What are the advantages and disadvantages of a musical education ...
What are the advantages and disadvantages of a musical education ...
What are the advantages and disadvantages of a musical education ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
subjects taught in primary schools. Singing can be an effective way <strong>of</strong> learning times tables<br />
<strong>and</strong> it can also be used as part <strong>of</strong> a story or relaxation time. During creative subjects such as<br />
art, music could be played to help contribute to a creative environment. ‘Within <strong>the</strong> school<br />
setting music has an almost unique capacity for integrating aspects <strong>of</strong> different disciplines,<br />
since by its nature it has things in common with every o<strong>the</strong>r subject <strong>are</strong>a’ (Glover, 2004, P.9).<br />
Music can play a part in almost every o<strong>the</strong>r subject in <strong>the</strong> curriculum as it can contribute to<br />
elements in subjects such as Ma<strong>the</strong>matics, Science, Language <strong>and</strong> Literacy, <strong>and</strong> Physical<br />
Education. Some children find it easy to underst<strong>and</strong> subjects such as Ma<strong>the</strong>matics <strong>and</strong><br />
Literacy while o<strong>the</strong>rs find it difficult <strong>and</strong> challenging to take in information in a st<strong>and</strong>ard<br />
classroom situation. Perhaps if music could be integrated into subjects such as Ma<strong>the</strong>matics<br />
those children who do struggle in a formal classroom situation might find it easier to learn<br />
<strong>and</strong> take in new information. Music is for everyone <strong>and</strong> just because a person isn’t<br />
accomplished at playing an instrument or singing it doesn’t mean that he or she isn’t a<br />
<strong>musical</strong> person. ‘Some people just don’t feel <strong>musical</strong> at all, or would hesitate in describing<br />
<strong>the</strong>mselves as such, perhaps because <strong>the</strong>y have no expertise on an instrument or because <strong>the</strong>y<br />
have been told <strong>the</strong>y can’t sing. Yet being <strong>musical</strong> is quite simply one aspect <strong>of</strong> being human.’<br />
(Glover, 2004, P.1)<br />
At primary school it is <strong>the</strong> normal custom for one teacher to teach all <strong>the</strong> required subjects to<br />
<strong>the</strong>ir class. It is that teacher’s responsibility to cover all <strong>of</strong> <strong>the</strong> subjects in <strong>the</strong> National<br />
Curriculum. Some primary school teachers have made it known that <strong>the</strong>y have worries <strong>and</strong><br />
<strong>are</strong> less confident when teaching subjects such a music when <strong>the</strong>y feel <strong>the</strong>y <strong>are</strong> not <strong>musical</strong>ly<br />
talented <strong>the</strong>mselves.<br />
‘Too <strong>of</strong>ten music teaching has assumed that music belongs to ‘musicians’ that only some <strong>are</strong><br />
<strong>musical</strong>’ (Glover, 2004, P.2). Some teachers have expressed views that music should be<br />
taught by a specialist teacher who comes into <strong>the</strong> school to take <strong>the</strong> lessons. However <strong>the</strong>re<br />
<strong>are</strong> problems with this solution. Music should be accessible to all pupils <strong>and</strong> by bringing in a<br />
specialist to take <strong>the</strong> class it gives <strong>the</strong> impression that perhaps music isn’t for everyone <strong>and</strong> is<br />
only for a talented <strong>and</strong> select few. People <strong>of</strong>ten forget that one <strong>of</strong> <strong>the</strong> most important parts <strong>of</strong><br />
being <strong>musical</strong> is to listen. From <strong>the</strong> day a person is born <strong>the</strong>y <strong>are</strong> surrounded by music. Music<br />
is played in hospitals, we listen to music when we eat, it is used in films <strong>and</strong> <strong>the</strong>atre, played<br />
on airplanes, buses, <strong>and</strong> radio. In everyday human life people <strong>are</strong> constantly learning to listen.<br />
In his book ‘How Musical is Man?’ John Blacking discusses how society has become caught<br />
up in believing that only some <strong>are</strong> <strong>musical</strong>, when in fact <strong>the</strong> very art <strong>of</strong> music wouldn’t exist<br />
without <strong>the</strong> ability to listen:<br />
“My” society claims that only a limited number <strong>of</strong> people <strong>are</strong> <strong>musical</strong>, <strong>and</strong> yet it behaves as if<br />
all people possessed <strong>the</strong> basic capacity without which no <strong>musical</strong> tradition can exist-<strong>the</strong><br />
capacity to listen <strong>and</strong> distinguish patterns <strong>of</strong> sound’ (1973, P.8).<br />
Music Education in Regard to Children CM6002 Emily McGregor 163930<br />
11