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What are the advantages and disadvantages of a musical education ...

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neighbours. Languages were duly reinstated <strong>and</strong> primary schools <strong>are</strong> now legally obliged to<br />

provide a minimum <strong>of</strong> one hour a week <strong>of</strong> foreign language tuition. It will take a lot more<br />

than that to turn <strong>the</strong> British population into a country <strong>of</strong> linguists. However, music <strong>education</strong><br />

is not intended to produce a nation <strong>of</strong> musicians, but to provide an outlet for creativity <strong>and</strong><br />

expression, especially for those children who may be <strong>musical</strong>ly-starved at home. The fate <strong>of</strong><br />

music will not be announced until <strong>the</strong> spring <strong>of</strong> 2013. The talks <strong>of</strong> ab<strong>and</strong>oning music from<br />

<strong>the</strong> National Curriculum have caused much upset <strong>and</strong> <strong>the</strong>re <strong>are</strong> now campaigns starting to<br />

ensure that music remains a compulsory subject in schools. ‘It is absolutely vital that we<br />

campaign hard between now <strong>and</strong> <strong>the</strong> end <strong>of</strong> April to ensure that Music remains a compulsory<br />

National Curriculum subject’ (Savage, 2011).<br />

An article by E. C. Wragg on primary teachers <strong>and</strong> <strong>the</strong> National Curriculum discusses some<br />

<strong>of</strong> <strong>the</strong> worries primary teachers <strong>are</strong> having with teaching to <strong>the</strong> st<strong>and</strong>ards expected by <strong>the</strong><br />

curriculum. ‘In general teachers were not opposed to <strong>the</strong> national curriculum, but <strong>the</strong>re were<br />

numerous references to <strong>the</strong> short timescale, <strong>the</strong>ir fears about shortage <strong>of</strong> resources, <strong>the</strong><br />

personal strain that many felt, especially heads, <strong>and</strong> anxiety about assessment’ (1989). This<br />

lack <strong>of</strong> confidence shown by primary school teachers could possibly be drawn from <strong>the</strong> fact<br />

that primary schools <strong>are</strong>n’t using music effectively in <strong>the</strong> class room situation. Perhaps <strong>the</strong><br />

debate shouldn’t be whe<strong>the</strong>r or not to have music as part <strong>of</strong> <strong>the</strong> National Curriculum, but how<br />

music can be used more effectively to benefit pupils in primary schools. ‘The commercial<br />

music world <strong>of</strong>fers, at <strong>the</strong> touch <strong>of</strong> a switch, a dazzling array <strong>of</strong> polished performers <strong>and</strong><br />

recordings by pr<strong>of</strong>essional composers, song-writers <strong>and</strong> musicians. Amateur music, in<br />

orchestras, b<strong>and</strong>s <strong>and</strong> choirs, also dem<strong>and</strong>s a high level <strong>of</strong> performance’ (Glover, 2004, P.1).<br />

With this perception <strong>of</strong> music it is easy to underst<strong>and</strong> how teachers may find it hard to see<br />

how music could really have an effective impact in a primary school classroom situation.<br />

However Joanna Glover writes:<br />

‘Music should take its place in <strong>the</strong> picture alongside <strong>the</strong> more formal aspects <strong>of</strong> <strong>musical</strong><br />

composition <strong>and</strong> performance. The curriculum must allow for <strong>the</strong> breadth <strong>of</strong> <strong>the</strong> role that<br />

music plays within ‘ordinary’ life for everyone’ (Glover, 2004, P.1).<br />

Becoming aw<strong>are</strong> that music is a part <strong>of</strong> everyone’s everyday life (<strong>and</strong> not just for talented<br />

musicians) could help to build confidence in teaching music to children. It could also inspire<br />

new <strong>and</strong> less formal ways <strong>of</strong> teaching that <strong>are</strong> no less effective than <strong>the</strong> more old fashioned<br />

<strong>and</strong> traditional ways that have been used in <strong>the</strong> past. It is important to remember that at<br />

primary school age all children develop at different stages. Some children may learn to write<br />

<strong>the</strong>ir names faster than o<strong>the</strong>rs <strong>and</strong> some may be able to draw well, while o<strong>the</strong>rs may struggle<br />

with those same skills. If a group <strong>of</strong> primary school children were asked to draw a picture <strong>of</strong><br />

an object, <strong>the</strong> drawings would all look very different. They would be different shapes, sizes,<br />

<strong>and</strong> colours. Some would be neat <strong>and</strong> o<strong>the</strong>rs messy- just because <strong>the</strong>y were different it<br />

wouldn’t make one child right <strong>and</strong> ano<strong>the</strong>r wrong. The same principle applies with music; all<br />

children will interpret music in different ways <strong>and</strong> it is important to allow young children to<br />

express <strong>the</strong>mselves <strong>and</strong> learn through experimentation. ‘All music has its roots in <strong>the</strong><br />

activities <strong>of</strong> ordinary daily human living’ (Glover, 2004, P.2). Music can be used in o<strong>the</strong>r<br />

Music Education in Regard to Children CM6002 Emily McGregor 163930<br />

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