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What are the advantages and disadvantages of a musical education ...

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families can’t afford to send <strong>the</strong>m to private schools. ‘Valentine’s (1962) study, which was<br />

discussed earlier, showed that ‘preparatory school’ children showed greater evidence <strong>of</strong><br />

<strong>musical</strong> acculturation than <strong>the</strong>ir ‘elementary school’ counterparts; this result is almost<br />

certainly mediated by social class’ (Hargreaves, 1986, P.103). These results imply that <strong>the</strong><br />

reason <strong>the</strong> preparatory children showed a greater level <strong>of</strong> <strong>musical</strong> acculturation was down to<br />

<strong>the</strong>ir social class.<br />

Music can <strong>of</strong>ten be an expensive hobby, especially for families who have more than one<br />

child. Musical instruments sometimes costing hundreds <strong>of</strong> pounds <strong>and</strong> lessons that now r<strong>are</strong>ly<br />

cost less than fifteen pounds for half an hour may not be affordable or accessible to all<br />

families. This leads to <strong>the</strong> conclusion that <strong>the</strong> accusation <strong>of</strong> music causing social divides may<br />

not be too far from <strong>the</strong> truth. Just like many o<strong>the</strong>r subjects within <strong>the</strong> creative arts it is now<br />

extremely difficult to progress without some form <strong>of</strong> training, which in today’s society r<strong>are</strong>ly<br />

comes cheap. There <strong>are</strong> now bursaries <strong>and</strong> scholarships that can be awarded to talented<br />

students who can’t afford to pay for <strong>the</strong> <strong>education</strong> required for <strong>the</strong>m to progress in <strong>the</strong>ir art.<br />

However <strong>the</strong>se bursaries <strong>and</strong> scholarships cannot be awarded to every student; <strong>the</strong>refore, <strong>the</strong><br />

idea <strong>of</strong> social divides still has prominence. Due to lack <strong>of</strong> funding <strong>and</strong> resources many state<br />

schools <strong>are</strong> not able to provide <strong>the</strong> same <strong>musical</strong> facilities as <strong>are</strong> available in private schools.<br />

‘Children who listened to Mozart before taking a test performed better. The catch? The<br />

effects only lasted about 20 minutes. O<strong>the</strong>r research may have been skewed by socioeconomic<br />

differences between kids who attend schools with music programs <strong>and</strong> kids whose<br />

schools can’t afford <strong>the</strong>m’ (Boyd, 2008). This quote suggests that children who listen to<br />

Mozart before taking tests performed better but it also implies that <strong>the</strong>re were recognizable<br />

differences in children that attended schools with music programs <strong>and</strong> those that attended<br />

schools that can’t afford <strong>the</strong>m.<br />

This point leads society to ask <strong>the</strong> question, do all children have <strong>the</strong> same opportunities when<br />

it comes to music? <strong>What</strong> children do outside <strong>of</strong> school is really down to <strong>the</strong> p<strong>are</strong>nts <strong>and</strong><br />

society cannot really argue with that. However when it comes to music <strong>education</strong> in schools<br />

is it fair that not all children have <strong>the</strong> same opportunities? ‘In <strong>the</strong>se days, it is doubtful that<br />

any child may reasonably be expected to succeed in life if he is denied <strong>the</strong> opportunity <strong>of</strong> an<br />

<strong>education</strong>. Such an opportunity, is a right which must be made available to all on equal<br />

terms’ (Weintraub. Abeson, 1972). This quote from a law review written by Frederic J.<br />

Weintraub <strong>and</strong> Alan R. Abeson outlines <strong>the</strong> fact that <strong>education</strong> is a right <strong>of</strong> all children <strong>and</strong><br />

should be given out equally. If all children <strong>are</strong> entitled to an equal <strong>education</strong> <strong>the</strong>n perhaps<br />

<strong>the</strong>re should be greater consideration <strong>and</strong> action taken to ensure that all schools <strong>are</strong> giving<br />

<strong>the</strong>ir pupils a fair <strong>and</strong> equal <strong>education</strong> in music <strong>and</strong> <strong>of</strong>fering <strong>the</strong>m <strong>the</strong> same <strong>musical</strong><br />

opportunities. In <strong>the</strong> United States it was made law that no child should have greater priority<br />

in terms <strong>of</strong> <strong>education</strong> than any o<strong>the</strong>r child. ‘The Supreme Court <strong>of</strong> <strong>the</strong> United States ruled<br />

illegal <strong>the</strong> provision <strong>of</strong> <strong>education</strong> services to any child on a basis unequal to that provided<br />

any o<strong>the</strong>r child’ (Weintraub. Abeson, 1972). This quote isn’t just implying that all children<br />

have <strong>the</strong> right to be educated but also that <strong>the</strong> services provided within <strong>education</strong> should be<br />

equal to all children.<br />

Music Education in Regard to Children CM6002 Emily McGregor 163930<br />

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