... 115<br />
45. GQ ......................................................................................37<br />
46. Habemus Papam ..........................................................54<br />
47. Halt auf freier Strecke ..................................................55<br />
48. Hayuta Ve Berl – Epilogue ....................................... 143<br />
49. I ne bylo luchshe brata ............................................ 110<br />
50. Imagining Argentina ................................................ 144<br />
51. Inglisuris mastsavlebeli ........................................... 116<br />
52. Instinkti ......................................................................... 135<br />
53. Invasion ............................................................................17<br />
54. Jingle All the Way ....................................................... 137<br />
55. Joyeux Noël ....................................................................74<br />
56. Jules et Jim ......................................................................75<br />
57. Katinkas kalas ................................................................24<br />
58. Kolmeurnis higiena ................................................... 131<br />
59. Kvelaze dzvirpasi ....................................................... 135<br />
60. L.A. Gangs de Femmes ...............................................83<br />
61. La Baie du Renard ...................................................... 151<br />
62. La mer à l’aube ..............................................................76<br />
63. Le Havre ...........................................................................56<br />
64. Le Monde selon Anish Kapoor .................................84<br />
65. Le Plaisir ...........................................................................77<br />
66. Leitmotif ....................................................................... 118<br />
67. Lek wysokosci ................................................................57<br />
68. Les Bien-aimes ...............................................................58<br />
69. L’innocente ................................................................... 101<br />
70. Madame de... ..................................................................78<br />
71. Mama Africa – Miriam Makeba ................................91<br />
72. Mankana, romelits kvelapers gaakrobs ............. 119<br />
73. Meat ............................................................................... 137<br />
74. Mekong Hotel .................................................................85<br />
75. Milosc ................................................................................25<br />
76. Mitsa khar ...................................................................... 135<br />
77. Mitsis dzakhili ............................................................. 132<br />
78. Monotonuri uperoba ............................................... 120<br />
79. Mozart Superstar ..........................................................86<br />
80. Mr. Boba ........................................................................ 137<br />
81. Nameh ..............................................................................38<br />
82. Oh Willy… ..................................................................... 137<br />
83. Omis naklvalevi .......................................................... 121<br />
84. Opération Libertad ......................................................59<br />
85. Ori kvirit adre .............................................................. 122<br />
86. Parada ...............................................................................60<br />
87. Paradies: Liebe ...............................................................61<br />
88. Pasqualino Settebellezze ........................................ 102<br />
89. Pepela ...............................................................................39<br />
90. Petit Bateau, From Cotton Thread To T-Shirt .......... 137<br />
91. Pina ....................................................................................92<br />
92. Piscium Cyprinus ....................................................... 135<br />
93. Poka noch ne razluchit ...............................................62<br />
94. Potskhoetseri .............................................................. 123<br />
95. Pulsar ................................................................................63<br />
96. Rasats dastes, imas moimki (agrominimumi) . 133<br />
97. Reality ...............................................................................64<br />
98. Roozi ke zan shodam ..................................................94<br />
99. Roza ...................................................................................65<br />
100. Rundskop ......................................................................66<br />
101. Rupture: Living With My Broken Brain ............ 146<br />
102. Sakhli ........................................................................... 135<br />
103. Salaam Cinema ...........................................................95<br />
104. Samira cheghoneh ‘Takhté siah’ rol sakht .........96<br />
105. Santa Claus ................................................................ 137<br />
106. Sazamtro .......................................................................43<br />
107. Sebbe ..............................................................................67<br />
108. Shame ............................................................................68<br />
109. Shavi tuta .....................................................................40<br />
110. Shift .............................................................................. 137<br />
111. Spanien ..........................................................................26<br />
112. The Angels’ Share .......................................................69<br />
113. The Gardener ...............................................................97<br />
114. The Tightrope ........................................................... 148<br />
115. Tram ............................................................................. 137<br />
116. Travolti da un insolito destino<br />
nell’azzurro mare d’agosto ........................................... 103<br />
117. Trip ................................................................................ 137<br />
118. V Put’ ................................................................................42<br />
119. Vacuum ..........................................................................27<br />
120. Vier Tage im Mai .........................................................70<br />
121. Vika venera pododeal’nik ........................................41<br />
122. Vikhsenebt Balanchins .......................................... 124<br />
123. Vse ushli .........................................................................28<br />
124. Westfront 1918 ............................................................79<br />
125. Yeralti ..............................................................................71<br />
126. Yuva .................................................................................44<br />
127. Zhangis katsi ............................................................. 135<br />
128. Zhannan ev Dzajner ............................................... 111<br />
129. Zoete rook van het vaderland ............................. 150<br />
159
160<br />
reJisorebis<br />
saZiebeli<br />
1. abdulaevi, xaiam ....................................... 30<br />
2. akini, levan ............................................... 24<br />
3. alievi, elmadin ........................................ 30<br />
4. alievi, Samil .......................................... 107<br />
5. arseniSvili, vano ................................... 116<br />
6. asitaSvili, Tengiz .................................. 39<br />
7. axalaia, mamuka ........................................ 120<br />
8. baqraZe, guram ......................................... 135<br />
9. begici, aida ................................................ 21<br />
10. belci, korina ......................................... 90<br />
11. bliaZe, soso ........................................... 135<br />
12. borisi, axim fon ..................................... 70<br />
13. bruki, saimon ......................................... 148<br />
14. budinovi, vladislav ........................... 137<br />
15. gabunia, giorgi ..................................... 137<br />
16. garone, mateo ......................................... 64<br />
17. godo, matie ............................................. 86<br />
18. goldfingeri, arnon .............................. 88<br />
19. gurCiani, TinaTin ................................. 119<br />
20. demirkubuzi, zeki .................................. 71<br />
21. deni, kler .............................................. 139<br />
22. denhardti, sebastian ............................. 89<br />
23. doliZe, siko ......................................... 132<br />
24. dragoeviCi, srjan .................................. 60<br />
25. drezeni, andreas .................................... 55<br />
26. efendievi, emin ........................................ 44<br />
27. vadimovi, nikola .................................... 59<br />
28. vaTiniani, miqael .................................. 111<br />
29. vendersi, vim ........................................... 92<br />
30. vertmiuleri, lina ...................100,102,103<br />
31. vefxvaZe, salome ................................... 135<br />
32. virasetakuli, apiCatpong ..................... 85<br />
33. viskonti, lukino ................................. 101<br />
34. volmeri, hardi ..................................... 137<br />
35. zaidli, ulrix ........................................ 61<br />
36. zverkovi, omari ...................................... 41<br />
37. TavarTqilaZe, giorgi .......................... 135<br />
38. iae-voni, ian ............................................ 137<br />
39. ibragimbekovi, murad ........................... 110<br />
40. iernjakiani, ara .................................... 105<br />
41. inje, merve .............................................. 36<br />
42. kavase, naomi ............................................ 82<br />
43. kakabaZe, aleqsandre ............................ 123<br />
44. karioni, kristian ................................... 74<br />
45. kaurismeki, aki ........................................ 56<br />
46. kaurismeki, mika ...................................... 91<br />
47. knige, iobst ............................................ 89<br />
48. kovi, tica ................................................ 20<br />
49. koleni, greguar .................................... 151<br />
50. konopka, bartoS ..................................... 57<br />
51. kotetiSvili, tato ................................ 43<br />
52. kronenbergi, devid .............................. 140<br />
53. kunio, jorjo ......................................... 27<br />
54. lamore, stefani ..................................... 83<br />
55. lie, pier-emanuel ................................ 137<br />
56. louCi, ken ............................................... 69<br />
57. magomadovi, ruslan ............................... 32<br />
58. manori, amir .......................................... 143<br />
59. markoviCi, karl ...................................... 48<br />
60. marCevski, filip ..................................... 51<br />
61. maqquini, stiv .......................................... 68<br />
62. maxmalbafi, maisam ................................... 96<br />
63. maxmalbafi, mohsen .............................95,97<br />
64. menTeSaSvili, zura ................................ 35<br />
65. merzlikini, andrei ................................ 37<br />
66. meSkini, marzie ........................................ 94<br />
67. miqaberiZe, kote ................................... 133<br />
68. movaseRi, majid ...................................... 38<br />
69. moreti, nani ............................................ 54<br />
70. mosiZe, papuna ........................................ 122<br />
71. munjiu, kristian .................................... 52<br />
72. muxaZe, giorgi ....................................... 135<br />
73. najafi, babak ........................................... 67<br />
74. neikova, radostina ............................... 137<br />
75. novikova, maSa ........................................ 150<br />
76. oldenburgi, manfred ............................ 89<br />
77. oneli, rati ........................................... 118<br />
78. oniSCenko, daria ...............................22,108<br />
79. onore, kristof ..................................... 58<br />
80. orjonikiZe, nino .................................. 116<br />
81. ofulsi, maqs .......................................77,78<br />
82. oqriaSvili, giorgi ................................ 39<br />
83. pabsti, georg vilhelm .......................... 79<br />
84. pavlatova, mixaela ............................... 137<br />
85. papiaSvili, eka ...................................... 115<br />
86. petcoldi, kristian .............................. 49<br />
87. pixleri, gabriela .................................. 47<br />
88. JRenti, oliko ...................................... 124<br />
89. razmaZe, gabriel .................................... 40<br />
90. rebolo, xavier ....................................... 53<br />
91. roelsi, mark jeims .............................. 137<br />
92. roskami, mixael r. .................................. 66<br />
93. sabo, iStvan ............................................. 15<br />
94. salomonoviCi, ania ................................. 26<br />
95. saruxanova, ana ........................................ 42<br />
96. seva, daviT ............................................ 118<br />
97. sevindi, korai ......................................... 33<br />
98. senianoviCi, ivan mirko ........................ 137<br />
99. sencovi, oleg ....................................... 109<br />
100. svefi, ema de ........................................ 137<br />
101. siCanini, maria ..................................... 135<br />
102. sixaruliZe, levan ................................ 135<br />
103. smaJovski, voicex .................................. 65<br />
104. stepaniani, Tamara ................................ 34<br />
105. stokmani, aleqs ..................................... 63<br />
106. taviani, vitorio .................................. 50<br />
107. taviani, paolo ...................................... 50<br />
108. triufo, fransua .................................. 75<br />
109. tutelbergi, anu-laura .................... 137<br />
110. uaiti, Cel ........................................... 137<br />
111. uruSaZe, zaza ...................................... 106<br />
112. fabicki, slavomir ................................ 25<br />
113. farajanovi, giorgi .............................. 28<br />
114. frimeli, rainer ................................... 20<br />
115. qavTaraZe, giorgi ............................... 135<br />
116. RoRoberiZe, nuca ............................... 142<br />
117. Saxnazarovi, ivan .................................. 31<br />
118. Serifi, mansur el .............................. 137<br />
119. SveliZe, vaxtang .................................. 131<br />
120. Sverfeli, hainc peter ......................... 84<br />
121. Slendorfi, folker ............................ 76<br />
122. CageliSvili, Toma .............................. 121<br />
123. cincaZe, dito ....................................... 17<br />
124. Wyonia, rusudan .................................... 23<br />
125. xaindrava, goga ................................... 114<br />
126. ximenesi, migel anxel ........................... 19<br />
127. xlebnikovi, boris ................................. 62<br />
128. xomasuriZe, nikoloz ......................... 113<br />
129. jaliaSvili, aleqsandre .................... 130<br />
130. jajaniZe, vaxtang ................................ 135<br />
131. hadsoni, hiu ........................................ 146<br />
132. haneke, mixael ........................................ 46<br />
133. hatleri, maqs ...................................... 137<br />
134. hemptoni, kristofer ......................... 144
INDEX OF<br />
DIRECTORS<br />
1. Abdoullayev, Khayyam ................................................. 30<br />
2. Akhalaia, Mamuka .......................................................120<br />
3. Akin, Levan ....................................................................... 24<br />
4. Aliyev, Elmaddin ............................................................. 30<br />
5. Aliyev, Shamil ................................................................107<br />
6. Arsenishvili, Vano .........................................................116<br />
7. Asitashvili, Tengiz ........................................................... 39<br />
8. Bakradze, Guram ..........................................................135<br />
9. Begic, Aida ........................................................................ 21<br />
10. Belz, Corinna ................................................................. 90<br />
11. Bliadze, Soso ................................................................135<br />
12. Borries, Achim von ...................................................... 70<br />
13. Brook, Simon ...............................................................148<br />
14. Budinov, Vladislav .....................................................137<br />
15. Carion, Christian ........................................................... 74<br />
16. Chagelishvili, Toma ...................................................121<br />
17. Chkonia, Rusudan ....................................................... 23<br />
18. Colin Grégoire .............................................................151<br />
19. Covi, Tizza ........................................................................ 20<br />
20. Cronenberg, David ....................................................140<br />
21. Cugno, Giorgio ............................................................. 27<br />
22. Dehnhardt, Sebastian ................................................ 89<br />
23. Demirkubuz, Zeki ........................................................ 71<br />
24. Denis, Claire ..................................................................139<br />
25. Dolidze, Siko ................................................................132<br />
26. Dragojević, Srđan ........................................................ 60<br />
27. Dresen, Andreas ........................................................... 55<br />
28. Efendiyev, Emin ............................................................ 44<br />
29. Fabicki, Sławomir ......................................................... 25<br />
30. Frimmel, Rainer ............................................................. 20<br />
31. Gabunia, Giorgi ..........................................................137<br />
32. Garrone, Matteo ........................................................... 64<br />
33. Gogoberidze, Nutsa ..................................................142<br />
34. Goldfinger, Arnon ........................................................ 88<br />
35. Goudeau, Mathias ....................................................... 86<br />
36. Gurchiani, Tinatin ......................................................119<br />
37. Hampton, Christopher .............................................144<br />
38. Haneke, Michael ........................................................... 46<br />
39. Hattler, Max ..................................................................137<br />
40. Honoré, Christophe .................................................... 58<br />
41. Hudson, Hugh ............................................................146<br />
42. Ibragimbekov, Murad ...............................................110<br />
43. Ince, Merve .................................................................... 36<br />
44. Jajanidze, Vakhtang ..................................................135<br />
45. Jaliashvili, Alexandre ................................................130<br />
46. Jang, Jae-Woon ...........................................................137<br />
47. Jiménez, Miguel Angel .............................................. 19<br />
48. Kakabadze, Aleksandre ...........................................123<br />
49. Kaurismäki, Aki ............................................................. 56<br />
50. Kaurismäki, Mika .......................................................... 91<br />
51. Kavtaradze, Giorgi .....................................................135<br />
52. Kawase, Naomi ............................................................. 82<br />
53. Khaindrava, Goga ......................................................114<br />
54. Khlebnikov, Boris ......................................................... 62<br />
55. Khomasuridze, Nikoloz ............................................113<br />
56. Knigge, Jobst ................................................................. 89<br />
57. Konopka, Bartosz ......................................................... 57<br />
58. Kotetishvili, Tato ........................................................... 43<br />
59. Lamorré, Stephanie .................................................... 83<br />
60. Loach, Ken ...................................................................... 69<br />
61. Lyet, Pierre-Emmanuel ............................................137<br />
62. Magomadov, Ruslan ................................................... 32<br />
63. Makhamlbaf, Maysam ................................................ 96<br />
64. Makhamlbaf, Mohsen .......................................... 95,97<br />
65. Manor, Amir .................................................................143<br />
66. Marczewski, Filip ........................................................... 51<br />
67. Markovics, Karl .............................................................. 48<br />
68. McQueen, Steve ........................................................... 68<br />
69. Menteshashvili, Zura .................................................. 35<br />
70. Merzlikin, Andrei .......................................................... 37<br />
71. Meshkini, Marziyeh ..................................................... 94<br />
72. Mikaberidze, Kote .....................................................133<br />
73. Moretti, Nanni ............................................................... 54<br />
74. Mosidze, Papuna ........................................................122<br />
75. Movasseghi, Majid ...................................................... 38<br />
76. Mukhadze, Giorgi ......................................................135<br />
77. Mungiu, Cristian ........................................................... 52<br />
78. Najafi, Babak .................................................................. 67<br />
79. Neykova, Radostina ..................................................137<br />
80. Novikova, Masha ........................................................150<br />
81. Okriashvili, Giorgi ........................................................ 39<br />
82. Oldenburg, Manfred ................................................... 89<br />
83. Oneli, Rati .....................................................................118<br />
84. Onyshchenko, Daria ............................................22,108<br />
85. Ophüls, Max ............................................................. 77,78<br />
86. Orjonikidze, Nino .......................................................116<br />
87. Pabst, Georg Wilhelm ................................................. 79<br />
88. Papiashvili, Eka ...........................................................115<br />
89. Paradzhanov, Georgiy ................................................ 28<br />
90. Pavlatova, Michaela ..................................................137<br />
91. Petzold, Christian ......................................................... 49<br />
92. Pichler, Gabriela ........................................................... 47<br />
93. Razmadze, Gabriel ...................................................... 40<br />
94. Rebollo, Javier ............................................................... 53<br />
95. Roels, Marc James .....................................................137<br />
96. Roskam, Michaël R. ..................................................... 66<br />
97. Salomonowitz, Anja .................................................... 26<br />
98. Sarukhanova, Anna ..................................................... 42<br />
99. Schlöndorff, Volker ...................................................... 76<br />
100. Schwerfel, Heinz Peter ............................................ 84<br />
101. Seidl, Ulrich ................................................................. 61<br />
102. Senjanovic, Ivan Mirko ..........................................137<br />
103. Sentsov, Oleg ............................................................109<br />
104. Seva, David ................................................................118<br />
105. Sevindi, Koray ............................................................. 33<br />
106. Shakhnazarov, Ivan .................................................. 31<br />
107. Sherif, Mansour El ...................................................137<br />
108. Shvelidze, Vakhtang ...............................................131<br />
109. Sichanini, Maria .......................................................135<br />
110. Sikharulidze, Levan .................................................135<br />
111. Smarzowski, Wojciech ............................................. 65<br />
112. Stepanyan, Tamara ................................................... 34<br />
113. Stockman, Alex .......................................................... 63<br />
114. Swaef, Emma De .......................................................137<br />
115. Szabó, István ................................................................ 15<br />
116. Tavartkiladze, Giorgi ...............................................135<br />
117. Taviani, Paolo .............................................................. 50<br />
118. Taviani, Vittorio .......................................................... 50<br />
119. Truffaut, François ....................................................... 75<br />
120. Tsintsadze, Dito ........................................................... 17<br />
121. Tuttelberg, Anu-Laura ...........................................137<br />
122. Urushadze, Zaza ......................................................106<br />
123. Vatinyan, Mikayel ....................................................111<br />
124. Vepkhvadze, Salome ..............................................135<br />
125. Visconti, Luchino .....................................................101<br />
126. Volmer, Hardi ............................................................137<br />
127. Wadimoff, Nicolas ..................................................... 59<br />
128. Weerasethakul, Apichatpong ............................... 85<br />
129. Wenders, Wim ............................................................. 92<br />
130. Wertmüller, Lina .....................................100,102,103<br />
131. White, Chel ................................................................137<br />
132. Yernjakyan, Ara ........................................................105<br />
133. Zhgenti, Olga ...........................................................124<br />
134. Zverkov, Omari ........................................................... 41<br />
161
162<br />
festivalis saorganizacio jgufi<br />
THE FESTIVAL TEAM<br />
generaluri direqtori<br />
General Director<br />
gaga CxeiZe<br />
Gaga Chkheidze<br />
direqtori<br />
Director<br />
nino anjafariZe<br />
Nino Anjaparidze<br />
sazogadoebasTan urTierTobis menejeri<br />
PR Manager<br />
inga nikagosiani<br />
Inga Nikagosian<br />
maia ratiSvili<br />
Maia Ratishvili<br />
direqtoris asistenti<br />
Assistant Director<br />
joi ngoma<br />
Joy Ngoma<br />
asistenti<br />
Assistant<br />
daviT gabunia<br />
Davit Gabunia<br />
germanul-franguli programis<br />
koordinatori<br />
German-French program coordinator<br />
naTia miqelaZe-baxsoliani<br />
Natia Mikeladze-Bakhsoliani<br />
TamTa goCitaSvili<br />
Tamta Gochitashvili<br />
mari kveselava<br />
Mari Kveselava<br />
qarTuli programis koordinatori<br />
GEORGIAN PANORAMA program<br />
coordinator<br />
nino suramelaSvili<br />
Nino Suramelashvili<br />
PITCH.DOC programis<br />
koordinatori<br />
PITCH.DOC program coordinator<br />
ana ZiapSipa<br />
Anna Dziapshipa<br />
salome jaSi<br />
Salome Jashi<br />
DAB programis koordinatori<br />
DAB program coordinator<br />
qeTi asaTiani<br />
Keti Asatiani<br />
moklemetraJiani filmebis konkursis<br />
koordinatori<br />
Short Film Competition coordinator<br />
nino gamrekeli<br />
Nino Gamrekeli<br />
katalogis redaqtorebi<br />
Catalogue Editors<br />
nino suramelaSvili<br />
Nino Suramelashvili<br />
qeTevan kiknaZe<br />
Ketevan Kiknadze<br />
programis da firebis koordinatori<br />
Program and Print coordinator<br />
ana qobulaZe<br />
Anna Kobuladze<br />
stumrebTan urTierToba<br />
Hospitality manager<br />
Tako robaqiZe<br />
Tako Robakidze<br />
naTia trapaiZe<br />
Natia Trapaidze<br />
Jiuris koordinatori<br />
Jury Secretary<br />
sofo vekua<br />
Sophie Vekua<br />
akreditaciis da RonisZiebebis<br />
koordinatori<br />
Events and Accreditation manager<br />
salome gofoZe<br />
Salome Gopodze<br />
Targmanebis koordinatori<br />
Coordinator of Translations<br />
Tamar buxraSvili<br />
Tamar Bukhrashvili<br />
filmebis Targmna<br />
Translation of films<br />
zurab amiranaSvili<br />
Zurab Amiranashvili
nino andriaZe<br />
Nino Andriadze<br />
daviT gabunia<br />
Davit Gabunia<br />
eka gamyreliZe<br />
Eka Gamkrelidze<br />
Tamar gurCiani<br />
Tamar Gurchiani<br />
Tina gurCiani<br />
Tina Gurchiani<br />
nino Tarxan-mouravi<br />
Nino Tarkhan-Mouravi<br />
nino suramelaSvili<br />
Nino Suramelashvili<br />
mari javaxiSvili<br />
Mari Javakhishvili<br />
Tamar janaSia<br />
Tamar Janashia<br />
subtitrireba<br />
Subtitles<br />
gogi yajriSvili<br />
Gogi Kajrishvili<br />
daviT Tarxan-mouravi<br />
Davit Tarkhan-Mouravi<br />
ofisis menejeri<br />
Office Manager<br />
Tornike bardaveliZe<br />
Tornike Bardavelidze<br />
buRalteri<br />
Accountant<br />
elene JorJikaSvili<br />
Elene Zhorzhikashvili<br />
filmebis SerCeva<br />
Selection of Films<br />
nino anjafariZe<br />
Nino Anjaparidze<br />
vano arseniSvili<br />
Vano Arsenishvili<br />
nino mxeiZe<br />
Nino Mkheidze<br />
nino orjonikiZe<br />
Nino Orjonikidze<br />
arCil SubaSvili<br />
Archil Shubashvili<br />
gaga CxeiZe<br />
Gaga Chkheidze<br />
qeTi jafariZe<br />
Keti Japaridze<br />
veb-administratori<br />
Web Administrator<br />
Tornike bardaveliZe<br />
Tornike Bardavelidze<br />
teqnikuri mxardaWera<br />
Technical Support<br />
goCa axalaia<br />
Gocha Akhalaia<br />
Tornike bardaveliZe<br />
Tornike Bardavelidze<br />
sergo kurtaniZe<br />
Sergo Kurtanidze<br />
simon turiaSvili<br />
Simon Turiashvili<br />
mirza fxakaZe<br />
Mirza Pkhakadze<br />
gogi qamuSaZe<br />
Gogi Kamushadze<br />
fotografi<br />
Photographer<br />
zinka barnovi<br />
Zinka Barnov<br />
moxaliseebi<br />
Volunteers<br />
guram baqraZe<br />
Guram Bakradze<br />
goCa gaboZe<br />
Gocha Gabodze<br />
mariam gabriCiZe<br />
Mariam Gabrichidze<br />
salome vefxvaZe<br />
Salome Vepkhvadze<br />
margo zubaSvili<br />
Margo Zubashvili<br />
Tamuna TvaraZe<br />
Tamuna Tvaradze<br />
levan maisuraZe<br />
Levan Maisuradze<br />
beqa miqaberiZe<br />
Beka Mikaberidze<br />
giorgi muxaZe<br />
Giorgi Mukhadze<br />
taso focxiSvili<br />
Taso Potskhishvili<br />
guram RonRaZe<br />
Guram Ghonghadze<br />
kaki WiraqaZe<br />
Kaki Chirakadze<br />
sandro xuciSvili<br />
Sandro Khutsishvili<br />
163
164<br />
Cveni gansakuTrebuli<br />
madloba<br />
besarion abesaZes<br />
vano arseniSvils<br />
baCana afxazavas<br />
qeTi babunaSvils<br />
gia bazRaZes<br />
ilia beqaurs<br />
arsen geldiaSvils<br />
iamze gvaTuas<br />
erika gregors<br />
ulrix gregors<br />
qeTevan egaZes<br />
Stefan vakvics<br />
Jil karasos<br />
Tamar kvesitaZes<br />
nuci kircxalias<br />
guga kotetiSvils<br />
levan koRuaSvils<br />
Tornike lorTqifaniZes<br />
revaz maxaTaZes<br />
marina mizandars<br />
nino orjonikiZes<br />
Temur ugulavas<br />
maia fanjikiZes<br />
aleqsandre farulavas<br />
erekle furcelaZes<br />
aka qavTaraZes<br />
irina qurTiSvils<br />
veriko SarabiZes<br />
Tamar Sengelias<br />
ia Sengelias<br />
boris Sulmans<br />
Tamar CixraZes<br />
Salva CubiniZes<br />
giorgi wiqariSvils<br />
irakli Wanturias<br />
THANKS AND<br />
APPRECIATION TO<br />
Besarion Abesadze<br />
Bachana Apkhazava<br />
Vano Arsenishvili<br />
Keti Babunashvili<br />
Gia Bazghadze<br />
Ilia Bekauri<br />
Gilles Carasso<br />
Irakli Chanturia<br />
Tamar Chikhradze<br />
Shalva Chubinidze<br />
Ketevan Egadze<br />
Arsen Geldiashvili<br />
Erika Gregor<br />
Ulrich Gregor<br />
Iamze Gvatua<br />
Aka Kavtaradze<br />
Nutsi Kirtskhalia<br />
Levan Koghuashvili<br />
Guga Kotetishvili<br />
Irina Kurtishvili<br />
Tamar Kvesitadze<br />
Tornike Lortkipanidze<br />
Revaz Makhatadze<br />
Marina Mizandari<br />
Nino Orjonikidze<br />
Maia Panjikidze<br />
Alexandre Parulava<br />
Erekle Purtseladze<br />
Veriko Sharabidze<br />
Ia Shengelia<br />
Tamar Shengelia<br />
Boris Shulman<br />
Giorgi Tsikarishvili<br />
Temur Ugulava<br />
Stephan Wackwitz