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What are the advantages and disadvantages of a musical education ...

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<strong>musical</strong> activities in which <strong>the</strong> children took part helped to build confidence, creativity, <strong>and</strong><br />

concentration. The ages <strong>of</strong> <strong>the</strong> children ranged from three to six but even <strong>the</strong> youngest <strong>of</strong><br />

children were able to pick up <strong>the</strong> songs <strong>and</strong> join in with <strong>the</strong> rhythm exercises.<br />

Throughout <strong>the</strong> event <strong>the</strong>re were <strong>of</strong>ten occasions where <strong>the</strong> children had to sh<strong>are</strong> <strong>the</strong><br />

instruments with one ano<strong>the</strong>r <strong>and</strong> as <strong>the</strong> day went on it was evident that <strong>the</strong> children became<br />

more willing to sh<strong>are</strong> <strong>and</strong> help one ano<strong>the</strong>r. At <strong>the</strong> start <strong>of</strong> <strong>the</strong> event <strong>the</strong>re were fears that <strong>the</strong><br />

children would lack focus <strong>and</strong> become easily distracted, but this wasn’t <strong>the</strong> case. The children<br />

seemed enchanted <strong>and</strong> excited to get involved with <strong>the</strong> activities. Even <strong>the</strong> children that<br />

seemed unwilling to join in at <strong>the</strong> start soon felt comfortable <strong>and</strong> were <strong>the</strong>n able to get<br />

involved. Once <strong>the</strong> children had been introduced to all <strong>the</strong> different <strong>and</strong> fun aspects <strong>of</strong> music<br />

<strong>the</strong>y became inquisitive <strong>and</strong> eager to learn more.<br />

The experiment was extremely informative <strong>and</strong> eye opening. The <strong>musical</strong> activities helped<br />

<strong>the</strong> children to become more confident, <strong>the</strong>y were able to work well with o<strong>the</strong>rs, <strong>and</strong> listen<br />

<strong>and</strong> respond to <strong>the</strong> music while at <strong>the</strong> same time having fun. At <strong>the</strong> end <strong>of</strong> <strong>the</strong> event p<strong>are</strong>nts<br />

were able to buy <strong>the</strong> different <strong>musical</strong> storybooks <strong>and</strong> CDs so that <strong>the</strong>ir children could<br />

continue learning <strong>and</strong> having fun with music at home. The response was overwhelming with<br />

every single p<strong>are</strong>nt purchasing <strong>the</strong> merch<strong>and</strong>ise. This proved that if music can be made fun<br />

<strong>and</strong> accessible for all families <strong>the</strong>n p<strong>are</strong>nts would be willing to introduce <strong>the</strong>ir children to<br />

music. Music events such as <strong>the</strong>se can have a positive effect not only on <strong>the</strong> children but also<br />

on <strong>the</strong> p<strong>are</strong>nts as it gives <strong>the</strong>m an opportunity to see how well <strong>the</strong>ir young children respond<br />

<strong>and</strong> learn through music.<br />

Dis<strong>advantages</strong><br />

A frequently asked question surrounding music for babies is - what type <strong>of</strong> music should I<br />

play to my baby? There <strong>are</strong> many different opinions surrounding this subject. People agree<br />

that it is important to choose stimulating <strong>and</strong> positive music for children to listen to, but what<br />

people regard as <strong>the</strong> right music is <strong>the</strong>n what causes a conflict <strong>of</strong> ideas. Many people believe<br />

that music written by well renowned classical composers such as Mozart is best, but Raimond<br />

Lap, creator <strong>of</strong> ‘Lovely Baby’, believes that this isn’t always <strong>the</strong> case. ‘Contrary to what most<br />

people believe, you should not play classical music for babies, as it was originally intended<br />

for grownups. Most recordings <strong>are</strong> too fast <strong>and</strong> too intense to be absorbed by a baby in a<br />

good way. However, by changing <strong>the</strong> orchestration <strong>and</strong> tempo, classical music can be<br />

successfully adapted for babies, <strong>of</strong>fering wonderful benefits’ (Lap, 2002). In an article written<br />

by S. Jhoanna Robledo she interviews Rosalie Pratt, a pr<strong>of</strong>essor <strong>of</strong> music medicine at<br />

Brigham Young University, who argues that you should let young children listen to whatever<br />

<strong>the</strong>y like <strong>and</strong> that you should experiment with several different styles <strong>of</strong> music.<br />

Music Education in Regard to Children CM6002 Emily McGregor 163930<br />

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